Behringer DeepMind 12 User Manual

User Manual

DeepMind 12

True Analog 12-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Sequencer, Tablet Remote Control and Built-In WiFi

2 DeepMind 12 User Manual

Table of Contents

Thank you........................................................................ 2

Important Safety Instructions ...................................... 3

Legal Disclaimer ............................................................. 3

Limited warranty ............................................................ 3

About the DeepMind 12 ................................................. 4

1. Introduction ...............................................................5

2. Features ...................................................................... 5

3. Controls ...................................................................... 7

4. Program Management ............................................ 11

5. Playing Guide ........................................................... 15

6. Signal Path / Voice Structure ................................. 17

7. Menu System ............................................................19

8. Programming ........................................................... 36

9. E ects Reference Guide ..........................................79

10. Short-cuts ............................................................. 102

11. Applications ......................................................... 103

12. DAW MIDI Con guration .....................................108

13. System Block Diagram ........................................ 109

14. Connection Wiring Diagrams ............................. 111

15. Technical Speci cations ...................................... 112

16. MIDI Commands .................................................. 113

17. MIDI NRPN Commands ........................................ 117

18. Global Commands ...............................................120

19. MIDI SysEx Commands ........................................121

20. Firmware Update ................................................. 127

21. Troubleshooting ..................................................127

22. Bootloader Menu .................................................128

23. De nition of Terms .............................................. 129

24. Appendix 1 - Octave Shifting ............................. 133

25. Appendix 2 - ARP/SEQ/LFO Sync Timing ........... 133

Thank you

Thank you very much for expressing your con dence in BEHRINGER products by purchasing the DeepMind 12 analog polyphonic synthesizer—our True Analog 12-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Sequencer, Tablet Remote Control and Built-In Wi-Fi.

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Important Safety Instructions

Terminals marked with this symbol carry electrical current of su cient magnitude

to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. Allother installation or modi cation should be performed only by quali edpersonnel.

This symbol, wherever it appears,

alertsyou to the presence of uninsulated

dangerous voltage inside the enclosure-voltage that may be su cient to constitute a risk ofshock.

This symbol, wherever it appears,

alertsyou to important operating and

maintenance instructions in the accompanying literature. Please read the manual.

Caution

To reduce the risk of electric shock, donot

remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to quali ed personnel.

Caution

To reduce the risk of  re or electric shock,

do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects  lled with liquids, suchas vases, shall be placed on the apparatus.

Caution

These service instructions are for use

by quali ed service personnel only. Toreduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by quali ed servicepersonnel.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer’s instruc tions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampli ers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. Ifthe provided plug does not  t into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Use only attachments/accessories speci ed by themanufacturer.

12. Use only with the cart, stand, tripod, bracket, or table speci ed by the manufacturer, orsold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid

injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to quali ed service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has beendropped.

15. The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection.

16. Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

17. Correct disposal of this product: This symbol indicates that this product must not be disposed of with household waste, according to the WEEE Directive (2012/19/EU) and

your national law. This product should be taken to a collection center licensed for the recycling of waste electrical and electronic equipment (EEE). The mishandling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE. At the same time, your cooperation in the correct disposal of this product will contribute to the e cient use of natural resources. For more information about where you can take your waste equipment for recycling, please contact your local city o ce, or your household waste collection service.

18. Do not install in a con ned space, such as a book case or similar unit.

19. Do not place naked  ame sources, such as lighted candles, on the apparatus.

20. Please keep the environmental aspects of battery disposal in mind. Batteries must be disposed-of at a battery collection point.

21. Use this apparatus in tropical and/or moderate climates.

LEGAL DISCLAIMER

MUSIC Group accepts no liability for any loss which may be su ered by any person who relies either wholly or in part upon any description, photograph, or statement contained herein. Technical speci cations, appearances and other information are subject to change without notice. All trademarks are the property of their respective owners. MIDAS, KLARK TEKNIK, LAB GRUPPEN, LAKE, TANNOY, TURBOSOUND, TC ELECTRONIC, TC HELICON, BEHRINGER, BUGERA and DDA are trademarks or registered trademarks of MUSIC Group IP Ltd. © MUSIC Group IP Ltd. 2017 All rights reserved.

LIMITED WARRANTY

For the applicable warranty terms and conditions and additional information regarding MUSIC Group’s Limited Warranty, please see complete details online at music-group.com/warranty.

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About the DeepMind 12

The DeepMind 12 is a True Analog 12-Voice Polyphonic Synthesizer with TC ELECTRONIC / KLARK TEKNIK FX and iPad Remote Control.

The DeepMind 12 was created to serve the creative needs of players, performers, artists, sound designers, engineers and producers.

The DeepMind 12 o ers all the features of a traditional analog polyphonic synthesizer, and adds incredible new features to enhance and expand the creative possibilities.

• Classic polyphonic synthesizer with 12 true analog oscillators for insanely fat

and authentic sounds.

• 4 simultaneous world-class TC ELECTRONIC and KLARK TEKNIK FX with over

30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and multiband Distortion.

• 12 voices with 2 OSCs per voice with oscillator sync mode 2 LFOs per voice

with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering.

• 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes.

• Flexible 8-channel modulation matrix with 22 sources and 129 destinations

including e ects parameters.

• 32-step control sequencer with adjustable slew rate and MIDI sync.

• Full remote control via iPad*/PC/Mac and selected Android* Application over

USB, MIDI or built-in Wi-Fi for extended parameter control.

• CV/pedal input for connection to modular systems.

• Comprehensive MIDI implementation (including NRPN/CC control of all

parameters and bulk load/save).

• Integrated and con gurable Wi-Fi client / Access point allows easy and

secure connection to home network.

• 3-Year Warranty Program*.

• Designed and engineered in the U.K.

• 49 semi-weighted full-size keys featuring velocity sensitivity

and after-touch.

• Pure analog signal path with legendary IR3109-style VCFs and stereo VCAs.

• OSC 1 generates sawtooth and square/pulse waveforms with

pulse width modulation.

• OSC 2 generates square/pulse waveforms with tone modulation.

• Selectable dual slope 12/24 dB analog low pass  lter per voice with

adjustable resonance.

• Envelope faders seamlessly transform individual envelope segments

between linear, exponential and reverse exponential curves.

• Powerful unison and poly modes with detune, pan spread and drift

parameters featuring up to 12 voices per note.

• Global noise generator dramatically expands waveform generation.

• Incredible polyphonic portamento with  exible  xed rate,  xed time and

exponential pitch glide modes.

• Sophisticated arpeggiator with tap tempo button and user con gurable

pattern modes.

• Chord and Poly Chord memories enable polyphonic performances from

monophonic playing styles.

• Global variable 6 dB high pass  lter with bass boost switch.

• 26 sliders and one switch per function give direct and real-time access to all

important parameters.

• Spring-loaded pitch and assignable modulation wheels provide total

hands-on performance.

• LCD Display with encoder, navigation switches and data value fader for rapid

menu parameter editing and program selection.

• 1024 user program memories with "compare and match” feature to quickly

match all analog controls to values stored in program.

• Fully servo-balanced stereo outputs for highest signal integrity.

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1. Introduction

The DeepMind 12 is a True Analog 12-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Sequencer, Tablet Remote Control and Built-In Wi-Fi.

The DeepMind 12 was created to serve the creative needs of players, performers, artists, sound designers, engineers and producers.

The DeepMind 12 o ers all the features of a traditional analog polyphonic synthesizer, and adds incredible new features to enhance and expand the creative possibilities.

! This manual  rst describes the terminology used, so that

you understand the unit and its functions. Please read the manual carefully and keep it for future reference.

1.1 Before you get started

1.1.1 Shipment

The DeepMind 12 was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage, which may have occurred during transit.

2. Features

2.1 Voices

• Twelve independent Voices.

• Two discrete OSCs per voice.

• OSC 1 : Simultaneous Sawtooth and Pulse / Square function.

• OSC 2 : Square with Tone Mod wave shape function.

• Variable Pulse width (OSC1) Tone Mod (OSC2) manual and variable

modulation depth for each OSC.

• Hard sync option: oscillator 2 either syncs to oscillator 1 or can free run.

• Variable Pitch o set for OSC2 (+/- 1 octave) for harmonic richness.

• Three octave ranges per OSC, 16", 8", 4".

• OSC drift amount for controllable tuning instability.

• Unison modes (1,2,3,4,6,12 voice) with detune for huge sounds.

• Variable Oscillator 2 level.

2.2 Filters

• 2/4 pole resonant Midas Low-Pass Filter.

• Continuous High-Pass Filter frequency.

! If the unit is damaged, please do NOT return it to us, but

notify your dealer and the shipping company im mediately, otherwise claims for damage or replacement may not be granted.

1.1.2 Initial operation

Be sure that there is enough space around the unit for cooling purposes and, to avoid over-heating, please do not place the DeepMind 12 on high-temperature devices such as radiators or power amps.

* Blown fuses must only be replaced by fuses of the same

type andrating!

The console is connected to the mains via the supplied cable. It meets the required safety standards.

◊ Please make sure that all units have a proper ground connection.

For your own safety, never remove or disable the ground conductor from the unit or the AC power cord.

1.2 The product manual

The product manual is designed to give you both an overview of the DeepMind 12 analog polyphonic synthesizer, as well as detailed information on each of the controls and parameters. You will  nd an overview of the physical control elements in the next chapter.

• LP Filter can be driven into self-oscillation.

• Switchable Bi-polar  lter envelope depth.

• Variable Keyboard / Frequency tracking.

• Switchable +12 db Bass Boost for massive low end.

2.3 Envelopes

• Dedicated VCA, VCF and auxiliary (MOD) envelope Four-stage (ADSR) envelope generator with continuously variable curves for unique  exibility.

• Trigger modes (Key, Loop, Control Sequencer, LFO1, LFO2).

2.4 LFO

• Two LFOs per voice.

• Variable slew rate.

• Mono / Poly / Spread modes for linking and unlinking LFO phase across

voices.

• High maximum LFO rate for cross mod type e ects.

