Please be sure to read all the instructions carefully before using this product.
• Many safety messages are included in this manual, please be sure to observe these as they are
important.
• We recommend that you keep this manual close by for future reference.
• Do not install this device in dusty or humid locations, or in direct exposure to sunlight. In addition,
locations that have steam or sooty conditions are not to be used, as this may result in fire or electric
shock.
• Prevent the power cord from damage, pinching or being walked on, in particular, the plug and
where the cord attaches to the amplifier.
• Do not defeat the polarized or grounding feature of the power cord plug. If the plug will not fit in your
outlet, consult a licensed electrician.
• Use only the accessories and attachments specified in this manual.
• Disconnect the power cord during electrical storms, or when the product will be unused for long
periods.
• Have servicing done only by qualified personnel. Servicing will be required when the product is
damaged in any way, when the power cord is damaged, when liquid has been spilled or objects have
fallen into the device. Servicing will also be required when this device has been exposed to rain, does
not operate normally, or has been dropped.
Specifications are subject to change without notice
Congratulations and thank you for purchasing the Atlas Sound Model AA120M professional grade mixer/
amplifi er. An integral part of the AA Series of commercial products, the AA120M was engineered and
integrated with unique features to assist the contractor/installer in today’s commercial business audio
environment.
FEATURES
• Zone 1 output 120W
• Zone 2 output 1W@ 8Ω
• Zone 3 output 1.5V@ 600Ω
• Inputs 1-4 mic/line switchable
• Input 5 line level
• 1 Module Input
• Inputs 1-4 and 6 can send or receive mute commands
• 2 Mute Buses, 1 VOX, and 1 contact closure
• 1 Tape and 1 Line outputs
• Mute assignable internal relay
• 24VDC available on rear panel for priority attenuators
• Pre-amp out-Power amp in loop
• Bridge In/Output - Allows mix bus combining of multiple AA120Ms
APPLICATIONS
• Industrial paging
• Retail paging and BGM
• Commercial PA
• Priority volume control applications
• Hotel ballroom/meeting rooms
Specifications are subject to change without notice
• Read the instructions very carefully before using this product.
• Observe the instructions in this manual as conventions of safety; symbols and messages regarded as
important precautions are included.
• Retain this manual for future reference.
Message Conventions and Safety Symbols
Before installing and operating this product, read this manual so you are fully aware of the potential
safety hazards and understand the safety symbols and messages. The safety symbols and messages
shown below are used in this manual to prevent bodily injury and property damage from mishandling.
WARNING
CAUTION
WARNING
• Do not expose the product to rain or in an environment where it may be exposed to water or other
liquids, which may result in fi re or electric shock.
• Operate the product only with the voltage specifi ed on the unit. Fire and/or electric shock may result if
a higher voltage is used.
• Do not modify, kink, or cut the power cord. Do not place the power cord on close proximity to heaters
and do not place heavy objects on the power cord, including the product itself, doing so may result in
fi re or electric shock.
• Replace the protective cover over the speaker terminals after installation. Do not touch the 70V
speaker terminals as electric shock may result.
• Ensure that the safety ground terminal is connected to a proper ground. Never connect the ground to
a gas pipe as a catastrophic disaster may result.
• Be sure the installation of the product is stable, avoid slanted surfaces as the product may fall and
cause injury or property damage.
Indicates a potentially hazardous situation which, if mishandled, could result
in death or serious injury.
Indicates a potentially hazardous situation which, if mishandled, could result
in moderate or minor personal injury, and/or property damage.
WHEN INSTALLING THE PRODUCT
WARNING
• To prevent electric shock, do not remove the product cover as there are high voltage components
inside. Refer all servicing to Atlas Sound.
• Should any of the following irregularities occur during use, immediately switch off the power,
disconnect the power cord from the AC outlet and contact Atlas Sound. Do not to attempt to continue
operation with the product as this may cause fi re or electric shock.
• Smoke or strange smell coming from the unit.
• If the product falls or the case is damaged.
Specifications are subject to change without notice
1. Power Switch
This push on/push off switch applies power to the AA120M.
