Yamaha Audio RX-V620RDS User Manual

RX-V620RDS

Natural Sound AV Receiver
Ampli-tuner audio-vidéo

G B

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

II

II

1 To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future
reference.

2 Install this unit in a well ventilated, cool, dry, clean

place with at least 30 cm on the top, 20 cm on the
right and left, and 10 cm at the back of this unit for
ventilation space — away from direct sunlight, heat
sources, vibration, dust, moisture, and/or cold.

3 Locate this unit away from other electrical

appliances, motors, or transformers to avoid
humming sounds. To prevent fire or electrical
shock, do not place this unit where it may get
exposed to rain, water, and/or any type of liquid.

4 Do not expose this unit to sudden temperature

changes from cold to hot, and do not locate this
unit in a environment with high humidity (i.e. a room
with a humidifier) to prevent condensation inside
this unit, which may cause an electrical shock, fire,
damage to this unit, and/or personal injury.

5 On the top of this unit, do not place:

– Other components, as they may cause damage

and/or discoloration on the surface of this unit.

– Burning objects (i.e. candles), as they may cause

fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may

cause electrical shock to the user and/or
damage to this unit.

6 Do not cover this unit with a newspaper, tablecloth,

curtain, etc. in order not to obstruct heat radiation.
If the temperature inside this unit rises, it may
cause fire, damage to this unit, and/or personal
injury.

7 Do not plug in this unit to a wall outlet until all

connections are complete.

8 Do not operate this unit upside-down. It may

overheat, possibly causing damage.

9 Do not use force on switches, knobs and/or cords.

10 When disconnecting the power cord from the wall

outlet, grasp the plug; do not pull the cord.

11 Do not clean this unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

12 Only voltage specified on this unit must be used.

Using this unit with a higher voltage than specified
is dangerous and may cause fire, damage to this
unit, and/or personal injury. YAMAHA will not be
held responsible for any damage resulting from use
of this unit with a voltage other than specified.

13 To prevent damage by lightning, disconnect the

power cord from the wall outlet during an electrical
storm.

14 Take care of this unit so that no foreign objects and/

or liquid drops inside this unit.

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

15 Do not attempt to modify or fix this unit. Contact

qualified YAMAHA service personnel when any
service is needed. The cabinet should never be
opened for any reasons.

16 When not planning to use this unit for long periods

of time (i.e. vacation), disconnect the AC power plug
from the wall outlet.

17 Be sure to read the “TROUBLESHOOTING” section

on common operating errors before concluding that
this unit is faulty.

18 Before moving this unit, press STANDBY/ON to set

this unit in the standby mode, and disconnect the
AC power plug from the wall outlet.

This unit is not disconnected from the AC power
source as long as it is connected to the wall outlet,
even if this unit itself is turned off. This state is called
the standby mode. In this state, this unit is designed to
consume a very small quantity of power.

■ For U.K. customers

If the socket outlets in the home are not suitable for the
plug supplied with this appliance, it should be cut off and
an appropriate 3 pin plug fitted. For details, refer to the
instructions described below.

Note

• The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.

■ Special Instructions for U.K.

Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED
IN ACCORDANCE WITH THE FOLLOWING
CODE:

Blue: NEUTRAL
Brown: LIVE

As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug,
proceed as follows:
The wire which is coloured BLUE must be connected
to the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured
BROWN must be connected to the terminal which is
marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.

CAUTION

1

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTENTS

INTRODUCTION

INTRODUCTION

FEATURES ............................................................ 2

GETTING STARTED ........................................... 3

Checking the Package Contents ............................... 3

Installing Batteries in the Remote Control ............... 3

CONTROLS AND FUNCTIONS ........................ 4

Front Panel ............................................................... 4

Remote Control ........................................................ 6

Description of the Numeric Buttons ........................ 7

Using the Remote Control ........................................ 8

Front Panel Display .................................................. 9

Rear Panel .............................................................. 10

PREPARATION

SPEAKER SETUP .............................................. 11

Speakers to Be Used ............................................... 11

Speaker Placement ................................................. 11

CONNECTIONS ................................................. 12

Before Connecting Components ............................ 12

Connecting Audio Components ............................. 12

Connecting Video Components .............................. 14

Connecting the Speakers ........................................ 16

Connecting an External Amplifier ......................... 18

Connecting an External Decoder ........................... 18

IMPEDANCE SELECTOR Switch ....................... 19

Connecting the Power Supply Cords ..................... 19

ON-SCREEN DISPLAY (OSD) ......................... 20

OSD Modes ............................................................ 20

Selecting the OSD Mode ........................................ 20

SPEAKER MODE SETTINGS ......................... 21

Summary of SPEAKER SET Items

1A through 1E .................................................... 21

ADJUSTING THE SPEAKER

OUTPUT LEVELS ......................................... 22

Before You Begin ................................................... 22

Using the Test Tone (TEST DOLBY SUR.) .......... 22

BASIC OPERATION

BASIC PLAYBACK ........................................... 24

Input Modes and Indications .................................. 26

Selecting a Sound Field Program ........................... 28

Normal Stereo Reproduction .................................. 29

TUNING ............................................................... 30

Connecting the Antennas........................................ 30

Automatic (or Manual) Tuning .............................. 31

Presetting Stations .................................................. 32

Tuning in to a Preset Station .................................. 33

Exchanging Preset Stations .................................... 34

RECEIVING RDS STATIONS .......................... 35

Description of RDS Data ....................................... 35

Changing the RDS Mode ....................................... 35

PTY SEEK Function .............................................. 36

EON Function ........................................................ 37

BASIC RECORDING ......................................... 38

ADVANCED OPERATION

SET MENU .......................................................... 39

Adjusting the Items on the SET MENU ................. 39

1 SPEAKER SET (speaker mode settings) ........... 40

2 L/R BALANCE (balance of the left and

right main speakers) ........................................... 42

3 HP TONE CTRL (headphone tone control) ....... 43

4 I/O ASSIGNMENT ............................................ 43

5 INPUT MODE (initial input mode) ................... 43

6 DOLBY D. SET (Dolby Digitalset) ................... 44

7 DTS SET (DTS LFE level) ................................ 44

8 SP DELAY TIME ............................................... 45

9 DISPLAY SET ................................................... 45

10MEMORY GUARD ........................................... 45

ADJUSTING THE LEVEL OF THE EFFECT

SPEAKERS ...................................................... 46

SLEEP TIMER .................................................... 47

Setting the Sleep Timer .......................................... 47

Canceling the Sleep Timer ..................................... 47

REMOTE CONTROL FEATURES .................. 48

Selector Dial ........................................................... 48

Commonly Used Buttons in Any Position of the

Selector Dial ....................................................... 49

Controlling the Components Connected

to This Unit ........................................................ 49

Button Names and Functions in Each Position ...... 50

Setting the Manufacturer Code .............................. 53

Returning to the Factory Setting ............................ 54

ADDITIONAL INFORMATION

SOUND FIELD PROGRAM ............................. 55

Hi-Fi DSP Programs ............................................... 55

CINEMA DSP Programs ........................................ 55

SOUND FIELD PROGRAM PARAMETER

EDITING ......................................................... 58

What is a sound field? ............................................ 58

Sound Field Program Parameters ........................... 58

Changing Parameter Settings ................................. 59

Resetting a Parameter to the Factory-set Value ...... 59

Sound Field Parameter Descriptions ...................... 60

APPENDIX

TROUBLESHOOTING ..................................... 63

SPECIFICATIONS ............................................. 68

GLOSSARY ......................................................... 69

INDEX .................................................................. 71

2

FEATURES

Other Features

◆ 96-kHz/24-bit D/A Converter

◆ “SET MENU” which Provides You with

10 Items for Optimizing This Unit for Your
Audio/Video System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other

Future Formats

◆ BASS EXTENSION Button for Reinforcing

Bass Response

◆ On Screen Display Function Helpful in

Controlling This Unit

◆ S Video Signal Input/Output Capability

◆ Component Video Input/Output Capability

◆ Optical and Coaxial Digital Audio Signal Jacks

◆ Sleep Timer

◆ Remote Control with Preset Manufacturer Codes

• y indicates a tip for your operation.

• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases
when the button names differ between the main unit and the remote control, the button name on the remote control
is given in parentheses in this manual.

Built-in 5-Channel Power Amplifier

◆ Minimum RMS Output Power

(0.06% THD, 20 Hz – 20 kHz)
Main: 90 W + 90 W (8 Ω)
Center: 90 W (8 Ω)
Rear: 90 W + 90 W (8 Ω)

Multi-Mode Digital Sound Field
Processing

◆ DTS Decoder

◆ Dolby Pro Logic Decoder

◆ Dolby Digital Decoder

◆ Hi-Fi DSP

◆ CINEMA DSP: Combination of YAMAHA DSP

Technology and Dolby Pro Logic, Dolby Digital
or DTS

◆ Virtual CINEMA DSP

◆ SILENT CINEMA

Sophisticated AM/FM Tuner

◆ 40-Station Random Access Preset Tuning

◆ Automatic Preset Tuning

◆ Preset Station Shifting Capability (Preset

Editing)

◆ Multi-Functions for RDS Broadcast Reception

Manufactured under license from Dolby Laboratories.

“Dolby”, “AC-3”, “Pro Logic” and the double-D symbol are
trademarks of Dolby Laboratories.
Confidential Unpublished Works. ©1992-1997 Dolby
Laboratories, Inc. All rights reserved.

Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS” and “DTS Digital Surround” are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.

3

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

Remote control

Installing Batteries in the Remote Control

Insert the batteries in the correct direction by aligning the
+ and – marks on the batteries with the polarity markings
(+ and –) inside the battery compartment.

■ Notes on batteries

• Change the batteries periodically.

• Do not use old batteries together with new ones.

• Do not use different types of batteries (such as alkaline
and manganese batteries) together. Read the packaging
carefully as these different types of batteries may have
the same shape and color.

GETTING STARTED

Checking the Package Contents

Check your package to make sure it has the following items.

Batteries (4)
(AAA, R03, UM-4)

Indoor FM antenna

AM loop antenna

Quick Reference Card

■ Changing batteries

As the batteries lose power, the operating range of the
remote control decreases and the indicator does not flash
or its light becomes dim. When you notice any of these
conditions, change all of the batteries.

If the remote control is without batteries for more than
2 minutes, or if exhausted batteries remain in the
remote control, the contents of the memory may be
cleared. When the memory is cleared, insert new
batteries, set up the manufacturer code that may have
been cleared.

Note

• If the batteries have leaked, dispose of them immediately.
Avoid touching the leaked material or letting it come into
contact with clothing, etc. Clean the battery compartment
thoroughly before installing new batteries.

A/B/C/D/E

Quick Reference Card

75-ohm/300-ohm
antenna adapter
(U.K. model only)

Connection guide

1

2

3

4

CONTROLS AND FUNCTIONS

Front Panel

1 STANDBY/ON

Turns on or sets this unit in the standby mode. When you
turn on this unit, you will hear a click and there will be a
4 to 5-second delay before this unit can reproduce sound.

Standby mode

In this mode, this unit consumes a small amount of
power to receive infrared-signals from the remote
control.

2 Remote control sensor

Receives signals from the remote control.

3 Front panel display

Shows information about the operational status of this
unit.

4 PTY SEEK MODE

Sets the unit in the PTY SEEK mode.

5 RDS MODE/FREQ

When an RDS station is received, press this button to
change the display mode among the PS mode, PTY mode,
RT mode, CT mode (if the station offers those RDS data
services) and/or frequency display mode in turn.

6 EON

Selects the desired program type (NEWS, INFO,
AFFAIRS, SPORT) when you want to tune in to a radio
program of that type automatically.

7 PTY SEEK START

Begins searching for a station after the desired program
type has been selected in the PTY SEEK mode.

8 INPUT MODE

Selects the mode of input for sources that send two or
more types of signals to this unit (see page 26 for details).
You cannot control the input mode when you select 6CH
INPUT as the input source.

9 VOLUME

Controls the output level of all audio channels.
This does not affect the REC OUT level.

0 6CH INPUT

Selects the source connected to the 6CH INPUT jacks.
The source selected by pressing 6CH INPUT takes
priority over the source selected with INPUT l / h (or
the input selector buttons on the remote control).

q BASS EXTENSION ON/OFF

When pushed in (ON), this feature boosts the bass
frequency of the left and right main speakers by +6 dB
(60 Hz) while maintaining overall tonal balance. This
boost is useful if you do not use a subwoofer.
However, this boost may not be noticeable if “1B MAIN
SP” on the SET MENU is set to SMALL and “1D LFE/
BASS OUT” is set to SWFR.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING
MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

1 2

3

4

5 6

7

8

9

0

q w

e

r

t

s

d

f

u

pa

i

o

y

5

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

w BASS

Adjusts the low-frequency response for the left and right
main speakers.
Turn the control to the right to increase or to the left to
decrease the low-frequency response.

e TREBLE

Adjusts the high-frequency response for the left and right
main speakers.
Turn the control to the right to increase or to the left to
decrease the high-frequency response.

Note

• If you increase or decrease the high-frequency or the low­frequency sound to an extreme level, the tonal quality from the
center and rear speakers may not match that of the left and
right main speakers.

r SPEAKERS A/B

When pushed in (ON), these buttons turn on the set of
main speakers connected to the A and/or B terminals on
the rear panel.

t EFFECT

Switches the effect speakers (center and rear) on and off.
If you turn off the output of these speakers by using
EFFECT, all Dolby Digital and DTS audio signals except
for the LFE channel are directed to the main left and right
channels.
When Dolby Digital or DTS signals are mixed, the left
and right main channel signal levels may not match.

y DSP PROGRAM

Switches the function of the multi jog knob for selecting
DSP program.

u PHONES jack

Outputs audio signals for private listening with
headphones. When you connect headphones, no signals
are output to the OUTPUT jacks or to the speakers.

i Multi jog knob

Selects the tuning frequency in the tuning mode.
Selects the preset station after pressing PRESET/
TUNING (EDIT) to display “ z ” in the tuning mode.
Selects the DSP program after pressing DSP PROGRAM.

o VIDEO AUX jacks

Inputs audio and video signals from a portable external
source such as a game console. To reproduce source
signals from these jacks, select V-AUX as the input
source.

p PRESET/TUNING (EDIT)

Switches the function of the multi jog knob between
selecting a preset station number and tuning.
This button is also used to exchange the assignment of
two preset stations with each other.

a FM/AM

Switches the reception band between FM and AM.

s MEMORY (MAN’L/AUTO FM)

Stores a station in the memory. Hold down this button for
more than 3 seconds to start automatic preset tuning (for
FM stations only).

d TUNING MODE (AUTO/MAN’L MONO)

Switches the tuning mode between automatic and manual.
To select the automatic tuning mode, press this button so
that the “AUTO” indicator lights up on the front panel
display again. To select the manual tuning mode, press
this button so that the “AUTO” indicator does not light
up.

f INPUT l / h

Selects the input source (CD, TUNER, MD/CD-R, DVD,
D-TV/CBL, VCR 1, PHONO, V-AUX, VCR 2/DVR) you
want to listen to or watch.

6

CONTROLS AND FUNCTIONS

A/B/C/D/E

TV INPUT

TV VOLUME

TV POWER

EFFECT

e

r

1
2

3

4

5
6

7

9

8

q

w

0

t

y

u

i

o

Remote Control

This section describes the basic operation of this unit with
the remote control. First, set the selector dial to the AMP/
TUN position. See “REMOTE CONTROL FEATURES”
for full details.

Select the
AMP/TUN
position.

1 DSP

Switches the function of the numeric buttons to the DSP
program selector.

2 Indicator window

Shows the name of components which can be controlled.

3 Numeric buttons (Input selector buttons)

These buttons select the input source.
See “Description of the Numeric Buttons” for the
numeric buttons.

4 6CH INPUT

Selects the source connected to the 6CH INPUT jacks.

5 TEST

Outputs the test tone.

6 ON SCREEN

Selects the on-screen display (OSD) mode for your video
monitor.

7 j / i (–/+)

Adjust DSP program parameters and SET MENU items.
–/+ is displayed on the on-screen display.

8 LEVEL

Selects the effect speaker channel (center, rear and
subwoofer) so you can adjust their output level
independently.

9 SLEEP

Sets the sleep timer.

0 INPUT

Switches the function of the numeric buttons to the input
selector.

q Indicator

Flashes while the remote control is sending signals.

w Selector dial

Turn this dial to select the position for the component to
be controlled. (The proper code must be set up for your
component. See “Setting the Manufacture Codes”.) When
a position is selected, the remote control is set to that
component operation mode.

e A/B/C/D/E, PRESET –/+

These buttons are used to select a preset station.
A/B/C/D/E: To select one of 5 preset station groups (A

to E)

PRESET –/+: To select a preset station number (1 to 8)

r u/d

Select DSP program parameters and SET MENU items.

t SET MENU

Enters the SET MENU.

y POWER

Turns on the power of this unit.

u STANDBY

Sets this unit in the standby mode.

7

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

A

B

i VOLUME +/–

Increases or decreases the volume level.

o MUTE

Mutes the sound. Press again to restore the audio output
to the previous volume level.

EFFECT

Switches the effect speakers (center and rear) on and off
in the following cases:

• When the selector dial is set to the DSP/TUN position.

• While the indicator is lit for about 3 seconds after

pressing DSP.

Description of the Numeric Buttons

The numeric buttons function in various ways depending
on the position of the selector dial or the combination of
other instructions.

■ When selecting an input source

Input selector
buttons

1 Press INPUT regardless of the position of

the selector dial.

The indicator lights up for about 3 seconds.

2 You can select an input source with the

numeric buttons and 6CH INPUT while the
indicator is lit.

■ When selecting a DSP program
and turning on or off the effect
speakers (center and rear)

DSP program

group buttons

A

1 Press DSP regardless of the position of the

selector dial.

The indicator lights up for about 3 seconds.

2 You can select a DSP program with the

numeric buttons and turn on or off the effect
speakers (center and rear) by pressing
EFFECT while the indicator is lit.

B

1 Set the selector dial to the DSP/TUN

position.

2 You can select a DSP program directly with

the numeric buttons and turn on or off the
effect speakers (center and rear) by pressing
EFFECT.

6CH INPUT

EFFECT

8

CONTROLS AND FUNCTIONS

■ When selecting a preset station
number

1 Set code number “0023” in the AMP/TUN (or

DSP/TUN) position.

See “Setting the Manufacturer Code” for setting the
code.

2 Set the selector dial to the AMP/TUN (or

DSP/TUN) position.

3 You can select a preset station number

directly with the numeric buttons (1 to 8).

See “Tuning in to a Preset Station”.

Using the Remote Control

The remote control transmits a directional infrared beam.
Be sure to aim the remote control directly at the remote
control sensor on the main unit during operation.

■ Handling the remote control

• Do not spill water or other liquids on the remote
control.

• Do not drop the remote control.

• Do not leave or store the remote control in the
following types of conditions:

– high humidity or temperature such as near a heater,

stove or bath;
– dusty places; or
– in places subject to extremely low temperatures.

DIGITAL

SURROUND

DIGITAL

30° 30°

Approximately 6 m (20 feet)

9

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INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

Front Panel Display

1 t indicator

Lights up when the built-in DTS decoder is on.

2 VIRTUAL indicator

Lights up when using Virtual CINEMA DSP.

3 g and o indicators

Light up according to the type of Dolby signals this unit
is reproducing. “ g ” lights up when the built­in Dolby Digital decoder is on. “ o ” lights up
when the built-in Dolby Pro Logic decoder is on.

4 Input source indicator

Shows the current input source with a cursor.

5 RDS mode indicators

The name(s) of the RDS data offered by the currently
received RDS station light(s) up. Illumination of the red
indicator next to the RDS data name shows that the
corresponding RDS mode is now selected.

6 TUNED indicator

Lights up when this unit tunes in to a station.

7 STEREO indicator

Lights up when the unit is receiving a strong signal for an
FM stereo broadcast while the “AUTO” indicator is lit.

8 AUTO indicator

Shows that this unit is in the automatic tuning mode.

9 MEMORY indicator

Flashes to show a station can be stored.

0 x indicator

Lights up when you select a DSP program.

q v indicator

Lights up when this unit is reproducing PCM (pulse code
modulation) digital audio signals.

w Headphones indicator

Lights up when headphones are connected.

e DSP program indicators

The name of the selected DSP program lights up when the
ENTERTAINMENT, MOVIE THEATER 1, MOVIE
THEATER 2 or q/DTS SURROUND DSP program is
selected.

r Multi-information display

Shows the current DSP program name and other
information when adjusting or changing settings.

t PTY HOLD indicator

Lights up while searching for stations in the PTY SEEK
mode.

y EON indicator

Lights up when an RDS station that offers the EON data
service is being received.

u Program type name indicators

The name of the selected program type lights up when the
“EON” indicator lights up.

i VOLUME level indicator

Indicates the volume level.

o SLEEP indicator

Lights up while the sleep timer is on.

dB
ms

PCM

DSP

DIGITAL

PRO LOGIC

ASPB

VIRTUAL

DOLBY DIGITAL
PRO LOGIC DTS

MOVIE THEATER 1 2
ENTERTAINMENT

PS

PTY

RT

CT

PTY HOLD EON

TUNED

STEREO AUTO

NEWS INFO AFFAIRS SPORT

MEMORY

SLEEP

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

1 2

3

4

5 6 7

8

9

0

q w

e

r

y

u i o

t

10

CONTROLS AND FUNCTIONS

(Europe model)

Rear Panel

1 DIGITAL OUTPUT jacks

2 DIGITAL INPUT jacks

3 GND terminal

See page 12 for connection information.

4 6CH INPUT jacks

See pages 13 and 18 for connection information.

5 Antenna input terminals

See page 30 for connection information.

6 Video component jacks

See pages 14 and 15 for connection information.

7 Speaker terminals

See pages 16 and 17 for connection information.

8 OUTPUT jacks

See page 18 for connection information.

9 AC power cord

Connect to a power outlet.

0 AC OUTLET(S)

Use these outlets to supply power to your other audio/
video components (see page 19).

q Audio component jacks

See pages 12 and 13 for connection information.

w SUBWOOFER jack

See page 17 for connection information.

e IMPEDANCE SELECTOR switch

Use this switch to match the amplifier output to your
speaker impedance. Set this unit in the standby mode
before you change the setting of this switch (see page 19).

