FireBall
™
MULTI-PURPOSE DYNAMIC
INSTRUMENT MICROPHONE
overview
The FireBall™ is a professional dynamic
microphone specially designed for harmonica.
It is well suited for both diatonic and
chromatic instruments. Characterized with
a cardioid pick-up pattern and a smooth,
uniform frequency response of 50–15k, the
FireBall™ will handle both live sound and
studio applications. The microphone is
clear, accurate, and capable of handling
sound pressure levels in excess of 140 dB
without distortion.
In addition to harmonica, the FireBall™ can
also be utilized for saxophone, brass, flute,
and vocals.
Transformerless design, low impedance, and
balanced output allow interference-free
performance, even with long cable runs.
The FireBall™ consists of a durable steel
mesh grill with a CNC machined aluminum
body that is coated with a three-stage
anodizing process.
applications
g
Live stage, studio
g
Harmonica
g
Vocals
g
Beatbox
g
Percussion
g
Saxophone, trumpet, trombone
g
Flute
features
g
Fits comfortably in the palm of the hand
g
Handles “cupping” without impacting sound quality
g
Full size dynamic capsule
g
Clear and accurate sound reproduction
g
High SPL handling without distortion
g
Exceptional gain before feedback
g
Provides excellent isolation from other instruments on stage
g
Precision machined aluminum body
specifications
Transducer Principle
Dymamic, Moving Coil
Frequency Response 50 Hz - 16 kHz
Polar Pattern Cardioid
Output Impedance 150 Ohms balanced
Sensitivity
1.9 mV
(ref 1k @ 1 Pascal)
Capsule Technology VLM Type B
Off Axis Rejection >23 dB
Maximum SPL >140 dB
Cable/Connector
3 pin gold plated
male XLR connector
Polarity Positive voltage on pin
2 relative to pin 3 of
output XLR connector
Housing/Finish Aluminum/Anodized
Weight 4.5 oz/127.5 grams
Length 3 inches/76 mm
Vocals
Percussion
Flute
Saxophone
Trombone
Harmonica
Can be used with the RAD-360 wireless beltpack system
Audix Corporation 9400 SW Barber Street, Wilsonville, OR 97070. In Canada, Cabletek Electronics LTD, 604-942-1001 fax 604-942-1010
® Audix Corporation 2005. All rights reserved. Audix and the Audix logo are trademarks of Audix Corporation.
CALL: 503-682-6933 FAX: 503-682-7114
www.audixusa.com
Specifications are subject to change without written notice.
Operation and Maintenance: Although the FireBall™ is
designed and built to handle the rigors of live performances and touring, it should still be handled with care.
Avoid extreme moisture and extreme temperatures whenever possible and store the microphone in the provided
carrying pouch whenever it is not in use.
Phantom power: The FireBall™ is a dynamic microphone
and does not require phantom power; be assured that
phantom power will not adversely affect the performance
of the FireBall™ in any way.
Recording: The FireBall™, which has a very sophisticated,
high quality transducer element, is an excellent microphone for studio application. The tight cardioid pick-up
pattern of the FireBall™, along with its ability to handle
very high sound pressure levels, allows the microphone to
be used for “close miking” applications to record a wide
variety of instruments. In this respect, studio miking
techniques for the FireBall™ would be similar to those
used for live sound.
Live Sound:
The FireBall™ is a professional low impedance microphone. Therefore, you will achieve the best results if
you use either mic level input on the PA system, or if
you run directly into the low impedance input of an
effects processor.
If you are running directly into a guitar amp, you will
need to use a low-to-high impedance matching transformer. When using this type of impedance matching
device, there is typically some loss of signal and frequency response.
Harmonica: The FireBall™ is designed so that the ball grill
of the mic and the harmonica can be held in one hand.
This leaves the other free for cupping, and for controlling
the sound effects. It is important to note that The
FireBall™ is much more articulate than the typical harmonica mic you may have played. It is designed to reproduce your notes accurately and clearly. It is recommended
that you use an effects processor to achieve EQ changes,
distortion, or a variety of tones other than the original.
Toms, congas: Place the mic 2” above the head and
pointing towards the center of the drum. For brighter
tones angle the mic more towards the outer edges of
the drum.
Saxophone, trumpet, and brass instruments: Typically,
the microphone should be aimed right into the bell of the
instrument. The mic can be anywhere from zero to six
inches from the instrument, depending on how many
other instruments are on stage, and the loudness of
the music.
Vocals: The FireBall™ provides an excellent vocal sound.
Because it handles high sound pressure levels and explosive sounds at a close distance, it is excellent for beatbox, hip-hop, and rap.
Mic placement: In general, allow a minimum distance of
2-3 feet between microphones to avoid
phase problems.
Measurement in Millimeters
WARNING:
Avoid excessive moisture as it can adversely affect the sound
and performance of your microphone.
OUTPUT:
The
FireBall™
output is balanced across Pin 2 (positive) with
respect to Pin 3. The shield is connected to Pin 1. It is recommended to use a high quality microphone cable with 3 pin XLR
connectors.
Impedance: The
FireBall™
is a balanced low impedance microphone and for optimum results it should be plugged into a low
impedance XLR mic input.
SERVICE AND WARRANTY:
This microphone is warranted for a period of 1 year from any
and all manufacturing defects. Should your microphone fail in
any way, please contact the Audix Service department at
503-682-6933. A Return Authorization number is required before
sending back any products.
Supplied Accessories
g Mic clip (D-Clip) adjustable through 180
degrees with standard 5/8 inch 27 thread.
Note: Metal thread adapter also supplied to
accommodate European stands.
g Zippered microphone carrying pouch. (P1)
Optional Accessories
g External foam windscreen (WS357)
g 25' Right Angle XLR-XLR mic cable (CBL-DR25)
g 20' XLR – XLR mic cable (CBL-20)
g D-Vice rim mount drum clip (DVICE)
g D-Clamp lug mount drum clip (DCLAMP)
g
4' adapter cable for RAD360 Wireless Bodypack (CBL-BP360)
g Available in Gold Plate (FireBall-GP)
g Hi quality lo-hi Impedance Transformer (IMT-50)
Polar Charts
Frequency Response on axis
FireBall
™
MULTI-PURPOSE DYNAMIC
INSTRUMENT MICROPHONE
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