Yamaha Audio RX-V596 User Manual

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OWNER’S MANUAL

MODE D’EMPLOI

RX-V596

Natural Sound AV Receiver Ampli-tuner audio-vidéo

U C A

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CAUTION

SAFETY INSTRUCTIONS

8 Ventilation – The unit should be situated so that its

location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings.

9 Heat – The unit should be situated away from heat

sources such as radiators, stoves, or other appliances that produce heat.

10 Power Sources – The unit should be connected to a

power supply only of the type described in the operating instructions or as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be

unplugged from the outlet when left unused for a long period of time.

14 Object and Liquid Entry – Care should be taken so that

objects do not fall into and liquids are not spilled into the inside of the unit.

15 Damage Requiring Service – The unit should be serviced

by qualified service personnel when:

A. The power-supply cord or the plug has been

damaged; or

B. Objects have fallen, or liquid has been spilled into the

unit; or

C. The unit has been exposed to rain; or D. The unit does not appear to operate normally or exhibits

a marked change in performance; or

E. The unit has been dropped, or the cabinet damaged. 16 Servicing – The user should not attempt to service the

unit beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel.

17 Power Lines – An outdoor antenna should be located

away from power lines.

18 Grounding or Polarization – Precautions should be taken

so that the grounding or polarization is not defeated.

1 Read Instructions – All the safety and operating

instructions should be read before the unit is operated.

2 Retain Instructions – The safety and operating

instructions should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the

operating instructions should be adhered to.

4 Follow Instructions – All operating and other instructions

should be followed.

5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc.

6 Carts and Stands – The unit should be used only with a

cart or stand that is recommended by the manufacturer.

6A A unit and cart combination should be

moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn.

7 Wall or Ceiling Mounting – The unit should be mounted to

a wall or ceiling only as recommended by the manufacturer.

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

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CAUTION

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INTRODUCTION PREPARATION

19 For US customers only:

Outdoor Antenna Grounding – If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.

EXAMPLE OF ANTENNA GROUNDING

MAST

GROUND CLAMP

ANTENNA LEAD IN WIRE

ANTENNA DISCHARGE UNIT (NEC SECTION 810–20)

GROUNDING CONDUCTORS (NEC SECTION 810–21)

GROUND CLAMPS

POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H)

ELECTRIC SERVICE EQUIPMENT

NEC

– NATIONAL ELECTRICAL CODE

We Want You Listening For A Lifetime

YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing.

Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels.

FCC INFORMATION (for US customers only)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the

instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/ reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

Note to CATV system installer:

This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.

SAFETY INSTRUCTIONS

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CAUTION

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place — away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the unit, contact your dealer.

4. Do not use force on switches, controls or connection cables. When moving the unit, first disconnect the power cord and then the cables connected to other component. Never pull the cables themselves.

5. The openings on the cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage.

6. The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents. YAMAHA will not be held responsible for any damage resulting from the use of this unit with a voltage other than that specified.

7. Digital signals generated by this unit may interfere with other component such as tuners, receivers and TVs. Move this unit farther away from such component if interference is observed.

8. Always set VOLUME to the “m” position before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.

11. When not planning to use this unit for a long period of time (e.g., a vacation), disconnect the AC power cord from the wall outlet.

12. To prevent lightning damage, disconnect the AC power cord and disconnect the antenna cable when there is an electrical storm.

13. Grounding or polarization — Precautions should be taken so that the grounding or polarization of the unit is not defeated.

14. AC outlet — Do not connect audio component to the AC outlet on the rear panel if that component requires more power than the outlet is rated to provide.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

IMPORTANT

Please record the serial number of this unit in the space below.

MODEL: Serial No.:

The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

FOR CANADIAN CUSTOMERS

To prevent electric shock, match wide blade of plug to wide slot and fully insert. This Class B digital apparatus complies with Canadian ICES-003.

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INTRODUCTION PREPARATION

FEATURES

5-Channel Power Amplification

◆ Minimum RMS Output

(0.06% THD, 20 Hz – 20 kHz) [U.S.A. and Canada models] Main: 100 W + 100 W (8 Ω) Center: 100 W (8 Ω) Rear: 100 W + 100 W (8 Ω) [Australia model] Main: 70 W + 70 W (8 Ω) Center: 70 W (8 Ω) Rear: 70 W + 70 W (8 Ω)

Multi-Mode Digital Sound Field Processing

◆ Digital Sound Field Processor (DSP)

◆ Dolby Pro Logic Decoder

◆ Dolby Digital Decoder

◆ DTS Decoder

◆ CINEMA DSP: Combination of YAMAHA DSP

Technology and Dolby Pro Logic, Dolby Digital or DTS

Sophisticated FM/AM Tuner

◆ 40-Station Random Access Preset Tuning

◆ Automatic Preset Tuning

◆ Preset Station Shifting Capability (Preset Editing)

Other Features

◆ 96-kHz/24-bit D/A Converter

◆ “SET MENU” which Provides You with 12 Items

for Optimizing This Unit for Your Audio/Video System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other Future

Formats

◆ S Video Signal Input/Output Capability

◆ 3 Optical/2 Coaxial Digital Signal Input Terminals

◆ SLEEP Timer

◆ Remote Control with Preset Manufacturer Codes

INTRODUCTION

PREPARATION

SPEAKER SETUP....................................................... 9

CONNECTIONS........................................................ 10

ADJUSTING THE SPEAKER BALANCE ............ 19

BASIC OPERATION

PLA YING A SOURCE .............................................. 21

DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT .................................................................. 25

