Ashly TRA-4150 User Manual

Page 1
Multi-Channel Power Amplifiers
Operating Manual
Chann el 1 Chann el 2 Channel 3 C hannel 4 Cha nnel 5 Cha nnel 6
Prot ect
Thermal
Clip
Signal
Powerflex
Power
Powerflex
6250
Chann el 1 Chann el 2 Channel 3 C hannel 4
Prot ect
Thermal
Signal
Clip
Power
Powerflex
4400
ASHLY AUDIO INC.
847 Holt Road Webster, NY 14580-9103 Phone: (716) 872-0010
Toll-Free: (800) 828-6308 Fax: (716) 872-0739
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Operating Manual - Powerflex Multi-Channel Power Amplifier
Table Of Contents
1 INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
2 UNPACKING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3 AC POWER REQUIREMENTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3.1 AC Voltage Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3.2 Current Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3.3 AC Grounding & Earth Grounding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
4 CABLE REQUIREMENTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
4.1 Input Cables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
4.2 Output Cables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5 RACK-MOUNTING REQUIREMENTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5.1 Mechanical . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5.2 Cooling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5.3 Grounding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
6 FRONT PANEL INDICATORS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
7 REAR PANEL FEATURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.1 Input Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.2 Input Ground Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.3 Multi-Channel Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.4 Input Level Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.5 Stereo/Mono Switches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.6 Dual Channel Mode/Bridge Mode Switches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.7 50Hz Low Cut Switches . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.8 Loudspeaker Output Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
7.9 AC Inlet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
8 SELF-PROTECTION FEATURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
8.1 Power Supply Undervoltage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
8.2 Power Supply Overvoltage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
8.3 Output Overcurrent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
8.4 Heat Sink Overtemperature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
8.5 Unacceptable DC or High Frequency Output Content . . . . . . . . . . . . . . . . . . . . 10
8.6 AC Power Interruption . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
9 TYPICAL APPLICATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
9.1 Individual Channel Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
9.2 Dual Mono Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
9.3 Bridged Mono Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
9.4 Typical PA Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
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Operating Manual - Powerflex Multi-Channel Power Amplifier
10 DESIGN THEORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
11 TROUBLESHOOTING TIPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
11.1 No Audio Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
11.2 Distorted Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
11.3 Hum or Buzz Noise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
12 DIMENSIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
13 SPECIFICATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
14 WARRANTY INFORMATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Caution:
This power amplifier can produce dangerous output voltage levels, high power levels, and high sound pressure levels in loudspeakers. In order to minimize the risk of injury, damage, or hearing loss, please read the entire owner’s manual before connecting to a sound system.
CAUTION
RISK OF ELECT R I C SH O C K
DO NOT OPEN
The lightning flash with arrowhead symbol, within an equalateral triangle, is intended to alert the user to the presence of uninsulated "dangerous volt­age" within the product's enclosure that may be of suf­ficient magnitude to constitute a risk of electric shock to persons.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER. NO USER SER-
VICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK, DO NOT EXPOSE THIS
APPLIANCE TO RAIN OR MOISTURE.
angle is intended to alert the user to the presence of important operating and maintenance instructions in
the literature accompanying the device.
The exclamation point within an equalateral tri-
TO REDUCE THE RISK OF FIRE, REPLACE ONLY WITH SAME TYPE FUSE.
REFER REPLACEMENT TO QUALIFIED SERVICE PERSONNEL.
WARNING: THIS APPARATUS MUST BE EARTHED THROUGH THE SUPPLIED
POWER LINE CORD
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Operating Manual - Powerflex Multi-Channel Power Amplifier
1. INTRODUCTION
The Ashly Po werflex amplif iers combine the effi-
ciency of a MOSFET high-speed switching output stages with the sophistication of modern microprocessors and DSP technology to produce a multi-channel amplifier with un­precedented versatility and power in a single 3RU pack­age.
Although similar to other amplifiers with class D
output stages, Powerflex amplifiers employ internal mi­croprocessor and DSP algorithms to optimize output switching characteristics and eliminate the usual harshness associated with high-frequency audio in standard class D amplifiers. This optimization results in a spread-spectrum switched output that varies with input amplitude and fre­quency, and minimizes radiated emissions by eliminating the single-frequency high-energy radiated interference normally associated with switching outputs. The use of a simple linear power supply removes another potential source of radio-frequency interference, an important con­sideration as racks become more and more heavily popu­lated with digital signal processing equipment. A small switching supply using flyback topology provides an effi­cient power source for logic, protection, pre-amplifier and indicator circuits.
To assure reliable operation, the usual protection
from excessive high-frequency, DC offset, and thermal overload is supplemented by power supply undervoltage, power supply overvoltage, and output overcurrent detec­tion, all monitored and controlled by the latest in minia­turized microprocessor technology.
In sum, Ashly Powerflex amplifiers combine the
best of the new digital technologies with the best of the traditional analog technologies to provide a product that will supply clean sound at full output from every channel while generating minimal heat, thus increasing the reli­ability of every other piece of equipment in a rack as well as preserving its own.
2. UNPACKING
As a part of our system of quality control, every
Ashly product is carefully inspected before leaving the factory to ensure flawless appearance. After unpac king, please inspect for any physical damage. Save the ship­ping carton and all packing materials, as they were care­fully designed to reduce to minimum the possibility of transportation damage should the unit again require pack­ing and shipping. In the event that damage has occurred, immediately notify your dealer so that a written claim to cover the damages can be initiated.
The right to any claim against a public carrier can be forfeited if the carrier is not notified promptly and if the shipping carton and packing materials are not avail­able for inspection by the carrier. Save all packing mate­rials until the claim has been settled.
