Behringer MIC200 User Manual

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INPUT OUTPUT
User Manual
TUBE ULTRAGAIN MIC200
Audiophile Vacuum Tube Preamplier with Preamp Modeling Technology
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2 TUBE ULTRAGAIN MIC200 User Manual
Table of Contents
Thank you ............................................................................................ 2
Important Safety Instructions ........................................................... 3
Legal Disclaimer .................................................................................. 5
Limited Warranty ................................................................................ 5
1. Introduction .................................................................................... 6
1.1 The design concept ...................................................................................... 6
1.2 Online registration ....................................................................................... 7
2. Control Elements ............................................................................ 8
2.1 User interface ................................................................................................. 9
2.2 Rear panel ......................................................................................................12
3. Wiring Examples .......................................................................... 13
3.1 Enhancing vocals and instruments in
live applications ..................................................................................................13
3.2 “Direct to Disk” application in studio or
homerecording environments ......................................................................14
3.3 The MIC200 as DI-box ............................................................................... 15
4. Audio Connectors ........................................................................ 16
5. Specications ............................................................................... 18

Thank you

Thank you for the condence you have placed in us by purchasing the MIC20 0.
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Caution
Do not use this apparatus near water.

Important Safety Instructions

Terminals marked with this symbol carry electrical
current of su cient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. Allother installation or modi cation should be performed only by quali edpersonnel.
This symbol, wherever it
appears, alertsyou to the
presence of uninsulated dangerous voltage inside the enclosure-voltage that may be su cient to constitute a risk ofshock.
This symbol, wherever it
appears, alertsyou to
important operating and maintenance instructions in the accompanying literature. Please read themanual.
To reduce the risk of electric
shock, donot remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to quali ed personnel.
Caution
To reduce the risk of  re or
electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects  lled with liquids, suchas vases, shall be placed on the apparatus.
Caution
These service instructions
are for use by quali ed service personnel only. Toreduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by quali ed servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5.
6. Clean only with dry cloth.
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7. Do not block any ventilation
13. Unplug this apparatus during
openings. Install in accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampli ers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. Apolarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. Ifthe provided plug does not  t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by themanufacturer.
12. Use only with the cart, stand, tripod, bracket, or table speci ed
by the manufacturer, orsold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.
lightning storms or when unused for long periods of time.
14. Refer all servicing to quali ed service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has beendropped.
15. The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
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MEANS, ELECTRONIC OR MECHANICAL,

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED. BEHRINGER, KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND ARE PART OF THE MUSIC GROUP MUSICGROUP.COM. ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION, PHOTOGRAPH OR STATEMENT CONTAINED HEREIN. COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. MUSICGROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. FULLFILLERSAND RESELLERS ARE NOT AGENTS OF MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR REPRESENTATION. THIS MANUAL IS COPYRIGHTED. NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY
INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FORANY PURPOSE, WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSICGROUPIPLTD.
ALL RIGHTS RESERVED. © 2013 MUSICGroupIPLtd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands

LIMITED WARRANTY

For the applicable warranty terms and conditions and additional information regarding MUSICGroup’s Limited Warranty, pleasesee complete details online at www.music-group.com/warranty.
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1. Introduction

With the MIC20 0, you have purchased an extremely musical mic preamp that is equipped with a 12AX7 vacuum tube. Thanks to BEHRINGER’s preamp modeling, its main advantages are the number of preamp settings you can select. Additionally, features like an integrated limiter, phase revers e function, phantom power supply, highly accurate LED meter, switchable pad func tion and low cut lter make the MIC200 a ver y powerful piece of equipment.

1.1 The design concept

The heart of the TUBEULTRAGAIN is an ex tremely low-noise microphone preamp circuitr y that uses discrete components and produces a highly trans-parent sound. In combination with our BEHRINGER tube te chnology, the operational ampliers 4580 and a sophisticated circuit topolo gy, the TUBEULTRAGAIN y ields excellent noise and distor tion properties. The innovative UTC circuitr y that has been developed by our engineering team oers an abundance of sound-shaping possibilities. Absolu te musicality was our major goal when we designed the TUBE ULTRAGAIN. The result is a device that, thanks to our tube circuitry, lends an incredible punch to percussion instruments. On the other hand, instruments that are rich in upp er harmonics will receive more transparency. The sound will be warm, detailed and brilliant.
Surely you know the recording problem that single instruments or vocals sometimes don’t cut through. Thanks to the TUBEULTRAGAIN, vocals gain in presence and volume without masking other instruments. As a result, your voice will be perfectly integrated in the mix.
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1.2 Online registration

