Allen & Heath CDM48 Datasheet

Page 1
Allen & Heath Limited
www.allen
heath.com
Out
In
MEDX1Network DX3
Lnk /Act
Lnk /Act
Lnk /Act
Ready
Power
Audio Sync Lock
Err Err Err
Reset Network Settings
I/O Port 1
Network
InputInputInputInputInputInputInputInput OutOutOutOut
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2 3 4 5 6 7 8
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18 19 20 21 22 23 24
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26 27 28 29 30 31 32
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6 7 8
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2 3 4
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Word Clock
MADE IN CHINAENGINEERED IN THE UK BY ALLEN & HEATH LIMITED
AC MAINS IN ~ 100-240V~ 50/60Hz 88W FUSE T2.5A L 250V 20mm
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
SERIAL No:
WARNING: THIS APPLIANCE MUST BE CONNECTED TO A MAINS SOCKET OUTLET WITH A PROTECTIVE EARTHING CONNECTION. ATTENTION: CET APPAREIL DOIT ETRE RACCORDE A UNE PRISE ELECTRIQUE SECURISEE RELIEE A LA TERRE
Laite on liitettävä suojamaadoituskoskettimilla varustettuun pistorasiaan. Apparatet må tilkoples jordet stikkontakt. Apparaten skall anslutas till jordat uttag. Apparatets stikprop skal tilsluttes en stikkontakt med jord, som giver forbindelse til stikproppens jord.
This device complies with part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. CAN ICES-3 (B)/NMB-3 (B)
Caution: For continued protection against risk of fire replace fuse with same type and rating. Attention: Remplacer par un fusible strictement identique en valeurs.
Kernick Industrial Estate Penryn, Cornwall, TR10 9LU, UK
Overview
CDM48 Technical Datasheet
48 mic/line inputs, 24 line outputs  XCVI 160x64 FPGA core
o 96kHz sample rate o Variable bit-depth for ultimate precision
and noise performance
o Virtually infinite mix headroom thanks to
96bit accumulator
o Class leading, ultra-low latency 0.7ms
128 Input Channels with full processing  64 Mix Outputs with full processing  Configurable 64 bus architecture (group, FX,
aux, matrix, mains)
o LR, LCR and up to 5.1 mains mode o Multiple PFLs
16 RackExtra FX with dedicated stereo returns  Automatic Mic Mixer (AMM) up to 4 zones, 64 ch
DEEP processing – powerful embedded plugins
including GEQ and compressor modelling
24 DCAs  Built-in signal generator, RTA and spectrogram  New preamp design for extra transparency  Unique Active PAD circuit for consistent
performance with any source
Connection hub
o 1 x GigaACE gigabit link to MixRack o 2 x DX link for I/O expansion o 1 x I/O Ports – 128 ch 96 kHz o Dedicated ME-1 48kHz port o 2 x Network ports o Wordclock BNC I/O
Flush front panel with ultra-quiet fan  Reversible rack ears design
Page 2
Dimensions
433.00
308.40
24.20
481.60
314.20
310.00
CDM48 - without box
Width - 481.6mm/19" Depth - 309mm/12.2" Height - 310mm/12.2"/7U Weight - 12kg/26.4lbs
CDM48 - with box
Width - 600mm/23.7" Depth - 430mm/17" Height - 470mm/18.5" Weight - 14.5kg/32lbs
304.20
370.00
A&E Specifications
The mixer shall be a 7U rack-mountable device capable of stand-alone operation, with or without a control surface. It shall be capable of 128 input channels, 64 mix busses, and over 400 soft-patchable system inputs and outputs, all independently assigned. There shall be 16 stereo rack FX engines with dedicated stereo returns, and 24 DCAs. The rack unit shall contain the mix engine. This mix engine shall run at 96kHz sampling rate and employ FPGA technology for digital signal processing. The system latency from analogue input to output shall not exceed 0.7ms.