2. Power LED
This LED illuminates when the power switch is turned on.
3. Peak LED
The PEAK LED will illuminate when the AA120M is in a clipping condition, caused by excessively high
input levels or a GAIN control is turned up too high. An occasional fl ash is OK.
4. Signal LED
This LED will assist you in setting gain structure into the amp. With a source connected to the amp and
playing, turn up the channel gain control until this LED just starts to fl ash. Once all the sources
connected are playing, the SIGNAL LED may be on solid. This condition is normal.
5. Master Gain Control
The MASTER GAIN CONTROL will raise or lower all the input channels together. A good starting point
for setting gain structure is to set MASTER GAIN CONTROL at the 12:00 position, and then adjust
the individual channels one at a time.
6. Input 1-6 Controls
The gain for input channels 1-6 are controlled by these rotary controls. The MASTER GAIN CONTROL
must be turned up in addition to the input controls for audio to be present at the speaker terminals.
7. Bass Control
Normally set at the 12:00 position, rotating clockwise will increase (boost) bass frequencies by
10dB at 100Hz. Rotating counter-clockwise from the 12:00 position will decrease (cut) bass frequencies
by 10dB at 100Hz
8. Treble Control
Normally set at the 12:00 position, rotating clockwise will increase (boost) treble frequencies by 10dB at
10kHz. Rotating counter-clockwise from the 12:00 position will decrease (cut) treble frequencies by
10dB at 10kHz.
Specifications are subject to change without notice
9. Dipswitch 1-10
Understanding the functionality of the dipswitches is key to getting the most out of the AA120M.
Whether a switch is in the "Up" or "Down" position is critical to the function of the amplifi er. Note:
Mispositioning any of these switches may cause harm to the speakers or amplifi er. We recommended
powering off the amplifi er prior to making any switch selections. Pay close attention to the assignment
chart and manual for proper settings.
Mic
Line
10
9
Input 1
Mic
Tel/Line
1
Low Cut
On
Off
VCA
Input 5
Phantom
On
Off
Relay
Act
Vox
CCMaster
5342
Input 6
Amp Dir
Mix Bus
6
300mV
100mV
87
Input 3
Input 4Input 5
Mic
Line
Input 2
Mic
Line
Dipswitch 1- LOW CUT – When in the "ON" position, frequencies below 400Hz are attenuated
at the rate of 6dB per octave. Note: The rotary bass control is bypassed when the LOW CUT fi lter
is engaged. We suggest that when paging horns are connected to the AA120M, engage the LOW
CUT fi lter to prevent the horns from operating below their cutoff frequency. When "OFF", the amplifi er operates full bandwidth.
Dipswitch 2- VCA – When set to the "Master" position, the VCA control port acts as a system
remote volume control, adjusting all the input channels up or down simultaneously. When set to
the "Input 5" position, the VCA remote control port affects only the level of INPUT 5.
Dipswitch 3- PHANTOM – When set to the "OFF" position, PHANTOM POWER is turned off
on INPUTS 1-4. When set to the "ON" position, PHANTOM POWER (24VDC) is available on
INPUTS 1-4.
Dipswitch 4- Relay ACT - When set to the "CC" position, the internal relay is triggered by
contact closure (see page 32). When set to the "VOX" position, the internal relay is triggered by
audio signals at INPUTS 1-4 and INPUT 6, depending upon their rear panel switch setting.
Specifications are subject to change without notice
Dipswitch 5 - Input 6 - When set to the "Mix Bus" position, INPUT 6 signals are routed to the Mix Bus and are POST Input Gain, POST Zone 2 and 3 Outputs and PRE Tone Controls.
When set to the "Amp Direct" position, INPUT 6 signals go directly to the fi nal amplifi er stage,
and are PRE Input Gain, PRE Zone 2 and 3 Outputs and POST Tone Controls.
Dipswitch 6 - Input 5 - When set to the "100mV" position, the sensitivity of Input 5 is suitable
for inputting Telephone Paging Signals. When set to the "300mV" position, the sensitivity of
Input 5 is suitable for CD/DVD player outputs.
