Yamaha G50 User Manual
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC,
to use the product.
2. IMPORTANT: When connecting this product to ac-
cessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users
manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC
regulations does not guarantee that interference will
not occur in all installations. If this product is found to
be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/
reorient the antenna. If the antenna lead-in is 300 ohm
ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
NEDERLAND / NETHERLAND
• Dit apparaat bevat een lithium batterij voor geheugen back-up.
• This apparatus contains a lithium battery for memory back-up.
• Raadpleeg uw leverancier over de verwijdering van de batterij op het
moment dat u het apparaat ann het einde van de levensduur afdankt
of de volgende Yamaha Service Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Tel. 030-2828425
• For the removal of the battery at the moment of the disposal at the
end of the service life please consult your retailer or Yamaha Service
Center as follows:
Yamaha Music Nederland Service Center
Address : Kanaalweg 18-G, 3526 KL UTRECHT
Tel : 030-2828425
• Gooi de batterij niet weg, maar lever hem in als KCA.
• Do not throw away the battery. Instead, hand it in as small chemical
waste.
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved
fejlagtig håndtering. Udskiftning må kun
ske med batteri af samme fabrikat og
type. Levér det brugte batteri tilbage til
leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte.
Använd samma batterityp eller en
ekvivalent typ som rekommenderas av
apparattillverkaren. Kassera använt
batteri enlight fabrikantens instruktion.
VAROITUS
Paristo voi räjähtää, jos se on
virheellisesti asennettu. Vaihda paristo
ainoastaan laitevalmistajan
suosittelemaan tyyppiin. Hävitä käytetty
paristo valmistajan ohjeiden mukaisesti.
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply
(adapter). DO NOT connect this product to any power supply or
adapter other than one described in the manual, on the name
plate, or specifically recommended by Yamaha.
WARNING: Do not place this product in a position where anyone
could walk on, trip over ,or roll anything over power or connecting
cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size
for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG
number ,the larger the current handling capacity. For longer
extension cords, consult a local electrician.
This product should be used only with the components supplied
or; a cart, rack, or stand that is recommended by Yamaha. If a
cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct
at the time of printing. However, Yamaha reserves the right to
change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound
levels that could cause permanent hearing loss. DO NOT operate
for long periods of time at a high volume level or at a level that is
uncomfortable. If you experience any hearing loss or ringing in the
ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
Some Yamaha products may have benches and / or accessory
mounting fixtures that are either supplied with the product or as
optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well secured
BEFORE using.
Benches supplied by Yamaha are designed for seating only. No
other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as
designed) are not covered by the manufacturer’s warranty, and
are therefore the owners responsibility. Please study this manual
carefully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products
and the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the law, we
want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which
(if applicable) is soldered in place. The average life span of this
type of battery is approximately five years. When replacement
becomes necessary, contact a qualified service representative to
perform the replacement.
This product may also use “household” type batteries. Some of
these may be rechargeable. Make sure that the battery being
charged is a rechargeable type and that the charger is intended
for the battery being charged.
When installing batteries, do not mix batteries with new, or with
batteries of a different type. Batteries MUST be installed correctly.
Mismatches or incorrect installation may result in overheating and
battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly
and as regulated by the laws in your area. Note: Check with any
retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some
reason its useful life is considered to be at an end, please observe
all local, state, and federal regulations that relate to the disposal of
products that contain lead, batteries, plastics, etc. If your dealer is
unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the top of the product, and the
serial number is located at the rear of the product. The power
requirements, etc., are located on this plate. You should record
the serial number, and the date of purchase in the spaces
provided below and retain this manual as a permanent record of
your purchase.
Model G50
Serial No.
Purchase Date
92-BP
PLEASE KEEP THIS MANUAL
The G50 is a high-performance Guitar MIDI Converter designed to work in conjunction with the Yamaha G1D Divided
Pickup Unit installed on an electric or steel-string acoustic
guitar. The G50 offers unprecedented MIDI guitar synthesizer
performance with exceptionally fast response and a range of
advanced features that bring the true creative potential of MIDI
control to guitar players for the first time. A MIDI guitar system
incorporating the G50 and G1D is not only great for performance, but it gives guitar players an ideal means for entering
music data in a MIDI sequence recording system.