SWITCHED

100W MAX. TOTAL

AC OUTLETS

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

MIN. /SPEAKER

A + B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

OUTPUT

MAIN

R

L

R

L

REAR

(SURROUND)

CENTER

SPEAKERS

MAIN

+

–

R L

A

–

+

B

CENTER

+

–

REAR
(SURROUND)

R

L

+

––

+

DVD

MONITOR

OUT

D-TV/CBL

YPB/CBPR/CRCOMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

DVD

DVD

DVD

D-TV/CBL

D-TV/CBL

D-TV/CBL

IN

VCR 1

OUT IN

VCR 2

/DVR

OUT

VIDEO SIGNAL

AUDIO SIGNAL

SUB

WOOFER

OUTPUT

IN

VCR 1

OUT IN

VCR 2/DVR

OUT

OUT(REC)

IN(PLAY)

CD

PHONO

MD/CD-R

MD/CD-R

MD/CD-R

R

L

DIGITAL

OUTPUT

OPTICAL

OPTICAL

COAXIAL

AM ANT GND

FM ANT

75

UNBAL.

TUNER

GND

MAIN

CENTER

SUB WOOFER

SURROUND

DIGITAL

INPUT

6CH INPUT

CD

MAIN A OR B: 8

MIN. /SPEAKER

A + B:16

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

RLR

L

MAINS

1

2

4 5

6 7 8

9 0

w e

q

3

11

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SPEAKER SETUP

Speakers to Be Used

This unit has been designed to provide the best sound­field quality with a 5-speaker system, using left and right
main speakers, left and right rear speakers, and a center
speaker. If you use different brands of speakers (with
different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not
shift smoothly. We recommend that you use speakers
from the same manufacturer to ensure even tonal quality.

The main speakers are used for the main source sound
plus the effect sounds. They will probably be the speakers
from your present stereo system. The rear speakers are
used for the effect and surround sounds, and the center
speaker is for the center sounds (dialog, vocals, etc.). If
for some reason it is not practical to use a center speaker,
you can do without it. Best results, however, are obtained
with the full system.

The main speakers should be high-performance models
and have enough power-handling capacity to accept the
maximum output of your audio system. The other
speakers do not have to be equal to the main speakers.
For precise sound localization, however, it is ideal to use
high-performance models that can reproduce sounds over
the full range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your
sound field

It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is
effective not only for reinforcing bass frequencies from
any or all channels, but also for reproducing the LFE
(low-frequency effect) channel with high fidelity when
the Dolby Digital signal or the DTS signal is played back.
The YAMAHA Active Servo Processing Subwoofer
System is ideal for natural and lively bass reproduction.

Speaker Placement

Refer to the following diagram when you place the
speakers.

Main
speaker (L)

Center speaker

Main speaker (R)

Rear speaker (R)

Rear speaker (L)

1.8 m

■ Main speakers

Place the left and right main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the video monitor should be the
same.

■ Rear speakers

Place these speakers behind your listening position,
facing slightly inwards, nearly 1.8 m (approx. 6 feet)
above the floor.

■ Center speaker

Align the front face of the center speaker with the front
face of your video monitor. Place the speaker as close to
the monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the center channel sound will
be heard from the left and right main speakers. In this case,
“1A CENTER SP” on the SET MENU is set to NONE.

■ Subwoofer

The position of the subwoofer is not so critical, because
low bass sounds are not highly directional. But it is better
to place the subwoofer near the main speakers. Turn it
slightly toward the center of the room to reduce the wall
reflections.

CAUTION

Please use magnetically shielded speakers. Sometimes
a video monitor may be adversely affected even when
magnetically shielded speakers are used. Separate the
speakers from the monitor if this happens.

PREPARATION

Subwoofer

12

CONNECTIONS

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been
completed.

• Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different jack names. Refer to the operation instructions
for each component to be connected to this unit.

• When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or
changer), connect them to the jack with the same number labels as !, #, $ etc.

• After you have completed all connections, check them again to make sure they are correct.

Connecting Audio Components

■ Connecting to digital jacks

This unit has digital jacks for direct transmission of
digital signals through either coaxial or fiber optic cables.
You can use the digital jacks to input PCM, Dolby Digital
and DTS bitstreams. When you connect components to
both the COAXIAL and OPTICAL jacks, priority is given
to the input signals from the COAXIAL jack. All digital
input jacks are acceptable for 96-kHz sampling digital
signals.

y

• You can designate the input for each digital jack according to

your component by using “4 I/O ASSIGNMENT” on the SET
MENU.

About the dust protection cap

Pull out the cap from the optical jack
before you connect the fiber optic cable.
Do not discard the cap. When you are not
using the optical jack, be sure to put the
cap back in place. This cap protects the
jack from dust.

Note

• The OPTICAL jacks on this unit conform to the EIA standard.

If you use a fiber optic cable that does not conform to this
standard, this unit may not function properly.

■ Connecting a turntable

PHONO jacks are for connecting a turntable with an MM
or high-output MC cartridge. If you have a turntable with
a low-output MC cartridge, use an inline boosting
transformer or MC-head amplifier when connecting to
these jacks.

y

• The GND terminal does not electrically ground the turntable. It

simply reduces noise in the signal. In some cases, you may
hear less noise if you do not connect to the GND terminal.

■ Connecting a CD player

y

• The COAXIAL jack is available for a CD player which has a
coaxial digital output jack.

• When you connect a CD player to both the analog and digital
jacks, priority is given to the input signals from the digital jack.

■ Connecting an MD recorder, CD

recorder or tape deck

y

• When you connect your recording component to both the
analog and digital input and output jacks, the priority is given
to the digital signal.

Notes

• When you connect a recording component to this unit, keep its
power on while using this unit. If the power is off, this unit
may distort the sound from other components.

• Since digital output and analog output (REC OUT) are
independent of each other, the analog signal is output only to
the analog jack, while the digital signal is output only to the
digital jack.

13

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

DVD

MONITOR

OUT

D-TV/CBL

YPB/CBPR/CRCOMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

DVD

DVD

DVD

D-TV/CBL

D-TV/CBL

D-TV/CBL

IN

VCR 1

OUT IN

VCR 2

/DVR

OUT

VIDEO SIGNAL

AUDIO SIGNAL

SUB

WOOFER

OUTPUT

IN

VCR 1

OUT IN

VCR 2/DVR

OUT

OUT(REC)

IN(PLAY)

CD

PHONO

MD/CD-R

MD/CD-R

MD/CD-R

R

L

DIGITAL
OUTPUT

OPTICAL

OPTICAL

COAXIAL

AM ANT GND

FM ANT

75

UNBAL.

TUNER

GND

MAIN

CENTER

SUB WOOFER

SURROUND

DIGITAL

INPUT

6CH INPUT

CD

RLR

L

L

R

L R

L R

L

R

C

L

R

OO

L R

OUTPUT

GND

OUTPUT

COAXIAL
OUTPUT

SUBWOOFER
OUTPUT

CENTER
OUTPUT

MAIN

OUTPUT

SURROUND
OUTPUT

INPUT OUTPUT

OPTICAL
OUTPUT

OPTICAL

INPUT

L

R

C

O

MD recorder

or CD recorder

indicates signal direction

indicates coaxial cables

CD player

Turntable

External decoder

indicates left analog cables

indicates right analog cables

indicates optical cables

(Europe model)

14

CONNECTIONS

YPB/CBPR/C

R

Connecting Video Components

■ About the video jacks

There are three types of video jacks. Video signals input through the VIDEO jacks are the conventional composit video
signals. Video signals input through the S VIDEO jacks are separated into luminance (Y) and color (C) video signals.
The S-video signals achieve high-quality color reproduction. Video signals input through the COMPONENT VIDEO
jacks are separated into luminance (Y) and color difference (P

B/CB

, PR/CR) video signals. The jacks are also separated
into three for each signal. The description of the component video jacks may be different depending on the component
(e.g. Y, C

B

, CR/Y, PB, PR/Y, B-Y, R-Y etc.). Component video signals provide the best quality in picture reproduction.

If your video component has an S-video output or component video output, you can connect it to this unit. Connect the
S-video signal output jack on your video component to the S VIDEO jack or connect the component signal output jacks
on your video component to the COMPONENT VIDEO jacks.

VIDEO jack (composite)

S VIDEO jack

COMPONENT VIDEO jacks

y

• Each type of video jack works independently. Signals input
through the composite video, S-video and component jacks are
output through the corresponding composite video, S-video,
and component jacks, respectively.

• If you make S-video connections to this unit, it is not necessary
to make composite video connections. If both types of
connections are made, this unit gives priority to the S-video
signal.

• You can designate the input for the COMPONENT VIDEO A
and B jacks according to your component by using “4 I/O
ASSIGNMENT” on the SET MENU.

Notes

• Use a commercially available S-video cable when connecting to the S VIDEO jack, and commercially available video cables when
connecting to the COMPONENT VIDEO jacks.

• When you are using the COMPONENT VIDEO jacks, check the details in the owner’s manual that came with the component being
connected.

■ Video monitor with a 21-pin connector

Make a connection as shown on page 15 with a commercially available SCART-plug connector cable.

■ VIDEO AUX jacks (on the front panel)

These jacks are used to connect any video input source
such as a game console to this unit.

AUDIO OUT R

AUDIO OUT L

VIDEO OUT

OPTICAL OUT

S VIDEO OUT

O

V

L

R

S

VIDEO AUX

S VIDEO VIDEO L AUDIO R OPTICAL

Game console

15

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

DVD

MONITOR

OUT

D-TV/CBL

YPB/CBPR/CRCOMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

DVD

DVD

DVD

D-TV/CBL

D-TV/CBL

D-TV/CBL

IN

VCR 1

OUT IN

VCR 2

/DVR

OUT

VIDEO SIGNAL

AUDIO SIGNAL

SUB

WOOFER

OUTPUT

IN

VCR 1

OUT IN

VCR 2/DVR

OUT

OUT(REC)

IN(PLAY)

CD

PHONO

MD/CD-R

MD/CD-R

MD/CD-R

R

L

DIGITAL

OUTPUT

OPTICAL

OPTICAL

COAXIAL

AM ANT GND

FM ANT

75

UNBAL.

TUNER

GND

MAIN

CENTER

SUB WOOFER

SURROUND

DIGITAL

INPUT

6CH INPUT

CD

R

LRL

V

V

S VIDEO
INPUT

S

S VIDEO
OUTPUT

L

R

S

L

R

L

R

OPTICAL
OUTPUT

VIDEO

OUTPUT

COMPONENT

OUTPUT

AUDIO OUTPUTAUDIO OUTPUT VIDEO INPUT

VIDEO
OUTPUT

AUDIO
INPUT

V

S

O

O

OPTICAL
OUTPUT

L

R

S VIDEO
OUTPUT

AUDIO

OUTPUT

VIDEO
OUTPUT

V

S

COMPONENT
OUTPUT

S

V

V

R

L

S VIDEO

INPUT

VIDEO

INPUT

COMPONENT

INPUT

S VIDEO
OUTPUT

L

S

R

V

O

DVD player

TV/digital TV

or cable TV/

satellite tuner

VCR 1 or VCR 2/

DVR (digital video

recorder)

(Europe model)

indicates signal direction

indicates left analog cables

indicates right analog cables

indicates optical cables

indicates video cables

indicates S-video cables

Monitor

When using an LD player

Connect the LD player output to the DVD jack.
If the LD player has an OPTICAL digital output jack, connect it to this unit’s OPTICAL DVD jack. If it has analog
jacks, connect it to the analog DVD jacks. If it has an “RF OUTPUT jack” to output a Dolby Digital RF signal (AC-3),
use a commercially available RF demodulator and connect it to the OPTICAL DVD jack.
If connecting a DVD player and an LD player, connect the LD player to the digital input jack (ex. D-TV/CBL) or to the
analog input jack (D-TV/CBL, VCR 1 or VCR 2/DVR). For details on connections and operations, refer to the
instruction manual for the LD player.
Note that this unit’s remote control can be used to operate the LD player by setting the corresponding manufacturer
code for the DVD/LD position.

SCART-plug

No connection

16

CONNECTIONS

Connecting the Speakers

Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.

CAUTION

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage the unit and/or speakers.

If necessary, use the SET MENU to change the speaker mode settings according to the number and size of the speakers
in your configuration after you finish connecting your speakers.

■ Speaker cables

A speaker cord is actually a pair of insulated cables
running side by side. One of the cables is colored or
shaped differently, perhaps with a stripe, groove or ridge.

1 Remove approx. 10 mm (3/8”) of insulation

from each of the speaker cables.

2 Twist the exposed wires of the cable

together to prevent short circuits.

12

■ Connecting to the SPEAKERS terminals

1 Unscrew the knob.
2 Insert one bare wire into the hole in the side

of each terminal.

3 Tighten the knob to secure the wire.

2

1

3

Red: positive (+)
Black: negative (–)

■ MAIN SPEAKERS terminals

One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either
of the MAIN A or B terminals.

■ REAR SPEAKERS terminals

A rear speaker system can be connected to these terminals.

■ CENTER SPEAKER terminals

A center speaker can be connected to these terminals.

10 mm (3/8”)

17

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

SWITCHED

100W MAX. TOTAL

AC OUTLETS

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

MIN. /SPEAKER

A + B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

OUTPUT

MAIN

R

L

R

L

REAR

(SURROUND)

CENTER

SPEAKERS

MAIN

+ –

R

L

A

– +

B

CENTER

+ –

REAR
(SURROUND)

R

L

+ ––+

D

T

OR

T

/

CBL

OMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

SUB

WOOFER

OUTPUT

MAIN A OR B: 8

MIN. /SPEAKER

A + B:16

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

MAINS

Main speakers A

Right

Left

Main speakers B

Right Left

(Europe model)

Center speaker Rear speakers

Right Left

Subwoofer

system

■ SUBWOOFER jack

When using a subwoofer with built-in amplifier,
including the YAMAHA Active Servo Processing
Subwoofer System, connect the input jack of the
subwoofer system to this jack. Low bass signals
distributed from the main, center and/or rear channels are
directed to this jack. (The cut-off frequency of this jack is
90 Hz.) The LFE (low-frequency effect) signals generated
when Dolby Digital or DTS is decoded are also directed
if they are assigned to this jack.

Notes

• Adjust the subwoofer volume according to the operating
instructions for the subwoofer. (Fine adjustment is possible
using this unit’s output level control of the effect speakers.)

• Depending on the settings of “1 SPEAKER SET”, “6 DOLBY
D. SET” and “7 DTS SET” on the SET MENU, some signals
may not be output from the SUBWOOFER jack.

18

CONNECTIONS

Connecting an External Amplifier

If you want to increase the power output to the speakers,
or want to use another amplifier, connect an external
amplifier to the OUTPUT jacks as follows.

Note

• When RCA pin plugs are connected to the OUTPUT jacks for
output to an external amplifier, do not use the corresponding
SPEAKERS terminals.

1 MAIN jacks

Main channel line output jacks.

Note

• The signals output through these jacks are affected by the
BASS, TREBLE and BASS EXTENSION settings.

2 REAR (SURROUND) jacks

Rear channel line output jacks.

3 CENTER jacks

Center channel line output jacks.

OUTPUT

MAIN

R

L

R

L

REAR

(SURROUND)

CENTER

1

2

3

Connecting an External Decoder

This unit is equipped with 6 additional input jacks (left
and right MAIN, CENTER, left and right SURROUND
and SUBWOOFER) for discrete multi-channel input from
an external decoder, sound processor or pre-amplifier.

Connect the output jacks on your external decoder to the
6CH INPUT jacks. Be sure to match the left and right
outputs to the left and right input jacks for the main and
surround channels.

Notes

• When you select 6CH INPUT as the input source, this unit
automatically turns off the digital sound field processor, and
you cannot listen to DSP programs.

• When you select 6CH INPUT as the input source, changing
items 1A to 1E on the SET MENU is not affected.

19

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

SWITCHED

100W MAX. TOTAL

AC OUTLETS

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

MIN. /SPEAKER

A + B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

MAIN A OR B: 8

MIN. /SPEAKER

A + B:16

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

MAINS

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit
may be damaged.
If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may
not be fully slid to either position. If so, slide the switch to either position fully when this unit is in the standby
mode.

Select the left or right position according to the impedance of the speakers in your system. Be sure to move this switch
only when this unit is in the standby mode.

Switch
position

Speaker Impedance level

Main

If you use one set of main speakers, the impedance of
each speaker must be 4 Ω or higher.

If you use two sets of main speakers, the impedance of
each speaker must be 8 Ω or higher.

Center

The impedance must be 6 Ω or higher.

Rear

The impedance of each speaker must be 6 Ω or higher.

Right

Main

If you use one set of main speakers, the impedance of
each speaker must be 8 Ω or higher.

If you use two sets of main speakers, the impedance of
each speaker must be 16 Ω or higher.

Center

The impedance must be 8 Ω or higher.

Rear

The impedance of each speaker must be 8 Ω or higher.

Left

Connecting the Power Supply Cords

After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if
you will not use this unit for a long period of time.

■ AC OUTLET(S) (SWITCHED)

Europe model ............................................... 2 OUTLETS

U.K. model ..................................................... 1 OUTLET

Use these outlets to connect the power cords only from
your audio/video components to this unit. The power to
the AC OUTLET(S) is controlled by this unit’s
STANDBY/ON (or POWER and STANDBY). These
outlets will supply power to any connected component
whenever this unit is turned on. The maximum power
(total power consumption of components) that can be
connected to the AC OUTLET(S) is 100 W.

SWITCHED

100W MAX. TOTAL

AC OUTLETS

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

MIN. /SPEAKER

A + B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

MAIN A OR B: 8

MIN. /SPEAKER

A + B:16

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

MAINS

(Europe model)

(Europe model)

IMPEDANCE SELECTOR

To AC outlet

SWITCHED

20

ON-SCREEN DISPLAY (OSD)

Full display Short display

You can display the operation information for this unit on
a video monitor. If you display the SET MENU and DSP
program parameter settings on a monitor, it is much easier
to see the available options and parameters than it is by
reading this information on the front panel display.

y

• If a video source is being reproduced, the OSD is
superimposed over the image.

• The OSD signal is not output to the REC OUT jack, and will
not be recorded with any video signal.

• You can set the OSD to turn on (blue background) or off when
a video source is not being reproduced (or the source
component is turned off) by using “9 DISPLAY SET” on the
SET MENU.

OSD Modes

You can change the amount of information the OSD
shows.

Full display

This mode always shows the DSP program parameter
settings on the video monitor.

Short display

This mode briefly shows the same contents as the front
panel display at the bottom of the screen and then
disappears.

Display off

This mode briefly shows the “DISPLAY OFF” message
at the bottom of the screen and then disappears.
Afterwards, no changes to operations appear on the
monitor except those of the ON SCREEN button.

P01 CONCERT HALL

INIT. DLY

45ms
ROOM SIZE 1.0
LIVENESS

5

P01 CONCERT HALL

y

• When you choose the full display mode, INPUT l / h,

VOLUME and some other types of operation information are
displayed at the bottom of the screen in the same format as that
for the front panel display.

• The SET MENU and test tone display appear regardless of the
OSD mode.

Selecting the OSD Mode

1 When you turn on the power, the video

monitor and front panel display show the
level of the main volume for a few seconds
and then switch to show the current DSP
program.

2 Press ON SCREEN on the remote control

repeatedly to change the display mode.

The OSD mode changes in the following order: full
display, short display, and display off.

Notes

• If you choose a video input source that has a component
connected to both the S VIDEO IN and composite VIDEO IN
jacks, and both the S VIDEO OUT and composite VIDEO
OUT jacks are connected to a video monitor, the video signal is
output to both the S VIDEO OUT and VIDEO OUT jacks.
However, the OSD is carried only on the S-video signal. If no
video signal is input, the OSD is carried on both the S-video
and composite video signals.

• If your video monitor is connected only to the COMPONENT
VIDEO jacks of this unit, the OSD is not shown. Make sure to
connect your video monitor to the COMPONENT VIDEO
jacks and either VIDEO or S VIDEO jacks if you want to see
the OSD.

• Playing back video software that has an anti-copy signal or
video signals with a lot of noise may produce unstable images.

21

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SPEAKER MODE SETTINGS

This unit is equipped with a main amplifier capable of handling 5.1 channel. Although up to 6 speakers can be
connected, it is possible to select the speaker mode that gives the best sound field effect according to the number and
size of speakers being used.

Before use, please set the speaker mode setting using “1 SPEAKER SET” on the SET MENU described on page 39.

Summary of SPEAKER SET Items 1A through 1E

Item Description

1A CENTER SP

1B MAIN SP

1C REAR L/R SP

Selects the output mode according to whether or not rear L/R speakers
are being used and their performance.

LRG/SML/NONE

1D LFE/BASS OUT

Selects the speaker according to use for LFE signal output and low bass
signal.

SWFR/MAIN/BOTH

1E MAIN LEVEL Selects the main speaker level.

Normal/–10 dB

Control value (default
setting indicated in bold)

Selects the output mode according to whether or not a center speaker is
being used and its performance.

LRG/SML/NONE

Selects the output mode according to the performance of the main
speakers.

LARGE/SMALL

22

ADJUSTING THE SPEAKER OUTPUT LEVELS

This section explains how to adjust the speaker output
levels by using the test tone generator. When this
adjustment is made, the output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound
field processor, the Dolby Pro Logic decoder, Dolby
Digital decoder and DTS decoder.

Note

• Since this unit cannot enter the test mode while headphones are
connected to this unit, be sure to unplug the headphones from
the PHONES jack when using the test tone.

Before You Begin

1 Press STANDBY/ON to

turn on the power. Turn on
the video monitor.

2 Press SPEAKERS A or B

to select the main
speakers to be used.

If you are using two sets of the
main speakers, press both A
and B.

3 Set BASS and TREBLE on the front panel to

the center position and set BASS
EXTENSION to OFF.

Using the Test Tone (TEST DOLBY SUR.)

The adjustment of each speaker output level should be
made at your listening position with the remote control.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)
position.