The mixer shall provide 48 XLR inputs of high quality and capable of handling microphone or line signals and shall have remote controlled analogue gain adjustable in 1dB steps, a 20 dB PAD, and phantom power. All input channels shall be configurable mono/stereo and have access to any hardware input on the unit, or remote input via expansion options. Mix busses shall be configurable as any combination of mono/stereo auxiliary sends, groups, mains, FX sends or matrices. All output channels shall be routable to any of the 24 XLR line outputs on the unit, or remote output via expansion options. All input channels shall contain the following processing: Trim, Polarity, High Pass Filter, Low Pass Filter, two Insert points, Gate, Parametric EQ, Compressor, Delay. All output mix channels shall contain the following processing: External input, Trim, Polarity, Insert, Parametric EQ, Graphic EQ, Compressor, Delay. The channel processing shall also provide high quality emulations of classic compressors and GEQs. These emulations shall be insertable on the fly on any channel without using the internal FX and without the need of external plug-ins or licenses.
16 user-assignable effect racks shall be provided with a library of factory preset FX emulations. The FX racks shall be individually configurable as send/return from a channel or FX/Mix, or inserted into input or output channels. The mixing system shall provide the options of FX racks processed signals to be returned to other mixes via dedicated FX input channels with PEQ, assigned as sources to input channels, daisy-chained to another FX rack by internal patching, or routed to an output socket or interface channel. A global source option for input channel direct outs shall be provided in the routing screen. The tap-off point can be adjusted to the following positions in the processing path: post Preamp, post HPF, post Gate, post Insert return, post PEQ, post Compressor, and post Delay. There shall be further global options for Follow Fader, and Follow Mute.
The mixer shall provide Automatic Mic Mixing (AMM) of up to 64 microphone sources into 1, 2 or 4 zones. The AMM shall be capable of running in classic gain sharing mode or optionally as a NOM (Number of Open Microphones) algorithm.
54.20
218.80
A single 128-channel I/O port for an optional digital interface module shall also be provided. Optional interface modules shall include: MADI, EtherSound, Dante, Waves SoundGrid, and ACE.
An Ethercon port shall be provided for connection to the control surface via the Allen & Heath gigaACE protocol. This connection shall carry over 300x300 channels of uncompressed audio at 96kHz, control data and tunnelling of third party Ethernet traffic. An Ethercon port shall also be provided for I/O expansion, carrying up to 32x32 channels of uncompressed audio at 96kHz. A range of optional expansion racks shall be provided and shall include fixed format and modular racks with analogue or digital I/O. A further Ethercon port shall be provided for connection to the Allen & Heath ME personal mixing system. This connection shall carry 40 channels of uncompressed audio at 48kHz with built-in sample rate conversion, and channel naming.
A BNC connector shall be provided on the unit for Wordclock input and output. A pair of RJ45 sockets shall be provided for gigabit Ethernet network connections to laptops or other control systems. A headphone output shall also be provided.
The unit shall have a fixed power supply accepting AC mains voltages of 100~240V, 50/60 Hz, 175W max via an earthed 3-pin IEC male connector. A rocker switch shall be provided near the mains inlet to isolate the mixer from the incoming mains supply. The rack ears shall be provided with the unit and reversible so that either face of the unit can be presented on the front of the rack or flight case.
The mixer shall provide the facility to save 500 scenes. The scenes shall be name­able and a descriptive text entry per scene provided. A comprehensive table of Scene Safes shall be provided to prevent selected items from being changed from their state when the safe was enabled. A comprehensive scene filter shall be provided per scene to Allow / Block each parameter saved in a scene from being changed as that scene is recalled. A Cue List of scenes shall be provided to facilitate a running order of scenes from the master list. A crossfade of up to 20 seconds shall be adjustable per scene. Scene recall may be embedded into a scene with the option to delay the start of the embedded scene recall by up to 4 minutes.
