Congratulations! The DDM4000 is a state-of-the-art 32-bit digital DJ mixer,
jam-packed with creative tools, yet its intuitive layout will let you feel at home
in an instant. Editing, storing and recalling your set tings is simply a breeze!
3DIGITAL PRO MIXER DDM4000 User Manual
Terminals marked with this symbol carry
electrical current of su cient magnitude
to constitute risk of electric shock. Use only
high-quality commercially-available speaker cables with
¼" TS plugs pre-installed. All other installation or
modi cation should be per formed only by
quali ed personnel.
This symbol, wherever it appears,
alerts you to the presence of uninsulated
dangerous voltage inside the
enclosure - voltage that may be su cient to constitute a
risk of shock.
This symbol, wherever it appears,
alerts you to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, do
not remove the top cover (or the rear
section). No user serviceable parts inside. Refer servicing
to quali ed personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids, such
as vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed service personnel only.
To reduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
service personnel.
Read these instructions.1.
Keep these instructions.2.
Heed all warnings.3.
Follow all instructions.4.
Do not use this apparatus near water.5.
Clean only with dry cloth.6.
Do not block any ventilation openings. Install in 7.
accordance with the manufacturer’s instructions.
Do not install near any heat sources such as 8.
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
Do not defeat the safety purpose of the polarized 9.
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If the
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
Protect the power cord from being walked on or 10.
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
Use only attachments/accessories speci ed by 11.
the manufacturer.
Use only with the 12.
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, or sold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
Unplug this apparatus during lightning storms or 13.
when unused for long periods of time.
Refer all servicing to quali ed service personnel. 14.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
been dropped.
The apparatus shall be connected to a MAINS socket 15.
outlet with a protective earthing connection.
Where the MAINS plug or an appliance coupler is 16.
used as the disconnect device, the disconnect device shall
remain readily operable.
Technical speci cations and appearance are subject to change without
notice. The information contained herein is correct at the time of printing.
All trademarks are the property of their respective owners. MUSIC Group
accepts no liability for any loss which may be su ered by any person
who relies either wholly or in part upon any description, photograph or
statement contained herein. Colors and speci cations may vary slightly from
product. BEHRINGER products are sold through authorized dealers only.
Distributors and dealers are not agents of MUSIC Group and have absolutely
no authority to bind MUSIC Group by any express or implied undertaking
or representation. This manual is copyrighted. No part of this manual may
be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying and recording of any kind, for any
purpose, without the express written permission of MUSIC Group IP Ltd.
This limited warranty is valid only if you purchased (1)
the product from a BEHRINGER authorized dealer in the
country of purchase. A list of authorized dealers can be
found on BEHRINGER’s website behringer. com under
“Where to Buy“, or you can contact the BEHRINGER o ce
closest to you.
MUSIC Group* warrants the mechanical and (2)
electronic components of this product to be free of defects
in material and workmanship if used under normal
operating conditions for a period of one (1) year from
the original date of purchase (see the Limited Warranty
terms in § 4 below), unless a longer minimum warranty
period is mandated by applicable local laws. If the product
shows any defects within the speci ed warranty period
and that defect is not excluded under § 4, MUSIC Group
shall, at its discretion, either replace or repair the product
using suitable new or reconditioned product or parts.
In case MUSIC Group decides to replace the entire product,
this limited warranty shall apply to the replacement
product for the remaining initial warranty period, i.e.,
one (1) year (or otherwise applicable minimum warranty
period) from the date of purchase of the original product.
Upon validation of the warranty claim, the repaired (3)
or replacement product will be returned to the user freight
prepaid by MUSIC Group.
Warranty claims other than those indicated above (4)
are expressly excluded.
PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF
OF PURCHASE COVERING YOUR LIMITED WARRANTY.
THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF
OF PURCHASE.
Online registration§ 2
Please do remember to register your new BEHRINGER
equipment right after your purchase at behringer. com
under “Support” and kindly read the terms and conditions
of our limited warranty carefully. Registering your
purchase and equipment with us helps us process
your repair claims quicker and more e ciently.
Thank you for your cooperation!
Return materials authorization§ 3
To obtain warranty service, please contact the (1)
retailer from whom the equipment was purchased.
