BBE Maxie 401 User Manual

Important Safeguards
WARNING
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
A
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
ATTENTiON: RISQUE DE CHOC
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to aiert the user to the presence of uninsulated "dangerous voltage" within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point, within a equilaterai triangie is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the iiterature accompanying the appliance.
ELECTRIC- NE PAS OUVRIR.
For your protection, please read these safety instructions completely before operating the appliance, and keep this manual for future reference.
Carefully observe all warnings, precautions and instructions on the appliance and described in the operating instructions supplied with the appliance.
INSTALLATION------------------------------------------------------------------------------------------------------------------------------------­Water and Moisture - Do not install the
appliance near water: for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pooi.
Heat - Do not instaii the appliance near
sources of heat such as radiators, heat regis ters, stoves, or other appliances that pro duce heat.
Ventilation - Situate the product so its
location or position does not interfere with its proper ventilation. For example, you should not place the product on a bed, sofa, rug, or similar surface that might block the vent openings, or placed in a built-in installation, such as a bookcase or cabinet that might impede the flow of air through the ventilation openings.
Wall or Ceiling Mounting - If your
appliance can be mounted to a wall or ceil ing, mount it only as recommended.
USE Power Source - Connect the appliance
to a power supply only of the type described in the operating instructions or as marked on the appliance.
Power-Cord Protection - Route the
power cord so that it is not likely to be walked on or pinched by having objects placed on it, paying particular attention to the plugs, receptacles, and the point where the cord exits from the appliance.
SERVICE
Unplug the appliance from the wall outlet and consult qualified service personnel when:
• the power cord or the plug has been damaged.
* a solid object or liquid has fallen into the
cabinet.
Grounding or Poiarization - Do not
defeat the grounding or polarization feature of the AC power cord. If your AC receptacle will not accept the power cord plug, contact your electrician to install a proper AC receptacle.
When not in use - unplug the power
cord of the appliance from the outlet when left unused for a long period of time. To disconnect the cord, pull it out by grasping the plug. Never pull the plug out by the cord.
* the appliance has been exposed to rain or
moisture.
* the appliance does not appear to operate
normally or exhibits a marked change in performance.
* the appliance has been dropped, or thé
enclosure damaged.
AC Receptacie - Check to make sure
that the AC receptacle holds the power cord
plug firmly and securely. If the power cord plug is loose, contact your electrician to replace the defective and unsafe AC
Foreign Objects - Be careful that foreign
objects and liquids do not enter the enclosure through openings.
Do not attempt to service the appliance beyond that described in the operating instructions. For all other sen/icing, refer to qualified sen/ice personnel only.

Congratulations!

Thank you for buying the BBE Model 401 UNIMAX Processor. You now own a very unique signal processing device with no other equal in the audio world. Whether you purchased the BBE 401 for your home studio or club RA. system, you will find the unit's rugged construction and careful electronic design a welcome addition to your audio system.
This manual will help you use the BBE 401 more effectively and In ways of which you may not be aware. Review of the information contained in this owner’s manual will answer most of the common questions that our service department receives. But if you still have questions, please feel free to call toll-free (in USA) 1-800-233-8346 or (in CA) 1-800-558-3963.

The BBE^^ Process — “What Is It?”

Loudspeakers have difficulty dealing with the electronic signals supplied by an amplifier. These difficulties cause such major phase and amplitude distortion that the sound reproduced by a speaker differs significantly from the sound produced by the original source.
In the past, these problems have proved unsolvable and were thus relegated to a position of secondary importance in audio system design. However, phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into the complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relationships define a sound's “sound”.
When these complex relationships pass through a speaker, the proper order is lost. The higher frequencies are delayed. A lower order frequency may reach the listener's ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they can reach the listener’s ear ahead of some or all the harmonic components.
This change in the phase and amplitude relationship of the harmonic and fundamental frequencies is technically called “envelope distortion". The listener perceives this loss of sound integrity in the reproduced sound as “muddy” and “smeared”. In
the extreme, it can become difficult to tell the difference among musical instruments, for example, an oboe and a clarinet.
BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge it
became possible to develop an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency sfructures to their correct order. While there are differences among various speaker designs in the magnitude of their needs for correcfion, the overall pattern of correction needed is remarkably consistent.
The BBE’” process is so unique that 42 patents have been awarded by the U.S. Patent Office.

