Behringer B1800X PRO, B2520 PRO, B1520 PRO, B1220 PRO User Manual

User Manual

EUROLIVE PROFESSIONAL

B2520 PRO

High-Performance 2,200-Watt PA Loudspeaker System with Dual 15" Woofers

B1800X PRO

Professional 1,800-Watt 18" PA Subwoofer

B1520 PRO/B1220 PRO

Professional 1,200-Watt 15"/12" PA Loudspeaker System

2 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

Table of Contents

Thank you .......................................................................2

Important Safety Instructions ...................................... 3

Legal Disclaimer ............................................................. 3

Limited warranty ............................................................ 3

1. Introduction ............................................................... 4

2. Optimal Operation .................................................... 5

3. Operating Modes ....................................................... 5

4. Pin Assignment (B1800X PRO) .................................. 6

5. Additional Considerations ........................................6

6. Application Examples ............................................... 6

7. Troubleshooting ........................................................ 8

8. Specications .............................................................9

Thank you

By purchasing BEHRINGER EUROLIVE PROFESSIONAL speakers, you have obtained
a rst-class PA loudspeaker system. Now, you own (at least) one component of
an expandable system that will reproduce the sound ofyour musical material
unadulterated and perfectly balanced.

3 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

9. Do not defeat the safety purpose of the polarized

TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED

Important Safety Instructions

Terminals marked with this symbol carry
electrical current of su cient magnitude

to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.

This symbol, wherever it appears,

alertsyou to the presence of uninsulated

dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.

This symbol, wherever it appears,

alertsyou to important operating and

maintenance instructions in the
accompanying literature. Please read the manual.

Caution

To reduce the risk of electric shock, donot

remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.

Caution

To reduce the risk of  re or electric shock,

do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects  lled with liquids,
suchas vases, shall be placed on the apparatus.

Caution

These service instructions are for use

by quali ed ser vice personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.

or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not  t into your outlet, consult an
electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.

11. Use only attachments/accessories speci ed by
themanufacturer.

12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid

injury from tip-over.

13. Unplug this apparatus during lightning storms or
when unused for long periods of time.

14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.

15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.

16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.

UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.

ALL RIGHTS RESERVED.
© 2013 MUSICGroupIPLtd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands

LIMITED WARRANTY

For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY

4 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

1. Introduction

Thanks to its numerous features, the EUROLIVE PROFESSIONAL SERIES is the
ideal PA loudspeaker system: it is equally well-suited both for small gigs and
large stages. We have brought it to life in order to oer you a complete range
of loudspeaker choices. In doing so, we have left open all the options for
expanding your PA system. All loudspeakers feature professional inputs and
outputs (compatible to Neutrik Speakon), letting you exibly expand your setup
whenever you need to.

◊ The following instructions are intended to familiarize you with the

specialized terminology used throughout this user’s manual, so that
you can master all the functions. After having thoroughly read the
user’s manual, store it in a safe place for future reference.

1.1 Before you get started

1.1.1 Shipment

Your EUROLIVE speakers were carefully packed at the assembly plant to assure
secure transpor t. Should the condition of the cardboard box suggest that damage
may have taken place, please inspect the unit immediately and look for physical
indications of damage.

◊ Damaged units should NEVER be sent direc tly to us. Please inform the

dealer from whom you acquired the unit immediately as well as the
transportation company from which you took delivery of the unit.
Otherwise, all claims for replacement/repair may be rendered invalid.

◊ Please always use the original packaging to avoid damage due to

storage or shipping.

◊ Never let unsupervised children play with the EUROLIVE speakers or

their packaging.

◊ Please dispose of all packaging materials in an environmentally

friendly fashion.

1.1.2 Initial operation

Your EUROLIVE speakers are connected to a power amplier using the speaker
connectors located in the back. Please read ch. 5, “Additional Considerations”
and ch. 6, “Application Examples” to get important technical information and
practical suggestions about use.