• Sine, Triangle, Square, Ramp Up, Ramp Down, Sample and Hold,

Sample and Glide.

• Key Sync on/o .

• Clock sync (internal or external MIDI clock).

1.3 Preparation

! Remember to turn your monitors / loudspeakers on last

when powering up your system, and turn your monitors / loudspeakers o  rst when powering down your system.

• Delay and Fade in Per LFO.

• High maximum LFO rate which can track note number via mod matrix for

cross mod type e ects.

2.5 VCA

• Stereo VCA per voice with overall pan spread control and individual voice

pan modulation.

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2.6 E ects

• Over 30 high grade studio quality chainable e ects.

• E ects from TC Electronic, Behringer X32 and Midas Consoles.

• 4 E ects per Program.

• True b ypass.

• Tap Tem po.

• Many e ect parameters are a destination in the Mod Matrix allowing endless

possibilities.

• 10 di erent E ects con gurations including shimmer routings with

feedback.

• TC-DeepVRB, Ambience, Room Rev, VintageRm, Hall Rev, Chamber Rev, Plate

Rev, Rich Plate, Gated Rev, Reverse, ChorusVerb, DelayVerb, FlangeVerb, 4Band EQ, Enhancer, FairComp, MulBndDist, RackAmp, EdisonEX1, Auto-Pan, NoiseGate, Delay, 3TapDelay, 4TapDelay, T-RayDelay, ModDlyRev, Chorus, Chorus-D, Flanger, Phaser, MoodFilter, Dual Pitch, RotarySpkr.

2.7 Mod Matrix

• 8 Mod matrix busses.

Modulation Sources (22):

• Pitch Bend, Mod Wheel, Foot Ctrl, Breath Controller, Pressure, LFO 1, LFO

2, VCA Envelope, VCF Envelope, Mod Envelope (Auxiliary Envelope), Note Number, Note Velocity, Ctrl Sequencer, LFO1 (unipolar), LFO2 (unipolar), LFO1 Fade, LFO2 Fade, Note O Velocity, Voice Number, CC X-Axis, CC Y-Axis, CC Z-A xi s.

Modulation Destinations (122):

2.10 Clock

• Master clock with tap tempo.

• BPM control and display.

• MIDI clock sync

2.11 Arpeggiator

• Variable Gate Time.

• Up to six octave range.

• 32 Preset and 32 User programmable rhythmic patterns with up to 32 steps

and rests.

• Variable swing function.

• Arpeggiator Modes :

• UP, DOWN, UP-DOWN ,UP-INV, DOWN-INV, UP-DN-INV, UP-ALT, DOWN-ALT,

RAND, AS-PLAYED, CHORD.

• User Pattern.

• Arp Clock options : 1/2, 3/8, 1/3, 1/4, 3/16, 1/6, 1/8, 3/32, 1/12, 1/16, 1/24,

1/32, 1/48.

• Hold switch latches held notes on.

2.12 Chord / Poly Chord

• Maps chords to trigger keys.

• Up to 12 notes per chord.

• Enough storage for 36x 6 note chords.

• LFO1 Rate, LFO1 Delay, LFO1 Slew, LFO2 Rate, LFO2 Delay, LFO2 Slew, OSC1+2

Pitch, OSC1 Pitch, OSC2 Pitch, LFO Depth, PWM Depth, Tone Mod Depth, OSC2 Pulse Modulation Depth, Portamento Time, VCF Frequency, VCF Resonance, VCF Envelope, VCF LFO, All Envelope Rates, All Envelope Attacks, All Envelope Decays, All Envelope Sustains, All Envelope Releases, Envelope (1-3) Rates, Envelope (1-3) Curves, Envelope (1-3) Attack, Envelope (1-3) Decay, Envelope (1-3) Sustain , Envelope (1-3) Release, Envelope (1-3) Attack Curve, Envelope ( 1-3) Decay Curve, Envelope (1-3) Sustain Curve , Envelope (1-3) Release Curve, VCA All, VCA Active, VCA Envelope Depth, LFO Pan Spread, VCA Pan, OSC2 Level, Noise Level, HP Frequency, Unison Detune, Modulation 1-8 Depth, E ects (1-4) All loaded FX Parameter(1-12).

2.8 Keyboard

• Full-sized, semi-weighted, 49-note keyboard with note on and o velocity,

and aftertouch.

• Backlit pitch and mod wheel.

• Spring-loaded pitch wheel with selectable range per program (1 to 24

semitones up and down).

• Transpose controls for an 8-octave range.

• Polyphonic Portamento.

2.9 PSU

• IEC mains connection - No Wall Wart.

2.13 Control sequencer

• Up to 32 steps and rests. Output routable via the mod matrix.

2.14 Editor

• Comprehensive Apple iPad, Apple MacOS and Windows PC editor.

2.15 Program Memory

• 1024 Programs arranged in 8 Banks of 128 Programs.

2.16 Input / Output

• Built in USB Midi Interface.

• USB for iPad/PC/Mac connection MIDI.

• USB for bidirectional MIDI communication.

• Flexible MIDI routing.

• Expression Pedal / CV (0-5v) in.

• Left and right balanced audio outputs (2 x 1/4” TRS).

• Headphone output (stereo, 1/4” TRS).

• MIDI IN, OUT, and THRU ports.

• Con gurable Wi-Fi client / Access point allows easy and secure connection to

home network.

• Wireless control with RTP (Real-Time Protocol) MIDI support.

7 DeepMind 12 User Manual

3. Controls

3.1 Top Controls

(14) (15) (16) (17)

(18) (19)

(5) (6) (7) (1) (3)

(20)

(2) (4) (8) (9) (10) (11) (12)

(13)

(20)

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(1) DISPLAY - this large backlit LCD screen shows the synthesizer status,

parameters, and the  ve main menus. The contrast and brightness are adjustable on the PANEL SETTINGS page of the GLOBAL menu.

(2) NAVIGATION - navigate within the display menus using the UP, DOWN, +/

YES and -/NO buttons.

(3) MENUS - these switches allow access to the display menus.

PROG MENU- the main display of the synthesizer. Shows the current

program, the currently adjusted parameter and a visual representation of the parameter and the three envelopes.

FX MENU - add up to four e ects from the list available. Change the e ects routing by selecting one of the ten MODEs available. Each of the e ects has individual controls for all parameters.

GLOBAL MENU - view and adjust settings for the synthesizer. There are  ve pages, CONNECTIVITY, KEYBOARD, PEDAL, PANEL and SYSTEM.

COMPARE MENU - in this menu, you can compare the current program with the stored program and see the di erence in physical fader positions.

WRITE MENU - in this menu, you can write the current program settings to the program library. You can also rename the program and set its category type.

(4) DATA ENTRY - selected parameters on the display are adjusted using the

rotary knob or the fader. The rotary knob has a click which allows very accurate control. The fader allows rapid adjustment across the full range.

MOD- this switch opens the modulation matrix on the display and allows up to 8 modulations to be created from the list of sources and destinations.

(5) ARP/SEQ - this area controls the arpeggiator and the control sequencer.

ON/OFF - when activated, this generates an arpeggio based on pressed

keys. Note - the control sequencer is turned on from its edit page only.

RATE - adjusts the rate of the arpeggiator / sequencer in beats per minute (BPM).

GATE TIME - adjusts the duration of the note played based on a percentage of the time between triggered notes.

CHORD - allows you to play any chord with a single key. The chord is given a root note and mapped across the keyboard.

POLY CHORD - allows you to play multiple chords from multiple keys. The chords are mapped to individual keys.

TAP/HOLD - tap this button in time with your performance to set the rate/ BPM, or press and hold to engage the HOLD function.

EDIT - this allows additional arpeggiator/control sequencer parameters to be edited from the main display.

(6) LFO 1 and 2- low frequency oscillators used to modulate or control other

parameters.

RATE- this sets the rate, or speed of the LFO.

DELAY TIME - the duration of time which will elapse before the LFO starts.

EDIT - this allows additional LFO parameters to be edited from the main

display.

LFO WAVEFORMs - these LEDs indicate the type and status of the waveforms produced by each LFO.

OSC 1 SQUAREWAVE- this switch turns the square wave output for OSC 1 on/o .

OSC 1 PWM - amount of pulse width modulation applied to the OSC 1 square wave.

OSC 1 SAWTOOTH- this switch turns the sawtooth output for OSC 1 on/o .

OSC 2 TONE MOD- amount of tone modulation applied to OSC 2.

OSC 2 PITCH- controls the base pitch of OSC 2.

OSC 2 LEVEL- controls the level of OSC 2.

NOISE LEVEL- controls the amount of white noise added to the oscillators.

EDIT- this allows additional OSC parameters to be edited from

the main display.

(8) POLY

- this area is used to control the polyphony of the synthesizer.

UNISON DETUNE - when voices are playing in unison, this adjusts the amount of detuning between the voices.

EDIT- this allows additional POLY parameters to be edited from the main display.

(9) VCF - the voltage controlled low pass  lter used to  lter high frequencies

from the sound of the synthesizer.

FREQ - adjusts the cut-o frequency of the  lter.

2-PO LE - changes the roll o slope of the  lter from the default 4-POLE

mode to a 2-POLE mode.

RES - adjusts the resonance of the  lter cut-o point.

EDIT - allows additional VCF parameters to be edited from

the main display.

ENV - adjusts the level of the VCF ENVELOPE which controls the  lter cut-o frequency.

INVERT - used to invert the polarity of the VCF envelope applied to the  lter cut-o frequency.

LFO - adjusts the depth of the selected LFO waveform applied to the  lter cut-o frequency.

KYBD - adjusts the amount of keyboard tracking to be applied to the  lter cut-o frequency.

(10) VCA - the voltage controlled ampli er used to control the output level.

LEVEL - controls the output level of the VCA.

EDIT - this allows additional VCA parameters to be edited from

the main display.

(11) HPF - the voltage controlled high pass  lter used to  lter low frequencies

from the sound of the synthesizer.

FREQ - used to adjust the frequency of the high pass  lter.

BOOST - this switch applies a +12 dB bass boost to the signal path

(12) ENVELOPE - these are the three envelopes used to modulate

other parameters.