3. AC POWER REQUIREMENTS
3.1 Voltage Requirements
The Powerflex amplifiers can be operated from nominal 120VAC or 240VAC, 50/60Hz mains. This is user­configurable by changing the insert in the AC Inlet (See section 7.9). The power connector on the amplifier accepts a standard IEC-320 receptacle.
For nominal 120VAC operation, the power cord should be three-conductor, rated for at least 13A (16AWG). The line fuse should be type MDA, 12A.
For nominal 240VAC operation, the power cord should be three-conductor, rated for at least 10A (18AWG). The line fuse should be type MDA, 10A.
3.2 Current Requir ements
1.) Idle (no audio):
Powerflex 6250 Powerflex 4400
120V: 0.81A 120V: 0.9A 240V: 0.42A 240V: 0.5A
2.) With typical audio inputs:
8 loads on all channels
120V: 4A 120V: 4.6A 240V: 2A 240V: 2.3A
4 loads on all channels
120V: 6.5A 120V: 7.0A 240V: 3.3A 240V: 3.5A
70 Volt systems - (Powerflex 6250 Only,
3 channels Bridged Mono)
120V: 6.5A 240V: 3.3A
Powerflex amplifiers consumes less than 12 amps when all channels operate at 1/8 power into rated (4 ohm) loads. This condition satisfies the UL, CSA and building electrical code requirements for a piece of audio equip­ment not to consume more than 80% of the current avail­able when plugged into a grounded 15 amp outlet and operated at 1/8 of maximum power.
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Operating Manual - Powerflex Multi-Channel Power Amplifier
3.3 AC Grounding Requirements
T o reduce the risk of ground loop hum, all system ground references should originate at the same point in your A C po wer distribution. Do not remov e the amplifier’ s ground pin, as it creates a potential shock hazard.
4. CABLE REQUIREMENTS
4.1 Input Cables
Be sure to use shielded cable whether balanced or unbalanced. Shielding which is properly grounded will protect the signal from outside electrical interference such as RF, fluorescent lighting, and computer/display emis­sions. As a general rule, unbalanced or single-ended (tip­sleeve) lines of less than 10 feet are satisf actory , but gr eater distances or noisy field environments require a balanced signal. Avoid running input lines in close proximity or parallel to long speaker lines, AC power cables, or power transformers, as this may generate hum or oscillation.
4.2 Output Cables
Powerflex amplifiers are capable of delivering high levels of output current, therefore the wire gauge used for speaker cables is particularly important. Inadequate wire gauge can add significant resistance to the speaker’s own impedance, especially over long distances, reducing the power which is actually delivered to the speaker. It could also result in a decreased damping factor and pos­sible fire hazard. Since power at the speaker load is of primary concern in system design, we hav e included a table to best determine appropriate wire gauge for your appli­cation. The following table lists the resistance per 100 feet of common copper wire gauges, and also gives the percentage of the speaker load power which would be lost in an arbitrary 100 ft run of different gauges of 2-conduc­tor copper speaker wire.
power loss in the cable would be half that of a 100 ft run of #14 wire as shown in the table, or 1.6% of 150W, which is an insignificant 2.4 watts. However, if you were to run 200 ft of 18 ga. cable to a 4Ω load, the loss would be twice that of the 100 ft run shown in the table, or 32.6% of 250W , which is 81.5 watts lost as heat. Always be sure to use adequate gauge speaker wire.
5. RACK-MOUNTING REQUIREMENTS
5.1 Mechanical
Powerflex amplifiers are designed to fit in stan­dard 19-inch equipment racks. The front panel rack-mount ears are sufficiently strong for most applications, howev er if you desire further integrity for mobile racks, we recom­mend using the four additional holes in the back of the chassis for supplemental rear-mounting (see dimensional drawing for details).
5.2 Cooling
Be certain that both the front and back of the rack have unhindered access to free air flow. Fan direction is from front to back. It is not necessary to leave empty space above or below.
5.3 Grounding
In some installations where the sound system is sensitive to RF noise or system-induced oscillation, it may be necessary to ground the amplifier’s chassis to the rack enclosure. This is accomplished using star type lockwashers on the four rack mounting screws. These star washers will penetrate through the amplifier’s paint to ad­equately ground the chassis to the rack.
Wire Gauge /100ft 8 load 4 load
#8 .0605 0.8% 1.5% #10 .1018 1.3% 2.5% #12 .1619 2.0% 4.0% #14 .2575 3.2% 6.4% #16 .4094 5.1% 10.2% #18 .6510 8.1% 16.3%
Table 4.1: Wire gauge resistance/power loss
This table expresses the power loss as a percent- age of the load’s power rather than the total amplifier out­put power in order to accurately determine power loss at other cable lengths. For example, if you plan to deliver 150 watts to an 8 load through 50 ft of 14 ga. cable, the
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Operating Manual - Powerflex Multi-Channel Power Amplifier
Channel 1 Channel 2 Channel 3 Channel 4 Channel 5 Channel 6
Protec t
Thermal
Clip
Signal
Power
Powerflex
6250
6. FRONT PANEL INDICATORS
6.1 Power Switch
When the unit is switched on there is a five sec-
ond delay, during which time the PROTECT circuit will activate, disconnecting the speakers from the amplifier output. When turning of f the amplifier , the load is removed instantly, and the protect LED will briefly turn on as the power supply discharges.
6.2 Signal Indicator
The signal present LEDs illuminate at an input
level of about 13mVrms (-35.5dBu).
6.3 Clipping Indicator
The clipping LEDs illuminate at an input level of
about 870mVrms (+1.0dBu), with all channels driven by 1KHz into 8. This indicates that the signal processing circuitry has determined output levels to be approaching the available po wer supply rails and has begun to “soften” signal peaks. Actual onset of “hard” clipping depends on audio program and total load impedance and does not oc­cur until the signal processing circuitry can no longer com­pensate, which means that signal integrity can be maintained even if the clipping indicators illuminate for short periods of time.
