Ashly SRA-120 User Manual

SRA-120
Power Amplifier
Operating Manual
Level (dB) Level (dB)
0
-1
-3
-
-6
-20
Sig.Clip
Protect
-10
Channel 1
(Mono)
-3
-6
0
-1
-10
Channel 2
-
Sig.Clip
-20
Stereo
Headphones
SRA-120
SRA-120
Power
Channel 2
Protect
ASHLY AUDIO INC.
847 Holt Road Webster, NY 14580-9103 Phone: (716) 872-0010
Toll-Free: (800) 828-6308 Fax: (716) 872-0739 Internet: http://www.ashly.com/
Operating Manual - SRA-120 Power Amplifier
Table Of Contents
1 INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
2 UNPACKING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3 AC POWER REQUIREMENTS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3.1 AC Voltage Requirements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3.2 Current Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3.3 AC Grounding Requirements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
4 CABLE REQUIREMENTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
4.1 Input Cables. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
4.2 Output Cables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5 RACK-MOUNTING REQUIREMENTS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5.1 Mechanical . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5.2 Cooling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5.3 Grounding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
5.4 Security Cover. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
6 FRONT PANEL FEATURES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.1 Power Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.2 Level Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.3 Signal Present Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.4 Clipping Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.5 Protect Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
6.6 Headphone Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
7 REAR PANEL FEATURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.1 Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
7.2 Input Sensitivity Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.3 Normal/Bridging Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.4 Stereo/Mono Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
7.5 Speaker Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
8 TYPICAL APPLICATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
8.1 Stereo Sound Reinforcement System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
8.2 Stereo Playback Monitoring System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
8.3 Mono Operation in High Level Bi-Amped System . . . . . . . . . . . . . . . . . . . . . 9
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Operating Manual - SRA-120 Power Amplifier
9 DESIGN THEORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
10 TROUBLESHOOTING TIPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
10.1 No Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
10.2 Distorted Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
10.3 Excessive Hiss Noise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
10.4 Excessive Hum Noise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
11 DIMENSIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
12 SPECIFICATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
13 WARRANTY POLICY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
14 SCHEMATICS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
- WARNING -
THIS APPARATUS MUST BE EARTHED
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Operating Manual - SRA-120 Power Amplifier
1. INTRODUCTION
Congratulations on your purchase of the Ashly SRA-120 professional stereo power amplifier. This single rack-space (1 3/4" height) amplifier delivers a substan­tial amount of power with exceptional audio quality and many features typically found only in larger power am­plifiers,
Both channels of the SRA-120 can easily drive 4 ohm loads, delivering a total of 120 watts of undistorted, average sinewave power.
The amplifier has an automatic output turn-on delay and instantaneous output turn-off to protect speak­ers from transients. Each output will also turn off if it "sees" a load of 2 ohms down to a short circuit. The out­puts are also independently protected from overheat con­ditions. Each channel will automatically reset itself from any of these protection modes independent of the other channel's operation.
The SRA-120 provides front panel level controls, a stereo headphone jack, and six status LED's for ease of control and monitoring. The back panel provides both balanced 1/4" jacks and balanced screw terminal inputs. Three push-button switches allow selection of stereo, mono, bridged mode, and input sensitivity, allowing the amplifier to be applied in any configuration. The amplifier's signal ground can also be lifted from chassis ground via a barrier strip jumper.
2. UNPACKING
As a part of our system of quality control, every Ashly product is carefully inspected before leaving the factory to ensure flawless appearance. After unpacking, please inspect for any physical damage. Save the ship­ping carton and all packing materials, as they were care­fully designed to reduce to minimum the possibility of transportation damage should the unit again require pack­ing and shipping. In the event that damage has occurred, immediately notify your dealer so that a written claim to cover the damages can be initiated.
The right to any claim against a public carrier can be forfeited if the carrier is not notified promptly and if the shipping carton and packing materials are not avail­able for inspection by the carrier. Save all packing mate­rials until the claim has been settled.