A [ATTACK]- controls the attack time of the envelope.

D [DECAY] - controls the decay time of the envelope.

(7) OSC 1 & 2 - These analog full range oscillators create waveforms which are

the sound source of the synthesizer.

OSC 1 & 2 PITCH MOD - amount of pitch modulation applied to respective OSC.

S [SUSTAIN] - controls the sustain level of the envelope.

R [RELEASE] - controls the release time of the envelope.

VCA - selects the envelope used to control the voltage controlled ampli er.

9 DeepMind 12 User Manual

VCF - selects the envelope used to control the voltage controlled  lter.

MOD - selects the envelope used for user speci c modulation.

CURVES - changes the ADSR controls to a ect the associated curves for

each stage of the envelope.

(13) VOICES - these LEDs show which voices are active as keys are played.

(14) OCTAVE - these LEDs show the octave shift applied to the keyboard.

(15) PORTAMENTO - changes the slide time between played notes.

3.2 Rear Panel

(16) VOLUME - controls the output level of the synthesizer.

(17) OCTAVE UP/DOWN - raise or lower the keyboard’s pitch range in

steps of an octave.

(18) PITCH BEND WHEEL - this spring loaded wheel allows you to lower / raise

the pitch expressively.

(19) MOD WHEEL - used for expressive modulation of parameters.

(20) KEYS - 49 semi-weighted full-size keys featuring expressive velocity and

after-touch.

(22) (21)

(23) (24) (25) (26) (27) (28) (29) (30)

10 DeepMind 12 User Manual

Rear Panel

(21) POWER INPUT - connect using the supplied power cable only.

(22) POWER SWITCH - use this to turn the synthesizer on and o . Only turn it

on after all connections have been made.

(23) OUTPUT L / R - this is the main output of the synthesizer. It should be

connected to your audio interface or sound system. Remember to turn your monitors / loudspeakers on last when turning on your system and turn your monitors / loudspeakers o  rst when turning your system o .

(24) PHONES - the headphones output of the synthesizer follows the main

output. Connect your headphones here. Ensure the volume control is at minimum when putting on headphones or when turning the synthesizer on or o .

(25) SUSTAIN - this ¼" TS jack allows you to connect a sustain pedal, such as a

normally-open switch. The operation of this pedal can be customized using the GLOBAL / PEDAL SETTINGS menu.

(26) PEDAL/CV - this ¼" TRS jack allows you to connect an expression pedal.

The operation of this pedal can be customized using the GLOBAL / PEDAL SETTINGS menu.

(27) MIDI IN - this 5-pin DIN jack receives MIDI data from an external source.

This will commonly be an external hardware sequencer, a computer equipped with a MIDI interface, etc.

(28) MIDI OUT - this 5-pin DIN jack sends MIDI data to an external source. This

will commonly be an external hardware sequencer, a computer equipped with a MIDI interface, etc.

(29) MIDI THRU - this 5-pin DIN jack is used to pass through MIDI data received

at the MIDI INPUT. This will commonly be sent to another synthesizer or drum machine assigned to a di erent DEVICE ID, or MIDI Channel.

(30) USB PORT - this USB type B jack allows connection to a computer. The

DeepMind 12 will show up as a class-compliant USB MIDI device, capable of supporting MIDI in and out. The DeepMind 12 does not require any additional drivers to work with Windows, Android, MacOS and iOS devices.

USB MIDI IN - accepts incoming MIDI data from an application.

USB MIDI OUT - sends MIDI data to an application.

11 DeepMind 12 User Manual

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4. Program Management

This chapter covers the program management for the DeepMind 12 analog polyphonic synthesizer. It is important to understand how to manage your programs and maintain your library.

4.1 Program Library

Banks A-H

Programs 1-128

Editing Memory

The DeepMind 12 contains a total of 1,024 programs. There are 8 Banks (A-H) of 128 programs. All programs can be overwritten as required, please consult the chapter on restoring factory defaults if you need to return the DeepMind 12 program library to its original state.

All current changes from the stored program are stored in temporary "Editing Memory". The changes are also placed into "Backup Memory" which can be used to recover unsaved programs.

There are three methods of changing the current program:

• Step forwards/backwards through programs using the -NO and+YES

switches, or by stepping up and down through the banks using the BANK/UP and BANK/DOWN switches.

• Using the program browser.

• From an external device using a MIDI program change message.

4.2.1 Using the Navigation Switches

Pressing -NO or +YES will load the previous/next program in the bank.

Pressing BANK/UP to BANK/DOWN will change banks.

4.2.2 Using the Program Browser

To access the program browser, press and hold the PROG switch, then move the rotary knob (or press the GLOBAL switch).

Note: The DeepMind 12 Programs are stored in EEPROM memory and will be retained through a power cycle.

4.2 Selecting Programs

Press the PROG switch to open the PROG menu. This is also the screen which will be displayed when the DeepMind 12 is turned on.

The PROG (Programming) page will be displayed:

The PROG (Programming) page is the main display of the synthesizer. It shows the current program name, the category name, the currently adjusted parameter and a visual representation of the parameter plus the three envelopes.

Note: a help menu will appear while the PROG switch is held, showing additional guidance and commands:

The program browser will then appear:

When in program browser mode you can use the rotary knob to scroll through the list of programs. When you stop on a program it will be automatically loaded.

12 DeepMind 12 User Manual

•

4.2.3 Using MIDI Program Change messages

You can change the program using a MIDI program change message. This special MIDI message can be sent from your Digital Audio Workstation (DAW) or from an external MIDI device which is capable of transmitting program change messages.

For details on the message please consult the section on MIDI commands.

4.3 Program Categories

Each program is assigned to a category from the list of options below:

• NONE - No category information is stored.

• BASS - Used for bass sounds.

• PAD - Used for pad sounds.

• LEAD - Used for lead sounds.

• MONO - Used for monophonic sounds.

• POLY - Used for polyphonic sounds.

• STAB - Used for stab sounds.

• SFX - Used for sound e ects.

• ARP - Used for programs with the arpeggiator active.

• SEQ - Used for programs with sequencing.

• PERC - Used for percussion sounds.

• AMBIENT - Used for ambient or texture sounds.

• MODULAR -Used for programs with modular type programming.

• USER-1/4 - Used for user/project speci c sounds..

For information on how to assign a category, please consult the section on writing programs.

4.5 Default Program

In order to return to a  xed point when creating programs you recall a default program using the short-cut described here. The default program is con gured without modulation/e ects and uses basic settings in each of the sections.

To load the default program, press and hold the PROG switch, then press the COMPARE switch.

Note: a help menu will appear while the PROG switch is held, showing additional guidance and commands.:The default program will then be loaded.

4.6 Revert to Panel

When you load a program, all the physical controls on the DeepMind 12 may not match the position stored in memory. In order to send all the physical positions to the program (rather than moving each individually until you reach the stored value), follow the procedure below:

Warni ng: When you do this the sound/character of the program will often change radically as the multiple parameters are updated.

4.4 Browsing by Category

To access the program browser, press and hold the PROG switch.

Note: a help menu will appear while the PROG switch is held, showing additional guidance and commands:

To change programs, while you have the PROG switch held you can press the LEFT/RIGHT switches to select the PREVIOUS/NEXT programs within the category.

To change categories, while you have the PROG switch held you can press the UP/ DOWN switches to select the PREVIOUS/NEXT category.

Note: While the PROG switch is held you can still see the category changes displayed behind the pop-up menu.

To revert to the panel controls, press and hold the PROG switch, then press the WRITE switch.

Note: a help menu will appear while the PROG switch is held, showing additional guidance and commands:

The current program will then be updated with the positions of the physical controls on the DeepMind 12.

13 DeepMind 12 User Manual

4.7 Restoring Program Data

If you edit a program and forget to write it before selecting a new program don't panic - a backup of the program is stored in memory. Whenever this happens a pop-up menu will appear with a message saying "Press COMPARE to restore edits":

By pressing the COMPARE switch your previously editing patch will be re-instated.

You will then see another pop-up message reminding you to press WRITE to store your edits:

The third section is REPLACED BY which allows you to name the program to be written. You can use the -NO/+YES switches to step through each character of the name and use the UP/DOWN switches, the rotary knob, or the faders to change the character.

There are also two short-cuts for selecting characters indicated by text above the FX and GLOBAL switches:

a-A-0 - Pressing the FX switch will c ycle between lower-case, upper-case and numbers.

DEL - Pressing the GLOBAL switch will delete the currently selected character.

4.8 Writing Programs

To write a program to memory press the WRITE switch to open the WRITE PROGRAM menu.

The WRITE PROGRAM menu will then appear:

Note: These short-cuts only appear when you are editing the name of the REPLACED BY program.

To compare the current program with the intended program location you can press the COMPARE switch to listen to the di erence. To return to the current program, press the compare switch again.

Once you have selected the new location and named the program simply press the WRITE switch again to write the program.

At anytime you decide you do not want to write the program, you can press the PROG switch to return to the main programming display.

Note: If there is a program in the backup memory then you will see the message "COMPARE to clear backup".

In this menu you can use the -NO/+YES switches to navigate through the sections. The selected section will be highlighted by an inverted character (white on black).

The  rst section is the program location the current program will be saved. You can use the UP/DOWN switches, the rotary knob, or the fader to select the required BANK (A-H) and PROGRAM NUMBER (1-128).

The second section is the CATEGORY to select any of the available categories. Again you can use the UP/DOWN switches, the rotary knob, or the fader to select the required CATEGORY.

If you wish to listen to the intended program location as described earlier you will need to press the COMPARE switch to clear the backup memory. Once the backup has been cleared then the message will revert to "COMPARE to listen" and you can listen to the intended program location as normal.

4.9 Re-naming Programs

To rename a program simply follow the procedure for writing a program and keep the BANK and PROGRAM NUMBER the same.

14 DeepMind 12 User Manual

4.10 The COMPARE function

The COMPARE feature has two main functions:

Firstly you can use it to COMPARE the current (edited) program with the original program.

