Alto Lynx-Mix62-FX, Lynx-Mix62 Users Manual

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Page 1

LYNX-MIX62/ LYNX-MIX62FX

6-CHANNEL MIXING CONSOLE WITH DIGITAL EFFECTS

User's Manual

MIC MIC

1 2 3/4 5/6

LINE LINE

BAL/UNBAL BAL/UNBAL

INE LINE

GAIN GAIN

dB dB

50 0

-35 -35

+15 +15

AUX

SEND

LINE LINE

L(MONO) L(MONO)

GAIN GAIN

dB dB

-20 -20

+20 +20

EQEQ EQ EQ

HIHI HI HI

12kHz12kHz 12kHz 12kHz

+15+15 +15 +15

-15-15 -15 -15

M DMID M D M D

25kHz2 5kHz 2 5kHz 25kHz

+15+15 +15 +15

-15-15 -15 -15

LOWLOW LOW LOW

80Hz80Hz 80Hz 80Hz

+15+15 +15 +15

-15-15 -15 -15

AUX

SEND

MON

-- - -

LEFTLEFT LEFT LEFT

213/45/6

-- - -

MON1MON

+10+10 +10 +10

PANPAN BAL BAL

PEAKPEAK PEAK PEAK

RIGHTRIGHT RIGHT RIGHT

LEVELLEVEL LEVEL LEVEL

+10+10 +10 +10

MIC MIC

1 2 3/4 5/6

PHONES

X-

AUXRE URNS

CTRLROOM

CD/TAPE

AUXSENDS

MON

MAINMIX(BAL/UNBA )

LRLR

AUX RETURNS

TO MAIN M X

+10

TO AUX1 MON

+10

AUX

SEND

CD/TAPE IN

CTRL ROOM

/PHONES

MAIN CD/TAPE

OFF MAIN

CD/TAPE

TOMAIN MIX

+10

MAIN MIX

OUT

POWER

PHANTON

48V

OFF ON

CLIP

-6

OUTPUTLEVEL

PHONES

IX X

X-

AUXSENDS

AUX RETURNS

CD/TAPE IN

CTRL ROOM

MON

/PHONES

MAIN CD/TAPE

CD/TAPE

TOMA NM X

MAINMIX(BAL/UNBAL)

MAIN MIX

+10

AUX1 MON

+10

MAIN MIX

OFF MAIN

CD/TAPE

OUT

LRLR

POWER

PHANTON

48V

OFF ON

CLIP

-6

-12

-18

-24

-30

OUTPUTLEVEL

+10

UXRETURNS

CTRLROOM

PRESETS

PEAK

FXMUTE

1 WARM HALL 2 BRIGHT HALL 3 WARM ROOM 4 BRIGHT ROOM 5 VOCAL 1 6 VOCAL 2 7 VOCAL 3 8 PLATE

9 STEREO DELAY 1 10 STEREO DELAY 2 11 REV+DELAY 1 12 REV+DELAY 2 13 REV+DELAY 3 14 REV+DELAY 4 15 REV+CHORUS 1 16 REV+CHORUS 2

+10

www.altoproaudio.com

Version 1.0 Mar. 2009

English

Page 2

IMPORTANT SAFETY INSTRUCTION

CAUTION

RISK OFELECTRIC SHOCK

DO NOTOPEN

TO REDUCE THE RISK OF ELECTRIC SHOCK PLEASE DO NOT REMOVE THE COVER OR THE BACK PANEL OF THIS EQUIPMENT. THERE ARE NO PARTS NEEDED BY USER INSIDE THE EQUIPMENT. FOR SERVICE, PLEASE CONTACT QUALIFIED SERVICE CENTERS.

This symbol, wherever used, alerts you to the

presence of un insulated and dangerous voltages within the product enclosure. These are voltages that may be sufficient to constitute the risk of electric shock or death.

This symbol, wherever used, alerts you to important operating and maintenance instructions.

Please read.

Protective Ground Terminal AC mains (Alternating Current)

Hazardous Live Terminal ON: Denotes the product is turned on. OFF: Denotes the product is turned off.