3. AC POWER REQUIREMENTS
3.1 Voltage Requirements
Your SRA-120 amplifier is supplied with a three conductor grounded AC power cord, and should be plugged into a standard 3-wire grounded electrical outlet which supplies 120VAC 50-60 Hz (some export models are wired for 100 or 240 volts and are labeled as such). In the event of line voltage sag, or “brown-out”, SRA­120 amplifiers will continue to operate normally, albeit with less power.
3.2 Current Requirements
The actual AC current consumption by the am­plifier depends greatly on the audio signal and the load impedance. For typical audio program material with the SRA-120 driving both channels just peaking at the clip­ping level, the following AC line current is drawn and should be used for system design purposes:
Idle 0.1A 8 loads 0.6 Amps 4 loads 1.0 Amps
Table 3.1: Estimated Maximum RMS AC Line Current Draw
3.3 AC Grounding Requirements
To reduce the risk of ground loop hum, all sys­tem ground references should originate at the same point in your AC power distribution. Never remove the amplifier’s ground pin as it is both unlawful and danger­ous, creating a potential shock hazard.
4. CABLE REQUIREMENTS
4.1 Input Cables
Be sure to use shielded cable whether balanced or unbalanced. Shielding which is properly grounded will protect the signal from outside electrical interference such as RF, fluorescent lighting, even computer noise. As a general rule, unbalanced or single-ended (tip-sleeve) lines of less than 10 feet are satisfactory, but greater distances may require a balanced signal. Avoid running input lines in close proximity or parallel to long speaker lines, AC power cables, or power transformers, as this may gener­ate hum or oscillation.
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Operating Manual - SRA-120 Power Amplifier
4.2 Output Cables
The wire gauge used for speaker cables is impor­tant, in that inadequate wire gauge adds significant re­sistance to the speaker’s own impedance, reducing the power which is actually delivered to the speaker. It also results in a decrease in the damping factor and possible fire hazard.
Since power at the speaker load is a primary con­cern in system design, we have included a table to best determine appropriate wire gauge for your application. Table 4.1 lists the percentage of the speaker load power which would be lost in an arbitrary 100 ft. run of 2-con­ductor cable. This table expresses the power loss as a percentage of the load’s power rather than the total am­plifier output power, so that you can use this table to ac­curately determine power loss to the load at other cable lengths. For example, if you plan to deliver 100 watts to an 8 load through 50 ft of 14 ga. cable, the power loss in the cable would be 3.2% ÷ 2 = 1.6% of 100 watts or
1.6 watts lost in the cable. Table 4.1 also gives the resis­tance per 100 feet of common copper wire gauges.
Wire Gauge Ω/100ft 8Ω load 4 load 2 load
5. RACK-MOUNTING REQUIREMENTS
5.1 Mechanical
All Ashly amps are designed to fit in standard 19-inch racks. Avoid placing the amp immediately next to devices which are sensitive to heat or magnetic fields (high-gain preamps, magnetic data storage, etc.)
5.2 Cooling
The SRA-120 will cool more efficiently with space above and below the chassis, although most appli­cations will not require this.
The following chart indicates maximum BTU per hour under varying load conditions, so that accurate as­sessment of room ventilation needs can be made. Ther­mal output is approximated by subtracting audio output power from the total power consumption of the ampli­fier. All values assume the amplifier is driving both chan­nels and just peaking at the clipping level.
Idle 40 BTU 8 loads 200 BTU
#8 .0605Ω 0.8% 1.5% 3.0% #10 .1018Ω 1.3% 2.5% 5.1% #12 .1619Ω 2.0% 4.0% 8.1% #14 .2575Ω 3.2% 6.4% 12.9% #16 .4094Ω 5.1% 10.2% 20.5% #18 .6510Ω 8.1% 16.3% 32.6%
Table 4.1: Percentage of speaker load power lost in 100 foot run of 2-conductor cable.
4 loads 320 BTU
T able 5.2: Maximum BTU per hour (both channels driven)
5.3 Grounding
In some installations where a sound system is sensitive to RF noise or system-induced oscillation, it may be necessary to ground the amplifier's chassis to the rack enclosure. This is accomplished using star type lockwashers on the four rack mounting screws. These star washers will penetrate through the amplifier's paint to adequately ground the chassis to the rack.
