Atomos WL-130-Y User Manual

SUMO 19”

19” HDR HIGH BRIGHT STUDIO MONITOR, RAW/PRORES RECORDER

Go HDR! In the field & the studio

Sumo’s 19” 1920x1080 10-bit LCD panel
is driven by the AtomHDR engine which
precisely maps Log/PQ/HLG from every
popular camera/game console or TV
maker to perfectly resolve 10+ stops of
HDR in real time. HDR comes to life on
this incredible monitor or out to larger
displays or TV’s for affordable HDR studio
grading from any NLE or grading suite.

12-bit Raw, 10-bit ProRes/
DNxHR up to 4Kp60

Capture the RAW output from Sony FS5/
FS7/FS700, Canon C300MKII/ C500 or
Panasonic Varicam LT over SDI up to
12-bit 4Kp30 as CDNG or up to 10-bit
ProRes 4Kp60 / 2Kp240 depending on
the camera’s capability. Pristine quality is
preserved at amazing data rates of up to

3.2 Gbps. Video is captured as either Apple
ProRes or DNxHR in 10-bit 4:2:2 quality.

Live Switch and Record of up to
four 1080/60p channels, 4 x ISO
record and playback*

Switching and mixing of a live record and
stream with the option of ISO recording of
4xHD channels. Switch between feeds on
screen with cueing, cross fade and hard
cuts. The switching revolution has begun.

Balanced XLR Monitor
& Record with 48V Phantom

Eliminate the need for a separate
audio recorder by using the full size
XLR connections to connect and power
external microphones for balanced
analogue audio with dedicated meters
and adjustments for frame delay and
gain. 48V phantom mics or line level audio
are all seamlessly synchronized for the
most advanced audio features in-built in a
monitor today.

Record tally Record 4K

direct to SSD

High Bright 1200nit 19”
calibrated 1920x1080 monitor

The extremely bright 1200 nits display
means you can accurately monitor, even
when outside in full daylight. All monitors
drift in color and brightness over time,
which is why all high end monitors have
calibration, Sumo gives you
this reliability for free. Use X-Rite’s
i1DisplayPro, the professional’s choice
for ongoing accurate HDR and Rec709
monitoring.

Quad SDI & HDMI 2.0 in/out

Seamlessly connect any SDI or HDMI
device and convert between HDMI 2.0 &
3G Quadlink/6G/12G in any combination.
Quad SDI inputs connect cameras with
multiple 1.5 or 3G SDI outputs without the
need for converters. HDMI 2.0 supports up
to 4Kp60 I/O and the full suite of Atomos
latest open protocol 3.0 supporting HDR
automation and camera control.

Calibration/
Lanc control

Headphone

monitoring

* Future firmware update

SuperAtom IPS 19” touch

screen monitor

Quadlink Professional

XLR Audio

SUMO 19”

Weight and Dimensions

Without batteries & media

With batteries & media

With stand & Battwing adapter

Dimensions (W x H x D mm)

Construction

Mounting points

Power

Operating power

Compatible batteries

Input voltage (battery)

Battery time (based on 7.4V)

DC In

Continuous power
* Patent pending

Touchscreen

Size

Resolution / PPI

Aspect ratio

Color Gamut

Look up table (LUT) support

Anamorphic de-squeeze

Technology

HDR

AtomHDR

Supported Log formats

Supported Gamuts

Bit depth

Brightness

HDR input (PQ/HLG)

HDR output (PQ/HLG)

Video Input (Loop Out)

HDMI

SDI

Signal

Video Output (Play Out)

HDMI

SDI

Signal

Supported Loop Out Formats

HDMI to HDMI

SDI to SDI

Video Signal Conversion

HDMI to SDI

SDI to HDMI

5.47kg / 12lb

-

6.28kg / 13.8lb

506 x 310 x 62.5mm, 19.9" x 12.2" x 2.5" (without stand)
506 x 330 x 180mm, 19.9” x 13” x 7.1” (with stand)

Aluminium alloy chassis with built in armor protection

1/4-20 screw; 4 x top, 4 x bottom, 2 x side
3/8-16 screw; 2 x top, 2 x bottom, 1 x side
VESA mount rear

75W

V-Lock / Anton Bauer via XLR terminal
(optional mounting plates available)

14.4V nominal

Depends on Watt Hours specification of battery used

-

-

1 x XLR (12-16.8V)

Primary-secondary battery system.
Change batteries without losing power
Loop batteries continuously.

19"

1920 x 1080 / 120PPI

16:9 native

REC709 HDTV

3D LUT (.cube format)

2x, 1.5x, 1.33x, Panasonic 8:3

SuperAtom IPS panel (capacitive touch), calibration to
Rec.709 with optional calibration unit

Yes

Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm

Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema
/ BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri
Alexa Wide Gamut

10-bit (8+2 FRC)

1200nit (+/- 10%)

Yes / Yes

Yes / Yes

1 x HDMI (2.0)

Quad link 4 x 3G SDI* or up to 12G single link SDI

Uncompressed true 10-bit or 8-bit 422 (camera
dependent)

1 x HDMI (2.0)

1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G

Uncompressed true 10-bit or 8-bit 422 (playback file
dependent)

720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60

720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60

720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60

720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60

Supported Codecs & Frame Rates (Record & Playback)

Raw Record

Raw to ProRes /
DNxHR

Video to ProRes /
DNxHR
(DNx utilizes a .MOV
wrapper)

Brand / Model / Codec Resolution / Frame rate

Sony^^ FS5/FS7/FS700
CDNG

Canon C300MKII/C500
CDNG

Panasonic VaricamLT /
Varicam35*
CDNG

Arri Alexa Mini
.ARI*

Brand / Model / Codec Resolution / Frame rate

Sony^^ FS5/FS7/FS700
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

Canon C300MKII/C500
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

Panasonic VaricamLT /
Varicam35*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)

Brand / Model / Codec Resolution / Frame rate

Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ,
SQ, LB

4K DCI; 24/25/30p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120p
1080; not supported in camera

4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera
1080; not supported in camera

4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera
1080; not supported in camera

2880x1620*; 24/25/30/50/60p
2880x2160*; 24/25/30/50/60p

4K DCI; 24/25/30/50/60p
4K DCI Burst; 120p* (Sony FS series)
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in camera

4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera
1080; not supported in camera

4K DCI; 24/25/30/50*/60p*
4K UHD; 24/25/30/50*/60p*
2K; not supported in camera
1080; not supported in camera

4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; not supported in camera
1080p; 24/25/30/50/60/100^/120^/200^/240p^
1080i; 50/60i
720p; 50/60p

Onboard Processing

Pulldown removal

4K UHD downscaling

24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)

Yes - Loop-out and playback (Not available in RAW)

Audio In/Out (48kHz PCM Audio)

HDMI

SDI

Audio

Headphone out

Built-in speakers

2 or 8ch 24-bit, camera dependent

12ch 48kHz 24-bit

2ch balanced XLR analog in/out (direct XLR connection)
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic

3.5mm

Yes

Remote Start/Stop

Auto HDMI Trigger

HDMI

SDI

Other

Supported Protocols - Canon, Sony, Atomos Open
Standard

SDI trigger camera selectable

LANC control - Slave

Playback

Playlist

Genlock / LTC

CDNG (recorded content)

ProRes (recorded content)

DNxHR / DNxHD (recorded content)

Yes

Yes

No support

All recorded files can playback. Playback in slow motion
>= 100fps

All recorded files can playback. Playback in slow motion
>= 100fps

Live Switch & Recording

ISO recording *

Switching *

4 x 1080p60 Inputs

Yes

* Future firmware update