6.4 Thermal Status Indicator
The thermal LEDs illuminate when the tempera-
ture of any one of the heat sink extrusions reaches 85 to 90°C. Both channels of the affected amplifier module will shut off until the measured temperature drops below a bout 70°C. The amplifier should be able to maintain proper
operation at an ambient room temperature of 50°C (122°F) or less with typical audio program and all channels drive n into 4Ω.
6.5 Protect Indicator
The protect LEDs illuminate when the fault moni­toring microprocessor has determined that one of the fol­lowing conditions exists:
- Power supply undervoltage
- Power supply overvoltage
- Output overcurrent
- Heat sink overtemperature
- Unacceptable DC output content
- Unacceptable high frequency output content
- AC power interruption
Because the signal processing module used in Powerflex amplifiers processes two channels simulta­neously , a fault in one channel will result in a pr otect con­dition for both channels processed by the same module, ex. channels 1-2, 3-4, and 5-6 (6250 only). Thus there will never be a case where only one of the amplifier chan­nels is shown in protect mode. When a pair of protect LED's are illuminated, internal relays have removed the channel pair's speaker loads from the amplifier output and connected the speakers to ground. If the fault is isolated to one module (channel pair), the other channels will re­main unaffected.
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7. REAR PANEL FEATURES
Operating Manual - Powerflex Multi-Channel Power Amplifier
* P ow erflex 6250 shown - P owerflex 4400 only has channels 1-4.
7.1 Input Connectors
The Powerflex inputs use 1/4" tip-ring-sleeve (TRS) phone jacks, balanced XLR jacks, and balanced two piece "Euroblock" style connectors. The three types of connectors are wired in parallel and may be used balanced or unbal­anced. Use the euro-block connectors to daisy-chain multiple amps together . Input XLR jacks are pin 2 hot (+), meaning that a positive voltage applied to pin 2 will result in a positi ve output voltage across the speaker terminals. Pin 2 of the XLR jack is equivalent to the tip of the 1/4" TRS jack.
Balanced Inputs
It is recommended that balanced input connections be used whenever possible to take full advantage of the amplifier's common mode rejection properties, and to reduce
Tip (+) Ring (-) Sleeve (Ground)
Stereo Phone Plug Balanced Connection
ground-loop problems. The (+) signal is on pin 2 of the XLR, and the tip of the phone jack. The (-) signal is on pin 3 of the XLR, and the ring of the phone jack. If a hum problem per­sists, try connecting a balanced signal to the Euroblock input with the input cable's shield lifted at the amplifier end of the cable (ie. no ground connection), but connected to ground at the signal source. This eliminates potential ground currents through the input cable yet preserves the benefits of shield­ing.
Unbalanced Inputs
If an unbalanced XLR input connection is used, pin 3 should be connected to input ground (pin 1). If the 1/4" input
2=(+) 3=(-) 1=(gnd)
-+
Tip (+) Sleeve (Ground)
+-
Euroblock Input Connector
Ground
Balanced Audio Connections
Mono Phone Plug Unbalanced Connection
XLR Male Balanced Connection
jack is used unbalanced, the use of a mono (tip-sleeve) plug will automatically tie the (-) connection to input ground. Note:
Never float the (+) or (-) input connection when using an un-
2=(+) 3=(gnd) 1=(gnd)
XLR Male Unbalanced Connection
balanced source. If connecting an unbalanced signal to the Euroblock input, connect the signal to (+) and the cable shield to both (-) and ground.
Signal (+) (-) Input Tied To Ground
-+
Grou nd
+-
Euroblock Input Connector
Unbalanced Audio Connections
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Operating Manual - Powerflex Multi-Channel Power Amplifier
Stereo
5 5 5
Mono
6
7
8
9
3
2
1
010
Ch2
Dual Bridge
6
7
8
Ch.
3-4
9
50Hz
6
3
2
1
0410
Ch3 Ch4
(3-4 Mono)
Norm LoCu t
* Powerflex
1-2
50Hz
Ch.
2
Norm LoCu t
3
1
5
0410
Ch1
(1-2 M ono)
6250 shown ­Powerflex 4400 only has inputs 1-4.
Input
Ground
Float Chassis
AC
(Mono)
115V
Ch3
(Mono)
(Mono)
Ch2Ch1 Ch4 Ch6
Ground
-+
Ch 1 In (Mono)
+
--+
Ch 2 In Ch 3 In
7.2 Input Ground Switch
This switch separates internal circuit ground from
the chassis ground on all inputs. Ground connections from an incoming signal are always connected to internal cir­cuit ground, but float from the chassis ground as long as the switch is out. Unless there are special circumstances
which require the circuit ground and chassis ground to be connected, it is best to leave this switch out.
Stereo Mono
3
7
8
2
9
1
010
Dual Bridge
Ground
+
--+
Ch 4 In Ch 5 In
115V or 230V
50-60Hz
1400W
Replace Only With
Same Type Fu se.
Ref er To O wne r's M anual
For Proper Fuse Rating.
3
2
Ch.
5-6
1
0410
Ch5 Ch6
(5-6 M ono)
Norm LoCu t
PUSHPUSHPUSHPU SHPUSH
5 5
6
7
8
9
50Hz
Ch5
Ground
(Mono)
6
(Mono)
7
8
9
+
Ch 6 In
Stereo Mono
3
2
1
010
Dual Bridge
PUSH
-
6
7
8
9
231
(-)(+)
In MONO Mode, the input signal connected to channels 1, 3, or 5 are used to drive channels 2, 4, or 6 respectively, and the level controls for channels 1, 3, and 5 likewise control channels 2, 4, and 6. When switched to
Mono mode, channels 2, 4, or 6 level controls become in­active.