2 Press TEST to output the test tone.

3 Adjust the volume so you can hear the test

tone.

The test tone is heard from the left main speaker,
center speaker, right main speaker, right rear speaker
and left rear speaker in order. The tone is produced
for 2.5 seconds each time.

BASS TREBLE

–

+

–

+

LEFT SURROUND

(TEST L SUR.)

RIGHT SURROUND

(TEST R SUR.)

CENTER

(TEST CENTER)

RIGHT

(TEST RIGHT)

LEFT

(TEST LEFT)

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING
MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–+–

+

SURROUND

DIGITAL

1

3

3

2

A/B/C/D/E

A/B/C/D/E

2,6

5
4

1

3

STANDBY

/ON

SPEAKERS

AB

OFF

ON

OFFON

BASS

EXTENSION

Set to OFF.

23

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONSADJUSTING THE SPEAKER OUTPUT LEVELS

The state of the test tone output is also shown on the
monitor by an image of the audio listening room.
This is convenient for adjusting each speaker level.

y

• If “1A CENTER SP” on the SET MENU is set to NONE, the
center channel sound is automatically output from the left and
right main speakers.

Note

• If the test tone cannot be heard, turn down the volume, set the
unit in the standby mode and check the speaker connections.

4 Press LEVEL repeatedly

to select the speaker to be
adjusted.

y

• Once you press LEVEL, you can also select the speaker to be
adjusted by pressing d. (Pressing u changes the selection in
the reverse order.)

5 Press j / i repeatedly to

adjust the output level of
the currently selected
speaker so that it
becomes almost the
same as that of the main
speaker.

• While adjusting, the test tone is heard from the
selected speaker.

• Repeat steps 4 and 5 to adjust the output levels of
the center, left rear and right rear speakers.

6 When the adjustment is

complete, press TEST.

The test tone stops and the
current DSP program appears
on the front panel display and
on the video monitor.

Notes

• For details on adjusting the subwoofer speaker, refer to the
effect speaker level adjustment described on page 46.

• After adjusting with the test tone, it is possible to adjust the
speaker level to taste while listening to the playback of an
actual source when using the effect speaker level adjustment
described on page 46.

y

• You can increase the output levels of the effect speakers
(center, left rear and right rear) to +10 dB. If the output level of
these speakers is lower than that of the main speakers even
after you have increased the output level of these speakers up
to +10 dB, set “1E MAIN LEVEL” on the SET MENU to
–10 dB. This setting decreases the main speaker output level to
about one-third of the normal level. After you have set “1E
MAIN LEVEL” on the SET MENU to –10 dB, adjust the
levels for the center and rear speakers again.

TEST DOLBY SUR.

LEFT

24

BASIC PLAYBACK

3 Press INPUT l / h repeatedly (or press one

of the input selector buttons) to select the
input source.

• The current input source is indicated on the front
panel display with a cursor.

• The current input source name and input mode
appear on the front panel display and on the video
monitor for a few seconds.

Front panel

or

Remote control

Selected input source

BASIC OPERATION

When using the remote control, set the selector dial to
the AMP/TUN position.

2 Press SPEAKERS A or B

to select the main
speakers to be used.

If you are using two sets of
main speakers, press both A
and B.

1 Press STANDBY/ON (or POWER) to turn on

the power. Turn on the video monitor.

The front panel display and the video monitor show
the level of the main volume for a few seconds and
then switch to show the current DSP program.

Select this: To reproduce the signal from

this component

INPUT

A/B/C/D/E

A/B/C/D/E

1

5

6

3

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

DIGITAL

BASS

EXTENSION

–+–

+

SURROUND

DIGITAL

STANDBY

/ON

1

3

56

5

2

Front panel

Remote controlFront panel

or

STANDBY

/ON

SPEAKERS

AB

OFF

ON

PHONO: Turntable
CD: CD player
TUNER: AM/FM tuner
MD/CD-R: MD recorder/CD recorder/tape deck
DVD: DVD player
D-TV/CBL: TV/digital TV or cable TV/satellite

tuner
VCR 1: Video cassette deck 1
VCR 2/DVR: Video cassette deck 2/digital

video recorder
V-AUX: Another audio/video component

(connected to the VIDEO AUX

jacks on the front panel)

25

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

6CH INPUT

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

PCM

To select a source connected to the 6CH INPUT
jacks

Press 6CH INPUT until “6CH INPUT” appears on the
front panel display and on the video monitor.

Front panel

or

Remote control

Notes

• If “6CH INPUT” is shown on the front panel display and on
the video monitor, no other source can be played. To select
another input source with INPUT l / h (or the input selector
buttons), press 6CH INPUT to turn off “6CH INPUT” from the
front panel display and the video monitor.

• If you want to enjoy an audio source connected to the 6CH
INPUT jacks together with a video source, first select the video
source and then press 6CH INPUT.

4 Start playback (or select a broadcast station)

on the source component.

Refer to the operation instructions for the
component.

5 Adjust the volume to the desired output

level.

or

Front panel

Note

• If the component connected to the VCR 1 OUT, VCR 2/DVR
OUT and MD/CD-R OUT jacks is turned off, the reproduced
sound may be distorted or the volume may be lowered. In these
cases, turn on the component.

6 Use the digital sound field processor.

See “Selecting a Sound Field Program”.

Front panel

or

Remote control

■ To mute the sound

Use this when you want to temporarily mute audio
output.

Press MUTE on the
remote control.

To restore the audio output to
the previous volume level,
press MUTE again.

y

• You can also cancel mute to press any operation buttons such as
VOLUME +/–.

• During muting, “MUTE ON” appears on the front panel
display and on the video monitor.

■ When you have finished using

this unit

Press STANDBY/ON (or STANDBY) to set
this unit in the standby mode.

■ Notes on the digital signal

The digital input jacks of this unit can also handle
96-kHz sampling digital signals. (To utilize this, use a
source that supports 96-kHz sampling digital signals and
set the player for digital output. Refer to the operation
instructions for the player.) Note the following when a
96-kHz sampling digital signal is input to this unit:

1. The following indication will appear on the front panel

display.

2. DSP programs cannot be selected. Sound will be

output as normal 2-channel stereo sound from only the
left and right main speakers.

Note

• If “1B MAIN SP” on the SET MENU is set to SMALL and
“1D LFE/BASS OUT” is set to SWFR, or “1D LFE/BASS
OUT” is set to BOTH, the sound is also output from the
subwoofer.

3. Adjustment of the speaker output level described on
page 46 cannot be made.

VOLUME

BASS TREBLE

–

+

–

+

OFFON

BASS

EXTENSION

Front panel Remote control

DSP

PROGRAM

If desired, use BASS, TREBLE and BASS
EXTENSION etc. These controls are only effective
for sound from the main speakers.

26

BASIC PLAYBACK

INPUT MODE

■ BGV (background video) function

The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.)

Select a source from the video group and then select a
source from the audio group with the input selector
buttons on the remote control. The BGV function does
not work if you select the sources with INPUT l / h on
the front panel.

Input Modes and Indications

When using the remote control, set the selector dial to
the AMP/TUN position.

This unit comes with various input jacks. If your
component is connected to more than one type of input
jack, you can set the priority of the input signal.

Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control)
repeatedly until the desired input mode is
shown on the front panel display and on the
video monitor.

Front panel

or

Remote control

Input mode

AUTO: In this mode, the input signal is

automatically selected in the
following order:

1) Dolby Digital or DTS signal

2) Digital (PCM) signal

3) Analog signal

DTS: In this mode, only the digital input

signal encoded with DTS is selected
even if another signal is input at the
same time.

ANLG (ANALOG): In this mode, only the analog input

signal is selected even if a digital
signal is input at the same time.

Notes

• If digital signals are input from both the COAXIAL and
OPTICAL jacks, the digital signal from the COAXIAL jack is
selected.

• When AUTO is selected, this unit automatically determines the
type of signal. If this unit detects a Dolby Digital or DTS
signal, the decoder automatically switches to the appropriate
setting and reproduces 5.1 channel source.

• The sound output may be interrupted for some LD players and
DVD players in the following situation:
When the input mode has been set to AUTO and a search is
performed while playing the source encoded with a Dolby
Digital or DTS signal, the sound may delay for a moment when
playback is resumed.

• Depending on the LD player, playback may not be made when
playing an LD that is not digitally recorded with the input
mode set to AUTO. If this happens, set the input mode to
ANALOG.

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

27

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

■ Notes on playing a source
encoded with a DTS signal

• If the digital output data of the player has been

processed in any way, you may not be able to
perform DTS decoding even if you make a digital
connection between this unit and the player.

• If you play a source encoded with a DTS signal and

set the input mode to ANALOG, this unit reproduces
the noise of an unprocessed DTS signal. When you
want to play a DTS source, be sure to connect the
source to a digital input jack and set the input mode
to AUTO or DTS.

• If you switch the input mode to ANALOG while

playing a source encoded with a DTS signal, this unit
reproduces no sound.

• The following phenomena may occur if the input

mode is set to AUTO when playing back source
encoded with a DTS signal.

– If you continue to play a source encoded with a DTS

signal, this unit automatically switches to the “DTS­decoding” mode to prevent noise from being
generated during subsequent operation. (The “t”
indicator lights up on the front panel display.) The
“t” indicator may flash immediately after
playback of a source encoded with a DTS signal has
finished. Only a source encoded with a DTS signal
can be played back while this indicator is flashing.
(The indicator will flash for less than a minute.) If
you want to play a normal PCM source soon, set the
input mode back to AUTO.

– The “t” indicator may flash when a search or

skip operation is performed. If this status continues
for a certain length of time, the unit will
automatically switch from the “DTS-decoding”
mode to PCM digital signal input mode and the
“t” indicator will go out.

28

BASIC PLAYBACK

Selecting a Sound Field Program

You can enhance your listening experience by selecting a
DSP program. For details about each program, see
“SOUND FIELD PROGRAM”.

■ On the remote control

1 Press DSP.

The indicator lights up for
about 3 seconds.

A/B/C/D/E

1

2

y

• If the selector dial is set to the DSP/TUN position, skip this
step.

2 Use the numeric buttons to select the

desired program before the indicator goes
off.

• For example, to select the sub-program
“SPECTACLE”, press MOVIE THEATER 1
repeatedly.

• The name of the selected program appears on the
front panel display and on the video monitor.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING
MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–+–

+

SURROUND

DIGITAL

21

DSP

DIGITAL

MOVIE THEATER 1

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

Program group

Program name (sub-program)

■ On the front panel

1 Press DSP PROGRAM.

2 Turn the multi jog knob to

select the program.

The name of the selected
program appears on the front
panel display and on the video
monitor.

Notes

• Choose a DSP program based on your listening preference, and
not on the name of the program. The acoustics of your listening
room affect the DSP program. Minimize the sound reflections
in your room to maximize the effect created by the program.

• When you select an input source, this unit automatically selects
the last DSP program used with that source.

• When you set this unit in the standby mode, the current source
and DSP program are memorized and are automatically
selected when you turn on the power again.

• If a Dolby Digital or DTS signal is input when the input mode
is set to AUTO, the DSP program automatically switches to the
appropriate decoding program.

• When a monaural source is being played with PRO LOGIC/
NORMAL or PRO LOGIC/ENHANCED, no sound will be
heard from the main speakers and the rear speakers. Sound can
only be heard from the center speaker. However, if “1A
CENTER SP” on the SET MENU is set to NONE, the center
channel sound is output from the main speakers.

• When a source connected to the 6CH INPUT jacks of this unit
is selected, the digital sound field processor cannot be used.

• When 96-kHz sampling digital signals are input to this unit, the
DSP program cannot be selected. In this case, the sound is
reproduced as normal 2-channel stereo.

DSP

PROGRAM

29

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

EFFECT

■ Virtual CINEMA DSP and SILENT
CINEMA

Virtual CINEMA DSP

Virtual CINEMA DSP allows you to enjoy the sound field
effects of the DSP program without rear speakers. Using
YAMAHA original technology, natural surround
reproduction is possible through the generation of a
virtual speaker.

The sound field processing is changed to the Virtual
CINEMA DSP mode by setting “1C REAR L/R SP” on
the SET MENU to NONE. Virtual CINEMA DSP is
performed by using the main speakers.

Note

• This unit is not set in the Virtual CINEMA DSP mode even if

“1C REAR L/R SP” is set to NONE in the following cases:
– when the 5CH STEREO, PRO LOGIC/NORMAL, DOLBY

DIGITAL/NORMAL or DTS/NORMAL program is selected;
– when the sound effect is turned off;
– when 6CH INPUT is selected as the input source;
– when 96-kHz sampling digital signals are input to this unit;
– when the Dolby Digital KARAOKE source is played;
– when using the test tone; or
– when connecting the headphones (you will hear SILENT

CINEMA).

SILENT CINEMA

SILENT CINEMA allows you to enjoy the realistic feel
of the DSP program while using headphones. This feature
delivers powerful surround reproduction just as if
listening through the speakers.

You can listen to SILENT CINEMA by connecting your
headphones to the PHONES jack while the effect
speakers are on.

Front panel

or

Remote control

y

• If the selector dial is set to a position other than the DSP/TUN
position, first press DSP and then EFFECT on the remote
control.

Notes

• If you turn off the sound effect, no sound is output from the
center and rear speakers.

• If you turn off the sound effect while a Dolby Digital or DTS
signal is being output, the dynamic range of the signal is
automatically compressed and the sounds of the center and rear
speaker channels are mixed and output from the main speakers.

• The volume may be greatly reduced when you turn off the
sound effect or if you set “6 D-RANGE” on the SET MENU to
MIN. In this case turn on the sound effect.

Normal Stereo Reproduction

Press EFFECT to turn off the sound effect
for normal stereo reproduction.

Press EFFECT again to turn the sound effect back
on.

30

TUNING

Connecting the Antennas

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal
strength.

Connect each antenna correctly to the designated terminals.

Indoor FM
antenna
(included)

AM loop
antenna
(included)

Ground (GND terminal)

For maximum safety and
minimum interference, connect
the antenna GND terminal to a
good earth ground. A good earth
ground is a metal stake driven
into moist earth.

■ Connecting the indoor FM
antenna

Connect the included indoor FM antenna to the FM ANT
75Ω UNBAL. terminal.

Note

• Do not connect an outdoor FM antenna and the indoor FM

antenna at the same time.

■ Connecting the AM loop antenna

1 Press and hold the tab to unlock the terminal

hole.

2 Insert the AM loop antenna lead wires into

the AM ANT and GND terminals.

AM ANT GND

FM ANT

75

UNBAL.

TUNER

5

4

Antenna stand

3 Release the tab to lock the lead wires.

Lightly pull the lead wires to confirm a good
connection.

4 Attach the loop antenna to the antenna

stand.

5 Orient the AM loop antenna so that the best

reception is obtained.

y

• The AM loop antenna can be removed from the stand and
attached to a wall, etc.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.

A properly installed outdoor antenna provides clearer
reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may improve the
quality. Consult the nearest authorized YAMAHA
dealer or service center about the outdoor antennas.

Connecting a coaxial cable to the included
75-ohm/300-ohm antenna adapter (U.K. model
only)

11 (7/16)

8 (5/16)
6 (1/14)

12

3

54

Cover

Unit: mm
(inch)

Lead wire

Clamp with
pliers.

Clamp
with
pliers.

Insert the wire
into the slot.

Open the cover of the
included 75-ohm/300-ohm
antenna adapter.

Cut the external sleeve of
the 75-ohm coaxial cable
and prepare it for
connection.

Cut the lead wire and
remove it.

Insert the cable wire into the
slot, and clamp it with
pliers.

Snap the cover into
place.

1

2

3

31

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

y

• Use the manual tuning method if the tuning search does not
stop at the desired station because the signal is weak.

• When tuned in to a station, the “TUNED” indicator lights up
and the frequency of the received station is shown on the front
panel display. If an RDS station that offers the PS data service
is being received, the station name is shown instead of the
frequency on the front panel display.

If the signal from the station you want to select is weak,
you must tune in to it manually.

1 Press INPUT l / h to

select TUNER as the input
source.

2 Press FM/AM to select the reception band.

“FM” or “AM” appears on the front panel display.

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the
front panel display.

If “ z ” appears on the front panel display next to the
band indication, press PRESET/TUNING (EDIT) to
turn it off.

4 Turn the multi jog knob to

the right or left to tune in
to the desired station
manually.

Note

• Manually tuning in to an FM station will automatically change
the reception mode to monaural to increase the signal quality.

INPUT

4 Turn the multi jog knob to the right or left to

begin automatic tuning.

Turn the multi jog knob to the
right for tuning in to a higher
frequency, or to the left for
tuning in to a lower frequency.
Turn the knob again if the
tuning search does not stop at
the desired station.

TUNING

MODE

AUTO/MAN'L MONO

AUTO

Goes off

PRESET
/TUNING

EDIT

Turn “ z ” off.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

4

23

1

Automatic (or Manual) Tuning

Automatic tuning is effective when station signals are
strong and there is no interference.

1 Press INPUT l / h to

select TUNER as the input
source.

2 Press FM/AM to select the reception band.

“FM” or “AM” appears on the front panel display.

or

FM/AM

TUNING

MODE

AUTO/MAN'L MONO

AUTO

Lights up

PRESET
/TUNING

EDIT

Turn “ z ” off.

or

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator goes off from
the front panel display.

If “ z ” appears on the front panel display next to the
band indication, press PRESET/TUNING (EDIT) to
turn it off.

INPUT

FM/AM

32

TUNING

3 Press and hold MEMORY (MAN’L/AUTO FM)

for more than 3 seconds.

The preset number, the “MEMORY” and “AUTO”
indicators flash. Then, after about 5 seconds,
automatic preset tuning begins from the frequency
currently displayed toward the higher frequencies.

When automatic preset tuning is completed, the front
panel display shows the frequency of the last preset
station.

TUNING

MODE

AUTO/MAN'L MONO

MEMORY

MAN'L/AUTO FM

AUTO

FM/AM

Presetting Stations

■ Automatically presetting stations
(for RDS stations)

You can use the automatic preset tuning feature to store
RDS stations. This function enables the unit to
automatically tune in to RDS stations with strong signals,
and to store up to 40 (8 stations x 5 groups) of those
stations in order. This feature enables you to easily tune in
to any preset station by selecting the preset station
number (see “Tuning in to a Preset Station”).

1 Press FM/AM to select the FM band.

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the
front panel display.

Notes

• Any stored station data existing under a preset number is
cleared when you store a new station under that preset
number.

• The reception mode is stored along with the station
frequency.

• You can manually replace a preset station with another FM or
AM station by simply following the procedure in the section
“Manually presetting stations”.

• If the number of the received stations does not reach E8,
automatic preset tuning has automatically stopped after
searching all stations.

• Only RDS stations with sufficient signal strength are stored
automatically by automatic preset tuning. If the station you
want to store is weak in signal strength, tune in to it manually
in the monaural mode, and store it by following the procedure
in “Manually presetting stations”. (There may be a case that
this unit cannot receive a station which could be received by
using the automatic tuning method. This is because this unit
receives a large amount of PI (Program Identification) data
along with the station.)

Automatic preset tuning options

You can select the preset number from which the unit
will store RDS stations and/or begin tuning toward
lower frequencies. Before automatic preset tuning
begins (after pressing MEMORY in step 3):

1. Turn the multi jog knob to select the preset number

under which the first station will be stored.
Automatic preset tuning will stop when stations have
all been stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn off “ z ” and

then turn the multi jog knob to the left to begin
tuning toward lower frequencies.

Memory back-up

The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more
than one week, the preset stations may be cleared. If
so, store the stations again by using the presetting
station methods.

Lights up

MEMORY

VOLUME

TUNER

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

1

23

33

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

A/B/C/D/E

■ Manually presetting stations

You can also store up to 40 stations (8 stations x 5
groups) manually.

1 Tune in to a station.

See “Automatic (or Manual) Tuning” for tuning
instructions.

2 Press MEMORY (MAN’L/AUTO FM).

The “MEMORY” indicator flashes for about
5 seconds.

Flashes

3 Turn the multi jog knob to select a preset

station number while the “MEMORY”
indicator is flashing.

Turn the multi jog knob to the
right to select a higher preset
station number, and to the left
to select a lower preset station
number.

4 Press MEMORY (MAN’L/AUTO FM) while the

“MEMORY” indicator is flashing.

The station band and
frequency appear on the front
panel display with the preset
group and number you have
selected.

MEMORY

MAN'L/AUTO FM

MEMORY

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–+–

+

SURROUND

DIGITAL

2,4

3

A/B/C/D/E

3
2

1

MEMORY

MAN'L/AUTO FM

Shows the displayed station has been stored as A1.

5 Repeat steps 1 to 4 to store other stations.

Notes

• Any stored station data existing under a preset number is
cleared when you store a new station under that preset number.

• The reception mode is stored along with the station frequency.

Tuning in to a Preset Station

You can tune any desired station simply by selecting the
preset station number under which it was stored.

■ On the remote control

1 Set the selector dial to the AMP/TUN

position and press TUNER to select TUNER
as the input source.

2 Press A/B/C/D/E to select the preset station

group.

The preset group letter appears on the front panel
display and changes each time you press A/B/C/D/E.

3 Press PRESET –/+ to select a preset station

number (1 to 8).

The preset group and number appear on the front
panel display along with the station band, frequency
and the “TUNED” indicator lights up.

y

• You can select the preset station number with the numeric
buttons (1 to 8) if code number “0023” has been set up in the
AMP/TUN (or DSP/TUN) position.

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

34

TUNING

Exchanging Preset Stations

You can exchange the assignment of two preset stations
with each other. The example below describes the
procedure for exchanging preset station “E1” with “A5”.

1 Tune in to preset station “E1”.

See “Tuning in to a Preset Station”.

2 Press and hold PRESET/TUNING (EDIT) for

more than 3 seconds.

“E1” and the “MEMORY” indicator flash on the
front panel display.

3 Tune in to preset station “A5” by using the

buttons on the front panel.

“A5” and the “MEMORY” indicator flash on the
front panel display.

4 Press PRESET/TUNING (EDIT) again.

The stations stored at the two preset assignments are
exchanged.