Dipswitch 7 - Input 4 - When set to the "Line" position, Input 4 sensitivity is suitable for CD/
DVD line level outputs. When set to the "Mic" position, Input 4 sensitivity is suitable for
microphone input.
Dipswitch 8 - Input 3 - When set to the "Line" position, Input 3 sensitivity is suitable for CD/
DVD line level outputs. When set to the "Mic" position, Input 3 sensitivity is suitable for
microphone input.
Dipswitch 9 - Input 2 - When set to the "Line" position, Input 2 sensitivity is suitable for CD/
DVD line level outputs. When set to the "Mic" position, Input 2 sensitivity is suitable for
microphone input.
Dipswitch 10 - Input 1 - When set to the "Tel/Line" position, Input 1 sensitivity is suitable for
CD/DVD line level outputs. When set to the "Mic" position, Input 1 sensitivity is suitable for
microphone input.
10. Input 1Balanced mic or line level signals connect to the (+), (—), and (G) terminals. Refer to the chart at the
top of the page for the following setting. Dipswitch number 10, labeled Input 1 must be set to the
proper position for mic or line level. If you are connecting an unbalanced line level input, tie (short)
the (G) and (—) terminals together. An optional Input Isolation Transformer is available if a ground
loop problem exists. See page 23 for installation. Contact Atlas Sound for more details on the Input
Isolation Transformer.
Specifications are subject to change without notice
11. Input 1 TrimThis variable control adjusts the sensitivity of INPUT 1. When the dipswitch is set to "Mic" it allows fine
tuning of the input gain structure to the AA120M. There is 20dB of variable gain available. This feature
is PRE channel level control.
12. Mute Sens For Vox Mute BusThis control adjusts how sensitive the mute send circuitry on INPUT 1, 2, 3, 4, or 6 reacts. Setting the
control fully counter-clockwise will lower the sensitivity, and a higher amplitude signal will be required
at INPUT 1, 2, 3, 4, or 6 to trigger the mute send circuits. Fully clockwise will raise the sensitivity of the
mute circuits, where a lower amplitude signal will trigger a mute send. Careful calibration of this
control may be required to fully utilize the mute circuits’ capabilities.
13. Mute Send On/OffSet to the "On" position, and audio is present at INPUT 1, a mute command will be sent to the VOX
Mute bus, thereby muting any channels set to "MUTE RCV". When set to the "Off" position, no Mute
commands will be sent.
14. Inputs 2, 3, and 4Balanced mic or line level signals connect to the (+) (–) and (G) terminals. Refer to the chart above
"Multi Function Dipswitch" for the proper setting for mic or line level operation. If you are connecting
an unbalanced line level input, tie (short) the (G) and (–) terminals together.
15. Input 5INPUT 5 consists of stereo summing RCA jacks. These are suitable for connection to the output of CD/DVD players. Note: INPUT 5 has factory installed mute features, please refer to Section 17 VOX
Mute Swith and Section 18 Remote Mute for details.
16. Input Trim Controls, Channels 2, 3, and 4This variable control adjusts the MIC sensitivity of INPUT 2, 3, and 4 allows fine-tuning of the input gain structure to the AA120M. There is 20dB of variable gain available. This feature is PRE channel
level control.
Specifications are subject to change without notice
17. VOXMute Switch For Channels 2, 3, 4, and 6Each 3-position switch sets the VOX mute status individually for Inputs 2, 3, 4, and 6. Note: All VOX
Mute settings are over ridden when the internal Remote Mute jumpers are installed and the
contacts are connected together. Input 5 is shipped with an internal VOX Mute jumper installed and
will be muted when any channel is set to Mute Send and signal is present at the corresponding input.
SEND - Sends a (VOX) Mute command when audio is present at the input to other channels set to (VOX) Mute RCV (Receive).
OFF - Bypasses the (VOX) Mute Send and RCV (Receive) functions.
RCV (VOX Receive) - Inputs will be Muted when other Input Channels are set to to the (VOX) Mute
Send position and audio is present at the corresponding input.