5.4 Security Covers
For installations where it is desirable to protect the front panel level controls from tampering or acciden­tal misadjustment, use an Ashly security cover. Installa­tion is simple and does not require removal of the equip­ment from your rack. See your Ashly dealer for details.
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Operating Manual - SRA-120 Power Amplifier
p
-3
SRA-120 Stereo Power Amplifier
-6
Protect
6. FRONT PANEL FEATURES
6.1 Power Switch
When the unit is switched on there is a 2 second delay, during which time the PROTECT circuit will acti­vate. The load is disconnected during this power-up se­quence . When turning off the amplifier, the load is re­moved instantly, and the protect LED will briefly turn on as the power supply discharges.
6.2 Level Controls
Front panel level controls allow precise indepen­dent input level attenuation to the power amp sections. When in mono or bridged mode, channel 1 controls both power amp channels. We recommend setting these con­trols full CW and controlling system gain at the mixer or preamp instead.
Level (dB) Level (dB)
0
-1
-10
Channel 1
-
-20
Sig.Clip
-6
0
-1
-3
-10
Channel 2
-
-20
Sig.Clip
Stereo
Headphones
(Mono)
6.5 Protect Indicators
Protect mode in the SRA-120 is automatically activated during extreme fault conditions, as well as dur­ing power-up and power-down. When in protect mode, as indicated by the red LED, the speaker output terminals are internally disconnected. Conditions causing the am­plifier to switch into protect mode include the following:
Turn-on delay/Instant turn off
Output short circuit
Load impedance below 2 ohms
DC at output (below 8Hz)
Ultrasonic signal (above 20KHz)
6.3 Signal Present Indicators
Green signal present LED's indicate the presence (about 30dB below maximum output) of signals into the power amp circuitry.
6.4 Clipping Indicators
Clipping occurs when the signal peak levels ex­tend beyond the available power supply rails, essentially “cutting off” the crest portion of the waveform. This pro­duces signal distortion and can potentially damage driv­ers, as the signal begins to look like a square wave. The red CLIP LED's illuminate at the onset of clipping, and accurately track both the output load and the AC line volt­age.
SRA-120
Made In USA
TO RED U CE T HE RISK OF ELECTR I C SHOCK DO N OT REMO VE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. TO REDUCE THE RISK OF FIRE REPLACE ONLY WITH SAME TYPE FUSE. TO REDUCE THE RISK OF FIR E OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.
AVIS:
NE PAS OUVRIR.
Amplifier overheating
Each channel automatically resets itself within one second of removal of the fault condition. In the event of overheating, it may take several minutes for the am­plifier to reset. If thermal shutdown occurs, check to see if the cooling fins have access to fresh air.
6.6 Headphone Jack
The Stereo headphone output jack will drive any impedance stereo headphones. Channel 1 is connected to the 1/4" jack tip contact and channel 2 is connected to the ring.
MDA 3A
RISQUE DE CHOC ELECTRIQUE -
120VAC
50-60Hz
350W
Ch.2 Out
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Operating Manual - SRA-120 Power Amplifier
SRA-120
Power
Channel 2
Protect
7. REAR PANEL FEATURES
7.1 Inputs
The input of the SRA-120 amplifier is equipped with balanced 1/4" tip-ring-sleeve (TRS) phone jacks and balanced screw-terminal inputs. Each channel's connec­tors are internally wired in parallel and may be used with balanced or unbalanced connections. The nominal input impedance (balanced) is 20Kand the maximum input level is +22dBu.
Balanced Inputs
It is recommended that balanced input connec­tions be used whenever possible to reduce ground-loop and environment-induced hum and noise. The (+) signal is on the tip of the phone jack, the (-) signal is on the ring, and the shield is on the sleeve.
Unbalanced Inputs
If an unbalanced input connection is used, then the (-) connection should be connected to ground. Use of a mono (tip-sleeve) plug will automatically tie the (-) connection to ground. Never float (leave unconnected) pin 2 or pin 3 when using an unbalanced signal.