PRESET
/TUNING

EDIT

PRESET
/TUNING

EDIT

MEMORY

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

MEMORY

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

MEMORY

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

Shows the exchange of stations
has been completed.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING
MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

2,4

■ On the front panel

1 Press PRESET/TUNING

(EDIT) so that “ z ” next to
the band indicator
appears.

2 Turn the multi jog knob to

select the desired preset
station number.

The preset group and number
appear on the front panel
display along with the station
band, frequency, and the
“TUNED” indicator lights up.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING
MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

2

1

PRESET
/TUNING

EDIT

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

35

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

RECEIVING RDS STATIONS

RDS (Radio Data System) is a data transmission system
by FM stations in many countries. Stations using this
system transmit an inaudible stream of data in addition to
the normal radio signal.

RDS data contains various information such as PI
(Program Identification), PS (Program Service name),
PTY (Program Type), RT (Radio Text), CT (Clock Time),
EON (Enhanced Other Networks), etc. The RDS function
is carried out among the network stations.

Description of RDS Data

This unit can receive PI, PS, PTY, RT, CT, and EON data
when receiving RDS broadcasting stations.

■ PS (Program Service name)
mode:

The name of the RDS station being received is displayed.

■ PTY (Program Type) mode:

The program type on the RDS station being received is
displayed. There are 15 program types to classify RDS
stations. You can make this unit search for a station which
is broadcasting a program of the desired type. See “PTY
SEEK Function” for details.

■ RT (Radio Text) mode:

Information about the program (such as the title of the
song, name of the singer, etc.) on the RDS station being
received is displayed by a maximum of 64 alphanumeric
characters, including the umlaut symbol. If other
characters are used for RT data, they are displayed with
under-bars.

■ CT (Clock Time) mode:

The current time is displayed and updated every minute.
If the data are accidentally cut off, “CT WAIT” may
appear.

■ EON (Enhanced Other Networks):

See “EON Function”.

Changing the RDS Mode

The four modes are available in this unit for displaying
RDS data. When an RDS station is being received, PS,
PTY, RT and/or CT mode indicators that correspond to
the RDS data services offered by the station light up on
the front panel display. Press RDS MODE/FREQ
repeatedly to change the display mode among the RDS
data offered by the transmitting station in the order shown
below. Illumination of the red indicator next to the RDS
mode indicator shows that the corresponding RDS mode
is now selected.

Notes

• When an RDS station is being received, do not press RDS
MODE/FREQ until one or more RDS mode indicators light up
on the front panel display. If you press the button before the
indicators light up on the front panel display, the mode cannot
be changed. This is because the unit has not yet received all of
the RDS data on the station.

• RDS data not offered by the station cannot be selected.

• The RDS data service cannot be utilized by this unit if the
received signal is not strong enough. In particular, the RT mode
requires a large amount of data to be received, so it is possible
that the RT mode may not be displayed even if other RDS
modes (PS, PTY, etc.) are displayed.

• RDS data cannot sometimes be received under poor reception
conditions. If so, press TUNING MODE so that the “AUTO”
indicator goes off from the front panel display. Although the
reception mode is changed to monaural by this operation, when
you change the display to RDS mode, RDS data may be
displayed.

• If the signal strength is weakened by external interference
during the reception of an RDS station, the RDS data service
may be cut off suddenly and “...WAIT” will appear on the front
panel display.

PS mode

PTY mode

RT mode

CT mode

Frequency

display mode

RDS MODE/FREQ

36

RECEIVING RDS STATIONS

PTY SEEK Function

If you select the desired program type, the unit
automatically searches all preset RDS stations that are
broadcasting a program of the required type.

1 Press PTY SEEK MODE to set the unit in the

PTY SEEK mode.

The program type of the station being received or
“NEWS” flashes on the front panel display.

2 Turn the multi jog knob to select the desired

program type.

The selected program type appears on the front panel
display.

3 Press PTY SEEK START to begin searching

all preset RDS stations.

The selected program type flashes and the “PTY
HOLD” indicator lights up on the front panel display
while searching for stations.

• If a station that is broadcasting a program of the
required type is found, the unit stops at that
station.

• If the called station is not the desired one, press
PTY SEEK START again. The unit begins
searching for another station that is broadcasting a
program of the same type.

■ To cancel this function

Press PTY SEEK MODE twice.

■ Program types in the PTY mode

There are 15 program types to classify RDS stations.

NEWS News

AFFAIRS Current affairs

INFO General information
SPORT Sports

EDUCATE Education

DRAMA Drama
CULTURE Culture

SCIENCE Science

VARIED Light entertainment
POP M Pops

ROCK M Rock

M.O.R. M Middle-of-the-road music (easy-

listening)
LIGHT M Light classics
CLASSICS Serious classics

OTHER M Other music

Flashes

The selected program type flashes.

Light up

PTY SEEK

MODE START

PTY SEEK

MODE START

PS

PTY

RT

CT

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

PTY HOLD

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING
MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

213

37

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

RECEIVING RDS STATIONS

EON Function

This function uses the EON data service on the RDS
station network. If you simply select the desired program
type (NEWS, INFO, AFFAIRS or SPORT), the unit
automatically searches for all preset RDS stations that are
scheduled to broadcast a program of the required type and
switches from the station being currently received to the
new station when the broadcasts starts.

Note

• This function can only be used when an RDS station that offers
the EON data service is being received. When such a station is
being received, the “EON” indicator lights up on the front
panel display.

1 Make sure that the “EON” indicator lights up

on the front panel display.

If the “EON” indicator does not light up, tune in to
another RDS station so that the “EON” indicator
lights up.

2 Press EON repeatedly to select the desired

program type (NEWS, INFO, AFFAIRS or
SPORT).

The selected program type name indicator lights up
on the front panel display.

• If a preset RDS station of the selected program
type starts broadcasting, the unit will automatically
switch from the program being currently received
to that program. The program type name indicator
flashes.

• When broadcasting of the required program ends,
the previously received station (or another
program on the same station) is recalled.

■ To cancel this function

Press EON repeatedly until no program type name lights
up on the front panel display.

Lights up

Flashes

EON

PS

PTY

RT

CT TUNED

STEREO

NEWS

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

EON

PS

PTY

RT

CT

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

EON

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING
MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

2

PS

PTY

RT

CT TUNED

STEREO

NEWS

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

EON

PS

PTY

RT

CT

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

EON

38

BASIC RECORDING

Recording adjustments and other operations are
performed from the recording components. Refer to the
operation instructions for these components.

1 Turn on the power to the unit and all

connected component.

2 Select the source component you want to

record from.

Front panel

or

Remote control

3 Start playback (or select a broadcast station)

on the source component.

4 Start recording on the recording component.

Notes

• Do a test recording before you start an actual recording.

• When this unit is set in the standby mode, you cannot record
between other components connected to this unit.

• The setting of BASS, TREBLE, BASS EXTENSION,
VOLUME, “2 L/R BALANCE” on the SET MENU and DSP
programs does not affect the recorded material.

• A source connected to the 6CH INPUT jacks of this unit cannot
be recorded.

• S-video and composite video signals pass independently
through this unit’s video circuits. Therefore, when recording or
dubbing video signals, if your video source component is
connected to provide only an S-video (or only a composite
video) signal, you can record only an S-video (or only a
composite video) signal by your VCR.

• A given input source is not output on the same REC OUT
channel. (For example, the signal input from VCR 1 IN is not
output on VCR 1 OUT.)

• Check the copyright laws in your country to record from
records, CDs, radio, etc. Recording of copyrighted material
may infringe copyright laws.

If you playback a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.

■ Special considerations when

recording DTS software

The DTS signal is a digital bitstream. Attempting to
digitally record the DTS bitstream will result in noise
being recorded. Therefore, if you want to use this unit to
record sources that have DTS signals recorded on them,
the following considerations and adjustments need to be
made.

For DVDs and CDs encoded with DTS

Only 2-channel analog audio signals may be recorded.
Set the DVD player (or CD player) as described in the
player’s operation instructions so that the audio signals
are output from the player’s analog outputs.

INPUT

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

RDS MODE/FREQ

EON

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING
MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

AB

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–+–

+

SURROUND

DIGITAL

2

A/B/C/D/E

2

39

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

Adjusting the Items on the SET MENU

Adjustment should be made with the remote control.

Note

• Some items require extra steps to change to the desired setting.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)
position.

2 Press SET MENU to enter the SET MENU.

3 Press u/d repeatedly to select the item (1 to

10) you want to adjust.

y

• By pressing SET MENU repeatedly, you can select items in the

same order as when pressing d.

4 Press j or i once to enter the setup mode of

the selected item.

The last setting you adjusted appears on the video
monitor or on the front panel display.

SET MENU

ADVANCED OPERATION

A/B/C/D/E

A/B/C/D/E

3,6
4,5

1

2

The SET MENU consists of 10 items including the
speaker mode setting features. Use the SET MENU to
enjoy the optimum audio/video playback for your system.

y

• You can adjust the items on the SET MENU while playing a
source.

• We recommend that you adjust the items on the SET MENU
while using a video monitor. It is easier to see the video
monitor than it is to see the front panel display on this unit
while adjusting the items.

Note

• The indication on the front panel display is the abbreviation of
the OSD.

1 SPEAKER SET

1A CENTER SP

1B MAIN SP

1C REAR L/R SP

1D LFE/BASS OUT

1E MAIN LEVEL

2 L/R BALANCE

3 HP TONE CTRL

4 I/O ASSIGNMENT

4A CMPNT-V INPUT

4B OPTICAL OUT

4C OPTICAL IN

4D COAXIAL IN

5 INPUT MODE

6 DOLBY D. SET

LFE LEVEL

D-RANGE

7 DTS SET

8 SP DELAY TIME

9 DISPLAY SET

BLUE BACK

OSD SHIFT

DIMMER

10 MEMORY GUARD

SET MENU 1/3

1 SPEAKER SET
2 L/R BALANCE
3 HP TONE CTRL
4 I/O ASSIGNMENT

: Up/Down/
–/+ : Enter

SET MENU 1/3

1 SPEAKER SET
2 L/R BALANCE
3 HP TONE CTRL
4 I/O ASSIGNMENT

: Up/Down/
–/+ : Enter

4A CMPNT-V INPUT

[B] • • • • • D-TV/CBL

[A] • • • • • DVD

40

SET MENU

4B OPTICAL OUT

(1) • • • • • MD/CD-R

Depending on the item, press u/d to select a sub
item.

5 Press j / i repeatedly to change the setting

of the item.

6 Press u/d repeatedly until the current DSP

program appears or simply press one of the
DSP program group button to exit from the
SET MENU.

4A CMPNT-V INPUT

[B] • • • • • D-TV/CBL

[A] • • • • • VCR 1

1 SPEAKER SET (speaker mode

settings)

Use this feature to select suitable output modes for your
speaker configuration.

Notes

• When 96-kHz sampling digital signals are input to this unit,
level adjustments in items 1B and 1D are possible, but those in
items 1A,1C and 1E are not affected.

• When 6CH INPUT is selected as the input source, level
adjustments in items 1A through 1E are not affected.

■ 1A CENTER SP (center speaker

mode)

By adding a center speaker to your speaker configuration,
the unit can provide good dialog localization for many
listeners and superior synchronization of sound and
images. The OSD shows a large, small or no center
speaker depending on how you set this item.

Choices: LRG (large), SML (small), NONE
Initial setting: LRG

LRG

Select this if you have a large center speaker. The entire
range of the center channel signal is directed to the center
speaker.

SML

Select this if you have a small center speaker. The low­frequency signals (90 Hz and below) of the center channel
are directed to the speakers selected with “1D LFE/BASS
OUT”.

1A CENTER SP

LRG

SML

NONE

1A CENTER SP

LRG

SML

NONE

or

Memory back-up

The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more
than one week, the settings of the SET MENU you
adjusted will return to the factory settings. If so, adjust
the items again.

41

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

■ 1C REAR L/R SP (rear speaker
mode)

The OSD shows large, small or no rear speakers
depending on how you set this item.

Choices: LRG (large), SML (small), NONE
Initial setting: LRG

LRG

Select this if you have large left and right rear speakers or
if a rear subwoofer is connected to the rear speakers. The
entire range of the rear channel signal is directed to the
left and right rear speakers.

SML

Select this if you have small left and right rear speakers.
The low-frequency signals (90 Hz and below) of the rear
channel are directed to the speakers selected with “1D
LFE/BASS OUT”.

NONE

Select this if you do not have rear speakers.

y

• This unit is set in the Virtual CINEMA DSP mode by selecting

NONE for “1C REAR L/R SP”.

NONE

Select this if you do not have a center speaker. All of the
center channel signals are directed to the left and right
main speakers.

■ 1B MAIN SP (main speaker mode)

The OSD shows large or small main speakers depending
on how you set this item.

Choices: LARGE, SMALL
Initial setting: LARGE

LARGE

Select this if you have large main speakers. The entire
range of the left and right main channel signal is directed
to the left and right main speakers.

SMALL

Select this if you have small main speakers. The low­frequency signals (90 Hz and below) of the main channel
are directed to the speakers selected with “1D LFE/BASS
OUT”.

Note

• When you select MAIN for “1D LFE/BASS OUT”, the low­frequency signals (90 Hz and below) of the main channel are
directed to the main speakers even if you select SMALL for the
main speaker mode.

1A CENTER SP

LRG

SML

NONE

1B MAIN SP

LARGE

SMALL

1C REAR L/R SP

LRG

SML

NONE

1C REAR L/R SP

LRG

SML

NONE

1C REAR L/R SP

LRG

SML

NONE

1B MAIN SP

LARGE

SMALL

42

SET MENU

■ 1D LFE/BASS OUT (bass out
mode)

LFE signals carry low-frequency effects when this unit
decodes a Dolby Digital or DTS signal. Low-frequency
signals are defined as 90 Hz and below.

Choices: SWFR (subwoofer), MAIN, BOTH
Initial setting: BOTH

SWFR

Select this if you use a subwoofer. The LFE signals are
directed to the subwoofer.

MAIN

Select this if you do not use a subwoofer. The LFE
signals are directed to the main speakers.

BOTH

Select this if you use a subwoofer and you want to mix
the main channel low-frequency signals with the LFE
signals.

Notes

• When playing a 2-channel source (CD, MD, tape, video

cassette etc.), select the BOTH position to direct low bass
signals (below 90 Hz) to the SUBWOOFER jack.

• When you select SMALL (SML) for items 1A, 1B and 1C, the

low-frequency signals (90 Hz and below) from those channels
are added to the LFE and output to the subwoofer.

1D LFE/BASS OUT

SWFR

MAIN

BOTH

1D LFE/BASS OUT

SWFR

MAIN

BOTH

■ 1E MAIN LEVEL (main level
mode)

Change this setting if you cannot match the output level
of the center and rear speakers with the main speakers
because of the unusually high-efficiency performance of
the main speakers.

Choices: Normal, –10 dB
Initial setting: Normal

Normal

Normally select this setting.

–10 dB

Select this if you cannot match the output level of your
effect speakers with that of your main speakers when
using the test tone. This setting decreases the main
speaker output level to about one-third of the normal
level.

2 L/R BALANCE (balance of the

left and right main speakers)

Use this feature to adjust the balance of the output level
from the left and right main speakers.

Control range: 10 for L/R
Initial setting: 0

Press i to decrease the output level for the
left main speaker. Press j for the right main
speaker.

Note

• The L/R BALANCE setting also applies to when headphones

are being used.

1E MAIN LEVEL

Normal

–10dB

1E MAIN LEVEL

Normal

–10dB

1D LFE/BASS OUT

SWFR

MAIN

BOTH

2 L/R BALANCE

L

• • • • • • • • • •

I I

• • • • • • • • • •

R

0

: Exit/

–/+ : Adjust

43

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

3 HP TONE CTRL (headphone

tone control)

Use this feature to adjust the level of the bass and treble
when you use your headphones.

Control range (dB): –6 to +3
Initial setting: 0 dB for both BASS and TRBL (treble)

4 I/O ASSIGNMENT

It is possible to assign jacks according to the component
to be used if this unit’s COMPONENT VIDEO input jack
or DIGITAL INPUT/OUTPUT jack settings (component
names for jacks) differ from that component. This makes
it possible to change the jack assignment and effectively
connect more component.
Once you assign, you can select that component with
INPUT l / h (or the input selector buttons).

■ 4A CMPNT-V INPUT (for the
COMPONENT VIDEO jacks)

Initial settings: [A] DVD

[B] D-TV/CBL

■ 4B OPTICAL OUT (for the
OPTICAL OUTPUT jack)

Initial setting: (1) MD/CD-R

■ 4C OPTICAL IN (for the OPTICAL
INPUT jacks)

Initial settings: (2) MD/CD-R

(3) DVD
(4) D-TV/CBL

■ 4D COAXIAL IN (for the COAXIAL
INPUT jack)

Initial setting: (5) CD

Note

• You cannot select an item more than once for the same type of

jack.

5 INPUT MODE (initial input

mode)

Use this feature to designate the input mode when turning
on the power of this unit with the source component
connected to more than one type of input jacks.

Choices: AUTO, LAST
Initial setting: AUTO

AUTO

Select this to allow this unit to automatically detect the
type of input signal and select the appropriate input mode.

LAST

Select this to set this unit to automatically select the last
input mode used for that source.

3 HP TONE CTRL

BASS
TRBL

–

+

0dB

4A CMPNT-V INPUT

[B] • • • • • D-TV/CBL

[A] • • • • • DVD

4B OPTICAL OUT

(1) • • • • • MD/CD-R

4C OPTICAL IN

(2) • • • • • MD/CD-R

(4) • • • • • D-TV/CBL

(3) • • • • • DVD

4D COAXIAL IN

(5) • • • • • CD

5 INPUT MODE

AUTO LAST

: Exit

/

–/+ : Select

44

SET MENU

6 DOLBY D. SET (Dolby Digital

set)

This setting is effective only when this unit decodes
Dolby Digital signals.

■ LFE LEVEL

Use this feature to adjust the output level of the LFE
(low-frequency effect) channel when playing back a
Dolby Digital signal. The LFE signal carries the low­frequency special effect sound which is only added to
certain scenes.

Control value (dB): –20 to 0
Initial setting: 0 dB

Notes

• Adjust the LFE level according to the capacity of your
subwoofer.

• Normally, around –6 dB to –8 dB is most suitable for listening
at home.

■ D-RANGE (dynamic range)

Use this feature to adjust the dynamic range (the
difference between the maximum level and the minimum
level of sounds).

Choices: MAX, STD (standard), MIN
Initial setting: MAX

• Select MAX for feature films.

• Select STD for general use.

• Select MIN for listening to sources at an extremely

low volume level.

L-LEVEL BST

H-LEVEL CUT

0.0

0.0

1.0

1.0

MAX

Dialog
level

Input level

Output level

STD

Dialog
level

Input level

Output level

MIN

Dialog
level

Input level

Output level

Note

• When you select MIN, the sound output may be faint because
some Dolby Digital signals are not compatible with the
minimum-level dynamic range. In this case, select MAX or
STD.

7 DTS SET (DTS LFE level)

This setting is effective only when this unit decodes DTS
signals.

Use this feature to adjust the output level of the LFE
(low-frequency effect) channel when playing back a DTS
signal. The LFE signal carries the low-frequency special
effect sound which is only added to certain scenes.

Control range (dB): –10 to +10
Initial setting: 0 dB

Note

• Adjust the LFE level according to the capacity of your
subwoofer.

7 DTS SET

LFE LEVEL • • • • 0dB

: Exit/

–/+ : Adjust

6 DOLBY D. SET

: Select/

–/+ : Adjust

LFE LEVEL

• • • •

0dB

D-RANGE

• • •

MAX STD MIN

45

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

8 SP DELAY TIME

Use this feature to adjust the delay of the center channel
sound. This feature works when this unit decodes a Dolby
Digital or DTS signal. Ideally, the center speaker should
be the same distance from the listening position as the left
and right main speakers. However, in most home
situations, the center speaker is placed in line with the
main speakers. By delaying the sound from the center
speaker, the apparent distance from the center speaker to
the listening position can be adjusted to make it seem the
same as the distance between the left and right main
speakers to the listening position. Adjusting the delay
time for the center speaker is especially important for
giving depth to the dialog.

Control range (ms): 0 to 5
Initial setting: 0 ms

y

• Increasing the delay by 1 ms simulates moving the speaker
about 30 cm (one foot) farther away from the actual position of
the center speaker.

9 DISPLAY SET

■ BLUE BACK

Selecting AUTO for the on-screen display setting displays
a blue background when there’s no video signal input.
Nothing is displayed on the screen including the on­screen display if OFF is selected.

Initial setting: AUTO

■ OSD SHIFT (OSD off-set position)

This setting is used to adjust the vertical position of the
OSD.

Control range: +5 (downward) to –5 (upward)
Initial setting: 0

Press i to lower the position of the OSD.
Press j to raise the position of the OSD.

■ DIMMER

You can adjust the brightness of the front panel display.

Control range: –4 to 0
Initial setting: 0

10 MEMORY GUARD

Use this feature to prevent accidental changes to DSP
program parameter values and other settings on this unit.

Choices: ON, OFF
Initial setting: OFF

Select ON to protect the following features:

• DSP program parameters

• All SET MENU items

• Center, rear speakers and subwoofer levels

• The on-screen display (OSD) mode

Notes

• When “10 MEMORY GUARD” is set to ON, you cannot use
the test tone.

• When “10 MEMORY GUARD” is set to ON, you cannot select
any other SET MENU items.

9 DISPLAY SET

BLUE BACK • • • AUTO

DIMMER • • • • • • • • • • 0

OSD SHIFT • • • • • • 0

10 MEMORY GUARD

OFF ON

: Exit

/

–/+ : Select

L

C

C

R

RL

RR

Center speaker image

8 SP DELAY TIME

: Exit/

–/+ : Adjust

CENTER • • • • • • 0ms

46

A/B/C/D/E

A/B/C/D/E

2

1

3

ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS

You can adjust the output level of each effect speaker
(center, left and right rear and subwoofer) while listening
to a music source.

Adjustment should be made with the remote control.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)
position.

2 Press LEVEL repeatedly to select the

speaker(s) you want to adjust.

Each time you press LEVEL, the selected speaker
changes and appears on the front panel display and
on the video monitor as follows: center, right rear,
left rear and subwoofer.

