The lightning flash with arrowhead
symbol, within an equilateral triangle, is
intended to alert the user to the presence
of uninsulated "dangerous voltage" within
the product's enclosure that may be of
sufficient magnitude to constitute a risk
of electric shock to persons.
THIS APPARATUS MUST BE EARTHED
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK,
DO NOT EXPOSE THIS APPlIANCE TO RAIN OR MOISTURE.
TO REDUCE THE RISK OF FIRE, REPLACE ONLY WITH
SAME TYPE FUSE. REFER REPLACEMENT TO QUALIFIED SERVICE PERSONNEL.
WARNING:
The exclamation point within an eqilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance instructions in the literature
accompanying the device.
One of the many useful circuits to be developed
for audio use is the VCA, or voltage controlled amplifier.
A VCA circuit allows for accurate, low distortion level control without signal degradations encountered when using
mechanical controls or long signal paths. VCA circuits can
be found in compressor/limiter/expanders, noise gates, noise
reduction systems, automatic mixers, VCA-Bus consoles,
and other places where remote control or fast automatic
system response is required. Designers at Ashly felt there
was still a need for high quality VCA control which could
be incorporated into professional sound systems without
unnecessarily high cost or complication.
The Ashly VCM-88 and the similar VCM-88E
(euro-block connector model) provide eight fully-independent VCA channels in a single unit capable of limiting, remote level control, and mixing. When connected to the
Ashly RD-8 (desktop) or RW-8 (wall-mount) remote controller, direct DC control, or Ashly's Protea System Software, the VCM-88(E) controls individual channel and master levels with a range of -75dB to +20dB. Each VCA channel has separate input and output jacks for patching into
line-level signal paths, and can be reconfigured to use single
connector insertion for patching into mixing consoles.
When using the VCM-88(E) as a mixer (using the master
output), each channel’s input can be configured to “passthrough” to its output for daisy chaining multiple units together.
The Ashly VCM-88E maintains the features of the
VCM-88 while replacing 1/4" jacks with Euroblock connectors. It also adds bi-directional data communications,
non-volatile memory of level settings, and uses all recessed
face panel controls specifically for fixed installations.
The RD-8 remote controller is a compact slidefader
remote level controller which can be desk-top situated or
rack-mounted into two rack spaces (3.5 inches) using the
RD8-RM optional mounting bracket. This remote controller is also available as the RW-8 for wallmounting into a
standard 4-gang electrical box. The RD-8 controls the audio levels of the VCM-88(E) over a standard XLR snake
cable or shielded twisted pair. As it is powered entirely by
the VCM-88(E), no batteries or remote power supply are
necessary for either RD-8 or RW-8. The RD-8 can communicate to the VCM-88(E) over a 24 gauge snake cable in
excess of 1/4 mile (400m). The RD-8 also pulse-shapes
the digital waveform to eliminate digital crosstalk noise into
adjacent audio channels.
2. Unpacking
As a part of our system of quality control, every
Ashly product is carefully inspected before leaving the factory to ensure flawless appearance. After unpacking, please
inspect for any physical damage. Save the shipping carton
and all packing materials , as they were carefully designed
to reduce to minimum the possibility of transportation damage should the unit again require packing and shipping. In
the event that damage has occurred, immediately notify your
dealer so that a written claim to cover the damages can be
initiated.
The right to any claim against a public carrier can
be forfeited if the carrier is not notified promptly and if the
shipping carton and packing materials are not available for
inspection by the carrier. Save all packing materials until
the claim has been settled.
3. AC Power Requirements
A standard IEC-320 AC inlet is provided on the
rear panel to accept the detachable power cord shipped with
the unit. Units distributed within the United States are
preselected for 120VAC, 60Hz and should be plugged into
a standard NEMA 5-15 3-wire grounded AC receptacle.
Most units distributed outside the US are preselected and
labeled for 240VAC, 50-60Hz and are shipped with the
appropriate power cord.
The VCM-88(E) will perform normally from 100
to 125 volts AC. An internal line fuse is used. In the event
of fuse failure, refer to a qualified service technician for
servicing. Maximum power consumption of the VCM88(E) is 18 watts.
4. Security Covers
For installations where it is desirable to protect the
front panel controls from tampering or accidental
misadjustment, use the Ashly security cover, which is available in both single and double rack space sizes. Installation is simple and does not require removal of the equipment from your rack. See your Ashly dealer for details.