In BRIDGED mode, the level controls function the same as in mono mode.
7.3 Multi-Channel Operation
The Powerflex 6250 is essentially three stereo amplifiers in one chassis, for a total of up to six separate channels. Similarly, the Po werflex 4400 is essentially two stereo amplifiers in one chassis, for a total of up to four separate channels. Thus, the following references to Ste­reo, Mono, or Bridged operation is with regard to each pair of channels in the amplifier. For example, Channel 1 and Channel 2 together can provide stereo, mono, or bridged operation, completely independent of Channels 3­4 or Channels 5-6 settings (6250 only).
7.4 50Hz Low Cut Switch
Each pair of channels has a 50Hz second order (12 dB per octave) low-cut filter option which is applied to both channels within the pair. When the switch is pressed, the audio signal is -3dB at 50Hz, -15dB at 25 Hz,
-27dB at 12.5Hz, etc.
7.5 Input Level Controls
Input Level Controls attenuate input signal from 0dB down to -. For best performance, Ashly recommends that the level controls be operated at full level (0 dB at­tenuation).
In STEREO mode, each level control corresponds directly to the input signal on its respective channel.
7.6 Stereo/Mono Switch
Powerflex amplif iers are comprised of two (4400) or three (6250) stereo amplifiers, each operating indepen­dently of the others, with Stereo/Mono switching avail­able for each channel pair. If this switch is set to Stereo mode, the channel pair operates as two discrete amplifi­ers, each with its own input connection and level control.
Switching to Mono mode allows one input (chan­nel 1, 3, or 5) to drive both channels of a stereo channel pair . Pressing the Mono switch disables the channel pair's other input connection, as well as its level control. The first channel's input and level control now determines the signal to both channels.
7.7 Dual Channel/Bridge Mode Switch
Bridging a pow er amplifier is the process wher eby two channels are supplied the same signal, with the sec­ond channel's phase inverted 180°. The speaker is then connected across the (+) output connections of each chan­nel, resulting in twice the power to the speaker that either channel could deliver by itself. Since in Bridge Mode both
connections have voltage present, never connect or touch either speaker wire to gr ound. In the Powerflex 6250, use
Bridge mode for 70V applications as well.
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Operating Manual - Powerflex Multi-Channel Power Amplifier
BRIDGE MODE:
From Two Red Posts. Do Not Connect Either Output
*
Wire To Ground.
Take Output
Powerflex 6250 shown ­Powerflex 4400 only has channels 1-4 with no 70V output.
Ch1
(+)
(-)
Bridge/70V
+-
(+)
Ch2
(-)
(+)
Ch3
(-)
The Powerflex 6250 is capable of three channels of bridged output, while the Powerflex 440 is capable of two channels of bridged output. To use bridged mode, first press MONO from the Stereo/Mono switch on the channel pair to be bridged. This sends the same audio signal to both channels. Then press BRIDGE from the Dual/Bridge switch on the channel pair to be bridged. This inverts the phase of the input signal to the second channel. These two channels are now operating together in Bridged Mono mode, and the output must be taken from the two red binding posts corresponding to the bridged channel pair Observe polarity by noting which red binding post is (+) and which is (-)
Ashly Audio Inc.
Made In USA
Powerflex 6250
OUTPUTS
Bridge/70V
+-
move the power cord from the rear of the amplifier.
the fuse holder in the AC inlet and remove it.
tate until the new nominal mains voltage level indication (115 or 230) is on top and properly oriented for reading.
inlet, making sure that it is plugged in all the way.
(+)
Ch4
(-)
(+)
Ch5
(-)
Dual Ster eo/Dual Mo no Mode :
150W/Cha n - 8 250W/Cha n - 4
Bridged Mono Mode:
500W Bridged - 8
Bridge/70V
+-
Ω Ω
(+)
Ch6
(-)
1.) Unplug the amplifier from the wall and re-
2.) Using a small screwdriver as a lever, unlatch
3.) Remove the voltage selection insert and ro-
4.) Replace the voltage selection insert in the AC
7.8 Speaker Outputs - Binding Posts
Dual binding posts provide connections for the speaker outputs. In addition to using the banana-type plug, the binding posts have a slotted entry-way for wire-crimped spade terminals. In BRIDGE/70V mode, the channel 1, 3, or 5 red binding post is the (+) in-phase speaker output terminal and the channel 2, 4, or 6 red binding post be­comes the (-) out-of-phase speaker terminal.
CAUTION! NEVER CONNECT THE TWO RED BINDING POSTS TOGETHER OR CONNECT EITHER RED BINDING POST TO A BLACK BINDING POST!
7.9 AC Inlet
Powerflex amplifiers can be configured by the cus­tomer for operation at either 115VAC or 230VAC mains. Switching from one to the other simply requires the fol­lowing steps:
5.) Replace the fuse with the appropriate size (see #6 below), and press the fuseholder back into the AC inlet until it latches.
6.) Using a power cord of the appropriate size and with the appropriate terminations, plug the cord into the rear of the amplifier and then into the wall. The Powerflex amplifier is no w ready for use at the new mains voltage.
If the mains voltage is 110-125VAC, the required fuse is MDA 12, 250V, and the required power cord is 3­wire grounded, 13 Amp (16AWG) minimum.
If the mains voltage is 220-250VAC, the required fuse is MDA 10, 250V, and the required power cord is 3­wire grounded, 10 Amp (18AWG) minimum.
9
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Operating Manual - Powerflex Multi-Channel Power Amplifier
8.3 Output overcurr ent - more than 15 to 20 amps
8. SELF-PROTECTION FEATURES
Powerflex amplifiers contain circuitry to self-pro­tect during extreme fault conditions. These fault condi­tions are:
being drawn from any output. Possible causes would be total load on the affected output exceeding recommenda­tions (disconnect some speakers), or a short circuit on one of the outputs driven by the affected module (inspect speaker wiring for proper connection).