CAUTION

Describes precautions that should be observed to prevent damage to the product.

Read this Manual carefully before operation. Keep this Manual in a safe place.

Be aware of all warnings reported

with this symbol.

Keep this Equipment away from water and moisture.

Clean it only with dry cloth. Do not use solvent or other chemicals.

Do not damp or cover any cooling opening. Install the equipment only in accordance with the Manufacturer's instructions.

Power Cords are designed for your safety. Do

not remove Ground connections! If the plug does not fit your AC outlet, seek advice from a qualified electrician. Protect the power cord and plug from any physical stress to avoid risk of electric shock. Do not place heavy objects on the power cord. This could cause electric shock or fire.

Unplug this equipment when unused for long

periods of time or during a storm.

Refer all service to qualified service personnel

only. Do not perform any servicing other than those instructions contained within the User's Manual.

To prevent fire and damage to the product,

10.

use only the recommended fuse type as indicated in this manual. Do not short circuit the fuse holder. Before replacing the fuse, make sure that the product is OFF and disconnected from the AC outlet.

WARNING

To reduce the risk of electric shock and fire, do not expose this equipment to moisture or rain.

Dispose of this product should notbeplacedinmunicipalwaste and should be separate collection.

MovethisEquipmentonlywithacart,

11.

stand, tripod, or bracket, specified by the manufacturer, or sold with the Equipment. When a cart is used, use caution when moving the cart / equipment combination to avoid possible injury from tip over.

12.

Permanent hearing loss may be caused by exposure to \ extremely high noise levels. The US. Government's Occupational Safety and Health Administration (OSHA) has specified the permissible exposure to noise level. These are shown in the following chart:

HOURS X DAY

8 6 4 3 2 1,5 1 0,5 0,25 or less

According to OSHA, an exposure to high SPL in excess of these limits may result in the loss of heat. To avoid the potential damage of heat, it is recommended that Personnel exposed to equipment capable of generating high SPL use hearing protection while such equipment is under operation.

The apparatus shall be connected to a mains socket outlet with a protective earthing connection.

The mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

EXAMPLE

SPL

Small gig

train

Subway train

High level desktop monitors

Classic music concert

100 102 105 110 115

Rock concert

Page 3

IN THIS MANUAL:

1. INTRODUCTION........................................................................1

2. FEATURES...............................................................................1

3. QUICK START...........................................................................2

4. CONTROL ELEMENTS...............................................................4

5. INSTALLATION & CONNECTION................................................11

6. APPENDIX.............................................................................12

7. PRESET LIST.........................................................................13

8. BLOCK DIAGRAM...................................................................14

9. TECHNICAL

SPECIFICATIONS....................................................15

10. WARRANTY.........................................................................16

1. INTRODUCTION

Thank you for purchasing the LTO LYNX-MIX62(FX) 6-channel mixing console with 24-bit digital multi-effect. It is just one of the many Alto products that a talented, multinational Team of Audio Engineers and Musicians have developed with their great passion for music. Your LYNX-MIX62(FX) is a remarkable compact mixing desk that does not find many equals in the market today. With 2 microphone and 2 stereo Line-level inputs for small live performances, small studio recording and general PA applications, your LYNX-MIX62(FX) also includes a 24-Bit digital multieffect with 16 Factory Presets . There is a three bands EQ on all input channels and separate Main Mix and Control Room outputs for operation with different volume settings. Use it for small GIGs and RECORDING. Your LYNX-MIX62(FX) also is a flexible tool for your Multi-media presentations.

Enjoy your LYNX-MIX62(FX) and make sure to read this Manual carefully before operation!