18. Zone 2 And Zone 3 Level ControlsThese rotary controls will vary the signal level at the Zone 2 and Zone 3 output terminals. Fully counter-clockwise (0) is off, fully clockwise (10) is the maximum output level. Both Zone 2 and 3 level
controls are PRE channel level controls for Inputs 1, 2, 3, 4, 5, and 6. Note: Zone 2 and 3 level controls function identically to their corresponding inputs. See number 28 for more details.
19. Input 6 Module SlotThe Module Slot accepts optional industry standard input modules from Atlas and other vendors.
Contact Atlas Sound for a full list of module types.
20. Tape OutLine level mono signals are available at this jack for connection to recording devices. The signal
available here is PRE tone control and low cut filter and comes from the internal mix bus.
21. Line OutThe LINE OUT connector is useful for providing unbalanced line level signal to another amplifier or
other external devices. Prior to using this feature one must understand where the internal signal pick
up point is so you can decide if it is correct for your application. We suggest you refer to the block
diagram of the AA120M to have a complete understanding of the signal flow.
Note the following conditions for LINE OUT
A. Pre Low Cut Filter
B. Post Tone Controls (meaning the settings for the Bass and Treble controls affect this signals output).
Note: Refer to "Low Cut Filter Switch for complete understanding of the LCF feature."
C. Post Amp In (meaning any signal that is inserted into the Pre AMP In jack will be present at the Line
Out).
Specifications are subject to change without notice
22. Pre OutThe PRE OUT connector has Post tone control signals available to drive another power amp or
external audio devices. Use in conjunction with the AMP IN connector, an effects loop can be created
by connecting the PRE OUT jack to a device such as an equalizer then back out to the AMP IN
connector. See the connection diagram in the setup section of this manual.
23. Pwr InThe AMP IN connector is useful for converting the AA120M into a slave amp. When a line level signal
is connected to this input, the internal connection between the preamp and internal power amp is
broken. Audio signals applied to this connector are post tone control and pre master control.
24. Bridge In/OutCertain installations have the need to combine one or more mixers together. These mixers may be in
different rooms of an install but have the need to share a page or music throughout the installation.
These terminals provide a way to send and receive balanced line level signals from the internal mix
bus of the AA120M. The "BRIDGE IN/OUT" feature is PRE Tone Controls and Low Cut Filter. The
Bridge In/Out feature allows you to send and receive a balanced signal. This is important for allowing
longer distances between the mixers. Note: This function should only be done with other Atlas Sound
mixers that have this feature. The Send and Receive signals are combined through the same
terminals. To activate this feature see Bridge Sel below.
25. Bridge Sel
The "Bridge Select (Sel)" terminals are the access point to activate the "Bridge In/Out" feature. Toactivate the feature connect the two points together via an external contact closure. These two points
must be connected to send or receive any signal. By connecting the Bridge In/Out terminals of two
AA120M, a simple room combining system can be accomplished. If using a remote switch and closing
it, the "Bridge Select (Sel)" will combine the amps as one, opening the switch will separate the two amps. Note: If combining 3 or 4 mixers together the output level will have to be adjusted before and
after Bridge Sel terminals are connected (shorted) together. We suggest utilizing the Remote Level control when using this feature.
26. VCARemote location of the level control can be accomplished via the VCA control port. You can control
the overall level (Master) or just Input 5. This selection is made via Dipswitch position #2. Connect the
two leads from the optional remote volume control to these terminals. This remote level control is
POST Master and Input 5 Level Controls. Set the system's maximum levels using the amplifier level
controls and then use the remote VCA potentiometer as an attenuator from the maximum levels set.
See the VCA setup section for instructions on wiring up the potentiometer.
Specifications are subject to change without notice
27. Remote Mute (Priority Mute)The Remote Mute feature allows you to have priority mute over Inputs 2-6. It is useful when certain
channels need to be muted from a remote location. When shorting (connecting) the Remote Mute
terminals together, (G) and (M), the internally assigned channels will be muted and will override
the VOX Mute settings. Note: Input 1 cannot be VOX or Remote Muted at anytime. Input 5 is the only
channel shipped with a factory installed Remote Mute jumper. See the PCB diagram on page 23 for
Remote Mute jumper assignments.