1.) Power supply undervoltage
2.) Power supply overvoltage
3.) Output overcurrent
4.) Heat sink overtemperature
5.) Unacceptable DC or high frequency output content
6.) AC power interruption
Except for AC power interruption, the detection of any fault will result in the activation of protection cir­cuitry on a particular module, which consists of two chan­nels. That is, a short circuit on the output of channel 1 will result in both channel 1 and channel 2 entering pro­tect mode. This is because the signal processing module, which processes both channels simultaneously, does not distinguish between the two channels within a channel pair when processing a fault.
An AC power interruption will result in all chan­nels entering protect mode simultaneously, just as if the amplifier is being turned off.
In all cases, the amplifier will restart the signal processing module after a short delay and will reconnect the speakers after several seconds if no further fault con­ditions exist. This allows the servo circuitry to bring any residual DC offsets to zero before speakers are connected.
Specific conditions resulting in a fault are as follows:
8.1 Power supply undervoltage - less than about 55 volts on the either supply rail. Possible causes would be total load on the outputs exceeding recommendations (remove some speakers - 4 load min, 8 min bridged), low AC mains voltage (reduce extension cord length or increase wire size, or switch to an AC mains circuit more capable of supporting the amplifier's po wer requirements), or improper AC inlet mains voltage setting (make sure nominal A C mains v oltage matches the number in the view­ing window on the AC inlet).
The above conditions are checked by the signal processing module on a switching cycle by switching c ycle basis and are therefore monitored as often as a million or more times a second, allowing protection well before de­structive conditions have time to cause part failure.
8.4 Heat sink overtemperature - a measured heat sink extrusion temperature of more than 85 to 90 degrees C. The three-speed fan will switch to medium speed at an extrusion temperature of 45 to 50 degrees C, and to high speed at a temperature of 70 to 75 degrees C. The overtemperature fault will clear itself when the measured temperature is below about 70 degrees C. The fan will operate at low speed below about 50 degrees C.
8.5 Unacceptable DC or high frequency output content - a DC offset in the output signal of more than a
few hundred millivolts indicates module failure, and will trigger a DC protect fault. High frequency (20kHz to 100kHz) in the output at high amplitudes can cause speaker damage and causes a fault condition more or less rapidly as frequency and amplitude vary.
These two conditions (DC and HF) are tested by the same circuit so the exact cause cannot be isolated. If the fault condition persists after disconnecting all inputs and outputs from the amplifier, there is probably a module failure requiring service. Note: the self-testing cir cuit may
take as long as 30 seconds to recover from this fault, so be sure to give the amplifier enough time to reset itself. If
after 30 seconds the module has recovered, begin plug­ging in one input and output at a time in an effort to iso­late a system high-frequency or oscillation problem.
8.6 AC power interruption - a dropout (or bro wn­out of sufficient magnitude) of more than one half mains line cycle and less than one whole cycle in duration.
8.2 Power supply overvoltage - more than about 92 volts on either supply rail. Possible causes would be high A C mains v oltage (change to an A C mains circuit with voltage within the amplifier's stated requirements) or im­proper AC inlet mains voltage setting (make sure nominal AC mains voltag e matches the number in the viewing win­dow on the AC inlet).
10
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Operating Manual - Powerflex Multi-Channel Power Amplifier
H
9. TYPICAL APPLICA TIONS
The Powerflex 6250 is essentially three stereo amplifiers in one chassis, each with dual stereo, dual mono, and bridged mono capabilities, while the Powerflex 4400 is two stereo amplifiers (four channels), but with more power per channel than the 6250. The ability to easily mix and match various configurations is what puts the "flexibility" in Powerflex. Input connections can be 1/4" phone plug, XLR, or hard-wired with two-piece Euroblock connectors, while speaker outputs can be either "banana" type plugs or wire crimped spade terminals. Note: The Powe rflex 6250 is used
for the following application details, but the 4400 is used in a similar fashion, to a maximum of four channels.
9.1 Individual Channel Setup
Six Channel Setup
Input Section:
Up to Six Different Inputs Stereo/Mono Switches - Out Dual Bridge Switches - Out Levels Controls - Used Per Input Channel
Stereo
5
5 5 5 5 5
6
6
Mo no
3
3
7
2
Ch.
1-2
1
0410
Ch1
(1-2 Mono) No r m LoC u t
50Hz
(Mono) (Mono) (Mono)
Input
Ground
Float Chassis
" $
7
8
2
8
Ch.
9
Ch 1 In Ch 2 In (Mono)
3-4
9
1
010
Ch2
Dual
Bridge
50Hz
Ch2Ch1 Ch3 Ch4 Ch5 Ch6
+
Grou nd
-
-+
! #
Up To Six Different Amplifier Inputs
9.2 Dual Mono Setup
Stereo
6
Mo no
3
3
7
2
8
2
9
1
1
0410
010
Ch3 Ch4
(3-4 Mono)
Dual
No r m LoC u t
Bridge
+
Grou nd
-+
Ch 3 In Ch 4 In
(Mono) (Mono)
-
6
7
8
Ch. 5-6
9
50Hz
3
2
1
0410
Ch5 Ch6
(5-6 Mono) No r m LoC u t
Grou nd
-+
Ch 5 In Ch 6 In
Possible Applications:
Multiple Zone Systems Three Pairs Of Stud io Mon it ors Multiple Stage Monitors 25V Distributed Systems (6250 Only)
Stereo
6
6
Mo no
3
7
7
8
2
+
1
010
Dual
Bridge
-
8
9
9
(+)
Ch1
(-)
! " # $
Du a l Mono Setup
(dual stereo)
Ashly Audio Inc.