Please read this owner’s manual carefully, and follow the
instructions within in order to ensure proper operation. Also
keep this manual in a safe place for later reference.
Contents
Precautions ............................................. 2
G50 Overview ........................................... 3
The Controls & Connectors ................................. 4
Front Panel ....................................... 4
Rear Panel ....................................... 5
Setting Up .............................................. 6
■ Power Supply ...................................... 6
■ Tone Generator Connection & MIDI Setup ................ 6
MIDI Channel Settings .............................. 7
Preset Program Sets ................................ 8
■ Guitar/G1D Connection ............................... 8
Input Level Adjustment .................................... 9
Tuning ............................................... 10
Play Mode ............................................. 11
Selecting Programs & Playing In the PLAY Mode ......... 11
G1D [UP]/[DOWN] Button Modes ..................... 12
Playing In the Monophonic Mode .................... 12
Edit Mode ............................................. 13
• Edit and Write Operation ...................... 13
• The Memory Swap Function .................... 13
Guitar Setup ..................................... 14
Tone Generator Setup ............................. 15
Real Time Control ................................. 16
MIDI Bulk Dump Transmission & Reception ............. 19
Initialize ............................................... 20
Specifications .......................................... 20
Troubleshooting ........................................ 21
Preset Program Lists ..................................... 22
■ Guitar/Bass select switch: when “GUITAR” is selected ....... 22
■ Guitar/Bass select switch: when “BASS” is selected ......... 25
MIDI Data Format ....................................... 28
MIDI Implementation Chart ................................ 32
1
Precautions !! PLEASE READ THIS BEFORE PROCEEDING !!
■ Location
Do not expose the G50 to the following conditions to
avoid deformation, discoloration, or more serious damage.
• Direct sunlight (e.g. near a window).
• High temperatures (e.g. near a heat source, outside, or
in a car during the daytime).
• Excessive humidity.
• Excessive dust.
• Strong vibration.
■ USE THE CORRECT POWER SUPPLY
Power to the G50 should be supplied only from the
appropriate Yamaha AC adaptor (the PA-3B or another
adaptor specifically recommended by Yamaha). Use of
another adaptor may cause serious damage to the unit.
Also make sure that the adaptor you have is appropriate
for the AC mains supply voltage in the area where you
intend to use the G50. (The correct input voltage is
marked on the adaptor.)
■ Power Supply
• Turn the power switch OFF when the instrument is not
in use.
• The power adaptor should be unplugged from the AC
outlet if the G50 is not to be used for an extended
period of time.
• Unplug the G50 during electric storms.
• Avoid plugging the G50 into the same AC outlet as
appliances with high power consumption, such as
electric heaters or ovens. Also avoid using multi-plug
adaptors since these can result in reduced sound
quality and possibly damage.
■ Turn Power OFF When Making Connections
• To avoid damage to the G50 and other devices to
which it is connected (a sound system, for example),
turn the power switches of all related devices OFF
prior to connecting or disconnecting audio and MIDI
cables.
■ Handling and Transport
• Never apply excessive force to the controls, connectors or other parts of the instrument.
• Always unplug cables by gripping the plug firmly, not
by pulling on the cable.
• Disconnect all cables before moving the instrument.
• Physical shocks caused by dropping, bumping, or
placing heavy objects on the instrument can result in
scratches and more serious damage.
■ Cleaning
• Clean the cabinet and panel with a dry soft cloth.
• A slightly damp cloth may be used to remove stubborn
grime and dirt.
• Never use cleaners such as alcohol or thinner.
• Avoid placing vinyl objects on top of the instrument
(vinyl can stick to and discolor the surface).
■ Electrical Interference
• This instrument contains digital circuitry and may
cause interference if placed too close to radio or
television receivers. If this occurs, move the instrument further away from the affected equipment.
■ Data Backup
• The G50 contains a special long-life battery that
retains the contents of its internal memory even when
the power is turned OFF. The backup battery should
last for several years. When the backup battery needs
to be replaced “BALo” will appear on the display
when the power is turned on. When this happens, have
the backup battery replaced by qualified Yamaha
service personnel. DO NOT ATTEMPT TO REPLACE
THE BACKUP BATTERY YOURSELF!