Input Ground
The CHASSIS GROUND terminal is internally connected to the chassis, the AC earth ground, and the power amplifier’s signal ground. The INPUT GROUND terminal is tied to the 1/4" jack's sleeve. It is recom­mended that the input and chassis ground terminals re­main connected with the factory-supplied jumper strap.
Tip (+) Ring (-)
Sleeve (Ground)
Stereo Phone Plug used for balanced
Pins are numbered in the connector insert.
2 = (+) 3 = (-) 1 = (gnd)
Input Output
(-) (+) (-) (+)
Chassis Ground Signal Ground
Balanced Audio Connecto rs
XLR Male
Terminal Strip
Figure 7.1: Balanced Input Connections (recommended)
Tip (+) Sleeve (Ground)
Mono Phone Plug used for unbalanced
Pins are numbered in the connector insert.
2 = (+) 3 = (gnd) 1 = (gnd)
Input Output
(gnd) (+) (+)
Chassis Ground Signal Ground
(gnd)
Unbalanced Audio Connectors
XLR Male
Terminal S trip
Figure 7.1a: Unbalanced Input Connections
tput Ch.1
Bridged Mode:
Posts Only. Chan.2 is (+) and Chan. 1 is (-). Do Not Connect Either Output to Ground.
Use Red Binding
(+)
(-)
45W/Ch.@ 8 60W/Ch.@ 4
Stereo
Mono
Norm
Bridged
0dB
-10dB
Input
Sensitivity
Channel 2
Input
Input is active balanced. If unbalanced connection is used, be sure to ground unused path.
(+)
(+)(-)
Input Ground
(-)
Channel 1 (Mono)
Inpu t
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Operating Manual - SRA-120 Power Amplifier
In situations where the power amp and its signal
source are separated by great distances, a ground voltage difference may exist between the amp’s chassis ground and the input cable’s ground. Connection of these two grounds through the jumper strap may cause large ground currents to flow (which is known as a ground loop), caus­ing a hum noise in the amp’s output. Unless you have such a situation with a hum problem that cannot be solved by using balanced input connections, the ground jumper strap should remain in place.
7.2 Input Sensitivity Switch
This switch selects between a 0 dBu input sensi-
tivity in the "out" position for use with professional au­dio sources, and -10 dBu input sensitivity in the "in" po­sition for use with low line-level sources such as tape decks, CD players, DAT machines, etc.
7.3 Normal/Bridging Switch
This switch selects between NORMAL mode in
the “out” position where both outputs are in-phase with their respective inputs, and BRIDGED mode in the “in” position where channel 1 output is switched out of phase with it's input. In BRIDGED mode, the channel 2 red bind­ing post becomes the (+) in-phase speaker output terminal
and the channel 1 red binding post becomes the (-) out-of­phase speaker terminal. To properly operate in bridged mono mode, the Mono switch must also be selected.
7.4 Stereo/Mono Switch
This switch selects between stereo mode in the "out" position and mono mode in the "in" position. In mono mode, channel 1 input is sent to both amplifier chan­nels, and is controlled through the channel 1 level con­trol.
7.5 Speaker Outputs - Binding Posts
A pair of dual banana binding posts provide the stereo speaker outputs. The minimum load impedance is 4 ohms per channel in normal mode, and 8 ohms in bridged mode. In BRIDGING mode, the channel 2 red binding post is the (+) in-phase speaker output terminal and the channel 1 red binding post becomes the (-) out-of-phase speaker terminal.
CAUTION! NEVER CONNECT THE TWO RED BINDING POSTS TOGETHER OR CONNECT EITHER RED BINDING POST TO A BLACK BINDING POST!
8. TYPICAL APPLICATIONS
8.1 Stereo Sound Reinforcement System
In this situation, the audio source feeding the SRA-120 is a professional level (0dBu) stereo mixer. All three
mode switches should be in the "out" position.
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Operating Manual - SRA-120 Power Amplifier
8.2 Stereo Playback Monitoring System
Here the SRA-120 is fed from a low line-level (-10dBu) stereo tape machine or CD player. Only the sensitiv-
ity switch should be depressed.
