AER Colourizer Pocket Tools User manual

user manual
pocket tools
colourizer
Register your
colourizer:
www.aer-amps.com
> Customer Service
1
colourizer
user manual
Contents Page
1. Introduction 3
2. Safety Instructions 4
3. Controls and Connections 4
4. Operation Summary 5
4.1 Cabling and Starting-up 5
4.2 Level Adjustment 5
5. Functional Characteristics 5
5.1 DI Level 5
5.2 Phase 5
5.3 24V Phantom Power 5
5.4 Filter Network and Filter Stages 6
5.4.1 Tone 6
5.4.2 Enhancer 6
5.4.3 Equalizer 6
5.4.4 Frequency Poti-Rotation 7
5.4.5 Bandwidth Poti-Rotation 7
6. Technical Specications 8
7. Circuit Diagram 9
2
1. Introduction
Welcome to AER !
Thank you for purchasing an AER Pocket Tool. You are now the owner of a professional au-
dio preamp, designed and manufactured to the highest pro audio technical specications;
capable of shaping, maximizing and delivering the tonal character of your instrument. At AER our complete focus, some say obsession, is on the ‘true’ reproduction of natural acoustic sound. A lifetime spent listening to and working with acoustic instruments helps us to create
and rene the very best devices available; to enable you to craft your own unique acoustic
identity. Make your instrument the very best it can be ...
Please take a moment to read this brief manual. We want you to understand how our pro-
duct works and what it can do for you. We want you to gain benet from its many features
but most of all we want you to ENJOY it!
The AER Colourizer is a preamplier for instrument or microphone (vocal or instrument micro­phone). You insert it into the signal chain between source and next point in the audio path
(e.g. amplier or mixing desk) to produce sound improvement – your signal will be stronger,
richer and more stable.
How is this achieved? – The high grade input stage we have created makes your instrument’s tone noticeably more rounded and fuller. Three individually switchable and adjustable lter systems – tone, enhancer and equalizer – may be used separately or in combination to inu­ence sound character, harmonics and frequency spectrum. Furthermore these lters can be
used to dampen natural resonant frequencies, helping to limit feedback.
The AER Colourizer also provides 24V phantom power for a condenser microphone, an adjus­table pro standard DI output for direct connection to a mixing desk and a phase switch.
Read on and have fun!
3
2. Safety Instructions
clip
gain DI level
balance intensity
intensity
level bandwidth
frequency
f1 = 90 Hz – 1,6 kHz f2 = 680 Hz – 11 kHz
volume
pocket tools colourizer
line mic
tone
enhancer
clip
input
gain DI level
balance intensity
intensity
level bandwidth
frequency
f1 = 90 Hz – 1,6 kHz f2 = 680 Hz – 11 kHz
power
volume
pocket tools colourizer
line mic
tone
enhancer
The following guidelines shall help minimize the risk
of injury through re or electric shock.
1. Carefully read these safety notes before you use the device!
2. Keep these safety notes in a safe place.
3. Pay attention to all warnings, instructions and ad­ditional texts on the unit.
4. Do not install or use your device in close proximity to water or if you are wet yourself.
5. Use your device in a safe place where nobody can step on cables or trip over and damage them.
6. Always pull the mains plug before cleaning your device. Use only a dry cloth for cleaning. Avoid the use of detergents and do not let any liquids seep into the unit.
7. Never install your device close to units with strong electromagnetic elds such as large mains transfor-
3. Controls and Connections
pocket tools colourizer
4
clip
line mic
gain DI level
tone
balance intensity
level bandwidth
input
phantom
dc 24 V
24V
power
volume
intensity
frequency
line out
enhancer
f1 = 90 Hz – 1,6 kHz f2 = 680 Hz – 11 kHz
DI-out
1 = gnd 2 = pos 3 = neg
power
mers, revolving machines, neon illumination etc. Do not lay signal cables parallel to power current cables.
8. There are no user-serviceable components inside
the unit. To avoid the risk of an electric shock, the unit must not be opened. All maintenance, adjust­ment and repair works should be carried out by quali-
ed staff only. Any unauthorized tampering will void
the 2-year warranty.
9. In keeping with the EMV regulations screened
cables with correctly tted connectors must be used
for all signal connections.
10. Always use an earthed power supply with the correct mains voltage. If you are in doubt about the
power outlets ground, have it checked by a qualied
technician.
11. Cable up your device only when it is powered off.
Top Side
gain input level control clip overload indicator line/mic signal source selector switch (combo socket):
line: (only via jackplug) for instruments (pickup) and other line level sources
mic: (only via XLR-connector) for microphones DI level DI signal level control volume line out signal level control phase phase invert switch
tone tone balance circuit balance tone balance emphasis control intensity tone balance level control
enhancer harmonic enhancement intensity enhancer level control off/on enhancer activation switch
equalizer parametric filter network level level control bandwidth lter bandwidth control frequency lter frequency control f1/f2 lter frequency range switch
Front Side
input signal input, combo socket for 6,3 mm
mono jackplug and XLR-male-connectors
power on/off status indicator
Rear Side
dc 24 V power supply connector socket (24 Volt DC) 24 V phan- 24V phantom power switch tom power line out signal output, 6.3 mm mono jack socket DI-out signal output, symmetrical, XLR socket
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