Made In USA
Power flex 6250
Bridg e/70V
+-
(+)
Ch2
(-)
Speaker Outputs
Minimum Speaker Load Per Channel = 4
OUTPUTS
Bridg e/70V
+-
(+)
Ch3
(-)
- Up To Six Different Outputs
Multi-Media Systems Surround Sound Three Way Biamplification Stereo T ria mplifica tion
Bridg e/70V
+-
(+)
(+)
Ch4
Ch5
(-)
(-)
(+)
Ch6
(-)
Input Section:
Up to Three Different Inputs Stereo/Mono Switches - In Dual Bridge Switches - Out Levels Controls - Only Channels 1, 3, or 5 Used
Stereo
5 5 5 5 5
5
6
6
Mo no
3
3
7
2
Ch.
1-2
1
0410
Ch1
(1-2 Mono)
No r m LoC u t
50Hz
(Mono) (Mono) (Mono)
Input
Ground
Float Ch assis
7
2
8
8
Ch.
9
Ch 1 In Ch 2 In (Mono)
3-4
9
1
010
Ch2
Dual
Bridge
50Hz
Ch2Ch1 Ch3 Ch4 Ch5 Ch6
+
Grou nd
-+
-
Stereo
6
Mo no
3
3
7
2
2
8
9
1
1
0410
010
Ch3 Ch4
(3-4 Mono)
No r m
Dual
LoC u t
Bridge
+
Grou nd
-+
Ch 3 In Ch 4 In
(Mono) (Mono)
-
6
7
8
Ch.
5-6
9
50Hz
3
2
1
0410
Ch5 Ch6
(5-6 Mono)
No r m
LoC u t
Grou nd
-+
Ch 5 In Ch 6 In
! #
(An Input Can Be Parallel Connected To Other "Non-Partner" Channels by
ard-Wire Jumping the Euroblock Connectors)
Amplifier Inputs
Possib le Applications:
Multiple Zone Systems Three Different Stage Monitor Mixes Dual-Mono FOH Tri-Amplification
Stereo
6
6
Mo no
3
7
7
2
8
+
1
010
Dual
Bridge
-
8
9
Ashly Audio Inc.
Made In USA
Powerflex 6250
(+)
Ch1
(-)
Bridge/70V
+-
(+)
Ch2
(-)
(+)
Ch3
(-)
OUTPUTS
Bridge/70V
+-
(+)
Ch4
(-)
(+)
Ch5
(-)
Bridge/70V
+-
(+)
Ch6
(-)
9
! " # $
Channels 1 & 2
From Cha nne l 1 Inpu t
Minimum Speaker Load Per Channel = 4
Channels 3
From Cha nne l 3 Inpu t
&
4
From Cha nne l 5 Inpu t
Channels 5
&
6
11
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Operating Manual - Powerflex Multi-Channel Power Amplifier
9.3 Bridged Mono Setup
Bridged Mono Setup
Input Section:
Up to Three Different In p u ts Stereo/Mono Switches - In Dual/Bridge Switches - In Levels Controls - Only Channels 1, 3, or 5 Used
Stereo
5
5 5 5 5 5
6
6
Mono
3
3
7
2
Ch.
1-2
1
0410
Ch1
(1-2 Mono)
Nor m LoC ut
50Hz
(Mono) (Mono) (Mono)
Input
Ground
Float Chassis
7
8
2
8
Ch.
9
Ch 1 In Ch 2 In (Mono)
3-4
9
1
010
Ch2
Dual
Bridge
50Hz
Ch2Ch1 Ch3 Ch4 Ch5 Ch6
+
Grou nd
-
-+
! #
Stereo
6
Mono
3
3
7
2
8
2
9
1
1
0410
010
Ch3 Ch4
(3-4 Mono)
Nor m
Dual
LoC ut
Bridge
+
Grou nd
-+
Ch 3 In Ch 4 In (Mono) (Mono)
(Mono) (Mono)
-
6
7
8
Ch.
5-6
9
50Hz
3
2
1
0410
Ch5 Ch6
(5-6 Mono)
Nor m LoC ut
-+
Ch 5 In Ch 6 In
Amplifier Inputs
Grou nd
Possible Applications:
70 Volt Constant Voltage Systems (6250 Only) Subwoofers High Powered Monitors High Powered Full Range PA Speakers
Stereo
6
6
Mono
3
7
7
8
2
+
Dual
Bridge
-
1
010
8
9
(+ )
Ch1
(-)
Bridged Channels 1 & 2
From Channel 1 Input
Ashly Audio Inc.
Made In USA
Powerfl ex 6250
(+ )
Ch3
(-)
OUTPUTS
Bridg e/70V
+-
(+ )
Ch4
Bridg e/70V
+-
(+ )
Ch5
(-)
(-)
Bridg e/70V
+-
(+ )
Ch2
(-)
(+ ) (-) (+) (-) (+) (- )
Bridged Channels 3 & 4
From Channel 3 Input
Bridged Channels 5 & 6
From Channel 5 Input
Minimum Speaker Load Per Bridged Channel Pair = 8
(+ )
Ch6
(-)
9
9.4 Typical PA Setup
Stereo
5
5 5 5 5 5
6
6
Mo n o
3
3
7
2
Ch.
1-2
1
0410
Ch1
(1-2 Mono)
No r m LoC u t
50Hz
(Mono) (Mono) (Mono)
Input
Ground
Float Chassis
7
8
8
2
Ch.