■ Service and Modification
• The G50 contains no user serviceable parts. Opening it
or tampering with it in any way can lead to irreparable
damage and possibly electric shock. Refer all servicing
to qualified YAMAHA personnel.
■ MIDI Connections
• When connecting the G50 to MIDI equipment, be sure
to use high-quality cables made especially for MIDI
data transmission.
• Avoid MIDI cables longer than about 15 meters.
Longer cables can pick up electrical noise that can
causes data errors.
YAMAHA is not responsible for damage caused by improper handling or operation.
Precautions
2
G50 Overview
The G50 is basically an “interface” which converts the
analog output from a G1D Divided Pickup Unit installed
on your guitar (or directly from the guitar’s normal output
if used without the G1D in the mono synthesizer mode) to
corresponding MIDI data which is transmitted to a MIDI
tone generator to produce the “synthesized” sound output.
When you play a note or chord on your guitar, the G50
instantly generates MIDI data corresponding to the note(s)
you play — along with the appropriate pitch bend data if
Guitar
MIDI
G1D
G50
OUT
GUITAR
DIRECT OUT
you bend a note — so that you can use most standard
guitar techniques to play any voice that can be produced
by the connected MIDI tone generator — brass, strings,
organ, percussion … anything! You can play just the
synthesized sound, mix the synthesized sound with the
normal guitar sound played through a standard guitar
amplifier or sound system, or just play the normal guitar
sound.
MIDI Tone Generator
Synthesized Sound
Normal Guitar Sound
The G50 has 128 “programs” that you can select and play.
In fact, you can edit each of these programs to provide
precisely the response and playing features you want. You
can, for example, specify the G50’s sensitivity in response
to notes you play on the guitar, the pitch bend range,
which voice on your tone generator will be selected when
the G50 program is selected, and much more. There are
also special “split” functions which let you play different
voices on different strings, or different voices at different
picking positions. You could, for example, play upright
bass on the lowest two strings (5 and 6) while playing
organ on the top 4 strings (1 through 4). The G50 offers
many other features that provide an extraordinary range of
creative possibilities.
● “Split” function example
Organ
Upright bass
G50 Overview
3
The Controls & Connectors
Front Panel
1 [POWER] Switch
Press to turn the G50 power on or off. The PARAMETER
& MEMORY#/VALUE display will light when the power
is on.
2 INPUT-DIVIDED Connector
One end of the multi-pin cable supplied with the G50
plugs in here. The cable plugs in with the release button
facing upward. This is a locking connector — the release
button must be pressed to unplug the cable. The other end
of cable connects to the G1D Divided Pickup Unit (refer
to the G1D owner’s manual for details).
3 MONO SYNTH Jack
The normal output from a guitar can be plugged in here
via a standard 1/4" phone-plug cable if the G50 is to be
used without the G1D Divided Pickup Unit in the monophonic mode. The monophonic mode is automatically
selected when the multi-pin cable is disconnected and a
standard guitar cable is plugged in here.
Page 7 for details.
4 PARAMETER & MEMORY#/VALUE Display
This display shows the current program number when the
G50 is in the PLAY mode, and the appropriate parameters
and/or values when any other mode is engaged.
5 [PLAY] Button
This button engages the normal G50 PLAY mode (the
PLAY mode is selected by default whenever the G50
power switch is turned ON). Any of the G50’s 128
“programs” can be selected and played in this mode.
Page 11 for details.
6 [INPUT] Button
Engages the input adjustment mode in which the G50
input gain can be matched to the output level of each
individual guitar string for optimum playability and
performance.
Page 9 for details.
7 [TUNER] Button
Engages the G50’s built-in guitar tuner, allowing precise,
easy tuning of each guitar string. If pressed while holding
the [PLAY] button, the [TUNER] button also accesses a
selection of preset program sets.
Pages 10, 8 for details.
8 [MIDI] Button
Allows the MIDI transmit/receive channel(s) of the G50
to be set to match the connected MIDI device(s).
