Audix I5CAB Specifications

i5

i5

OVERVIEW

Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument

microphone used for stage, studio and broadcast applications. The i5 is able to handle

sound pressure levels in excess of 140 dB without distortion and can be used to mic a

wide variety of musical instruments, guitar and bass cabinets, vocals and speech.

The i5 is characterized with a cardioid pickup pattern for isolation and feedback

control and is equipped with a VLM (Very Low Mass) diaphragm for natural, accurate

sound reproduction.

The i5 is sturdy, compact and easy to position. With a wide frequency response of

50 Hz - 16 kHz, the i5 provides clear, accurate, natural sound reproduction without

having to rely on EQ. The i5 is manufactured with a precision cast zinc alloy body, dent

resistant steel grill, durable black E-coat finish and gold plated XLR connector.

SUPPLIED ACCESSORIES

MC1 - Heavy-duty nylon molded clip with brass insert

P1 - Carrying pouch

Dynamic Instrument Microphone

FEATURES

· All-purpose professional dynamic instrument mic

for live sound or studio

OPTIONAL ACCESSORIES

DFLEX - Dual pivot rim mounted clip with extra wide butterfly jaws.

DVICE - Flexible mini-gooseneck with spring loaded rim mount clamp.

DCLAMP - Flexible mini-gooseneck with drum tension lug mount.

CBL20 - 20’ premium XLR-XLR balanced mic cable. Quad conductor, twisted pair

with braided shield for maximum conductivity. 6mm PVC jacketed.

CBLDR25 - 25’ premium right angle XLR-XLR balanced mic cable. Quad conductor,

twisted pair with braided shield for maximum conductivity. 6mm PVC jacketed.

WSi5 - External tension-fit foam windscreen for reducing wind, sibilance, and

pop noise.

STANDKD - Short pedestal stand with telescoping boom arm.

CABGRABBER - Tension fit microphone holder that clamps onto most combo amps

or cabinets between 8”-14” in.

CABGRABBERXL - Tension fit microphone holder that clamps onto most combo

amps or cabinets between 14”-20” in.

TRIPOD - Metal tripod desktop stand for use with any 5/8” threaded mic clip.

· Clear, accurate sound with wide frequency response

· VLM Capsule

· Designed, assembled & tested in the USA

· 5 year warranty

APPLICATIONS

· Live stage, studio

· Snare, toms, percussion

· Guitar cabinets, electric instruments

· Bass cabinets

· Brass, flute, woodwinds

· Acoustic instruments

· Vocals, speech

MC1 P1 DFLEX DVICE DCLAMP CBL20 CBLDR25 WSi5 STANDKD TRIPOD

SPECIFICATIONS

Transducer Type

Frequency Response

Polar Pattern

Output Impedance

Sensitivity

Capsule Technology

Off-Axis Rejection

Maximum SPL

Power Requirements

Connector

Polarity

Materials / Finish

Weight

Length

DIMENSIONS (mm)

Dynamic

50 Hz - 16 kHz

Cardioid

280 ohms

1.6 mV / Pa @ 1k

VLM Type B

>23 dB

≥140 dB

None

3-pin XLRm

Positive pressure on diaphragm
produces positive voltage on
pin 2 relative to pin 3 of output
XLR connector

Zinc Alloy / Black Finish

248 g / 8.7 oz

141 mm / 5.6 in

ARCHITECT AND ENGINEER SPECIFICATIONS

The microphone shall be of the dynamic type operating on the moving coil
principle and the polar pattern of the microphone shall be cardioid. The capsule
shall be VLM Type B. The nominal output impedance shall be equal to 280 ohms
at 1 kHz. The microphone shall have a sensitivity of 1.5 mV / Pa at 1 kHz and a
sound pressure level ≥140 dB. The microphone body and grill shall be of die cast
zinc alloy. The overall dimensions shall be 23 mm in diameter at the base, 37.5

mm at the top, and 141.5 mm in length.