9
Ch 1 In Ch 2 In (Mono)
3-4
9
1
010
Ch2 Dual
Bridge
50Hz
Ch2Ch1 Ch3 Ch4 Ch5 Ch6
-+
+-
Grou nd
! # $
Subwoofer
Input
(Brid ged Mono)
Full Range
Input
(Dual Mono)
Stereo
6
Mo n o
3
3
7
8
2
2
9
1
1
0410
Ch3 Ch4
(3-4 Mono)
Dual
No r m
Bridge
LoC u t
-+
+-
Grou nd
Ch 3 In Ch 4 In
(Mono) (Mono)
6
7
8
Ch. 5-6
9
010
50Hz
(Dual Stereo)
6
3
7
8
2
9
1
0410
Ch5 Ch6
(5-6 Mono)
No r m LoC u t
-+
+-
Grou nd
Ch 5 In Ch 6 In
Monitor
Inputs
Stereo
Mo n o
3
2
1
010
Dual
Bridge
6
7
8
9
Ashly Audio Inc.
Made In USA
Power flex 6250
Brid ge/70V
+-
(+)
Ch1
(-)
Subwoofer
Bridged Output
Minimum
8
(+)
Ch2
(-)
OUTPUTS
Brid ge/70V
+-
(+)
Ch3
(-)
Dual Full Range
Outputs
4Ω Min/Channel
(+)
(+)
Ch4
Ch5
(-)
(-)
Separate Monitor
4Ω Min/Channel
Brid ge/70V
+-
(+)
Ch6
(-)
Outputs
12
Page 13
Operating Manual - Powerflex Multi-Channel Power Amplifier
10. DESIGN THEORY
Powerflex amplifiers are based on stereo driver modules that use digital processing to generate a spread­spectrum switching pattern between about 200KHz and
1.5MHz, depending on input signal amplitude and fre­quency. This overcomes the self-limiting and inherent weakness in traditional class D fixed-frequency PWM amplifiers, and produces an output with THD+N numbers comparable to class A and class AB linear amplifiers. (see Specification Notes at end of this section)
In Powerflex amplifiers, the input signal is re­ceived by a single operational amplifier configured as a difference amplifier to reduce common-mode ef fects from sources located at a distance. This difference amplifier has a gain of 2.74 which allows the use of less gain later in the system, improving overall system noise performance.
The amplified signal, based on the position of various selector switches, either bypasses or is processed by a two-pole high-pass filter with rolloff at 50Hz, and then passes through the attenuating potentiometer. The attenuated signal is buffered and passed to the amplifier module along with a zero-volt reference.
The amplifier module receives the attenuated sig­nal with a unity gain differential amplifier to eliminate common-mode interference picked up within the ampli­fier chassis. The signal is then added to a small DC offset signal opposite in polarity to any DC offset on the Powerflex output bridge and adjusted by the digital pro­cessing module as described above. The digital process­ing module, which also generates FET drive signals, has a voltage gain of 11.7 for a total system voltage gain of 32. The drive signals generated by the processing module are fed to a pair of high-current MOSFET transistors, and the switched output of these transistors is filtered and applied to the speaker outputs. Fault conditions such as overvolt­age, undervoltage, and output overcurrent are measured by the module and therefore affect a stereo pair of chan­nels regardless of whether the fault actually exists on both channels processed in the module. Since every action ap­plied to protect the digital processing module affects both channels being processed, other fault conditions are not separated by channel, but rather by amplifier module.
Specification Notes: Due to its spread spectrum out- put switching pattern, the output signal of a Powerflex ampli-
fier contains significant dynamic frequency content* far outside
the audio band, which makes no difference to audible perfor­mance, but which makes heavily bandwidth-limited** measure­ment of amplifier noise and distortion characteristics manda tory.
11. TROUBLESHOO TING TIPS
11.1 No A udio Output
1.) Power LED not lit:
Line fuse is blown or power outlet is dead. IF LINE FUSE IS BLOWN, REPLACE ONLY
WITH SAME TYPE AND RATING FUSE.
2.) Power LED is lit but Protect LEDs stay on:
Amp module is in protect mode. Speakers have been disconnected from amplifier output and connected to ground until the protect fault is corrected. See section 8 for a complete explanation of protect fault conditions. Out­put overcurrent, overvoltage and undervoltage faults will reset in about eight seconds once the fault condition is re­moved, while excessiv e DC offset or high frequency f aults take about 30 seconds to reset.
Speaker Impedance: The Powerflex amplifier
may go into self-protect at high output levels if the actual speaker load impedance is much less than 4 ohms. To cal­culate speaker impedance for a given combination of di­rect-coupled speakers, use Ohm's law as applied to series and/or parallel resistor networks, where each speaker (for this purpose) can be thought of as a single resistor, using DC resistance measurements.
Simply stated, speakers connected in series will add together their impedance. Conversely, two speakers con­nected in parallel will result in half the impedance, three parallel speakers a third the impedance, four speakers a fourth, and so on, assuming the speaker impedances are all the same. Don't use mismatched impedances in parallel. When using paralleled speakers, the available amplifier power for that channel is evenly divided among speakers, so 100 watts driving two parallel speakers of equal imped­ance provides 50 watts to each speaker, etc. Combining series/parallel speaker connections is common practice, but if not sure, contact your dealer or Ashly tech support.
3.) Thermal LED and Protect LEDs stay on:
Amp module is in thermal protect mode and needs to cool. The fan will continue to run while in thermal pro­tect, and other modules will continue to function. See sec­tion 8.4 for details.
4.) Power LED lit but no Signal LED activity
*variable 200KHz to 1.5MHz **greater than 48dB/octave above 22kHz
There is no input signal applied or input level con­trols are turned down.
13
Page 14
Operating Manual - Powerflex Multi-Channel Power Amplifier
11.2 Distorted Sound
1.) Clip LED is flashing regularly
Amplifier is being overdriven. Turn down the in­put level control, or reduce the output level from the sig­nal source.