TUNING ..................................................................... 27

RECORDING A SOURCE ON TAPE, MD OR

VIDEO CASSETTE ............................................... 31

ADVANCED OPERATION

SOUND FIELD PROGRAM .................................... 32

SET MENU................................................................. 35

DELAY TIME AND SPEAKER

OUTPUT LEVELS ................................................. 39

SLEEP TIMER .......................................................... 41

PRESET REMOTE CONTROL .............................. 42

APPENDIX

TROUBLESHOOTING ............................................ 50

SPECIFICATIONS.................................................... 54

GLOSSARY................................................................ 55

INDEX ........................................................................ 56

INTRODUCTION

FEATURES .................................................................. 1

CONTENTS ................................................................. 1

GETTING STARTED ................................................. 2

CONTROLS AND FUNCTIONS ............................... 4

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories. Confidential Unpublished Works. ©1992 – 1997 Dolby Laboratories, Inc. All rights reserved.

Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942 and other world-wide patents issued and pending. “DTS”, “DTS Digital Surround”, are trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital Theater Systems, Inc. All Rights Reserved.

y indicates a tip for your operation.

• When buttons on this unit and the remote control are noted together in this Owner’s Manual, these button names are in principle noted in the order of “button name (remote control button name)”.

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GETTING STARTED

Checking the Package Contents

Check that the following items are included in your package.

Remote control Batteries (AAA, R03, UM-4 type) Antenna adapter

(U.S.A. and Canada models only)

Indoor FM antenna

AM loop antenna

Battery Installation in the Remote Control

1 Turn the remote control over and slide the

battery compartment cover in the direction of the arrow.

2 Insert the batteries (AAA, R03 or UM-4 type)

according the polarity markings on the inside of the battery compartment.

3 Close the battery compartment cover.

Battery Replacement

If the remote control operates only when it is close to the unit, the batteries are weak. Replace all the batteries with new ones.

Be sure to replace the batteries within about two minutes. If it takes longer than two minutes, the codes set for the remote control will return to the factory settings. (Refer to pages 42 to 49 about the remote control.)

Notes

• Use only AAA, R03 or UM-4 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration inside the battery compartment.)

• Remove the batteries if the remote control will not be used for an extended period of time.

• If the batteries have leaked, dispose of them immediately. Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

Quick reference card

Connection guide

Quick Reference Card

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Using the Remote Control

The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the infrared sensor during operation. When the sensor is covered or there is a large object between the remote control and the sensor, the sensor cannot receive signals. The sensor may not be able to receive signals properly when it is exposed to direct sunlight or a strong artificial light (such as a fluorescent or strobe light). In this case, change the direction of the light or reposition the unit to avoid direct lighting.

Notes

• Handle the remote control with care.

• Do not spill water, tea or other liquids on the remote control.

• Do not drop the remote control.

• Do not leave or store the remote control in the following conditions:

– high humidity or temperature such as near a heater, stove or

bath; – dusty places; or – extremely low temperature.

GETTING STARTED

Remote control sensor

Within approximately 6 m (20 feet)

Page 8

–

12 3 4 65

7890qwertyu i op

VOLUME

Turn this control to turn up or down the volume.

7 PHONES jack

Connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through the headphones. When listening with headphones privately, set both SPEAKERS A and B to the OFF position, press EFFECT to turn off the effect speakers (center and rear) and set “BASS OUT” on the SET MENU to the MAIN position (so that no DSP program name appears on the display).

8 SPEAKERS

Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) that you want to use. Set the button(s) to the OFF position for the main speaker system that you don’t want to use.

9 PROGRAM selector

Press l or h to select a DSP program when the effect speakers (center and rear) are turned on. The name of the selected program appears on the display.

0 EFFECT

Press this button to turn on or off the effect speakers (center and rear). If you turn them off, the signals of the center and rear channels are directed to the right and left main speakers when playing a source encoded with Dolby Digital and DTS. In this case, the output levels of the right and left speakers may not match.

CONTROLS AND FUNCTIONS

Front Panel

1 STANDBY/ON

Press this switch to turn on the power of this unit or to set this unit in the standby mode. Before turning the power on, set VOLUME to the “m” position.

Standby mode

In this mode, this unit consumes a very small quantity of power to receive infrared-signals from the remote control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 6 for details.)

4 INPUT MODE

Press this button to select the input mode among AUTO, DTS and ANALOG for the DVD/LD, TV/digital TV and cable TV/satellite tuner sources.

5 INPUT SELECTOR

Turn this selector to select the input source (TUNER, CD, PHONO, CBL/SAT, V-AUX, VCR, D-TV, DVD/LD) that you want to listen to or watch. The arrow for the selected input source indicator lights up on the display.