Secondly you can use it to COMPARE and/or match the current position of the physical faders on the surface with the original program. This is necessary when you wish to maintain the sound/character of the program.

To perform both functions simply press the COMPARE switch.

Note: If you have not edited the program (i.e. changed some parameters) when you press the COMPARE switch you will restore the backup as described in a previous chapter.

Firstly the sound/character will return to its original state so that you can compare your edits.

Note: If you do not want to match the fader positions you can simply press COMPARE again to return to programming.

Secondly, you now have the option to match the position of the physical faders to the positions stored in the original program.

There are four pages of faders in the COMPARE menu, to access the other pages use the +/- switches to select the previous/next pages.

Page 1 Shows the ARP/SEQ and LFO faders:

Page 2 shows the OSC faders:

You will then see a page of the COMPARE menu (page 1 is displayed below). The page shown will be the last page you used. If you have never used the COMPARE function since turning the DeepMind 12 on, it will default to page 1.

Each page of the COMPARE menu shows a section of the faders.

If the position of the fader matches the position of the stored value the fader will be black.

If the fader does not match the position it will be white with a superimposed arrow pointing in the direction it needs to move in order to approach the stored value.

There is also a white bar to show how far the fader needs to move in order to match the stored value.

Once the fader reaches the stored position it will turn black to indicate it is now matched.

Note: The pages will switch automatically when you begin to adjust any of the faders.

Page 3 shows the UNISON, VCF, HPF and VCA faders:

Page 4 shows the ENVELOPE faders:

Note: You can still select speci c envelopes to match the faders depending on your requirements.

15 DeepMind 12 User Manual

5. Playing Guide

This section describes the use of the DeepMind 12 for playing and performance. It covers all the main aspects of the synthesizer.

There are 64 physical controls on the DeepMind 12 made up of illuminated switches, faders, rotary knobs and wheels.

There are also many virtual controls/parameters and menu based controls within the software, please consult the section on programming for detailed information.

5.1 Display

(2) (3)

(1)

(4)

(6)

(7) (8) (9)

(5)

(10)

5.2 Keyboard (Velocity/Aftertouch)

The DeepMind 12 has 49 semi-weighted full-size keys featuring expressive velocity and after-touch.

The keyboard spans four octaves with the ability to shift octaves up or down to meet your playing requirements.

The aftertouch and velocity expression can have individual curves applied to their response in order to  ne tune your playing style/requirements.

The velocity is expressive in two ways:

The (NOTE) ON VELOCITY - i.e. The velocity that you strike the keys.

The (NOTE) OFF VELOCITY - i.e. The velocity that you release the keys.

The ON/OFF velocities can be set to a  xed value if required which will override the velocity of the strike and release values.

Note: The settings to adjust the response curves and  xed values can be found in the GLOBAL-KEYBOARD SETTINGS menu.

Note: You can also turn o the keyboard's LOCAL messages allowing you to play an external device, without a ec ting the DeepMind 12.

(11) (12)

The PROG (Programming) page is the main display of the synthesizer.

During playing the display can show the status of the synthesizer when the PROG switch is pressed. The PROG switch will be illuminated when you are in this mode.

Being able to see all this information on one screen allows you to quickly check any of the following parameters shown on the display:

(1) PROGRAM BANK ("A "in the example above).

(2) PROGRAM NUMBER ("1" in the example above).

(3) PROGRAM NAME ("Default Program" in the example above.

(4) PROGRAM CATEGORY ("NONE" in the example above).

(5) SEQ STATUS / MASTER BPM EXTERNAL / BPM ( "OFF", "MIDI","140.0" in the

example above).

(6) PARAMETER CONTROL ("POLY UNI" in the example above).

(7) CURRENT PARAMETER MIDI VALUE (255 in the example above).

(8) STORED PARAMETER VALUE (20 in the example above).

(9) CURRENT PARAMETER EXPLICIT NAME/VALUE ( "DETUNE +/-50.0cents" in the

example above).

(10) PARAMETER VISUALIZATION (the UNISON waveform in the example above).

(13)

5.3 Pitch Bend and Modulation Wheels

PITCH WHEEL - The pitch wheel allows you to lower or raise the pitch of the notes being played expressively.

The range of the PITCH BEND can be assigned in the second page of the POLY menu (accessed by pressing the POLY switch twice).

The pitch wheel is spring loaded and will naturally return to its centre point after you adjust it and release the wheel.

(11) VCA ENV VISUALIZATION (VCA ENV in the example above).

(12) VCF ENV VISUALIZATION (VCF ENV in the example above).

(13) MOD ENV VISUALIZATION (MOD ENV in the example above).

Note: The brightness and contrast of the display can be adjusted in the GLOBAL-PANEL SETTINGS menu.

For more detail on the PROG screen and the status of the synthesiser, please consult the programming section later in this manual.

MODULATION WHEEL - The modulation wheel allows you to apply any type of modulation or expression to a single (or multiple) parameters.

For traditional playing this can be used to create vibrato, or in a more creative way e.g. to open the  lter by assigning to the VCF FREQUENCY.

The wheels are illuminated so that they can be seen even in low light conditions. They can be  xed on, turned o or placed in AUTO mode which will increase the LED intensity as the wheel is moved.

For more detail on controlling advanced parameters relating to the PITCH WHEEL and the MODULATION WHEEL please consult the section later in this manual.

16 DeepMind 12 User Manual

5.4 Octave Shift (OCT UP/DOWN)

These switches allow you to raise or lower the keyboard’s pitch range in steps of one octave.

The LEDs above the switches labelled OCTAVE will show the current octave shift applied to the keyboard.

Pressing both switches together will reset to Oc tave 0 (no transpose).

5.5 Voice Indication

5.7 Volume

The volume knob controls the output level for both the main outputs and the headphones simultaneously. If you  nd the need to compensate the main output level, please do so using your gain stage on your mixer, audio interface or ampli er.

5.8 Pedal Input (Rear Panel)

The pedal input is a ¼ " TRS jack that allows you to connect an expression pedal.

The pedal input can be assigned to operate in one of  ve modes: FOOT CONTROL, MOD WHEEL, BREATH, VOLUME or EXPRESSION.

The operation of this pedal can be customized using the GLOBAL / PEDAL SETTINGS menu.

The DeepMind 12 has 12 independent voices. There are 12 LEDs above the keyboard showing the status of each voice.

When playing in traditional POLY mode the voice LEDs will light individually using the full polyphonic capabilities.

When playing in any of the UNISON or MONO modes the voice LEDs will light simultaneously depending on the number of voices allocated.

Note: The settings to adjust the polyphony and voice allocation can be found in the POLY-VOICE PARAMETERS menu.

5.6 Portamento

The PORTAMENTO function makes the pitch of a note glide up or down from the previously played note. The PORTAMENTO knob controls the time taken to transition from the previous note to the currently played note.

For more detail on controlling advanced parameters relating to the pedal input please consult the section later in this manual.

5.9 Sustain Input (Rear Panel)

The sustain input is a ¼" TS jack that allows you to connect a sustain pedal, such as a normally-open switch.

The sustain input can be assigned to operate in one of several modes. For more information please consult the PEDAL SETTINGS section later in this document.

The operation of this pedal can be customized using the GLOBAL / PEDAL SETTINGS menu.

For more detail on controlling advanced parameters relating to the sustain input please consult the section later in this manual.

5.10 Slide Fader Operation Modes

The knob ranges from 0 seconds (instant change of note, with no pitch gliding) to 10 secon ds.

The PORTAMENTO function can be tuned to your speci c playing requirements by way of 14 di erent modes.

The PORTAMENTO function can also be balanced between the OSCs, allowing you to set the ratio of PORTAMENTO applied to OSC 1 and OSC 2.

For more detail on controlling advanced parameters relating to PORTAMENTO please consult the section later in this manual.

The slide faders can operate in two modes: PASS-THRU or JUMP.

For more detail on controlling the way the slide faders respond when adjusted, please consult the section later in this manual.

Note: You can also turn o the faders LOCAL messages allowing you to control an external device, without a ec ting the DeepMind 12.

17 DeepMind 12 User Manual

6. Signal Path / Voice Structure

The signal path / voice structure from the OSCs to the main outputs is completely analog. The DSP e ects can be bypassed completely to maintain the analog path. When routed through the DSP e ects all sampling is done at 24-Bit 48 kHz. All internal DSP e ects are processed at 32/40-Bit  oating point resolution.

VCF Env VCA Env

OSC-1

Arpeggiator

Key Pitch

HPF BOOST

OSC-2

Noise

MODE

INSERT

BYPASS

SEND

VCF

ANALOG PATH

OFF

ON ON

DIGITAL PATH

ON ON

OFF

VCA

DIGITAL PATH

Volume

1234

ANALOG PATH

Main Outputs & Headphones

18 DeepMind 12 User Manual

Mod Matrix

The Modulation Matrix is a large scale digital routing matrix which allows a massive number of potential modulations. The matrix con guration is stored and recalled with the program data.

Control Sequencer

Modulation

Destinations

130 DESTINATIONS

LFO1&2

MOD Env

Modulation

Sources

22 SOURCES

22,880 Possible Modulations (All Automatable)

8x8 Mod Matrix

ROUTING LEVELS

MIDI Routing

The DeepMind 12 o ers extreme MIDI routing possibilities, allowing you to integrate the synthesizer with many di erent pieces of hardware and software.

Keyboard Data

Control Data

MIDI IN

USB

Wi-Fi

SOFT-THRUMIDI-CTRL

USB-CTRL

WIFI-CTRL

SOFT-THRUSOFT-THRU

USB>MIDI-THRU

WIFI>MIDI-THRU

MIDI>USB-THRU

WIFI>USB-THRU

MIDI>WIFI-THRU

MIDI THRU

MIDI OUT

USB

Wi-Fi

USB>WIFI-THRU

19 DeepMind 12 User Manual

•

7. Menu System

The DeepMind 12 Display allows you to access the detailed parameters, controls, options and features of the synthesizer.

Navigating the MENU system can be done by pressing the top level menu switches PROG, FX, GLOBAL, COMPARE and WRITE.