CENTER

R SUR.

L SUR.

SWFR

Center speaker output level

Right rear speaker output
level

Left rear speaker output
level

Subwoofer output level

y

• Once you press LEVEL, you can also select the speaker(s) to

be adjusted by pressing d. (Pressing u changes the selection
in the reverse order.)

3 Press j / i to adjust the speaker output level.

• The control range for the center or left and right
rear speakers is from +10 dB to –10 dB.

• The control range for the subwoofer is from 0 dB
to –20 dB.

Notes

• If the speaker output mode is set to NONE, the output level of
that speaker cannot be adjusted.

• When you adjust the output level with LEVEL, the settings you
made with the test tone will be changed.

• To adjust speakers other than the subwoofer, the adjusting
procedure using the test tone on page 22 is recommended.

Memory back-up

The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more
than one week, the output level of the effect speakers
you adjusted will return to the factory settings. If so,
adjust the output level again.

47

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

A/B/C/D/E

A/B/C/D/E

2

3

SLEEP TIMER

Use this feature to automatically set this unit in the
standby mode after the amount of time you have set. The
sleep timer is useful when you are going to sleep while
this unit is playing or recording a source. The sleep timer
also automatically turns off the external components
connected to AC OUTLET(S).

The sleep timer can only be set with the remote control.

Setting the Sleep Timer

1 Select a source and start playback on the

source component.

2 Set the selector dial to a

position other than the TV
position.

3 Press SLEEP repeatedly

to set the amount of time
before this unit
automatically turns off.

Each time you press SLEEP, the front panel display
changes as shown below.

4 The “SLEEP” indicator soon lights up on the

front panel display after the sleep timer has
been set.

The display then returns to the previous indication.

Canceling the Sleep Timer

Press SLEEP repeatedly until “SLEEP OFF”
appears on the front panel display.

After a few seconds, “SLEEP OFF” disappears, the
“SLEEP” indicator goes off and the display returns
to the previous indication.

y

• The sleep timer setting can also be canceled by setting this unit
in the standby mode by using STANDBY on the remote
control (or STANDBY/ON on the front panel) or by
disconnecting the AC power cord from the AC outlet.

DSP

DIGITAL

SLEEP

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

DSP

DIGITAL

SLEEP

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

120 90 60 30

The SLEEP timer is off

(SLEEP OFF).

(This is the state before

SLEEP is pressed.)

48

REMOTE CONTROL FEATURES

It is possible to control this unit and other YAMAHA A/V components using the remote control supplied with this unit.
It is also possible to control components from other manufacturers (or some YAMAHA components) by setting the
proper manufacturer code (a signal assigned to each manufacturer and component).

Note

• For the notes on batteries, operating distance and names and functions of the remote control, refer to each description in this manual.

Selector Dial

Select the component (position) to be controlled by the remote control. For example, if the CD position is selected, the
remote control is set in the CD operation mode, allowing the CD player to be controlled. When turning the selector dial,
the position changes as follows:

Notes

• The general operational buttons on the remote control differ depending on the position of the selector dial. See the following pages
for details.

• When shipped from the factory, the YAMAHA manufacturer codes listed on page 54 are set for each dial position. If unable to
operate your YAMAHA A/V component, please try using another YAMAHA code.

Selector

dial

AMP/TUN

You can perform the basic operations
of this unit.

CD

The code for a YAMAHA CD
player is factory-set.

CBL/SAT

A cable TV or satellite tuner can be controlled.

VCR

A VCR can be controlled.

TV

A TV can be controlled.

TAPE/MD

The code for a YAMAHA MD recoder is factory­set. Be sure to set the proper code when
operating a CD recorder or tape deck.

DVD/LD & DVD MENU

An LD player can be controlled in the
DVD/LD position. A DVD player can
be controlled in the DVD/LD and
DVD MENU positions. The code for a
YAMAHA DVD player is factory-set.

DSP/TUN

This unit can be controlled and DSP
programs can be selected directly.

49

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

2

1

3

5

4

@

#

!

A/B/C/D/E

A/B/C/D/E

2

5

4

1

3

6

Commonly Used Buttons in Any Position of the Selector Dial

Regardless of the position of the selector dial, you can
control this unit and your TV with the following buttons.

Note

• You have to set up the code for your TV in the TV position
before you can control the TV.

■ Controlling this unit

See “Remote Control”.

1 STANDBY
2 POWER
3 VOLUME +/–
4 SLEEP

Note

• If you have set up the code for your TV and set the selector dial
to the TV position, this button is used to set the sleep timer for
the TV.

5 MUTE

Note

• If you have set up the code for your TV and set the selector dial
to the TV position, this button is used to mute the TV sound.

■ Controlling your TV

! TV POWER
@ TV INPUT
# TV VOLUME +/–

Controlling the Components Connected to This Unit

The example below describes the procedure for
controlling a YAMAHA CD player.

1 Set the selector dial to the

CD position.

2 Turn on the power.

3 Press INPUT.

The indicator lights up for
about 3 seconds.

4 Press CD while the

indicator is lit.

5 Press p.

See “Button Names and
Functions in Eash Position”
for the CD player operation
buttons.

6 Adjust the volume.

If you set the remote control with the manufacturer
codes listed from page i at the end of this
manual, you can control other brands of components.
See “Setting the Manufacturer Codes” for details.

50

REMOTE CONTROL FEATURES

A/B/C/D/E

A/B/C/D/E

Button Names and Functions in Each Position

■ TAPE/MD position (tape deck, MD recorder or CD recorder)

Select the TAPE/MD position.

r Rec/Pause (tape/MD)

e Pause (MD/CD-R)

p Play

b DIR A (tape)

This button selects the playing direction of deck A.

Skip – (MD/CD-R)

w Rewind (tape)

Search (MD/CD-R)

Numeric buttons (MD/CD-R)

INDEX (CD-R)

+10 (MD/CD-R)
Deck A/B (tape)

This button selects deck A or B on a double-cassette
tape deck.

DISPLAY (MD/CD-R)
a DIR B (tape)

This button selects the playing direction of
deck B.

Skip + (MD/CD-R)

s Stop
f Fast forward (tape)

Search (MD/CD-R)

AV POWER

This button turns on the tape deck, MD recorder or CD recorder that has a remote control with a power button if you have set up the code for
another manufacturer.

■ CD position

Select the CD position.

DISC SKIP –/+

(for a CD player with CD changer)

p Play

b Skip –

w Search

Numeric buttons
INDEX
+10

DISPLAY
e Pause

YAMAHA CD player (factory settings): Pause/Stop

a Skip +
s Stop

YAMAHA CD player (factory settings): Pause/Stop

f Search

AV POWER

This button turns on the CD player that has a remote
control with a power button if you have set up the
code for another manufacturer.

y Pause/Stop function

• Press the button once to give a
pause in operation and press
once more to stop operation.

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote
control supplied with your component.

51

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

A/B/C/D/E

A/B/C/D/E

■ DVD/LD position

Select the DVD/LD position.

DISC SKIP –/+ (DVD)

p Play

b Skip – (DVD)

Skip/Chapter – (LD)

w Search

Numeric buttons

INDEX/Time (DVD)
Chapter/Time (LD)

+10

DISPLAY

e Pause
a Skip + (DVD)

Skip/Chapter + (LD)

s Stop

f Search

AV POWER

(DVD) This button turns on the DVD player that has a remote control with a power button if you have set up the code for another manufacturer.
(LD) This button turns on the LD player that has a remote control with a power button if you have set up the code for another manufacturer.

■ DVD MENU position

Note

• DVD MENU operations cannot be performed for some DVD players.

Select the DVD MENU position.

DISC SKIP –/+

Return

Menu select

Menu left

TITLE

Numeric buttons

INDEX

+10

DISPLAY

Menu up

Menu right
Menu down

MENU

AV POWER

This button turns on the DVD player that has a remote control with a power button if you have set up
the code for another manufacturer.

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote
control supplied with your component.

52

REMOTE CONTROL FEATURES

A/B/C/D/E

A/B/C/D/E

■ VCR position

Select the VCR
position.

VCR REC

Press this button

twice to start

recording.

p Play

w Rewind

Numeric
buttons

Ch enter/Recall

_/_ _

CH –/+
DISPLAY

e Pause
s Stop

f

Fast forward

AV POWER

This button turns on a VCR that has a remote control with a power
button if you have set up the code for your VCR.

■ CBL/SAT position

Select the CBL/SAT
position.

CH –/+

Menu select

Menu left

Recall

Numeric buttons

Ch enter

_/_ _

DISPLAY/
Guide (SAT)

Menu up

Menu right
Menu down
MENU

AV POWER

This button turns on a cable TV/satellite tuner that has a remote
control with a power button if you have set up the code for your cable
TV/satellite tuner.

■ TV position

Note

• You can control your VCR if you have set up the code for it in the VCR position.

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote
control supplied with your component.

A/B/C/D/E

Select the TV
position.

VCR REC

Press this button twice.

p VCR play

w VCR rewind

TV POWER

This button turns on a TV that has a
remote control with a power button if
you have set up the code for your TV.

TV VOL +/–

TV INPUT

Numeric buttons

Ch enter/Recall

_/_ _

CH –/+
DISPLAY

e VCR pause

s VCR stop
f

VCR fast forward

VCR power

TV SLEEP

TV MUTE

53

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

Setting the Manufacturer Code

You can set up the code for the manufacturer of your
component in each position of the selector dial.

1 Turn on your component to be used.
2 Set the selector dial to the

desired position for the
component (TAPE/MD, CD,
DVD/LD, etc.).

3 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

4 Use the numeric buttons

to enter the four-digit
manufacturer code for the
component to be used.
Make sure that the
indicator flashes twice.

If the indicator does not flash
or flashes rapidly several
times, repeat step 3 and re­enter the code.

5 Press AV POWER (or any other button) to

check if you have set up the code correctly.

If your component cannot be
controlled with the remote
control, try setting another
code for the same
manufacturer.

Notes

• You can set up only one code for one position.

• In the DVD/LD and DVD MENU positions:
Be sure to set the selector dial to the DVD/LD position before
entering the code for the DVD/LD player. You cannot set up
the code for a DVD player when the selector dial is set to the
DVD MENU position. The code set up in the DVD/LD
position is also simultaneously set up in the DVD MENU
position.

• If your component does not respond to any of the codes listed
for the manufacturer, use the original remote control supplied
with your component.

■ To use a second (and third) VCR

You can control a second (and third) VCR in the CBL/
SAT and DVD MENU positions if a cable TV/satellite
tuner or DVD player is not being used.

Note

• In order to set a second (and third) VCR in the DVD MENU
position, it is necessary to first set up the code for an LD player
in the DVD/LD position.

1 Turn on the VCR to be used.
2 Set the selector dial to the

CBL/SAT or DVD MENU
position.

3 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

4 Use the numeric buttons

to enter the four-digit
code for the second (and
third) VCR. Make sure that
the indicator flashes
twice.

If the indicator does not flash
or flashes rapidly several
times, repeat step 3 and re­enter the code.

5 Press AV POWER (or any other button) to

check if you have set up the code correctly.

If the VCR cannot be
controlled with the remote
control, try setting another
code for the same
manufacturer.

54

REMOTE CONTROL FEATURES

Returning to the Factory Setting

■ To return to the factory-set codes
in all positions

1 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

2 Enter the code number “9990”.

Make sure that the indicator flashes twice.

■ To return to the factory-set codes
in each position

1 Set the selector dial to the

position for the
component to be returned
to the factory setting.

2 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

3 Enter the code number “0000”.

Make sure that the indicator flashes twice.

The following codes are factory set.

Selector dial position Component Code Set component Set code

TV TV 0101

CBL/SAT Cable TV 0006
VCR VCR 0002

DVD/LD DVD player 0008 (YAMAHA DVD player)

CD CD player 0005 (YAMAHA CD player)
TAPE/MD MD recorder 0024 (YAMAHA MD recorder)

We recommend that you write all the code numbers you have set on the table above.

55

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM

A digital sound field processor (DSP) based on the latest YAMAHA technology is built into this unit. It is possible to
play back various sound fields for the source you are listening to.

Note

• Regardless of the program name and characteristics listed in the table below, select the sound field program that sounds best to you.

Hi-Fi DSP Programs

■ For audio sources: Nos. 1 to 4

ADDITIONAL INFORMATION

No. Program (group) Sub-program Features

1 CONCERT HALL —

A large round concert hall with a rich surround effect. Pronounced reflections
from all directions emphasize the extension of sounds. The sound field has a great
deal of presence, and your virtual seat is near the center, close to the stage.

2 JAZZ CLUB — This is the sound field at stage front in “The Bottom Line”, a famous New York

jazz club. The floor can seat 300 people to the left and right in a sound field
offering a real and vibrant sound.

3 ROCK CONCERT —

The ideal program for lively, dynamic rock music. The data for this program was
recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left
of the hall.

4 ENTERTAINMENT DISCO

This program recreates the acoustic environment of a lively disco in the heart of a
big city. The sound is dense and highly concentrated. It is also characterized by a
high-energy, “immediate” sound.

5CH STEREO

Using this program increases the listening position range. This is a sound field
suitable for background music at parties.

Note

• Reverberations (sound effects) for realizing the sound field and unprocessed stereo from the left and right main speakers is output.
The sound is not output from the center speaker. (The sound is output when one of these programs is selected while playing a source
encoded with a Dolby Digital or DTS signal. If 5CH STEREO is selected, the sound is output from all speakers regardless of the
input source.)

CINEMA DSP Programs

■ For audio-video sources: Nos. 4 to 6

No. Program (group) Sub-program Features

4 ENTERTAINMENT GAME

This program adds a deep and spatial feeling to video game sounds.

6 MONO MOVIE —

This program is provided for reproducing monaural video sources (such as old
movies). The program produces the optimum reverberation to create sound depth
by using only the presence sound field.

5 TV SPORTS — Although the presence sound field is relatively narrow, the surround sound field

employs the sound environment of a large concert hall. With this program, you
can enjoy watching various TV programs such as news, variety shows, music
programs or sports programs. In a stereo broadcast of a sports game, the
commentator is oriented at the center position, and the shouts and the
atmosphere in the stadium spread on the surround side, while their spread to the
rear is properly restrained.

56

SOUND FIELD PROGRAM

8 MOVIE

THEATER 2

Analog, PCM,
Dolby Digital in
2-channel

DGTL
ADVENTURE

DTS ADVENTURE

This program is ideal for precisely reproducing
the sound design of the newest 70-mm and
multichannel soundtrack films. The sound field
is made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible.

GENERAL 70 mm GENERAL Analog, PCM,

Dolby Digital in
2-channel

DGTL GENERAL

DTS GENERAL

This program is for reproducing sounds from
70-mm and multichannel soundtrack films, and
is characterized by a soft and extensive sound
field. The presence sound field is relatively
narrow. It spatially spreads all around and toward
the screen, restraining the echo effect of
conversations without losing clarity. For the
surround sound field, the harmony of music or
chorus sounds beautifully in a wide space at the
rear of the sound field.

ADVENTURE 70 mm

ADVENTURE

Dolby Digital
(5.1-channel)

DTS

Dolby Digital
(5.1-channel)

DTS

9

q/DTS
SURROUND

NORMAL PRO LOGIC/

NORMAL

Analog, PCM,
Dolby Digital in
2-channel

DOLBY DIGITAL/
NORMAL

Dolby Digital
(5.1-channel)

DTS DIGITAL
SUR./NORMAL

DTS

The built-in decoder precisely reproduces sounds
and sound effects from sources.
The highly efficient decoding process improves
crosstalk and channel separation, and makes
sound positioning smoother and more precise.
In this program, the digital sound field processor
is not turned on.

ENHANCED PRO LOGIC/

ENHANCED

Analog, PCM,
Dolby Digital in
2-channel

DOLBY DIGITAL/
ENHANCED

Dolby Digital
(5.1-channel)

DTS DIGITAL
SUR./ENHANCED

DTS

This program ideally simulates the multi­surround speaker systems of the 35-mm film
theaters. Dolby Pro Logic decoding, Dolby
Digital decoding or DTS decoding and digital
sound field processing create precise effects
without altering the original sound orientation.
The surround effects produced by this sound field
wrap around the viewer naturally from the back to
the left and right, and toward the screen.

Notes

• The “ x ” indicator does not light up when selecting the sub-program “NORMAL” of the q/DTS SURROUND program.

• If “1A CENTER SP” on the SET MENU is set to NONE, no sound is output from the center speaker.

• The effect sound is output from the main speakers when a monaural source is played with CINEMA DSP program groups 4 (GAME)
and 5 to 8.

MOVIE
THEATER 1

Analog, PCM,
Dolby Digital in
2-channel

DGTL
SPECTACLE

7

Sub-program

Input source Features

SPECTACLE 70 mm

SPECTACLE

Dolby Digital
(5.1-channel)

■ For movie programs: Nos. 7 to 9

Program

(group)

No.

DTS SPECTACLE

DTS

This program creates the extremely wide sound
field of a 70-mm movie theater. It precisely
reproduces the source sound in detail, making
both the video and the sound field incredibly real.
This is ideal for any kind of video source encoded
with Dolby Surround, Dolby Digital or DTS
(especially large-scale movie productions).

SCI-FI 70 mm SCI-FI

Analog, PCM,
Dolby Digital in
2-channel

DGTL SCI-FI Dolby Digital

(5.1-channel)

DTS SCI-FI

DTS

This program clearly reproduces dialog and
sound effects in the latest sound form of science
fiction films, thus creating a broad and expansive
cinematic space amid the silence. You can enjoy
science fiction films in a virtual-space sound field
that includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.

57

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM

■ MOVIE THEATER 1 and 2

Most commercially available movie software has 4-channel (left, center, right and surround) sound information encoded
by Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby
Pro Logic decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of
sound that tend to be lost in the encoding and decoding processes.

The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without
using matrix processing. This unit’s MOVIE THEATER 70 mm programs provide the same quality of sound and sound
localization that 6-channel soundtracks do.

When the input source is analog, PCM or encoded with Dolby Digital in 2-channel

These programs express an immense sound field and a
large surround effect. They also give depth to the sound
from the main speakers to recreate the realistic sound of a
Dolby Stereo theater.

70 mm SPECTACLE
70 mm SCI-FI
70 mm ADVENTURE
70 mm GENERAL

The built-in Dolby Digital or DTS decoder brings the professional-quality sound designed for movie theaters into your
home. With the unit’s MOVIE THEATER programs, you can recreate a dynamic sound that gives you the feeling of
being at a public theater in your listening room by using Dolby Digital or DTS technology.

When the input source is encoded with Dolby Digital (5.1-channel) or DTS (Tri-Field CINEMA DSP)

These programs use YAMAHA’s tri-field DSP processing
on each of the Dolby Digital or DTS signals for the front,
left surround and right surround channels. This processing
enables this unit to reproduce the immense sound field
and surround expression of a Dolby Digital- or DTS­equipped movie theater without sacrificing the clear
separation of all channels.

DGTL SPECTACLE
DTS SPECTACLE
DGTL SCI-FI
DTS SCI-FI
DGTL ADVENTURE
DTS ADVENTURE
DGTL GENERAL
DTS GENERAL

y

• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will be automatically
switched to the Dolby Digital playback sound field or DTS playback sound field.

Presence DSP
sound field

Right surround DSP
sound field

Left surround DSP
sound field

Surround DSP
sound field

Presence DSP
sound field

58

SOUND FIELD PROGRAM PARAMETER EDITING

What is a sound field?

What really creates the rich, full tones of a live instrument
are the multiple reflections from the walls of the room. In
addition to making the sound “live”, these reflections
enable us to tell where the player is situated, and the size
and shape of the room in which we are sitting.

■ Elements of a sound field

In any environment, in addition to the direct sound
coming straight to our ears from the player’s instrument,
there are two distinct types of sound reflections that
combine to make up the sound field:

Early reflections

Reflected sounds reach our ears extremely rapidly
(50 ms – 100 ms after the direct sound), after reflecting
from one surface only — for example, from the ceiling or
a wall. These reflections fall into specific patterns for any
particular environment, and provide vital information to
our ears. Early reflections actually add clarity to the direct
sound.

Reverberations

These are caused by reflections from more than one
surface — walls, ceiling, the back of the room — so
numerous that they merge together to form a continuous
sonic “afterglow”. They are non-directional, and lessen
the clarity of the direct sound.

Direct sound, early reflections and subsequent
reverberation taken together help us to determine the
subjective size and shape of the room, and it is this
information that the digital sound field processor
reproduces in order to create sound fields.

If you could create the appropriate early reflections and
subsequent reverberations in your listening room, you
would be able to create your own listening environment.
The acoustics in your room could be changed to those of
a concert hall, a dance floor, or virtually any size room at
all. This ability to create sound fields at will is exactly
what YAMAHA has done with the digital sound field
processor.

Sound Field Program Parameters

DSP programs consist of some parameters to determine
the apparent room size, reverberation time, distance from
you to the performer, etc. In each program, these
parameters are set with values precisely calculated by
YAMAHA to create a sound field unique to the program.
It is recommended to use DSP programs without
changing the values of parameters; however, this unit also
allows you to create your own sound fields. Starting with
one of the built-in programs, you can adjust those
parameters.

Each DSP program has a set of parameters that allow you
to change the characteristics of the acoustic environment
to precisely create the effect you want. These parameters
correspond to the many natural acoustic factors that
create the sound field you experience in an actual concert
hall or other listening environment. The size of the room,
for example, affects the length of time between the early
reflections. The “ROOM SIZE” parameter provided in
many of the DSP programs alters the timing between
these reflections, thus changing the shape of the “room”
you are listening. In addition to room size, the shape of
the room and the characteristics of its surfaces have a
significant effect on the final sound. Surfaces that absorb
sound, for example, cause the reflections and
reverberations to die out more quickly, while highly
reflective surfaces allow the reflections to carry on for a
longer period of time. The digital sound field parameters
allow you to control these and many other factors that
contribute to your personal sound field, allowing you to
essentially “redesign” the concert halls, theaters, etc.
provided to create custom-tailored listening environments
that ideally match your mood and music.

See “Sound Field Parameter Descriptions”.