“How It Works”

The BBE’" process imparts a pre-determined phase correction to the high frequencies where most harmonic information exists. This is done by breaking the signal Into three sub-bands or groups: the low frequency group which is crossed over at 150Hz, the mid-range group which is crossed over at 1200Hz and the high frequency group that handles everything else up to 20kHz.
The low group is delayed about 2.5 ms (milliseconds) via group delay within a passive low pass filter. The front panel control allows for either a flat response or a boost of the lows at 50Hz.
The mid-range group is delayed only about 0.5 ms and passes through an active band-pass filter. The mid group is used as a point of reference fo make dynamic amplitude corrections in both positive and negative directions to the high frequency group which has been passed through a high quality VGA (Voltage Controlled Amplifier).
Two RMS average loudness detectors continuously monitor both the mid-range and high frequencies to compare the relative harmonic content levels of the two bands and apply the appropriate amount of control voltage to the VGA, thereby determining the amount of high frequency harmonic content present at the final output of the BBE’” processor.

Product Description

The BBE 401 is an intelligent audio processor designed to solve a series of complex problems as described in the previous
section. It is, however, very simple to set up and operate and once installed will function flawlessly without further attention.
It is a single-channel, rack-mountable device for use in applications such as those found in PA. systems, home recordings
studios, and commercial audio applications. Since the BBE 401 can handle both -lOdBu line levels and high or low
impedance microphone levels, it may be integrated into any existing audio system without costly, or-site system modifications.
The BBE 401 takes up one EIA standard rack space of 19 inches width and 1.75 inches height (1U).
BBE’“ applies different phase correction algorithms to three separate frequency bands. A variable front panel control allows
the user to adjust the amount of process desired.

Using Your New BBE 401

BBE’" is a process to be added before all other mixing of reverb, special effects or equalization. The BBE 401 should be
used to increase the clarity and intelligibility of the program material.
Unlike many aural exciters or equalizers, the BBE 401 will not add any extra noise or harmonios to the sound. Thus, there will
be no future problems in duplication or mastering caused by aberrant high frequency distortion. Since the BBE’" technology is
a single-stage process there is no need for encoding or decoding.
Always ‘A-B” the processed to unprocessed sound with the process in/out switch to adjust the amount of processing
required.

Things To Remember

The BBE 401 has three sets of inputs and outputs to accomodate any existing audio system. Please consult the “Controls
and Set-Up” section of the manual to determine which input and output connections are correct for your application. Proper operation of the BBE 401 depends on proper interfacing.
Even though there are Hi-Z inputs on both the front panel and the back panel, they do not mix. This means that if you plug a
cable into Hi-Z jack #1 on the front panel, it will cancel out any program material coming into Hi-Z jack #2 on the rear panel. The front panel jack is provided as a convenience to the user.
If the program material has excessive background noise, the noise may be modulated with the program. In this case, an equalizer or other type of noise reduction system may be inserted in front of the BBE 401 to roll off the noise first. Post amplification of the BBE 401 is not necessary and not recommended, as the BBE 401 will drive any microphone input or
-lOdBu line directly.
Applications
Various applications of the BBE'“ process include: Home Recording Studios
The BBE 401 gives a pro-edge to otherwise dull recordings on narrow-track width home recorders. Snare drums and guitars take on a brighter tonal quality without equalization. Tape tracks recorded without BBE’” can be processed after the tact by placing the BBE 401 between the tape track output and the mixer channel input. The BBE 401 saves poorly recorded low-level instruments and brightens them without bringing up tape hiss as equalizers do. The program transients are greatly improved on just about any sound source, because the BBE 401 reduces mid-range smear and associated masking effects.
The BBE 401 acts as an active “direct" box so that high impedance microphones, guitars, basses or synthesizers can be plugged directly into the mixer’s low impedance input. Conversely, the BBE 401 matches a low impedance microphone to a high impedance input and provides the -t-24 volt phantom-power needed by condenser-type microphones. The BBE 401 is the perfect mic pre-amp for amplifying microphones to drive -lOdBu line levels.
Figures 1 shows the BBE 401 installed between a low-impedance microphone and the low impedance input of the mixing
console.
Figure 2 shows the BBE 401 installed between a line-out of the mixing console and the main program fader input. This
arrangement would apply the BBE’” process to the entire program mix.
Figure 3 shows the BBE 401 used as an active direct-box for matching high impedance musical instruments to low impedance mixer inputs. The BBE’” process can be applied directly to the recording in this fashion.
Figure 4 shows the BBE 401 used as a mic pre-amp to bring a high impedance microphone up to -lOdBu line level for
direct recording on a home tape recorder.

