Clever Features, Contractor Friendly
AMIS215EQ
Stereo 15 band 2/3 Octave Graphic Equalizer
AMIS31EQ
Mono 31 band 1/3 Octave Graphic Equalizer
Installation
And
Operation Manual
Introduction
The Australian Monitor Installation Series AMIS215EQ & AMIS31EQ are single
rack unit graphic equalizers. Both equalizers feature constant Q circuitry,
selectable 6dB or 12dB slider range, balanced XLR, 6.35mm TRS &
unbalanced RCA inputs & outputs, EQ bypass switches, ground lift switches,
output level controls & overload LED’s. These features are usually associated
with equalizers many times the price of these Australian Monitor Installation
Series graphic EQ’s. The AMIS215EQ & AMIS31EQ are extremely well featured
graphic equalizers at a contractor friendly price.
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Front Panel AMIS215EQ
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1. Power Switch
This switches the mains power “on” to the unit.
2. Channel 2 Equalizer Section
This section refers to the controls for channel 2. This section is duplicated
for channel 1.
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3. EQ Filter sliders
These sliders control the output level of the 15 band pass filters in each
channel. The centre position will give a flat response.
4. Range Switch.
This switch will change the range of the filter sliders from +/-6db to +/-12dB
maximum cut or boost. This switch affects all channel sliders.
5. +/-6dB LED.
This LED will illuminate green when the range switch is set to 6dB.
6. +/-12dB LED.
This LED will illuminate yellow when the range switch is set to 12dB.
7. Bypass Switch.
This switch routs the channels input signal directly to the outputs,
bypassing all EQ circuitry. This switch is used to compare EQ’d signal with
unequalized material.
8. Bypass LED.
This red LED indicates that the bypass switch is activated for this channel.
9. Channel Level Control
This level control can either cut or boost the output level for each
channel. The centre position will give unity gain.
10. Clip LED.
This red LED indicates if any section of the equalizer is within 5dB of
clipping. Occasional blinking of this LED is acceptable but a steadier
illumination indicates either the EQ’s level controls should be reduced or
gain from the preceding audio component should be reduced to avoid
distortion.
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