Note: The FX and GLOBAL menus have several pages, to access successive pages simply press the same switch again to cycle through the pages.

Note: The DeepMind 12 will always return you to the last page within a menu that was accessed. This way you can return to your last change without needing to cycle though the previous pages. Note: You can change this functionality using the REMEMBER PAGES option in the GLOBAL SETTINGS.

7.1.1 PROGRAM BANK

(1) ("A "in the example diagram) - There are 8 BANKS of PROGRAMs, each BANK

contains 128 program locations. The DeepMind 12 comes pre-loaded with 1024 programs from leading synthesizer programmers from around the world.

7.1.2 PROGRAM NUMBER

(2) ("1" in the example diagram) - There are 128 PROGRAMs in each BANK.

7.1.3 PROGRAM NAME

(3) ("Default Program" in the example diagram) - The PROGRAM name can use

up to 16 characters, including uppercase, lowercase, numbers and symbols.

Note: When you see the '*' symbol at the start of a PROGRAM name this indicates that the PROGRAM has been edited/changed from its stored state.

Once you complete your editing and WRITE the program, the '*' symbol will no longer be shown.

7.1.4 PROGRAM CATEGORY

(4) ("NONE" in the example diagram) - Each PROGRAM can be assigned to a one

of 17 categories. By assigning a category to a PROGRAM, it helps browsing for a particular type of sound much easier.

The available categories are listed here:

• NONE - No category information is stored.

• BASS - Used for bass sounds.

7.1 PROG (Programming Menu)

To access the PROG menu, press the PROG switch, the PROG switch will remain illuminated while you are in this menu.

The PROG (Programming) menu will then be shown:

(2) (3)

(1)

(4)

(6)

(5)

(10)

(7) (8) (9)

(11) (12)

(13)

• PAD - Used for pad sounds.

• LEAD - Used for lead sounds.

• MONO - Used for monophonic sounds.

• POLY - Used for polyphonic sounds.

• STAB - Used for stab sounds.

• SFX - Used for sound e ects.

• ARP - Used for programs with the arpeggiator active.

• SEQ - Used for programs with sequencing.

• PERC - Used for percussion sounds.

• AMBIENT - Used for ambient or texture sounds.

• MODULAR -Used for programs with modular type programming.

• USER-1 - Used for user/project speci c sounds.

• USER-2 - Used for user/project speci c sounds.

• USER-3 - Used for user/project speci c sounds.

• USER-4 - Used for user/project speci c sounds.

For information on how to assign a category, please consult the section on writing programs.

The PROG (Programming) page is the main display of the synthesizer.

During playing the display can show the status of the synthesizer when the PROG switch is pressed.

Being able to see all this information on one screen allows you to quickly check any of the following parameters shown on the display:

20 DeepMind 12 User Manual

•

7.1.5 SEQ STATUS, MIDI SYNC SOURCE, BPM VALUE

(5) It is important to note that on this line there are three separate pieces of

information:

• SEQ STATUS ("SEQ" in the example diagram) - This shows the status of

the CONTROL SEQUENCER. If the letters SEQ are inverted (white on a black background) then the CONTROL SEQUENCER is ON. If the letters SEQ appear as normal text the CONTROL SEQUENCER is OFF. Note: The CONTROL SEQUENCER ON/OFF control can only be adjusted from the CONTROL SEQUENCER MENU described later in this document.

• MASTER BPM SOURCE ("MIDI" in the example diagram) - The Master

BPM can be generated internally (shown as "INT"), or the DeepMind 12 can synchronize to an incoming MIDI clock signal from the MIDI IN socket (shown as "MIDI"), or USB ports (shown as "USB"). If the letters are inverted (white on a black background) then the clock is synchronised to the external source. If the letters appear as normal text the external source is not present and the DeepMind 12 will use its internal Master BPM until the external source is present. Note: The settings for the MIDI SYNC can be found in the EDIT page of the ARPEGGIATOR described later in this document.

• BPM VALUE ("BPM:120.0" in the example diagram) - The Arpeggiator,

Control Sequencer and Patterns use a system wide Master BPM (Beats Per Minute) Clock. The BPM is shown and will auto update if using an external synchronisation source.

7.1.6 PARAMETER CONTROL

(6) ("POLY UNI" in the example diagram) - This is a fader representation of the

parameter which is currently being adjusted (or was last adjusted). The name of the parameter is also shown:

If the position of the fader matches the position of the stored value the fader will be black.

7.1.7 CURRENT PARAMETER MIDI VALUE

(7) (255 in the example diagram) - This is the value of the parameter which is

currently being adjusted (or was last adjusted).

Note: The parameter is displayed here as a simple value (0-255) which allows you to quickly compare current and stored values. For explicit values please see the area at the bottom of the page discussed later in this chapter.

7.1.8 STORED PARAMETER VALUE

(8) (20 in the example diagram) - This is the stored value of the parameter

which is currently being adjusted (or was last adjusted).

The stored parameter is shown in reverse text (i.e. white on a black background)

7.1.9 CURRENT PARAMETER NAME/VALUE

(9) ("DETUNE +/-50.0cents" in the example diagram) - In this area you will see

more detailed information on the parameter being adjusted.

The enhanced information contains:

• A more detailed description of the parameter being adjusted.

• A more accurate value of the parameter being adjusted.

• The type of units used for the value (cents in the example above,

but could be Hz for frequency etc.).

7.1.10 PARAMETER VISUALIZATION

(10) (The UNISON waveform in the example diagram) - This area shows a

visualization of the parameter being adjusted (or last adjusted).

These visualizations are designed to:

• Help anyone with limited experience to achieve a deeper understanding of

each of the parameters while learning the synthesizer.

If the fader does not match the position it will be white with a superimposed arrow pointing in the direction it needs to move in order to approach the stored value.

When the fader does not match the position there is also a white bar to show how far the fader needs to move in order to match the stored value.

Note: If the physical fader position is close to the stored value the white bar can be obscured by the fader.

• Help the experienced player/sound designer/programmer to work quickly

and get visual con rmation about the adjustment being made.

7.1.11 VCA ENV VISUALIZATION

(11) (VCA ENV in the example diagram) - This area shows a visualization of the

VCA envelope. The full Attack, Decay, Sustain, Release and their respective curves are represented.

7.1.12 VCF ENV VISUALIZATION

(12) (VCF ENV in the example diagram)- This area shows a visualization of the VCF

envelope. The full Attack, Decay, Sustain, Release and their respective curves are represented.

7.1.13 MOD ENV VISUALIZATION

(13) (MOD ENV in the example diagram) - This area shows a visualization of the

MOD envelope. The full Attack, Decay, Sustain, Release and their respective curves are represented.

21 DeepMind 12 User Manual

7.2 FX (E ects Menu)

The on-board virtual FX Rack provides access to four true-stereo, multi-e ects processors including delay, chorus, dynamics and production-quality true-stereo reverbs.

You can select any combination of high-end simulations of legendary studio e ects.

7.2.1 FX OVERVIEW

To access the FX menu simply press the FX switch:, the FX switch will be illuminated when you are in this menu.

The display will then show the FX OVERVIEW menu:

7.2.2 SELECTING FX ROUTING

To select a routing make sure that the '<' symbol is highlighted next to the routing diagram, then you can either turn the rotary knob, or use the data entry fader to select from one of the following routings:

SERIAL 1-2-3-4 (M-1)

PARALLEL 1/2 SERIAL 3-4 (M-2)

PARALLEL 1/2 PARALLEL 3/4 (M-3)

PARALLEL 1/2/3/4 (M-4)

To navigate within the FX OVERVIEW menu, navigate within the display menus using the UP, DOWN, +/YES & -/NO switches.

Selected parameters on the display are adjusted using the rotary knob or the fader. The rotary knob has a click which allows very accurate control. The fader allows rapid adjustment across the full range.

The options available in the FX OVERVIEW menu are as follows:

FX ROUTING - At the top of the FX OVERVIEW menu you will see the FX ROUTING shown as a series of 4 boxes representing the individual e ects.

In order to expand the sonic possibilities of the DSP FX inside the DeepMind 12 there are several routing options for the four slots.

! Warning: The routings with feedback are highly creative,

but as they employ feedback loops, careful consideration should be made while using them. It is recommended to keep the VOLUME knob in a low position while experimenting.

FX MODE - This allows you to choose if the e ects are to be con gured in INSERT

MODE, SEND(and Return) MODE, or to BYPASS the e ects.

FX SLOTS - These are the four slots you can load e ects modules into.

MIX - The MIX parameter controls how much of the original sound is blended

with the e ected/processed sound for each FX slot.

PARALLEL 1/2/3 SERIAL 4 (M-5)

SERIAL 1-2 PARALLEL 3/4 (M-6)

SERIAL 1 PARALLEL 2/3/4 (M-7)

PARALLEL (SERIAL 1-2-3)/4 (M-8)

SERIAL 3-4 FEEDBACK4(1-2) (M-9)

LEVEL - The LEVEL parameter controls the output level of any e ects which are

con gured in parallel, or any e ects which are the last e ect before reaching the output stage.

To exit the FX menu press the PROG switch to return to the main programming screen.

Note: To reduce the possibility of excessive low frequency build up there is a 30 Hz High Pass Filter used in the feedback path for routing options which include feedback.

SERIAL 4 FEEDBACK4(1-2-3) (M-10)

22 DeepMind 12 User Manual

7.2.3 SELECTING FX MODE

To select an e ects MODE make sure that the '<' symbol is highlighted next to the e ects MODE symbol, then you can either turn the rotary knob, or use the data entry fader to select from one of the following routings.

INSERT - In this con guration the e ects slots are placed as INSERT e ects into the signal  ow of the synthesizer outputs.

SEND - In this con guration the synthesizer output signals are SENT to the e ects slots and the returned into the signal  ow of the synthesizer outputs.

BYPASS - In this con guration the e ects are bypassed.

7.2.4 SELECTING FX

When you stop on an e ect it is automatically loaded into the chosen slot.