An option shall be provided for password protection for log-in of several users with different levels of system access and permissions. A particular scene may be chosen to be recalled per change of user-login if desired.
CDM48 Datasheet 2 Allen & Heath Ltd
Page 3
The mixer shall be the Allen & Heath dLive CDM48.
Block Diagram
dLive SYSTEM BLOCK DIAGRAM
Firmware V1.6
PAD
+
-
-20dB
Audio interface
option card
128 Inputs
PAD
+
-
-20dB
Audio interface
option card
128 Inputs
PAD
+
-
-20dB
28-band 1/3 octave
GEQ
Sidechain
POL
0
POL
0
PEQ
Post-PEQ
48V
GAIN
ADC
SRC
Bypass
48V
GAIN
ADC
48V
GAIN
ADC
SRC
Bypass
Post-GEQ
COMP
Sidechain
28-band 1/3 octave
GEQ
MIC/LINE inputs
dLive Surface
AES3 inputs
PP
USB
WAV Stereo Playback
I/O Port/s
MIC/LINE inputs
dLive MixRack
PP
I/O Port/s
MIC/LINE inputs
dLive Expanders
<32 inputs
GRP AUX FX
AES3 inputs
MAIN
PAFL
MTX
PP
MIX MASTER (GRP, AUX, MAIN)
Post-Trim
Post-PEQ
Post-Insert
INSERT
PEQ
+
EXT IN - Patch from:
Configuration:
64 x Bus = GRP, AUX, FX, MTX, MAIN Configurable Mono / Stereo
EXT IN - Patch from:
Skt, I/O Port or RackFX
Skt, I/O Port or RackFX
Post-Trim
TRIM
TRIM
INSERT
+
Post-Insert
PFL/AFL MONITOR
EXT Input to PAFL Skt or I/O Port
INPUT
PATCH
MixRack inputs
Surface inputs
I/O Port inputs
Expander inputs
RackFX outputs
USB Playback
Sig Gen
Mix outputs
PFL
Post-Comp
DELAY
MATRIX MASTER
Configure as MONO or STEREO
COMP
Post-Comp
Post-GEQ
DELAY
INPUT CHANNEL x 128
Configurable Mono / Stereo
WIDTH
TRIM
MODE
Stereo ch only
Source option
per AUX mix
Global meter source option
Global Direct Out
source option
MUTE
Dyn8 x64
Dynamic EQ
Multiband comp
DCA
FADER
MUTE
MUTE
DELAY
RTA
31-band 1/3 octave
128 input channels x 64 bus Mix Engine
Sidechain
INSERT A
GATE/
Ducker
PFL AFL
From: FX Send or Any MIX Input DIR OUT
POL
0
Post-Preamp
FX SEND
Strip METER
FADER
DEEP
FILTERS
preamp
AMM key
TALKBACK
IP or
Global meter source option
Post-Fader
FADER
BAL
(Main LR only)
Mix Output
R
L
GRP to MAIN
R
L
R
L
GRP to AUX/MTX
Post Pre
LEV
L
R
AUX/MAIN to MTX
Post Pre
LEV
PFL
MTX Output
Global meter source option
AFL not affected by Trim
0dB
AFL
DCA
Post-Fader
-24dB PFL TRIM
Post-Ins A
RackFX x16
Send > Return FX
Inserted FX
HPF
PFL AFL
PEQ
Post-PEQ
Patch to: FX Return
or Input Channel IP or MIX INSERT Output Patch
Assign to: GRP
Press to TALK
Sidechain
COMP/ Ducker
AUX MAIN MATRIX
Strip METER
MUTE
Strip METER
MUTE
INSERT B
OUTPUT
PATCH
Input DIR OUT
GRP/AUX/MAIN
MixRack inputs
Surface inputs
I/O Port inputs
PAFL monitor
Wedge monitor
IEM monitor
RackFX 1-8 out
MATRIX
FADER
FADER
DELAY
METER
PEQ