Should your BEHRINGER dealer not be located in your
vicinity, you may contact the BEHRINGER distributor for
your country listed under “Support” at behringer. com.
If your country is not listed, please check if your problem
can be dealt with by our “Online Support” which may
also be found under “Support” at behringer. com.
Alternatively, please submit an online warranty claim at
behringer. com BEFORE returning the product. All inquiries
must be accompanied by a description of the problem
and the serial number of the product. After verifying
the product’s warranty eligibility with the original sales
receipt, MUSIC Group will then issue a Return Materials
Authorization (“RMA”) number.
Legal Disclaimer
Limited Warranty
Important Safety
Instructions
Legal Disclaimer
Limited Warranty
4DIGITAL PRO MIXER DDM4000 User Manual
Subsequently, the product must be returned in (2)
its original shipping carton, together with the return
authorization number to the address indicated by
MUSIC Group.
Shipments without freight prepaid will not (3)
be accepted.
Warranty Exclusions§ 4
This limited warranty does not cover consumable (1)
parts including, but not limited to, fuses and batteries.
Where applicable, MUSIC Group warrants the valves or
meters contained in the product to be free from defects in
material and workmanship for a period of ninety (90) days
from date of purchase.
This limited warranty does not cover the product (2)
if it has been electronically or mechanically modi ed
in any way. If the product needs to be modi ed or
adapted in order to comply with applicable technical
or safety standards on a national or local level, in any
country which is not the country for which the product
was originally developed and manufactured, this
modi cation/adaptation shall not be considered a defect
in materials or workmanship. This limited warranty does
not cover any such modi cation/adaptation, regardless
of whether it was carried out properly or not. Under the
terms of this limited warranty, MUSIC Group shall not
be held responsible for any cost resulting from such a
modi cation/adaptation.
This limited warranty covers only the product (3)
hardware. It does not cover technical assistance for
hardware or software usage and it does not cover
any software products whether or not contained in
the product. Any such software is provided “AS IS”
unless expressly provided for in any enclosed software
limited warranty.
This limited warranty is invalid if the factory-(4)
applied serial number has been altered or removed from
the product.
Free inspections and maintenance/repair work (5)
are expressly excluded from this limited warranty, in
particular, if caused by improper handling of the product
by the user. This also applies to defects caused by normal
wear and tear, in particular, of faders, crossfaders,
potentiometers, keys/buttons, guitar strings, illuminants
and similar parts.
Damage/defects caused by the following conditions (6)
are not covered by this limited warranty:
improper handling, neglect or failure to operate the •
unit in compliance with the instructions given in
BEHRINGER user or service manuals;
connection or operation of the unit in any way •
that does not comply with the technical or safety
regulations applicable in the country where the
product is used;
damage/defects caused by acts of God/Nature •
(accident, re, ood, etc) or any other condition that
is beyond the control of MUSIC Group.
Any repair or opening of the unit carried out by (7)
unauthorized personnel (user included) will void the
limited warranty.
If an inspection of the product by MUSIC Group (8)
shows that the defect in question is not covered by the
limited warranty, the inspection costs are payable by
the customer.
Products which do not meet the terms of this (9)
limited warranty will be repaired exclusively at the buyer’s
expense. MUSIC Group or its authorized service center will
inform the buyer of any such circumstance. If the buyer
fails to submit a written repair order within 6 weeks after
noti cation, MUSIC Group will return the unit C.O.D. with
a separate invoice for freight and packing. Such costs will
also be invoiced separately when the buyer has sent in a
written repair order.
Authorized BEHRINGER dealers do not sell new (10)
products directly in online auctions. Purchases made
through an online auction are on a “buyer beware” basis.
Online auction con rmations or sales receipts are not
accepted for warranty veri cation and MUSIC Group will
not repair or replace any product purchased through an
online auction.
Warranty transferability§ 5
This limited warranty is extended exclusively to the
original buyer (customer of authorized retail dealer) and
is not transferable to anyone who may subsequently
purchase this product. No other person (retail dealer, etc.)
shall be entitled to give any warranty promise on behalf
of MUSIC Group.