Warni ng: If you have made edits to any of the parameters within an e ect you will be shown a pop-up warning dialog (unless dialogs are disabled in the GLOBAL MENU):

If you need to save your changes, press the -NO switch and then WRITE the PROGRAM as described in the chapter on writing programs.

If you don't need to save your changes, press the +/YES switch and continue selecting a new e ect.

7.2.5 CONTROLLING MIX / LEVEL

To adjust the MIX parameters make sure that the '<' symbol is highlighted next to the word MIX on the e ect slot you want to adjust. Then you can either turn the rotary knob, or use the data entr y fader to change the value.

To load an e ect into a slot, make sure that the '<' symbol is highlighted next to the slot you wish to use. Then you can either turn the rotary knob, or use the data entry fader to select from one of the following e ects:

No Name Type

1 TC-DeepVRB Reverb 2 Ambience Reverb 3 Room Rev Reverb 4VintageRev Reverb 5 Hall Rev Reverb 6 Chamber Rev Reverb 7Plate Rev Reverb 8 Rich Plate Reverb

9Gated Rev Reverb 10 Rever se R everb 11 ChorusVerb Reverb 12 DelayVerb Reverb 13 FlangeVerb Reverb 14 4Band EQ Proce ssing 15 E nhan cer Pr oce ssin g 16 Fai rComp Pro cessi ng 17 Mu lB ndD ist Pr oce ssi ng 18 Ra ckA mp Pr oces sing 19 Ed iso nEX 1 Pr oce ssi ng 20 Auto-Pan Processing 21 NoiseGate Processing 22 Delay Delay 23 3TapDelay Delay 24 4Tap Del ay Del ay 25 T-RayDelay Delay 26 DecimDelay Delay 27 ModDlyRev Delay 28 Chorus Creative 29 Chorus-D Creative 30 Flanger Creative 31 P hase r Cr eati ve 32 MoodFilter Creative 33 Dual Pitch Creative 34 RotarySpkr Creative

7.2.6 CONTROLLING LEVEL

To adjust the LEVEL parameters make sure that the '<' symbol is highlighted next to the word LEVEL on the e ect slot you want to adjust. Then you can either turn the rotary knob, or use the data entry fader to change the value.

Note: Not all e ects have a MIX parameter as it is only used on e ects which are marked as "Processing" types in the E ects List. Also, be aware that the MIX parameter seen on the FX OVERVIEW and the MIX parameter in the FX editing pages are the same parameter and are shown in both pages for convenience.

If the either the MIX or LEVEL parameter is not available you will see the "--" symbols in the FX OVERVIEW screen.

7.2.7 FX PAGES1-4

Each of the e ects pages show individual controls for each e ect slot. There are up to 12 parameters per slot, depending on the e ect which is loaded.

Note: To access successive FX pages simply press the same switch again to cycle through the pages.

7.2.8 ADJUSTING EFFECTS PARAMETERS

To navigate to the parameter you wish to adjust, use the UP/DOWN/+/- switches. The selected parameter will be highlighted in black and its detail shown on the bottom of the screen. To adjust a parameter you can either turn the rotary knob, or use the data entry slider.

Note: For detailed information on all e ects and their parameters please consult the EFFECTS LIBRARY sec tion later in this document.

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7.2.9 COPY/PASTE FX SETTINGS

If you need to copy e ects settings from a previously stored e ec t, please follow this procedure.

1) Ensure you have saved any edits you have made to your current program if required.

2) Load the program which has the e ects settings you intend to copy.

3) Navigate to the 1, 2, 3, 4  ow diagram near the top of the FX screen.

4) Press the FX switch to enter the FX page.

5) Press and hold the FX switch until you see the following message and the GLOBAL/WRITE switches are  ashing:

6) While continuing to hold the FX switch, press the GLOBAL switch to copy the e ects settings into memory.

7) Then load the program you intend to paste the e ects settings to.

8) Press the FX switch to enter the FX page.

9) Press and hold the FX switch until you see the following message:

7.2.10 MOVING EFFECTS

If you need to move an e ect to a di erent slot, please follow this procedure.

1) Ensure you have saved any edits you have made to your current program if required.

2) Press the FX switch to enter the FX page.

3) Navigate to the e ects slot you wish to move.

4) Press and hold the FX switch until you see the following message and the BANK UP/DOWN switches begin  ashing:

5) While continuing to hold the FX switch, you can move the e ects slot to another location using one of these methods:

• To move the slot to an adjacent upper slot press the BANK/UP switch.

• To move the slot to an adjacent lower slot press the BANK/DOWN switch.

• To move the slot to any other slot, turn the rotary knob.

You can continue to move the slot with any of the methods above, the new slot will be highlighted as shown below:

10) While continuing to hold the FX switch, press the WRITE switch to copy the e ects settings from memory into the program.

Note: All settings relating to e ec ts will be copied/pasted, these include FX routing, FX modes and all of the FX slots and their settings.

6) Once you release the FX switch the e ect will be moved to the new slot.

Note: All e ects parameters will be moved with the e ect.

24 DeepMind 12 User Manual

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GLOBAL (Global Menu)

Within the GLOBAL menu there are  ve pages:

• CONNECTIVITY - All settings relating to connectivity and communication

with external devices including backup and restore functions.

• KEYBOARD SETTINGS - All settings relating to the keyboard including

aftertouch and velocity.

• PEDAL SETTINGS - All settings relating to the pedal inputs.

• PANEL SETTINGS - All settings relating to panel (local), faders, dialogs,

menu functionality, and display brightness and contrast.

• SYSTEM SETTINGS - All system settings, including versions, fan speed,

calibration, and backup.

This chapter covers each of the pages in detail.

Note: To access successive GLOBAL pages simply press the GLOBAL switch again to cycle through the pages. There is a help message on the bottom of each screen to show you what the next menu will be if you press the GLOBAL switch again.

To access the GLOBAL menu simply press the GLOBAL switch, the switch will remain illuminated while you are in this menu:

The display will then show the GLOBAL menu.

Note: The  rst time you access the GLOBAL menu after turning on the DeepMind 12, you will see the CONNECTIVITY page. Whenever you access the GLOBAL menu after that point, you will be returned to the last page you visited within the menu system. This feature is reset when the unit is powered o .

Note: The page location memory func tion can be turned o using the REMEMBER PAGES function in the PANEL SETTINGS menu.

7.2 .11 CON NE CT IV IT Y

MIDI SETTINGS MENU - This menu contains settings for the MIDI sockets on the rear of the DeepMind 12.

To access the MIDI SETTINGS menu, make sure that the '<' symbol on the MIDI SETTINGS line is highlighted. Then press the +/YES switch, you will now see the MIDI SETTINGS menu.

• MIDI-CTRL - This option sets the MIDI CONTROLLER communication mode

for the DeepMind 12 MIDI sockets on the rear of the synthesizer. You can choose O (No controller messages will be sent), Cc (Continuous Controller) or NRPN (Non-Registered Parameters).

Note: Both MIDI and NRPN data is always received and actioned.

Note: For more information on controlling the DeepMind 12 via MIDI,

please consult the section on MIDI later in this document.

• PROG-CHANGE - This option sets the PROGRAM CHANGE communication

mode for the DeepMind 12 MIDI sockets. You can choose from the following options:

RX - Program change messages will be received only.

TX - Program changes will be transmitted only.

RX-TX - Program changes will be transmitted and received.

NONE - No program change messages will be sent or received.

• RX-CHANNEL - This option sets the MIDI channel that will be used to

RECEIVE MIDI messages. The CHANNEL can be any number from 1-16.

In this menu there are all the settings relating to connectivity and communication with external devices including backing up and restoring programs and data.

To navigate the options in the CONNECTIVITY menu, use the UP, DOWN, switches.

Selected parameters are adjusted using the -NO/+YES switches, the rotary knob or the fader. The rotary knob has a click which allows very accurate control. The fader allows rapid adjustment across the full range.

DEVICE ID - This is MIDI Device Identi er (ID) which is used to identify the device. This is important when multiple devices are present in a system, and ensures that the device in question responds to the system exclusive messages which are solely for the device in question.

The DEVICE ID can be any number from 1-16.

To change the DEVICE ID, make sure that the '<' symbol next to the DEVICE ID number is highlighted. Then you can either turn the rotary knob, or use the data entry slider.

• TX CHANNEL - This option sets the MIDI channel that will be used to

TRANSMIT MIDI messages. The CHANNEL can be any number from 1-16

• SOFT-THRU - This option enables PASS-THRU mode from the MIDI INPUT

socket to the MIDI OUTPUT socket. The options are On or O .

• MIDI>USB-THRU - This option enables PASS-THRU mode from the MIDI

INPUT socket to the USB host. The options are On or O .

• MID>WIFI-THRU - This option enables PASS-THRU mode from the MIDI

INPUT socket to the WIFI connection. The options are On or O .

To exit this menu press the GLOBAL switch to return to the CONNECTIVITY menu.

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USB SETTINGS MENU- This menu contains settings for the USB port on the rear of the DeepMind 12.

To access the USB SETTINGS menu, make sure that the '<' symbol on the USB SETTINGS line is highlighted. Then press the +/YES switch, you will now see the USB SETTINGS menu..

• USB-CTRL - This option sets the MIDI CONTROLLER communication mode for

the DeepMind 12 USB port on the rear of the synthesizer. You can choose O (No controller messages will be sent), Cc (Continuous Controller) or NRPN (Non-Registered Parameters.

Note: Both MIDI and NRPN data is always received and actioned.

Note: For more information on controlling the DeepMind 12 via USB-MIDI,

please consult the section on MIDI later in this document.

• PROG-CHANGE - This option sets the PROGRAM CHANGE communication

mode for the DeepMind 12 USB host port. You can choose from the following options:

WIFI SETTINGS MENU- This menu contains settings for the WIFI connection of the DeepMind 12.

To access the WIFI SETTINGS menu, make sure that the '<' symbol on the WIFI SETTINGS line is highlighted. Then press the +/YES switch, you will now see the WIFI SETTINGS menu

• WIFI-CTRL - This option sets the MIDI CONTROLLER communication mode

for the DeepMind 12 WIFI connection. You can choose O (No controller messages will be sent), Cc (Continuous Controller) or NRPN (Non-Registered Parameters.