Each channel has a green LED to indicate input
signal present (app. -20dBu). Since the LED is referencing the audio signal prior to the VCA circuit, the LED will
continue flashing even if the channel level is turned down.
5.2 Limiter Threshold Control and Indicator
The recessed Limiter Threshold trimpot adjusts the
signal threshold above which the limiter will become active. The units of this threshold dial are dBu where 0dBu =
0.775Vrms. The limiter is a peak-detecting true VCA type
limiter with very low distortion. The input to output ratio
of the limiter is approximately 10 to 1 with a relatively fast
attack and moderate release time behavior. The adjacent
yellow threshold LED indicates when the limiter circuit has
been activated by an audio signal above the threshold level.
To disable the limiter on any given channel, simply rotate
its threshold adjustment fully clockwise to +23dBu, which
is the maximum input signal of the unit.
5.3 Master Attenuation Control
This control (fully recessed on the VCM-88(E) attenuates all eight channels uniformly, and was designed as
a simple means of turning down all eight audio channels at
the VCM-88(E) location in the event of feedback or other
sound system problems. Normally this control should be
set fully clockwise at 0dB attenuation.
5.4 Digital Remote Control Status Indicator
This green LED indicates when the VCM-88(E) is
receiving data from the RD-8, RW-8, or computer control.
In the event of remote control data interruption, the VCM88(E) will lock all settings just before the data reception
∞
stopped and continue to operate as if there were no changes
happening. Reconnecting the remote data signal with the
VCM-88(E) still operating will instantly change the channel level settings to wherever the controller is currently set.
Note: If the VCM-88 AC power is switched on with no data
reception, all eight channels and the master level will default to unity gain (0dB). The VCM-88E will remember the
last level settings when the AC power is switched off and
will restore these settings on power-up.
5.5 Digital Remote Control Disable Switch
This switch disables the RD-8 remote controller
and returns all eight channels to unity gain. On the VCM-
88E, this switch is Protea Software selectable to provide
either unity gain or the last level settings before the remote
is disabled. The adjacent red LED indicates when this
switch is depressed. The nearby green Remote Active indicator will go off when the remote is disabled because the
RD-8 does not send any data when it is disabled. After
releasing the remote disable switch, all channels return to
their respective levels set by the RD-8 remote controller or
software control.
5.6 Power Switch
On the VCM-88, this front-panel push-button
switches the AC power to the unit. The switch is located
on the back panel of the VCM-88E. A green LED indicates when the unit is powered on. If the green LED does
not light, check to see if the unit is plugged into a live outlet, and that the removable AC cord is firmly plugged into
the VCM-88(E). If there is still no light, refer the unit to a
qualified service technician.
The VCM-88(E) can be used as an eight-in/oneout remote level control for personal monitor mixing using
the Master Output. Multiple VCM-88(E) units can be daisy
chained to produce several unique mixes from the same
program source. To simplify cabling for this application,
the VCM-88(E) has the ability to internally pass each
channel’s input signal directly to its output jack, disabling
that channel’s direct VCA output but eliminating the need
for special “Y” cables. The passed-through channel’s VCA
output is automatically summed to the 200 Ohm pseudobalanced Master Output along with other channels for final output. The gain from any one input channel to Master
Output is -6dB so that a mix of several audio channels will
have approximately the same volume as one of the input
channels. See section 8.2 for channel pass-through details.
5.8 DC Control
A 15 pin female D-Sub connector on the back panel
(12-position Euroblock on the VCM-88E) is used for DC
control of the eight VCA channels and Master Attenuation,
providing a simple and cost-effective method for custom
control of the VCM-88(E). Most electronics hardware
stores will have the male connector complement. The reference DC voltage is also provided, thus requiring only the
male connector, wire, and a 10K ohm potentiometer for
each channel to control audio levels from any reasonable
distance. See section 9.3 for DC Control details.
5.9 Remote Control Data Input
This connector is used for remote control by the
Ashly RD-8 or RW-8, or other third party controllers. AMX
and Crestron are companies which manufacture touchscreen computer interfaces for a variety of control applications, including the VCM-88(E). AMX and Crestron provide a hardware interface which uses the XLR Data In con-
RS-232
10K CW
Pin 1-9
1210
nector on the VCM-88 and the Remote RD/RW-8 Euroblock
connector on the VCM-88E. See section 9.1 for AMX and
Crestron interface details.