OPERATION AND MAINTENANCE

The i5 is a low impedance microphone and should be plugged into a
“mic level” input on your console, mixer, or recording device. Please note
that your microphone does not require phantom power and will not be
affected in any way by phantom power should it be running simultaneously
when the microphone is in operation. Avoid plugging or unplugging
the microphone from the PA system unless the channel is muted or the
volume of the system turned down. Failure to do so may result in a loud
“popping” noise which could seriously damage the speakers in the PA system.
The i5 is manufactured to exacting specs with roadworthy construction.
However, the capsule is highly sensitive and should be handled with care. Avoid
extreme temperatures and be sure to store your microphone in the pouch
provided when not in use. Moisture of any kind can adversely effect the sound
and performance of your microphone.

USER TIPS

The i5 has a tight cardioid pick-up pattern in order to help eliminate sound from
other instruments on stage from “bleeding” into the microphone. For this reason,
it the i5 is exceptional for drums and percussion in be able to capture the sound
of each component of the kit.

i5

Snare: Start with the i5 about 2 inches above the head and aimed towards the
center of the drum. For more “rim” effect, the i5 can be aimed less towards the

FREQUENCY RESPONSE

center and more towards the rim. It is not uncommon for engineers to place the
mic practically right on the drum head to achieve a very tight, cracking sound.
Toms, congas: Similar to snare. For tighter sound and more attack place, the mic
closer to the head. For more decay and overtones pull the mic further away from
the head.

Guitar cabs: The i5 can be placed within 1-2 inches of the grill cover at a 90
degree angle pointing directly towards the speaker. As the mic is placed closer
to the edge of the speaker, you will minimize the higher frequencies and get a

POLAR PATTERNS

Lo

Hi

warmer, fatter tone. To capture more highs, move the mic closer towards the
center of the speaker.

Horns: Place the mic within 1-3 inches of the bell, especially when on a
stage with drums, bass, guitar, etc. For jazz, classical, and music where the
stage volume is lower, the mic can be placed further away for a richer, fuller,
sound. Allow a distance of 2-3 feet between microphones to avoid phase
cancellation issues.

Further miking techniques may be found at www.audixusa.com.

PRODUCT REGISTRATION: Please register your product online at www.audixusa.com/docs_12/about/product_registration.shtml.
SERVICE AND WARRANTY:

workmanship, Audix will repair or replace said product at no charge with proof of purchase. Audix does not pay or reimburse shipping costs for warranty repairs or returns. The warranty excludes
any causes other than manufacturing defects, such as normal wear, abuse, environmental damage, shipping damage or failure to use or maintain the product per the supplied instructions. No
Implied Warranties: All implied warranties, including but not limited to implied warranties of merchantability and fitness for a particular purpose are hereby excluded. The liability of Audix, if any,
for damages relating to allegedly defective products shall be limited to the actual price paid by Dealer for such products and shall in no event include incidental or consequential damages of
any kind. Should your microphone fail in any way, please contact the Audix Service department at 503.682.6933. A Return Authorization is required before returning any product. OTHER THAN
THIS WARRANTY, AUDIX MAKES NO WARRANTIES, EXPRESS OR IMPLIED, WITH RESPECT TO THE PRODUCTS, THE USE OF THE PRODUCTS, THE PERFORMANCE OF THE PRODUCTS. AUDIX SHALL
NOT BE LIABLE FOR SPECIAL INCIDENTAL, CONSEQUENTIAL, INDIRECT OR SIMILAR DAMAGES ARISING FROM OR BASED ON THE SALE, USE, STORAGE OR DISPOSAL OF THE PRODUCTS, AUDIX’S
SERVICE WORK, BREACH OF WARRANTY, BREACH OF CONTRACT. NEGLIGENCE, OR ANY OTHER THEORY OF LIABILITY, EVEN IF AUDIX HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

This microphone is under warranty for a period of 5 years to be free of defects in material and workmanship. In the event of a product failure due to materials or

ALL SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE.

www.audixusa.com

Audix Corporation 9400 SW Barber St. Wilsonville, OR 97070

503.682.6933 Fax: [phone]

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