Note: Both MIDI and NRPN data is always received and actioned.

Note: For more information on controlling the DeepMind 12 via WIFI-MIDI

please consult the section on MIDI later in this document.

• PROG-CHANGE - This option sets the PROGRAM CHANGE communication

mode for the DeepMind 12 WIFI connection. You can choose from the following options:

RX - Program change messages will be received only.

TX - Program changes will be transmitted only.

RX-TX - Program changes will be transmitted and received.

NONE - No program change messages will be sent or received.

• RX-CHANNEL - This option sets the MIDI channel that will be used to

RECEIVE MIDI messages. The CHANNEL can be any number from 1-16.

• TX CHANNEL - This option sets the MIDI channel that will be used to

TRANSMIT MIDI messages. The CHANNEL can be any number from 1-16.

• USB>MIDI-THRU - This option enables PASS-THRU mode from the USB port

to the MIDI-THRU socket. The options are On or O .

• USB>WIFI-THRU - This option enables PASS-THRU mode from the USB port

to the WIFI host. The options are On or O .

To exit this menu press the GLOBAL switch to return to the CONNECTIVITY menu.

RX - Program change messages will be received only.

TX - Program changes will be transmitted only.

RX-TX - Program changes will be transmitted and received.

NONE - No program change messages will be sent or received.

• RX-CHANNEL - This option sets the MIDI channel that will be used to

RECEIVE MIDI messages. The CHANNEL can be any number from 1-16.

• TX CHANNEL - This option sets the MIDI channel that will be used to

TRANSMIT MIDI messages. The CHANNEL can be any number from 1-16.

• WIFI>MIDI-THRU - This option enables PASS-THRU mode from the WIFI

connection to the MIDI-THRU socket. The options are On or O .

• WIFI>USB-THRU - This option enables PASS-THRU mode from the WIFI

connection to the USB host. The options are On or O .

To exit this menu press the GLOBAL switch to return to the CONNECTIVITY menu.

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NETWORK SETTINGS MENU- This menu contains settings for the WiFi connection of the DeepMind 12.

The DeepMind 12 supports the Real-Time MIDI (RTP) protocol for use with network devices/applications.

To access the NETWORK SETTINGS menu, make sure that the '<' symbol on the NETWORK SETTINGS line is highlighted. Then press the +/YES switch, and you will now see the NETWORK SETTINGS menu:

There are three modes for the NETWORK connection:

• O - Network connection is disabled.

• Client - This mode allows the DeepMind 12 to act as a client so that it can

connect to an access point.

• Access Point (Software Enabled Access Point) - The DeepMind 12 can create

an access point which will allow clients/devices to connect to it.

The default mode for the NETWORK connection is O . This mode persists across power cycles.

Client Mode - When Client mode is selected, additional options are displayed:

When editing any of the details, the dialog allows you to enter alphanumeric characters and also shows CANCEL, DELETE, CAPS LOCK and INSERT options. Once you have changed the details to your requirements, press the OK switch to con rm the settings.

• IP - Shows the IP address assigned to the DeepMind12 by the DHCP server

running on the Access Point it is connected to.

Access Point Mode - When this mode is selected, additional options are displayed:

In Access Point mode, you will need to enter the details of the access point you wish to create.

To navigate the options in Access Point mode, use the UP and DOWN switches.

In order to change any of the parameters make sure that the '<' symbol is on the respective line, and press the +YES switch to edit.

• ENABLE - This shows the current state of the Access Point connection - there

are 7 states: Disabled, Enabling, Enabled, Disabling, Connecting, Connected, and Disconnecting. It is possible to enable the AP using the YES switch, and disable the AP using the NO switch. Once the AP is enabled, the connection status of any client that connects to the DeepMind12 will be shown as either Connecting, Connected, or Disconnecting. It is possible to reject a client that has already connected, by pressing NO.

To navigate the options in Client mode, use the UP and DOWN switches.

In order to change any of the parameters, make sure that the '<' symbol is on the respective line, and press the +YES switch to edit.

• ENABLE - This shows the current state of the Client Mode connection - there

are 4 states: Disconnected, Connecting, Connected, and Disconnecting. It is possible to initiate a connection using the YES switch, and cancel a connection using the NO switch.

• SSID and Password - These are the SSID and Password strings the

DeepMind12 uses to connect to the desired network. Editing the values of these strings will bring up a text editing pop up dialog.

• SSID and Password - These are the SSID and Password strings the

DeepMind12 uses to create the Access Point network. Editing the values of these strings will bring up a text editing pop up dialog:

• IP - Shows the IP address the DeepMind12 uses for the Access Point.

• Channel - This shows the Wireless channel used by the Access Point.

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SYSEX EXPORT MENU- This menu contains settings for the EXPORT menu of the DeepMind 12.

Note: Backing up your data is an important factor when working with the DeepMind 12. It allows you to keep a safe copy of your programming, manage settings depending on your use, and share your work with others.

To access the SYSEX EXPORT menu, press the GLOBAL switch until the CONNECTIVITY menu appears. Make sure that the '<' symbol on the EXPORT line is highlighted. Then press the +/YES switch, you will now see the SYSEX EXPORT menu.

• DESTINATION - This option sets the communication mode for the DeepMind

12 SYSTEM EXCLUSIVE (SysEx) messages.

Midi - SysEx messages will be transmitted from the MIDI sockets on the rear of the synthesizer).

USB - SysEx messages will be transmitted to the USB host.

WiFi - SysEx messages will be transmitted to the WiFi connection.

7.2.12 KEYBOARD SETTINGS

Note: To access successive GLOBAL pages just press the GLOBAL switch again to cycle through the pages.

In this menu there are all the settings relating to keyboard.

To navigate the options in the KEYBOARD SETTINGS menu, use the UP and DOWN, switches.

In order to change any of the parameters make sure that the '<' symbol on the respective line is highlighted.

LOCAL - This option turns LOCAL CONTROL for the DeepMind 12 keyboard , aftertouch, pitch wheel and modulation wheel On and O . It is sometimes useful to turn LOCAL CONTROL o when using the DeepMind 12 to control other hardware/software synthesizers, e ects and/or applications.

• DUMP TYPE - This option sets the type of data which be exported. You can

choose from the following:

Prog - A single PROGRAM.

Bank - An entire BANK of 128 PROGRAMs.

EditProg -The PROGRAM in the EDIT BUFFER, i.e. the program you are

currently working on.

Glob - The GLOBAL settings, useful if you need di erent settings depending on your location/activity/requirements).

UserPat - Any one of the 32 USER PATTERNs from the Arpeggiator.

EditPat -The current PATTERN stored in the EDIT BUFFER, i.e. the PATTERN

which is assigned in the program you are currently working on.

AllPat - All user PATTERNs.

All - All Banks, Programs, Patterns, and Global Settings.

CalData - The data from the calibration routine.

• DUMP BANK - You can select the appropriate BANK here, from one of the 8

available (A-H). This option is only available when exporting.

• SOURCE - You can select the appropriate PROGRAM or PATTERN here. This

option is only available when exporting.

• SYSEX DUMP (EXPORTING) - Pressing the +/YES switch while this option is

selected will initiate the EXPORT based on the selected options.

OCTAVE - This option allow you to adjust the OCTAVE setting for the keyboard. The OCTAVE setting a ects the whole keyboard.

The default setting is 0, which means if you play the lowest note it will be a C2.

The OCTAVE can be adjusted from -2 to +2, allowing you to use the 49 keys to access the full eight octaves (98 keys).

Please refer to Appendix 1 - Octave Shifting at the end of this document for a diagram.

FIXED-ON-VEL - This option  xes the NOTE ON VELOCITY at a set value, so that regardless of how hard you strike the note, the value will always be the same. The higher the value, the higher the volume of the note. The value can range from 0-127. When this option is set to O , the NOTE ON VELOCITY will be dependant upon how hard you strike the note.

Note: The NOTE ON VELOCITY sensitivity can be adjusted in the VCA edit page. Please refer to the VCA section later in this document for more details.

FIXED-OFF-VEL - This option  xes the NOTE OFF VELOCITY at a set value, so that regardless of how fast you release the note, the value will always be the same. The higher the value, the higher the volume of the note. The value can range from 0-127. When this option is set to O , the NOTE OFF VELOCITY will be dependant upon how fast you release the note.

Note: The NOTE OFF VELOCITY is only available within the MOD MATRIX as a MODULATION SOURCE. It is not used elsewhere in the synthesizer. Please refer to the MOD MATRIX section later in this document for more details.

To exit this menu press the GLOBAL switch to return to the CONNECTIVITY menu.

To exit the CONNECTIVITY menu press the PROG switch to return to the main programming screen, or press GLOBAL to cycle to the KEYBOARD SETTINGS menu.

28 DeepMind 12 User Manual

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VEL CURVE - You can adjust the response curve for the VELOCITY here. The Hard setting will reduce the dynamic range of played notes. The Soft setting will increase the dynamic range of played notes.

Velocity Sensitivity Curve Settings

Hard

Med

Velocity

Soft

Slow Fast

Strike Speed

The default setting is Soft.

AFT-CURVE - You can adjust the response curve for the AFTERTOUCH here. The Hard setting will reduce the dynamic range of key pressure. The Soft setting will educe the dynamic range of key pressure.

7.2.13 PEDAL SETTINGS

In this menu there are all the settings relating to PEDAL/CV and SUSTAIN inputs on the rear of the DeepMind 12.

To navigate the options in the PEDAL SETTINGS menu, use the UP and DOWN switches.

In order to change any of the parameters make sure that the '<' symbol on the respective line is highlighted.

AfterTouch Sensitivity Curve Settings

Hard

Med

Velocity

Soft

Soft Hard

Key Pressure

The default setting is Soft.

Note: The DeepMind 12 keyboard sends "Channel Aftertouch", meaning the MIDI message created is common to all keys.