8.3 Mono Operation in High Level Bi-Amped System
Here the SRA-120 is fed from the high frequency output of a professional two-way crossover. The stereo/ mono and normal/bridged switches are both depressed to obtain the maximum amount of power when amplifying a mono signal. In this mode, the channel 1 input feeds both sides of the amp, but the phase of channel 1 is inverted so the voltage difference between the channel 2 and channel 1 red binding posts is twice as great as either would be relative to the black binding posts. The (+) in-phase speaker connection is then made to the channel 2 red binding post and the (-) out of phase speaker connection is made to the channel 1 red binding post. (Warning: the output power available to the horn or loudspeaker is doubled when in bridged/mono mode. Some horn drivers may be damaged by excessive power.)
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Operating Manual - SRA-120 Power Amplifier
9. DESIGN THEORY
Ashly engineers set out to design a single rack
space stereo power amplifier delivering a minimum of 120 watts total with the sonic excellence, mechanical rug­gedness and unsurpassed reliability Ashly amps are known for. These qualities were upheld while containing other important parameters such as weight, depth, serviceabil­ity and cost.
The result of this design philosophy is a superior
sounding all-discrete bipolar power amp section at the heart of the amp. The voltage gain stages of the amp are totally discrete transistors operating "class A" for low distortion. The output section is a full complementary bipolar push-pull stage. The active balanced input and level control stages utilize low-noise op-amps for con­stant input impedance with accurate, low noise level con­trol. All integrated circuitry was kept outside the feed­back loop of the power amp section to maintain excellent transient response.
A toroidal power supply transformer is used to minimize induced hum noise and to reduce overall weight. Epoxy sealed output relays are used to protect speakers and the amplifier from turn on transients, excessive load current and overheat conditions. A unique rear-panel sen­sitivity switch (0dBu or -10 dBu) is provided to interface the amp with professional line level equipment or directly with low line level tape machines and CD players.
The SRA-120 is packaged in an extremely rug­ged one piece welded 14-gauge steel chassis. The power transformer is located near the front center of the amp to minimize front panel torsion. Channels 1 and 2 circuitry are on separate plated-through glass epoxy circuit boards with plug-in connectors for all wiring to ensure ease of servicing. Each channel has a large, extruded aluminum heat sink with vertically oriented fins for maximum con­vection cooling action.
10. TROUBLESHOOTING TIPS
10.1 No Audio Output
• Power switch is on but not illuminated:
Line fuse on rear panel is blown or power outlet is dead.
IF LINE FUSE IS BLOWN, REPLACE ONLY WITH SAME TYPE AND RATING FUSE.
• Power switch is lit but no signal present indicator activity:
There is no input signal applied or input level controls are turned off. NOTE: In MONO mode, channel two input is disconnected and channel one input is sent to both channels.
• Protect LED remains lit:
Amp is in thermal protect mode. Loudspeakers have been disconnected until the amplifier returns to a normal temperature. The amplifier relies on convection air currents to move ver tically through the side fins to keep cool. If the protect indicators come on because of overheating, mount the amplifier with air space above and below to allow convection cooling action to occur.
Amp is protecting speakers from ultrasonic
signals. Disconnect input cables to see if
ultrasonic signal is coming from audio source.
• Protect LED remains lit and relay clicking is heard:
Output is short circuited or load impedance is
too low. Check speaker cables for shorts,
increase load impedance by disconnecting some
speakers.
A high frequency oscillation in the sound system
is occurring when the relays close. Turn down
the input level contr ols to verify that the amplifier
alone is not causing the problem.
Be sur e to use good quality shielded and balanced
input cable. Do not run input cables alongside
output speaker wires over long lengths
(i.e..through the same conduit).
10.2 Distorted Sound
• Output level meters indicate 0dB level (red CLIP LED on):
Amplifier is being clipped. Reduce the signal
level at the signal source.
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Operating Manual - SRA-120 Power Amplifier
• Signal present indicators active but clip LED is not:
Applied input signal is distorted before it gets to the amp. Check to see if a piece of equipment in the signal chain before the amp is clipping. Normally the amplifier should be operated with input levels fully CW to maximize headroom in the signal source. Also check for damaged speaker drivers that could cause distorted sound.