Claim for damage§ 6
Subject only to the operation of mandatory applicable
local laws, MUSIC Group shall have no liability to the buyer
under this warranty for any consequential or indirect
loss or damage of any kind. In no event shall the liability
of MUSIC Group under this limited warranty exceed the
invoiced value of the product.
Limitation of liability§ 7
This limited warranty is the complete and exclusive
warranty between you and MUSIC Group. It supersedes
all other written or oral communications related to this
product. MUSIC Group provides no other warranties for
this product.
Other warranty rights and § 8
national law
This limited warranty does not exclude or limit the (1)
buyer’s statutory rights as a consumer in any way.
The limited warranty regulations mentioned herein (2)
are applicable unless they constitute an infringement of
applicable mandatory local laws.
This warranty does not detract from the seller’s (3)
obligations in regard to any lack of conformity of the
product and any hidden defect.
Amendment§ 9
Warranty service conditions are subject to change without
notice. For the latest warranty terms and conditions
and additional information regarding MUSIC Group’s
limited warranty, please see complete details online at
behringer. com.
* MUSIC Group Macao Commercial Off shore Limited of
Rue de Pequim No. 202-A, Macau Finance Centre 9/J, Macau,
including all MUSIC Group companies
5DIGITAL PRO MIXER DDM4000 User Manual
Introduction1.
Hook up your turntables and CD/MP3 players to its 4 stereo channels,
each with fully programmable EQ and Kill switches. Put ultimate versatility
at your ngertips with fully programmable beat-sync’able multi-FX modules,
a pair of high-precision BPM counters and a digital crossfader with custom curve
adjustment. And the super-cool BPM-sync’d sampler with real-time pitch control,
loop and reverse functions will make your crowd go wild.
Please read this manual to familiarize yourself with the control ◊
elements of the unit and its functions. After you have carefully
read this manual, keep it for future reference.
Before you get started1.1
Shipment1.1.1
Your DDM4000 was carefully packed at the factory, and the packaging
was designed to protect the unit from damage caused by rough handling.
Nevertheless, we recommend that you carefully examine the packaging and its
contents for any signs of physical damage that may have occurred during transit.
If the unit is damaged, please do NOT return it to us; instead, ◊
notify your dealer and the shipping company immediately,
otherwise claims for damage or replacement may not be granted.
We recommend using a case to ensure optimal protection of the device.◊
Please always use the original packaging to avoid damage due to ◊
storage or shipping.
Never let unsupervised children play with the DDM4000 or ◊
with its packaging.
Recycle whenever possible.◊
Initial operation1.1.2
Ensure adequate air supply and to avoid overheating do not place the unit
near radiators etc.
Before you connect your DDM4000 to the mains, please make sure ◊
that your local voltage matches the voltage required by the unit.
Caution!
Before changing the fuse, switch off the device and pull the plug to ◊
avoid electric shock or damage to the device.
The DDM4000 power connection is made by using the enclosed cable and
the amplier’s standard IEC receptacle. It meets all of the international safety
certication requirements.
Please make sure that all units have a proper earth connection. For your ◊
own safety, never remove or disable the earth conductor from the unit
or of the AC power cord.
IMPORTANT NOTES CONCERNING INSTALLATION
The sound quality may diminish within the range of powerful ◊
broadcasting stations and high-frequency sources. Increase the
distance between the transmitter and the device and use shielded
cables for all connections.
Online registration1.1.3
Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warranty carefully.
Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contac t
the BEHRINGER retailer from whom the equipment was purchased. Should your
BEHRINGER dealer not be located in your vicinity, you may directly contac t
one of our subsidiaries. Corresponding contact information is included in the
original equipment packaging (Global Contact Information/European Contact
Information). Should your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the support area of our website
(http://behringer.com).
Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.
Thank you for your cooperation!
Caution! The following applies only to units that can be switched between
120 V and 230 V: The fuse holder on the mains connector has 3 triangular
markings, with two of these triangles opposing each other. The DDM4000 is set
to the operating voltage printed next to these markers and can be set to another
voltage by turning the fuse holder by 180°.
Please note that when operating the unit at 120 V, a higher fuse rating ◊
is required. Please refer to the “Specifications” for details.
If you set the unit to a different mains voltage, be sure to use a fuse ◊
of the correct type and rating. Please refer to the “Specifications”
for details.