28. Zone 2 And Zone 3 Mute Assign (Special Internal Feature)Each input has a mute assignment function. Inputs 2-6 can be set to receive or send a mute
command. Each input also has individual Zone 2 and 3 level controls. There may be applications that
require different mute options with Zone 2 and 3 outputs. You may want a certain input muted but not
necessarily the corresponding Zone outputs.
Internally, there are jumpers to select each input's zone outputs to be PRE or POST input mute assignment. The AA120M Zone 2 and 3 outputs are shipped with the following assignments:
Inputs 2, 3, and 4 are POST input mute assignment.
Inputs 5 and 6 are set to be PRE input mute assignment.
Example: Input 5 will commonly have a CD player inserted into to it for background and/or MOH.
The CD’s signal is fed to the amplifier output for background music and the same signal from the CD is
routed to a telephone systems MOH input via Zone 2 or 3 output. When Input 1 receives a page you
may want the CD to be muted for the background music but not the telephone's MOH. For this to
work, the internal Zone 2 or 3 jumpers for Input 5 need to be assigned to PRE Mute. See the PCB diagram on page 23 for pin assignments.
29. Zone 3 OutMUSIC ON HOLD port, also known as MOH. The Zone 3 signal is taken PRE Input gain.
30. Zone 2 Out
The 8Ω 1W Zone 2 output can drive an external 8Ω speaker, and is taken PRE Input gain.
Specifications are subject to change without notice
31. 24VDC Terminals24VDC is available on these terminals and can supply current up to 250mA. This DC output is useful
for supplying DC voltage to trigger Atlas PA series attenuators.
Note: Do not short these terminals together or ground them.
32. RelayThe AA120M supplies contact points to trigger an external component. The SPDT (single pole double
throw) set of relay contacts have (C) Common, (NO) Normally Open, and a (NC) Normally Closed
contacts available on these terminals - 500mA Max. The relay can be activated via two methods, remote contact closure or VOX mute. Refer to Dipswitch #4 "Relay Act" for relay trigger selection.
The (CC) Contact Closure setting works in conjunction with the Remote Mute feature. Refer to section
27 "REMOTE MUTE" for detailed information.
The (VOX) setting works in conjunction with a Mute Send from an assigned Input channel. Refer to section 17 the "MUTE SWITCH" for detailed information. This feature is also known as VOX.
33. Loudspeaker TerminalsFor loudspeaker connections, connect as follows or proceed to the setup section for typical wiring
diagrams.
COM - Speaker common or negative connection
8 OHM - Connect to direct coupled loudspeakers
25V - Connect to transformer coupled, 25V loudspeakers with a total load impedance of
no less than 5.2Ω 70V - Connect to transformer coupled, 70.7V loudspeakers with a total load impedance of
no less than 41.6Ω 100V - Connect to transformer coupled, 100V loudspeakers with a total load impedance of
no less than 83Ω
34. Circuit BreakerThe circuit breaker is designed to trip and shut down the AA120M "Unswitched Outlet". After correcting
the cause of the breaker tripping, reset the breaker by pushing in on the tab.
Specifications are subject to change without notice
35. Unswitched OutletThe 120VAC outlet is energized at all times when the AA120M power cord is connected to a live
duplex outlet. The unswitched outlet provides power for other devices (Atlas rack work light, etc.). Keep the total power draw below 500W.
36. Power CordConnect the power cord to 120VAC only. Serious damage may result if accidentally connected to other
line voltages.
Specifications are subject to change without notice
Example 1 - System Paging, BGM, and MOH with Emergency Page Override
When a page signal is received from INPUT 2 and the RMT MUTE terminals are shorted, the page will be
the only audio heard in the main system because BGM will be muted. If an emergency page comes into
INPUT 1, all inputs will be muted except for the emergency page. Note: Zone 3 MOH output will not be
muted or affected by either page scenario.
• Connect a paging mic to INPUT 1. This will be the priority emergency page over ride mic input.