Please regis ter your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of our warranty carefully.
Should your BEHRINGER product malfunc tion, it is our intention to have it repaired as quickly as possible. To arrange for warrant y service, please contact the BEHRINGER retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may direc tly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contac t Information/European Contact Information). Should your country not be listed, please contac t the distributor nearest you. A list of distributors can be found in the support area of our website (http://behringer.com).
Registering your purchase and equipment with us helps us process your repair claims more quickly and eciently.
Thank you for your cooperation!
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2. Control Elements

INPUT OUTPUT
Fig. 2.1: User inter face of the MIC 200
(9)(1) (2) (4) (5) (6) (7) (3) (8)
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2.1 User interface

(1) The GAIN control allows you to control the gain from +26 to +60 dB to
the input signal. This control should be set all theway to the lef t when (dis) connecting a sound source from the MIC200. When all connections are made, slowly star t raising the gain control.
(2) We recommend using the LED meter to adjus t gain. The LED chain displays the
output signal level in dB. Please make sure that the clip LED never lights up permanently. It should light up only at p eak signals, but it should never be on all the time.
(3) If your MIC200 is connected to the mains via the enclosed power supply unit,
the POWER LED lights up to indicate that your MIC200 is r unning.
(4) The 20 dB PAD switch reduces the input sensitivity by 20 dB (switchpressed).
The appropriate setting depends on the equipment connected. Generally speaking, lower ing the signal level in mic applications is not recommended. No matter what your application is, the clip LED warns you to reduce the gain setting to avoid distortion.
(5) This +48 V s witch activates the phantom power supply for the XLR input.
Phantom power supply is required for operating condenser microphones. Dynamic microphones require no phantom power.
(6) Press the LOW CUT switch to eliminate undesired subsonic noise, such as
oor rumble.
(7) With the PHASE REVERSE switch, the input signal is reversed by 180°.
This func tion is available for both mic and line signals. Use this function in a multi-mic rophone setup if you detect phase c ancellations in specic frequency bands.
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(8) The OUTPUT cont rol governs the output level within a range from
-∞to+10dB. If the control is turned all the way to the lef t, there is no output signal at all. The more the control is tur ned to the right, the higher the output level.
(9) The PREAMP MODE rotary switc h gives you a wide selection of
preamppresets. The options available are: WARM, WARM/LIMITER, LIMITERandNEUTRAL :
WARM (moving clockwise, starting at 9 o’clock):
These set tings make sense if you wish to add that typical warmth associated with analog signals.
• KE YB: For electronic keybo ard instruments of all t ypes
• E-GTR: Elec tric guitar
• VOCAL: Speech and vocals
• VALVE: Warm, analog tube sound
WARM + LIMITER (moving cloc kwise, starting at 12o’clock):
Use these settings when working with high volumes or with sounds with fre quent signal peaks, and if direc tly recording an instr ument with a mic (e. g. drums) to insert additional warmth.
• MULTI: Various applications
• VOCAL: Speech and vocals
• A-GTR: Acoustic guitar
• PIANO: Piano/grand piano
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LIMITER (moving clockwise, starting at 3 o’clock):
Select these set tings if you wish to use the limiter funct ion without adding tube warmth.
• BASS: Bass guitar
• A-GTR: Acoustic guitar
• PERC: Percussion and dr ums
• LIMIT: Neutral limiter setting
NEUTRAL (moving clockwise, star ting at 6 o’clock):
These set tings are ideal for neutral and natural sound reproduction without limiter and without tube sound.
• NEUTRAL: Neutral sound setting
• VOCAL: Optimize d setting for speech and vocals
• GUITAR: Optimized setting for guitars and guitar amps
• BASS: Optimized setting for electr ic bass guitar
◊ Since presets cannot cover all possible applications, experiment with
different set tings until you find those that work best for you. Think of presets as the starting points for your sound configuration.
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2.2 Rear panel

(12)
Fig. 2.2: T he rear panel of yo ur MIC200
(10) The balanced ¼" TRS INPUT of your MIC200 can be used to connec t your
electr ic guitar, for example. This input is wired parallelly to the XLR input.
Ideally, the balanced XLR INPUT should be used to connecta microphone.
◊ In contrast to its outputs, the MIC200’s inputs should never be
used simultaneously!
(11) This is the balanced XLR OUTPUT of your MIC200. Use this conne ctor to feed the
XLR input of your mixing console, multitrac k recorder or power amp.
The balanced ¼" TRS OUTPUT of your MIC200 can also be connected to a mixer, recording system or power amp.
(12) Use the POWER SUPPLY CONNECTOR to hook up the enclosed power supply
unit. Nex t to this connector you’ll nd the strain relief clamp, which prevents accidental release of the power supply.
The device’s SERIAL NUMBER is found on the bottom side of the unit.
(11)
(10)
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3. Wiring Examples

You’ll be surprised how exibly you can set up your MIC200. The following chapter describes some typical wiring examples.