59

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM PARAMETER EDITINGSOUND FIELD PROGRAM PARAMETER EDITING

Changing Parameter Settings

Although it is possible to enjoy playback on your system
without changing default setting parameters for the sound
field program, it is also possible to enjoy specifically
tailor the sound field program to the characteristics of the
source and the acoustics of the listening room.

1 Set the selector dial to the DSP/TUN (or

AMP/TUN) position.

or

2 Turn on the video monitor

and press ON SCREEN
repeatedly to select the
full display mode.

3 Select a DSP program you want to adjust.

A/B/C/D/E

A/B/C/D/E

2

5

4

1

3

3

Program No. Program name (group)

Cursor

Parameters

Example of the MOVIE THEATER 1

4 Press u/d to select the

parameter.

5 Press j / i to change the

parameter value.

y

• When you set the parameter to a value other than the factory­set value, an asterisk mark (*) appears by the parameter name
on the video monitor.

6 Repeat steps 3 to 5 above as necessary to

change other program parameters.

Memory back-up

The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more
than one week, the parameter value you edited will
return to the factory setting. If so, edit the parameter
value again.

Resetting a Parameter to the Factory-set Value

Select the parameter you want to reset. Then press and
hold j or i until the value temporarily stops at the
factory-set value. The asterisk mark (*) by the parameter
name disappears on the video monitor.

Notes

• The available parameters may be displayed on more than one
OSD page for some of the programs. To scroll through pages,
press u/d.

• You cannot change parameter values when “10 MEMORY
GUARD” on the SET MENU is set to ON. If you want to
change the parameter values, set “10 MEMORY GUARD” to
OFF.

P07 MOVIE THEATER 1

P. INIT. DLY • • 13ms

70mm Spectacle

S. DELAY

• • • • • 23ms

P. ROOM SIZE • • 1.0

S. ROOM SIZE • • 1.0

60

SOUND FIELD PROGRAM PARAMETER EDITING

Sound Field Parameter Descriptions

You can adjust the values of certain sound field parameters so the sound fields are recreated accurately in your listening
room.

Note

• Not all of the following parameters can be found in every program.

■ INIT.DLY (initial delay)
(P.INIT.DLY — for the presence sound field)

Function: This parameter changes the apparent distance from the sound source by adjusting the delay between the

direct sound and the first reflection heard by the listener.
Control range: 1 – 99 msec
Description: The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther

the apparent distance seems. For a small room, this parameter would be set to a small value, for a large

room, set it to a large value.

INIT. DLY INIT. DLY INIT. DLY

Level

Time

Level

Sound source

Early
reflections

Time

Level

Time

Sound source

Reflection surface

Small value = 1 ms

Large value = 99 ms

■ ROOM SIZE

(P.ROOM SIZE — for the presence sound field)

Function: This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the

surround sound field becomes.
Control range: 0.1 – 2.0
Description: As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between

the original reflected sound and the subsequent reflections. By controlling the time between the

reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from

one to two, doubles the apparent length of the room.

Level

Time

Level

Time

Sound source

Early reflections

Level

Time

Sound source

First reflection

Small value = 0.1

Large value = 2.0

61

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM PARAMETER EDITINGSOUND FIELD PROGRAM PARAMETER EDITING

■ LIVENESS

Function: This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the

early reflections decay.
Control range: 0 – 10
Description: The early reflections of a sound source decay much faster in a room with acoustically absorbent wall

surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces

is referred to as “dead,” while a room with highly reflective surfaces is referred to as “live”. The

“LIVENESS” parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the

room.

Level

Time

Dead

Level

Sound source

Time

Level

Time

Live

Sound source

Small reflected sound

Small value = 0

Large reflected sound

Large value = 10

■ S.DELAY (surround delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection in the surround sound

field.
Control range: 0 – 49 msec (The range depends on the signal format.)

■ S.INIT.DLY (surround initial delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection on the surround side

of the sound field. You can only adjust this parameter when at least two front channels and two rear

channels are used.
Control range: 1 – 49 msec

62

SOUND FIELD PROGRAM PARAMETER EDITING

■ S.ROOM SIZE (surround room size)

Function: This parameter adjusts the apparent size of the surround sound field.
Control range: 0.1 – 2.0

■ S.LIVENESS (surround liveness)

Function: This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.
Control range: 0 – 10

■ CT.DELAY (center delay)

Function: These parameters adjust the sound delay for each channel in 5 channel stereo mode.
Control range: 0 – 50 msec

■ LS.DELAY (left surround delay)

Function: These parameters adjust the sound delay for each channel in 5 channel stereo mode.
Control range: 0 – 50 msec

■ RS.DELAY (right surround delay)

Function: These parameters adjust the sound delay for each channel in 5 channel stereo mode.
Control range: 0 – 50 msec

63

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INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

Refer to the chart below when the unit does not function properly. If the problem you are experiencing is not listed
below or if the instruction below does not help, set this unit in the standby mode, disconnect the power cord and contact
the nearest authorized YAMAHA dealer or service center.

■ General

Problem Cause Remedy

Refer to
page

The unit fails to turn
on when STANDBY/ON
(or POWER) is
pressed, or enters in
the standby mode
soon after the power
has been turned on.

19

The power cord is not connected or the plug
is not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on
the rear panel is not fully set to the left or
right position.

Set the switch fully to the left or right position
when the unit is in the standby mode.

The protection circuitry has been
activated.

Make sure all speaker wire connections on
this unit and on all speakers are secure and
that the wire for each connection does not
touch anything other than its respective
connection.

19

16, 17

45

12 – 15

24

24

16, 17

APPENDIX

25

—

14, 15

19

16, 17

25

12 – 17

47

25

On-screen display
does not appear.

The setting for the on-screen display is set to
“DISPLAY OFF”.

Select the full display or short display mode.

The BLUE BACK setting under “9
DISPLAY SET” on the SET MENU is set
to OFF, and no video signal is input to this
unit.

Set BLUE BACK to AUTO to always show
the OSD.

Incorrect input or output cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

An appropriate input source has not been
selected.

Select an appropriate input source with
INPUT l / h or 6CH INPUT (or the input
selector buttons).

The speaker connections are not secure.

Secure the connections.

The main speakers to be used have not
been selected properly.

Select the main speakers with SPEAKERS A
and/or B.

The volume is turned down.

Turn up the volume.

The sound is muted.

Press MUTE or any operation buttons to
cancel a mute and adjust the volume.

Digital signals other than PCM audio,
Dolby Digital or DTS signal which this
unit cannot reproduce are being input to
this unit by playing a CD-ROM, etc.

Play a source whose signals this unit can
reproduce.

The picture does not
appear.

The output and input for the video are
connected to different types of video jacks.

Make connections using the same type of jack
(between composites, S-VIDEOs, or
components) for both the input and output.

Check the IMPEDANCE SELECTOR switch
is set to the appropriate position and then turn
the unit back on.

20

No sound and/or no
picture.

The sound suddenly
goes off.

The protection circuit has been activated
because of a short circuit, etc.

Check the speaker wires are not touching each
other and then turn the unit back on.

The sleep timer has functioned. Turn on the power, and play the source again.

The sound is muted. Press MUTE or any operation buttons to

cancel a mute and adjust the volume.

Only the speaker on
one side can be heard.

Incorrect cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

64

TROUBLESHOOTING

Problem Cause Remedy

Refer to
page

No sound from the
effect speakers.

The sound effect is off.

Press EFFECT to turn it on.

A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.

Select another DSP program.

A 96-kHz sampling digital signal is being
input to this unit.

No sound from the
center speaker.

The output level of the center speaker is set
to minimum.

Raise the level of the center speaker.

“1A CENTER SP” on the SET MENU is
set to NONE.

Select the appropriate mode for your center
speaker.

One of the Hi-Fi DSP programs (1 to 4)
has been selected.

Select another DSP program.

The source encoded with a Dolby Digital
or DTS signal does not have a center
channel signal.

No sound from the
rear speakers.

The output level of the rear speakers is set
to minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the
program 9.

Select another DSP program.

No sound from the
subwoofer.

“1D LFE/BASS OUT” on the SET MENU
is set to SWFR or MAIN when a 2-channel
source is being played.

Select BOTH.

The source does not contain low bass
signals (90 Hz and below).

“1D LFE/BASS OUT” on the SET MENU
is set to MAIN when a Dolby Digital or
DTS signal is being played.

Select SWFR or BOTH.

Poor bass
reproduction.

“1D LFE/BASS OUT” on the SET MENU
is set to SWFR or BOTH and your system
does not include a subwoofer.

Select MAIN.

The output mode for each speaker (main,
center or rear) on the SET MENU does not
match your speaker configuration.

Select the appropriate output mode for each
speaker based on the size of the speakers in
your configuration.

29

55, 56

25

46

40

55, 56

—

46

55, 56

42

42

—

42

40, 41

12 – 15

12

A “humming” sound
can be heard.

Incorrect cable connections.

Firmly connect the audio plugs. If the
problem persists, the cables may be
defective.

No connection from the turntable to the
GND terminal.

Connect the grounding cord of your
turntable to the GND terminal of this unit.

The volume level is
low while playing a
record.

The record is being played on a turntable
with an MC cartridge.

The turntable should be connected to the unit
through an MC-head amplifier.

12, 13

65

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

Problem Cause Remedy

Refer to
page

The volume level
cannot be increased,
or the sound is
distorted.

The component connected to the REC OUT
jacks of this unit is turned off.

Turn on the power to the component.

The effect and
surround sounds
cannot be recorded.

It is not possible to record the effect and
surround sounds by a recording component.

This unit does not
operate properly.

The sound is degraded
when listening with
headphones
connected to a tape
deck or CD player that
is connected to this
unit.

There is noise
interference from
digital or high­frequency equipment,
or the unit.

The unit is too close to the digital or high­frequency equipment.

Move the unit further away from such
equipment.

When TUNER is
selected, the DSP
program name shown
on the display
immediately changes
to the frequency.

The OSD mode is set to short display or
display off.

If you want the DSP program name display
to be shown constantly, set the OSD mode to
full display.

A source cannot be
recorded by a digital
recording component
connected to the
DIGITAL OUTPUT jack
of this unit.

A source component is only connected to the
analog input jacks of this unit.

Connect the source component to the digital
input jacks of this unit.

The sound field
parameters and some
other settings on this
unit cannot be
changed.

“10 MEMORY GUARD” on the SET MENU
is set to ON.

Select OFF.

The internal microcomputer has been frozen
by an external electric shock (such as
lightning or excessive static electricity) or by
a power supply with low voltage.

Disconnect the AC power cord from the
outlet and then plug it in again after about
30 seconds.

This unit is in the standby mode. Turn on the power of the unit.

12

38

12 – 15

45

20

—

—

—

66

TROUBLESHOOTING

■ Tuner

Problem Cause Remedy

Refer to
page

FM stereo
reception is noisy.

The characteristics of FM stereo broadcasts
may cause this problem when the
transmitter is too far away or the antenna
input is poor.

Check the antenna connections.
Try using a high-quality directional FM
antenna.
Use the manual tuning method.

There is distortion,
and clear reception
cannot be obtained
even with a good
FM antenna.

There is multipath interference.

Adjust the antenna position to eliminate
multipath interference.

The desired station
cannot be tuned in
with the automatic
tuning method.

The station is too weak. Use the manual tuning method.

Use a high-quality directional FM antenna.

Previously preset
stations can no
longer be tuned in.

The unit has been disconnected for a long
period.

Re-store the stations.

The desired station
cannot be tuned in
with the automatic
tuning method.

The signal is weak or the antenna
connections are loose.

Tighten the AM loop antenna connections and
orient it for best reception.
Use the manual tuning method.

There are
continuous
crackling and
hissing noises.

Noises result from lightning, fluorescent
lamps, motors, thermostats and other
electrical equipment.

Use an outdoor antenna and a ground wire.
This will help somewhat, but it is difficult to
eliminate all noise.

There are buzzing
and whining noises
(especially in the
evening).

A TV set is being used nearby. Move this unit away from the TV.

FM

AM

30, 31

30

30, 31

32

30, 31

30

—

67

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

■ Remote control

Problem Cause Remedy

Refer to
page

The remote control
does not work nor
function properly.

Wrong distance or angle.

The remote control will function within a
maximum range of 6 m (20 feet) and no more
than 30 degrees off-axis from the front panel.

Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of this
unit.

Reposition the unit.

The batteries are weak. Replace all batteries with new ones.

The unit or other
component cannot be
controlled.

The component to be controlled has not been
selected.

Set the selector dial to the appropriate position,
corresponding to the component to be
controlled.

The remote control cannot control system
components.

The manufacturer code has not been set up
properly.

Enter the code again.

Try setting another code for the same
manufacturer.

Depending on the manufacturer or the
model, some components cannot be
controlled with this unit’s remote control
even though the code has been set up
properly.

Use the original remote control supplied with
your component.

8

—

3

48

—

53

—

After this unit has been exposed to a strong external electric shock (such as lightning and strong static electricity) or if
you mishandle the operation of this unit, it may not function properly. In these cases, set this unit in the standby mode,
disconnect the power cord, plug it back in after 30 seconds, and start operating.

68

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power for Main, Center, Rear

20 Hz to 20 kHz, 0.06% THD, 8 ohms ................................. 90 W

1 kHz, 0.06% THD, 8 ohms ................................................ 100 W

• DIN Standard Output Power
[Europe model only]

1 kHz, 0.7% THD, 4 ohms .................................................. 130 W

• IEC Output Power
[Europe model only]

1 kHz, 0.06% THD, 8 ohms ................................................ 100 W

• Dynamic Power (IHF)

8/6/4/2 ohms ................................................... 120/140/175/210 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms .............................................. 80 or more

• Frequency Response

CD to Main L/R ...................................... 10 Hz to 100 kHz, –3 dB

• RIAA Equalization Deviation

PHONO (MM) .................................................................. ±0.5 dB

• Total Harmonic Distortion

PHONO MM (20 Hz to 20 kHz, 1 V, REC OUT) .... 0.02% or less

CD, etc. (20 Hz to 20 kHz, 45 W, 8 ohms, Main L/R)

............................................................................... 0.06% or less

• Signal to Noise Ratio (IHF-A Network)

PHONO MM to REC OUT (5 mV, shorted) ........... 81 dB or more

CD (250 mV, shorted) to Main L/R, Effect Off .... 100 dB or more

• Residual Noise (IHF-A Network)

Main L/R ................................................................ 150 µV or less

• Channel Separation (1 kHz/10 kHz)

CD (5.1 kohms terminated) to Main L/R .................. 60 dB/45 dB

• Tone Control (Main L/R)

BASS Boost/Cut ...................................................... ±10 dB/50 Hz

TREBLE Boost/Cut ............................................... ±10 dB/20 kHz

BASS EXTENSION ................................................. +6 dB/60 Hz

• Phones Output ..................................................... 400 mV/560 ohms

• Input Sensitivity

CD, etc .............................................................. 150 mV/47 kohms

PHONO ............................................................. 2.5 mV/47 kohms

6CH INPUT ...................................................... 150 mV/47 kohms

• Maximum Input Signal

PHONO MM (1 kHz, 0.1% THD) ...................... 100 mV or more

CD, etc. (1 kHz, 0.5% THD) ....................................2.2 V or more

• Output Level

REC OUT ........................................................ 150 mV/1.2 kohms

PRE OUT ............................................................ 2.1 V/1.2 kohms

SUBWOOFER .................................................... 4.0 V/1.2 kohms

VIDEO SECTION

• Video Signal Type ...................................................................... PAL

• Composite Video Signal Level ................................ 1 Vp-p/75 ohms

• S-Video Signal Level

Y ........................................................................... 1 Vp-p/75 ohms

C .................................................................... 0.286 Vp-p/75 ohms

• Component Video Signal Level

Y ........................................................................... 1 Vp-p/75 ohms

PB/CB, PR/CR....................................................... 0.7 Vp-p/75 ohms

• Signal to Noise Ratio ..................................................50 dB or more

• Frequency Response (MONITOR OUT)

Composite, S-Video ................................. 5 Hz to 10 MHz, –3 dB

Component ................................................. DC to 30 MHz, –3 dB

FM SECTION

• Tuning Range .................................................. 87.50 to 108.00 MHz

• 50 dB Quieting Sensitivity (IHF, 100% mod.)

Mono/Stereo ........................ 1.6 µV (15.3 dBf) /23 µV (38.5 dBf)

• Alternate Channel Selectivity (400 kHz) ................................ 75 dB

• Signal to Noise Ratio (IHF)

Mono/Stereo .............................................................. 81 dB/75 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ................................................................. 0.1%/0.2%

• Stereo Separation (1 kHz) ....................................................... 48 dB

• Frequency Response (20 Hz to 15 kHz) .................................. ±1 dB

AM SECTION

• Tuning Range ......................................................... 531 to 1611 kHz

• Usable Sensitivity ............................................................. 300 µV/m

• Signal to Noise Ratio ............................................................... 52 dB

GENERAL

• Power Supply ......................................................... AC 230 V/50 Hz

• Power Consumption ............................................................... 260 W

Standby Mode ...................................................................... 0.9 W

• AC Outlets (Total 100 W maximum)

[Europe model] .....................................................2 (SWITCHED)

[U.K. model] ........................................................ 1 (SWITCHED)

• Dimension (W x H x D) ................................... 435 x 151 x 390 mm

• Weight ................................................................................... 10.5 kg

• Accessories .............................................................. Remote Control

....................................................................................... Batteries

......................................................................... AM loop antenna

...................................................................... Indoor FM antenna

................ 75-ohm/300-ohm antenna adapter (U.K. model only)

................................................................. Quick Reference Card

........................................................................ Connection Guide

* Specifications are subject to change without notice.

69

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INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

GLOSSARY

■ Dolby Surround

Dolby Surround uses a four analog channel recording
system to reproduce realistic and dynamic sound effects:
two left and right main channels (stereo), a center channel
for dialog (monaural), and a rear channel for special
sound effects (monaural). The rear channel reproduces
sound within a narrow frequency range.
Dolby Surround is widely used with nearly all video tapes
and laser discs, and in many TV and cable broadcasts as
well. The Dolby Pro Logic decoder built into this unit
employs a digital signal processing system that
automatically stabilizes the volume on each channel to
enhance moving sound effects and directionality.

■ Dolby Digital

Dolby Digital is a digital surround sound system that
gives you completely independent multi-channel audio.
With three front channels (left, center and right), and two
rear stereo channels, Dolby Digital provides five full­range audio channels. With an additional channel
especially for bass effects, called LFE (low frequency
effect), the system has a total of 5.1 channels (LFE is
counted as 0.1 channel).
Using two-channel stereo for the rear speakers, more
accurate moving sound effects and surround sound
environment are possible than with Dolby Surround. The
wide dynamic range (from maximum to minimum
volume) reproduced by the five full-range channels and
the precise sound orientation generated using digital
sound processing provide listeners with previously
unheard of excitement and realism.
With this unit, any sound environment from monaural up
to a 5.1-channel configuration can be freely selected for
your enjoyment.

■ DTS (Digital Theater Systems)
Digital Surround

DTS digital surround was developed to replace the analog
soundtracks of movies with a six-channel digital sound
track, and is now rapidly gaining popularity in movie
theaters around the world. Digital Theater Systems Inc.
has developed a home theater system so that you can
enjoy the depth of sound and natural spatial
representation of DTS digital surround in your home.
This system is practically distortion-free, clear 6-channel
sound (technically, a left, right and center channels, two
rear channels, plus an LFE 0.1 channel as a subwoofer,
for a total of 5.1 channels).

■ LFE 0.1 channel

This channel is for the reproduction of low bass signals.
The frequency range for this channel is 20 Hz to 120 Hz.
This channel is counted as 0.1 because it only enforces a
low frequency range compared to the full-range
reproduced by the other 5 channels in a Dolby Digital or
DTS 5.1 channel systems.

■ CINEMA DSP

DIGITAL

Since the Dolby Surround and DTS systems were
originally designed for use in movie theaters, their effect
is best felt in a theater having many speakers and
designed for acoustic effects. Since home conditions,
such as room size, wall material, number of speakers, and
so on, can differ so widely, it’s inevitable that there are
differences in the sound heard as well. Based on a wealth
of actually measured data, YAMAHA CINEMA DSP uses
YAMAHA original sound field technology to combine
Dolby Pro Logic, Dolby Digital and DTS systems to
provide the visual and audio experience of movie theater
in the listening room of your own home.

■ SILENT CINEMA

YAMAHA has developed a natural, realistic sound effect
DSP algorithm for headphones.
Parameters for headphones have been set for each sound
field so that accurate representations of all the sound field
programs can be enjoyed on headphones.

■ Virtual CINEMA DSP

YAMAHA has developed a virtual CINEMA DSP
algorithm that allows you to enjoy DSP sound field
surround effects even without any rear speakers by using
virtual rear speakers.
It is even possible to enjoy virtual CINEMA DSP in a
minimum two-speaker system that does not include a
center speaker.

70

GLOSSARY

■ S VIDEO signal

With S VIDEO signal system, the video signal normally
transmitted using a pin cable is separated and transmitted
as the Y signal for the luminance and the C signal for the
chrominance through the S VIDEO cable. Using the S
VIDEO jack eliminates video signal transmission loss and
allows recording and playback of even more beautiful
images.

■ Component video signal

With the component video signal system, the video signal
is separated into the Y signal for the luminance and the
PB/CB and PR/CR signals for the chrominance. Color can
be reproduced more faithfully with this system because
each of these signals is independent. The component
signal is also called the “color difference signal” because
the luminance signal is subtracted from the color signal.
A monitor with component input jacks is required in order
to use the component signal for output.

■ PCM (Linear PCM)

Linear PCM is a signal format under which an analog
audio signal is digitized, recorded and transmitted without
using any compression. This is used as a method of
recording CDs and DVD audio. The PCM system uses a
technique for sampling the size of the analog signal per
very small unit of time. Standing for “pulse code
modulation”, the analog signal is encoded as pulses and
then modulated for recording.