◊ Always make sure to mute your power amplifier before connecting

the speakers.

Fig. 1.2: Subwoo fer connector p anel (B1800X PRO)

The EUROLIVE PROFESSIONAL SERIES features professional speaker connectors
(compatible to Neutrik Speakon) that assure problem-free operation.
TheSpeakon connector was developed for loudspeakers with high power ratings.
If it is connected into the corresponding plug, it locks into place and cannot
accidentally be disconnected. It protects against electric shock and assures
correct polarity. Each of the plugs only carries the assigned individual signal
(seetable 4.1/Fig. 1.3 and the insignia on the back of the unit).

Fig. 1.3: Speakon connector

Please only use the commercially available Speakon cables (type NL4FC)
toconnect your loudspeakers to the power amp. Verify the pin assignment
of your loudspeakers and cables depending on the loudspeaker output you
areusing.

1.1.3 Online registration

Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warrantycarefully.

Professional speaker connector
(compatible with Neutrik Speakon connectors)

1+

2-

2+

front view rear view

1-

1-

1+

2-

2+

Fig. 1.1: B1520 PRO connec tor panel (B2520PRO/B1220 PRO’s are s imilar)

Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
the BEHRINGER retailer from whom the equipment was purchased. Shouldyour
BEHRINGER dealer not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information is included in the
original equipment packaging (Global Contact Information/European Contact
Information). Should your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the support area of our website
(http://behringer.com).

Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.

Thank you for your cooperation!

5 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

1.2 User manual

This user’s manual is structured in such a way to give you an overview about the
application options of your EUROLIVE PROFESSIONAL speakers, giving you at the
same time important information about optimizing your PA system. Shouldyou
require detailed explanations about specic subjects, please visit us on the
internet at behringer.com.

2. Optimal Operation

We have developed the EUROLIVE PROFESSIONAL SERIES for use in a wide range
of possible applications. Of course, the sound of your loudspeakers depends on
the acoustic characteristics of the room/space in which they are being used.
Thefollowing chapters of this manual will give you information about getting
themost out of your EUROLIVE speakers.

2.1 HF drivers

High frequencies are the segment of the audio spectrum responsible for clarity
and speech intelligibility. These frequencies are the easiest ones to locate,
butat the same time they are also the easiest ones to “obstruc t.” Therefore,
werecommend positioning your speakers so that the HF drivers are located
slightly above the height of the audience. This guarantees the best possible
dispersion of high frequencies and a considerably higher intelligibility.

2.1.1 Directional pattern of asymmetrical HFdrivers

An outstanding feature of the B1220 PRO, B1520 PRO and the B2520 PRO are their
asymmetrically formed horns (“Asymmetrical Dispersion Constant Directivity
Horn”). By turning the horns 90°, you can optimize the directional pattern for
both vertical and horizontal speaker positioning. The default horn setting is the
“front of house” vertical conguration, whereby the wide dispersion side (100°) is
pointed downward and the narrow dispersion side (50°) is pointed upward. If you
want to position your speaker horizontally (as a “oor” monitor), you can modif y
the horn position to assure optimal dispersion
(turning the horn by 90°). Please do the following:

(1) Remove the speaker cover by carefully and uniformly pulling o the

steelgrill.

(2) Unfasten the four screws with which the horn is mounted.

(3) Turn the horn 90°, so that the wide dispersion side (100°) points upward

when the loudspeaker is lying horizontally on its side.

(4) Mount the horn back into its place with the four previously

unfastenedscrews.

(5) Set the grill back into its place and press gently until it snaps into position.

◊ No warranty claim is valid for damage caused by incorrect handling

or flawed and/or careless use.

2.2 How to prevent feedback

player and “banish” them from the stage, so that they are located on rm
ground. Another option is to use raised stands, which prevent the speakers from
having a direct contact with the ground.