5.10 Device ID Select
Each VCM-88(E) can be addressed to one of 16
devices, allowing for control of up to 128 channels (16 x 8)
from a single data line. The device ID on the VCM-88E is
selected in binary format from the Device ID DIP switch
on the rear panel. The device ID on the VCM-88 is internally selected with jumpers. See section 9.5 for Device ID
Select DIP switch settings or internal jumper locations.
5.11 RS-232 Input
RS-232 is a bi-directional serial communications
connection which allows computer devices to control other
hardware. Ashly Protea System Software (see section 9.4)
uses RS-232 to control the VCM-88(E), and other third party
sources may use RS-232 as well.
While both the VCM-88 and the VCM-88E have
dedicated RS-232 input jacks, only the VCM-88E RS-232
input is truly bidirectional. RS-232 data is read into the
memory of the VCM-88E and stored, then read back from
memory to get an actual snapshot of the current data settings. This is especially useful to upload to Protea System
Software the current settings of a VCM-88E.
The VCM-88 data is unidirectional in receiving
data only, meaning there is no RS-232 data out from the
unit.
5.12 RS-232 Mode Switch (VCM-88E only)
The RS-232 mode switch is pushed in only when
the VCM-88E RS-232 Input is connected to a PC, and another unit is connected to the Slave Data connector.
These two DIP switches allow selection of four data
protocols. The Standard protocol is selected for use with
current Ashly, AMX, or Crestron controllers. The Protea
Software protocol is selected for use with Ashly's Protea
System Software. The MIDI protocol is used for control
by a MIDI device. The Legacy protocol is selected for control by a legacy Ashly or AMX device. On the VCM-88,
protocols are selected using internal jumpers. See fig. 9.2
for VCM-88 data protocol details.
6.46.3
6.1
6.2
5.14 MIDI (VCM-88 only)
MIDI In and MIDI Thru jacks allow complete
implementation of the VCM-88 in a MIDI network. An internal jumper selection is required to operate under MIDI
control. For specific details regarding internal selection,
as well as continuous controller numbers and values, see
section 9.5.
5.15 Slave Data In/Out (VCM-88E only)
Multiple VCM-88E units can be placed in the same
control loop using the Slave Data In/Out euroblock connectors. Control data originates from another unit under
RS-232 or MIDI control. (See fig. 9.5)
∞
Gain (dB)
6. RD-8/RW-8 Remote
The RD-8 and RW-8 are functionally the same. The
difference is the RW-8 is designed to mount as a wall plate
using a standard 4-gang electrical box. Both the VCM-88
and VCM-88E respond identically to the RD-8 or RW-8.
6.1 Channel and Master On Switch
These push-buttons switch the respective VCM88(E) channel on or off. When switched on, the channel
gain is controlled by the setting of the respective channel
fader on the RD-8. When switched off, the respective VCM88(E) channel is muted to approximately -75dB by the internal VCA circuit. The adjacent green LED is lit when the
channel is switched on.
6.2 Channel and Master Fader
The slide faders on the RD-8 and RW-8 control
the gain (volume) in dB of their respective channel in the
VCM-88(E). The Master fader controls the gain of all eight
channels together. That is to say, the master fader can raise
or lower all eight channels uniformly without affecting the
“mix” just like the master fader on a mixing console.
6.3 Remote Disable Indicator
This red LED illuminates when the RD-8 has been
disabled by the Remote Disable Switch on the VCM-88(E).
When the Remote Disable LED goes off, the RD-8 remote
controller will resume normal operation. Avoid dramati-
cally changing the level settings of the controller when disabling it or disconnecting the data line, as the VCM-88(E)
master will immediately respond to any changes made to
the controller upon re-connecting.
6.4 Data Connection
The male XLR jacks on the side and bottom of the
RD-8 are wired in parallel so that an XLR plug may be
inserted into the side for desktop operation or into the bottom for rack-mount operation. Pin 2 is the data output, pin
3 is the positive DC voltage input, and pin 1 is ground.