■ Sampling frequency and number
of quantized bits

When digitizing an analog audio signal, the number of
times the signal is sampled per second is called the
sampling frequency, while the degree of fineness when
converting the sound level into a numeric value is called
the number of quantized bits.
The range of rates that can be played back is determined
based on the sampling rate, while the dynamic range
representing the sound level difference is determined by
the number of quantized bits. In principle, the higher the
sampling frequency, the wider the range of frequencies
that can be played back, and the higher the number of
quantized bits, the more finely the sound level can be
reproduced.

■ I/O assignment (SET MENU)

Although component is normally connected according to
jack names shown on the rear panel, this unit includes a
function that assigns jacks according to the component
being connected. If the component being used differs
from the component name shown for this unit’s
component video input jacks or digital input/output jacks,
it is possible to assign jacks according to the component
being connected. This makes it possible to change the
jack assignment and effectively connect more component.

71

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

INDEX

A

Accesories ................................................................................... 3

AC outlets .................................................................................. 19

Antennas .................................................................................... 30

B

Balance (L/R BALANCE) (SET MENU) ................................. 42

BGV function ............................................................................ 26

C

CBL/SAT position ..................................................................... 52

CD position ................................................................................ 50

CINEMA DSP ..................................................................... 55, 69

Component video ...................................................................... 70

Connections

Antennas ............................................................................. 30

Audio components (MD recorder, CD recorder,

CD player and turntable) .................................................... 12

External amplifier ............................................................... 18

External decoder ................................................................. 18

Power supply cords ............................................................ 19

Speakers ............................................................................. 16

Video components (DVD player, VCR and

TV/digital TV or cable TV/satellite tuner) ......................... 14

D

Delay time ................................................................................. 45

DISPLAY SET (SET MENU)

BLUE BACK ..................................................................... 45

DIMMER ........................................................................... 45

OSD SHIFT ........................................................................ 45

DOLBY D. SET (SET MENU)

D-RANGE .......................................................................... 44

LFE LEVEL ....................................................................... 44

Dolby Digital ............................................................................. 69

Dolby Surround (Dolby Pro Logic) ........................................... 69

DSP program

CINEMA DSP program ...................................................... 55

Hi-Fi DSP program ............................................................. 55

DTS ........................................................................................... 69

DTS SET (SET MENU) ............................................................ 44

Dust protection cap .................................................................... 12

DVD/LD position ...................................................................... 51

DVD MENU position ................................................................ 51

E

External decoder ........................................................................ 18

F

Front panel ................................................................................... 4

Front panel display ...................................................................... 9

H

HP TONE CTRL (SET MENU) ................................................ 43

I

IMPEDANCE SELECTOR switch ........................................... 19

INPUT MODE (SET MENU) ................................................... 43

Input modes ............................................................................... 26

I/O ASSIGNMENT (SET MENU)...................................... 43, 70

L

LFE ...................................................................................... 44, 69

M

Manufacturer codes ................................................................ 53, i

Memory back-up ..................................................... 32, 40, 46, 59

MEMORY GUARD (SET MENU) ........................................... 45

Muting ....................................................................................... 25

P

PCM ........................................................................................... 70

PHONO jacks ............................................................................ 12

Playing ....................................................................................... 24

Power supply cords ................................................................... 19

Preset stations

Exchanging preset station ................................................... 34

Tuning in to a preset station ............................................... 33

Presetting stations

Automatic presetting .......................................................... 32

Manual presetting ............................................................... 33

R

RDS stations

EON function ..................................................................... 37

PTY SEEK function ........................................................... 36

RDS mode .......................................................................... 35

Rear panel .................................................................................. 10

Recording .................................................................................. 38

Remote control

Basic operation ..................................................................... 6

Batteries ................................................................................ 3

Operation range .................................................................... 8

Setup codes ......................................................................... 53

S

Sampling frequency ............................................................. 25, 70

Selector dial ........................................................................... 6, 48

SET MENU ............................................................................... 39

SILENT CINEMA ............................................................... 29, 69

Sleep timer ................................................................................. 47

Sound field ................................................................................ 58

SP DELAY TIME (SET MENU) .............................................. 45

Speaker

Output levels (LEVEL mode) ............................................ 46

Output mode (SET MENU) ............................................... 21

Placement ........................................................................... 11

Output balance (test tone) .................................................. 22

SPEAKER SET (SET MENU)

CENTER SP ....................................................................... 40

LFE/BASS OUT ................................................................ 42

MAIN LEVEL .................................................................... 42

MAIN SP ............................................................................ 41

REAR L/R SP ..................................................................... 41

Stereo reproduction ................................................................... 29

Subwoofer ................................................................................. 17

S VIDEO ................................................................................... 70

T

TAPE/MD position .................................................................... 50

Test tone (TEST DOLBY SUR.) ............................................... 22

Tuning

Automatic tuning ................................................................ 31

Manual tuning .................................................................... 31

TV position ................................................................................ 52

V

VCR position ............................................................................. 52

Video jacks ................................................................................ 14

Virtual CINEMA DSP ......................................................... 29, 69

LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLERCODES
LISTA ÖVER TILLVERKARKODER
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT

TV

ADMIRAL 0411, 0451, 0911,

1021, 1081
AIKO 0891
AKAI 0061, 0101, 0231,

1191, 1351, 1591,

1641, 1791, 1891,

1981
AKURA 1331
ALBA 1241, 1331, 2361
ALBIRAL 1971
AMSTRAD 1301, 1511
ANAM 1171
ARC EN CIEL 0571
ARCAM 0571, 0761
ARISTONA 0751
ARTHUR MARTIN 0451, 1641
ASA 0411, 0451, 0521,

0781, 0871, 1021,

1081, 1421, 2051,

2091, 2151, 2551
ASTRA 1511
ATANTIC 0761
ATLANTIC 0761
ATORI 1511
AUDIOSONIC 1181, 1321, 1511
AUSIND 0491, 1411
AUTOVOX 0091, 0351, 0481,

0491, 0601, 0781,

0951, 1051, 1081,

1391, 1421
BAIRD 1101, 1351
BANG & OLUFSEN 1081
BASIC LINE 1321, 1331
BAUER 1451
BAUR 0041, 0061, 0121,

0131, 0221, 1561
BEKO 2491, 2501
BLAUPUNKT 0221, 0231, 0241,

0251, 0471, 0741,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581
BRANDT 0571, 0651, 0731,

0901, 1821
BRIONVEGA 1021, 1051, 1081
BRITANNIA 0761
BRUNS 0821, 0991, 1021,

1081
BSR 0391, 0691, 1621,

1901, 1981
BUSH 0451, 1241, 1331,

1641, 1741, 2131,

2151
BUSH (UK) 0481, 1561, 1611
CANDLE 0791
CENTURY 1021, 1081
CGE 0491, 0811, 0981,

1401, 1531, 1611,

1621, 1981, 2201,

2251, 2271
CITIZEN 0791

CLARIVOX 0821, 0961, 1971
CLATRONIC 1181, 1331
CONCERTO 0791
CONDOR 0761
CONTEC 0151, 1171
CONTINENTAL EDISON

0571, 0651, 0901
CRAIG 1171
CROSLEY 0021, 0491, 1021,

1081, 1401, 1981,

2201, 2251, 2271
CROWN 2541
CTC CLATRONIC 0261
CXC 1171
DAEWOO 0101, 1501, 1511,

2611
DANSAI 0101
DECCA 0271, 0581, 0601,

0971, 1101, 1691
DECCA (UK) 0271, 0581, 0601,

1101, 1681
DEGRAAF 0451, 1351
DIXI 0991, 1511
DOMEOS 0101
DORIC 1031
DUAL 0091, 0601, 1611,

1641, 2101
DUAL-TEC 0601, 1511, 1621,

2111
DUMONT 0261, 0521, 0781,

1021, 1081, 1981,

2121, 2151
DYNATRON 0101
ELBE 1551, 1971, 2031
ELECTRO TECH 1511
ELEKTRONSKA 0771
ELMAN 0261, 1621
ELTA 1511
EMERSON 0921, 1021, 1081,

1121, 1171, 1261,

1301
ERRES 0101
ETRON 1981
EUROPHON 0261, 0581, 0601,

0771, 1091, 1621,

2001
FENNER 0101, 1511
FERGUSON 0281, 0371, 0551,

0651, 0781, 0861,

0881, 1131, 1181,

1361, 1461, 1971,

1991, 2281, 2311,

2341
FIDELITY 0451, 0761, 2281
FIDELITY (UK) 0561, 0591,

1931, 2281
FILMNET 1141
FINLANDIA 0451, 2321
FINLUX 0021, 0261, 0491,

0521, 0781, 0811,
0871, 1081, 1411,
1421, 1981, 2051,
2091, 2121, 2151,
2551

FIRST LINE 1981
FISHER 0021, 0091, 0141,

0511, 0601, 0801,
0821, 0981, 1021,

1081, 1981, 2091
FORGESTONE 2281
FORMENTI 0451, 0491, 0761,

1081, 1451, 1541,

1981
FORMENTI-PHOENIX

0021, 0431, 0451,

0591, 1411
FORTRESS 1081
FRONTECH 0451, 1181, 1981
FUJITSU 1261
FUNAI 0391, 0691, 1171,

1181, 1261
FUTURETECH 1171
GBC 0021, 0141, 1321,

1511, 1621, 1981
GEC 0451, 1101, 1281,

2321
GEC (UK) 0031, 0081, 0581,

0601, 1101, 1281,

1561
GELOSO 0021, 0411, 0451,

1321, 1511, 1621,

1981
GENERAL TECHNIC2681
GENEXXA 0451, 1331
GOLDSTAR 0591, 0601, 0761,

0791, 1371, 1491,

1511, 1561, 1621,

1641
GOODMANS 0141, 1101, 1371,

1641, 2301
GORENJE 0981, 1061
GRAETZ 0451
GRANADA 0141, 0451, 0491,

0581, 0601, 1101,

1111, 1351, 1981,

2321
GRANADA (UK) 0081, 0141,

0451, 0491,
0581, 0601,
1031, 1311,
1521, 1561,
1641

GRUNDIG 0221, 0231, 0471,

0491, 0711, 0741,

1381, 2021, 2041,

2141, 2151
HANSEATIC 0021, 0121, 0141,

0431, 0591, 1561
HANTAREX 0581
HEMMERMANN 0061
HIFIVOX 0331, 0571
HINARI 0071, 0141, 0451,

1261, 1351, 1511,

1641, 1981, 2011

HITACHI 0001, 0011, 0031,

0081, 0141, 0291,
0331, 0341, 0451,
0601, 0631, 0701,
1281, 1561, 1601,
1821, 1831, 1841,
1861, 1871, 1881,
1891, 1941, 1981,
2051, 2321, 2341

HYPER 0591, 0601, 1511,

1621

IMPERIAL 0451, 0491, 0811,

0981, 1401, 1611,
1621, 2201, 2251,

2271
INGERSOL 1511
INNO HIT 0581, 0601, 0841,

1101, 1331, 1371,

1511, 2011
INNOVATION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2711, 2721,

2761, 2771, 2781
INTERFUNK 0031, 0041, 0061,

0121, 0181, 0451,

0491, 1081, 1641,

1791, 1821, 1981,

2231
IRRADIO 0491, 1321, 1331,

1371, 1411, 1511,

2011
ISUKAI 1331
ITT 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431
ITT-NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431
JVC (VICTOR) 0071, 0721, 1441,

1581, 1591, 1741,

1791
KAISUI 0591, 1321, 1331
KAMOSONIC 0601
KARCHER 0591, 0601, 0841,

1091, 1321, 1511,

1561, 2051
KAWASHO 0761
KENDO 0261
KENNEDY 0021, 0351, 0951,

1981
KONKA 2701
KORTING 0431, 1011, 1021,

1081, 1541

i

KTV 0601, 1171
LENOIR 0601, 1511
LEYEO 1181
LIFETEC 2591, 2601, 2611,

2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2761,
2771, 2781

LOEWE OPTA 0121, 0131, 0581,

0611, 1081
LOGIC 1691, 2281
LOGIK 0551, 1681, 2281
LOWEWE 0831
LUMA 0351, 0451, 1901
LUXMAN 0791
LUXMAN STEREO TUNER

0791
LUXOR 0001, 0061, 0181,

0341, 0421, 0451,

0461, 0491, 0601,

0671, 1351, 1371,

1561, 1601, 1911,

1921, 1981
LYCO 1181
MAGNADYNE 0021, 0061, 0261,

0581, 0641, 0771,

1021, 1081, 1621,

1981
MAGNAFON 0261, 0491, 0581,

0591, 0641, 0761,

1091, 2001
MANESTH 0101
MARANTZ 0101
MARELLI 1081
MARK 0101
MATSUI 0061, 0451, 0601,

0691, 1101, 1151,

1241, 1271, 1301,

1511, 1561, 1681,

1691
MAXIMAL 0071, 1981
MCMICHAEL 1281
MEDION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2721,

2761, 2771, 2781
MEMOREX 1511
METZ 0231, 0741, 1001,

1041, 1081, 1481,

2071, 2081
MGA 1231
MICROMAXX 2591, 2621, 2641,

2651, 2711, 2761,

2771, 2781
MINERVA 0221, 0231, 0491,

1381, 2141, 2151
MISTRAL 2281
MITSUBISHI 0141, 0201, 0231,

0661, 1191, 1201,

1231, 1671, 1691,

1741
MIVAR 0491, 0501, 0581,

0591, 0761, 0771,

1371, 1431, 2031
MTC 0791
MULTITECH 0261, 0581, 0601,

0641, 0981, 1321,

1511
MURPHY 0451, 2091
MURPHY (UK) 0081, 1031
N.E.I. 0101, 0961
NAD 1341
NEC 0141, 1711, 1721,

1731

NECKERMANN 0451, 0601,

0981, 1081,
1561, 1931,
1981, 2211,

2231, 2241
NEDIATOR 0101
NICAMAGIC 0761
NIKKAI 1101, 1331, 1641,

1701, 2011

NOBLIKO 0261, 0491, 0591,

0641, 1381, 1411
NOGAMATIC 0571
NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431, 2461, 2791
NORDMENDE 0031, 0291, 0331,

0451, 0531, 0541,

0571, 1051, 1131,

1591, 1791, 1811,

1821, 1891, 1941,

2631
OCEANIC 0321, 1651, 1981
OCEANIC (F) 0031, 0061, 0321,

0441, 1661
ONCEAS 0601
ONWA 1171
ORION 0061, 0391, 0691,

0851, 1211, 1241,

1251, 1301, 1481,

1511, 1681, 1691,

1981, 2371, 2421
OSAKA 2011
OSAKI 1101, 1331, 2011
OSUME 0151
OTTO VERSAND 0021, 0121,

0141, 0221,
0601, 1561,

1741, 1981
PAEL 0591, 1411
PANASONIC 0031, 0201, 0211,

0451, 0701, 1311,
1751, 1961, 2561,

2741
PANORAMIC 2351
PATHE MARCONI 0571
PATHE’ CINEMA (F) 0431, 0591,

1621, 1661,

1971
PAUSA 1511
PAUZA 1511
PERDIO 0891, 1101
PHILCO 0021, 0491, 0811,

0981, 1021, 1081,
1401, 1611, 1621,
1751, 2201, 2251,
2271, 2451, 2471

PHILIPS 0101, 0361, 0591,

0621, 0681, 0751,
0761, 1021, 1081,
1281, 2031, 2281,
2291, 2431, 2441,

2511, 2731
PHOENIX 1081
PHONOLA 0751, 1081
PIONEER 0291, 0451, 1341,

1821
PRANDONI-PRINCE 0411, 0451,

0491, 0581,
1411

PRANDONI-PROMCE

0451, 0491, 0581

PRIMA 0451
PROFEX 1981
PROTECH 0641, 1181, 1981
QUELLE 0041, 0061, 0121,

0221, 0231, 0391,
0491, 0521, 0601,
0781, 1371, 1381,
1411, 1421, 1641,
1681, 2051, 2091,
2141, 2151, 2201,
2211, 2231, 2241,
2251, 2271, 2551,
2571, 2581

REDIOMARELLI 0101, 0451,

0661, 0771,

1081
RADIONETTE 0031, 2051, 2091
RADIOLA 2291
RANK 0481, 2151
RBM 2131, 2151
RBM (UK) 0481
REDIFFUSION 0451, 0661, 1641,

1981, 2331

REDIFFUSION (UK) 0061, 0081,

1031
REX 0071, 0101, 0351,

0411, 0451, 0951,
1901, 2061, 2101,

2111
RFT 0991, 2511
ROADSTAR 1321, 1511
ROTEL 0151
SABA 0291, 0331, 0421,

0451, 0531, 0541,

0571, 0581, 0651,

0731, 0931, 1021,

1071, 1081, 1131,

1791, 1811, 1821,

1891, 1941, 2631
SACCS 1971
SAISHO 0451, 0601, 1161,

1241, 1301, 1511,

1671, 1681, 1691
SALORA 0011, 0041, 0061,

0071, 0341, 0451,

0671, 1291, 1351,

1521, 1561, 1601,

1641, 1911, 1921,

1931, 1981, 2321
SAMBERS 0261, 0491, 0581,

0641, 1091, 1371,

1411, 2001
SAMSUNG 0101, 0601, 0841,

0981, 1101, 1181,

1371, 1511, 2011
SANYO 0141, 0151, 0401,

0601, 0801, 0821,

0981, 1021, 1101,

1111, 1291, 1351,

1691, 1741, 2051,

2091, 2551
SBR 0681, 0751, 1281,

2281
SCHAUB LORENZ 0451
SCHNEIDER 0021, 0071, 0091,

0451, 0511, 0591,

0601, 0751, 1321,

1361, 1621, 1641,

2101, 2111, 2291
SCOTT 1171, 1261
SEG 0261, 0601, 0821,

0991
SEI 0641, 0691, 1081,

1301, 1481, 1981

SELECO 0071, 0101, 0351,

0411, 0451, 0951,
1901, 2061, 2101,

2111
SENTRA 1601
SHARP 0141, 0151, 0191,

1761, 1781
SIAREM 0021, 0261, 0581,

0641, 1021, 1081,

1981
SICATEL 1971
SIEMENS 0151, 0221, 0231,

0451, 0741, 2011,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581
SILVER 1181
SINGER 0021, 0261, 1021,

1081
SINUDYNE 0021, 0061, 0101,

0261, 0391, 0641,

0691, 0851, 0941,

1021, 1081, 1241,

1301, 1321, 1481,

1631, 1981
SKANTIC 0451
SOLAVOX 0451, 1641, 2011
SONOKO 0101, 1181, 1511
SONY 0141, 0171, 1121,

1681, 1691, 2751
SOUNDESIGN 1171
SSS 1171
STERN 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111
SUNKAI 0691
SUPRA 0791
TANDBERG 0161, 0331, 0611,

1021, 1421, 1771,

1791, 2081
TANDY 0191, 0451, 1331,

1531
TASHIKO 0141
TATUNG 0271, 0581, 0601,

0971, 1101, 1681,

1691
TCM 2621, 2641, 2711,

2761, 2771, 2781
TECHNICS 1311
TECHWOOD 0791
TEKNIKA 1171, 1231, 1261
TELE 1141
TELEAVIA 0571, 0651, 0731,

1821
TELEFUNKEN 0291, 0301, 0311,

0551, 0731, 1131,

1471, 1591, 1791,

1801, 1811, 1821,

1991, 2161, 2171,

2181, 2191, 2201,

2251, 2271, 2521,

2631
TELETECH 1511
TEMPEST 2381, 2391, 2401,

2411
TENSAI 1331, 2091
TEXET 0601
THOMSON 0331, 0481, 0531,

0571, 0631, 0651,

0731, 0901, 1241,

1571, 1591, 1791,

1811, 1821, 1891,

1941, 2531
THORN 0741, 0861, 2091,

2251, 2271, 2281

ii

THORN-FERGUSON 0281, 0371,

0551, 0651,
0781, 0861,
0881, 1131,
1181, 1361,
1461, 1971,

1991, 2281
TMK 0141, 0791, 1471
TOSHIBA 0141, 0381, 0481,

1221, 1271, 1701,
1741, 1851, 2151,
2801, 2811

TRANS CONTINENS

0451
TRISTAR 2281
TRIUMPH 0481, 0581, 2121
UHER 0431, 0451, 0481,

0491, 0511, 1311,

1541
ULTRAVOX 0021, 0261, 0591,

1021, 1081, 1981
UNIVERSUM 1181, 2051
UNIVOX 1971
VEGAVOX 0811
VEXA 0101, 1511
VIDEOTON 2481
VORTEC 0101, 0651
VOXSON 0411, 0451, 0491,

1021, 1081
WALTHAM 0451
WATSON 0431, 2201, 2241
WATT RADIO 0021, 0061, 0261,

0591, 0641, 0761,

1091, 1971, 1981,

2001
WEGA 0141, 1081, 1981
WEGA COLOR 1021
WELTBLICK 0101
WESTON 1621
WHITE WESTINGHOUSE

0101, 0261, 0431,

0591, 0761, 1401,

1541
YOKO 0601, 1511
ZANUSSI 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111
ZOPPAS 0451

CABLE TV

CABLETIME 1446, 1456, 1476
CLYDE CABLEVISION

1426
FILMNET 1396, 1436
FRANCE TELECOM 1386
GEC 1426
JERROLD 1416
MOVIE TIME 1466
NSC 1466
PHILIPS 1386
PIONEER 0006
SAMSUNG 1496
SCIENTIFIC ATLANTA

1486, 1506
STARCOM 1416
STS 1466
TANDBERG 1366
TELE 1436
TELE +1 1436
TELESERVICE 1406, 1476
TUDI 1376
UNITED CABLE 1416
ZENITH 1406

SATELLITE TUNER

AKAI 1276
ALBA 0826, 1276
AMSTRAD 0166, 0796, 1016,

1026, 1296
ANKARO 0476
AST 0406
ASTRA 0126
BARCOM 0476
BLAUPUNKT 0966
BMC SATELLITE 0106
BRITISH TELECOM 1276
BUSH 0826
BUSH (UK) 0956
CAMBRIDGE 0196, 1276
CANAL PLUS (FRANCE)

1536
CHAPARRAL 0016, 0696, 1006
COLUMBUS 0616
CONNEXIONS 0306, 0426
DISCUS ELIPSE 0856, 0866
DISKXPRESS 0426, 0476
DRAKE 1516
ECHOSTAR 0226, 0236, 0606,