2.4 Loudspeaker protection by using
alow-cutlter

Try to prevent damage to your speakers caused by extreme oscillation of the
bass membrane due to subsonic noise and extremely deep frequencies. Use an
equalizer to cut o those frequencies that fall below your speakers’ frequency
range, or use a low-cut/high-pass lter. Most equalizers and sound-improvement
systems oer a low-cut function, like the BEHRINGER ULTRAGRAPH DIGITAL
DEQ1024, for example.

Using a low-cut lter in your signal path is particularly recommended if you
use record players or CD players as your signal source. CD players often produce
extremely deep frequencies, which can lead to extreme excursions of the
bassmembrane.

3. Operating Modes

3.1 BI-AMPING and PASSIVEoperation
(B1800X PRO)

The EUROLIVE PROFESSIONAL SERIES subwoofer can run in two ways: in PASSIVE
and BI-AMPING mode. The B1800X PRO can be switched from BI-AMPING
to PASSIVE by using the switch located in the back. For all applications,
yourEUROLIVE speakers are connected using the speaker inputs.

◊ Never switch the operating mode if your EUROLIVE speakers are wired

to an active signal source.

The subwoofer features an internal crossover. Running the B1800X PRO in passive
mode makes it ideally suited for working together with the 2-way B1220 PRO,
B1520 PRO and B2520 PRO systems. This way, you achieve an absolutely balanced
sound characteristic. However, if you select the BI-AMPING mode, your subwoofer
can be combined with other EUROLIVE 2-way systems. The BI-AMPING operating
mode oers several primary advantages: lower distortion, greater exibility of
signal transmission as well as an improved overall performance of your system.
The PASSIVE operating mode has the advantage of requiring no additional
crossovers in order to keep the subwoofer’s frequenc y range within its limits.

If you are using an external crossover, e.g. the BEHRINGER ULTRADRIVE PRO
DCX2496, pay attention to chapter 8, “Specications.” There, you will nd
information about the recommended crossover frequency range. We recommend
a slope rate of at least 12 dB, whereby a higher value guarantees the best possible
performance. A slope rate of 24 dB is ideal.

Our recommendations are only examples of possible interactions between
dierent EUROLIVE speakers. Depending on your own personal sound
requirements and the genre of the music being played, other combinations are
ofcourse possible.

Always place the “front of house” speakers ahead of the microphones
(fromtheaudience’s perspective), and never behind. Use professional oor
monitors (e.g.B1220 PRO, B1520 PRO or B2520 PRO) or an in-ear monitoring
system to hear the stage performers.

2.3 How to avoid feedback when working with
record players (DJ Applications)

In applications with record players, bass feedback can occur. Bass feedback
occurs when low frequencies get back to the pickup and are re-reproduced on
the speakers. The most common causes for this are: speakers located too closely
to the record player, a room with a wooden oor, or presence of a podium or a
platform. In such cases, it is best to move the speakers away from the record

3.2 Looping through the subwoofer signal
(B1800XPRO)

The B1800X PRO subwoofer from the EUROLIVE PROFESSIONAL SERIES features
two speaker connectors. In BI-AMPING mode, the PINS 2-/2+ of the input are
connected directly with the speaker. PINS 1-/1+ of the input are connected to
the PINS 1-/1+ of the output and the signal can be simply looped through. To this
end, please adhere to the specications given in chapter 4.

◊ Please keep in mind that when you switch the B1800X PRO subwoofer

to BI-AMPING mode, the input signal is routed to PINS 2-/2+. In this
case, PINS 1-/1+ merely serve to loop the signal through!

6 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

3.3 PARALLEL Input (B1220 PRO, B1520 PRO
and B2520PRO)

The EUROLIVE B1220 PRO, B1520 PRO and B2520 PRO loudspeakers feature two
speaker inputs laid out in parallel. You can alternatively connect one of the
connectors to the output on your power amp and tap into the signal from the
amp once again on the second connector, in order to, for example, feed this
signal into an additional loudspeaker. This way, you can create stacks consisting
ofspeakers with dierent impedance values.

◊ ATTENTION: Never connect the output signals of different power

amps to both parallel inputs at the same time. This may permanently
damage your setup.