3.1 Enhancing vocals and instruments in live applications

Here, the MIC200 is wired bef ore the mixer’s channel input. Thus, the sound gains in warmth and transparenc y. Thank s to the limiter setting f or vocals (VOCAL), distortion is eliminate d eectively.
XLR-input XLR-output Microphone input
INPUT OUTPUT
Fig. 3.1: Standard li ve applicati on
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3.2 “Direct to Disk” application in studio or homerecording environments

If you are looking for a device that considerably enhances the s ound of your digital workst ation, this is where the MIC200 comes in. Many hard disk recorders lack a certain “liveliness”. In addition, they are of ten equipped with “lous y” microphone preamps. Such p roblems can be solved per fectly with the MIC200.
¼" TRS outputXLR input
INPUT OUTPUT
Fig. 3.2: Con nection of t he MIC200 and t he soundcar d of your PC
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3.3 The MIC200 as DI-box

Your MIC200 is excellently suited for this application. For example, you can connect an unbalanced acoustic guit ar signal to the MIC200 to prevent hum or interf erence noise. What you get is a balanced, noise-free signal.
¼" TRS output
Fig. 3.3: The MI C200 as DI-b ox
¼" TRS input
INPUT OUTPUT
XLR output
Insert
Microphone input
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4. Audio Connectors

Balanced use with XLR connectors
1
12
3
2
3
input
1 = ground/shield 2 = hot (+ve) 3 = cold (-ve)
Fig. 4.1: XLR connec tors
Unbalanced ¼" TS connector
Fig. 4.2: ¼" TS co nnector
output
For unbalanced use, pin 1 and pin 3 have to be bridged
strain relief clamp
sleeve
tip
sleeve
(ground/shield)
tip
(signal)
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Balanced ¼" TRS connector
strain relief clamp
sleeve ring tip
sleeve
ground/shield
ring
cold (-ve)
tip
hot (+ve)
For connection of balanced and unbalanced plugs, ring and sleeve have to be bridged at the stereo plug.
Fig. 4.3: ¼" TRS co nnector
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5. Specications
Audio Inputs
XLR Input
Connector balanced / unbalanced
Type transformerless, DC- decoupledinput
Impedanc e approx. 2k Ω
Max. inpu t level +7dBu / -20 dB with pad
¼" TRS Input
Connector balanced / unbalanced
Type transformerless, DC- decoupledinput
Impedanc e approx. 1MΩ
Max. inpu t level +16dBu / -20 dB wi th pad
E.I.N.1 (20 Hz - 20 kHz)
@ 0Ω source re sistance -125.5dBu / -128.5dB u A-weighted
@ 150Ω source resi stance -124dBu / -126.8dBu A-wei ghted
@ 600Ω sour ce resistance -120dBu / -122.7dBu A- weighted
Audio Outputs
Connec tors XLR conne ctor + ¼" TRS jack balance d / unbalanced
Type transformerless, DC-decoupledoutput
Impedanc e approx. 70 0Ω balanced, approx.350Ω u nbalanced
Max. out put level approx. +26dBu @ 100kΩ
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System Da ta
Signal-to -noise ratio 90dB A-weig hted @ -28dBu inputlevel
Frequency Response
Mic input <10Hz to 47kHz (±3dB)
Line inpu t <10Hz to 55kHz (±3dB)
Function Controls
GAIN variable (+26dB to +60dB)
OUTPUT variable (-∞ t o +10dB)
Preamp mod e control selec tion of various pre amp settings f or microphone
andinstruments
Function Switches
20 dB PAD level at tenuation (20dB)
+48 V activ ates the phantom powe r
LOW CUT High pass l ter (cut-ofreque ncy90Hz)
PHASE REVER SE Ph ase reverse (180°)
Indicators
Input Level 8-segm ent LED meter:
-24, -18, -12, -6, 0, +6, +12, Cli p
Power LED indic ates operation
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Power Supply
Mains Voltage
USA/Canad a 120V~, 60Hz
Europe/ U.K./Australia 230V~, 50Hz
China 220V~, 50Hz
Korea 220V~, 60Hz
Japan 100V~, 50 / 60Hz
Mains conne ctor exter nal power supply 9V~ / 1300mA
Physic al / Weight
Dimensio ns (H x W x D) approx . 2.5 x 5.3 x 5.3" / 64x 135x 135mm
Weight (witho ut power supply) ap prox. 1.0kg
1
Equivalent Input Noise
BEHRING ER is constant ly strivin g to maintain the h ighest prof essional st andards. As a r esult of thes e effor ts, modifi cations may be m ade from tim e to time to exis ting produc ts withou t prior notice . Specific ations and app earance may dif fer from tho se listed or illu strated.
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