2. FEATURES

2 MIC input channels with gold plated XLR and balanced LINE input 2 stereo input channels with balanced TRS jacks Ultra-low noise discrete MIC pre-amps with +48V Phantom power Extremely high headroom offering e xtra dynamic range Balanced inputs for optimal signal integrity W arm, natural 3-band EQ on each channel Built-in 24 bits digital effects processor(F or LYNX-MIX62FX Model) P eak LED on each channel 2 AUX sends pre channel for e xternal effects and monitoring Main output, Control room and headphone outputs 2- Track inputs assignable to main mix, control room/headphone outputs Highly accurate 8-segment bar graph meters

Page 4

3. QUICK START

This is the fastest way to get something out from your LYNX-MIX62(FX), if you have a keyboard and a microphone.

a. With the Main switch in OFF position, connect the supplied AC Adapter to your

first and then into the AC outlet, making sure that theLYNX-MIX62(FX)

available voltage is the same with your .LYNX-MIX62(FX)

b. Before turning on the , you shall connect it to a power amplifier

and speakers. Turning off the mixer BEFORE the power amplifier.

c. Plug the microphone into Channel 1 MIC IN.

d. Turn down AUX and LEVEL controls on the input channel.

e. Put the EQ controls on center position.

f. Turn on your .LYNX-MIX62(FX)

g. With LEVEL control on "0" position, sing or speak in to the microphone with

normal volume and adjust the GAIN control so that the PEAK LED only blink occasionally.

h. If you like, you can adjust the equalization at this stage.

i. Turn up MAIN MIX LEVEL until you get a comfortable volume.

j. Connect your stereo keyboard into CH 3/4 and repeat the same sequence.

Here you are. It is your first mix with your .LYNX-MIX62(FX)

Once you have finished your working session you shall turn the mixer off AFTER the power amplifier. Before disconnecting the AC Adapter always turn-off your LYNX-MIX62(FX) LYNX-MIX62(FX) clean cloth will be OK.

.Do not use solvents to clean your . A dry and

LYNX-MIX62(FX)

Page 5

3. QUICK START

SMALL GIG

MIC 1

MIC 2

MIC MIC

1 2 3/4 5/6

LINE LINE

BAL/UNBAL BAL/UNBAL

LINE LINE

GAIN GAIN

dB dB

50 50

35 35

+15 +15

DIGITAL EFFECT UNIT

+20 +20

LINE LINE

dB dB

KEYBOARD

BAR,PUB,RESTAUARNT

WIRELESS MIC

STEREO AUDIO FROM TV

TV SCREEN

L(MONO) L(MON )

GAIN GAIN

20 20

DRUM MACHINE

STAGE MONITOR

PHONES

CTRL ROOM

AUX SENDS

X-

MON

AUX RETURNS

POWERED STAGE MONITORS

HEADPHONE

IX X

CD/TAPE

OUT

MAIN MIX(BAL/UNBAL)

LRLR

ACTIVE SPEAKERS (ALTO PS4 HA)

CD PLAYER

DAT

DAT OR TAPE RECORDER

MIC MIC

1 2 3/4 5/6

D/I BOX

LINE LINE

dB dB

+20 20

LINE LINE

BAL/UNBAL BAL/UNBAL

LINE LINE

GAIN GAIN

dB dB

50 50

35 35

+15 15

GUITAR

DRUM MACHINE

L(MONO) L(MONO)

GAIN GAIN

20 20

PHO ES

AUX RETURNS

AUX SENDS

CTRL ROOM

ZONE 2 ACTIVE SPEAKERS

X-

MON

IX X

CD/TAPE

MAIN MIX(BAL/UNBAL)

LRLR

OUT

MAIN ACTIVE SPEAKERS

CD PLAYER

2 TRACK RECORDER

Page 6

SPOTLIGHT

4. CONTROL ELEMENTS

MIC MIC

1 2 3/4 5/6

JT JT

LINE LINE

BAL/UNBAL BAL/UNBAL

LINE LINE

GAIN GAIN

dB dB

50 50

35 35

+15 +15

AUX

SEND

MON

1515 15 15

+15+15 +15 +15

1515 15 15

+15+15 +15 +15

1515 15 15

+15+15 +15 +15

-- - -

+10+10 +10 +10

-- - -

+10+10 +10 +10

LINE LINE

L(MONO) L(MONO)

