Ampzilla Trinaural Processor Owners manual

Spread Spectrum Technologies, Inc. Trinaural Processor Manual

TRINAURAL PROCESSOR

PRELIMINARY OWNER'S MANUAL

Welcome to the world of trinaural sound. Some of you may remember the transition from mono to stereo back in the
mid-late '50s. The same similar transition is now about to happen again. While stereo was a huge improvement over
mono, the truth is that the stereo format has always been terribly flawed. All sounds in nature are created in MONO
and not stereo. Hence, stereo is a concoction of man's ingenuity. Stereo does NOT exist in the natural world. Neither
does digital, for that matter.

Human hearing processes information: direction, distance, and finally-recognition. It's this first item, direction, which
is where all the trouble lies. The second and third items become redundant if the first item is not satisfied. Correct and
proper directional clues are the main source of creating "reality" in the acoustic presentation. After all, the main goal of
sound reproduction is the "You are there" or "It is here" factor. Furthermore, it becomes vitally important for the
listener to comprehend this because vision is left out of the equation.

There have been many attempts at creating an improved sound format over the last several decades. Every last one of
these attempts has been a total disaster because of the complete failure in solving the "riddle" of the directionality
problem-until now. Many of you may remember the Dynaco quad adapter, the awful SQ and QS systems of the '70s,
the Ambisonics system, sonic holography systems, and lately the SDS systems. There have been others. None of them
addressed the proper issues.

The Trinaural Processor is a totally different concept compared to any of these other systems. Firstly, it is an
ANALOG processor-not digital. Secondly, it does not alter in any way, the frequency response of the system. What it
does do is algebraically reprocess the directional information. This process requires a third center channel in the
playback system. DO NOT ASSUME that this is merely adding a summed center channel. IT IS NOT!!! The stereo
composite signals are algebraically revectorized into 3 front channels. In addition, the cross-coupled error signals,
which are necessary for stereo to work in the first place, are virtually eliminated. As an aside, the cross-coupled error
signals are also the main Achilles heel of the stereo reproduction system. One should understand that in reality, there is
actually very little absolute left only and/or right only information. Most of the acoustic information is located
BETWEEN the speakers. Most importantly, the vast majority of soloists are located smack dead center. Even in the
very best stereo systems, one must sit virtually in the center (the sweet spot) in order to perceive any proper
perspective. Moving either right or left most assuredly causes shifts in directionality. This of course, is positively
unacceptable and is what the Trinaural Processor improves upon by orders of magnitude.

CAVEAT - THE LEARNING CURVE

The ear-brain linkage is very similar to the muscle-brain linkage in that memory is a key function. For example,
athletes sometimes have to go through great pains in relearning a process because muscle memory must be overcome.
In other words, one must unlearn the fault(s) before learning the new. Our human hearing is similar to this. When

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Spread Spectrum Technologies, Inc. Trinaural Processor Manual

presented with a new format, one must RELEARN how to listen. This brings up a vital point. DO NOT ATTEMPT
TO COMPARE THE TRINAURAL SYSTEM WITH NORMAL STEREO. Disregarding this mandatory guideline
will surely meet with less than acceptable results. All of the new directional cues must be learned. Trying to compare
results with the old stereo will certainly lead to confusion. SST WILL NOT be responsible for less than satisfactory
results from those who choose not to follow the prescribed methodology.

It may take you a week or two to begin to get used to the effects of the Trinaural Processor. At first, after proper
calibration, you will undoubtedly sense a "center heavy" quality to the acoustic presentation. This is obvious since
there was NO center speaker there before. Your ears are now getting new informational cues from a REAL center
source. This is NORMAL. There is nothing wrong with your hearing or the system. Your normal initial reaction might
be to turn down the level of the center channel. YOU MUST NOT DO THIS. Over a short period of time, this
perception will fade.

Secondly, our human hearing is "leading tone sensitive' which is actually a musical term. In other words, our hearing
tends to "identify" higher frequencies primarily. For example, in listening to a group of moving chords, our hearing
will automatically identify the top note of each chord as the melody. Obviously, if we didn't have this ability, there is
no way that we could enjoy listening to any kind of music, as there would be no identification. Therefore, relative to
this, when first listening to the Processor, the sound quality will probably sound a little "hot" or strident in the higher
frequencies. Again, this is due to the fact that there was no center speaker there before. This effect too, will disappear
after a short period of time. After conditioning, you will be continuously surprised at the detail and clarity that you've
not experienced before. Another interesting effect that we noticed during extensive listening sessions is that less than
stellar speakers tend to sound much better than they did in just normal stereo. This is because the sound field has been
opened up to such a degree as to make the speakers more transparent and therefore less obvious. Of course, all of the
great possibilities will only occur if the system is set up properly and correctly calibrated.

SYSTEM SETUP AND CALIBRATION

Included is a drawing showing the proper acoustic setup. It is absolutely mandatory that you understand the reasoning
behind our recommendations. The speakers must be placed dimensionally in order for the "time of arrival" of all
sounds to be precisely correct. In addition, the angles must also coincide properly. Finally, the acoustic levels must be
calibrated. The best way to start is to try to arrange your acoustic setup as a perfect square. Even if your room is longer
in the listening direction, try to center the speaker setup to achieve this. The drawing is a composite showing two
locations for the left and right speakers. It is even possible that for those of you who do not have home theater setups
to have both arrangements simultaneously i.e. both front and rear speakers. A simple switch can easily handle this for
the speakers.

The first time setup should have the speakers in the front as shown. The correct
angles of location for the right and left speakers is approximately 45 degrees off
center BUT still located "on the arc" of the circle. This is extremely important as
the distance to the point where all three speaker axis cross MUST be the same. As
shown, this axis point should beapproximately 1 foot in front of your sitting
position.

When the system is first turned on DO NOT play any music. Before you turn the
system on however, MAKE SURE that the recessed CAL-LEVEL screwdriver
adjust control is turned all the way down. Next, turn the noise level on-off control
so that you feel a click indicating that the noise generator has been engaged. You

should hear broadband white noise coming ONLY from the center channel
speaker. Now switch the spring loaded L-CTR-R switch to either the left or the
right. You should hear noise now from ONLY the right or left speaker depending on which you chose. There should be
more noise coming from the right or left speaker than from the center speaker. If the level is too low to hear, carefully
turn up the noise level control. BE CAREFULL!!! Noise is very broadband and VERY powerful and you don't want to
damage your speakers. Now, carefully adjust the cal control so that the noise is EXACTLY the same level coming

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