It is also possible to transmit MIDI bulk data corresponding to the G50’s 128 programs to an external storage
device by pressing the [MIDI] button while holding the
[PLAY] button.
Page 19 for details.
9 PARAMETER SELECT [▲](NO) and [▼](YES) Buttons
These buttons are used to select the G50’s editable
parameters (“A” through “Y”). Press either button briefly
to select the next parameter in the corresponding direction
([▼] to select the next parameter toward “Y”, or [▲] to
select the next parameter toward “A”), or hold either
button for continuous scrolling in the corresponding
direction.
These same buttons are also used to confirm (“YES”) or
cancel (“NO”) the G50 program copy, swap, and other
functions.
Page 13 for details.
J MEMORY#/VALUE [-1] & [+1] Buttons
These buttons are used to increment (increase) or decrement (decrease) program numbers or the value/setting of
any of the G50’s editable parameters. Press either button
briefly to select the next number/setting in the corresponding direction ([+1] to increment; [-1] to decrement),
or hold either button for continuous scrolling in the
corresponding direction. It is also possible to skip in tens
(e.g. 10 → 20 → 30 → etc. or the reverse) by pressing
the opposite button while holding the button corresponding to the direction in which you want to increment/
decrement.
The Controls & Connectors
4
Rear Panel
K DC IN Connector
The DC output cable from the Yamaha PA-3B AC adaptor
or another adaptor recomended by Yamaha is plugged in
here.
Page 6 for details.
L GUITAR DIRECT OUT Jack
This jack outputs the direct sound from your guitar (not
the synthesized sound). The output from this jack can be
connected to a guitar amplifier, mixing console, or similar
device via a standard 1/4" phone plug cable.
M GUITAR TYPE Switch
This switch must be set to match the type of guitar and
divided pickup you are using. If you have a G1D Divided
Pickup Unit installed on a six-string guitar, set this switch
to the “GUITAR” position. If you have a bass guitar
divided pickup installed on a bass guitar, set the switch to
the “BASS” position after the turned power off. “BASS”
will appear on the display briefly when the power is
turned on after setting this switch to “BASS”,
N SUSTAIN/HOLD Jack
A Yamaha FC4 or FC5 footswitch can be connected to
this jack for sustain or hold operation.
Page 18 for details.
O MIDI IN and OUT Connectors
The MIDI OUT connector connects to one or more
external tone generators or synthesizers to be driven by
the G50. It can also be connected to a MIDI data recorder
or other MIDI data storage device to store MIDI bulk data
corresponding to the G50’s 128 programs.
The MIDI IN connector can be used to receive previously
stored program data from an external MIDI data storage
device, or control data from a device such as a Yamaha
MFC10 MIDI Foot Controller.
Page 6 for details.
GUITAR MIDI
DIVIDED
MONO SYNTH
CONVERTER
PARAMETER
4
MEMORY#/VALUE
SER NO.
MIDI CH
(MONO/POLY)
PARAMETER
SELECT
NO YES
9 J
TUNER
5678 132
INPUT
LEVEL
MEMORY# / VALUE
–1 +1
±10
DC-IN
POWER
ON/
OFF
PARAMETER
PLAY
GUITAR SETUP EXTERNAL TG SETUP
A PLAYING STYLE
B NOTE ON LEVEL
C NOTE OFF LEVEL
D VELOCITY
WRITE
E CHROMATIC
F TRANSPOSE
G PITCH BEND RANGE
MIDI
OUT IN
H PROGRAM CHANGE #
I BANK MSB
J BANK LSB
K VOLUME
L PAN
M ASSIGNABLE 1
VALUE
N
O ASSIGNABLE 2
P VALUE
SUSTAIN/HOLD
REALTIME CONTROL
Q SPLIT
R MEMORY2#
S MEM2 LOCATION
T PICKING CONTROL
U FRONT
V REAR
W TOUCH CONTROL
X SENSITIVITY
Y SUSTAIN/HOLD PEDAL
GUITAR
BASS
GUITAR
DIRECT OUT
LMNO K
The Controls & Connectors
5
Setting Up
D
C
-IN
DC-IN
PA-3B
Power Supply
Plug the DC output cable from the AC adaptor into the
DC IN jack on the rear panel, then plug the adaptor into a
convenient wall AC power socket. It is also a good idea
to clip the adaptor’s DC cable into the cable clip on the
G50 rear panel to minimize the possibility of accidentally
unplugging the cable during operation.