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q Tone controls

These controls are only effective for the sound from the main speakers.

a) BASS

Turn this control clockwise to increase or counterclockwise to decrease the low-frequency response. The “0” position produces a flat response.

b) TREBLE

Turn this control clockwise to increase or counterclockwise to decrease the high-frequency response. The “0” position produces a flat response.

w TAPE/MD MON / EXT. DECODER

Press this button to select a tape or an MD source. The “TAPE/MD MONITOR” indicator lights up on the display. When you press the button again, the “TAPE/MD MONITOR” indicator goes off, “EXT. DECODER” appears on the display and you can listen to a source connected to the EXTERNAL DECODER INPUT terminals.

e BALANCE

This control is only effective for the sound from the main speakers. Turn the control to adjust the balance of the output volume from the right and left main speakers to compensate for sound imbalance caused by the speaker location or listening room conditions.

r A/B/C/D/E

Press this button to select one of a group (A to E) of preset stations.

t PRESET/TUNING

When “ z ” appears on the display This button is used to select a preset station number (1 to 8). Press h to select a higher and l to select a lower preset station number. When “ z ” goes off from the display This button is used for tuning. Press h to tune in to higher frequencies, and l to tune in to lower frequencies.

y PRESET/TUNING, EDIT

Press this button to turn on or off “ z ” on the display, and switch the function between storing a broadcasting station (preset tuning) and tuning. This button is also used to exchange the assignment of two preset stations with each other.

u FM/AM

Press this button to switch the reception band between FM and AM.

i MEMORY (MAN’L/AUTO FM)

Press this button to store broadcasting stations. Hold down this button for more than three seconds to begin automatic preset tuning.

o TUNING MODE (AUTO/MAN’L MONO)

Press this button to switch the tuning mode between automatic and manual. To use the automatic tuning method, press this button so that the “AUTO” indicator lights up on the display. To use the manual tuning method, press this button so that the “AUTO” indicator goes off.

p VIDEO AUX terminals

Connect an auxiliary audio or video input source such as a camcorder to these terminals. If the connected video unit has an S video output terminal, connect it to the S VIDEO terminal to obtain a high-resolution picture. Use INPUT SELECTOR to select the source connected to these terminals.

CONTROLS AND FUNCTIONS

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Display

6 g and o indicators

“ g ” lights up when the built-in Dolby Digital decoder is on. “ o ” lights up when the built-in Dolby Pro Logic decoder is on.

7 x indicator

“ x ” lights up when the built-in digital sound field processor is on.

8 MEMORY indicator

This flashes for about five seconds after pressing MEMORY. During this period, the displayed station can be stored in the memory.

9 AUTO indicator

This lights up when the unit is in the automatic tuning mode.

0 STEREO indicator

This lights up when an FM stereo broadcast with sufficient signal strength is being received.

q Signal-level indicator

This indicates the signal level of the station being received. If multipath interference is detected, the indication decreases.

w SLEEP indicator

This lights up while the built-in SLEEP timer is on.



CONTROLS AND FUNCTIONS

1 t indicator

The “t” indicator lights up when the built-in DTS decoder is on.

2 DSP program indicators

The name of the selected DSP program lights up in the following cases:

• When the tuner is selected as the input source.

• When DSP program No. 2, 3 or the subprogram “ENHANCED” of No. 1 is selected.

3 Multi-information display

This display shows various information: for example the name of the selected DSP program and the various settings during adjustment with the SET MENU. The current station frequency and band (FM or AM) also appear when the tuner is selected as the input source.

4 Input source indicators

One of the arrows for these indicators lights up depending on which source is selected.

5 TAPE/MD MONITOR indicator

This lights up when the tape deck or MD recorder, etc. is selected as the input source by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD).

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INTRODUCTION PREPARATION

Remote Control

CONTROLS AND FUNCTIONS

1 2

8 9

t y

 u

TV VOLUME

TV POWER

TV INPUT

EFFECT

Select the AMP/TUN position.

This section describes the basic operation of this unit with the remote control. First, set the selector dial to the AMP/ TUN position. Refer to “PRESET REMOTE CONTROL” on page 42 for full details.

1 DSP

Press this button to switch the function of the numeric buttons to the DSP program selector. (Refer to page 8.)

2 Indicator window

This displays the name of components which can be controlled.

3 Numeric buttons (Input selector buttons)

These buttons select the input source. CD: To play a CD TUNER: To listen to an FM or AM broadcast TAPE/MD: To play a tape or MD DVD/LD: To play a DVD or LD D-TV: To watch a TV VCR: To play a video cassette PHONO: To play an analog record CBL/SAT: To watch cable TV or satellite broadcast V-AUX: To use a camcorder EXT. DEC.: To play another multi-channel source

Refer to page 8 for details.

4 TEST

Press this button to output the test tone for each speaker.

5 j (left), i (right)

These buttons adjust the settings of the SET MENU and TIME/LEVEL mode.

6 TIME/LEVEL

Press this button to select the items in the TIME/LEVEL mode.

7 SLEEP

Press this button to set the SLEEP timer.

8 INPUT

Press this button to switch the function of the numeric buttons to the input selector. (Refer to page 8.)

9 Indicator

This flashes in red when pressing a button on the remote control.

0 Selector dial

Turn this dial to select the position for the component to be controlled. (The proper code must be set for your component. Refer to “Setup codes” on page 48.) When the position is selected, the remote control is set to that component operation mode.

Refer to page 8.