Sine (Sweep 20-20kHz) White Noise Pink NoiseMIX Insert Bandpass Noise (Sweep)
IEM
WEDGE
METER
AMM
gain
Post-Delay
FX RETURN x16
MUTE
dLive Surface
dLive MixRack
dLive Expanders
<32 Outputs
FADER
DCA
SIG GEN
MUTE
DCA
MUTE
FADER
ASSIGN+PAN
L
L Post Pre
LEV
LEV
96kHz WAV Stereo Record
DAC
DAC
R
R
Ret to AUX/FX
To: GRP
DAC
SRC
Bypass
Audio interface
option card 128 Outputs
DAC
Audio interface
option card 128 Outputs
DAC
SRC
Bypass
ASSIGN+PAN
L
L
TRIM
PFL AFL
in-place
Ret to MAIN
Ret to GRP
AUX MAIN MATRIX
BAL
+
-
44.1/48/96kHz
PHONES
BAL
+
-
PHONES
BAL
+
-
44.1/48/96kHz
Assignable buses
MAIN
GRP AUX FX
MTX
PAFL
PFL AFL
IP to MAIN
R
IP to GRP
R
IP to AUX/FX
LEV
DIRECT OUT
Line Outputs
Ready
+4dBu
AES3 Outputs
USB
I/O Port/s
Line Outputs
Ready
+4dBu
Monitor 1-40
I/O Port/s
Line Outputs
Ready
+4dBu
AES3 Outputs
CDM48 Datasheet 3 Allen & Heath Ltd
Page 4
Technical Specifications
and Weights
12.2
"x 12.2
") x 12
kg (
26.5
lbs)
16.9
"x 18.5
") x 14.5kg (32
lbs)
Inputs
Mic/Line XLR Inputs
Mic/Line Preamp Fully recallable Dynamic Range 110dB
Input Sensitivity -60 to +15dBu System Signal to
Analogue Gain +5 to +60dB, 1dB steps
Pad -20dB Active PAD
Maximum Input Level
Input Impedance >4k (Pad out), >10k (Pad in) Internal operating
Mic EIN -127dB with 150 source dBFS Alignment
Phantom Power indication
Outputs
Analogue XLR Outputs
Output Impedance <75 ADC 24-bit Delta-Sigma
Nominal Output +4dBu = 0dB meter reading DAC 24-bit Delta-Sigma
Maximum Output Level
Residual Output Noise
-90dBu (muted, 20-40kHz) + 5 samples, Surface to Mixrack
+ 8 samples, DX32 to Mixrack
Dimensions
Balanced XLR, +48V phantom power
+30dBu (PAD in) Headroom +18dB
Per socket, internal or external phantom power sensing, triggered at 24V
Balanced, Relay protected Sampling Rate 96kHz +/- 20 PPM
+22dBu
-92dBu (muted, 20-20kHz) Latency
System
Measured balanced XLR in to XLR out, 20-20kHz, minimum Gain, Pad out, signal @ 0dB (meter)
Noise
Frequency Response
THD+N (analogue in to out)
Level
Meter Calibration 0dB meter = -18dBFS (+4dBu at
Meter Peak indication
-92dB
20Hz - 30kHz +0/-0.8dB
0.0015% @ +16dBu output, 1kHz 0dB gain
0dBu
+18dBu = 0dBFS (+22dBu at XLR output)
XLR out)
-3dBFS (+19dBu at XLR out)
0.7 ms (MixRack XLR in to XLR out, Input to Mix)
(GigaACE hop)
(DX hop)
CDM48 Datasheet 4 Allen & Heath Ltd
Width x Depth x Height x Weight Operating
CDM48
CDM48 - boxed 600 x 430 x 470 mm (23.6"x
481.6 x 309 x 310 mm 7U (19"x
Temperature Range
Mains Power (MPS16)
0 deg C to 35 deg C (32 deg F to 95 deg F)
100-240V AC, 50-60Hz, 175W max
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