■
CAUTION
• Turn your tone generator on before turning on the G50.
This is necessary to ensure that the initial pitch bend, tune,
and other setup parameters transmitted by the G50 at
power-on are received by the tone generator.
• Do not attempt to use an AC adaptor other than the
supplied unit or an appropriate replacement provided by
your Yamaha dealer to power the G50. The use of an
incompatible adaptor may cause irreparable damage to the
G50, and might pose a serious shock hazard!
• Be sure to unplug the AC adaptor from the AC mains socket
when the G50 is not in use.
AC Power Socket
Tone Generator Connection & MIDI Setup
The G50 can drive just about any external tone
generator or synthesizer, although Yamaha
particularly recommends the MU80 or MU50
XG (GM compatible) tone generators for outstanding AWM sound, or the VL1-m Version 2 or
VL70-m if you want the extraordinary sound of
Yamaha’s revolutionary Virtual Acoustic Synthesis tone generation system.
Connect the G50 MIDI OUT connector to the
MIDI IN connector of a single external device,
or the first in a “chain” of devices you want to
control. The MIDI THRU connector of the first
device in the chain should then be connected to
the MIDI IN connector of the second device, and
so on. See below for details on setting the G50
MIDI transmit/receive channel(s).
■
NOTES
• Always use high-quality MIDI cables when connect-
ing MIDI devices, and avoid cables longer than
about 15 meters — longer cables can pick up
electrical noise that can cause data errors.
• Keep to turned the power off before the install-
ing.
G50
MIDI
MIDI
OUT IN
MIDI
IN
1st MIDI Device 2nd MIDI Device
THRU
MIDI
IN
6
Setting Up
MIDI Channel Settings
PARAMETER MEMORY#/VALUE
,,
The G50 has three MIDI channel modes. Be sure to select
the right mode for the type of tone generator and setup
you are using.
Multi-channel Mode
(settings “S 1” through “S 16” on the G50
display).
In this mode the MIDI data derived from each
individual guitar string is transmitted from the G50 via a
different MIDI channel. This mode is suited for use with a
“multi-timbral” tone generator such as the Yamaha MU80 or
MU50. This mode is fully polyphonic (i.e. you can play
chords), and with a multi-timbral tone generator it is possible
to have each guitar string play a different voice.
• The MIDI receive channel is set to the “base” channel
(i.e. the channel assigned to the guitar’s 1’s string).
•
See the “Multi-channel Mode Settings” chart, below, for
the actual MIDI channel numbers assigned to each string.
• Since MIDI channel number 10 is reserved for drums
and rhythm in many multi-timbral applications,
channel 10 is not available in the Multi-channel Mode.
• If you want to connect a bass to the G50, set the
GUITAR TYPE switch on the rear panel to the
“BASS” position after turning off the power.
• When a bass is used, pick up speed may be slower
than guitar.
● Multi-channel Mode Settings
Setting HOLD
S1 7654321
S2 8765432
S3 9876543
S4 11987654
S5 121198765
S6 13 12 11 9 8 7 6
S7 14 13 12 11 9 8 7
S8 15 14 13 12 11 9 8
S9 16 15 14 13 12 11 9
S11 1 161514131211
S12 2 1 16 15 14 13 12
S13 3 2 1 16151413
S144321161514
S15543211615
S1665432116
The “HOLD” channel in the above chart is used by the G50
hold function, described on page 18.
654321
String
with tone generators or synthesizers which only allows
reception on a single MIDI channel at a time, and is the
best choice for use with a monophonic tone generator
such as the Yamaha VL1-m Version 2 (of course it can
also be used with multi-timbral tone generators). The
Single-channel Polyphonic Mode is also ideal for MIDI
recording applications (i.e. when recording the output of
the G50 to a MIDI sequencer). This mode is fully polyphonic so you can play chords, but since pitch bend data
is derived from the last note played the results of doublechoking techniques may not be exactly as expected.