Page 12

q A/B/C/D/E, PRESET +/–

These buttons are used to select a preset station. A/B/C/D/E: To select one of a group (A to E) of preset

stations

PRESET +/–: To select a preset station number (1 to 8)

w d (next), u (back)

These buttons are used to advance or go back one selection on the SET MENU and TIME/LEVEL mode.

e SET MENU

Press this button to select the items on the SET MENU.

r POWER

Press this button to turn this unit on.

t STANDBY

Press this button to set this unit in the standby mode.

y VOLUME (+/–)

These buttons are used to adjust the volume level.

u MUTE

Press this button to mute the sound. To cancel mute, press this button again.

EFFECT

Press this button to turn on or off the effect speakers (center and rear) in the following cases:

• When the selector dial is set to the DSP/TUN position.

• While the indicator is lit for about three seconds after pressing DSP.

Description of the Numeric Buttons

The Numeric buttons function in various ways depending on the position of the selector dial or the combination of other instructions.

■ When selecting an input source

1 Press INPUT regardless of the position of the

selector dial.

The indicator lights up for about three seconds.

2 You can select an input source with the

numeric buttons while the indicator is lit.

CONTROLS AND FUNCTIONS

■ When selecting a DSP program

and turning on or off the effect speakers (center and rear)

1 Press DSP regardless of the position of the

selector dial.

The indicator lights up for about three seconds.

2 You can select a DSP program with the

numeric buttons (1 to 8) and turn on or off the effect speakers (center and rear) by pressing EFFECT while the indicator is lit.

1 Set the selector dial to the DSP/TUN position. 2 You can select a DSP program directly with the

numeric buttons (1 to 8) and turn on or off the effect speakers (center and rear) by pressing EFFECT.

■ When selecting a preset station

number

1 Set code number “0023” in the AMP/TUN (or

DSP/TUN) position.

Refer to page 48 for setting the code.

2 Set the selector dial to the AMP/TUN (or DSP/

TUN) position.

3 You can select a preset station number directly

with the numeric buttons (1 to 8).

Refer to page 29.

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INTRODUCTION

PREPARATION

SPEAKER SETUP

Speaker Placement

Refer to the following diagram when you place the speakers.

Speakers to Be Used

This unit is designed to provide the best sound-field quality with a 5-speaker system, using main speakers, rear speakers and a center speaker. If you use different brands of speakers (with different tonal qualities) in your system, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacture or speakers with the same tonal quality.

The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system.

The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use highperformance models that can reproduce sounds over the full range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your

sound field

It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) channel with high fidelity when playing back a source encoded with Dolby Digital or DTS. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction.

Main speaker (L)

Center speaker

Main speaker (R)

Subwoofer

Rear speaker (L)

Rear speaker (R)

1.8 m

■ Main speakers

Place the right and left main speakers an equal distance from the ideal listening position. The distance of each speaker from each side of the TV monitor should be the same.

■ Rear speakers

Place these speakers behind your listening position, facing slightly inwards, nearly 1.8 m (approx. 6 feet) above the floor.

■ Center speaker

Align the front face of the center speaker with the front face of your TV monitor. Place the speaker as close to the monitor as possible, such as directly over or under the monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the center channel sound will be heard from the right and left main speakers. In that case, “CENTER SP” on the SET MENU is set to the NONE position. (Refer to page 36 for details.)

■ Subwoofer

The position of the subwoofer is not so critical, because low bass sounds are not highly directional. But it is better to place the subwoofer near the main speakers. Turn it slightly toward the center of the room to reduce the wall reflections.

CAUTION

Some types of speakers interfere with a TV monitor. If this problem occurs, move the speakers away from the monitor. If you cannot avoid installing the center speaker or subwoofer near the TV monitor, use magnetically shielded speakers.

PREPARATION

Page 14

CONNECTIONS

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been completed.

Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some components require different connection methods and have different terminal names. Refer to the instructions for each component to be connected to this unit.

When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

The input and output terminals for pin plugs can be distinguished as follows:

Yellow video signals (composite)

White analog audio signals for the left channel

Red analog audio signals for the right channel

coaxial digital signals

After completing all connections, check them again to make sure they are correct.

Connecting an Audio Component (page 13)

Connecting a Video Component (pages 14 and 15)

IMPEDANCE SELECTOR switch (page 18)

Connecting the Antenna (pages 11 and 12)

Connecting to an External Decoder (page 15)

Connecting the Speakers (pages 16 and 17)

Connecting the Power Supply Cords (page 18)

(U.S.A. model)

V V

C C

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EnglishBASIC OPERATION

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TION APPENDIX

INTRODUCTION

PREPARATION

Connecting the Antennas

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may improve the quality.

Connect each antenna correctly to the designated terminals.

■ Indoor FM antenna (included)

Firmly insert the connector into the FM ANT terminal. The indoor FM antenna is only a simple antenna. For reception with better sound quality, installing the outdoor FM antenna (commercially available) is recommended.

Note

• Do not connect an outdoor FM antenna and the indoor FM antenna at the same time.

■ Outdoor FM antenna

You may be unable to obtain good FM radio reception depending on your local conditions (distance from the broadcasting station, interposing buildings and mountains, etc.). Consult your dealer or authorized service center and be sure to install an antenna that suits your local conditions. Install the outdoor FM antenna (commercially available) in a high place as far away from any roads as possible to avoid being affected by automobile ignition noise.

CONNECTIONS

Antenna adapter (included for U.S.A. and Canada models)

Note

• Use this adapter to match with F-type connector.

