Atlantic Technology System 2200 7.1, 2200C User Manual
Product Review
Atlantic Technology System 2200 7.1 Home
Theater Speakers January, 2006 • Mark Smith
Specifications:
2200 LR Front:
• Type: Sealed-box. 2-way D’Appolito Array
• Tweeter: (1) 1” Soft Dome Woofer: (2) 4 1/2” GLH
• Magnetic Shielding: Yes
• Frequency Response: 90 Hz - 20 kHz ± 3 dB
• Recommended Amplifier Power: 10 - 140 Watts
RMS
• Sensitivity: 90 dB
• Crossover Point: 3.5 kHz, 3rd Order
• Impedance: 8 Ohms Compatible
• Dimensions: 12.9” H x 6.4” W x 7” D
• Weight (ea): 7.5 Pounds
2200 C Center:
• Type: Sealed Enclosure. 2-way D’Appolito Array
• Tweeter: (1) 1” Soft Dome Woofer: Two 4-1/2” GLH
• Magnetic Shielding: Yes
• Frequency Response: 90 Hz - 20 kHz ± 3 dB
• Recommended Amplifier Power: 10 - 140 Watts
RMS
• Sensitivity: 90 dB
• Crossover Point: 3.5 kHz, 3rd Order
• Impedance: 8 Ohms Compatible
• Dimensions: 7.5” H x 14.6” W x 7” D
• Weight (ea): 8 Pounds w/base
2200 SR Surround:
• Type: Sealed Enclosure; Dipole/Bipole Surround
Speaker
• Tweeter: (2) 1” Soft Dome Woofer: Two 4-1/2” GLH
• Magnetic Shielding: No
• Frequency Response: 90 Hz - 20 kHz ± 3 dB
• Recommended Amplifier Power: 10 - 140 Watts
RMS
• Sensitivity: 90 dB
• Crossover Point: 3.5 kHz, 2nd Order
• Impedance: 8 Ohms Compatible
• Dimensions: 10.4” H x 11.4” W x 7.5” D
• Weight (ea): 7.5 Pounds
422 SB Subwoofer:
• Type/Features: Powered Subwoofer, Sealed Enclosure, 2”, Four Layer Vented Aluminum Voice Coil,
Vented Motor. Continuous 40-140 Hz Crossover,
18 dB/Octave Low-pass Outputs, Absolute Phase
Invert Switch. Auto Signal Sensing
• Woofer: 12” Long-throw Composite Cone
• Output Power: 225W RMS
• THD (Amplifier): <0.5%
• MFR: 25 Hz - 250 Hz ± 3 dB
• Low Level (line): 20 kOhm
• Peak Output: 103 dB SPL into 2000 ft3
• Dimensions: 17.75” H x 17.25” W x 16.9” D
• Weight: 44 Pounds
System Price: $2,200 - $2,600 (5.1 vs. 7.1)
Introduction
Atlantic Technology produces
home theater speaker systems
that range in price from $900
- $25,000. According to Atlantic
Technology, “The goal of home
theater isn’t to put you in the
movie theater; it’s to put you in
the movie!”
Well, they came very close with
their System 2200. This package
delivers an impressive experience, while ranging in price from
$2,000-$2,600 depending on
configuration.
The Design
I had the pleasure of reviewing
the 7.1 System 2200 utilizing
various genres of music as well
as movies. Most of the testing
was performed with the 5.1 setup
due to room limitations. However,
some testing was done with 7.1
which I will discuss later in the
article. All of the speakers arrived in perfect condition even
though it appeared the UPS had
been a little hard on the boxes.
They were packaged soundly with
double plastic wrapping around
the speakers along with foam
inserts.
The speakers have excellent
craftsmanship. There are black
high-gloss side panels on all of
the speakers except for the 2200
SR surrounds. Due to the enclosure design (one woofer and
tweeter angled to the right and
one set angled to the left), there
are no side panels for the highgloss back inserts.
The front speakers have two
41⁄2” graphite loaded polymer
woofers and a 1” ferrofluidcooled, damped soft dome tweeter, while the surround speakers
each have two of the same woof
-
ers and two of the same tweeters.
The subwoofer grille has a plastic
frame, covered by gray cloth. The
volume control is at the upper
right behind the grille. The location of the level control was not
very accessible for testing, so
the grille was absent most of the
time.
The rest of the speakers have
metal grilles that attach magneti-
cally to the enclosures, and this
seems to work well. It was very
easy to align them, and they
looked great installed. They have
a semi-transparent quality which
allows one to see the drivers, and
what audiophile doesn’t like to
see the hardware in action?