This XLR data output may be “split” with an XLR Y-cable
to feed two VCM-88(E) units to give stereo 8-channel capability. Also, by installing factory customized firmware
into the device ROM, the RD-8 slide faders can be assigned
to any (or several) arbitrary VCM-88(E) channels. Contact
a factory technical service representative for details.
Balanced signal connections are preferred in pro
audio applications because of their improved immunity to
induced hum and noise. A properly shielded and wired
balanced input stage on any product will by design reject
most unwanted noise picked up by the cable as well as minimize ground loop problems. Therefore it is always advantageous to use balanced connections when running signal
more than ten or fifteen feet, although particularly noisy
environments (high RFI, EMI, etc.) may require that even
short cabling be balanced. Ashly TRS (tip-ring-sleeve) balanced connections use the tip as (+) and the ring as (-) signal, with sleeve used for ground. Ashly XLR connectors
use pin 2 (+) and pin 3 (-) with pin 1 ground.
Unbalanced connections are used mostly for short
distance, high level signals (0dBu nom). Most external EMI
noise pick-up will be masked under the noise floor of the
signal, assuming there is little or no gain following the unbalanced signal. If a gain stage does follow a signal, or if
externally sourced noise persists, use balanced connectors.
Fig 7.1
Tip (+)
Ring (-)
Sleeve (Gnd)
Tip (+)
Sleeve (Gnd)
Stereo Phone Plug
used for balanced
Mono Phone Plug
used for unbalanced
The VCM-88 and the VCM-88E are factory configured for separate input and output connectors. Used this
way, inputs and outputs can be wired balanced or unbalanced. An internally selected single connector insert is also
available (see section 8.1).
7.2 Input Connections
The VCM-88 uses balanced 1/4" input jacks (see
fig. 7.1), while the VCM-88E uses Euroblock connectors
(see fig. 7.2). Both unit's inputs are 20K ohm active balanced and 10K ohm unbalanced. If the VCM-88E uses unbalanced inputs, connect the input signal to (+) and connect the (-) pin to ground. Note: If the single connector
insert mode is selected (see section 8.1), the In jack serves
as the TRS insert on the VCM-88 and the (+) and (-)
euroblock connections serve as the input and output respectively on the VCM-88E.
7.3 Output Connections
The VCM-88(E) audio outputs are 200 ohm
pseudo-balanced (balanced impedance but signal drive on
tip or (+) only). For unbalanced euroblock outputs on the
VCM-88E, connect the signal wire to (+) and the shield to
ground (see fig. 7.3).
Fig 7.2
Fig 7.3
G
-
+
G
-
+
Euroblock
Input
Connections
G
-
+
G
-
+
G
-
+
Unbalanced
Input
G
-
+
Balanced
Input
G
+
Unbalanced
Output
Note: If the single connector insert mode is selected
(see section 8.1), the output signal is taken from the ring or
(-) of the Input jack, while the Output jack is not used.
To use a mixing console’s single jack insert capabilities with the VCM-88, an internal jumper must be selected to properly configure the input and output connec-
Fig 8.1
tions. The jumper must be placed in the “1” position (see
drawing at top of page) for single jack in/out operation.
With the jumper set to “1”, the input is on the tip and the
output is on the ring of the In jack. The Out jack is not
used. This convention is compatible with most mixing consoles equipped with single TRS insert jacks, but check your
mixer specifications before assuming this to be true.
On the VCM-88E, the single connector insert capability can be selected by placing jumpers in both the "1"
position and the "P" position. The (+) input pin becomes
the input connection and the (-) input pin becomes the output connection. The out jack is not used.
8.2 Single Channel Pass-Through
When Using Master Output for personal monitor
mixing or other application, it is possible to pass a channel’s
input directly to it’s output jack, eliminating the need for
extra “Y” cables when daisy-chaining several VCM-88(E)
units together. Place the internal jumper in the “T” position to select individual channel pass-through. The VCA
circuit’s output signal is still summed to the Master Output, but is removed from the channel output jack.
8.3 Input/Output Matrixing
Input Matrixing means that an input can be internally routed to one or more additional channel inputs, particularly useful in distributed zone applications. Each of
the matrixed VCA channels share a common input signal
but retain their distinct level controls via the RD-8, RW-8,
or other hardware or software controllers.
There are two steps required for input/output
matrixing. First, the internal jumper must be set to the “P”
O
position (see fig. 8.1) for each channel being patched into.