75-ohm coaxial cable

75-ohm/300-ohm antenna adapter

Indoor FM antenna

Page 16

■ AM loop antenna (included)

The AM loop antenna can be removed from the stand and attached to a wall, etc. However, note that the reception sensitivity may deteriorate if the antenna is attached to a metal or steel reinforced wall.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.

■ Connecting the AM loop antenna

1 Press the tab and unlock the terminal hole. 2 Insert the AM loop antenna lead wires into the

AM ANT and GND terminals.

3 Return the tab to its original position to lock

the lead wires. Lightly pull the lead wires to confirm a good connection.

4 Attach the loop antenna to the antenna stand. 5 Orient the AM loop antenna so that the best

reception is obtained.

■ Outdoor AM antenna

If you cannot obtain good reception with the AM loop antenna, connect 5 m to 10 m of vinyl covered wire to the AM ANT terminal and extend it outdoors from a window.

■ Ground (GND terminal)

For maximum safety and minimum interference, connect the antenna GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

CONNECTIONS

Antenna stand

AM loop antenna

Vinyl covered wire (5 m to 10 m)

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TION APPENDIX

INTRODUCTION

PREPARATION

Connecting an Audio Component

■ PHONO terminals

These terminals are used to connect a turntable with an MM or high-output MC cartridge. If you have a turntable with a low-output MC cartridge, use an inline boosting transformer or MC head amplifier when connecting to these terminals.

Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better results may be obtained with the ground wire disconnected.

CONNECTIONS

Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.

Tape deck or

MD recorder

L R

L R L R

OUTPUT

OUTPUT LINE OUT LINE IN

GND

Turntable

(U.S.A. model)

CD player

Analog signal

Signal flow

Page 18

Connecting a Video Component

■ Audio signal terminals

Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.

■ S Video signal terminals

Use a special S VIDEO cable (commercially available) for the S VIDEO connection.

■ Digital audio signal terminals

If your DVD/LD player, TV/digital TV or cable TV/satellite tuner, etc. has coaxial or optical digital signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals. To make a connection between the optical digital signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIA standards. Other cables might not function correctly.

When making connections between the digital signal terminals, you should connect the components to the samenamed analog audio signal terminals of this unit, because a digital signal cannot be recorded by a tape deck, MD recorder or VCR connected to this unit.

Notes

• Be sure to attach the covers when the OPTICAL terminals are not being used in order to protect them from dust.

• If your LD player has a Dolby Digital RF signal output terminal, be sure to use the RF demodulator (separately purchased).

• No sound will be heard when connecting your LD player’s Dolby Digital RF signal output terminal directly to this unit’s COAXIAL DVD/LD digital signal input terminal.

• The input signal from the DVD/LD or CBL/SAT input terminals is selected in the following order of priority with the input mode set to AUTO: COAXIAL terminal → OPTICAL terminal → Analog terminal. Refer to page 23 for details.

• All digital signal input terminals are applicable to sampling frequencies of 32 kHz, 44.1 kHz, 48 kHz and 96 kHz. (Refer to page 24 about 96-kHz sampling 24-bit digital signals.)

CONNECTIONS

L R

ANALOG AUDIO OUT

AUDIO IN

ANALOG AUDIO OUT

AUDIO OUT

S VIDEO OUT

OPTICAL DIGITAL OUT

S VIDEO IN

S VIDEO OUT

S VIDEO IN

COAXIAL DIGITAL OUT

OPTICAL DIGITAL OUT

S S

L R

ANALOG AUDIO OUT

S VIDEO OUT

OPTICAL DIGITAL OUT

COAXIAL DIGITAL OUT

DVD/LD player Cable TV/satellite tuner

(U.S.A. model)

Analog signal

S Video signal

Digital signal (optical)

Digital signal (coaxial)

Signal flow

TV monitor

TV/digital TV

VCR

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TION APPENDIX

INTRODUCTION

PREPARATION

■ VIDEO terminals (composite)

If your video components do not have “S” video terminals, they can be connected to this unit’s VIDEO terminals. Be sure to connect the input (IN) and output (OUT) properly.

Note

• If video signals are input from both the S VIDEO input and composite input terminals, the signals will be directed to their respective output terminals.

■ VIDEO AUX terminals (on the front panel)

These terminals are used to connect any video input source such as a camcorder to this unit.

Connecting to an External Decoder

This unit has additional 6-channel audio signal input terminals for connecting an external decoder to this unit. Connect the 6-channel audio signal output terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit.

Notes

• When a source connected to these terminals is selected, the digital sound field processor cannot be used.

• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and “BASS OUT” on the SET MENU have no effect on a source connected to these terminals. The setting of “MAIN LVL” is effective. (Refer to pages 36 and 37 for details.)

• Adjustment of the output level of the center speaker, rear speakers and subwoofer is effective when a source connected to these terminals is selected as the input source. (Refer to page 39 for details.)

CONNECTIONS

L RV

AUDIO OUT R AUDIO OUT L VIDEO OUT S VIDEO OUT

DVD/LD player

L R L R

MAIN OUT

SURROUND OUT

CENTER OUT

SUBWOOFER OUT

External decoder

(U.S.A. model)

VIDEO IN

VIDEO OUT

VIDEO IN

Cable TV/satellite tuner

TV/digital TV VCR

Video signal

Signal flow

Camcorder

TV monitor

Page 20

Connecting the Speakers

Be sure to connect the right channel (R), left channel (L), “+” (red) and “–” (black) properly. If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass.

