Audix F9 Specifications

Condenser Instrument

f9

f9

OVERVIEW

The f9 is a professional pre-polarized condenser microphone used for stage and

studio applications. The f9 is known for its clear, accurate response particularly in the

upper frequency range. Ideally suited for a wide variety of acoustic instruments, the f9

is excellent for cymbals, drum overheads, misc. percussion and ambient room miking.

Characterized with a uniformly controlled cardioid polar pattern, the f9 is designed to

capture the acoustics of the instrument being miked while at the same time isolating

it from the rest of the instruments on stage. The f9 features a 16 mm pre-polarized

capsule with gold vapor diaphragm and a frequency response of 40 Hz – 20 kHz.

The f9 is easy to position, durable and manufactured with high standards and tight

tolerances. The f9 is manufactured with a precision cast zinc alloy body, durable black

E-coat finish and gold plated XLR connector.

SUPPLIED ACCESSORIES

DCLIP - Heavy-duty nylon molded snap on clip

P1 - Carrying pouch

WSF9 - Windscreen

OPTIONAL ACCESSORIES

TRIPOD - Metal tripod desktop stand for use with any 5/8” threaded mic clip.

DFLEX - Dual pivot rim mounted clip with extra wide butterfly jaws. Attaches firmly

to drum rims, congas, mic stands, drum stands, or goodie table. Comes stock with

DCLIP but can be used with any standard mic clip.

DVICE - Flexible mini-gooseneck with spring loaded rim mount clamp. Includes

DCLIP plastic clip.

DCLAMP - Flexible mini-gooseneck with drum tension lug mount. Includes DCLIP

plastic clip.

CBL20 - 20’ premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with

braided shield for maximum conductivity. 6 mm PVC jacketed.

CBLDR25 - 25’ premium right angle XLR-XLR balanced mic cable. Quad conductor,

twisted pair with braided shield for maximum conductivity. 6 mm PVC jacketed.

SMT25 - Optional low profile shock mount system with nylon cable and thumbscrew

for positioning.

WS81C - External foam windscreen for reducing wind, sibilance, and pop noise.

APS2 - Two-channel 48 V phantom power supply for condenser microphones. 110 V

switchable to 240 V. Detachable power cord.

Microphone

FEATURES

• All-purpose pencil condenser microphone for live

sound or home studio

• Excellent transient response

• Modular capsule design

• 3 year warranty

APPLICATIONS

• Cymbals

• Overheads

• Hi-Hat

• Percussion

• Acoustic instruments

• Audience mic

DCLIP P1 WSF9 TRIPOD DFLEX DVICE DCLAMP CBL20 CBLDR25 SMT25 WS81C APS2

SPECIFICATIONS

Transducer Type

Frequency Response

Polar Pattern

Output Impedance

Sensitivity

Capsule Technology

Equivalent Noise Level

Signal to Noise Ratio

Off-Axis Rejection

Maximum SPL

Power Requirements

Dynamic Range

Polarity

Materials / Finish

Weight

Length

DIMENSIONS (mm)

Pre-Polarized Condenser

40 Hz - 20 kHz

Cardioid

200 ohms

8 mV / Pa @ 1k

Gold Vapor Deposition

25 dB (A-weighted)

69 dB

>24 dB

≥137 dB

12-48 V Phantom

112 dB

Positive pressure on diaphragm
produces positive voltage on
pin 2 relative to pin 3 of output
XLR connector

Zinc Alloy / Black Finish

95 g / 3.3 oz

111 mm / 4.37 in

ARCHITECT AND ENGINEER SPECIFICATIONS

The microphone shall be a back plate pre-polarized condenser with a cardioid

polar pattern. The microphone shall operate on 12-48 Volts phantom power

and the nominal output impedance shall be equal to 200 ohms at 1 kHz. The

microphone shall have a sensitivity of 8 mV / Pa at 1 kHz. The microphone shall

have a maximum SPL level of 137 dB with a THD of 0.5%. The microphone shall

be cast from zinc alloy with dimensions of 19 mm in diameter at the base, 20

mm in diameter at the widest point and 111 mm in length. The microphone

shall be the Audix f9.

