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TRUE BLUE
New Location & Studio Fresnels
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THE EVOLUTION
Of Authentic ARRI TRUE BLUE Lighting
ARRI | TRUE BLUE
ARRI TRUE BLUES represent an unprecedented evolution
of the Studio and Location fixtures that have been popular
workhorses for over two decades. Following extensive
research and feedback from lighting professionals around
the world, combined with advances in technology, ARRI
has designed a series of six highly innovative lampheads
with over 30 new improvements for studio and location
lighting. With reduced weight, compact size and maximum
light output TRUE BLUES set a new standard for
professional lighting equipment.
New pressure die cast and extruded aluminum components
have reduced the overall weight of the TRUE BLUE fixtures
without an
components no
corrosion.
ARRI’s cross cooling system* reduces lamp housing
temperature by 25% and lens temperature by 17%. With
special air channels built into the aluminum e
constant stream of air passes around the Fresnel lens and
into the lamphead regardless of the tilt angle.
At the heart of the TRUE BLUE concept is a redesigned
stirrup and improved tilt lock. The stainless steel friction
disc locks the lamphead securely even with the largest
Chimera or other accessories. T
y sacrifice in quality or durability. Many
w offer greater strength and resistance to
xtrusion, a
e lamphead balance
o mak
even easier, the stirrup mounting slides and can be
adjusted to counterbalance all accessories. The new
extruded aluminum stirrup is stronger, lighter and less
bulky but still permits full fixture rotation. Its soft contour
makes it comfortable to carry.
The new Stegmaier connector* and strain relief rotate to
allow the cable orientation to be quickly adjusted for
hanging or stand mounting. Improved barndoors are
stronger, less susceptible to bending and a new hinge
design maintains constant tension that can be easily
adjusted.
Routine maintenance and repair are easier with f
access to all internal components. Cleaning is made
effortless with smooth lamp housing surfaces.
ARRI has redesigned these new lights down to the smallest
detail, offering lighting professionals better choices for
location and studio w
to 5000W include the T1, T2, T5, ST1, ST2 and ST5.
atent pending
* P
ork. TRUE BLUE Fresnels from 1000
ast, simple
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Cross Cooling
RRI’s cross cooling system moves a stream of air around the Fresnel lens
A
nd through the lamphead. In addition, air is channeled through the
a
luminum extrusion housing reducing lens temperature by 17% and housing
a
emperatures by 25%. Cross cooling allows ARRI TRUE BLUES to safely
t
perate at almost any tilt angle.
o
P
atent pending
Stegmaier Connector
We’ve named this component for its inventor and the principal designer of
ARRI TRUE BLUES. With this combination connector and strain relief, the
power cable can be quickly reoriented for stand mount or hanging fixtures.
In addition, the connector, along with ARRI’s new lampholder, allows us
to eliminate the interior terminal block.
Patent pending
Sliding Stirrup
Modern fixtures use a wide variety of Chimeras, scrollers and other front
mounted accessories. Simply slide ARRI’
and easily adjust the fixture’s center of gravity.
Due to the smaller size of the fixture, the sliding stirrup is not used on the T1.
*
s unique stirrup bracket to quickly
Tilt Lock
ARRI’s new design creates a positive lock so there’s no slippage when using
vy accessories. A stainless steel friction disc functions like a disc brake
hea
wing the lamphead to be completely lock
allo
ed off with a minimum of f
orce.
* Due to the smaller size of the fixture, the friction disc tilt lock is not used
on the T1.
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