The actual input or output channel used to connect to the
input source remains in either the “2” position if separate
input and output jacks are used, or the “1” position if using
single jack TRS insertion.
The second step is to insert 22 gauge solid insulated “bell wire” from the input or output Patch holes of
the source channel to the Patch socket of the channel being
patched into. Strip 1/4" of insulation from each end after
cutting to the appropriate length, and firmly press the bare
wire end straight into either side of the Patch hole, avoiding any kinks along the strip length. Daisy chain the Patch
holes, one into the next, until all shared input requirements
are met. Those channels which have received the internal
patch input should all be set to the “P” position, and the
input jack on each of those channels cannot be used, since
each patched channel’s input is derived internally.
To connect the RD-8 or RW-8 remote controller,
the VCM-88 uses a rear panel female XLR jack, while the
VCM-88E uses a three pin euroblock connector. The controller data can be sent through one channel of a standard
audio snake without affecting adjacent audio channels.
Do not use an isolation transformer in the data line.
The Standard data protocol is compatible with current RD-8 and RW-8 remote controllers, AMX (VCM-88
and VCM-88E drivers), and Crestron controllers. Both
AMX and Crestron provide hardware which interfaces with
the VCM-88(E) through the XLR or euroblock Data In connector. To learn more about their integrated control systems, visit their websites at <www.amx.com> and
<www.crestron.com>.
The details of the Standard VCM-88(E) digital format are as follows: Pin 1 is ground, Pin 2 is used for the
data input signal to the VCM-88(E), and Pin 3 is used as a
+26VDC power supply signal for powering the RD-8 remote controller. Do not use pin 3 with 3rd party hardware
such as AMX or Crestron.
A valid message consists of two bytes with no break
between byte1 and byte 2.
1 Byte = start bit + 8 data bits + stop bit (10 bits
total, no parity)
Baud rate: 9600 bps
Start bit: logical 0 (current on)
Stop bit: logical 1 (current off)
Byte 1: Channel ID Character:
hex 80 - hex FF = Channels 1 - 128
Byte 2: Channel Level Character:
hex 7F = full on = +20.25dB
hex 64 = unity gain = 0dB
hex 00 = off = -75dB
(step size = 0.75dB)
9.2 AMX and Legacy
Using older RD-8 and RW-8 remote controllers,
as well as retired AMX products using the
VCX-88 driver,
requires the Legacy data protocol. To know whether Ashly
hardware controllers require the Legacy or Standard protocol, look at the first three numbers in the Serial Number
sticker affixed to the unit.
ProductLegacy (old) PrefixStandard (new) Prefix
RD-8708- ****794-****
RW-8709-****797-****
VCM-88
(AMX)
J6
21
43
MIDI (1,3)
RS-232 (2,3)
CRESTRON (1,4)
ASHLY (2,4)
88 for Legacy controllers, set the internal
jumpers (J6) to Ashly/AMX. To set the
data protocol on a VCM-88E for Legacy
controllers, DIP switches on the back panel
must be set to the Legacy configuration.
To set the data protocol on a VCM-
Fig. 9.2
9.3 DC Control Voltage Connection
Direct DC voltage control of internal VCA circuits
is available on the VCM-88(E). On the VCM-88, a D-Sub
15 pin female connector is used, while the VCM-88E uses
a 12 pin euroblock connector. DC control meets the remote control objectives with minimal hardware requirements and allows for custom “low-tech” hardware interfaces. Two wires are used to supply positive and negative
DC voltage to ordinary 10K ohm linear-taper potentiometers, and a wire is used to return the wiper of each control
to its respective channel (see pinout below). Telephone wire
with eleven conductors or more is a good choice for this
application, and since only DC voltage is used, control line
distance is not a major concern.
