Every studio in the world has benefited from the research and developments of AKG. Our products, and the generations of products we've inspired, are at work today recording the most important sessions.
essions. With good reason, we have earned more han 1,300 patents worldwide for our chievements and inventiveness. Our bility to transform these patents into ractical, hardworking professionally pre-erred microphones is an achievement, of hich we are justifiably proud. In developing the D-300 Series of Enter-
tainer's Microphones, we've maintaine not exceeded, the acoustical excellence for which AKG is known. With this seri-we have introduced significant advance ments in mechanical construction which unquestionably categorize these micro-phones as nearly "indestructable." With their use, the professional vocal perfor-er can produce AKG studio-quality sou coupled with comparable durability that provides exceptional sound day-in and day-out. ay-out
day-out. And now both the performer and the sound engineer are assured that an "ulti-mate" performer's microphone is availabl which establishes the new state-of-the-art in design; unequalled impact resistance; handling noise rejection; work ing environment adaptability - through dual-band equalization; and simplified in-field capsule replacement. And there's more AKG innovation com-
ing your way. Based on field experiences with our earlier C-500 Modular Condenser Microphones, AKG now introduces a new generation with fully professional charac-teristics. First of these is the C-535EB Vocalist Microphone, designed for hand-held use in recording studios and on stage. It is exceedingly durable, with an elas-tically suspended transducer to make it practically free of handling noise. Second in this new generation from AKG is the C-567E Omnidirectional Miniature Lavalier. It may be worn using the tie tack mount, or singly on a tie bar. Despite its compact size, it provides the utmost in sensitivity and frequency response. The perfection we provide for the profes-sional is available for everyone who looks for the uncompromising quality of AKG. g your way. Based on field experi th our earlier C-500 Modular Ci icrophones, AKG now introduce
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D-125E
values among today's general-purpose cardioids; a uniquely ver-satile speech and music microphone with an outstanding price/performance ratio. Engineered to meet the needs of newsfilm ENG crews, sound-reinforcement contrac tors, recordists and pop/rock musicians, the D-125E features contoured frequency
response and uniform polar response cou-pled with shockproof construction, ease of field service and attractive styling.
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Transducer Type: Dynamic Directional Characteristic: Cardioid O Frequency Range 100-18,000 Hz Nominal Impedance at 1 kHz 220 ohms Sensitivity at 1 kHz 1 9 mV/Pa - 74 dBV Sound Pressure Level for 1% THD: 128 dB Net. Weight: 225 g (- 8 oz) Includes: SA-30 stand adapter
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quent absence of proximity effect enable the microphone to retain this natural quality.
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535E
Transducer Type: Dynamic Directional Characteristic Omnidirectional Frequency Range: 50-13,000 Hz Nominal Impedance at 1 kHz: 220 ohms Sensitivity at 1 kHz 1 7 mV/Pa - 76 dBV Sound Pressure Level for 1% THD 128 dB Net Weight: 255 g ( 9 oz) Includes: SA-30 stand adapter
C-535EB Perhaps the most unique feature of the AKG C-535EB is which which
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C-535EB is its output level/bass-rolloff switch which reduces the total output level and allows bass response attenuation. Applications for the C-535 range from a "First Class" live-performance vocal and instrumental mic to studio applications, as an excellent announcer/DJ mic, as a podium mic or a
choir pick-up. The C-535 requires phan-tom powering in the 9-52 volt range, or any AKG accessory AC or battery powe supply.
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Transducer Type: Prepolarized Condenser Directional Characteristic Cardioid Frequency Range: 20-20,000 Hz Nominal Impedance at 1 kHz < 200 ohms Sensitivity at 1 kHz (zero attenuation) 9mV/Pa - 61 dBV
Sound Pressure Level for 1% THD Zero attenuation 130 dB - 14 dB attenuation 144 dB Net Weight 300 g (- 11 oz) Includes SA-31 stand adapter
Transducer Type: Dynamic Directional Characteristic: Cardioid O Frequency Range 80-18,000 Hz Nominal Impedance at 1 kHz 270 ohms Sensitivity at 1 kHz: 1 3 mV/Pa – 78 dBV Sound Pressure Level for 1% THD: 128 dB Net. Weight: 255 g (= 9 oz) Includes: SA-31 stand adapter
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AKG 03208
AKG D310S
s and
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Transducer Type. Dynamic Directional Characteristic: Cardioid O Frequency Range 80-18,000 Hz Nominal Impedance at 1 kHz: 270 ohms Sensitivity at 1 kHz: 1.3 mV/Pa – 78 dBV Sound Pressure Level for 1% THD: 128 dB Net Weight: 255 g (~9 oz) Includes: SA-31 stand adapter
table combinations of bass-rolloff/p rise equalization, the D-330BT is the mate creative tool. Outstanding
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the D-3
ose up; p
is an extre former, and unlike com preserves crit
- Transducer Type: Dynamic Directional Characteristic: Hypercardioid 😁 Frequency Range (bass set norm) 80-18,000 Hz Nominal Impedie
Sensitivity at 1 kHz 1 4 mV/Pa – 77 dBV Sound Pressure Level for 1% THD 128 dB Net Weight: 340 g (= 12 oz) Includes: SA-31 stand adapter
Transducer Type Dynamic Directional Characteristic Hypercardioid Frequency Range (bass, presence set norm): 50-20,000 Hz Nominal Impedance at 1 kHz (bass, presence set norm): 370 ohms Sensitivity at 1 kHz 1 2 mV/Pa – 78 dBV Sound Pressure Level for 1% THD 128 dB Net Weight: 340 g (= 12 oz) Includes SA-31 stand adapter
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DIDE
Condenser Directional Characteristic Omnidirectional Frequency Range 20-20,000 Hz Nominal Impedance at 1 kHz 200
Sensitivity at 1 kHz: 6 mV/Pa – 65 dBV Sound Pressure Level for 1% THD: 132 dB
Net Weight: 100 g (-3 1/2 oz)
Includes Accessories. H-20 tie tack for one microphone head
H-21 tie bar for one microphone
head W-37 black wire-mesh windscreen H-16 belt clip for use with output module
m microphone par e AKG D-12E has le acclaim for its
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Transducer Type Dynamic Directional Characteristic Cardioid O Frequency Range 30-15,000 Hz Nominal Impedance at 1 kHz 290 ohms Sensitivity at 1 kHz: 8 mV/Pa – 62 dBV Sound Pressure Level for 0 5% THD 128 dB Net Weight: 480 g ( – 17 oz) Includes: SA-30 stand adapter
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