0626, 0666, 0926,

0996, 1046, 1056,

1066, 1106
ELTA 1286
ELTA SAT 0146
EURODEC 1226, 1236, 1246
FERGUSON 0046, 0176, 0186,

0296, 0846, 0956,

1306
FINLUX 0976
FRACARRO 0026, 0536, 0776
FUBA 0476, 0616, 0636,

1056
GIUCAR RECORD 0206, 0336
GRUNDIG 0176, 0946, 0956,

0966
HIGH PERFORMANCE

0916
HIRSCHMANN 0756, 0966
HITACHI 0446, 0516, 0706,

0946
ICX INTERNATIONAL 0886
ITT 0066, 0126, 0176,

0446, 1156
ITT/NOKIA 0066, 0126, 0176,

0446, 1156
JEEMON 0146
JERROLD 0846, 0986
JOHANSSON 0246
JVC 1276
KATHREIN 0116, 0266, 0276,

0366
KOSMOS 0266
KYOSTAR 1036, 1086
LENG 0246
LIFESAT 1326, 1346, 1356
LUXOR 0126, 0136, 0446,

0466, 0506, 1156
MACAB 0356
MASPRO 0016, 0116, 0256,

0956
MEDION 1326, 1346
METZ 0966
MICROMAXX 1326, 1346
MITSUBISHI 0966
MORGANS 0596
MURATTO 0406
NEC 0286, 0316, 0766,

0786, 0836
NETWORK 0046
NIKKO 1136, 1146

NOKIA 0066, 0126, 0176,

0446, 1156, 1166,

1336
NORSAT 0786
OTTO VERSAND 0966
PACE 0046, 0176, 0296,

0936, 0956, 1306,

1566, 1576
PACE MSS 0946
PACE SKY DIGITAL BOX (UK)

1526
PALCOM 0616, 0686, 0706
PALSAT 0396
PALTEC 0706
PANASONIC 0806, 1306
PANSAT 1076
PHILIPS 0326, 0346, 0476,

0956, 1126, 1186,

1196, 1206, 1216,

1306, 1316
PROSAT 1176
PTT TELECOM 0306, 0896
QUELLE 0966
RADIX 1056
REDIFFUSION 0316, 0786
RFT 1186, 1196, 1206,

1216
SAGEM 1256, 1546
SAKURA 0566, 0816
SALORA 0066, 0126, 0136,

0446, 0456, 0486,

0496, 0576
SAMSUNG 0746, 0756
SAT 0406
SATCOM 0896
SATECO 0646
SECTOR 1266
SEDEA 1096
SENTRA 0416
SIEMENS 0896, 0966
SINTRACK 0906
SKYLAB 0476
SKYSCAN 0876
SONY 0736, 0946
STELLA 0306
STRONG 0156, 0396, 1036,

1086
STV 0636
TANDBERG 1116
TANDY 0916
TANTEC 0616
TATUNG 0516, 0546
TECHNISAT 0086, 0096, 0526,

0556, 1056
TELECOM 0306
TELEMAX 0586
THORN-FERGUSON 0046, 0076,

0176, 0186,

0956
TOSHIBA 0946
TPS (FRANCE) 1546
TRIAD 0406
UNIDEN 0036, 0216, 0676,

0716, 0726
US ELECTRONICS 0886
VORTEC 0756, 1036, 1076
VTECH 0436
WINERSAT 0246
WISI 0056, 0356, 0376,

0386, 0406, 0656,

1056, 1156
WOLSEY 0916
XCOM MULTIMEDIA 1556
XSAT (FRANCE) 1556
ZEHNDER 0266, 0406
ZENDER 0406

VCR

AIWA 0042, 0352, 0432
AKAI 0042, 0422, 0492,

0582, 0612, 0642,
0652, 0762, 0912

ALBA 0002, 0112, 0282,

0332, 0342, 0972
AMSTRAD 0322, 0432, 0452
ANITECH 0002
ANITSCH 1002
ASA 0012, 0052
AUDIOSONIC 0002
BAIRD 0042, 0282, 0492
BANG & OLUFSEN 0042
BAUR 0052, 0062, 0812
BLAUPUNKT 0062, 0092, 0252,

0462, 0672, 0992
BRIONVEGA 0032
BUSH 0002, 0282, 0332,

0342, 0512, 0972
BUSH (UK) 0812
CAPEHART 0112
CGE 0042, 0432, 0762
CRAIG 0072, 0482
CROWN 0112, 0282, 0622
DAEWOO 0112, 0282, 0622
DANSAI 0012
DAYTRON 0112
DECCA 0042, 0052, 0432,

0942
DECCA (UK) 0052
DEGRAAF 0052, 0132, 0432,

0532, 0602
DIXI 0442
DUAL 0042, 0632
DUMONT 0052, 0432, 0532
DYNATECH 0432
DYNATRON 0012
ELBE 0122
ELIN 0072
EMERSON 0012, 0162, 0202,

0432, 0512, 0522
ERRES 0012
FERGUSON 0042, 0712, 0722,

0852, 0902, 1012,

1022, 1082
FIDELITY 0432
FINLANDIA 0052, 0532
FINLUX 0012, 0042, 0052,

0082, 0262, 0382,

0432, 0462, 0492,

0532, 0572, 0602,

0912
FIRST LINE 0002, 0912
FISHER 0162, 0482, 0532,

0542, 0572, 0592
FORMENTI-PHOENIX

0012, 0052
FRONTECH 0112
FUNAI 0432
GBC 0002
GEC (UK) 0022, 0052
GELOSO 0002
GENERAL TECHNIC1172
GOLDSTAR 0012, 0122, 0812,

0952
GOODMANS 0002, 0072, 0282,

0432, 0502
GOODMANS (UK) 0002
GRAETZ 0022, 0042
GRANADA 0052, 0132, 0532,

0572

iii

GRANADA (UK) 0052, 0092,

0462, 0602,
0812, 0822

GRUNDIG 0052, 0062, 0092,

0232, 0252, 0262,

0752, 0802
HANSEATIC 0052, 0812
HARMAN/KARDON 0122, 0922
HCM 0002
HINARI 0002, 0202, 0412,

0442, 0522
HITACHI 0042, 0172, 0292,

0432, 0602, 0662,

0812, 1022
IMPERIAL 0072, 0432
INGERSOL 0442
INNO HIT 0002, 0052, 0072
INNOVATION 1142, 1162, 1172
INTERFUNK 0022, 0052
IRRADIO 0002, 0012
ITT 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762
ITT-NOKIA 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762
JENSEN 0042
JVC (VICTOR) 0042, 0102, 0142,

0272, 0742, 0762,

0782, 0902
KARCHER 0052, 0072, 0812
KENDO 0492
KENWOOD 0042, 0142, 0572
LIFETEC 1142, 1162, 1172
LLOYD 0432
LOEWE OPTA 0052, 0092, 0152
LOGIK 0002, 0072, 0442
LUMA 0162
LUXOR 0492, 0572, 0812
M ELECTRONIC 0432
MAGNADYNE 0052
MAGNASONIC 0572
MANESTH 0012
MARANTZ 0012, 0052, 0092,

0122, 0502
MARK 0012
MARTA 0012
MATSUI 0012, 0442, 0512,

0522, 0812, 0972
MEDION 1142, 1162, 1172
MEMOREX 0012, 0132, 0432,

0482, 0532, 0572
METZ 0062, 0092, 0932
MGA 0912
MICROMAXX 1142, 1162, 1172
MINERVA 0062, 0092, 0252
MINOLTA 0172, 0602
MITSUBISHI 0052, 0062, 0142,

0912, 0922
MTC 0072, 0432
MULTITECH 0002, 0052, 0062,

0282, 0432
MURPHY 0432
N.E.I. 0012, 0052
NATIONAL 0462
NEC 0042, 0122, 0142
NECKERMANN 0032, 0042,

0052, 0072,
0092, 0202,
0522, 0572,

0762, 0812
NIKKAI 0112
NOBLIKO 0092

NOKIA 0022, 0032, 0042,

0072, 0292, 0492,
0532, 0572, 0762,
1152

NORDMENDE 0042, 0102, 0142,

0192, 0222, 0242,
0392, 0402, 0632,
0732, 0742, 0762,
0782, 0792, 0832,

0842, 0872
OLYMPUS 0462
OPTONICA 0132, 0502
ORION 0162, 0202, 0312,

0442, 0512, 0522,

0982
OSAKA 0432
OSAKI 0002, 0012, 0432
OTTO VERSAND 0052, 0062,

0812

PANASONIC 0022, 0212, 0462,

0672, 0992, 1092,

1102, 1182
PENTAX 0172, 0602
PERDIO 0432
PHILCO 1062
PHILIPS 0052, 0082, 0092,

0152, 0182, 0362,

0372, 0382, 0472,

0502, 1072
PHONOLA 0052, 0152
PILOT 0012
PIONEER 0052, 0142, 0372,

0472
PORTLAND 0112
PROLINE 0432
PYE 0052, 0152
QUARTZ 0572
QUELLE 0012, 0032, 0042,

0052, 0062, 0072,

0092, 0202, 0462,

0522, 0942
RADIONETTE 0022
REALISTIC 0012, 0072, 0132,

0432, 0482, 0502,

0532, 0572
RET 1072
REX 0042, 0742, 0782
RICOH 0952
SABA 0042, 0142, 0192,

0222, 0242, 0392,

0632, 0732, 0742,

0762, 0772, 0782,

0792, 0872
SAISHO 0162, 0202, 0292,

0442, 0512, 0522,

0972
SALORA 0192, 0572, 0812,

0822, 0912
SAMSUNG 0052, 0072, 0622,

0652, 1192
SANSUI 0042, 0142
SANYO 0482, 0532, 0562,

0572
SBR 0052, 0152, 0182
SCHAUB LORENZ 0022, 0042
SCHNEIDER 0002, 0012, 0052,

0072, 0432
SEG 0002, 0072
SEI-SINUDYNE 0442
SELECO 0042
SENTRA 0112
SHARP 0132, 0502, 0702
SHINTOM 0002
SIEMENS 0062, 0092, 0252,

0572

SINUDYNE 0052, 0382, 0442,

0932
SONOKO 0282
SONY 0432, 0552, 0682,

0692, 0942, 0952,

0962, 1122, 1132
STS 0602
SUNKAI 0512
SUNSTAR 0432
SYLVANIA 0432, 0912
SYMPHONIC 0432, 0912
TANDBERG 0062, 0162, 0522,

0932
TASHIKO 0132, 0432
TATUNG 0042, 0052, 0432,

0922
TCM 1142, 1162, 1172
TEAC 0042, 0432
TECHNICS 0462
TEKNIKA 0012, 0432
TELEFUNKEN 0042, 0192, 0632,

0732, 0742, 0762,

0782, 0882, 0892
TEMPEST 1032, 1042, 1052
TENOSAL 0002
THOMSON 0042, 0102, 0142,

0192, 0402, 0632,

0762
THORN 0042, 0902
THORN-FERGUSON 0042, 0222,

0302, 0712,
0722, 0742,
0762, 0852,
0862, 0872,

0902
TMK 0522
TONSAI 0002
TOSHIBA 0042, 0622, 0912
TOTEVISION 0012, 0072
TRIUMPH 0922
UHER 0042, 0072
ULTRAVOX 0032
UNITECH 0072
VECTOR RESEARCH

0122
VIDEON 1162, 1172
WELTBLICK 0012
WHITE WESTINGHOUSE

0032
XENON 0162
YAMAHA 0042, 1202
YOKO 0012, 0062, 0072

DVD PLAYER

AKAI 0108
DENON 0368
HITACHI 0388
JVC 0168, 0348
KENWOOD 0288
MAGNAVOX 0248
MITSUBISHI 0268
ONKYO 0128, 0248
PANASONIC 0048
PHILIPS 0188, 0248
PIONEER 0208, 0228
PROSCAN 0308
RCA 0308
SAMSUNG 0148
SHARP 0068
SONY 0028
TECHNICS 0048
THOMSON 0328
TOSHIBA 0088, 0248
YAMAHA 0008, 0048, 0188,

0248
ZENITH 0248

LD PLAYER

AIWA 0137
FUNAI 0137
HITACHI 0047
MAGNAVOX 0077
PANASONIC 0027
PIONEER 0037
RCA 0067
REALISTIC 0137
SAMSUNG 0017, 0087
SONY 0057, 0097, 0107,

0117
VICTOR 0127
YAMAHA 0007

CD PLAYER

ACCUPHASE 0315
ADC 0865
ADCOM 0785, 1015
AKAI 0115, 0125, 0725,

0735, 0745, 0935,

1155
ARCAM 1875
ARCAM-ROTEL 0165
AUDIO-TECHNICA 0835
AUDIOSONIC 0155
AIWA 1105, 1235, 1245,

1765, 1915, 1935
BSR 0875
CALIFORNIA AUDIO LAB

1075
CARRERA 0555, 0875
CARVER 0825, 1415
CYRUS-ROTEL 0205
DENON 0045, 0955, 1045,

1595, 1795, 1805
DUAL 1005
ELIN 0185
EMERSON 1015, 1285, 1675
FISHER 0105, 0595, 0605,

0825, 1165, 1175
GENEXXA 0525, 0825, 0855,

0875, 0995, 1265,

1285, 1345, 1355,

1485, 1575, 1675,

1715, 1825
GOLDSTAR 0555, 1185, 1195,

1585
GRUNDIG 0175
HARMAN KARDON 0325, 0495,

0565, 1135,
1145, 1155

HITACHI 0065, 0585, 0685,

0945, 1005, 1015,

1225, 1545
INNOVATION 1995, 2005, 2015
ITT-NOKIA 0185
JVC (VICTOR) 0385, 0395, 0455,

0575, 0585
KARCHER 0485
KENWOOD 0025, 0055, 0145,

0215, 0595, 0675,

0695, 0705, 0715,

0925, 1355, 1485,

1575, 1675, 1715,

1825
KORTING 0175
LIFETEC 2015
LIGHT CONTROL 1155, 1645,

1655, 1665
LINN 0165, 1875
LUXMAN 0265, 0275, 0795,

0805, 1295, 1305,
1555, 1925

iv

LUXOR 0185, 1895, 1905
MAGNAVOX 1865, 1875
MARANTZ 0165, 0175, 0545,

0665, 1275, 1335,
1405, 1505, 1875,

1955
MATSUSHITA 1095, 1605
MCS 0535
MEDION 0075, 1995, 2005,

2015
MEMOREX 0525, 1015, 1265,

1275, 1285, 1675
MGA 1125
MICROMAXX 2015
MISSION 0165, 1875
MITSUBISHI 1125, 1205
NAD 0135, 0255, 0285,

0295, 0305, 0345,

0755, 0765, 1315,

1325
NAKAMICHI 0635, 0645, 1565
NEC 0405, 0535, 0775,

0785
NECKERMAN 0155, 0225
NIKKO 0835, 1165
OCEANIC 0185
OKANO 0155, 0225
ONKYO 0885, 1385, 1425,

1455, 1515
PANASONIC 1055, 1075, 1615,

1625
PHILIPS 0165, 0175, 0195,

1865, 1875
PIONEER 0095, 0335, 0425,

0435, 0445, 0525,

0855, 1035, 1945
PROTON 0905, 1875
QUASAR 1075
RADIOLA 1845, 1855
RADIOTONE 0485
REALISTIC 0825, 1015, 1265,

1275, 1285, 1575
ROTEL 1875
SABA 1005
SAE 1875
SALORA 0185
SANSUI 0415, 0965, 0975,

0985, 1255, 1675,

1875
SANYO 0625, 0825, 0845,

0915
SCHNEIDER 1845, 1855
SCOTT 1285, 1675
SHARP 0025, 0035, 1025,

1115, 1275, 1635,

1785, 1815, 1825,

1835
SHERWOOD 1275, 1445
SIEMENS 1085
SIGNATURE 1155
SONY 0345, 0355, 0365,

0375, 0865, 1685,

1695, 1705, 1715,

1725, 1735, 1745
SYLVANIA 1875
TANDBERG 1885
TASHIKO 1525
TCM 1985, 2015
TEAC 0235, 0245, 1275,

1365, 1375, 1395,

1435, 1465, 1475
TECHNICS 0465, 0475, 1065,

1075, 1625
TELEFUNKEN 1005
THETA DIGITAL 1865

THOMSON 1005
TOSHIBA 0755, 0765
VECTOR RESEARCH

0555, 0865

YAMAHA 0005, 0015, 0085,

0345, 0615, 0655,
0815, 0835, 0895,
1815

CD RECORDER/CD-RW

HITACHI 0304
JVC 0334
MARANTZ 0314, 0324
PHILIPS 0274
PIONEER 0284, 0294
YAMAHA 0244

MD RECORDER

KENWOOD 0214
SHARP 0264
PIONEER 0254
SONY 0224
YAMAHA 0024, 0224, 0234

TAPE DECK

AKAI 0124
DENON 0204
GRUNDIG 0134
HARMAN 0044
JVC 0194
KENWOOD 0164
KORTING 0134
LUXMAN 0054, 0064, 0074,

0084
MARANTZ 0134, 0144
NAD 0174
ONKYO 0184
PHILIPS 0134, 0144, 0154
PIONEER 0034, 0114
SONY 0094, 0104
YAMAHA 0004, 0014

v

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID V722820-1

OUTPUT

MAIN

R

L

R

L

REAR

(SURROUND)

CENTER

SPEAKERS

MAIN

+ —

R

L

A

— +

B

CENTER

+ —

REAR
(SURROUND)

R

L

+ ——+

DVD

MONITOR

OUT

D-TV/CBL

YPB/CB PR/CR COMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

DVD

DVD

DVD

D-TV/CBL

D-TV/CBL

D-TV/CBL

IN

VCR 1

OUT IN

VCR 2

/DVR

OUT

VIDEO SIGNAL

AUDIO SIGNAL

SUB

WOOFER

OUTPUT

IN

VCR 1

OUT IN

VCR 2/DVR

OUT

OUT(REC)

IN(PLAY)

CD

PHONO

MD/CD-R

MD/CD-R

MD/CD-R

R

L

DIGITAL
OUTPUT

OPTICAL

OPTICAL

COAXIAL

AM ANT GND

FM ANT

75

UNBAL.

TUNER

GND

MAIN

CENTER

SUB WOOFER

SURROUND

DIGITAL

INPUT

6CH INPUT

CD

R

L

R

L

LR

AUDIO OUT S VIDEO

OUT

VIDEO

OUT

OPTICAL

COMPONENT

VIDEO OUT

V

V

AUDIO
OUT

S VIDEO IN

VIDEO IN

S VIDEO
OUT

VIDEO
OUT

OPTICAL
OUT

RLRL

DVD player

Main speakers A Main speakers B

RL

Rear speakers

Video signal

Optical signal

Signal flow

Center speaker

Subwoofer

system

Video Monitor

Connection Guide (when listening to a digital 5.1-channel source)

L

R

V

Analog signal

(Europe model)

S Video signal

L R

S

S

O

O

S

COMPONENT VIDEO IN

COMPONENT
VIDEO OUT

*

RX-V620RDS only

*

V728180 RX-V620/RDS, HTR-5460 (ML)

A/B/C/D/E

A/B/C/D/E

A/B/C/D/E

u/d

Numeric buttons (MD/CD-R)

Quick Reference Card

TAPE/MD (CD-R)

AMP/TUN

DSP/TUN

INPUT

p Play

r Rec/Pause

(tape/MD)

DSP

b DIR A (tape)

Skip – (MD/CD-R)

w Rewind (tape)

Search (MD/CD-R)

Numeric buttons

p Play

DISC SKIP –/+

DSP

CD

b Skip –

w Search

INDEX

INPUT

+10

DISPLAY

e Pause
a Skip +

s Stop
f Search

AV POWER

PRESET –/+

DSP

DSP

A/B/C/D/E

6CH INPUT

6CH INPUT

j / i

Input
selector
buttons

DSP
program
group
buttons

EFFECT

INPUT

DSP
program
group
buttons

EFFECT

INPUT

SET MENU

STANDBY

TEST

Input
selector
buttons

LEVEL

ON SCREEN

TV POWER

TV VOLUME

TV INPUT

POWER

VOLUME +/–

SLEEP
MUTE

V728090

+10 (MD/CD-R)
Deck A/B (tape)

DISPLAY (MD/CD-R)

e Pause (MD/CD-R)

a DIR B (tape)

Skip + (MD/CD-R)

s Stop
f Fast

forward (tape)
Search (MD/CD-R)
AV POWER

INDEX (CD-R)





A/B/C/D/E

A/B/C/D/E

A/B/C/D/E

A/B/C/D/E

A/B/C/D/E

Quick Reference Card

Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.

V728090

*1 Premere due volte questo tasto per iniziare la registrazione.

Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.

DISC SKIP –/+ (DVD)

DSP

DVD/LD DVD MENU

CBL/SAT

TV

VCR

INDEX/Time (DVD)
Chapter/Time (LD)

INPUT

Numeric buttons

Numeric
buttons

Numeric
buttons

+10

DISPLAY

e Pause
a Skip + (DVD)

Skip/Chapter + (LD)

s Stop
f Search

AV POWER

AV POWER

Numeric
buttons

AV POWER

Numeric buttons

AV POWER

p Play

b Skip – (DVD)

Skip/Chapter – (LD)

w Search

DISC SKIP –/+

Return

DSP

INDEX
+10

INPUT

DISPLAY
Menu up

Menu right
Menu down

MENU

Menu select

Menu left

TITLE

Ch enter/
Recall

INPUT

DISPLAY

_/_ _

e Pause

s Stop
f Fast

forward

p Play

w Rewind

TV INPUT

TV VOL +/–

TV

POWER

CH –/+

DSP

Ch enter/
Recall

_/_ _

INPUT

DISPLAY

VCR pause

VCR stop
VCR fast

forward

VCR power

TV SLEEP
TV MUTE

VCR play

VCR REC

VCR rewind

CH –/+

DSP

VCR REC

CH –/+

DSP

Ch enter

INPUT

_/_ _
DISPLAY/
Guide
(SAT)

Menu up
Menu
right

Menu
down
MENU

Menu

select

Menu left

Recall

*1

*1

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