2.) Clip LED is not flashing at all
Amplifier input signal may be exceeding input headroom, which is greater than +12dBu, or 3.4V rms (measured using continuous 1kHz sine wave). Incoming signal level higher than +12.8 dBu will cause distortion in the amplifier. Turning down the input level controls will
not eliminate distortion if the input headroom is e xceeded.
Turn down the output level of the device driving the am­plifier instead.
Additionally, an input signal may already be dis­torted before it gets to the amp. Check to see if a piece of equipment in the signal chain before the amp is clipping. For best performance, the amplifier should be operated with input levels fully CW. Also check for damaged speaker drivers that could cause distorted sound.
11.3 Hum or Buzz Noise
Be sure that the power cord’ s 3-prong plug is con­nected to a properly earth-grounded outlet. Lifting the grounding third prong may not improve hum or buzz and can create a potential shock hazard.
Hum is usually caused by ground currents flow­ing between different pieces of equipment. Ground cur­rents can be minimized by using a single point AC ground for the sound system, and by using balanced connections with quality cable throughout the audio path.
Buzz, as well as certain audible high frequency tones, can be caused by environmental emissions such as lighting dimmers, neon lights, or computer equipment. Use balanced connections, and try moving the amplifier, wir­ing, lighting, or other equipment to different locations to isolate the source of the noise.
Sections 3.3, 5.3, 7.1, and 7.2 further discuss is­sues related to grounding and noise problems.
12. POWERFLEX DIMENSIONS
13.54"
16.94"
18.5"
2.25"
13.18"
1.25"
14
5.19"
4.75"
2.25"
Channel 1 Channel 2 Channel 3 Channel 4 Channel 5 Channel 6 Protect Thermal
Cli p
Signal
Powerflex
Power
6250
19"
Page 15
Operating Manual - Powerflex Multi-Channel Power Amplifier
13. SPECIFICATIONS
*Power Output
(Maximum Average Power, 0.1% THD, 1KHz)
Rated Per Channel, Two Channels Driven
Powerflex 6250 Powerflex 4400
4 ohm: 250 Wa tts RMS 400 Wa tts RMS 8 ohm: 150 Wa tts RMS 275 Wa tts RMS 25V (6250 only) 150 W atts RMS * Mono Bridged (1 Channel) 8 ohm: 500 Watts RMS 800Watts RMS 70V (6250 only) 500 W atts RMS *
Rated Per Channel, All Channels Driven
Powerflex 6250 Powerflex 4400
4 ohm: 250 Watts RMS† 400 Watts RMS† 8 ohm: 150 Wa tts RMS 275 Watts RMS 25V (6250 only) 150 W atts RMS * Mono Bridged (3 channels) 8 ohm: 500 Watts RMS 800Watts RMS 70V (6250 only) 500 W atts RMS *
Input Impedance: 10K ohm balanced, 37K ohm unbal­anced
Typical Idle Current
Powerflex 6250 Powerflex 4400
120V: 0.81A 120V: 0.9A 240V: 0.42A 240V: 0.5A
Current with Typical A udio Program Material (4 ohm load
- all Channels)
Powerflex 6250 Powerflex 4400
120V: 6.5A 120V: 7.0A 240V: 3.3A 240V: 3.5A
Connections
Input: XLR - 1/4” (Pin 2: Hot, Tip: Hot), Euroblock Output: 5-Way Binding Post
Cooling: Forced Air , Thermal Sensitiv e 3-Speed F an, Front Inlet/Rear Outlet
Dimensions: 19”L x 5.25”H x 16.5”D
Construction: All-Steel Chassis, Extruded Aluminum Front
Panel
Weight: 45lbs
Specification conditions: 120VAC mains at 60Hz, 25° C
High Pass Filter: 50Hz, 12dB/octave
**Total Harmonic Distortion (20Hz - 20KHz @ 8 ohms):
<0.2%
**IMD
(SMPTE 60Hz/7KHz 4:1) @ 8 ohms: <0.2% (throughout power range) (IHF) @ 8 ohms: <0.1% (throughout power range)
**Hum and Noise: -100dB from full output (A-weighted)
Full Power Input Sensitivity:
Powerflex 6250 Powerflex 4400
1.05V RMS (2.6dBu) 1.25V RMS (4.15dBu)
Frequency Response:
8 ohm: ±0.5dB 20Hz-20kHz 4 ohm: ±1.5dB 20Hz-20kHz
Voltage Gain: 32X (30.1dB)
Crosstalk: < -80dB (20Hz - 1KHz)
Signal Present Signal Sensitivity: 13mV RMS (-35.5dBu)
Power Requirement: 110-125VAC, 220 - 250VAC
50/60Hz
* Continuous power limited by power line capacity
**Non-conventional amplifiers require bandwidth limiting
for all distortion and noise measurements.
Signal peaks in audio programming may trigger protec­tion circuitry at low line voltages. Specifications are subject to change or improvement without notice.
14. WARRANTY INFORMATION
We thank you for your expression of confidence in Ashly products. The unit you have just purchased is protected by a limited five year warranty. To establish the warranty, you must first complete and mail the warranty card attached to your product.
Fill out the information below for your records.
Serial Number _________________________________ Dealer ______________________________________ Date of Purchase _______________________________ Dealer’s Address _______________________________
______________________________________ Dealer’s Phone ________________________________ Salesperson ___________________________________
15
Page 16
Operating Manual - Powerflex Multi-Channel Power Amplifier
Printed in USA 10/01
ASHLY AUDIO INC. 847 Holt Road Webster, NY 14580-9103
Phone: (716) 872-0010 Fax: (716) 872-0739
Toll Free (800) 828-6308
www.ashly.com
2001 by Ashly Audio Corporation. All rights reserved worldwide.
6250-3
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