Blown fuses must be replaced by fuses of the same type and rating! ◊
Please refer to the “Specifications” for details.
Caution!
Extreme output volumes may damage your hearing and/or your ◊
loudspeakers. Turn down all volume and level controls before you
switch on the unit. Always set the volume to an appropriate level.
6DIGITAL PRO MIXER DDM4000 User Manual
(2.1)(2.4)
(2.2)
(2.6)
(2.9)
(2.1)
(2.7)
(2.8)
(2.3)
(2.5)
Controls and 2. Connections
This chapter describes the various controls and connections of
the DDM4000 mixer. We have divided the console into several
functional sections for a better overview.
Fig. 2.0: Over view of DDM40 00
Stereo channels 1 – 42.1
BPM and eects section2.5
Microphone channel2.2
Sampler2.6
Crossfader section2.3
Main and phones section2.4
Rear panel connectors2.7
Rear panel outputs2.8
Power section2.9
7DIGITAL PRO MIXER DDM4000 User Manual
(2)
(1)
(3)
(5)
(9)
(10)
(4)
(7)
(8)
(6)
(11)(12)
(13)
(16)
(17)
(18)
(19)
(15)
(14)
Stereo channels 1 – 42.1
Fig. 2.1: Stereo channel s trips
Microphone channel2.2
Fig. 2.2: Mic rophone channel
The (11) GAIN knob adjusts the level of the microphone signal at the MIC 1 input.
This switch determines which signal is to be displayed on the level meter (12) (13). IN VU shows the unprocessed input level which helps you to adjust the
microphone signal correctly. XMC VU shows the level after it has passed
the Ultramic processor.
The input select switch lets you switch between two signal sources. (1)
Select Line to hear the signal of the Line input (67). Select Phono/Line to
listen to the incoming source signal at the Phono/Line (68) input.
The (2) GAIN knob adjusts the level of the input signal. The actual level
is displayed on the level meter (3).
The 7-segment LED meter indicates the level of the input signal.(3)
Each input channel features a 3-band equalizer (4) (HIGH, MID and LOW)
with kill feature, giving you up to 12 dB of boost and a maximum cut
of -∞ dB (kill). The kill feature lets you mute the given frequency range.
When each EQ knob is turned fully left, the signal is eectively muted.
All EQ parameters can be adjusted in Channel Setup.
The (5) MODE push button changes the functionality of the preset push button
(6) from Multi to Single.
The preset push buttons (6) P1, P2 and P3 allow you to store and activate
equalizer presets. When activated in Single Mode, these push buttons
provide a maximum cut of -∞ dB (kill function).
Press the (7) PFL push button to listen in on the channel’s signal
using headphones.
The fader controls the channel volume.(8)
The (9) CURVE switch adjusts the response of the fader. In SOFT Mode, the fader
responds slower to steady fader movement in the upper range and quicker in
the lower range. In Sharp Mode, the fader adjusts the volume quicker in the
upper third and slower in the lower range. In MID Mode, the fader responds
in a linear fashion. Since a dierence in volume levels is heard when
switching between modes, don’t use this switch while playing music!
The (10) CF ASSIGN push button lets you determine on which side of the
crossfader (20) (A or B the signal is to be heard.
The 7-segment LED meter indicates the level of the microphone channel.(13)
The microphone channel strip features a 3-band equalizer (14) (HIGH, MID and LOW). The range is +/-12 dB.
The (15) ON/OFF push button turns the microphone channel on and o.
The (16) MIC SETUP push button opens the Mic Setup menu on the display.
This allows you to adjust the settings of the equalizer, the Ultramic processor
and the MIC FX (eects processor).
The (17) XMC ON push button activates the ULTRAMIC processor, which includes
a 2-band compressor and expander. Ultramic settings can be adjusted in
Mic Setup.
The (18) MIC FX ON push button ac tivates the microphone eects processor.
Select the eect in Mic Setup.
The (19) TALK ON push button activates the Talkover function. This attenuates
the volume level of the music as soon as you speak into the microphone.
This is a very useful function to make yourself heard over the music being
played. You can adjust all the relevant settings in Talk Setup.