Music and P.A. Systems

The BBE 401 has become a popular addition to many RA. systems because it can make a drastic improvement to the
clarity of the vocals without the usual excessive brightness associated with equalizers.
The BBE 401 is perfect for the traveling musician who wants to have BBE’” applied to the "house RA." without disrupting
the wiring installation. Figure 5 shows the BBE 401 inserted between the house microphone and the house mixer. This can be done by the musician quickly and removed after the show just as quickly. The BBE 401 does not harm or alter the settings on any existing system.
The BBE 401 is also perfect for podium sound systems since it can be added right at the podium itself without any internal modifications to the podium’s amplifier. The BBE 401 allows better intelligibility with less volume. Figure 6 shows the BBE 401 in a typical podium installation.
The BBE 401 is the ideal unit for applying the BBE’” process in situations where the sound system has no other insert points or is permanently wired and cannot be modified. The BBE 401 also provides a universal method of matching any microphone to any sound system.

Industrial

The BBE 401 greatly improves intelligibility in speech and music by improving the attack of the consonants that the human ear needs in order to recognize the difference between like sounding words and syllables. This makes the BBE 401 a natural for public address, intercom or wide area dispersion of pre-recorded music or voice announcements over existing old and dull loudspeaker systems.
Figure 7 shows the BBE 401 inserted between the telephone matching adapter and the auxiliary input to the public address intercom amplifier. Since the BBE 401 has a microphone pre-amp, the BBE 401 is perfect for installation where the RA. amplifier is inaccessible or prior installations have not allowed for future modifications to be carried out easily. Figure 8 shows the BBE 401 installed between the RA. microphone and the RA. amplifier.

The Controls

Operation of the BBE 401 is quite simple due to the sophisticated “smart” circuitry within the unit. Below are the names and
purposes of each confrol on the BBE 401.

Front Panel

Hl-Z In
Gain
Lo Contour
Definition
Hl-Contour LEDs
Clip LED BBE " LEDs
Function Power
Rear Panel
AC Power Cord Fuse
Hl-Z Out Line LO-Z Out
LO-Z Balanced In
Hl-Z In
Line In
Accepts high impedance microphones or other low level unbalanced devices with average outputs of -20dBu. Has priority over duplicated rear panel Hl-Z In (MIC).
Controls the gain of the input stage. Startng from minimum, turn the control clockwise until you hear the same level established prior to inserting the BBE 401. (note: This control is inoperative when unit is in LINE mode.)
Phase corrected bass equalization. This adjustment ranges from - lOdBu (min) fo -k lOdBu (max) at 50Hz relative to the input. The middle position is flat or unity gain.
Set to minimum, yields a flat frequency response with phase correction only. Turning clockwise increases the amplitude of the high frequency band relafive fo fhe mid band amplitude and provides an improved spectral balance between the high band and the mid band.
These three LEDs indicate the high band amplitude compensation. RED LED (marked “ - ”): Com pression mode. The amplitude of fhe high band is too high as compared to the mid band and compression is being applied to compensate. AMBER LED (marked “0”): Flat mode. No compen sation is needed. The program spectral content is correct. GREEN LED (marked “-i-”): Expand mode. The amplitude of the high band is too low as compared to the mid band and is being expanded to compensate.
This LED lights when the signal out of the BBE 401 is clipping. The gain control or input level into the unit must be reduced, (lit at -l- 16dBu).
These two LEDs work in conjunction with the function switch. When the BBE'" process is being applied to the signal, the GREEN LED marked IN lights and when the AMBER LED marked OUT lights, the signal is not processed and is bypassed through the unit.
This switch allows a quick comparison of processed with unprocessed sound. When the switch is in, the signal is being processed.
This switch controls the primary power to the unit.
Plugs into AC power recepticle.
Turn cap on fuse holder counterclockwise to remove fuse. (Note: replace with 250Vac, 1 /2 A type fuse).
This 1/4" phone jack is fhe high impedance unbalanced line output. This connects to the input of a power amplifier or a convenient insertion point of a mixer.
This 3-pin male XLR connector is the ballanced transformer output which normally goes to the point where a low impedance, ballanced, low level device was previously installed. (Typically a low impedance microphone).
This 3-pin female XLR connector accepts balanced, low Impedance, low level devices with an average level of -40dBu. Phantom power (-k24VDC) exists on pins 2 and 3 (pin 1 common). (Note: If phantom power is present at the LO-Z Out connector of fhe BBE 401 and is greater than the -t-24VDC already present, it will be fed through to this connector enabling a condenser type microphone that requires more than -t- 24VDC to be used).
This 1/4" phone jack accepts high impedance, low level, unbalanced devices with an average level of -20dBu. (Typically a high impedance microphone) (Note: Inserting a jack into the front panel connector marked Hl-Z IN will disable this duplicate connector.)
This 1 /4" phone jack accepts unbalanced, high impedance, line level devices with an average level of - lOdBu (Note: This jack is after the input gain stage and when in operation, the gain control on the front panel is inoperative).
Specifications
Frequency Response
Bypass Process Mode
Noise in Process Mode
gain control to maximum gain control to minimum
Total Harmonic Distortion
in Process Mode
Input Characteristics
Input Impedence
Nominal Input Range
Maximum Input Level
Gain Control
Hl-Z IN to Hl-Z OUT
LO-Z IN to LO-Z OUT
Lo Contour Control
Maximum Minimum (Note: middle position is flat)
Phantom Power
-1-24 volts DC on pins 2 and 3 of LO-Z IN connector; pin 1 is common. (Note: If Phantom Power exists at the LO-Z OUT connector of the BBE 401 and is greater than the -F 24 volts DC already present at the LO-Z IN connector, it will automatically be fed through to the LO-Z IN connector allowing the use of a condenser microphone that requires larger voltage, typically -f48 volts DC.)
Power Requirements
120 VAC (nominal) 50/60 Hz 8 Watts (220 VAC available)
A/C Line fused protected
Dimensions
1 3/4" H X17" W X 5 3/4" D Standard 1U Single Rack Weight 4 1/2 lbs. (2.5 Kgs)
NOTE: OdBu = 0.775Vrms
DC to 20kHz program controlled
-85dBu
-lOOdBu
less than 0.1% @ 1kHz @ -lOdBu, Hl-Z IN
LINE Input: Hl-Z Input: LO-Z Input: LINE Input:
Hl-Z Input: LO-Z Imput: LINE Input:
Maximum: Minimum: Maximum: Minimum:
-t-10dBu above input at 50Hz
-10dBu below input at 50Hz
47K ohms
470K ohms
1K ohms
-lOdBu
-20dBU
-40dBu
-M6dBu (input clip point)
-20dBu below input
+ lOdBu above input
-26dBu below input
-i-4dBu above input