The front channel speakers (2200
LR) and the surround speakers
all have keyhole brackets as well
as 1⁄4” x 20 threaded posts to
handle most applications. I utilized the keyhole brackets for the
surrounds but did find that the
keyhole size was smaller than my
personal surrounds, so I had to
use a Dremel® tool to grind down
the screw heads a little for them
to fit.
Added Features
There are a several features that
are standard on the System 2200
that are rare in this price range.
The center channel (2200 C) has
two features that help optimize it
according to the room acoustics.
First, it has a “High Frequency
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Product Review - Atlantic Technology System 2200 7.1 Home
Theater Speakers January, 2006 • Mark Smith
Energy” control which changes the “tilt or roll-off slope”
of the tweeter.
This control has 3 settings:
1. “Reverberant” (decreases the high frequency output of
the speaker) for rooms with an abundance of reflective
surfaces like hardwood floors and glass walls.
2. “Damped Room” (increases slightly the tweeter’s output) which can compensate for overly absorbent rooms
with lots of soft surfaces.
3. “Average” which worked well for my room which has
a combination of large glass windows as well as large
couches and carpeting.
Second, it has “Boundary Compensation” or “Normal”
toggle switch which is able to “adjust the lower frequency
output of the speaker to compensate for the typical sound
colorations caused by placing the speaker too close to a
TV screen or building it into a wall cabinet”. I found the
best position for my setting (center channel on a bracket
slightly above a 62” DLP) was “Normal”.
The surround speakers have both a
“Dipole” setting as well as a “Bipole” setting. Atlantic Technology
has always focused on multi-channel systems, and they felt that
having an option of Dipole was
necessary to produce “minimal
localization”.
I found that the dipole setting
worked very well at allowing the
soundstage to blend seamlessly. My
Wife was also impressed with the
seamless sound production. The
Bipole setting changed the soundstage by focusing it more distinctly at each surround
speaker as opposed to blending it.
It would be nice if the selectable controls were easier to
access. Once the speakers are on the wall, it can be difficult to reach the Dipole/Bipole switch, and if the center
channel is built into the wall, it can be hard to access its
controls too, since all of them are next to the speaker
terminals. This challenge is obviously not limited to these
speakers alone.
Performance
Let me start by quoting Atlantic Technology in regards to
this series: “The attractive system sets a new standard
for the company for high performance at modest cost.”
I would like to expand on this and say that not only would
I agree with their statement in regards to their own
company, but any company in existence producing com
pact home theater speakers. There will always be some
limitations when producing “compact” speakers that are
designed near perfection, yet limited in size. As a result,
you simply cannot fit large drivers within the enclosure
and completely cover the dynamic range as effectively as
full-range large speakers.
I started my testing with the Eagles: Hell Freezes Over
-
DTS DVD. The first thing I
noticed was that this system
has the ability to do two things
very well. First, when the artist wants you to hear different
instruments, the system can
demonstrate them very accurately. Second, when the artist
wants a seamless sound stage
and have you enveloped in the
music, it can do that too.
The entire system, including
the sub, blended very well. As
the music increased in volume,
it was very refreshing to hear all of the speakers including
the sub move in unison. The opening song was a joy to
listen to from the guitars, to the bongos, to Don Henley’s
vocals. The only limitation I observed was a slight lacking
in the lower midrange which seemed to limit the feeling
that you are on stage with the band. This could be due to
room anomalies.
I also observed that the speakers did very well at a volume level appropriate for background music while having a conversation with someone. There did seem to be
somewhat of a reduced clarity or flat spot in Don Henley’s
voice at about 3⁄4 of the speaker’s capacity. However, the
clarity returned once I increased the volume. They then
proceeded to sound great with no audible distortion at
high SPLs nearing their maximum rating. A lot of listeners
like to crank their systems, and if you are one of those
people, give this package an audition.
I then watched the IMAX Super Speedway DVD. I enjoy
Chapter 14 where it talks about some of the “Fastest
Road Courses in America”. The subwoofer kept up very
well with the racing portions especially when the car
would travel under the overpasses (see also our review
of the Atlantic Technology 642e SB subwoofer, which is
a larger brother of the 422 SB sub reviewed here). The
blending between the front speakers and surround speak
ers was extremely accurate. I definitely felt as though I
was at the track watching the race. Full sized speakers
might perform a little better at this task, but for bookshelf speakers, the 2200s do a fine job.
One of the highlights of my
testing experience was with
the Diana Krall: Live at the
Montreal Jazz Festival 2004
DVD. The system sounded
great reproducing both the
instruments as well as her
voice. One aspect caught me
by surprise, while listening to
track 5 “Abandoned Masquer
ade”. When I am reviewing
speakers, I tend to analyze
every note, every instrument, and get as technical as possible. On this particular
song, once Ms. Krall’s voice began, within 15 seconds,
I was no longer analyzing the speakers. I became an
integral part of the audience, present, and focused on her
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