4. Pin Assignment (B1800X PRO)

Subwoof er B1800X PRO

PIN S 1-/1+ PINS 2-/2+

PASSIVE

BI-AMPING Signal loop Subwoofer input

Tab. 4.1: Pin assignm ent

4.1 Subwoofer (PASSIVE)

• Feed the full-range signal to the input PINS 1-/1+. The high-pass signal

can be tapped into at the output PINS 1-/1+. PINS 2-/2+ serve as a signal
loopthrough

4.2 Subwoofer (BI-AMPING)

• Connect the subwoofer signal to PINS 2-/2+

• PINS 1-/1+ of the input are connected to PINS 1-/1+ of the output, and can

be used to loop the signal through

INPUT: Full-range input
OUTPUT: highpass output

Signal loop

5.3 Fuses

We do not recommend the use of fuses with audio applications. Damage to
loudspeakers can be the result of high peak signals and high output power.
However, fuses can only oer protection from one of these two factors, andnever
from both. Additionally, fuse resistors are sometimes nonlinear, leading to
distortion and unpredictable overdriving.

5. 3.1 Protecting your equipment

• Always try to nd the optimal signal level. Try to avoid overdriving your amp

• keep in mind the physical limitations of your PA system

• Use a limiter to restrict the output signal level. Place the limiter between the

mixing console and the power amp. For this purpose, our proven AUTOCOM
PRO-XL MDX1600, COMPOSER PRO-XL MDX2600 and MULTICOM PRO-XL
MDX4600 compressors oer an outstanding solution. All models can be used
as a limiter: the audio signal doesn’t overdrive any more, and unpleasant
“peaks” are eectively avoided

◊ Our ULTRADRIVE PRO DCX2496 and SUPER-X CX3400/CX2310 crossovers

are particularly well-suited for protecting your equipment: for each
output, they have independent limiters.

6. Application Examples

6.1 Full-range stereo operation

In the following example, the main stereo output signal of a mixing console
is connected to a stereo power amplier. A B1220 PRO is connected to each of
the amp outputs, and these speakers reproduce the entire frequency range
(fullrange).

XENYX 1202FX

• In general, when in BI-AMPING mode, PINS 1-/1+ and PINS 2-/2+ are

loopedthrough

5. Additional Considerations

5.1 Length and diameter of loudspeaker cables

Loudspeaker cables whose diameter is too small can limit the power amp
performance considerably. The longer the cable, the greater the problem. As a
result, musicians of ten simply “turn up” the amp, which can lead to loudspeaker
damage. Therefore, don’t use cables longer than 15 m (45 ft.). For most applications,
this will not be necessar y. Cable diameter should be at least 2.5 - 4.0 mm2.

5.2 Power amp rating

Selecting the right amp can turn out to be rather dicult. Therefore, stick to the
following rule of thumb: the power rating of your amp should be roughly twice
the speaker load capacity. A speaker rated at 400 Watts continuous performance
can easily be powered by an amp rated at 800 Watts output power. An optimal
addition to your speaker system would be the BEHRINGER EUROPOWER EP2500
power amp, for example.

L R

EUROPOWER EP2000

2 x EUROLIVE PROFESSIONAL B1220 PRO

Fig. 6.1:Full-range stereo operation

7 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

6.2 Stereo operation with a subwoofer

Using a crossover, the main stereo output signal of a mixing console is split
into a stereo signal and a mono signal, whereby the mono signal covers the
lower frequency range and the stereo signal carries the rest of the frequencies.
Then, the stereo signal is connected to a stereo power amplier. A B1520 PRO is
connected to each of the amp’s outputs. The mono subwoofer signal is connected
to one channel of an additional power amplier, which is powering one
B1800XPRO subwoofer.