Calibration Procedure for the BBE'*' Model 401

For serial numbers CXXXXX Equipment Required:
1. DVM (digital voltmeter).
2. Signal source (audio frequencies, sine wave).
3. Low impedance, balanced source (input and output for LO-Z).

Initial Settings:

1. Definition control (VR3) to minimum.
2. LO CONTOUR (VR7), VR@ and VR5 to their middle positions.
3. GAIN (VR1) to maximum.
4. Function button IN and POWER on.
Procedure: Power Supply Test:
1. With DVM set to DC volts measure pin -4 of U2 relative to ground and the DVM should read + 12Vdc±0.5Vdc.
2. With DVM set to DC volts measure pin -11 of U2 relative to ground and the DVM should read -12Vdc ± 0.5Vdc. 3^ With DVM set to DC volts measure pin -2 and then pin -3 relative to pin -1 of the LO-Z BALANCED input. Both pins
should read approximately +24Vdc.

Unity Adjustment:

1. Set signal source for OdBu (,775Vrms) at 500Hz input to LINE IN.
2. Connect DVM (set for AC volts) to LINE OUT referenced to ground.
3. Adjust VR6 until DVM reads OdBu (unity).
4. Change source to 5000Hz. Adjust VR5 until DVM reads OdBu (unity).

Offset Adjustment:

1. Remove signal from LINE IN so no input signal exists.
2. Set DVM to DC volts and measure TP1 relative to ground.
3. Turn DEFINITION control until DVM reads -350mVdc.
4. Change source to 5000Hz. Adjust VR2 for a reading on the DVM of +300mVdc (±5mVdc). (Note: the DEFINITION control and VR2 interact so check the readings between the two frequency settings and make the necessary adjustments until both readings are correct.)

Gain Test:

1. Input a tOOmVrms signal at 500Hz into the Hl-Z IN connector.
2. Set DVM to AC volts and measure the LINE OUT connector.
3. You should read 4 to 5Vrms on the DVM.

Clip Adjustment:

1. Set source for + 16dBu (4.887Vrms) at 500Hz and input to LINE IN.
2. Adjust VR8 until the CLIP LED just turns on. Any lower level input should turn the LED off.