OPERATION AND MAINTENANCE

The f9 will NOT operate without phantom power voltage (12-48 Volts) which

is available on most professional mic preamps and mixing devices. If phantom

power is not available on your equipment, you will have to purchase a phantom

power supply (such as the Audix APS2). Avoid plugging or unplugging the

microphone from a PA system unless the channel is muted or the volume of

the system is turned down. Failure to do so may result in a loud “popping” noise

which could seriously damage the speakers in the PA system.

The f9 is manufactured to exacting specs with roadworthy construction.

However, the capsule is highly sensitive and should be handled with care.

Avoid extreme temperatures and be sure to store your microphone in the pouch

provided when not in use. Moisture of any kind can adversely effect the sound

and performance of your microphone.

f9

USER TIPS

The f9, an excellent choice to mic any kind of acoustic instrument, has

FREQUENCY RESPONSE

POLAR PATTERNS

Lo

PRODUCT REGISTRATION: Please register your product online at www.audixusa.com/docs_12/about/product_registration.shtml.
SERVICE AND WARRANTY:

workmanship, Audix will repair or replace said product at no charge with proof of purchase. Audix does not pay or reimburse shipping costs for warranty repairs or returns. The warranty excludes
any causes other than manufacturing defects, such as normal wear, abuse, environmental damage, shipping damage or failure to use or maintain the product per the supplied instructions. No
Implied Warranties: All implied warranties, including but not limited to implied warranties of merchantability and fitness for a particular purpose are hereby excluded. The liability of Audix, if any,
for damages relating to allegedly defective products shall be limited to the actual price paid by Dealer for such products and shall in no event include incidental or consequential damages of
any kind. Should your microphone fail in any way, please contact the Audix Service department at 503.682.6933. A Return Authorization is required before returning any product. OTHER THAN
THIS WARRANTY, AUDIX MAKES NO WARRANTIES, EXPRESS OR IMPLIED, WITH RESPECT TO THE PRODUCTS, THE USE OF THE PRODUCTS, THE PERFORMANCE OF THE PRODUCTS. AUDIX SHALL
NOT BE LIABLE FOR SPECIAL INCIDENTAL, CONSEQUENTIAL, INDIRECT OR SIMILAR DAMAGES ARISING FROM OR BASED ON THE SALE, USE, STORAGE OR DISPOSAL OF THE PRODUC TS, AUDIX’S
SERVICE WORK, BREACH OF WARRANTY, BREACH OF CONTRACT. NEGLIGENCE, OR ANY OTHER THEORY OF LIABILITY, EVEN IF AUDIX HAS BEEN ADVISED OF THE POSSIBILIT Y OF SUCH DAMAGES.

This microphone is under warranty for a period of 3 years to be free of defects in material and workmanship. In the event of a product failure due to materials or

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a cardioid pick-up pattern which helps to eliminate sound from other
instruments on stage from “bleeding” into the microphone. However,
the f9 is much more sensitive than a dynamic and will pick-up sound
from a greater distance. The acoustic nature of the instrument being
miked along with how loud it is will determine how far the microphone
should be from the sound source. For example, the f9 can be placed 1-2
feet above the cymbals of a drum kit and still pick up plenty of sound,
whereas for a acoustic guitar, the mic will need to be placed within 8-12
inches to be effective. Allow a distance of 2-3 feet between microphones
to avoid phase issues.

Further miking techniques may be found at www.audixusa.com.

ALL SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE.

www.audixusa.com

Audix Corporation 9400 SW Barber St. Wilsonville, OR 97070

503.682.6933 Fax: [phone]

ver 4.0 09-16