Note: The INPUT 1 Trim and Sens will need to be adjusted after all the settings and connections
have been set.
• Connect a paging mic with a switch to INPUT 2.
• Connect the switch wires from the mic connected to INPUT 2 to the "RMT MUTE" terminals. Note:
The polarity on the switch to the terminals does not matter.
• Set Dipswitch 9 and 10 to the "MIC" position.
• Set INPUT 1 to MuteSend.
• Set INPUT 2 to MuteRCV.
• Connect a BGM player to INPUT 5. Note: The input gain of this channel may need to be changed for
proper level balance. Dipswitch 6 allows you to select between a 100mV or 300mV input sensitivity.
• Connect Zone 3 output to the MOH input on your telephone system. Adjust Input 5's Zone 3 output
level as needed.
Dipswitch Settings
Dipswitch 1 - OFF Dipswitch 2 - OFF (Not affected)
Dipswitch 3 - Depends on mic type Dipswitch 4 - OFF (Not affected)
Dipswitch 5 - OFF (Not affected) Dipswitch 6 - Set to the required gain
Dipswitch 7 - OFF Dipswitch 8 - OFF
Dipswitch 9 - ON (Mic) Dipswitch 10 - ON (Mic)
Example 2 - Priority Attenuator Override Application with Message Repeater and BGM
This application makes use of the internal relay and 24VDC in conjunction with Atlas Sound optional "PA"
override volume controls. A typical scenario would be for a Fire Station, where the background music
is turned down by the wall volume controls in the evening. A page is received on INPUT 1 and the VOX
mute triggers the AA120M relay sending 24VDC to the attenuator engaging the internal override relay and
allowing the page to come through alerting the sleeping firemen. A message repeater is connected for
caller on hold playback. Note: Remote BGM level control can also be accomplished via the VCA control
for INPUT 5.
• Connect a mic to INPUT 1. Note: The INPUT 1 Trim and Sens will need to be adjusted after all the settings and connections have been set.
• Set Dipswitch 10 to the "MIC" position.
• Set INPUT 1 to MuteSend.
• Connect the telephone message repeater to INPUT 2.
• Set INPUT 2 to MuteOFF. Turn down INPUT 2 volume control so no audio will be present at the
speaker terminal.
• Connect Zone 3 to the Telephone PBX MOH port. Adjust INPUT 2 Zone 3 Level as needed.
• Connect a BGM player to INPUT 5. Note: The input gain of this channel may need to be change for
proper level balance. Dipswitch 6 allows you to select between a 100mV or 300mV input sensitivity.
• Connect the external level controls to the 70V speaker output.
Dipswitch Settings
Dipswitch 1 - OFF Dipswitch 2 - OFF (Not affected)
Dipswitch 3 - Depends on mic type Dipswitch 4 - ON (VOX)
Dipswitch 5 - OFF (Not affected) Dipswitch 6 - Set to the required gain
Dipswitch 7 - OFF Dipswitch 8 - OFF
Dipswitch 9 - OFF (Line) Dipswitch 10 - ON (Depends upon source signal)
The AA120M incorporates a module port that supports a variety of system options. For this example, a
plug-in chime module is used to announce a request for building entry. The chime sound would only go
to one speaker located over a security guard's area. In addition to the chime module, there is paging,
background music, and message on hold connected.
• Connect the customer's PBX page port to INPUT 1. Note: The INPUT 1 Trim and Sens will need to be adjusted after all the settings and connections have been set.
• Set Dipswitch 10 to the "LINE" position.
• Set INPUT 1 to MuteSend.
• Connect the telephone message repeater to INPUT 2.
• Set INPUT 2 to MuteOFF. Turn down INPUT 2 volume control so no audio will be present at the
speaker terminal.
• Connect Zone 3 to the Telephone PBX MOH port. Adjust INPUT 2 Zone 3 Level as needed.
• Connect a BGM player to INPUT 5. Note: The input gain of this channel may need to be changed for
proper level balance. Dipswitch 6 allows you to select between a 100mV or 300mV input sensitivity.