Further, if you bend a note more than a semitone, the
pitch will “jump” a semitone).
• The MIDI receive channel in this mode is the same as
the transmit channel.
• The next highest channel is used by the G50 hold
function. (e.g. if “C3” is selected, channel 4 is used
for the hold function.)
Monophonic Mode
(settings “M 1” through “M 16” on the G50
display).
This mode is automaticaly selected when the
multi-pin cable is unplugged and a standard guitar cable is
plugged into the G50 MONO SYNTH jack (see page 5
for details). The data for all strings is transmitted on the
single specified MIDI channel, and only one note can be
played at a time.
• The Q: Split, T: Picking Position Control and A:
Playing Style functions have no effect in this mode.
• The MIDI receive channel in this mode is the same as
the transmit channel.
■ To Select a MIDI Mode & Channel Setting:
1. Engage the MIDI Mode
Press the [MIDI] button. The indicator above the
[MIDI] button will light.
2. Select a Mode/Setting
Use the [-1] and [+1] buttons to select the desired
MIDI mode and channel setting: “”S 1" through “S
16” (“M 1” through “M 16”) or “C 1” through “C 16”.
The “S” and “M” modes are switched automatically.
Single-channel Polyphonic Mode
strings is transmitted from the G50 on the single specified
MIDI channel (1 through 16). This mode can be used
(settings “C 1” through “C 16” on the G50
display).
In this mode the MIDI data derived from all
3. Return to the PLAY Mode
Press the [PLAY] button to return to the PLAY mode.
Setting Up
7
Preset Program Sets
PARAMETER MEMORY#/VALUE
,, ,
In addition to the normal “user” programs, the G50 has 3
preset program sets designed specifically for use with
certain tone generators, as follows:
This is the normal user-programmable G50
memory. The factory preset program conform to
the standard GM (General MIDI) voice assignments.
The “1” preset program set contains a selection
of programs designed for use with the Yamaha
MU80 or MU50.
This set has been created for use with the
Yamaha VL70-m.
This set has been created for use with the
Yamaha VL1-m Version 2.
■ To Select a Preset Program Set:
1. Engage the Preset Selection Mode
Press the [TUNER] button while holding the [PLAY]
button. “TG” followed by the number of the currently
selected preset program set (or “U” for “user”) will
flash on the display.
2. Select a Preset
Select the desired preset program set by using the [-1]
and [+1] buttons.
3. Press [YES]
Press the [YES] button to confirm the selection. “don”
will appear briefly when the selected preset program
set has been activated. When preset “2” or “3” is
selected, pressing the [YES] button also transmits
appropriate voice data to the connected VL70-m or
VL1-m Version 2. Make sure your VL70-m or VL1-m
Version 2 is set up to allow voice data (system exclusive) reception if you want to use these voices. This
voice data will overwrite the previous data in voice
number “Cst 001 through 006 and Int 001”(VL70-m)
or “A01 through A06”(VL1-m Version 2), so be sure
any data you want to keep is backed up before selecting either of these program sets.
■
NOTES
• The user data is kept safe in a special secondary memory
while any of the other preset program sets are active, so
your edited data will be restored when you re-select the
“user” set.
Guitar/G1D Connection
Make sure that your G1D Divided Pickup Unit has been
properly installed and connected to your guitar as described in the G1D Owner’s Manual before connecting it
to the G50.
Make sure that the G50 Guitar MIDI Converter power is
OFF, then plug one end of the multi-pin cable supplied
with the G50 into the G1D multi-pin connector, and the
other end into the DIVIDED INPUT connector on the
G50.
When all connections have been properly made, turn the
G50 power switch ON: the G1D power indicator should
light indicating that it is receiving power from the G50.
■
NOTES
• For extra security and damage prevention it is a good idea
to pass the cable between the strap and guitar body near
the body strap pin.
• The multi-pin cable plug release button must be pressed
when unplugging the multi-pin cable from the G50 or G1D.
Multi-pin cable
G50
GUITAR MIDI
CONVERTER
DIVIDED
WRITE
8
Setting Up
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