Pin 1 Channel 1 DC control input
Pin 2 Channel 2 DC control input
Pin 3 Channel 3 DC control input
Pin 4 Channel 4 DC control input
Pin 5 Channel 5 DC control input
Pin 6 Channel 6 DC control input
Pin 7 Channel 7 DC control input
Pin 8 Channel 8 DC control input
Pin 9 Master DC control input
Pin 10 +15VDC - Connect to pot CCW
Pin 11 (Ground for data input)
Pin 12 -4VDC - Connect to pot CW
Pin 13-15 Not Used
9.4 RS-232 Control and Protea System Software
Protea System Software is Ashly’s custom Windows program for controlling the Protea family of digital
audio processors, as well as the VCM-88(E). Using the
software extends the capabilities of the VCM-88 by allowing storage of channel and scene settings to disk. The program interface has the look and feel of the RD-8 remote
control, and can control up to 16 devices for a total of 128
audio channels. (See fig. 9.3)
To use the VCM-88 with Protea Software, internal
data jumpers (see fig. 9.2) must be placed in the RS-232
position on the printed circuit board.
On the VCM-88E, the Standard protocol selection
is used for Ashly RD-8, RW-8, AMX, and Crestron. To
control the VCM-88E with Protea System Software, select
the Protea Software protocol on the back-panel DIP
switches.
The RS-232 Input connector to a VCM-88(E) is a
D-Sub 9 pin female, and connects to an unused Com port
on a PC. See fig. 9.4 for custom RS-232 wiring. Protea
System Software allows Com Port assignment (1-16) in its
setup menu. If the only available port on a PC is a USB
port, a USB to RS-232 converter can be purchased from
computer suppliers. Protea System Software is available
free of charge on the Ashly website <www.ashly.com>.
D-Sub 9 Pin Female
Fig. 9.4Fig. 9.5
RS-232 Pin-Out
9876
Pin # RS-232 DCE Name
1
Not Connected
2
Transm itted Data
3
Received Data
4
Dat a Termin al Read y (tied to p in 6)
5
Ground
6
Data Se t Ready (tied to pin 4)
7
Not Connected
8
Not Connected
9
Not Connected
12345
protocol. To use the VCM-88E in a MIDI network, set the
back panel Protocol DIP switch to the MIDI configuration.
(VCM-88 device 1-16) using the Bank ID Select jumpers
found on the circuit board (see fig. 9.5). Device 1 equals
MIDI channel 1, device 2 equals MIDI channels 2, and so
on, up to device 16.
using the Device ID DIP switches on the back panel. The
VCM-88E Slave Data signals, which are located on a 6-pin
euroblock style connector, may be used to interface other
VCM-88E units for software or MIDI control. The Slave
Data jack may also be used to interface Ashly Protea products, via their MIDI In/Out jacks, (see pin compatibility
9.5 MIDI Implementation
Both the VCM-88 and the
VCM-88E can be fully implemented in a MIDI system as a
slave unit, that is, able to receive
data without being able to generate new data. On the VCM-88, the
MIDI Thru jack is a buffered reflection of the MIDI input, and is
used to connect to other MIDI devices in the network. On the VCM88E, use the Slave Data In and Out
to connect to a MIDI controller.
The quality and accuracy of MIDI
control is limited only by the quality of the MIDI Master device.
To use the VCM-88 in a
MIDI network, two circuit board
jumpers must be placed in the
MIDI position (see fig. 9.2) to select the MIDI communications
below). The Slave Data Out from the first unit is connected
to the Slave Data In on the next unit, and so on, with the
Slave Data Out from the last unit returning to the Slave
Data In on the first. A serial RS-232 cable is then connected
to the first unit, and the RS-232 switch is set to Multiple
RS-232 mode on this first unit only. (Note: the RS-232
switch must be set to standard mode on all other units.) All
units must be set to the same Protocol, such as Protea Software, if that is the control method implemented.
The Slave Data signals are fully MIDI hardware
compliant, and standard MIDI controller messages may be
implemented when MIDI Protocol is selected. MIDI Continuous Controller #42-49 are used to control the level of
VCM-88(E) channels 1-8 respectively. Controller level
(0-127) yields a channel level of -75dB to +20.25dB, in
0.75dB steps, where 100 = 0dB. MIDI 5-pin DIN compatibility is as follows:
Slave Data Pin MIDI signal5-pin MIDI DIN
Slave In +MIDI In +pin #4
Slave In -MIDI In -pin #5
Slave In NC
Slave Out +MIDI Out +pin #4
Slave Out -MIDI Out -pin #5
Slave Out GMIDI Shieldpin #2
Note: whenever Ashly Protea System Software is
used the Protocol must be set to Protea Software on all units.