• Install Chime Module to Input 6. Connect contact closure. Make sure front panel input level control is
turned down.
• Adjust INPUT 6 Zone 2 Level as needed.
• Connect the Chime Speaker to Zone 2 output terminals.
Dipswitch Settings
Dipswitch 1 - OFF Dipswitch 2 - OFF (Not affected)
Dipswitch 3 - Depends on mic type Dipswitch 4 - OFF
Dipswitch 5 - ON (Not affected) Dipswitch 6 - Set to the required gain
Dipswitch 7 - OFF Dipswitch 8 - OFF
Dipswitch 9 - OFF (Line) Dipswitch 10 - OFF (Line/Tel)
Utilizing the optional plug-in modules and the Atlas Sound wall mounted VCA attenuators, we can produce
a conference room or hotel ballroom PA system with both remote Master and remote Background Music
(BGM) volume controls. Inputs 1-4 are wired to the microphone wall plates in the room and the BGM
comes from a CD player or Satellite radio receiver.
• Connect the mics to INPUTS 1-4. Note: The INPUT 1 Trim and Sens will need to be adjusted after all the settings and connections have been set. Dipswitch 3 (Phantom power) has been turned on
for condenser type microphones.
• Dipswitches 7-10 have been set to "Mic".
• One wall mount volume control (Atlas Sound p/n AAVCC-10K) has been connected to the terminals
marked "VCA" and Dipswitch 2 is set for Master.
• Optional plug-in module, Atlas p/n AS-ML, has been inserted into the rear module slot, and the BGM
source has been plugged into the module’s line level inputs. Adjust the module’s trim control as
needed. The AS-ML is a mic or line input module with VCA capabilities.
• Another volume control (AAVCC-10K) has been wired into the VCA terminals on the MODULE. This
control will vary the BGM ONLY.
Dipswitch Settings
Dipswitch 1 - OFF Dipswitch 2 - OFF (Master)
Dipswitch 3 - ON Dipswitch 4 - OFF (CC)
Dipswitch 5 - ON (Amp Dir) Dipswitch 6 - Off (100mV)
Dipswitch 7 - ON (Mic) Dipswitch 8 - ON (Mic)
Example 5 - Hotel Room Combining Using Two AA120Ms
This example utilizes the combining feature of the Atlas AA120M mixer amplifiers. The drawing on the
following page shows the equipment connections for two hotel ballrooms, separated by a moveable air
wall. They hotel needs to be able to have the audio system operate has one large unit (air wall open)
or two discreet systems (air wall closed). As indicated in the example, a BGM CD player is shared
between the two AA120Ms, via a "Y" cable, connected to input 5 of each mixer amp. The Bridge terminals
of both amplifiers are connected together, through a DPST switch that makes (combines) or breaks
(separates) the Bridge connections between the amplifiers. When the switch is closed, any audio signal
into either amp will be present at both amplifier's speaker outputs. A volume control and DPST switch
(see drawing for clarity) controls the room audio level and turns the music on or off in each room. For
emergency evacuation purposes, a signal from the hotel's fire alarm system is connected to channel 1
of both amplifiers, with both channel's mute sensitivity adjusted as needed. To mute all audio when the
emergency signal is present, all other channels are set for Mute receive.
• Set Input 1 to Mute Send
• Set Input 2-4 to Mute RCV
Dipswitch Settings
Dipswitch 1 - Off Dipswitch 2 - Off (Master)Dipswitch 3 - Off Dipswitch 4 - Off (Not Affected)
Dipswitch 5 - Off (Not Affected) Dipswitch 6 - Set to required gain
Dipswitch 7 - On (Mic) Dipswitch 8 - On (Mic)
Dipswitch 9 - On (Mic) Dipswitch 10 - Off (Tel/Line)
OWNER'S MANUAL
Specifications are subject to change without notice
Speaker Outputs - Use 2 conductor unshielded wire of the appropriate gauge. If you are unsure
about this, contact Atlas Sound Tech Support at 1-800-876-3333. Make sure you know how many speakers you need and what tap value you intend to use.