GAIN GAIN

dB dB

20 20

+20 +20

EQEQ EQ EQ

HIHI HI HI

12kHz12kHz 12kHz 12kHz

MIDMID MID MID

2.5kHz2.5kHz 2.5kHz 2.5kHz

LOWLOW LOW LOW 80Hz80Hz 80Hz 80Hz

AUX

SEND

MON

AUX

SEND

MON

PANPAN BAL BAL

PEAKPEAK PEAK PEAK

RIGHTRIGHT RIGHT RIGHT

LEFTLEFT LEFT LEFT

213/45/6

LEVELLEVEL LEVEL LEVEL

PHONES

IX X

AUX RETURNS

1. WARM HALL

2. BRIGHT HALL

3. WARM ROOM

4. BRIGHT ROOM

5. VOCAL 1

AUX

6. VOCAL 2

7. VOCAL 3

SEND

8. PLATE

9. STEREO DELAY 1

10. STEREO DELAY 2

MON

11. REV+DELAY 1

12. REV+DELAY 2

13. REV+DELAY 3

14. REV+DELAY 4

15. REV+CHORUS 1

16. REV+CHORUS 2

PRESETS

PEAK

FX MUTE

CTRL ROOM

AUX SENDS

MON

AUX RETURNS

CD/TAPE IN

CTRL ROOM

/PHONES

MAIN CD/TAPE

OFF MAIN

X-

CD/TAPE

OUT

MAIN MIX(BAL/UNBAL)

LRLR

MAIN

POWER

MIX

+10

AUX1

MON

OUTPUT LEVEL

MAIN MIX

PHANTON

OFF ON

48V

CLIP

-- - -

+10+10 +10 +10

CD/TAPE

TO MAIN MIX

+10

Page 7

SPOTLIGHT

4. CONTROL ELEMENTS

MIC MIC

1 2 3/4 5/6

LINE LINE

BAL/UNBAL BAL/UNBAL

L E E

GAIN GAIN

dB dB

50 50

35 35

+15 +15

LINE LINE

L(MONO) L(MONO)

GAIN GAIN

dB dB

20 20

+20 +20

PHONES

IX X

X-

MON

CD/TAPE

OUT

MAIN MIX(BAL/UNBAL)

LRLR

AUX RETURNS

AUX SENDS

CTRL ROOM

1 MIC INPUT (1 to 2)

Your is equipped with 2 low-noise microphone preamplifiers

LYNX-MIX62(FX) with optional phantom power, 50 dB of Gain and 115 dB of S/N ratio. You can connect almost any type of microphone. Dynamic microphones do not need phantom power. Use phantom power only with condenser microphones but make sure that the phantom power button is disengaged before connecting the microphone. Phantom power will not damage your dynamic microphones but it may damage tube or ribbon microphones so make sure to read the microphone instructions manual before engaging phantom power. Use switch (24) to activate/deactivatephantom power. These two channels are also equipped with 1/4" TRS balanced/unbalanced LINE-IN plugs to connect line-level instruments such as keyboards, drum machines and effect devices.

NOTE: Never try to connect a line-level signal to the XLR MIC input when the phantom power is engaged or you may seriously damage your equipment.

2 STEREO LINE INPUTS (3 to 6)

These are channels 3/4, and 5/6. They are organised in stereo pair and provided with 1/4" TRS phone sockets. If you connect only the left jack, the input will operate in mono mode, that is the mono signal will appear on both input channels. You can use these inputs with a stereo keyboard, drum machine, etc.

3 GAIN

This control is provided with 2 different indication rings: one is for 1-2 channels, with a range of 0~50dB when MIC is used and a range of +15~-35dB when LINE is used, the other for 3-6 channels with a range of +20~-20dB. For optimum operation, you shall set this control in a way that the PEAK LED will light up only occasionally in order to avoid distortion on the input channel.

Page 8

SPOTLIGHT

4 AUX SENDS

For AUX1(MON) jack, use this to connect the input of an external amplifier or active monitor speaker. For AUX2(FX) jack, use this to output the line level signal of the AUX2 post fader bus. You can use it to feed the inputs of a stereo multi-effects (you will need a Y-type cable ).

5 AUX RETURNS

You can use these stereo 1/4" phone sockets to return the stereo signal of an effect unit to the Main Mix. Alternatively you can use them as an extra auxiliary input and using the AUX RETURN level control as volume control. The signal will be sent directly to MAIN MIX control.

