Behringer C-3 User Manual

User Manual
STUDIO CONDENSER MICROPHONE
Dual-Diaphragm Studio Condenser Microphone
STUDIO CONDENSER MI CROPHONE C-3 User Manual
2
Important Safety Instructions
LIMITED WARRANTY
For the applicable warranty terms and conditions and additional information regarding MUSIC Group’s Limited Warranty, please see complete details online at www.music-group.com/warranty.
Terminals marked with this symbol carry electrical current of sucient
This symbol, wherever it appears,
alerts you to the presence of
uninsulated dangerous voltage inside the enclosure -voltage that may be sucient to constitute a risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating
and maintenance instructions in the accompanying literature. Please read themanual.
Condenser microphones are
extremely moisture-sensitive.
Never use your microphone in close proximity to water (e.g. bath tubs, wash basins, sinks, washing machines, pools, etc.). When doing voice recordings, always use the enclosed windscreen to protect the capsule from moisture.
Always use the power
supply specied in the
operating instructions.
Take care not to drop
your microphone as this can
lead to severe damage. BEHRINGER assumes no liability for any damage caused by the user.
After each use, wipe the
microphone down with a soft
cloth and place it back into its protective casing (included with the microphone). Then, lay the small bag containing the moisture-absorbing crystals on top of the microphone head.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED. BEHRINGER, KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND ARE PART OF THE MUSIC GROUP MUSICGROUP.COM. ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION, PHOTOGRAPH OR STATEMENT CONTAINED HEREIN. COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. FULLFILLERSAND RESELLERS ARE NOT AGENTS OF MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR REPRESENTATION. THIS MANUAL IS COPYRIGHTED. NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC OR MECHANICAL, INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSICGROUPIPLTD.
ALL RIGHTS RESERVED. © 2013 MUSICGroupIPLtd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands
STUDIO CONDENSER MI CROPHONE C-3 User Manual
3
1. Power Supply
Your condense r mic C-3 needs a phantom p ower supply (+48 V). If your C-3 is connec ted to a microp hone preamp and supp lied with phantom p ower, the LED on the microph one lights up. BEHRINGER assumes no liabilit y for any damage cau sed by a defect ive phantom power supp ly. Always mute the sound r einforcement sy stem before you s witch on the phantom power supply.
2. Directivity
Your C-3 is a large- diaphragm micr ophone featurin g a double membrane. T his allows you to choo se between thre e dierent picku p patterns - car dioid, omnidirec tional and gure eigh t. Make your selec tion using the swi tch located at the ba ck of your micropho ne.
2.1 Cardioid
Microph ones with this pol ar pattern (switc h position: middle, ) are most s ensitive to sound comi ng from in front o f the microphone, an d also to a lesser ex tent from the sides . Sound comi ng from behind th e microphone will b e greatly attenua ted. This makes the cardioi d polar pattern m ost suitable for r ecording indiv idual instrumen ts or vocals with in a group.
2.2 Figure eight
Microphones featuring the gure eight polar pattern (switch position: left, ) are most s ensitive to sound co ming from either di rectly in fro nt of or directly b ehind the micro phone. Sound comin g from either side or a bove/below is grea tly attenuated. This polar p attern is per fectly suite d as a reporter mic f or two speakers. T his pattern can also allow you t o create a natural rev erb or delay eec t. This is achieved by p lacing the microph one between the s ound source and a wall .
The direc t sound reaches t he “front” m embrane rst, t he reected so und reaches the “rear” mem brane a short tim e later. You can adju st the delay/reverb tim e by changing the dist ance from the mic to th e wall.
2.3 Omnidirectional
If you use th e C-3 with the omnidire ctional polar p attern selec ted (switch posit ion: right, ), the microp hone is equally susc eptible to sound com ing from all direc tions. This polar c haracteris tic is particula rly well suited to se ssions in which a natu ral sounding recordi ng is sought, or when s everal sound sour ces surround the C-3.
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