If problems occur, be sure to check that the protocol is selected to MIDI, that the VCM-88(E) has been selected to the correct device (MIDI Channel), that the correct continuous controller number is being used for the
desired audio channel, and that the controller value is correct.
(MIDI shield - float at input, per MIDI spec)
be fully clockwise at 0dB. Check the RD-8 remote controller -the fader levels should normally be operated around
0dB.
10.3 Distorted Sound
The maximum input signal level is +23dBu =
10.95Vrms. Above this input level, input clipping distortion will occur. Also, if the input signal level plus the gain
set by the remote controller goes above +23dBu, output
clipping distortion will result.
10.4 Excessive Hum or Noise
Hum and buzz noise is usually caused by a “ground
loop” between audio components. Try using balanced input and output connections between the VCM-88(E) and
other components in the system. Also, try to power all components in the system from a single AC branch circuit.
Noise can also be caused by a large amount of gain
applied to an insufficiently low input signal. The VCM88(E) is not designed to feed microphones directly into the
inputs without a mic preamp first. The VCM-88(E) is essentially a line level unity-gain device, meaning it is designed to be fed by a nominal 0dBu line level signal and its
output should typically be 0dBu in level. To ensure proper
gain structure in your sound system, press the remote disable switch in and rotate the Master Attenuator control fully
clockwise so that all VCM-88(E) channels are at unity gain.
Adjust your signal source which precedes the VCM-88(E)
for nominal 0dBu signal levels, then push the Remote Disable switch out for remote controllability.
If you still have problems, contact your Ashly
dealer or call Ashly direct at (800) 828-6308.
10. Troubleshooting Tips
10.1 No Output
Check AC power - is green power LED indicator
on? Check input/output connections - are they reversed?
Is the Master Attenuator control turned fully up? Are remote controller channels switched on? Are the input/output jacks configured correctly (one jack insert versus two
jacks) for the application?
10.2 Very Little Output Signal
Are the yellow Limiter Threshold indicators on
often? Rotate the recessed Threshold controls clockwise
to allow greater output signals to pass unlimited. Check
the Master Attenuator control - normally this control should
We thank you for expression of confidence in Ashly
products. The unit you have just purchased is protected by
a limited five year warranty. To establish the warranty, you
must first complete and mail the warranty card attached to
your product.
Size: 19" x 1.75" x 6"
(483mm x 44mm x 152mm)
Power Requirements: 100-125VAC, 50-60Hz 18W
(240V available)
Shipping Weight: 10 lbs. (4.5kg)
Net weight: 6.9 lbs. (3.1kg)
12.11RD-8, RW-8 Specifications
Fader Range: +10dB to -75dB
(master fader at 0dB)
Data/Power Connector: Male XLR jack
Max Data Cable Length:
1500 ft. of 24 ga. twisted pair
Data Format: 9600 baud, 2Vp raised cosine
Data crosstalk to audio:
<-110 dB along 1000' of 150 ohm shielded cable
Power Requirements:
Phantom powered by VCM-88(E)
Shipping Weight: 3 lbs. (1.4kg)
• Eight In, Eight Out Individual Channel Remote Control
Use for individual mixer channel or subgroup remote control, especially suited for situations where the audio equipment
rack is installed away from an adequate listening point. Also useful to control monitor levels/mixes from the front-ofhouse position. Separate input/output connectors or single jack TRS patch available. Control with RD-8, RW-8,
Custom DC Voltage Controller, AMX or Crestron Touch Screen Systems, or Ashly Protea System Software.
• Eight In, One Out For Remote Control Sub-Mixing
Use up to eight inputs and the Master Output to allow mixdown of all VCM-88(E) inputs. Individual channel pass
through is available to daisy-chain multiple VCM-88(E) units together for personal monitor mixes. Control with RD-8,
RW-8, Custom DC Voltage Controller, AMX or Crestron Touch Screen Systems, or Ashly Protea System Software.
• One In, Eight Out For Remote Control of Distributed Zones
Use Input Channel Patch to internally jump one channel’s input into one or more other inputs for distribution of single
audio signal. Control with RD-8, RW-8, Custom DC Voltage Controller, AMX or Crestron Touch Screen Systems, or
Ashly Protea System Software.
• Limiter With Threshold Control On All Eight Channels
Use VCM-88(E) as stand-alone eight channel, true VCA peak limiter, with adjustable threshold on each channel. No
controller is required.