CAUTIONS

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage the unit and/or speakers.

■ MAIN SPEAKERS terminals

One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either of the SPEAKERS A or B terminals.

■ REAR SPEAKERS terminals

A rear speaker system can be connected to these terminals.

■ CENTER SPEAKER terminals

A center speaker can be connected to these terminals.

CONNECTIONS

Main speakers A

Right Left

Main speakers B

Right Left

(U.S.A. model)

Center speaker Rear speakers

Right Left

Subwoofer connection

When using a subwoofer with builtin amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input terminal of the subwoofer system to the SUBWOOFER OUTPUT terminal of this unit. Low bass signals distributed from the main, center and/or rear channels are directed to this terminal. (The cut-off frequency of this terminals is 90 Hz.) The LFE (low frequency effect) signals generated when Dolby Digital or DTS is decoded are also directed if they are assigned to this terminal.

Subwoofer

system

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PREPARATION

■ Speaker cables

1 Remove approx. 10 mm (3/8”) of insulation

from each of the speaker cables.

2 Twist the exposed wires of the cable together

to prevent short circuits.

■ Connecting to the MAIN SPEAKERS terminals

1 Unscrew the knob. 2 Insert one bare wire into the hole in the side of

each terminal.

3 Tighten the knob to secure the wire.

■ Connecting to the REAR and CENTER SPEAKERS terminals

1 Open the tab. 2 Insert one bare wire into the hole of each

terminal.

3 Return the tab to secure the wire.

Banana plug connections are also possible. First, tighten the knob and then insert the banana plug connector into the end of the corresponding terminal.

■ Connecting to an external amplifier

The speaker connections described on page 16 are fine for most applications. If you wish to drive your existing amplifier, the following terminals are available for connecting an external amplifier(s) to this unit.

Note

• Output signals from these terminals are affected by the use of VOLUME, BASS, TREBLE and BALANCE.

CONNECTIONS

Red: positive (+) Black: negative (–)

1 MAIN OUTPUT terminals

These terminals are for the main channel line output. Connect the input terminals of the external amplifier to these terminals.

2 CENTER OUTPUT terminals

These terminals are for the center channel line output. Connect the input terminals of the external amplifier to these terminals.

3 REAR (SURROUND) OUTPUT terminals

These terminals are for the rear channel line output. Connect the input terminals of the external amplifier to these terminals.

Note

• If an external amplifier is connected to the MAIN, CENTER or REAR OUTPUT terminals, disconnect the corresponding speakers (main, center or rear) from the SPEAKERS terminals.

10 mm (3/8”)

(U.S.A. model)

Page 22

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be damaged. If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.

Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only when this unit is in the standby mode.

Connecting the Power Supply Cords

After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if you will not use this unit for a long period of time.

■ AC OUTLETS (SWITCHED)

U.S.A. and Canada models .............................. 2 OUTLETS

Australia model .................................................. 1 OUTLET

Use these outlets to connect the power cords from your components to this unit. The power to the AC OUTLET(S) is controlled by this unit’s STANDBY/ON (or POWER and STANDBY). These outlets will supply power to any connected component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLET(S) is 100 W.

If you use left position right position

CONNECTIONS

(U.S.A. model)

SWITCHED

(U.S.A. model)

To AC outlet

IMPEDANCE

SELECTOR

Rear speakers The impedance of each

speaker must be 6 Ω or higher.

The impedance of each speaker must be 8 Ω or higher.

Center speaker

The impedance must be 6 Ω or higher.

The impedance must be 8 Ω or higher.

If you use one pair of main speakers, the impedance of each speaker must be 4 Ω or higher.

If you use one pair of main speakers, the impedance of each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance of each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance of each speaker must be 16 Ω or higher. [Canada model only] The impedance of each speaker must be 8 Ω or higher.

Main speakers

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TION APPENDIX

INTRODUCTION

PREPARATION

Using the Test Tone

The adjustment of each speaker sound output level should be performed at your listening position with the remote control. After completing the adjustments, use VOLUME (+/–) at your listening position to check if the adjustments are satisfactory.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN) position.

2 Press TEST .

“TEST LEFT” appears on the display.

3 Turn up the volume.

You will hear a test tone (like pink noise) from each speaker for about two seconds in the following order: left main speaker, center speaker, right main speaker, right rear speaker and left rear speaker. The display changes as shown below.

Notes

• If the test tone cannot be heard, turn down the volume, set the unit in the standby mode and check the speaker connections.

• If the test tone cannot be heard from the center speaker, check the setting of “CENTER SP” on the SET MENU.

This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Pro Logic decoder, Dolby Digital decoder and DTS decoder.

Before You Start Adjusting

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main speakers to be used.

If you use two main speaker systems, press both A and B.

4 Set BASS, TREBLE and BALANCE to the “0”

position.

ADJUSTING THE SPEAKER BALANCE

–+–+

2,7

TEST LEFT

TEST

RIGHT

TEST L SUR. TEST R SUR.

TEST CENTER

Page 24

4 Adjust BALANCE on the

front panel so that the sound output level of the right main speaker and the left main speaker is the same.