XENYX 1202FX

L R

SUPER-X PRO
CX2310

Mono­Subwoofer
Output

L R

6.3 Stereo operation with a parallel stage
monitoring system and a subwoofer

This example shows the use of two B1520 PROs as FOH loudspeakers and one
B1220 PRO used as a oor monitor on stage. The FOH loudspeakers reproduce
the main stereo output signal from the mixing console, while the stage monitor
is fed an independent monitor mix through a mono monitor send (Aux Send).
Aseparate subwoofer output feeds a B1800X PRO subwoofer with the bass
signal. Two stereo power amps are required for this application, whereby one
amp reproduces the main stereo signal, and the other one reproduces both mono
signals (subwoofer and monitor signal).

EURODESK SX2442FX

EP2000

L R

Aux
Send

Mono­Subwoofer
Output

EP2000

2 x EUROLIVE PROFESSIONAL
B1520 PRO

Fig. 6.2: Ster eo operation wit h a subwoofer

EUROLIVE PROFESSIONAL
B1800X PRO

Monitor
EUROLIVE
PROFESSIONAL
B1220 PRO

2 x EUROLIVE PROFESSIONAL
B1520 PRO

Fig. 6.3: Stereo o peration with a p arallel stage mon itoring system a nd subwoofer

EUROLIVE PROFESSIONAL
B1800X PRO

8 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

7. Troubleshooting

7.1 No signal when loudspeaker is connected

• Make sure that your mixing console is indeed carrying a signal (is the master

fader raised? Are channels ac tive?) and that the gain control on your amp is
turned up

• When using a crossover, make sure that the relevant channels are active

• Check if the cable connection is interrupted/damaged somewhere in

yoursetup

• To test your conguration, connect another amp. If you now get a signal,

thepower amp is the culprit

• To test your conguration, connect another speaker. If you now get a signal,

the fault lies within the speaker

7. 2 Signal present only on one channel

• Make sure that your mixing console is working properly (is the signal present

on both outputs (L/R)?)

• If using a crossover, check if the relevant channel is active

• Check if the cable connection to the silent channel and to the corresponding

speakers is interrupted/damaged somewhere along the path

• Connect the silent loudspeaker onto the amp channel that works properly.

Ifyou now get a signal, it is the amp channel that is at fault. If you still
can not hear anything, the fault lies either within the loudspeaker or the
cablesused

7.4 Treble signal too low

• Check the EQ settings on your mixing console or on an external EQ,

ifapplicable

• Make sure that the tweeters on your loudspeakers are positioned at the

same height as the ears of the people in the audience. If not, please modify
the speaker position

• The internal tweeter fuse may have opened. In this case, please contact a

BEHRINGER service branch oce near you

7. 5 Bass signal too low

• Check the EQ settings on your mixing console or on an external EQ,

ifapplicable

• Check the speaker cable pin assignment (see g. 1.3). Incorrect pin

assignment can cause phase cancellation and the frequency incursions
related to it

7.6 Poor sound characteristics

• Check the speaker cable pin assignment (see g. 1.3). Incorrect pin

assignment can cause phase cancellation and the frequency incursions
related to it

• Check if large objects (e.g. eect racks and similar equipment) areplaced

in front of the loudspeakers. They too can negatively inuence
sounddispersion

• Check the sound quality of the input signal by listening to it on a set

ofheadphones

7. 3 Signal distorted

• Make sure that all signals on the mixing console have been set to optimal

levels in order to avoid distortion

• If using a crossover, check if all signals have been set to correct levels

• Make sure that the power amp channels are not overdriving. If so, turn the

gain control down a little. However, it could also be the case that your power
amp doesn’t have enough power headroom, so that the required volume can
not be generated without starting to distort

• Make sure that the level of the signal getting into the speakers is not too

high, causing distortion

• Check your EQ settings. Excessively increasing the frequencies can result

indistortion

• If distortion is still occurring despite everything you have tried to eliminate

it, try connecting a dierent power amp. If you no longer hear distortion,
itscause was with the power amp

• As a test, connect another speaker. If you no longer hear distortion, its cause

was with the loudspeaker (perhaps a defective loudspeaker)