6 CTRL ROOM OUTPUT

These 1/4" phone sockets will be used to send the signal to a pair of powered Studio Monitor speakers or to a second set of PA.

7 MAIN MIX OUTPUTS

This stereo output is controlled by the Main Mix Level on the Master section and will send the audio signal to an amplifier or to a pair of active speakers. The output level can be varied from - to +10 dB.

8 CD/TAPE IN

Use the Tape input to connect a CD Player, Tape, DAT, iPOD or any other linelevel source. You can send this signal either to CONTROL ROOM OUTPUT and/ or to the MAIN MIX OUTPUT using the relative CD/TAPE TO select buttons.

9 CD/TAPE OUT

These RCA jacks will route the main mix signal into a tape or DAT recorder.

10 PHONES

This socket will be used to send the signal to a pair of headphones.

4. CONTROL ELEMENTS

CHANNEL STRIP

11 LEVEL

This knob controls the channel's level from - to +10 dB.

12 PEAK LED

This red LED will let you know about the status of the signals processed into

LYNX-MIX62(FX) LYNX-

your .Connect a microphone or an instrument to your MIX62(FX) so that the PEAK LED lights-up only occasionally. If this LED is always on, you are experiencing a lot of distortion and you should turn the GAIN control down or reduce the EQ boosting. If this led never lights up, turn the GAIN control up again.

and sing/play at normal volume. Set the level control of that channel

Page 9

SPOTLIGHT

4. CONTROL ELEMENTS

13 PAN/BAL

This is the PANORAMA control, or balance control. You can adjust the stereo image of the signal via this control. Keep this control in center position and your signal will be positioned in the middle of stage. Turn this control fully counter clockwise and the signal will be present only on the left speaker and vice-versa. Of course a large number of intermediate positions is available.

14 AUX

These two controls are used to adjust the level of the signal sent to AUX buses, and their adjustable range goes from - to +10dB. AUX1 is configured as

12kHz

+15

MID

2.5kHz

+15

LOW 80Hz

+15

AUX

SEND

MON

+10

14 PRE(MON)-FADER, so, generally, it can be used for monitor application. While AUX2 is configured as POST(FX)-FADER, therefore, most of the times, it will be used for effects and processors input, however, you can also changed it to PRE(MON)-FADER configuration according to the specific application. (For more detail, please see chapter 6.) In this typical compact unit, excluding sending out directly to the external effect or processor equipment, AUX SEND2 will also be sent to the internal onboard effect module.

LEFT

+10

RIGHT

PAN

PEAK

LEVEL

+10

3-BAND EQ

You have three EQ control for each mono and stereo input channel each providing +/-15 dB of boost and cut (MID is +/-12 dB). The signal will be unaffected when the controls are on center position. You may use an external equalizer to make up a mix properly but a master equalizer will not have effect on a single channel and you may overload the signal easily. Individual EQ will give you a much better control on single tracks.

15 HI

If you turn this control up, you will boost all the frequencies above 12 kHz (shelving filter). You will add transparency to vocals and guitar and also make cymbals crispier. Turn the control down to cut all frequencies above 12 kHz. In such way, you can reduce sibilances of human voice or reduce the hiss of a Tape player.

16 MID

This is a peaking filter and it will boost/cuts frequencies with their center at

2.5 kHz. This control will affect especially upper male and lower female vocal ranges and also the harmonics of most musical instruments.

Page 10

SPOTLIGHT

4. CONTROL ELEMENTS

17 LOW

If you turn this control up, you will boost all frequencies below 80 Hz. You will give more punch to bass drums and bass guitar; and you will make the male vocalist more "macho". Turn it down and you will cut all the frequencies below 80 Hz. In this way you can avoid low-frequency vibrations and resonance thus preserving the life of your woofers.

MASTER SECTION

18 MAIN MIX LEVEL

This knob controls the level of the signal sent to MAIN OUTPUTS and CD/TAPE OUT. Also AUX RETURNS and CD/TAPE IN signals will be sent to this control.

19 PHONES/CONTROL ROOM LEVEL

This knob controls the signal sent to CONTROL ROOM OUTPUT & PHONES

OUTPUT.

20 CD/TAPE IN

This knob controls the signal sent from

CD/TAPE IN.

21 OUTPUT LEVEL METERS

These consist of two column of 8 LEDs

each ranging from -30 dB to +18 dB (CLIP). The 0 LED corresponds to a level output of 0 dBu. The CLIP LEDs come to life when the output reaches +18 dBu. Set the MAIN MIX level control so that the CLIP LEDs only flashes occasionally. In general, you get a good mix level when the Meter LEDs operate in the range 0 to +6. If you exceed +6, you will get distortion. If even -30 LEDs are sleeping your signal-to-noise ratio will suffer.

AUX RETURNS

MAIN

MIX

+10

AUX1 MON

+10

CD/TAPE IN

+10

CTRL ROOM

/PHONES

MAIN CD/TAPE

MAIN MIX

OFF MAIN

CD/TAPE

TO MAIN MIX

POWER

PHANTON

48V

OFF ON

CLIP

OUTPUT LEVEL

+10

Page 11

SPOTLIGHT

4. CONTROL ELEMENTS

22 AUX RETURNS

TO MAIN MIX, This control is used to control the volume of the processed signal sent to Main Mix bus, which can be varied from - to+10 dB. TO AUX1 MON, This control is used to control the volume of the processed signal sent to Monitor Mix, which can be varied from - to +10 dB.

23 MAIN/CD/TAPE

If you push down the CD/TAPE TO CONTROL ROOM button, the CD/TAPE IN signal will be routed into the Control Room output and the level will be adjusted by the Control Room knob nearby the Main MIX LEVEL knob.

24 CD/TAPE TO MAIN MIX

If you push down the CD/TAPE TO MAIN MIX button, the CD/TAPE IN signal will be routed into the MAIN output and will be adjusted by the MAIN MIX LEVEL knob.

25 PHANTOM PWR Switch

This button will apply +48 Volt Phantom Power only to the 2 XLR MIC input sockets. When condenser microphones are not used, please make sure that the Phantom Power is disengaged.

26 PHANTOM LED

This LED indicates when the PHANTOM POWER is engaged.

27 POWER LED

This LED indicates when your is switched on.LYNX-MIX62(FX)

DSP SECTION(For LYNX-MIX62FX Model)

There is a powerful 24-bit/16 preset digital multi-effects included in your MIX62FX

Effects include reverbs, chorus, flanger, delay and combinations of the

above.

28 PRESETS

Adjust this control to select the desired effect. There are a total of 16 Factory presets available

28 including WARM HALL, REV+DELAY, REV+CHORUS, etc.

PRESETS

PEAK

FX MUTE

LY N X -

Page 12

SPOTLIGHT

PEAK LED

4. CONTROL ELEMENTS

This LED lights up when the input signal is too strong.

REAR PANEL

SERIAL

CAUTION:

REPLACE WITH THE SAME TYPE FUSE AND RATING DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE

RATED POWER

CONSUMPTION 18W

POWER SWITCH

18VAC~

POWER

MODEL

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

This switch is used to turn the main power ON and OFF.

INPUT

This connector is used to connect the supplied AC 18V Adapter.

DESIGNED IN ITALY

Page 13

5. INSTALLATION AND CONNECTION

Ok, you have got to this point and you are now in the position to successfully operate your . However, we advise you to read carefully the following section to be the real master of your own mix. Not paying attention enough to the input signal level, to the routing of the signal and the assignment of the signal will result in unwanted distortion, a corrupted signal or no sound at all. So you should follow this procedure for every single channel:

1. Turn down all Input and Output Gain Controls.

2. Connect phantom powered microphones before switching on the +48 Volt phantom power switch.

3. Set the output level of your or the connected power amplifier at no more than 75%.

4. Now, set the CONTROL ROOM/PHONE level at no more than 50%.

5. Position HI, MID and LOW EQ controls on middle position.

6. Position panoramic (PAN/BAL) control on center position.

7. With a pair of headphones or studio monitor speakers connected apply a Line Level input signal so that the PEAK LED does not light up.

8. While speaking into the microphone (or playing the instrument), adjust the channel level control so that the PEAK LED will blink occasionally, in this way You will maintain good headroom and ideal dynamic range.

9. Now repeat the same sequence for all input channels. The Main LED Meter could move up into the red section. In this case, you can adjust the overall output level through the MAIN MIX control.

Audio Connections

You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schematics.

LYNX-MIX62(FX)

Strain Clamp

Ring

Sleeve

Tip

Sleeve Ground/Screen

Use for Headphone, Stereo Return

1/4" Stereo (TRS) Jack Plug

Tip

Sleeve

Sleeve Ground/Screen

UseforMonoLineIn,Mono1/4"JackPlugs

1/4" Mono (TS) Jack Plug

Ring Right Signal

Tip Left Signal

Tip Signal

Page 14

5. INSTALLATION AND CONNECTION

2=Hot(+)

Use for Balanced Mic Inputs

(For unbalanced use, connect pin 1 to 3)

3 pin XLR Male Plug

(seen from soldering side)

3=Cold(-)

1=Ground/Screen

2=Hot(+)

(For unbalanced use, leave pin3 unconnected)

3 pin XLR Line Socket

1=Ground/Screen

3=Cold(-)

Use for Main output

(seen from soldering side)

6. APPENDIX

PREFADER AND POSTFADER CONSIDERATIONS

Interesting consideration! Where are the faders in your ?? Actually a fader is usually regarded as a slider, that is a linear potentiometer. All potentiometers in your are of rotary type but we keep the pre-

LYNX-MIX62(FX) fader/post-fader description that is quite industry standard and easily understandable. When your leaves the Alto Factory, the AUX

LYNX-MIX62(FX) bus of all input channels is wired post-fader. In this way, the Aux bus can be used for the internal or external multi-effect. If you want to use the MIX62(FX)

Aux bus for powered stage monitors, you should disconnect the aboveindicated POST route track and solder the PRE route track like in this drawing. In this way, the signal is routed to the AUX SENDS output before the Channel Level control.

LYNX-MIX62(FX)

LYNX-

(PRE)

POST

AUX

Before

Disconnect the POST route

(PRE)

POST

AUX

Solder the PRE route

After

Page 15

7. PRESET LIST

Preset

NO.

WARM HALL

BRIGHT HALL

WARM ROOM

BRIGHT ROOM

VOCAL 1

VOCAL 2

VOCAL 3

PLATE

STEREO DELAY 1

STEREO DELAY 2

REV DELAY 1

REV DELAY 2+

REV DELAY 3+

REV DELAY 4+

REV CHORUS1+

REV CHORUS2+

Descr+iption

Simulate a Small acoustic space of the sound.

Simulate a large acoustic space of the sound.

Simulate a small acoustic space of the sound.

Simulate a studio room with many early reflections.

Simulate a room with without delay time.

Simulate a room with small delay time.

Simulate a small space with slight decay time.

Simulate the transducers sound like classic bright vocal plate.

Recreate the input sound on the stereo output with different time.

Delay with room effect.

Simulate the sound effect achieved by rotating horn speakers and a bass cylinder.

Parameter

Rev. decay time: 360ms Pre delay:45ms

Rev. decay time: 290ms Pre delay:23ms

Rev. decay time: 210ms Pre delay:45ms

Rev. decay time: 210ms Pre delay:23ms

Rev. decay time: 450ms

Rev. decay time: 240ms Pre delay:25ms

Rev. decay time: 100ms Pre delay:114ms

Rev. decay time: 290ms

Period: 352ms

Period: 238ms

Delay period: 326ms Rev. decay time: 290ms

Delay period: 211ms Rev. decay time: 240ms

Delay period: 375ms Rev. decay time: 210ms

Delay period: 277ms Rev. decay time: 150ms

Chorus rate: 3.67Hz Rev. decay time: 290ms

Chorus rate: 3.02Hz Rev. decay time: 150ms

Page 16

8.BLOCK DIAGRAM

Page 17

9. TECHNICAL SPECIFICATIONS

Input channels

Microphone input Frequency response Distortion (THD & N) Gain range SNR (Signal to Noise Ratio) Line input Frequency response Distortion (THD & N) Sensitivity range

