User Manual
DIGITAL PRO MIXER DDM4000
Ultimate 5-Channel Digital DJ Mixer with Sampler,
4 FX Sections, Dual BPM Counters and MIDI
2 DIGITAL PRO MIXER DDM4000 User Manual
Table of Contents
Thank you ....................................................................... 2
Important Safety Instructions ...................................... 3
Legal Disclaimer ............................................................. 3
Limited Warranty ........................................................... 3
1. Introduction ...............................................................5
2. Controls and Connections ........................................6
3. Operation ................................................................. 12
4. BPM and Eects Section ......................................... 17
5. Sampler .................................................................... 21
6. Further Settings .......................................................23
7. The DDM4000 as MIDI Controller ........................... 23
8. Installation ...............................................................24
9. Specications ...........................................................26
10. Appendix ................................................................27
Thank you
Congratulations! The DDM4000 is a state-of-the-art 32-bit digital DJ mixer,
jam-packed with creative tools, yet its intuitive layout will let you feel at home
in an instant. Editing, storing and recalling your set tings is simply a breeze!
3 DIGITAL PRO MIXER DDM4000 User Manual
Terminals marked with this symbol carry
electrical current of su cient magnitude
to constitute risk of electric shock. Use only
high-quality commercially-available speaker cables with
¼" TS plugs pre-installed. All other installation or
modi cation should be per formed only by
quali ed personnel.
This symbol, wherever it appears,
alerts you to the presence of uninsulated
dangerous voltage inside the
enclosure - voltage that may be su cient to constitute a
risk of shock.
This symbol, wherever it appears,
alerts you to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, do
not remove the top cover (or the rear
section). No user serviceable parts inside. Refer servicing
to quali ed personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids, such
as vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed service personnel only.
To reduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
service personnel.
Read these instructions.1.
Keep these instructions.2.
Heed all warnings.3.
Follow all instructions.4.
Do not use this apparatus near water.5.
Clean only with dry cloth.6.
Do not block any ventilation openings. Install in 7.
accordance with the manufacturer’s instructions.
Do not install near any heat sources such as 8.
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
Do not defeat the safety purpose of the polarized 9.
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If the
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
Protect the power cord from being walked on or 10.
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
Use only attachments/accessories speci ed by 11.
the manufacturer.
Use only with the 12.
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, or sold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
Unplug this apparatus during lightning storms or 13.
when unused for long periods of time.
Refer all servicing to quali ed service personnel. 14.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
been dropped.
The apparatus shall be connected to a MAINS socket 15.
outlet with a protective earthing connection.
Where the MAINS plug or an appliance coupler is 16.
used as the disconnect device, the disconnect device shall
remain readily operable.
Technical speci cations and appearance are subject to change without
notice. The information contained herein is correct at the time of printing.
All trademarks are the property of their respective owners. MUSIC Group
accepts no liability for any loss which may be su ered by any person
who relies either wholly or in part upon any description, photograph or
statement contained herein. Colors and speci cations may vary slightly from
product. BEHRINGER products are sold through authorized dealers only.
Distributors and dealers are not agents of MUSIC Group and have absolutely
no authority to bind MUSIC Group by any express or implied undertaking
or representation. This manual is copyrighted. No part of this manual may
be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying and recording of any kind, for any
purpose, without the express written permission of MUSIC Group IP Ltd.
ALL RIGHTS RESERVED.
© 2011 MUSIC Group IP Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands
Warranty§ 1
This limited warranty is valid only if you purchased (1)
the product from a BEHRINGER authorized dealer in the
country of purchase. A list of authorized dealers can be
found on BEHRINGER’s website behringer. com under
“Where to Buy“, or you can contact the BEHRINGER o ce
closest to you.
MUSIC Group* warrants the mechanical and (2)
electronic components of this product to be free of defects
in material and workmanship if used under normal
operating conditions for a period of one (1) year from
the original date of purchase (see the Limited Warranty
terms in § 4 below), unless a longer minimum warranty
period is mandated by applicable local laws. If the product
shows any defects within the speci ed warranty period
and that defect is not excluded under § 4, MUSIC Group
shall, at its discretion, either replace or repair the product
using suitable new or reconditioned product or parts.
In case MUSIC Group decides to replace the entire product,
this limited warranty shall apply to the replacement
product for the remaining initial warranty period, i.e.,
one (1) year (or otherwise applicable minimum warranty
period) from the date of purchase of the original product.
Upon validation of the warranty claim, the repaired (3)
or replacement product will be returned to the user freight
prepaid by MUSIC Group.
Warranty claims other than those indicated above (4)
are expressly excluded.
PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF
OF PURCHASE COVERING YOUR LIMITED WARRANTY.
THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF
OF PURCHASE.
Online registration§ 2
Please do remember to register your new BEHRINGER
equipment right after your purchase at behringer. com
under “Support” and kindly read the terms and conditions
of our limited warranty carefully. Registering your
purchase and equipment with us helps us process
your repair claims quicker and more e ciently.
Thank you for your cooperation!
Return materials authorization§ 3
To obtain warranty service, please contact the (1)
retailer from whom the equipment was purchased.
Should your BEHRINGER dealer not be located in your
vicinity, you may contact the BEHRINGER distributor for
your country listed under “Support” at behringer. com.
If your country is not listed, please check if your problem
can be dealt with by our “Online Support” which may
also be found under “Support” at behringer. com.
Alternatively, please submit an online warranty claim at
behringer. com BEFORE returning the product. All inquiries
must be accompanied by a description of the problem
and the serial number of the product. After verifying
the product’s warranty eligibility with the original sales
receipt, MUSIC Group will then issue a Return Materials
Authorization (“RMA”) number.
Legal Disclaimer
Limited Warranty
Important Safety Instructions
Legal Disclaimer
Limited Warranty
4 DIGITAL PRO MIXER DDM4000 User Manual
Subsequently, the product must be returned in (2)
its original shipping carton, together with the return
authorization number to the address indicated by
MUSIC Group.
Shipments without freight prepaid will not (3)
be accepted.
Warranty Exclusions§ 4
This limited warranty does not cover consumable (1)
parts including, but not limited to, fuses and batteries.
Where applicable, MUSIC Group warrants the valves or
meters contained in the product to be free from defects in
material and workmanship for a period of ninety (90) days
from date of purchase.
This limited warranty does not cover the product (2)
if it has been electronically or mechanically modi ed
in any way. If the product needs to be modi ed or
adapted in order to comply with applicable technical
or safety standards on a national or local level, in any
country which is not the country for which the product
was originally developed and manufactured, this
modi cation/adaptation shall not be considered a defect
in materials or workmanship. This limited warranty does
not cover any such modi cation/adaptation, regardless
of whether it was carried out properly or not. Under the
terms of this limited warranty, MUSIC Group shall not
be held responsible for any cost resulting from such a
modi cation/adaptation.
This limited warranty covers only the product (3)
hardware. It does not cover technical assistance for
hardware or software usage and it does not cover
any software products whether or not contained in
the product. Any such software is provided “AS IS”
unless expressly provided for in any enclosed software
limited warranty.
This limited warranty is invalid if the factory-(4)
applied serial number has been altered or removed from
the product.
Free inspections and maintenance/repair work (5)
are expressly excluded from this limited warranty, in
particular, if caused by improper handling of the product
by the user. This also applies to defects caused by normal
wear and tear, in particular, of faders, crossfaders,
potentiometers, keys/buttons, guitar strings, illuminants
and similar parts.
Damage/defects caused by the following conditions (6)
are not covered by this limited warranty:
improper handling, neglect or failure to operate the •
unit in compliance with the instructions given in
BEHRINGER user or service manuals;
connection or operation of the unit in any way •
that does not comply with the technical or safety
regulations applicable in the country where the
product is used;
damage/defects caused by acts of God/Nature •
(accident, re, ood, etc) or any other condition that
is beyond the control of MUSIC Group.
Any repair or opening of the unit carried out by (7)
unauthorized personnel (user included) will void the
limited warranty.
If an inspection of the product by MUSIC Group (8)
shows that the defect in question is not covered by the
limited warranty, the inspection costs are payable by
the customer.
Products which do not meet the terms of this (9)
limited warranty will be repaired exclusively at the buyer’s
expense. MUSIC Group or its authorized service center will
inform the buyer of any such circumstance. If the buyer
fails to submit a written repair order within 6 weeks after
noti cation, MUSIC Group will return the unit C.O.D. with
a separate invoice for freight and packing. Such costs will
also be invoiced separately when the buyer has sent in a
written repair order.
Authorized BEHRINGER dealers do not sell new (10)
products directly in online auctions. Purchases made
through an online auction are on a “buyer beware” basis.
Online auction con rmations or sales receipts are not
accepted for warranty veri cation and MUSIC Group will
not repair or replace any product purchased through an
online auction.
Warranty transferability§ 5
This limited warranty is extended exclusively to the
original buyer (customer of authorized retail dealer) and
is not transferable to anyone who may subsequently
purchase this product. No other person (retail dealer, etc.)
shall be entitled to give any warranty promise on behalf
of MUSIC Group.
Claim for damage§ 6
Subject only to the operation of mandatory applicable
local laws, MUSIC Group shall have no liability to the buyer
under this warranty for any consequential or indirect
loss or damage of any kind. In no event shall the liability
of MUSIC Group under this limited warranty exceed the
invoiced value of the product.
Limitation of liability§ 7
This limited warranty is the complete and exclusive
warranty between you and MUSIC Group. It supersedes
all other written or oral communications related to this
product. MUSIC Group provides no other warranties for
this product.
Other warranty rights and § 8
national law
This limited warranty does not exclude or limit the (1)
buyer’s statutory rights as a consumer in any way.
The limited warranty regulations mentioned herein (2)
are applicable unless they constitute an infringement of
applicable mandatory local laws.
This warranty does not detract from the seller’s (3)
obligations in regard to any lack of conformity of the
product and any hidden defect.
Amendment§ 9
Warranty service conditions are subject to change without
notice. For the latest warranty terms and conditions
and additional information regarding MUSIC Group’s
limited warranty, please see complete details online at
behringer. com.
* MUSIC Group Macao Commercial Off shore Limited of
Rue de Pequim No. 202-A, Macau Finance Centre 9/J, Macau,
including all MUSIC Group companies
5 DIGITAL PRO MIXER DDM4000 User Manual
Introduction1.