If distorted sound is still heard, there may be an internal problem. Call Ashly Audio service department at 1-800-828-6308.
10.3 Excessive Hiss Noise
If an excessive hiss noise is heard relative to the
signal level, then the amplifier may not be getting
a strong enough input signal. Push the r ear panel
sensitivity switch to the out position and increase
the output level of the audio source which feeds
into the amplifier. If excessive hiss noise is still
heard, then a noisy signal is being fed into the
SRA-120. Isolate which piece of equipment in the audio chain is causing the noise. The audio source medium itself may contain the noise.
10.4 Excessive Hum Noise
This is usually caused by "ground loops" in the system wiring. In a complex sound system where there are many components separated by significant distances and where several power outlets are being used, there are many opportunities for this problem to occur. If possible, feed every component in the system from one power source with a single gr ound point. Use balanced input and output connections between widely separated components. If a hum noise still exists, the SRA-120 signal ground can be disconnected from its chassis gr ound by removing the jumper strap from the input barrier strip.
If you still need help, get in touch with your Ashly dealer, or call Ashly direct: (800) 828-6308. In New York State, dial (716) 872-0010.
11. DIMENSIONS
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Operating Manual - SRA-120 Power Amplifier
12. SPECIFICATIONS
12.1 Output Power:
Maximum Average Power, 0.1% THD, 1KHz
RMS Watts Per Channel, Both Channels Driven
8 ohms: 40W 4 ohms: 60W
Bridged Mono Mode:
8 ohms: 120W
FTC Continuous Power, 0.1% THD, 20Hz-20KHz
RMS Watts Per Channel, Both Channels Driven
8 ohms: 40W 4 ohms: 55W
12.2 Frequency Response:
±0.2dB 20Hz - 20KHz
12.3 Total Harmonic Distortion (35W/ch.):
.01% 1ΚΗz, 8 .05% 20Hz-20KHz 8Ω
12.4 IM Distortion (35W/ch.):
(SMPTE): .01% 8
12.13 Power Requirements:
110-125VAC, 50-60Hz (240V Available)
12.14 Shipping Weight:
20 lbs.
Specification conditions are 120VAC 60Hz at 25°C.
13. WARRANTY POLICY
We thank you for your expression of confidence
in Ashly products. The unit you have just purchased is protected by a limited five year warranty. To establish the warranty, you must first complete and mail the war­ranty card attached to your product.
Fill out the information below for your records.
Model Number _________________________________ Serial Number _________________________________ Dealer ________________________________________ Date of Purchase _______________________________ Dealer’s Address _______________________________
_______________________________________________
12.5 Output Hum And Noise:
(dB below full output 20Hz - 20KHz, unweighted)
>100dB
12.6 Damping Factor:
>200 into 8, <1KHz
12.7 Full Power Input Sensitivity:
switchable .775Vrms/.245Vrms
12.8 Voltage Gain:
switchable 26.0dB/36.0dB
12.9 Input Impedance:
20KW balanced
12.10 Bandwidth:
100KHz
12.11 Slew Rate:
20V/µS
12. 12 Rise Time:
2µS 10%-90%
_______________________________________________ Dealer’s Phone _________________________________ Salesperson ____________________________________
OTHER INFORMATION: _______________________________________________
_______________________________________________
_______________________________________________
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Operating Manual - SRA-120 Power Amplifier
14. SCHEMATICS:
Figure 15.1: SRA-120 Block Diagram and Wiring Diagram.
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14
Operating Manual - SRA-120 Power Amplifier
Figure 15.2: SRA-120 Channel One Schematic Diagram.
Operating Manual - SRA-120 Power Amplifier
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Figure 15.3: SRA-120 Channel Two Schematic Diagram.
Operating Manual - SRA-120 Power Amplifier
ASHLY AUDIO INC. 847 Holt Road Webster, NY 14580-9103
Phone: (716) 872-0010 Fax: (716) 872-0739
Toll Free (800) 828-6308 Internet: http://www.ashly.com
1997 by Ashly Audio Corporation. All rights reser ved worldwide.
Printed in USA 4/97 SRA Rev 3
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