WHEEL-LEDS - Both the PITCH WHEEL and the MODULATION WHEEL have the possibility to be illuminated, depending on your requirements. You can control the illumination mode here by selecting one of the following options:

Auto - In this mode, the illumination will get brighter as the respective wheel is moved, reaching its brightest point at the end of its travel.

PEDAL/CV - This option allows you to choose the PEDAL/CV MODE from the following options:

The PEDAL/CV input can work with a t ypical foot pedal, where the voltage is supplied by the DeepMind 12 and fed back at a level which is dependant on the position of the pedal. The further the pedal is pressed, the higher the voltage.

The PEDAL/CV input can also work with a CV (Control Voltage) input from any source with a 0 to +5V output e.g. the Control Voltage from a modular synthesizer.

Note: For wiring diagrams and pin connections information please consult the guide later in this document.

The PEDAL input takes the voltage from the connector and turns it into a control signal. The control signal can be mapped to any of the following:

• Foot-ctrl - The Foot-Ctrl (Foot Controller) is available as a modulation source

in the MOD MATRIX.

• Mod-Wheel - Here the PEDAL input is mapped to the MODULATION WHEEL

which is available as a modulation source in the MOD MATRIX.

• Breath - Here the PEDAL input is mapped to the BREATH controller which is

available as a modulation source in the MOD MATRIX.

On - In this mode the illumination is  xed on.

O - In this mode the illumination is turned o .

The default setting is Auto.

To exit this menu press the PROG switch to return to the main programming screen, or press GLOBAL to cycle to the PEDAL SETTINGS menu.

• Volu me - Here the PEDAL input is mapped to the VOLUME controller.

• Expression - Here the PEDAL input is mapped to the EXPRESSION controller.

The default setting is Foot-ctrl.

SUSTAIN - This option allows you to choose the SUSTAIN MODE from the

following options:

The SUSTAIN input can work with a switched input which is either open when pressed, or closed when pressed.

29 DeepMind 12 User Manual

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Gate Functionality - The SUSTAIN input can also be used with a GATE signal from a CV and GATE interface or a modular synthesizer. This functionality requires the GATE signal to operate between +5V and 0V.

Note: For wiring diagrams and pin connections information please consult the guide later in this document.

• Norm-Open Here when the connected switch is pressed the notes are held

in the SUSTAIN stage of all ENVELOPEs. In this mode the correct operation is designed for a switch whose contacts close when pressed.

• Norm-Closed Here when the connected switch is pressed the notes are held

in the SUSTAIN stage of all ENVELOPEs. In this mode the correct operation is designed for a switch whose contacts open when pressed.

• Tap -N. O Here the SUSTAIN input is mapped to the TAP function so when

the switch is pressed a signal is sent to the Master BPM Generator. In this mode the correct operation is designed for a switch whose contacts close when pressed.

• Tap -N.C Here the SUSTAIN input is mapped to the TAP function so when

the switch is pressed a signal is sent to the Master BPM Generator. In this mode the correct operation is designed for a switch whose contacts open when pressed.

• Arp+Gate Here the SUSTAIN input is mapped to the ARPEGGIATOR notes, so

when a GATE input from a CV & GATE interface, or a modular synthesizer is connected, the gate signal will step though the notes of the ARPEGGIATOR. In this mode the ARPEGGIATOR note duration is set by length of time that the gate signal is high (+5V).

• Arp-Gate Here the SUSTAIN input is mapped to the ARPEGGIATOR notes, so

• Seq+Gate Here the SUSTAIN input is mapped to the CONTROL SEQUENCER

steps, so when a GATE input from a CV & GATE interface, or a modular synthesizer is connected, the gate signal will move though the steps of the CONTROL SEQUENCER. In this mode the CONTROL SEQUENCER will transition to the next step each time a positive edge (a transition from 0V to 5V) is received.

• Seq-Gate Here the SUSTAIN input is mapped to the CONTROL SEQUENCER

steps, so when a GATE input from a CV & GATE interface, or a modular synthesizer is connected, the gate signal will move though the steps of the CONTROL SEQUENCER. In this mode the CONTROL SEQUENCER will transition to the next step each time a negative edge (a transition from 5V to 0V) is received.

• Arp&Seq+Gate Here the SUSTAIN input is mapped to the ARPEGGIATOR

notes, and to the CONTROL SEQUENCER steps. When a GATE input from a CV & GATE interface, or a modular synthesizer is connected, the gate signal will step though the notes of the ARPEGGIATOR, and also move though the steps of the CONTROL SEQUENCER. In this mode the ARPEGGIATOR note duration is set by length of time that the gate signal is high (+5V). Also in this mode the CONTROL SEQUENCER will transition to the next step each time a positive edge (a transition from 0V to 5V) is received.

• Arp&Seq-Gate Here the SUSTAIN input is mapped to the ARPEGGIATOR

notes, and to the CONTROL SEQUENCER steps. When GATE input from a CV & GATE interface, or a modular synthesizer is connected, the gate signal will step though the notes of the ARPEGGIATOR, and also move though the steps of the CONTROL SEQUENCER. In this mode the ARPEGGIATOR note duration is set by length of time that the gate signal is low (0V). Also in this mode the CONTROL SEQUENCER will transition to the next step each time a negative edge (a transition from 5V to 0V) is received.

The default setting is Norm-Open.

To exit this menu press the PROG switch to return to the main programming screen, or press GLOBAL to cycle to the PANEL SETTINGS menu.

7.2.14 PANEL SETTINGS

PANE L-LOC AL - This option turns LOCAL CONTROL for the DeepMind 12 panel controls (including all faders, non menu edit switches and portamento knobs) On and O . It is sometimes useful to turn LOCAL CONTROL o when using the DeepMind 12 to control other hardware/software synthesizers, e ects and/or applications.

The default setting is On.

FADER MODE - This option allows you to choose the mode in which the faders respond when you initially move a fader which has a di erent physical position to the stored value. You can choose one of the following options:

• Pass-thru - In this mode, when the fader is moved, it will need to "Pass-

thru" the stored value before it will start to change.

• Jump - In this mode, when the fader is moved the value of the parameter

will "Jump" to the physical position of the fader.

The default setting is Jump.

INFO DIALOGS - This option allows you to disable the pop-up dialogs and messages which are designed to aid you while learning how the DeepMind 12 operates. The default setting is Enable.

CYCLE TO PROG - When this option is turned On, the menu cycle function will return you to the programming screen. When this option is O , the menu cycle function will return you to the  rst menu page. The default setting is On.

REMEMBER PAGES - With this option turned on your position in any menu will be remembered so that you return to the same position you lef t. When this option is o , any access of a menu will always position you in the  rst menu page. The default setting is On.

BRIGHTNESS - This option allows you to control the brightness of the display. The range is 0-100, with 0 being dim and 100 being the brightest setting. This is useful if you are operating in low light conditions and want to protect your vision, or if you are working under strong lighting conditions and want to maximise viability.

The default setting is 100.

CONTRAST - This option allows you to control the contrast of the display. The range is 0-14, with 0 being least contrast and 14 being the most contrast. This is useful to compensate for di erent viewing angles, and/or light conditions.

The default setting is 10.

To exit this menu press the PROG switch to return to the main programming screen.

30 DeepMind 12 User Manual

7.2.15 SYSTEM SETTINGS

Note: To access successive GLOBAL pages just press the GLOBAL switch again to cycle through the pages.

In this menu are all the SYSTEM SETTINGS of the DeepMind 12. These include VERSION NUMBERS of the hardware/ rmware, set tings for the fan speed and access to the CALIBRATION routines.

To navigate the options in the SYSTEM SETTINGS menu, use the UP and DOWN switches.

In order to change any of the parameters make sure that the '<' symbol on the respective line is highlighted.

HOST-VER - This is the version number of the host  rmware.

VOICE-VER - This is the version number of the voice circuit board.

DSP-VER - This is the version of the DSP  rmware.

BOOT-VER - This is the version of the bootloader used to initialize the synthesizer.

7.2 .16 C AL IB R ATE

This menu allows you to perform CALIBRATION of the VOICES, MOD WHEEL, PITCH WHEEL, AFTERTOUCH and PEDAL INPUT.

To navigate the options in the CALIBRATION menu, use the UP, DOWN, switches.

In order to start a calibration routine make sure that the '<' symbol on the appropriate CALIBRATE line is highlighted and press the +/YES switch.

The DeepMind 12 has 12 voices. Each voice has its own LFO, OSC, VCF, ENV and VCA stages.

The CALIBRATION routine is used for the Voice checking, OSC wave shapes, VCF self-oscillation, Pulse Width modulation and the VCA bias.

VCF - Unlike many other synthesizers, the DeepMind 12 is capable of accurate pitch tracking even when the  lter resonance is pushed to (and past) the point where the  lter starts to self-oscillate. When using this selfoscillating feature of the VCF as a sound source, the VCF calibration ensures the correct response when playing the entire scale of the keyboard.

WIFI-VER - This is the version of the WiFI.

FAN-SPEED - This allows you to adjust the fan speed. The fan speed is adjustable

from 0 (o ) to 255 (maximum). Adjust the fan speed to suit your listening conditions and preference. If the local temperature is high, please make sure that the fans are not turned o . The DeepMind 12 is equipped with 2 fans, one internal and one at the rear. At an approximate setting of 40 the internal fan is running and the rear fan is o .

The DeepMind 12 VCFs are calibrated at the factory during production. However, because its  lters are voltage controlled and can be a ected by extremes of temperature, you may need to use the built-in calibration function to  ne tune them occasionally. Calibration may also be required after a  rmware upgrade or when being requested to do so by an authorised Behringer support technician.

OSC - The DeepMind 12 OSCs are calibrated at the factory during produc tion. The oscillators are discrete analog circuits but they are digitally controlled. Compared to a Voltage Controlled oscillator (VCO), the OSC has far superior stability, especially when they have a very high frequency, low-jitter master clock sources, as used in the DeepMind 12. This stage calibrates the slope of the sawtooth waveform to ensure even volume and pulse-width across the full range of the synthesizer.

This means that the OSCs should never need re-calibrating except for after a  rmware upgrade or being requested to do so by an authorised Behringer support technician.

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Behringer DeepMind 12 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual