LYNX-MIX62/
LYNX-MIX62FX
6-CHANNEL MIXING CONSOLE
WITH DIGITAL EFFECTS
User's Manual
MIC MIC
1 2 3/4 5/6
12
3
LINE LINE
BAL/UNBAL BAL/UNBAL
INE LINE
GAIN GAIN
dB dB
00
50 0
-35 -35
+15 +15
AUX
SEND
1
MO
8
2
FX
8
8
LINE LINE
12
3
L(MONO) L(MONO)
R
GAIN GAIN
dB dB
-20 -20
+20 +20
EQEQ EQ EQ
HIHI HI HI
12kHz12kHz 12kHz 12kHz
+15+15 +15 +15
-15-15 -15 -15
M DMID M D M D
25kHz2 5kHz 2 5kHz 25kHz
+15+15 +15 +15
-15-15 -15 -15
LOWLOW LOW LOW
80Hz80Hz 80Hz 80Hz
+15+15 +15 +15
-15-15 -15 -15
AUX
AUX
SEND
SEND
1
1
MON
-- - -
8
-- - -
8
LEFTLEFT LEFT LEFT
213/45/6
-- - -
8
MON1MON
+10+10 +10 +10
8
2
2
FX
FX
+10+10 +10 +10
8
PANPAN BAL BAL
PEAKPEAK PEAK PEAK
RIGHTRIGHT RIGHT RIGHT
LEVELLEVEL LEVEL LEVEL
+10+10 +10 +10
8
MIC MIC
1 2 3/4 5/6
PHONES
IX
X-
AUXRE URNS
R
CTRLROOM
CD/TAPE
AUXSENDS
N
L
L
1
MON
R
2
R
F
MAINMIX(BAL/UNBA )
LRLR
AUX RETURNS
TO
MAIN
M X
+10
8
TO
AUX1
MON
+10
8
AUX
SEND
8
2
FX
8
8
CD/TAPE IN
-
8
-
8
CTRL ROOM
/PHONES
MAIN
CD/TAPE
OFF
MAIN
CD/TAPE
TOMAIN MIX
+10
+10
MAIN MIX
62
OUT
POWER
PHANTON
48V
OFF ON
CLIP
6
0
-6
12
18
24
30
LR
OUTPUTLEVEL
-
8
PHONES
IX X
X-
62
L
R
3
4
5
6
7
AUXSENDS
AUX RETURNS
CD/TAPE IN
CTRL ROOM
1
MON
2
F
-
8
-
8
-
8
-
8
/PHONES
MAIN
CD/TAPE
CD/TAPE
TOMA NM X
L
R
MAINMIX(BAL/UNBAL)
MAIN
MIX
+10
AUX1
MON
+10
+10
+10
MAIN MIX
OFF
MAIN
CD/TAPE
IN
OUT
L
R
LRLR
TO
POWER
PHANTON
48V
TO
OFF ON
CLIP
6
0
-6
-12
-18
-24
-30
LR
OUTPUTLEVEL
+10
8
UXRETURNS
L
CTRLROOM
R
1
16
2
15
4
2
11
8
10
9
PRESETS
PEAK
FXMUTE
1 WARM HALL
2 BRIGHT HALL
3 WARM ROOM
4 BRIGHT ROOM
5 VOCAL 1
6 VOCAL 2
7 VOCAL 3
8 PLATE
9 STEREO DELAY 1
10 STEREO DELAY 2
11 REV+DELAY 1
12 REV+DELAY 2
13 REV+DELAY 3
14 REV+DELAY 4
15 REV+CHORUS 1
16 REV+CHORUS 2
+10
www.altoproaudio.com
Version 1.0 Mar. 2009
English
IMPORTANT SAFETY INSTRUCTION
CAUTION
RISK OFELECTRIC SHOCK
DO NOTOPEN
TO REDUCE THE RISK OF ELECTRIC SHOCK
PLEASE DO NOT REMOVE THE COVER OR
THE BACK PANEL OF THIS EQUIPMENT.
THERE ARE NO PARTS NEEDED BY USER
INSIDE THE EQUIPMENT. FOR SERVICE,
PLEASE CONTACT QUALIFIED SERVICE
CENTERS.
This symbol, wherever used, alerts you to the
presence of un insulated and dangerous voltages
within the product enclosure. These are voltages that
may be sufficient to constitute the risk of electric
shock or death.
This symbol, wherever used, alerts you to
important operating and maintenance instructions.
Please read.
Protective Ground Terminal
AC mains (Alternating Current)
Hazardous Live Terminal
ON: Denotes the product is turned on.
OFF: Denotes the product is turned off.
CAUTION
Describes precautions that should be observed to
prevent damage to the product.
1.
Read this Manual carefully before operation.
Keep this Manual in a safe place.
2.
Be aware of all warnings reported
3.
with this symbol.
4.
Keep this Equipment away from water and
moisture.
5.
Clean it only with dry cloth. Do not use
solvent or other chemicals.
6.
Do not damp or cover any cooling opening.
Install the equipment only in accordance with
the Manufacturer's instructions.
Power Cords are designed for your safety. Do
7.
not remove Ground connections! If the plug
does not fit your AC outlet, seek advice from
a qualified electrician. Protect the power
cord and plug from any physical stress to
avoid risk of electric shock. Do not place
heavy objects on the power cord. This could
cause electric shock or fire.
Unplug this equipment when unused for long
8.
periods of time or during a storm.
Refer all service to qualified service personnel
9.
only. Do not perform any servicing other than
those instructions contained within the
User's Manual.
To prevent fire and damage to the product,
10.
use only the recommended fuse type as
indicated in this manual. Do not short circuit
the fuse holder. Before replacing the fuse,
make sure that the product is OFF and
disconnected from the AC outlet.
WARNING
To reduce the risk of electric shock
and fire, do not expose this equipment
to moisture or rain.
Dispose of this product should
notbeplacedinmunicipalwaste
and should be separate collection.
MovethisEquipmentonlywithacart,
11.
stand, tripod, or bracket,
specified by the
manufacturer, or
sold with the
Equipment. When
a cart is used, use
caution when
moving the cart /
equipment
combination to
avoid possible
injury from tip over.
12.
Permanent hearing loss may be caused by
exposure to \ extremely high noise levels.
The US. Government's Occupational Safety
and Health Administration (OSHA) has
specified the permissible exposure to noise
level.
These are shown in the following chart:
HOURS X DAY
8
6
4
3
2
1,5
1
0,5
0,25 or less
According to OSHA, an exposure to high SPL in
excess of these limits may result in the loss of
heat. To avoid the potential damage of heat, it is
recommended that Personnel exposed to
equipment capable of generating high SPL use
hearing protection while such equipment is
under operation.
The apparatus shall be connected to a mains
socket outlet with a protective earthing
connection.
The mains plug or an appliance coupler is used
as the disconnect device, the disconnect device
shall remain readily operable.
EXAMPLE
SPL
Small gig
90
train
92
Subway train
95
High level desktop monitors
97
Classic music concert
100
102
105
110
115
Rock concert
IN THIS MANUAL:
1. INTRODUCTION........................................................................1
2. FEATURES...............................................................................1
3. QUICK START...........................................................................2
4. CONTROL ELEMENTS...............................................................4
5. INSTALLATION & CONNECTION................................................11
6. APPENDIX.............................................................................12
7. PRESET LIST.........................................................................13
8. BLOCK DIAGRAM...................................................................14
9. TECHNICAL
SPECIFICATIONS....................................................15
10. WARRANTY.........................................................................16
1. INTRODUCTION
Thank you for purchasing the LTO LYNX-MIX62(FX) 6-channel mixing console with
24-bit digital multi-effect. It is just one of the many Alto products that a talented,
multinational Team of Audio Engineers and Musicians have developed with their
great passion for music. Your LYNX-MIX62(FX) is a remarkable compact mixing
desk that does not find many equals in the market today. With 2 microphone and
2 stereo Line-level inputs for small live performances, small studio recording and
general PA applications, your LYNX-MIX62(FX) also includes a 24-Bit digital multieffect with 16 Factory Presets . There is a three bands EQ on all input channels
and separate Main Mix and Control Room outputs for operation with different
volume settings. Use it for small GIGs and RECORDING. Your LYNX-MIX62(FX) also
is a flexible tool for your Multi-media presentations.
Enjoy your LYNX-MIX62(FX) and make sure to read this Manual carefully before
operation!
2. FEATURES
2 MIC input channels with gold plated XLR and balanced LINE input
2 stereo input channels with balanced TRS jacks
Ultra-low noise discrete MIC pre-amps with +48V Phantom power
Extremely high headroom offering e xtra dynamic range
Balanced inputs for optimal signal integrity
W arm, natural 3-band EQ on each channel
Built-in 24 bits digital effects processor(F or LYNX-MIX62FX Model)
P eak LED on each channel
2 AUX sends pre channel for e xternal effects and monitoring
Main output, Control room and headphone outputs
2- Track inputs assignable to main mix, control room/headphone outputs
Highly accurate 8-segment bar graph meters
1
3. QUICK START
This is the fastest way to get something out from your LYNX-MIX62(FX), if you
have a keyboard and a microphone.
a. With the Main switch in OFF position, connect the supplied AC Adapter to your
first and then into the AC outlet, making sure that theLYNX-MIX62(FX)
available voltage is the same with your .LYNX-MIX62(FX)
b. Before turning on the , you shall connect it to a power amplifier
and speakers. Turning off the mixer BEFORE the power amplifier.
c. Plug the microphone into Channel 1 MIC IN.
d. Turn down AUX and LEVEL controls on the input channel.
e. Put the EQ controls on center position.
f. Turn on your .LYNX-MIX62(FX)
g. With LEVEL control on "0" position, sing or speak in to the microphone with
normal volume and adjust the GAIN control so that the PEAK LED only blink
occasionally.
h. If you like, you can adjust the equalization at this stage.
i. Turn up MAIN MIX LEVEL until you get a comfortable volume.
j. Connect your stereo keyboard into CH 3/4 and repeat the same sequence.
Here you are. It is your first mix with your .LYNX-MIX62(FX)
Once you have finished your working session you shall turn the mixer off AFTER the
power amplifier. Before disconnecting the AC Adapter always turn-off your
LYNX-MIX62(FX) LYNX-MIX62(FX)
clean cloth will be OK.
.Do not use solvents to clean your . A dry and
LYNX-MIX62(FX)
2
3. QUICK START
SMALL GIG
MIC 1
MIC 2
MIC MIC
1 2 3/4 5/6
12
3
LINE LINE
BAL/UNBAL BAL/UNBAL
LINE LINE
GAIN GAIN
dB dB
50 50
00
35 35
+15 +15
DIGITAL EFFECT UNIT
12
3
+20 +20
LINE LINE
dB dB
KEYBOARD
BAR,PUB,RESTAUARNT
WIRELESS MIC
STEREO AUDIO FROM TV
TV SCREEN
L(MONO) L(MON )
R
GAIN GAIN
20 20
DRUM MACHINE
STAGE MONITOR
PHONES
R
CTRL ROOM
AUX SENDS
X-
1
MON
2
FX
AUX RETURNS
R
POWERED STAGE MONITORS
HEADPHONE
IX X
62
CD/TAPE
IN
OUT
L
R
MAIN MIX(BAL/UNBAL)
LRLR
ACTIVE SPEAKERS (ALTO PS4 HA)
CD PLAYER
DAT
DAT OR TAPE RECORDER
MIC MIC
1 2 3/4 5/6
3
D/I BOX
12
LINE LINE
dB dB
+20 20
12
3
LINE LINE
BAL/UNBAL BAL/UNBAL
LINE LINE
GAIN GAIN
dB dB
50 50
00
35 35
+15 15
GUITAR
DRUM MACHINE
L(MONO) L(MONO)
R
GAIN GAIN
20 20
PHO ES
AUX RETURNS
AUX SENDS
L
R
R
CTRL ROOM
ZONE 2 ACTIVE SPEAKERS
X-
1
MON
2
FX
IX X
CD/TAPE
IN
MAIN MIX(BAL/UNBAL)
LRLR
62
OUT
L
R
MAIN ACTIVE SPEAKERS
CD PLAYER
2 TRACK RECORDER
3
SPOTLIGHT
4. CONTROL ELEMENTS
MIC MIC
1 2 3/4 5/6
JT
JT
12
3
LINE LINE
BAL/UNBAL BAL/UNBAL
LINE LINE
GAIN GAIN
dB dB
00
50 50
35 35
+15 +15
AUX
SEND
1
MON
8
2
FX
8
JT
T
3
1515 15 15
+15+15 +15 +15
1515 15 15
+15+15 +15 +15
1515 15 15
+15+15 +15 +15
-- - -
+10+10 +10 +10
8
-- - -
+10+10 +10 +10
8
LINE LINE
12
L(MONO) L(MONO)
R
GAIN GAIN
dB dB
20 20
+20 +20
EQEQ EQ EQ
HIHI HI HI
12kHz12kHz 12kHz 12kHz
MIDMID MID MID
2.5kHz2.5kHz 2.5kHz 2.5kHz
LOWLOW LOW LOW
80Hz80Hz 80Hz 80Hz
AUX
SEND
1
MON
2
FX
AUX
SEND
1
MON
8
2
FX
8
PANPAN BAL BAL
PEAKPEAK PEAK PEAK
RIGHTRIGHT RIGHT RIGHT
LEFTLEFT LEFT LEFT
213/45/6
LEVELLEVEL LEVEL LEVEL
PHONES
IX X
AUX RETURNS
R
15
14
13
12
11
1. WARM HALL
2. BRIGHT HALL
3. WARM ROOM
4. BRIGHT ROOM
5. VOCAL 1
AUX
6. VOCAL 2
7. VOCAL 3
SEND
8. PLATE
9. STEREO DELAY 1
1
10. STEREO DELAY 2
MON
2
FX
11. REV+DELAY 1
12. REV+DELAY 2
13. REV+DELAY 3
14. REV+DELAY 4
15. REV+CHORUS 1
16. REV+CHORUS 2
8
8
1
16
10
9
PRESETS
PEAK
FX MUTE
L
R
CTRL ROOM
2
3
4
5
6
7
8
AUX SENDS
1
MON
2
FX
AUX RETURNS
-
8
-
8
CD/TAPE IN
-
8
-
8
CTRL ROOM
/PHONES
MAIN
CD/TAPE
OFF
MAIN
L
R
X-
62
CD/TAPE
IN
OUT
MAIN MIX(BAL/UNBAL)
LRLR
TO
MAIN
POWER
MIX
+10
+10
+10
+10
TO
AUX1
MON
OUTPUT LEVEL
MAIN MIX
PHANTON
OFF ON
LR
L
R
48V
CLIP
6
0
6
12
18
24
30
-- - -
+10+10 +10 +10
8
8
8
8
CD/TAPE
TO MAIN MIX
-
+10
8
4