Impedances

Microphone input All other inputs Tape out All other output

Equalization

Hi shelving Mid bell

Low shelving

DSP Section

A/D and D/A converters DSP resolution Type of effects

Presets Controls

Noise (bus noise)

Main Mix Section

Max output

AUX Returns gain range AUX Sends max out

Power Supply

Main voltage Power consumption

Physical

Dimension(W D H) Net weight

Shipping weight

electronically balanced, discrete input configuration 20 Hz to 22 kHz, +/ 1dB <0.005% at +4 dBu, 1 kHz 0dBto50dB(MIC) 115dB

electronically balanced 20 Hz to 22 kHz, +/ 1 dB

0.005% at +4 dBu, 1 kHz +15 dBu to 35 dBu

1.4 k Ohm 10 k Ohm or greater

1 k Ohm 120 Ohm

+/ 15 dB @12 kHz +/ 15 dB @ 2.5 kHz +/ 15dB@80Hz

24 bit 24 bit WARM HALL,BRIGHT HALL,WARM ROOM, BRIGHT ROOM, VOCAL1,VOCAL2,VOCAL3,,PLATE,STEREO DELAY 1, STEREO

DELAY2, REV+DELAY1,REV+DELAY2,REV+DELAY3,REV+ DELAY4,REV+CHORUS1,REV+CHORUS2 16 16 position PRESET Selector, CLIP LED, MUTE SWITCH With LED Indicator Fader 0 dB, channels muted: 94 dBr (ref.:+4 dBu) Fader 0 dB, all input channels assigned and set to UNITY gain: 92 dBr (ref.:+4 dBu)

+22 dBu unbalanced, 1/4" jacks

to +10 dB

+22 dBu

18V~1000mA 18 Watts

202*250*58mm

2.3Kg (5.07lb)

12Kg(4pcs) (26.46lb)

Page 18

10.WARRANTY

1. WARRANTY REGISTRATION CARD

To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty Registration Card All the information presented in this Warranty Registration Card gives the manufacturer a better understanding more effective and efficient after-sales warranty service. information carefully and genuinely, miswriting or absence of this card will void your warranty service.

2. RETURN NOTICE

2.1

case of return for any warranty service, please make sure that the product is well packed in its original shipping carton, and it can protect your unit from any other extra damage.

2.2

Please provide a copy of your sales receipt or other proof of purchase with

the returned machine, and give detail

2.3 A brief description of the defect will be appreciated.

2.4 Please prepay all the costs involved in the return shipping, handling and insurance.

3. TERMS AND CONDITIONS

3.1 warrants that this product will be free from any defects in materialsLT O and/or workmanship for a period of 1 year from the purchase date if you have completed the Warranty Registration Card in time.

3.2 The warranty service is only available to the original consumer, who purch-

ased this product directly from the retail dealer, and it can not be transferred.

3.3 During the warranty service, may repair or replace this product atLT O

its own option at no charge to you for parts or for labor in accordance with the right side of this limited warranty.

within 10 days of the Purchase Date.

of the sales status, so as to purport a

Please fill out all the

3.4 This warranty does not apply to the damages to this product that occurred as the following conditions:

Instead of operating in accordance with the user's manual thoroughly, any

abuse or misuse of this product. Normal tear and wear. The product has been altered or modified in any way. Damage which may have been caused either directly or indirectly by another

3.5 In no event shall be liable for any incidental or consequentialdamages.LT O Some states do not allow the exclusion or limitation of incidental or

quential damages, so the above exclusion or limitation may not apply to you.

conse

3.6 This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also have other statutory rights that may vary from state to state.

Page 19

NO. 1, Lane 17, Sec. 2, Han Shi West Road, Taichung 40151, Taiwan

SEIKAKU TECHNICAL GROUP LIMITED

www.altoproaudio.com Tel: 886-4-22313737

email: info@altoproaudio.com Fax: 886-4-22346757

without prior notice. Any photocopy, translation, or reproduction of part of this

NF03278-1.0