8DIGITAL PRO MIXER DDM4000 User Manual
(28)
(26)
(29)
(27)
(25)
(24)
(20)
(21)(23)
(22)
(30)
(31)
(32)
(35)
(36)
(37)
(38)
(40)
(39)
(34)
(33)
Crossfader section2.3
Fig. 2.3: Cross fader sect ion
The replaceable crossfader is used to fade between the signals that are (20)
assigned to its two sides A and B. You can assign the stereo channels and
sampler using the CF Assign push buttons (10) and (65).
The (21) CF ON push button activates the crossfader. When the push button is
not pressed, the signals of the individual channels are routed straight to the
Main outputs.
There are 3 Kill push buttons (22) (HIGH, MID and LOW) on each side of the
crossfader which let you mute the given frequency range. In Crossfader Setup (see Chapter 3.4.2), it is possible to activate a special X-OVER mode
that enhances the crossfader’s functionality in combination with the
Kill push buttons. For more information, read Chapter 3.4.1.
Main and phones section2.4
Fig. 2.4: Main and Ph ones section
Press the (23) FULL FREQ push button to remove any frequency cuts of
the KILL EQ (22).
The CURVE knob lets you seamlessly adjust the response of the crossfader.(24)
The REVERSE func tion allows you to reverse the conguration of the crossfader.
This way you can toggle between Channel A and B at the ick of a switch
REVERSE HOLD(25) activates a permanent Reverse function. The crossfader
fades between sides A and B in the reverse direction. This means that A
is now on the right and B on the lef t side.
REVERSE TAP activates a momentar y Reverse function. This means that (26)
A and B are interchanged as long as the TAP push button is held down.
The BOUNCE TO MIDI CLOCK function provides an automatic, quick crossfading
synchronized to the rhythm of the music (“bouncing”). The bounce speed is
determined by the MIDI Clock.
Press the (27) BOUNCE TO MIDI CLK push button to activate the bouncing.
Once the push button is pressed, the signal repeatedly jumps from A to B
and back again corresponding to the interval pre-selected by using the
BEAT push buttons (28).
The (28) BE AT push buttons let you determine the Bounce rate, which can range
between one and 16 beats.
These LEDs indicate the number of beats you have chosen.(29)
Find a detailed description of this function in Chapter 3.4.3.◊
MAIN OUTPUT:
The (30) OUTPUT A knob controls the volume of output A ( (73) ).
The (31) BALANCE knob adjusts the stereo panning of output A.
The (32) OUTPUT B knob controls the volume of output B ( (74) ).
The high-resolution, 22-segment (33) OUTPUT LEVEL meter indicates
the level of the output signal on OUTPUT A.
ULTRAMIZE ON/OFF(34) push button: The Ultramizer is an eect that
enhances the loudness and assertiveness by dynamic compression.
In Ultramizer Setup (see Chapter 3.5.1), you can congure the Ultramizer.
The (35) LOAD push button lets you load the user settings of the entire mixer.
The settings that are active when the device is turned o are loaded when
the device is switched back on again. Read more about saving and loading
user settings in Chapter 3.5.2.
PHONES:
Connect the headphones to the (36) PHONES jack (¼" TRS connector).
The (37) OUTPUT knob controls the volume of the head-phones.
The (38) MIX knob adjusts the balance between PFL signal and
PGM signal (PFL = Pre Fader Listening, fader independent pre-listening
of individual channels; PGM = Program, Master signal). When the
knob is turned completely to the left, you only hear the PFL signal,
whereas when turned completely to the right the Master signal is heard.
Between these two positions, you can adjust the mix of both signals.
The (39) PUNCH EQ function helps synchronize two tracks. You can orient
yourself to the snare or the bass drum or both. Press the SNARE or
BASS push button to emphasize the selected sound in the headphones.
When the (40) SPLIT push button is pressed, the PFL signal is heard in the
left headphone and the PGM signal is only heard in the right headphone.