Hook up your turntables and CD/MP3 players to its 4 stereo channels,
each with fully programmable EQ and Kill switches. Put ultimate versatility
at your ngertips with fully programmable beat-sync’able multi-FX modules,
a pair of high-precision BPM counters and a digital crossfader with custom curve
adjustment. And the super-cool BPM-sync’d sampler with real-time pitch control,
loop and reverse functions will make your crowd go wild.
Please read this manual to familiarize yourself with the control ◊
elements of the unit and its functions. After you have carefully
read this manual, keep it for future reference.
Before you get started1.1
Shipment1.1.1
Your DDM4000 was carefully packed at the factory, and the packaging
was designed to protect the unit from damage caused by rough handling.
Nevertheless, we recommend that you carefully examine the packaging and its
contents for any signs of physical damage that may have occurred during transit.
If the unit is damaged, please do NOT return it to us; instead, ◊
notify your dealer and the shipping company immediately,
otherwise claims for damage or replacement may not be granted.
We recommend using a case to ensure optimal protection of the device.◊
Please always use the original packaging to avoid damage due to ◊
storage or shipping.
Never let unsupervised children play with the DDM4000 or ◊
with its packaging.
Recycle whenever possible.◊
Initial operation1.1.2
Ensure adequate air supply and to avoid overheating do not place the unit
near radiators etc.
Before you connect your DDM4000 to the mains, please make sure ◊
that your local voltage matches the voltage required by the unit.
Caution!
Before changing the fuse, switch off the device and pull the plug to ◊
avoid electric shock or damage to the device.
The DDM4000 power connection is made by using the enclosed cable and
the amplier’s standard IEC receptacle. It meets all of the international safety
certication requirements.
Please make sure that all units have a proper earth connection. For your ◊
own safety, never remove or disable the earth conductor from the unit
or of the AC power cord.
IMPORTANT NOTES CONCERNING INSTALLATION
The sound quality may diminish within the range of powerful ◊
broadcasting stations and high-frequency sources. Increase the
distance between the transmitter and the device and use shielded
cables for all connections.
Online registration1.1.3
Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warranty carefully.
Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contac t
the BEHRINGER retailer from whom the equipment was purchased. Should your
BEHRINGER dealer not be located in your vicinity, you may directly contac t
one of our subsidiaries. Corresponding contact information is included in the
original equipment packaging (Global Contact Information/European Contact
Information). Should your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the support area of our website
(http://behringer.com).
Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.
Thank you for your cooperation!
Caution! The following applies only to units that can be switched between
120 V and 230 V: The fuse holder on the mains connector has 3 triangular
markings, with two of these triangles opposing each other. The DDM4000 is set
to the operating voltage printed next to these markers and can be set to another
voltage by turning the fuse holder by 180°.
Please note that when operating the unit at 120 V, a higher fuse rating ◊
is required. Please refer to the “Specifications” for details.
If you set the unit to a different mains voltage, be sure to use a fuse ◊
of the correct type and rating. Please refer to the “Specifications”
for details.
Blown fuses must be replaced by fuses of the same type and rating! ◊
Please refer to the “Specifications” for details.
Caution!
Extreme output volumes may damage your hearing and/or your ◊
loudspeakers. Turn down all volume and level controls before you
switch on the unit. Always set the volume to an appropriate level.
6 DIGITAL PRO MIXER DDM4000 User Manual
(2.1) (2.4)
(2.2)
(2.6)
(2.9)
(2.1)
(2.7)
(2.8)
(2.3)
(2.5)
Controls and 2. Connections
This chapter describes the various controls and connections of
the DDM4000 mixer. We have divided the console into several
functional sections for a better overview.
Fig. 2.0: Over view of DDM40 00
Stereo channels 1 – 42.1
BPM and eects section2.5
Microphone channel2.2
Sampler2.6
Crossfader section2.3
Main and phones section2.4
Rear panel connectors2.7
Rear panel outputs2.8
Power section2.9
7 DIGITAL PRO MIXER DDM4000 User Manual
(2)
(1)
(3)
(5)
(9)
(10)
(4)
(7)
(8)
(6)
(11) (12)
(13)
(16)
(17)
(18)
(19)
(15)
(14)
Stereo channels 1 – 42.1
Fig. 2.1: Stereo channel s trips
Microphone channel2.2
Fig. 2.2: Mic rophone channel
The (11) GAIN knob adjusts the level of the microphone signal at the MIC 1 input.
This switch determines which signal is to be displayed on the level meter (12) (13).
IN VU shows the unprocessed input level which helps you to adjust the
microphone signal correctly. XMC VU shows the level after it has passed
the Ultramic processor.
The input select switch lets you switch between two signal sources. (1)
Select Line to hear the signal of the Line input (67). Select Phono/Line to
listen to the incoming source signal at the Phono/Line (68) input.
The (2) GAIN knob adjusts the level of the input signal. The actual level
is displayed on the level meter (3).
The 7-segment LED meter indicates the level of the input signal.(3)
Each input channel features a 3-band equalizer (4) (HIGH, MID and LOW)
with kill feature, giving you up to 12 dB of boost and a maximum cut
of -∞ dB (kill). The kill feature lets you mute the given frequency range.
When each EQ knob is turned fully left, the signal is eectively muted.
All EQ parameters can be adjusted in Channel Setup.
The (5) MODE push button changes the functionality of the preset push button
(6) from Multi to Single.
The preset push buttons (6) P1, P2 and P3 allow you to store and activate
equalizer presets. When activated in Single Mode, these push buttons
provide a maximum cut of -∞ dB (kill function).
Press the (7) PFL push button to listen in on the channel’s signal
using headphones.
The fader controls the channel volume.(8)
The (9) CURVE switch adjusts the response of the fader. In SOFT Mode, the fader
responds slower to steady fader movement in the upper range and quicker in
the lower range. In Sharp Mode, the fader adjusts the volume quicker in the
upper third and slower in the lower range. In MID Mode, the fader responds
in a linear fashion. Since a dierence in volume levels is heard when
switching between modes, don’t use this switch while playing music!
The (10) CF ASSIGN push button lets you determine on which side of the
crossfader (20) (A or B the signal is to be heard.
The 7-segment LED meter indicates the level of the microphone channel.(13)
The microphone channel strip features a 3-band equalizer (14)
(HIGH, MID and LOW). The range is +/-12 dB.
The (15) ON/OFF push button turns the microphone channel on and o.
The (16) MIC SETUP push button opens the Mic Setup menu on the display.
This allows you to adjust the settings of the equalizer, the Ultramic processor
and the MIC FX (eects processor).
The (17) XMC ON push button activates the ULTRAMIC processor, which includes
a 2-band compressor and expander. Ultramic settings can be adjusted in
Mic Setup.
The (18) MIC FX ON push button ac tivates the microphone eects processor.
Select the eect in Mic Setup.
The (19) TALK ON push button activates the Talkover function. This attenuates
the volume level of the music as soon as you speak into the microphone.
This is a very useful function to make yourself heard over the music being
played. You can adjust all the relevant settings in Talk Setup.
8 DIGITAL PRO MIXER DDM4000 User Manual
(28)
(26)
(29)
(27)
(25)
(24)
(20)
(21)(23)
(22)
(30)
(31)
(32)
(35)
(36)
(37)
(38)
(40)
(39)
(34)
(33)
Crossfader section2.3
Fig. 2.3: Cross fader sect ion
The replaceable crossfader is used to fade between the signals that are (20)
assigned to its two sides A and B. You can assign the stereo channels and
sampler using the CF Assign push buttons (10) and (65).
The (21) CF ON push button activates the crossfader. When the push button is
not pressed, the signals of the individual channels are routed straight to the
Main outputs.
There are 3 Kill push buttons (22) (HIGH, MID and LOW) on each side of the
crossfader which let you mute the given frequency range. In Crossfader
Setup (see Chapter 3.4.2), it is possible to activate a special X-OVER mode
that enhances the crossfader’s functionality in combination with the
Kill push buttons. For more information, read Chapter 3.4.1.
Main and phones section2.4
Fig. 2.4: Main and Ph ones section
Press the (23) FULL FREQ push button to remove any frequency cuts of
the KILL EQ (22).
The CURVE knob lets you seamlessly adjust the response of the crossfader.(24)
The REVERSE func tion allows you to reverse the conguration of the crossfader.
This way you can toggle between Channel A and B at the ick of a switch
REVERSE HOLD(25) activates a permanent Reverse function. The crossfader
fades between sides A and B in the reverse direction. This means that A
is now on the right and B on the lef t side.
REVERSE TAP activates a momentar y Reverse function. This means that (26)
A and B are interchanged as long as the TAP push button is held down.
The BOUNCE TO MIDI CLOCK function provides an automatic, quick crossfading
synchronized to the rhythm of the music (“bouncing”). The bounce speed is
determined by the MIDI Clock.
Press the (27) BOUNCE TO MIDI CLK push button to activate the bouncing.
Once the push button is pressed, the signal repeatedly jumps from A to B
and back again corresponding to the interval pre-selected by using the
BEAT push buttons (28).
The (28) BE AT push buttons let you determine the Bounce rate, which can range
between one and 16 beats.
These LEDs indicate the number of beats you have chosen.(29)
Find a detailed description of this function in Chapter 3.4.3.◊
MAIN OUTPUT:
The (30) OUTPUT A knob controls the volume of output A ( (73) ).
The (31) BALANCE knob adjusts the stereo panning of output A.
The (32) OUTPUT B knob controls the volume of output B ( (74) ).
The high-resolution, 22-segment (33) OUTPUT LEVEL meter indicates
the level of the output signal on OUTPUT A.
ULTRAMIZE ON/OFF(34) push button: The Ultramizer is an eect that
enhances the loudness and assertiveness by dynamic compression.
In Ultramizer Setup (see Chapter 3.5.1), you can congure the Ultramizer.
The (35) LOAD push button lets you load the user settings of the entire mixer.
The settings that are active when the device is turned o are loaded when
the device is switched back on again. Read more about saving and loading
user settings in Chapter 3.5.2.
PHONES:
Connect the headphones to the (36) PHONES jack (¼" TRS connector).
The (37) OUTPUT knob controls the volume of the head-phones.
The (38) MIX knob adjusts the balance between PFL signal and
PGM signal (PFL = Pre Fader Listening, fader independent pre-listening
of individual channels; PGM = Program, Master signal). When the
knob is turned completely to the left, you only hear the PFL signal,
whereas when turned completely to the right the Master signal is heard.