5 Press TIME/LEVEL

repeatedly to select the speaker to be adjusted.

“CENTER”, “R SUR.” or “L SUR.” appears on the display.

After pressing TIME/LEVEL once, you can also select the item by pressing d. (Pressing u changes the selection in the reverse order.)

6 Press i to raise and j to

lower the level. Adjust the sound output levels of the center speaker and the rear speakers so that they become almost the same as that of the main speakers.

While adjusting, the test tone is heard from the selected speaker.

Note

• You cannot adjust the delay time while the test tone is being heard even if “DELAY” appears on the display.

ADJUSTING THE SPEAKER BALANCE

Front panel

7 When the adjustment is complete, press TEST.

“TEST OFF” appears on the display and the test tone stops.

Note

• If “CENTER SP” on the SET MENU is set to the NONE position, the sound output level of the center speaker cannot be adjusted in step 6. The center channel sound is automatically output from the right and left main speakers.

• Once you have completed the adjustments, you can only adjust the overall volume level of your audio system by using VOLUME (or VOLUME (+/–)).

• If you use external amplifiers, you may also use their volume controls to achieve the proper balance.

• If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting “MAIN LVL” on the SET MENU to “–10 dB”. (Refer to page 37 for details.)

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When using the remote control, set the selector dial to the AMP/TUN position.

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main speakers to be used.

If you use two main speaker systems, press both A and B.

PLAYING A SOURCE

–+–+

1,6

4 Select the desired input

source with INPUT SELECTOR (or the input selector buttons). (Turn on the TV monitor for video sources.)

The name of the selected input source appears for a moment and the arrow for the selected input source indicator lights up on the display.

a. To select a tape or an MD source

Press TAPE/MD MON / EXT. DECODER (or TAPE/MD) so that the “TAPE/MD MONITOR” indicator lights up on the display.

b. To select a source connected to the

EXTERNAL DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER repeatedly (or EXT. DEC.) until “EXT. DECODER” appears on the display.

Notes

• If the “TAPE/MD MONITOR” indicator lights up or “EXT. DECODER” is shown on the display, no other audio source except a tape/MD source and a source connected to the EXTERNAL DECODER INPUT terminals can be played. To select another input source with INPUT SELECTOR (or the input selector buttons):

– Press TAPE/MD MON / EXT. DECODER twice (or TAPE/MD

once) to turn off the “TAPE/MD MONITOR” indicator.

– Press TAPE/MD MON / EXT. DECODER once (or EXT.

DEC.) to turn off “EXT. DECODER”.

• If you select and play a video source when the “TAPE/MD MONITOR” indicator lights up, the play back result will be a video image from the video source and the sound from the audio source connected to the TAPE/MD IN (PLAY) terminals.

• A video source cannot be selected when “EXT. DECODER” is shown on the display. If you want to enjoy an audio source connected to the EXTERNAL DECODER INPUT terminals together with a video source, first select the video source and then select the source connected to the EXTERNAL DECODER INPUT terminals.

For the DVD/LD, TV/digital TV and cable TV/satellite tuner sources, the current input mode is also shown. Refer to page 23 for details about the input mode.

Front panel

Remote control

Front panel

Input source

BASIC OPERATION

Front panel Remote control

Page 26

5 Play the source.

Refer to the instructions for the source component (and page 27 for details about tuning).

Note

• When controlling an audio/video component (tape deck, MD recorder, CD player, DVD/LD player, etc.) with the remote control, set the selector dial to the appropriate position (TAPE/ MD, CD, DVD/LD, etc.), corresponding to the component you want to control. Refer to “PRESET REMOTE CONTROL” on page 42.

6 Adjust the volume to the desired output level.

If desired, adjust BASS, TREBLE, BALANCE, etc. These controls are only effective for sound from the main speakers.

• BASS controls the low-frequency response.

• TREBLE controls the high-frequency response.

• BALANCE adjusts the balance of the output volume from the right and left main speakers.

7 Use the digital sound field processor.

Refer to page 25.

PLAYING A SOURCE

■ To mute the sound

Press MUTE on the remote control.

To cancel mute, press MUTE.

Note

• During muting, “MUTE ON” appears on the display.

■ When you have finished using this

unit

Press STANDBY/ON (or STANDBY) to set this unit in the standby mode.

■ BGV (background video) function

The BGV function allows you to combine a video image from a video source with a sound from an audio source. (For example, you can listen to classical music while you are watching a video.) This function can only be controlled with the remote control.

Play a video source, and then select an audio source with the input selector buttons on the remote control. The BGV function does not work if you select the audio source with INPUT SELECTOR on the front panel.

Remote controlFront panel

–+–+

Front panel

Front panel Remote control

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Input Mode (for the DVD/LD, TV/ digital TV and cable TV/satellite tuner sources)

This unit allows you to switch the input mode for sources that send both digital and analog signals to this unit. The AUTO, DTS and ANALOG input modes are provided.

When you turn on the power of this unit, the input mode for the DVD/LD source is always set to AUTO and for TV/ digital TV or cable TV/satellite tuner source is set according to “TV INPUT” and “CBL INPUT” on the SET MENU. (Refer to page 38 for details.)