Mic/Line Input - Use 2 conductor w/ shield for low level signals of 20-22 gauge is best. Maintain the
proper polarity, + to +, – to –, and shield to ground. For unbalanced signals, connect the (G) to the (–)
terminal.
Unbalanced Inputs and Outputs - Pre-made RCA cables can be purchased from vendors to simplify
interconnection to external devices.
Zone 2 Out - Use 2 conductor, 20-22 gauge, shielded is best. Terminate the shield at the input to the
device if possible.
Security Plug Installation
SECURITY COVER OPTION
In order to prevent unauthorized operation of the AA120M, optional security covers are available which
take the place of the front panel knobs. After the AA120M has been installed and is operating as desired,
grasp the front panel knobs and pull straight out from the front panel. Replace the knobs with security
covers, Atlas Sound part number AAVCC-5, available in quantities of 5.
77'(&CC_n[h7cfb_\_[h
n
Input 1
Bass
Input 4
n
Treble
Input 3Input 2
Input 5
Input 6
Master
or
Front Panel
Knob
Security Cover
Specifications are subject to change without notice
Atlas Sound part number AAVCC-10K consists of a single gang "Decora" style wall plate with a premounted 10k potentiometer and knob.
Use two conductor unshielded wire connecting the pot terminals to the terminals marked "VCA" on the
back of the amp.
To VCA Terminals
RACK MOUNT KIT
For permanent mounting of the AA120M into equipment racks, order part number AARM-2RU. If multiple
units are being rack mounted, install Atlas 1RU (SVP19-1-052) vented panels between amplifiers in order
to aid cooling.
Rack Ear Installation
Specifications are subject to change without notice
All products manufactured by Atlas Sound are warranted to the original dealer/installer, industrial or
commercial purchaser to be free from defects in material and workmanship and to be in compliance with
our published specifi cations, if any. This warranty shall extend from the date of purchase for a period
of three years on all Atlas Sound products, including SOUNDOLIER brand, and ATLAS SOUND brand
products except as follows: one year on electronics and control systems; one year on replacement parts;
and one year on Musician Series stands and related accessories. Additionally, fuses and lamps carry no
warranty. Atlas Sound will solely at its discretion, replace at no charge or repair free of charge defective
parts or products when the product has been applied and used in accordance with our published operation
and installation instructions. We will not be responsible for defects caused by improper storage, misuse
(including failure to provide reasonable and necessary maintenance), accident, abnormal atmospheres,
water immersion, lightning discharge, or malfunctions when products have been modifi ed or operated in
excess of rated power, altered, serviced or installed in other than a workman like manner. The original
sales invoice should be retained as evidence of purchase under the terms of this warranty. All warranty
returns must comply with our returns policy set forth below. When products returned to Atlas Sound do
not qualify for repair or replacement under our warranty, repairs may be performed at prevailing costs for
material and labor unless there is included with the returned product(s) a written request for an estimate of
repair costs before any nonwarranty work is performed. In the event of replacement or upon completion of
repairs, return shipment will be made with the transportation charges collect.
EXCEPT TO THE EXTENT THAT APPLICABLE LAW PREVENTS THE LIMITATION OF
CONSEQUENTIAL DAMAGES FOR PERSONAL INJURY, ATLAS SOUND SHALL NOT BE LIABLE IN
TORT OR CONTRACT FOR ANY DIRECT, CONSEQUENTIAL OR INCIDENTAL LOSS OR DAMAGE
ARISING OUT OF THE INSTALLATION, USE OR INABILITY TO USE THE PRODUCTS. THE ABOVE
WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.
Atlas Sound does not assume, or does it authorize any other person to assume or extend on its behalf,
any other warranty, obligation, or liability. This warranty gives you specifi c legal rights and you may have
other rights which vary from state to state.
SERVICE
Should your AA Series amplifi er require service, please contact the Atlas Sound warranty department at
1-866-689-8055, ext. 277 to obtain an RA number.
Atlas Sound Tech Support can be reached at 1-800-876-3333.
Visit our website at www.AtlasSound.com to see other Atlas products.
Specifications are subject to change without notice