Between these two positions, you can adjust the mix of both signals.
The (39) PUNCH EQ function helps synchronize two tracks. You can orient
yourself to the snare or the bass drum or both. Press the SNARE or
BASS push button to emphasize the selected sound in the headphones.
When the (40) SPLIT push button is pressed, the PFL signal is heard in the
left headphone and the PGM signal is only heard in the right headphone.
9 DIGITAL PRO MIXER DDM4000 User Manual
(41)
(50)
(45)
(46) (47) (48)
(50)
(42) (49)
(43) (52)(53)
(51)
(54)(54)
(57)
(59)
(63)
(65)
(62)
(56)
(60)
(64)
(66)
(61)
(58)
BPM and eects section2.5
Fig. 2.5: BPM Counte r and Eects se ction (here FX 1)
The DDM4000 has 2 identical eects units. There are 2 additional independent
eects units for the mic signal and the Sampler. All eects can be used at the
same time. The BPM Counter and MIDI Clock are also found in this section.
The graphic display shows BPM values, eect names and eec t parameters (41)
as well as channel assignments. It also leads you through Console Setup.
The (42) FX ON push button activates the eects unit.
Press the (43) FX ASSIGN push button to assign an eects unit to a signal
source (push button ashes). The possible input sources are listed on
the display. Select the preferred source by turning and pressing the
PARAMETER knob (45).
The (44) DEPTH knob adjusts the eect intensit y (depth). For some eects,
it also lets you adjust the mix between the original signal (dry) and
the eect signal (wet).
Press the (45) PARA M (eter) knob to select the eect parameters. By turning
the knob, you can change the parameter shown on the display.
Press (46) SELECT/LOW to access the eects list (on the display). Turn and press
the knob (45) to load a preset.
Press the (47) PARAM/MID push button to access the eect parameters.
Turn the knob (45) to change the parameter value.
Press (48) DEFAULT/HIGH to restore a preset.
When the effect is activated (by pressing the FX ON push button), ◊
the push buttons (46) (LOW), (47) (MID) and (48) (HIGH) are used as
Kill switches in the effect ’s signal path.
Depending on the selec ted eect, the (49) BE AT push buttons can adjust
time-related parameters. However, the values entered are not in
milliseconds or similar units, but in beats.
To enter the tempo manually, tap this push button (at least 2 x) in the rhythm (50)
of the music (TAP). By keeping the AUTO BPM/TAP push button pressed a
little longer (> 1 s), the automatic tempo input (AUTO BPM) is reactivated.
Turn the (51) CONSOLE SETUP knob to adjust the tempo of the MIDI Clock
(press and turn simultaneously = coarse adjustment). A short press on
the knob conrms the entry made. A long press on the knob lets you
access Console Setup (see Chapter 3.1).
The (52) MIDI START/STOP/ESC turns on the MIDI Clock.
The (53) ADJUST push buttons let you transfer the tempo of the BPM counter
to the MIDI Clock.
All functions of the BPM and Effects section are de-scribed in ◊
detail in Chapter 4.
Sampler2.6
Fig. 2.6: Samp ler section
Press the (54) INSERT push button to add the sampler signal to the channel
(Insert Mode). If the push button is not activated, the sampler is mixed to
the selected channel (Mix Mode). In both cases, playback is initiated with
the REC SOURCE push buttons. When the sampler is routed to the crossfader,
the LED of the INSERT push button goes out.
The (55) VOLUME/MIX knob controls the volume of the sampler (in Mix Mode)
as well as the volume balance between input signal and Sampler
(in Insert Mode).
The (56) REC SOURCE push buttons let you select the channel for recording
and playing back samples.
Press the (57) PFL push button to listen in on the sampler signal with the headphones.
SAMPLE LENGTH(58) adjusts the recor ding time (1–16 beats or endless recording ∞).
RECORD/IN(59) lets you record to the Sampler. Select a bank beforehand.
By pressing the push but ton a second time, the recording is stopped
(only in ∞ Mode).
BANK ASSIGN(60) is used to select a bank in which the recorded material
is stored. The selec ted bank is indicated by the relevant MODE push button
(61) which signalizes the readiness to record.
The (61) MODE push buttons (Bank 1 and Bank 2) are used to select the sampler’s
types of playback (Reverse and Loop). A short tap activates or deactivates
the Reverse function; pressing the push but ton a little longer activates or
deactivates the Loop function.
Press the(62) PLAY/OUT push button to start the playback of the recorded
sample. When the Loop function is deactivated, the sample is only
played back as long as the PLAY push button is pressed.
Press (63) SMP FX ON push button to activate the Brake eect.
Press the (64) SELECT push button to determine the length of the brake
(1, 4 or 8 Beat Brake, which is shown in the center of the display).
The (65) CF ASSIGN push button lets you determine on which side of the
crossfader the sampler signal is to be routed to.
10 DIGITAL PRO MIXER DDM4000 User Manual
(71)
(72)(68)(67)(70)(69) (69)
(73)
(74) (75) (76)
(79)
(78)
(77)
You can even trigger the sampler with the crossfader when the sampler (66)
is assigned to it. To order to do so, simply press the CF START push button.
But beforehand, use BANK ASSIGN to select the bank that should be played
back when using the fader.
Rear panel connectors2.7
Fig. 2.7: Rear pane l connectors
The (67) LINE inputs are used to connect the Line signals
(for example, CD players, soundcards and drum machines).
The (68) PHONO inputs let you connect turntables.
Use the (69) PHONO/LINE switches to set the PHONO inputs to Line level
in order for you to be able to connec t a CD player to the PHONO inputs.
Caution! Devices with Line output levels, such as CD players, ◊
can cause distortion and destroy the preamplifier. Press the
PHONO/LINE switch before connecting devices with Line level
to the highly sensitive PHONO inputs.
The MAIN OUT connector panel consists of (74) OUT A, OUT B and TAPE outputs:
The signal at • OUT A is the same as at the XLR outputs (73).
You can connect an additional amplier to output OUT B which can be •
used for a DJ booth or a second club zone, for example. The volume of
the OUT B signal is (independent of OUT A) individually adjusted with
the OUTPUT B knob (32).
The TAPE output allows you to connect a recording device in order to •
tape-record your mix. The output level is independent of OUT A and
OUT B and can be adjusted in Output Setup (see Chapter 6.2).
DIGITAL OUT is the digital output of the DDM4000. This is where you nd (75)
the TAPE signal in CD quality (16 bit/44.1 kHz).
Use Output Setup (see Chapter 6.2) to adjust further settings of the ◊
output section.
These are the MIDI IN, MIDI OUT and MIDI THRU connectors that allow you (76)
to connect external MIDI equipment and synchronize with their MIDI Clock.
Read more about the MIDI functions of the DDM4000 in Chapter 7.◊
Power section2.9
The (70) GND connectors are used to ground the turntables.
The balanced XLR connectors provide a connection for dynamic microphones.(71)
This is the (72) LEVEL control for the MIC 2 input.
Rear panel outputs2.8
Fig. 2.8: Rear p anel connector s
These are the (73) OUT A outputs (XLR) allowing you to connect to an
amplier. Use the OUTPUT A control (30) to adjust the volume level.
Additionally, the SUBWOOFER output lets you hook up a subwoofer.
A crossover is integrated into the DDM4000. The crossover frequency
is adjusted in Output Setup (see Chapter 6.2).
When powering up the system, turn on the connected amplifier ◊
last to prevent spikes that can easily damage your loudspeakers.
Before turning on the amplifier, make sure that no signal is
going through the DDM4000 in order to avoid sudden and
unpleasant surprises. We recommend turning down all faders
and knobs beforehand.
Fig. 2.9: The POW ER section
Power is supplied via an (77) IEC connector. The matching cable is provided
with the unit.
FUSE RETAINER/VOLTAGE SELECTOR.(78) Please make sure that the voltage
indicated by the voltage selector matches the local voltage before you
connect the unit to the main power supply. Always replace blown fuses
with fuses of the same type and rating. Some units feature a fuse retainer
in which a selection between 230 V and 120 V is possible. Please be aware:
When using your unit outside of Europe with 120 V, a fuse with a higher
rating is required.
Use the (79) POWER switch to turn on the DDM4000. Before connecting the
unit to the power mains, ensure that the POWER switch is in OFF position.
When the unit is in operation, ensure that the mains plug is accessible.
Attention: The POWER switch does not fully disconnect the unit ◊
from the mains. To disconnect the unit from the mains, pull out the
main cable plug or appliance coupler. When installing the product,
ensure the plug or appliance coupler is readily operable. Unplug the
power cord completely when the unit is not used for long periods
of time.
The serial number of the DDM4000 is found on the bottom side of the device.
11 DIGITAL PRO MIXER DDM4000 User Manual
CD player Turntable
Drum Machine
DJ Booth
Dance oor
Digital Recorder
Microphone
Hookup example2.10
Fig. 2.10: Applicati on example of hook ing up the DDM400 0
12 DIGITAL PRO MIXER DDM4000 User Manual
Operation3.
Console setup3.1
Console Setup allows you to make all standard settings for the DDM4000.
Press the CONSOLE SETUP knob 1) (51) for approximately 2 seconds.
The setup list appears in the center of the display.:
Turn the CONSOLE SETUP knob to select the setup you want to edit.2)
Press the CONSOLE SETUP knob to conrm the selection.3)
Exit Console Setup:
Press the ESC push but ton • (52) to exit Console Setup.
Some of the setup pages can be accessed in dierent ways. This is the case
for Mic Setup and User Settings:
Using stereo channels3.2
EQ modes: SINGLE and MULTI3.2.1
The equalizer provides Preset push buttons, labeled P1, P2 and P3, with which
preset congurations are stored. The behavior of the push buttons depend on
the selected EQ mode: Single Mode or Multi Mode. After switching on the device,
Single Mode is active.
SINGLE Mode:
In Single Mode, the push buttons P1, P2 and P3 (6) are each permanently
assigned to a frequency band (P1 = HIGH, P2 = MID, P3 = LOW). This means that
a Preset can be assigned to each EQ control. When activated, the Preset push
buttons provide a Kill function with maximum attenuation (-∞ dB).