LO-Z BALANCED Connector Test:

1. Input a balanced signal at -30dBu (24.5Vrms) into the LO-Z BALANCED IN connector.
2. Measure the LO-Z BALANCED OUT connector with the DVM and adjust the GAIN control until you read the same as the
input -30dBu. Or you should have half the input on each pin, i.e. 12.25mVrms on pin -2 and pin -3 relative to pin
-1 180 degrees out of phase.

Bypass Check:

1. Input a OdBu, 500Hz signal into the LINE IN connector.
2. Connect DVM across the LINE OUT connector.
3. Push PROCESS button to the OUT position and insure DVM reads OdBu (± 0.5dBu). In bypass you should have a flat frequency response from 10Hz to 20kHz.

LED Check:

1.
Input a OdBu, 500Hz signal into LINE IN.
2.
Turn the DEFINITION control completely clockwise (maximum). The GREEN (-H) LED should light. Turn the DEFINITION control completely counterclockwise (minimum). The AMBER (0) LED should light.
3.
4.
Set source to 5000Hz (OdBu) and turn the DEFINITION control completely clockwise (maximum). The RED (- ) LED should light.
Push the FUNCTION button IN, the corresponding GREEN (IN) LED should light. Push the FUNCTION button to the OUT position and the corresponding AMBER (OUT) LED should light. These two
LEDs should never be lit at the same time.

END TEST

Service

We recommend that if at all possible a BBE 401 which requires repair be sent to our facility in Huntington Beach, CA. We request that a “Return Authorization" be issued by the dealer from whom you purchased the unit. If this is not possible, call BBE Sound, Inc. directly to obtain a “Return Authorization" and include with the unit a copy of the bill of sale so that this process can be expedited.
As the repair turnaround time is minimal, we request that the unit be sent to BBE Sound, Inc. We also need to add reliability
data to our files so that future revisions may be undertaken if necessary to improve the product.

Warranty

The BBE 401 Processor is warranted against defects in material and workmanship for a period of one (1) year from date of
purchase from BBE Sound, Inc. or from an authorized dealer.
During this period, we will repair units free of charge providing that they are shipped pre-paid to BBE Sound, Inc., 5500
Bolsa Ave., Suite 245, Huntington Beach, CA 92649. We will pay return UPS shipping charges within the U.S.A. All charges related to non-U.S. shipping, including customs clearance, will be billed.
This warranty will be considered null and void by BBE Sound, Inc. if any of the following is found:
1. Equipment has been physically damaged.
2. Equipment shows sign of abuse.
3. The equipment has been electrically damaged by improper connection or attempted repair by the customer or a third party.
4. The equipment has been modified without authorization.
5. The bill of sale Indicates that the purchase date of the equipment is not within the warranty period.
BBE Sound, Inc. is NOT LIABLE FOR CONSEQUENTIAL DAMAGES. Should the processor fail to operate for any reason, our
sole obligation is to repair the unit as described above.

Maintenance

Maintenance of the BBE 401 is limited to proper cleaning of the unit with mild household cleaner such as Formula 409® or Windex®. The chassis and cover are steel finished with a durable polyurethane paint, while the front panel is an anodized aluminum extrusion.
There are no user replaceable parts and the unit should not be opened for any reason unless you are a qualified technician.
Calibration should be performed if parts are replaced or if a performance check-out indicates a problem with calibration. Long term use has shown that over the life of this unit there is little or no drift of the components in the BBE 401 which would cause a change in calibration. A very conservative design philosophy has resulted in a piece of equipment which runs very cool and should give years of trouble-free service.
FIGURE 1
LOW IMPEDENCE MICROPHONE APPLICATION
FIGURE 2
BBE PROCESS ON ENTIRE MIX
FIGURE 3
DIRECT BOX APPLICATION
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MIXING CONSOLE
401
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SYNTHESIZER OUTPUT
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SYNTHESIZER

FIGURE 4
LO Z BAL INPUT
LO Z BAL OUT
HIZIN
ana ODD
MICROPHONE PRE-AMP APPLICATION
TAPE

INSERTING A 401 IN A HOUSE SYSTEM

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HOUSE MIXING CONSOLE
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FIGURE 5

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LO Z BAL
INPUT
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LOW IMPEDENCE
HOUSE MICROPHONE
401

PODIUM SOUND SYSTEMS APPLICATION

PODIUM MICROPHONE INPUTS
LO Z BAL
OUTPUT
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FIGURE 6

LO Z BAL INPUT
FIGURE 7
INDUSTRIAL P.A. APPLICATION
AMPLIFIER/RECEIVER
FIGURE 8
INDUSTRIAL PA. APPLICATION USING MICROPHONE DIRECTLY
AMPLIFIER/RECEIVER
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