• Check if the cable connection is interrupted/defective somewhere along

thepath

• Also see the instructions in the chapters 7.3, 7.4 and 7.5

9 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

8. Specications

B2520 PRO

System Data

Type 2 ½-way full-range speaker
(2 x 15" + 1.75")

Frequency response (-10 dB) 50 Hz - 18 kHz

Continuous Power (IEC268-5)

1

550 W

Peak Power 2200 W

Impedance 4 

Sound pressure level (1 W @ 1 m) 99 dB (Full Space)

Dispersion 100° (50°) x 50°

Crossover frequency 200 Hz / 1.8 kHz

Components

HF driver 44T30A8

Woofer 2 x 15W250A8

Dimensions/Weight

Dimensions (W x H x D) approx. 18 ⁄ x 46 ⁄ x 19"
approx. 465 x 1185 x 482 mm

Weight approx. 104.9 lbs / 47.7 kg

BI-Amp Operation

Recommended crossover frequency —
(external crossover network)

Power rating/impedance woofer —

B180 0X PRO

System Data

Type Subwoofer (18")

Frequency response (-10 dB) 40 Hz - 300 Hz

Continuous Power (IEC268-5)

1

450 W

Peak Power 1800 W

Impedance 8 

Sound pressure level (1 W @ 1 m) 100 dB (Half Space)

Dispersion —

Crossover frequency —

Components

HF driver —

Woofer 18SW400D8

Dimensions/Weight

Dimensions (W x H x D) approx. 21 ½ x 27 ⁄ x 21 ¾"
approx. 547 x 700 x 553 mm

Weight approx. 90.4 lbs / 41.1 kg

BI-Amp Operation

Recommended crossover frequency 175 Hz
(external crossover network)

Power rating/impedance woofer 450/1800 W IEC/8 

10 EUROLIVE B2520 PRO/B1800X PRO/B1520 PRO/B1220 PRO User Manual

B1520 PRO

System Data

Type 2-way full-range speaker
(15" + 1.75")

Frequency response (-10 dB) 50 Hz - 18 kHz

Continuous Power (IEC268-5)

1

300 W

Peak Power 1200 W

Impedance 8 

Sound pressure level (1 W @ 1 m) 96 dB (Full Space)

Dispersion 100° (50°) x 50°

Crossover frequency 1.8 kHz

Components

HF driver 44T30A8

Woofer 15W250A8

Dimensions/Weight

Dimensions (W x H x D) approx. 18 ⁄ x 27 ⁄ x 19"
approx. 465 x 700 x 482 mm

B1220 PRO

System Data

Type 2-way full-range speaker

(12" + 1.75")

Frequency response (-10 dB) 55 Hz - 18 kHz

Continuous Power (IEC268-5)

1

300 W

Peak Power 1200 W

Impedance 8 

Sound pressure level (1 W @ 1 m) 95 dB (Full Space)

Dispersion 100° (50°) x 50°

Crossover frequency 2.5 kHz

Components

HF driver 44T30A8

Woofer 12W250B8

Dimensions/Weight

Dimensions (W x H x D) approx. 15 ⁄ x 25 ⁄ x 16"
approx. 397 x 638 x 406 mm

Weight approx. 66 lbs / 30 kg

BI-Amp Operation

Recommended crossover frequency —
(external crossover network)

Power rating/impedance woofer —

Weight approx. 55.2 lbs / 25.1 kg

BI-Amp Operation

Recommended crossover frequency —
(external crossover network)

Power rating/impedance woofer —

1

Average value ove r bandwidth 100 Hz - 2 kH z (multi-way system s) und 100 Hz - 250 Hz (subwoofe r)

according to IEC 26 8-5.

BEHRINGER i s constantly str iving to maintain the h ighest profess ional standards. A s a result of these e ffort s,
modific ations may be made f rom time to time to exi sting product s without prio r notice. Specif ications and
appearance m ay differ fro m those listed or illus trated.

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