9DIGITAL PRO MIXER DDM4000 User Manual
(41)
(50)
(45)
(46) (47) (48)
(50)
(42) (49)
(43)(52)(53)
(51)
(54)(54)
(57)
(59)
(63)
(65)
(62)
(56)
(60)
(64)
(66)
(61)
(58)
BPM and eects section2.5
Fig. 2.5: BPM Counte r and Eects se ction (here FX 1)
The DDM4000 has 2 identical eects units. There are 2 additional independent
eects units for the mic signal and the Sampler. All eects can be used at the
same time. The BPM Counter and MIDI Clock are also found in this section.
The graphic display shows BPM values, eect names and eec t parameters (41)
as well as channel assignments. It also leads you through Console Setup.
The (42) FX ON push button activates the eects unit.
Press the (43) FX ASSIGN push button to assign an eects unit to a signal
source (push button ashes). The possible input sources are listed on
the display. Select the preferred source by turning and pressing the
PARAMETER knob (45).
The (44) DEPTH knob adjusts the eect intensit y (depth). For some eects,
it also lets you adjust the mix between the original signal (dry) and
the eect signal (wet).
Press the (45) PARA M (eter) knob to select the eect parameters. By turning
the knob, you can change the parameter shown on the display.
Press (46) SELECT/LOW to access the eects list (on the display). Turn and press
the knob (45) to load a preset.
Press the (47) PARAM/MID push button to access the eect parameters.
Turn the knob (45) to change the parameter value.
Press (48) DEFAULT/HIGH to restore a preset.
When the effect is activated (by pressing the FX ON push button), ◊
the push buttons (46) (LOW), (47) (MID) and (48) (HIGH) are used as
Kill switches in the effect ’s signal path.
Depending on the selec ted eect, the (49) BE AT push buttons can adjust
time-related parameters. However, the values entered are not in
milliseconds or similar units, but in beats.
To enter the tempo manually, tap this push button (at least 2 x) in the rhythm (50)
of the music (TAP). By keeping the AUTO BPM/TAP push button pressed a
little longer (> 1 s), the automatic tempo input (AUTO BPM) is reactivated.
Turn the (51) CONSOLE SETUP knob to adjust the tempo of the MIDI Clock
(press and turn simultaneously = coarse adjustment). A short press on
the knob conrms the entry made. A long press on the knob lets you
access Console Setup (see Chapter 3.1).
The (52) MIDI START/STOP/ESC turns on the MIDI Clock.
The (53) ADJUST push buttons let you transfer the tempo of the BPM counter
to the MIDI Clock.
All functions of the BPM and Effects section are de-scribed in ◊
detail in Chapter 4.
Sampler2.6
Fig. 2.6: Samp ler section
Press the (54) INSERT push button to add the sampler signal to the channel
(Insert Mode). If the push button is not activated, the sampler is mixed to
the selected channel (Mix Mode). In both cases, playback is initiated with
the REC SOURCE push buttons. When the sampler is routed to the crossfader,
the LED of the INSERT push button goes out.
The (55) VOLUME/MIX knob controls the volume of the sampler (in Mix Mode)
as well as the volume balance between input signal and Sampler
(in Insert Mode).
The (56) REC SOURCE push buttons let you select the channel for recording
and playing back samples.
Press the (57) PFL push button to listen in on the sampler signal with the headphones.
SAMPLE LENGTH(58) adjusts the recor ding time (1–16 beats or endless recording ∞).
RECORD/IN(59) lets you record to the Sampler. Select a bank beforehand.
By pressing the push but ton a second time, the recording is stopped
(only in ∞ Mode).
BANK ASSIGN(60) is used to select a bank in which the recorded material
is stored. The selec ted bank is indicated by the relevant MODE push button
(61) which signalizes the readiness to record.
The (61) MODE push buttons (Bank 1 and Bank 2) are used to select the sampler’s
types of playback (Reverse and Loop). A short tap activates or deactivates
the Reverse function; pressing the push but ton a little longer activates or
deactivates the Loop function.
Press the(62) PLAY/OUT push button to start the playback of the recorded
sample. When the Loop function is deactivated, the sample is only
played back as long as the PLAY push button is pressed.
Press (63) SMP FX ON push button to activate the Brake eect.
Press the (64) SELECT push button to determine the length of the brake
(1, 4 or 8 Beat Brake, which is shown in the center of the display).
The (65) CF ASSIGN push button lets you determine on which side of the
crossfader the sampler signal is to be routed to.
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