Preset s ettings in SINGL E Mode
P1 HIGH Kill -∞ d B Suppres ses high freque ncies
P2 MID Kill -∞ dB Suppress es mid frequenc ies
P3 LOW Kill -∞ dB Suppres ses low frequenc ies
Tab. 3.1: Function ality of Preset p ush buttons in Sing le Mode
The degree of cut can, however, be modied. Alternatively, a frequency boost
can also be stored. In case you want to boost instead of cutting the bass
(Punch function), proceed as follows:
Turn the LOW knob 1) (4) to the right until you have reached the
boost you want.
Open Mic Setup:
Press the MIC SETUP push button 1) (16) to access Mic Setup.
Press the MIC SETUP push button 2) (16) again to exit Mic Setup.
Open User Settings:
Press the LOAD push button 1) (35) to access User Settings.
Press the LOAD push button 2) (35) again to exit User Settings.
Selection lists on screen3.1 .1
The individual setup pages contain further selection lists, which appear either
on the left or right side of the display, in addition to the Console Setup list.
Left:
Turn the left PARAMETER knob 1) (45) (in the FX 1 section) to select the
preferred function from the list.
Press the left PARAMETER knob to conrm the selection.2)
Right:
Turn the right PARAMETER knob 1) (45) (in the FX 2 section) to select the
preferred function from the list.
Press the right PARAMETER knob to conrm the selection.2)
Press and hold the MODE push button 2) (5) while pressing P3 (6).
Press P3 to load the Preset. The bass frequencies are now boosted. 3)
P3 ashes blue.
This way you can also program the mids and highs with P2 and P1 respectively.
Reset:
The Preset push buttons can be restored to their initial states at all times
(Reset function):
Press MODE • (5) for approximately 2 seconds. The MULTI LED briey lights up
to conrm the reset.
MULTI Mode:
In Multi Mode, the Preset push buttons are not assigned to individual EQ bands,
but are assigned to the 3-band equalizer as a whole. This way you can create
three EQ presets and assign these to the Preset push buttons. When activated,
the Preset push buttons are assigned as follows:
Preset s ettings in MULTI Mode
P1 High pass Suppres ses MID and LOW
P2 Band pass Sup presses HIGH and LOW
P3 Low pass Suppresses HIGH an d MID
Tab. 3.2: Functio nality of Prese t push buttons in Mu lti Mode
To activate Multi Mode, press the MODE push button • (5).
The MULTI LED lights up.
13 DIGITAL PRO MIXER DDM4000 User Manual
To create your own EQ presets, proceed as follows:
Adjust the equalizer as needed by turning the LOW, MID and HIGH knobs.1)
Press and hold the MODE push button 2) (5) while pressing P1 (6).
Press P1 to load the EQ Preset. P1 ashes yellow.3)
Two more EQ Presets can be stored with P2 and P3.
Reset:
The Preset push buttons can be restored at all times:
Press MODE for approximately 2 seconds. The SINGLE LED briey lights •
up to conrm the reset.
Channel setup3.2.2
In Channel Setup, you can ne-tune the characteristics of the stereo channels’
equalizer. It is also possible to adjust a Subsonic Filter (low-cut lter) for
all four channels. For example, this lter can be used to suppress low-frequency
noise from turntables.
Press the CONSOLE SETUP knob 1) (51) for approximately 2 seconds.
Select “Channel Setup” by turning and pressing the CONSOLE SETUP knob.2)
Channel Setup appears on the display.
Mid Q:
The Q factor determines the behavior of the lter. The higher the value,
the narrower the bandwidth. Mid Q aects the mids band.
Turn the CONSOLE SETUP knob • (51) to change the value of the Q factor.
Subsonic frequency:
You can adjust the cuto frequency of the low-cut lter on each stereo channel.
All frequencies below the cuto frequenc y are attenuated.
Press the right PARAMETER knob 1) (45) to select the channel.
Turn the PARAMETER knob to change the cuto frequency.2)
Exiting Channel Setup:
Press the ESC push but ton • (52) to exit Channel Setup.
Operating the microphone channel3.3
Mic setup3.3.1
You can make adjustments to the sound settings of the Microphone channel,
the Ultramic processor and the Mic eects by using Mic Setup. This is how to
access Mic Setup:
Press the CONSOLE SETUP knob 1) (51) for approximately 2 seconds.
Select “Mic Setup” by turning and pressing the CONSOLE SETUP knob.2)
The equalizer of the stereo channels has 3 bands with dierent characteristics.
The Mid band is a peak lter whose center fre-quency and bandwidth
(Q factor) can be modied. Both outer bands Low and High are shelving lters.
In Channel Setup, following settings are available for each of the 4 channels:
Channel Xover (Crossover):
LOW: Cuto frequency of the Low lter. All frequencies below the
adjusted value are cut or boosted.
MID: Center frequency of the Mid band. All frequencies around this
value are boosted or cut. The bandwidth is determined by the
parameter Mid Q (see below).
HIGH: Cuto frequency of the High lter. All frequencies above the
adjusted value are boosted or cut.
Press the left PARAMETER knob 1) (45) to selec t the parameter
(LOW, MID or HIGH).
Turn the PARAMETER knob to change the cuto frequency and center 2)
frequency of the selected band.
Alternatively, you can access Mic Setup as follows:
Press the MIC SETUP push button • (16) on the microphone channel.
The MIC SETUP push button lights up as long as you are using Mic Setup.
Mic Setup appears on the display containing several submenus. On the
left-hand side of the display you see a list from which the following submenus
can be selected:
Turn the left PARAMETER knob • (45) to select the submenu you want to edit:
EQ Freq/Pan page:
This page shows level meters for both microphone signals. In addition, you can
make sound settings for the equalizer on the Microphone channel. Here you can
adjust the stereo image of the microphone signal as well as the signal relation
of both microphones to each other. The individual parameters are as follows:
MIC 1: Level meter for Microphone 1
MIC 2: Level meter for Microphone 2
LOW: Cuto frequency of the LOW control knob
MID: Center frequency of the MID control knob
HIGH: Cuto frequency of the HIGH control knob
Q MID: Q factor of the mids band
14 DIGITAL PRO MIXER DDM4000 User Manual
Press the CONSOLE SETUP knob 1) (51) to select the parameter
(LOW, MID, HIGH, Q MID).
Turn the CONSOLE SETUP knob to change the value of the selected parameter.2)
PAN1: Position of Microphone 1 in the stereo image
PAN 2: Position of Microphone 2 in the stereo image
OUT B: Volume of the microphone channel at Output B
Press the right PARAMETER knob 1) (45) to select the parameter
(PAN 1, PAN 2, OUT B).
Turn the PARAMETER knob to change the value of the parameter.2)
EQ GAIN page:
This page lets you make user default sound settings, which aect the microphone
channel in relation to the equalizer. For example, storing a boost of 5 dB in these
settings aects the signal even when the HIGH rotary knob is set to 0, that is the
center position. The high frequencies can additionally be boost or cut with the
HIGH knob. This function helps to remove problematic frequencies of your voice
or to improve speech comprehensibility.
MIC 1 LOW CUT: Cuto frequency of the high-pass lter
(Microphone 1)
You can see several level meters on the display. Three parameters of the
compressor are adjustable plus you can also load presets.
The meters:
MIC I Shows the input level
MIC 0 Shows the output level
COM Shows the compression ratio for the low (L) and high (H)
frequency band
EXP Shows the attenuation of the expander for the low (L) or
high (H) frequency band
Adjustable parameters
THRSH Threshold species the cuto frequency of the
Ultramic processor
FREQ Adjusts the crossover frequenc y between the upper
and lower frequency band
EFFIC Eciency: Adjusts the level of compression
Press the CONSOLE SETUP knob 1) (51) to select the parameter
(THRSH, FREQ, EFFIC).
Turn the CONSOLE SETUP knob to change the value of the 2)
selected parameter.
Ultramic presets:
MIC 1 LOW, MID, HIGH: EQ default settings for Microphone 1
Press the CONSOLE SETUP knob 1) (51) to select the parameter
(LOW, MID, HIGH).
Turn the CONSOLE SETUP knob to change the value of the selected parameter.2)
MIC 2 LOW CUT: Cuto frequency of the high-pass lter
(Microphone 2)
MIC 2 LOW, MID, HIGH: EQ default settings for Microphone 2
Press the right PARAMETER knob 1) (45) to select the parameter
(LOW, MID, HIGH).
Turn the PARAMETER knob to change the value of the selected parameter.2)
ULTRA MIC 1 and 2:
The Ultramic processor is a 2-band compressor that reduces the dynamic range
of speech. The level of loud sounds is reduced and the level of quiet sounds is
raised. This decreases the dierence between the loudest and quietest passages.
By splitting the signal into two frequenc y bands, a thicker, more powerful
sound is achieved without the typical ar tifacts, such as pumping sound or a
loss of clarity.
The following default settings can be loaded:
Turn the right PARAMETER knob 1) (45) to select the preset.
Press the PARAMETER knob to load the preset.2)
MIC FX page:
On the Mic FX page, you can select the type of eect you want to use
for the microphone signal. The following eects are available:
The settings for both microphone signals are made separately. That’s the reason
for having two Ultramic pages. For Mic 1, select the page “Ultramic 1” and choose
“Ultramic 2” for Mic 2. The parameters on both pages are identical so that they
only have to be described once.
Turn the right PARAMETER knob 1) (45) to select the preset.
Press the PARAMETER knob to load the preset.2)
Each eect can be modied in order to suit your individual taste. Two parameters
are available for this reason. The second parameter always adjusts the eect
Dry/Wet Mix—this applies to all eects.
15 DIGITAL PRO MIXER DDM4000 User Manual
Eect descriptions:
FLANGER: A anger eect occurs through frequency modulation. You can adjust
the speed of the LFO (Low Frequency Oscillator).
PHASER is similar to a anger. Only this time around, modulation is
achieved through phase-shifting. You can adjust the speed of the LFO.
DELAY is a signal delay. You can change the delay time (Time).
ECHO is similar to the delay eec t, with the dierence that the delayed signal is
repeated several times.
PITCH changes the pitch of the signal and therefore the pitch of the vocalist’s and
speaker’s voice. Shift is used to adjust the pitch.
BITCRUSHER reduce the digital resolution. The bit depth is adjustable.
REVERB is a reverberation eect. Eight dierent types of reverberation
are available. These are described in detail in Chapter 4.1.4.
Press the CONSOLE SETUP knob 1) (51) to select a parameter.
Turn the CONSOLE SETUP knob to change the value of this parameter.2)
You can match the time parameter of the anger, phaser, delay and echo eects
to the beat by tapping the tempo with the left TAP push button (50) as long as
Mic Setup is displayed (MIC SETUP push button (16) shines when active).
Exiting Mic Setup:
Press the ESC push but ton • (52) to exit Mic Setup.
Talk setup3.3.2
Exiting Talk Setup:
Press the ESC push but ton • (52) to exit Talk Setup.
Operating the crossfader3.4
The use of the Crossfader is easy to understand, even for a DJ novice.
But the DDM4000 wouldn’t be a digital mixer if it hadn’t a couple of special
functions to oer that cannot be easily realized with an analog DJ Mixer.
Crossfader modes: KILL and X-OVER3.4.1
There are three push but tons labeled HIGH, MID and LOW ( (22) ) on the left-hand
side and on the right-hand side of the Crossfader. When activated, they function
as Kill switches, that is they can suppress specic frequency bands.
X-Over (Crosssover) Mode lets you realize completely new, breathtaking eects.
In this mode, it is possible to assign specic frequency bands to Side A and B
that can then be crossfaded.Here’s an example to make the functionality clear:
Move the crossfader 1) (20) to the left (A).
Press the FULL FREQ push button 2) (23) in Section A.
Press the Kill push button 3) (22) “MID” in Section B.
In the left crossfader position, the A signal is played back in its complete
frequency range. By moving the crossfader to the right, only the mid frequencies
of the B signal are faded in while the mids of the A signal are faded out.
The low and high frequencies of the A signal remain audible. As a result,
the low and high frequencies of the A signal together with the mid frequencies
of the B signal are audible at the output of the mixer.
The Talkover function is useful when making announcements while the music
is playing. The level of the music, is attenuated as soon as you speak into the
microphone. All necessar y settings of this function are made in Talk Setup.
This is how you access Talk Setup:
Press the CONSOLE SETUP knob 1) (51) for approximately 2 seconds.
Select “Talk Setup” by turning and pressing the CONSOLE SETUP knob.2)
The Talk Setup page appears on the display.
This page displays level meters for both microphones. On the left-hand side
of the screen, there is a list from which you can select a Talkover preset.
Loading presets:
Turn the left PARAMETER knob 1) (45) to select the preset.
Press the PARAMETER knob to load the preset.2)
Editing talkovers:
The following parameters of the Talkover function are adjustable:
THRSH Threshold. The music signal is at tenuated as soon as the
microphone signal exceeds this value.
MAX. ATT Maximum Attenuation. This lets you adjust the music’s
maximum attenuation while speaking into the microphone.
X-Over Mode keeps your mixing style fresh and unique. You can activate
X-Over Mode in Crossfader Setup.
Crossfader setup3.4.2
This is how you access Crossfader Setup:
Press the CONSOLE SETUP knob 1) (51) for approximately 2 seconds.
Select “Crossfader Setup” by turning and pressing the CONSOLE SETUP knob.2)
The Crossfader Setup page appears on the display:
On the display’s left side, you can adjust the frequenc y crossfade of the
Kill push buttons. On the right side, you can select Cross-fader Mode.
SPEED Adjusts the speed at which the signal’s volume level is reduced.
Press the right PARAMETER knob 1) (45) to select the parameter
(THRSH, MAX. ATT, SPEED)
Turn the PARAMETER knob to change the value of the parameter.2)
16 DIGITAL PRO MIXER DDM4000 User Manual
XOVER CF (Crossover Center Frequency):
LOW: Crossover frequency between LOW and MID
HIGH: Crossover frequency between MID and HIGH
Press the left PARAMETER knob 1) (45) to select the parameter (LOW, HIGH).
Turn the PARAMETER knob to change the value fo the selected parameter.2)
Crossfader Mode:
Turn the right PARAMETER knob 1) (45) to select the mode (KILL, X-OVER).
Press the PARAMETER knob to conrm.2)
Exiting Crossfader Setup:
Press the ESC push but ton • (52) to exit Crossfader Setup.
Bounce to MIDI clock3.4.3
This function automates bouncing. Bouncing is hard crossfading with the
crossfader in the rhythm of the music. The internal MIDI Clock needs to be
active for this function to work. The clock is a reference for the bounce speed
that ranges between one and 16 beats.
Before pressing the BOUNCE TO MIDI CLK push button to start the bounce,
you should specify a the Bounce speed:
Start the MIDI Clock by pressing MIDI START-STOP push button 1) (52).
Select the bounce speed by using the BEAT push buttons 2) (28).
The LEDs (29) indicate the beats.
Now press the BOUNCE TO MIDI CLK push button 3) (27) to start the bounce.
When the crossfader is on Side A, the bounce starts with the A signal,
whereas when the crossfader is on B, the bounce starts with the B signal.
The display switches to the Ultramizer page. Here you can change settings
plus load and edit presets:
Loading presets:
Turn the left PARAMETER knob 1) (45) to select the preset.
Press the PARAMETER knob to load the preset.2)
Ultram izer presets
Gentle Bo ost Gent le volume boost
Boost Noticeab le volume boost
Pump Strong volume boos t with pumping e ect
Full Maximum vo lume boost
Full Pump Maximum vo lume boost with p umping eect
Editing the Ultramizer:
RANGE Describes the adjustable dynamic range. A value of 10 dB results
in a maximum level boost of 10 dB.
TIME Changes the adjustable speed of the Ultramizer.
Turn the CONSOLE SETUP knob • (51) to change the TIME parameter.
Turn the PARAMETER knob • (45) to change the RANGE parameter.
Exiting the Ultramizer setup:
Press the ESC push but ton • (52) to exit the Ultramizer setup.
Loading and saving user settings3.5.2
Operating the main section3.5
There are also several functions in the Main section that surpass the functional
capacity of an analog mixer. This way complete mixer settings can be stored
and loaded. And the Ultramizer makes sure that your beats sound even fatter.
Ultramizer3.5.1
The Ultramizer is a multiband processor that compresses the audio signal in order
to achieve a better perception of volume without having to increase the level.
As a result, the performance of an amplier is optimally used and your music feels
louder than it really is. The processing takes place in two individual frequency
bands in order to achieve a more powerful sound without the unwanted side
eects, such as the pumping eec t and loss of high frequencies.
Press the ULTRAMIZE ON/OFF push button 1) (34) to activate the Ultramizer.
Press the CONSOLE SETUP knob 2) (51) for approximately 2 seconds.
Select “Ultramize” by turning and pressing the CONSOLE SETUP knob.3)
A great advantage of a digital mixer is the possibility to store entire mixer
settings in order to recall them later on at the ick of a switch. Big studio
consoles refer to this function as “Snapshot ” because all settings are captured
(as with a snapshot). This lets you adjust the mixer to your way of working and
recall settings you made at any time.
Just imagine, a club has the DDM4000 which is being used by several DJs.
Each DJ has stored personal EQ settings, kill frequencies, Ultramizer and Eect
settings, so that when it is his or her turn, the preferred settings can be recalled
immediately. The other way around, a guest DJ, who is not accustomed to the
DDM4000, is able to take o without having to adjust any settings in advance.
After switching on the device, the last selected preset is loaded.◊
Loading user settings:
Press the LOAD push button 1) (35). The LOAD push button ashes.
“User Setup” appears on the screen, displaying the preset list:
Turn the left PARAMETER knob 2) (45) to select a user setting
(or the factory preset).
Press the PARAMETER knob again to load the user setting.3)
17 DIGITAL PRO MIXER DDM4000 User Manual
(51)(48)(47)(46)(41)
(50)
(44)
(49)(43)
(45)
(42) (53) (52)
Storing user settings:
Press the LOAD push button 1) (35) to access User Setup with its preset list.
Turn the CONSOLE SETUP knob 2) (51) to select a memory location.
Press the CONSOLE SETUP knob to store the user setting.3)
It is not possible to overwrite the factory preset.◊
Exiting User Setup:
Press the LOAD push button • (35) or the ESC push button (52)
to exit User Setup.
Operating the phones section3.6
You can use the headphones to listen to two dierent signals: 1. The PGM
signal (=Program): This is the signal at the MAIN output. 2. The PFL signal
(=Pre Fader Listen): This is the signal which can be routed to the PFL bus by using
the PFL push buttons (7). The PFL signal is fader-independent, which means it
can even be heard when the faders are pulled down.
When the SPLIT push button (40) is not pressed, both the PGM and PFL signal are
played back in stereo in the headphones. The mix of both signals is adjusted with
the MIX knob (38). When the knob is turned completely to the left, the PFL signal
is heard, whereas when turned completely to the right, the PGM signal is heard in
both headphones.
Working in Split Mode:
Display:
The display shows the following information:
A Shows the eect type and the parameter values.
B Shows the calculated speed in BPM (Beats Per Minute).
It Also gives information on the signal assignment and the
Tap function.
C This section shows the BPM-synchronized eect parameters as
beats on the right side. On the left, you see the activity of the
Kill function in the eect path.
D This information refers to the Sampler and/or the MIDI Clock
(see Chapter 5).
Eects section4.1
Press the SPLIT push button • (40) to activate Split Mode.
When using Split Mode, the PFL signal is played back on the left headphone
while the PGM signal is played back on the right headphone (both mono signals).
BPM and Eects4. Section
Fig. 4.1: BPM and Eects s ection
The BPM and Eects section in the middle of the mixer can either be used for
the stereo channels or the master signal. Both processors can also be combined
to be used as dual eect for individual channels. What’s more, both Microphone
channel and Sampler feature their own eect processors, which are described in
individual chapters (Chapter 3.3.1 and Chapter 5.4).
Fig. 4.2: Ee cts secti on (here FX 1)
Selecting the signal source4 .1.1
To use an eect, you rst have to assign the eect to a signal source.
This assignment also applies to the BPM Counter. Possible input sources
are as follows:
INPUT 1 – INPUT 4: Stereo channels 1 – 4.
MUSIC: Stereo sum signal (main signal).
CHAIN: CHAIN assigns the eect to the signal of the
other eects section, so that 2 eects are
triggered consecutively.
18 DIGITAL PRO MIXER DDM4000 User Manual
1/5 2/5 3/5 4/5 5/5
LFO Speed Feedback Depth Phase Fade Dry/ Wet Mix
PHASER
LFO Speed Depth Fade — — Dry/Wet Mix
LFO Speed Depth — — — Dry/Wet Mix
PAN
FLANGER
1/5
TIME
2/5
MODE
3/5
FDBK
4/5
FADE
DELAY
10...
5930 ms
Simple
3Pong
— — Dry/Wet Mix
ECHO
10...
5930 ms
Simple
3Pong
0 - 100% Dry/Wet Mix
Selecting a signal for FX 1:
Press the FX 1 ASSIGN push but ton 1) (43).
Turn the left PARAMETER knob 2) (45) to select a signal source from the list.
Press the left PARAMETER knob to conrm the selection.3)
Selecting a signal for FX 2:
Press the FX 2 ASSIGN push but ton 1) (43).
Turn the right PARAMETER knob 2) (45) to select a signal source from the list.
Press the right PARAMETER knob to conrm the selection.3)
Activating an eect4.1.2
Press the FX ON push button 1) (42) to activate the eect. Both the FX ON
push button and the EFFECT/BAND push button (46) – (48) ash.
Turn the DEPTH knob slowly to the right until you hear the eect 2)
as is intended.
Kill function on the eect path:
A specially eective way of alienation is to remove individual frequency bands
from the eec t processing. There are three additional Kill switches that are found
on the signal path leading to the eects unit. The EFFECT/BAND push buttons
of the activated eect ash blue corresponding to the frequency bands that are
active. By pressing the push buttons you are able to “kill” the frequency bands.
And the display shows the Kill func tion’s status.
FLANGER, PHASER, PAN:
FLANGER: The anger eect is achieved by frequency modula-tion. You are able
to adjust the speed of the LFO (Low Frequency Oscillator), the amount of the
eect signal that is fed back to the input (Feedback), the eect depth (Depth)
and the degree of phase shifting represented in rhythmical units (Phase).
Use Fade in case you want the anger to complete its period of oscillation
after the eect has been turned o, to avoid an abrupt truncation of the eect.
PHASER is similar to the anger. In this case the modulation is achieved through
phase shifting. You can adjust the speed of the LFO and the eect depth (Depth).
Use Fade to determine if the eect is to end abruptly or softly fade out.
PAN specied an eect which lets the signal move from the right to the left side
of the stereo image. This eect sounds the most intensive when the DEPTH knob
is turned right up. LFO adjusts the speed of the panning and Depth adjusts the
eect depth.
Press one of the EFFECT/BAND push buttons (• (46), (47), (48) ) while the eect
is active. The push-button LED of the deactivated band goes out.
Selecting an eect4.1.3
Nine eect types are available. The eect table in Chapter 4.1.4 gives an
overview of the possible eects and their adjustable parameters.
Press the SELECT push button 1) (46). The display shows a list of all
types of eects.
Turn the PARAMETER knob 2) (45) to select the eect type.
Press the PARAMETER knob to load the eect type.3)
Eect descriptions4.1.4
The following gives you a description of the available eects and adjustable
parameters. (BPM-synchronized parameters are printed in italic.) The tables
show you which controls are used to adjust the parameters. Chapter 4.1.5
describes eect processing. Chapter 4.1.6 gives you the information you need
to know about BPM-synchronized parameters.
Tab. 4.1: Eect pa rameters for Flan ger, Phaser and Panning
DELAY, ECHO:
DELAY is a signal delay. The delay time (Ti me) can by synchronized with
the BPM Counter. A simple delay (Simple) and the 3-Pong Delay, which spreads
the delays across the whole stereo image, are available.
ECHO is similar to the delay. The only dierence is that the delayed signal is
repeated several times. Use Feedback to specify the number of times that the
delay is to be repeated. Fade determines if the echo is to fade out (On) or not
(O) when the eect is turned o.
Tab. 4.2: Eect p arameters for D elay and Echo
19 DIGITAL PRO MIXER DDM4000 User Manual
1/1
PITCH
Shift: -100 ... +100%
—
BITCRUSHER
Depth: 0 ... +100%
Dry/Wet Mix
2/4
FADE
Ambient, Box, Cathedral,
Cavern, Chamber, Chorus,
Concert, Echo
Dry/Wet MixOn/O
1/4
MODE
1/1
FILTER
2/4
RESO
3/4
MODE
4/4
LFO
FILTER
Lowpass
Bandpass
Highpass
0 ... 100%
LFO
Manual
Frequency
LFO Speed
PITCHER, BITCRUSHER:
PITCHER changes the pitch of the music without changing the tempo.
Shift adjusts the pitch.
BITCRUSHER simulates a decrease in the digital resolution.
From soft lo- settings to toy sounds, everything is possible.
Tab. 4.3: Eect par ameters for Pitc h and Bitcrusher
REVERB:
REVERB is a reverberation eect. Eight dierent reverb room simulations are
available. When Fade is activated, the reverberation decays and is not truncated
in case the eec t is turned o.
Ambient is a very short reverb which lets you virtually hear the walls of the room.
Box delivers a spatial impression without long reections.
Cathedral: The long and dense reverb of a big cathedral, ideal for slow tracks.
Cavern: An intensive, high-frequency-dominant reverb based on a cave with
rocky walls.
Chamber produces the shor t reverb of a small room.
Chorus: A thick, warm reverberation which is shor ter than that of Cathedral.
Concert simulates the well-dened reverb of a big concer t hall.
Echo: A thick, short reverb with a longer pre-delay.
Tab. 4.5: Eect par ameters for Filt er
Editing eects4.1.5
As already mentioned in the previous chapter, each eect has up to ve
parameters (depending on the eect type) with which you can adjust the
eect. In each case it is possible to adjust one parameter by using the BEAT
push buttons. In most cases, this is the BPM-synchronized parameter.
Eect parameters:
Press the PARAMETER push button 1) (47) to select a parameter. This only
works when the eect is deactivated (the FX ON push button does not ash).
Alternatively, press the PARAMETER knob 2) (45) to select a parameter.
Change the parameter value by turning the PARAMETER knob 3) (45).
To switch to the next parameter, press PARAMETER 4) (45) or (47) again.
Dry/Wet mix:
Turn the MIX knob • (44) slowly to the right to mix the eect (Wet) to the
original signal (Dry).
BPM-synchronized eect parameters4.1.6
Some of the eect sound especially interesting when time-related parameters
respond to the rhythm of the music. The DDM4000 supports editable,
BPM-synchronized parameters.
Tab. 4.4: Eect para meters for Rever b
FILTER:
FILT ER is an eect which is typically associated with synthesizer music.
Three types of lters are available: Band Pass, Low Pass and High Pass.
Resonance is used to increase the level of the lter frequency which makes
the eect sound more intensive. In LFO Mode, the lter frequency is controlled
by an LFO. Manual Mode lets you control the lter frequency with the
DEPTH knob (44).
Editing BPM-synchronized parameters:
Make sure that the BPM Counter calculates the correct value 1)
(if applicable, enter manually with TAP, see Chapter 4.2).
Change the parameter step-by-step with the BEAT push buttons 2) (49).
The selected value appears on the display.
20 DIGITAL PRO MIXER DDM4000 User Manual
DELAY, ECHO:
For the delay and echo eect, you can edit the delay time in musical units.
The number of beats is displayed:
Fig. 4.3: Beat s and note values for de lay and echo
A rhythmical representation of the whole looks like this
(showing a selection of several beats):
FX setup4.1.7
FX Setup lets you specify the crossover frequencies between the individual bands
of the EFFECT/BAND push buttons (46) – (48) (Kill func tion on the eect path,
see Chapter 4.1.2). This is individually done for both eec t devices.
Adjustable parameters:
FX 1 LOW / FX 2 LOW: Crossover frequency between LOW and MID.
FX 1 HIGH / FX 2 HIGH: Crossover frequency between MID and HIGH.
Press the left or right PARAMETER knob 1) (45) to select the parameter for
FX 1 and FX 2.
Turn the left or right PARAMETER knob to change the value of 2)
the selected value.
BPM counter4.2
The Auto BPM Counter is automatically able to convert the tempo of the track
being played into BPM (Beats Per Minute). The detected BPM values are the
basis for all time-related eect parameters and for the recording duration of
the sampler. The BPM can be detected in two dierent ways: manually and
automatically. In both cases, the current BPM is shown in Section B of the display.
Fig. 4.4: Rhyth mically represe nted delay paramet er
FLANGER, PHASER, PAN, FILTER:
For the lter eect, the BPM synchronization is only possible in LFO Mode.
You can adjust the speed of the modulation (LFO speed). The values 1–32
correspond to the number of beats that are needed for one oscillation period:
Fig. 4.5: Beat s and note values for mo dulation eec ts
The following picture results from the musical context:
Automatically detecting beats with AUTO BPM:
The BPM Counter detects the tempo of the signal source assigned to
the Eect section. The signal source is shown in the BPM section of the
display. (Assigning the signal source to the BPM/Eect section is described
in Chapter 4.1.1.)
Make sure that “Auto BPM” is activated. When active, the AUTO BPM 1)
push button (50) shines yellow and the BPM indicator ashes on the display.
Should Tap Mode be active (AUTO BPM push button shines blue), ◊
press the AUTO BPM push button longer than one second to
activate Auto BPM.
Now the BPM Counter determines the BPM value of the played signal. 2)
It is constantly brought up to date to be able to respond immediately to
any tempo changes.
Manually detecting beats with TAP:
Make sure that Tap Mode is activated. When active, the AUTO BPM/TAP 1)
push button (50) shines blue and the BPM indicator shows “Manual.”
Tap the TAP push button 2) (50) (at least 2x) in the rhythm of the music,
which results in a constant BPM value. Here’s a tip: while tapping,
listen in on the signal using the headphones.
Should Auto BPM be active (AUTO BPM push button shines ◊
yellow), go to Step 2. When tapping the tempo, Manual Mode
is automatically ac tivated.
Fig. 4.6: LFO par ameter, represente d in beats and bars
The BPM value can always be readjusted by tapping over and over again.3)
The Auto BPM is always active when the device is turned on.◊
21 DIGITAL PRO MIXER DDM4000 User Manual
(53)
(52)
(51)
(54)
(60)
(61)
(64)
(66)
(65)
(63)
(62)
(59)
(58)
(57)
(56)
(55)
Without a music signal (or one which is too quiet), the BPM value ◊
flashes on the display. In addition, the message “Low Level” appears on
the display. The BPM value also flashes when the beat cannot be clearly
identified (message “Uncertain”).
MIDI clock4.3
The MIDI Clock is used as a time reference for the Bounce function. In addition,
the MIDI Clock is given out at the MIDI output. This allows you to synchronize
external devices, which are able to receive MIDI Clock (such as drum machines
and grooveboxes) with the DDM4000.
Fig. 4.7: BPM sec tion
Sampler5.
Fig. 5.1: Sampler sec tion
Press the push button • (52) to start and stop the MIDI Clock.
You can adjust the tempo of the MIDI Clock. Alternatively, the MIDI Clock can also
be synchronized with one of the two BPM Counters:
MIDI BPM:
When in MIDI BPM Mode, “MIDI BPM” appears in the middle of the display below
the BPM indicator of the MIDI Clock. Adjust the tempo by turning the CONSOLE
SETUP knob (51). It is possible to make bigger value jumps by pressing and
simultaneously turning the knob.
FX 1/FX 2 BPM:
To transmit the detected tempo of the BPM Counter to the MIDI Clock,
press one of the ADJUST push buttons (53). By pressing the left BEAT push button,
the MIDI Clock adopts the tempo of the left BPM Counter. By pressing the right
BEAT push button, the MIDI Clock adopts the tempo of the right BPM Counter.
The assignment is indicated by displaying “FX 1 BPM” or “FX 2 BPM.”
Cancel the assignment by turning the CONSOLE SETUP knob to specif y
your own tempo.
The tempo of the MIDI BPM can also be transmitted to the BPM Counter. Hold the
left or right ADJUST push button (53) (or both at the same time) while selec ting
the tempo with the CONSOLE SETUP knob (51). This function is useful when
assigning eects to a channel which is congured as MIDI controller so that the
Auto BPM function does not work.
A sampler is a device used to record and play back audio signals.
The DDM4000’s sampler lets you record two tracks which then can be played
back. These tracks are single short sequences, vocal phrases, rhythmic loops
or even longer song passages. Any audio signal fed to the mixer can be used as
signal source, usually found on the stereo channels, the Microphone channel and
the stereo sum. The maximum recording duration is 32 seconds. The samples can
be played back in various ways (as innite loop/loop, one time, forward, reverse).
Recording samples5.1
Select a signal source with the REC SOURCE push buttons 1) (56).
The signal source is indicated above the REC SOURCE LEDs:
Signal sources:
1, 2, 3, 4: Stereo channel 1, 2, 3 or 4
MIC: Microphone channel
MST: Master (stereo sum)
Use the SAMPLE LENGTH push buttons 2) (58) to specify the recording
duration you want. The length ranges between 1 and 16 beats or “∞”
(innite recording).
22 DIGITAL PRO MIXER DDM4000 User Manual
The actual recording time depends either on the detected BPM tempo ◊
or the MIDI Clock. The Sampler synchronizes with the BPM Counter
provided that the BPM Counter is assigned to Channel 1, Channel 2 or
Master. When this is not the case, the Sampler is synchronized with
the MIDI Clock.
Use BANK ASSIGN 3) (60) to select the memory bank. The MODE push button
(61) of the selected bank lights up yellow to indicate its readiness to record.
Start the recording by using the RECORD/IN push button 4) (59).
The recording stops af ter the number of beats specied beforehand.5)
Alternatively, stop the innite recording (6) ∞) by pressing the PLAY/OUT
push button (45) or by pressing the REC push button again.
The recoding duration of infinite recording (◊ ∞) is specified by
pressing the RECORD/IN push button (59) and the PLAY/OUT push
button (62). In case Loop Mode is activated at the same time, the
sampler immediately switches to playback by pressing the PLAY/OUT
push button.
Memory:
The maximum recording time is 32 seconds for both banks. The recording stops
when the memory is full.
Reverse and loop playback5.2.2
Use the MODE push buttons (61) for Bank 1/2 to determine the type of playback.
Select the playback mode for each bank:
REVERSE:
Tap the MODE push button to switch to Reverse Mode. The REVERSE LED 1)
lights up. By pressing PLAY, the sample is played back in the reverse direction.
Tap the MODE push button again. The REVERSE LED goes out. The sample is 2)
played back in the forward direction.
LOOP (innite loop):
Press the MODE push button for approximately 1 second to deactivate 1)
Loop Mode. The LOOP LED goes out. The sample is played back as long
the PLAY push button is pressed. This type of playback is ideal for short
inserts/samples.
Press the MODE push button again for approximately 1 second to 2)
activate Loop Mode. The LOOP LED lights up. The sample is played back
as innite loop by pressing PLAY.
Crossfader start5.2.3
The Crossfader Start function lets you star t the Sampler playback with the
crossfader. To be able to use this function, the Sampler needs to be assigned
to the crossfader.
The length of a sample and the time left are shown on the Sampler Mix display.
Playing back samples5.2
Turn the VOLUME/MIX knob 1) (55) to the center position.
Press the PLAY push button to start playback.2)
Press PLAY a second time to stop playback.3)
Insert function5.2.1
The sample playback is carried out in Mix Mode or Insert Mode. In both cases the
sample is played back on the channel selected with REC SOURCE push buttons
(56). This can also be the stereo sum. When playing back in Mix Mode, the sample
is mixed to the specic channel or is routed to the crossfader. When playing back
the sample in Insert Mode, the sample is crossfaded to the assigned channel.
When playing back in • Mix Mode, the INSERT push button (54) is not allowed
to be pressed (push-button LED is o). The VOLUME/MIX knob (55) is used
as a channel fader (volume) with which the sampler signal is mixed to the
signal source. The sampler signal is assigned to the crossfader by pressing
the CF ASSIGN push button (65)
Press the INSERT push button • (54) to play back the sample in Insert Mode.
The VOLUME/MIX knob (55) can now be used as crossfading control (Mix).
Turn the knob completely to the right to hear only the sample during
playback. When turning the knob to the left, the sample fades into the signal
source of the selected channel.
Press the CF ASSIGN push button to route the Sampler to one side of the 1)
crossfader (A or B).
Press CF START to activate Crossfader Start.2)
Press the BANK ASSIGN push button to select the bank that is to be 3)
triggered by the crossfader.
Playback starts as soon as you move the crossfader to the side assigned
to the Sampler.
Pitch bend5.2.4
The Pitch Bend function lets you change the speed of the sampler playback so
that it can be aligned to the tracks being played. There are two options:
Turn the BPM Adjust knob to permanently change the playback speed of the 1)
sampler. Turn the knob to the right to speed up the tempo and turn the knob
to the left to slow down the tempo.
The ADJUST push buttons correspond to “Bend +” and “Bend –.” 2)
Pressing one of these push buttons changes the speed for a short while,
in order for you to easily match the beat of the playing track.
Sampler eect5.3
The sampler features a brake eect which simulates the braking of the rotating
platter until it comes to a halt. The length of the brakes are available as 1-beat-,
4-beat- und 8-beat brakes.
Assigning the crossfader to the Sampler is only possible in Mix Mode. ◊
As soon as the CF ASSIGN push button (65) is pressed, the Insert function
is automatically deactivated.
23 DIGITAL PRO MIXER DDM4000 User Manual
USB-MIDI Interface*
MIDI IN/OUT/THRU
Laptop
OUTPUT
SETUP
SUB-OUTS/PDIF
TAPE/
MONO
OFF
ON
MODE
FREQ GAIN GAIN
FULL-FREQ
CROSSOVER
-6.0dB-3.0dB55Hz
OUT B
Press the BANK ASSIGN push button to select the memory bank that is 1)
to be processed with the eect.
Select the length of the brake by continuously pressing the SELECT 2)
push button (64). This is shown on the display.
Press the SMP FX ON push button 3) (63) to activate the eect.
The push button ashes.
When the sampler comes to an end (SMP FX ON push button and PLAY/OUT push
button of the selected bank ash), the sampler-eect needs to be deactivated
by pressing SMP FX ON again in order to restart playback.
Press the SMP FX ON push button to restart playback.4)
Further 6. Settings
Loading factory settings6.1
Press the LOAD push button 1) (35). The display switches to “User Setup”.
The LOAD push button lights up.
Select the factory preset by turning and pressing the left 2)
PARAMETER knob (45).
Press the left PARAMETER knob to conrm the selection.3)
Press the LOAD push button 4) (35) or the ESC push button (52)
to exit User Setup.
Output setup6.2
Press the CONSOLE SETUP knob 1) (51) for approximately 2 seconds.
Select “Output Setup” by turning and pressing the CONSOLE SETUP knob. 2)
Output Setup appears on the display:
SUB OUT:
The following are used to adjust the crossover frequency and output level
of the subwoofer output.
FREQ: Crossover frequency between SUB OUT and MAIN OUT
GAIN: Output level of SUB OUT
TAPE / S/PDIF:
The levels of both Tape and S/PDIF outputs can be adjusted individually.
Press the right PARAMETER knob to select the parameter 1)
(FREQ, GAIN or TAPE/ S/PDIF GAIN).
Turn the PARAMETER knob to change the value.2)
Press the ESC push but ton to exit Output Setup.3)
Adjusting display contrast6.3
Press the LOAD push button 1) (35). User Setup appears on the display.
Turn the right PARAMETER knob 2) (45) to change the con-trast.
Press the LOAD push button to exit User Setup.3)
The DDM4000 as MIDI 7. Controller
The DDM4000 can be used to control DJ or sequencer software applications
by converting individual mixer sections on the mixer to MIDI controllers
and assigning these to dened software functions. The MIDI interface
(76) is used to transmit the data. To connect to the mixer, the computer
requires a MIDI interface, which can be purchased as USB alternative for a
very reasonable price.
In Output Setup, you make the following settings:
Mono:
Use this function to switch the OUT B outputs (74) to mono.
Turn the left PARAMETER knob 1) (45) to select OFF or ON.
Press the left PARAMETER knob to conrm.2)
MODE:
You can use Output A (73) together with the Subwoofer output, in which case
the bass frequencies are separated from the Main output (crossover function).
FULL-FREQ: MAIN OUT A (73) emits the entire frequenc y
spectrum (including the bass signal).
The Subwoofer output gives out the
subwoofer signal.
CROSSOVER: The Subwoofer output gives out the subwoofer
signal. MAIN OUT A emits frequencies that are
above the crossover frequency.
Turn the CONSOLE SETUP knob 1) (51) to select the mode
(FULL-FREQ, CROSSOVER).
Press the CONSOLE SETUP knob to conrm.2)
* not includ ed
Fig. 7.1: Connecti ng the DDM4000 to a co mputer
24 DIGITAL PRO MIXER DDM4000 User Manual
MIDI protocol7.1
The MIDI format is used for the data transmission. Knobs and faders send
Control Change messages (CC), and push buttons send Note messages
(see Table 10.2). Access the software settings to assign mixer controls to
software functions. Most software applications oer a learn function to
make the assigning even easier.
The MIDI transmission also works in the opposite direc tion. Basically, it is
conned to controlling the LEDs, so that a switching status in the software
application can also be shown on the DDM4000. In this case the DDM4000
receives CC messages from the computer. Each LED of the DDM4000 is assigned
to a CC number (see Table 10.3). Sending the value 0 makes the LED go out,
but sending the value 1 (or any higher value) turns on the LED.
Common MIDI settings7.2
The MIDI settings are made on the MIDI Setup page.
Press the CONSOLE SETUP knob 1) (51) for approximately 2 seconds.
Select “MIDI Settings” by turning and pressing the CONSOLE SETUP knob. 2)
The MIDI Setup page appears on the display:
This page allows you to make the following settings:
Adjusting the MIDI channel (7.2.1)•
Sending a MIDI dump (7.2.2)•
Conguring the Microphone channel, Sampler and crossfader as •
MIDI controller (7.3)
Conguring stereo channels as MIDI controllers (7.4)•
Conguring microphone channel, 7.3
sampler and crossfader as MIDI controller
The Microphone channel, the Sampler and the crossfader section can individually
be converted to MIDI controllers.
Open MIDI Setup (see Chapter 7.2).1)
Turn the CONSOLE SETUP knob 2) (51) to select the mixer section
(MIC, SAMPLER, CROSSFADER) you want to use.
Press the CONSOLE SETUP knob to conrm the selection. 3)
The LEDs of the selected section go out.
Press the ESC push but ton 4) (52) to exit MIDI Setup.
Particularities of the crossfader:
It is not possible to assign the stereo channels to the crossfader when the
crossfader section is dened as controller. The Assign push buttons are
inoperative. The routing behaves as if the crossfader is deactivated: the signals
are directly fed to the mixer’s sum. As for the Sampler, the CF Assign function and
CF Start function are also inoperative. As usual, the routing of the Sampler signal
is realized with the REC SOURCE push button.
Conguring stereo channels as 7.4
MIDI controller
Using the channel fader (8), the EQ knobs (4) and the kill push buttons (5)
and (6) generates MIDI data when one of the 4 stereo channels is congured
as MIDI controller. The congured channel is still able to play back music,
however, the equalizer, the channel fader and the CF Assign function are not
active. In case an audio signal is being fed to the selected channel, it is routed to
the mixer’s sum without being processed and at full volume level. Simply mute
the signal in case the audio function is not required.
Press the ESC push but ton 3) (52) to exit MIDI Setup.
Save the settings you made in a user preset (see Chapter 3.5.2 ◊
“Storing user settings”) in case you want the settings to be active
the next time you switch on the device.
Setting the MIDI channel7.2.1
The following describe how to specify the MIDI channel on which the DDM4000 is
to send controller data. The receiving device needs to be set to the same channel.
Open MIDI Setup (see Chapter 7.2).1)
Turn the left PARAMETER knob 2) (45) to select the MIDI channel.
Press the ESC push but ton 3) (52) to exit MIDI Setup.
Sending a MIDI dump7.2.2
A MIDI dump sends the values of current controller positions. As a result,
the DDM4000’s settings are aligned with the connected computer.
Open MIDI Setup (see Chapter 7.2).1)
Press the left PARAMETER knob 2) (45) to start the MIDI dump.
After sending the dump, the DDM4000 returns to MIDI Setup.
Press the ESC push but ton 3) (52) to exit MIDI Setup.
Open MIDI Setup (see Chapter 7.2).1)
Turn the right PARAMETER knob 2) (45) to select the stereo channel you want
(and, if required, the Mute function).
Press the PARAMETER knob to conrm the selection. The push-button LEDs 3)
of the selected channel go out.
Press the ESC push but ton 4) (52) to exit MIDI Setup.
Level jumps can occur when activating or deactivating the MIDI ◊
controller function in a stereo channel depending on the position of
the equalizer and fader! Turn the OUTPUT knob in the Main and Phones
section completely to the left before activating this function.
Installation8.
The inputs and outputs of the BEHRINGER DDM4000 are RCA connectors.
The Headphone output is a stereo jack. The Microphone inputs are
XLR connectors.
Make sure that only competent people install your DDM4000. ◊
They must be sufficiently earthed during and after the installation
process. Otherwise, electrostatic discharges may negatively affect the
operating characteristics of your equipment.
25 DIGITAL PRO MIXER DDM4000 User Manual
output
For unbalanced use, pin 1 and pin 3 have to be bridged
1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)
input
12
3
1
2
3
Balanced use with XLR connectors
strain relief clamp
sleeve
ring
tip
sleeve
ground/shield
¼" TRS headphones connector
ring
right signal
tip
left signal
shield
sleevesleeve
tip tip
Fig. 8.1: XLR connecto r
Fig. 8.2: ¼" headp hones connecto r
Fig. 8.3: RCA c able
26 DIGITAL PRO MIXER DDM4000 User Manual
Specications9.
Audio Inputs
Mic 1/2 (XLR, electronically balanced)
Max. input level -14 dBu
Input impedance 2 k
Phono (RCA)
Max. input level -18 dBu
Input impedance 47 k
Line (RCA)
Max. input level +30 dBu
Input impedance 15 k
Audio Outputs
OUT A (XLR, balanced)
Max. output level +21 dBu
Output impedance 200
OUT A/OUT B/TAPE (RCA)
Max. output level +21 dBu
Output impedance 100
Phones Out max. 260 mW @ 100 / 1% THD
S/PDIF (coaxial, 16 bit, 44.1 kHz)
System Specications
Frequency response
Mic 25 Hz – 20 kHz, +0/-3 dB
Phono 20 Hz – 20 kHz, +0/-3 dB
Line 20 Hz – 20 kHz, +0/-3 dB
Signal-to-noise ratio
Mic > 87 dB
Phono > 83 dB
Line > 102 dB
Distortion (THD) < 0,009% (Line – OUT A)
Crosstalk < -80 dB / 1 kHz (Line)
Power Supply
Mains voltage/fuse
100 – 240 V~, 50/60 Hz T 1 A H 250 V
Power consumption max. 20 W
Mains connector standard IEC receptacle
Dimensions/Weight
Dimensions (H x W x D) approx. 4 ⁄ x 12 ⁄ x 15 ½"
approx. 110 x 320 x 392 mm
Equalizer
Stereo Low -∞ dB/+12 dB
Stereo Mid -∞ dB/+12 dB
Stereo High -∞ dB/+12 dB
Mic Low -12 dB/+12 dB, Shelving
Mic Mid -12 dB/+12 dB, Peak
Mic High -12 dB/+12 dB, Shelving
Digital Eects Pr ocessor
DSP 2x Analog Devices Black Fin
AD/DA converter 24-bit Sigma-Delta
128-times oversampling/Cirrus
Sampling rate 44.1 kHz
LCD display 320 x 40 pixel
MIDI interface 5-pin DIN jacks In/Out/Thru
Weight approx. 9.3 lbs / 4.2 kg
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts,
modifications may be made from time to time to existing products without prior notice. Specifications and
appearance m ay differ from thos e listed or illustr ated.
27 DIGITAL PRO MIXER DDM4000 User Manual
Parameter 1 Parameter 2 Parameter 3 Parameter 3 Parameter 4 Mix
FLANGER LFO Speed* Feedback Depth Phase Fade Dry/Wet Mix
PHASER LFO Speed* Depth Fade — — Dry/Wet Mix
DELAY Time*
Mode:
Simple 3Pong
— — — Dr y/Wet Mix
ECHO Time*
Mode:
Simple 3Pong
Feedback Fade — Dry/Wet Mix
PITCH Shift — — — — Dry/Wet Mix
BITCRUSHER Depth — — — — Dry/Wet Mix
REVERB
Mode:
Ambient, Box, Cathedral, Cavern,
Chamber, Chorus, Concert, Echo
Fade
— — — Dr y/Wet Mix
PAN LFO Speed* Depth — — — Dr y/Wet Mix
FILTER
Filter:
Lowpass
Bandpass
Hi
ghpass
Resonance
LFO:
LFO Speed*
—
—
Manual:
Depth
—
/
Appendix10.
*These pa rameters can be s ynchronized wi th BPM
Fig. 10.1: Overview of e ect paramete rs
28 DIGITAL PRO MIXER DDM4000 User Manual
MIC
L R
CH-1
L R
CH-2
L R
CH-3
L R
CH-4
L R
Sampler
L R
MASTER
MIC
L R
CH-1
L R
CH-2
L R
CH-3
L R
CH-4
L R
Sampler
L R
MASTER
L R
Fig. 10.2: Mixer r outings
29 DIGITAL PRO MIXER DDM4000 User Manual
FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION
DIGITAL PRO MIXER DDM4000
Responsible Party Name: MUSIC Group Services US Inc.
Address: 18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
USA
Phone/Fax No.: Phone: +1 425 672 0816
Fax: +1 425 673 7647
DIGITAL PRO MIXER DDM4000
complies with the FCC rules as mentioned in the following paragraph:
This equipment has been tested and found to comply with the limits for a Class B
digital device, pur suant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful inter ference to radio communications. However, there is no guarantee that
interference will not occur in a par ticular installation. If this equipment does cause
harmful inter ference to radio or television reception, which can be determined
by turning the equipment o and on, the user is encouraged to tr y to correct the
interference by one or more of the following measures:
Reorient or relocate the receiving antenna.•
Increase the separation between the equipment and receiver.•
Connect the equipment into an outlet on a circuit dierent from that to which the •
receiver is connec ted.
Consult the dealer or an experienced radio/TV technician for help.•
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any inter ference received, including inter ference that may
cause undesired operation.
Important information:
Changes or modications to the equipment not expressly approved by MUSIC Group
can void the user ’s authority to use the equipment.
We Hear You
Loading...