■ AUTO

In this mode, the input signal is selected in the following order of priority:

1. Digital signal encoded with Dolby Digital or DTS

2. Normal digital signal (PCM)

3. Analog signal (ANALOG)

Note

• If digital signals are input from both the OPTICAL and COAXIAL terminals, the digital signal from the COAXIAL terminal is selected.

■ DTS

In this mode, only a digital signal encoded with DTS is selected, even if other signals are being input at the same time.

■ ANALOG

In this mode, only an analog signal is selected, even if a digital signal is being input at the same time. Select this mode when you want to use an analog signal instead of a digital signal.

PLAYING A SOURCE

■ Switching the input mode

Press INPUT MODE (or the input selector button that you have pressed to select the input source on the remote control) repeatedly until the desired input mode is shown on the display.

Notes

• Set the input mode to AUTO to play a DVD/LD source encoded with Dolby Digital.

• The sound output may be interrupted for some LD and DVD players in the following situation: The input mode is set to AUTO. A search is performed while playing the disc encoded with Dolby Digital or DTS, and then disc playing is restored. The sound output is interrupted for a moment because the digital signal was selected again.

• The input mode cannot be changed for the CD, TUNER, TAPE/ MD, VCR, PHONO and VIDEO AUX sources because only analog signals are used for these.

• The current input mode appears on the display when the DVD/ LD, TV/digital TV or cable TV/satellite tuner source is selected, or the input mode is changed.

Front panel Remote control

Page 28

■ Notes on playing a source

encoded with DTS

• If “DATA ERROR” appears on the display while playing an LD source encoded with DTS, stop playback and turn the player off and then on again.

• If the digital output data of the player has been processed in any way, you may not be able to perform DTS decoding even if you make a digital connection between this unit and the player.

• If you play an LD source encoded with DTS and set the input mode to ANALOG, there will be the noise of an unprocessed DTS signal. When you want to play a DTS source, be sure to connect the source to the digital input terminal and set the input mode to AUTO or DTS.

• If you switch the input mode to ANALOG while playing a source encoded with a DTS signal, this unit reproduces no sound.

• If you play a source encoded with DTS and set the input mode to AUTO, there will be a short noise at first while the unit recognizes the DTS signal and turns on the DTS decoder. This is not a malfunction, and can be avoided by setting the input mode to DTS beforehand. In addition, if you continue to play a source encoded with DTS with the input mode setting left to AUTO, this unit automatically switches to the “DTS-decoding” mode to prevent noise from being generated during subsequent operation. (The “t” indicator lights up on the display.) The “t” indicator will flash immediately after playback of a source encoded with DTS has finished. Only a source encoded with DTS can be played back while this indicator is flashing. If you want to play a normal PCM source soon, set the input mode back to AUTO.

PLA YING A SOURCE

■ Notes on playing an LD source

• Some audio/video components, such as an LD player, output different audio signals through their analog and digital terminals. Change the input mode as necessary.

• If the input mode is set to AUTO for the LD source, this unit automatically determines which type of signal the LD source contains. If this unit detects a Dolby Digital or DTS signal, the decoder automatically switches to the appropriate setting and reproduces 5.1 channel sound.

• If the LD player is transmitting signals by a non-normal method, this unit cannot detect the Dolby Digital or DTS signal. In this case, the decoder automatically switches to PCM or analog.

• If the LD source does not contain a digital soundtrack, connect the LD player to the analog terminals and set the input mode to AUTO or ANALOG.

• While you are operating the LD player and playing a disc encoded with Dolby Digital, if you switch from the pause or chapter forwarding function to normal playback, you may hear the PCM or analog sound an instant before the Dolby Digital sound is played.

■ Notes on the digital signal

The digital input terminal of this unit can also handle 96-kHz sampling 24-bit digital signals. (To utilize this, use a source that supports 96-kHz sampling 24-bit digital signals and set the player for digital output. Refer to the instructions for the player.) Note the following when a 96-kHz sampling 24-bit digital signal is input to this unit.

1. The following indicator will appear on the display.

2. DSP programs cannot be selected. Sound will be output

as normal 2-channel stereo sound using only the right and left main speakers.

3. Delay time and speaker output level cannot be adjusted.

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■ On the remote control

1 Make sure that the effect speakers (center and

rear) and subwoofer are turned on.

2 Press DSP.

The indicator lights up for about three seconds.

3 Use the numeric buttons

(1 to 8) to select the desired program before the indicator goes off.

The name of the selected program appears on the display.

If the selector dial is set to the DSP/TUN position, you can select a DSP program directly with the numeric buttons.

If desired, adjust the delay time and the sound output level of each speaker. (Refer to pages 39 and 40 for details.)

Notes

• You can select a DSP program for each of the input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically selected.

• When a monaural source is being played with PRO LOGIC/ Normal or PRO LOGIC/ENHANCED, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. However, if “CENTER SP” on the SET MENU is set to the NONE position, the center channel sound is output from the main speakers.

• When a source connected to the EXTERNAL DECODER INPUT terminals of this unit is selected, the digital sound field processor cannot be used.

• When high-rate 96-kHz sampling 24-bit digital signals are input to this unit, no DSP program can be selected and the sound is only output from right and left main speakers as a normal 2-channel stereo sound.

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

Selecting a DSP Program

You can enhance your listening experience by selecting a DSP program. Refer to pages 32 to 34 for details about each program.

■ On the front panel

1 Make sure that the effect speakers (center and

rear) and subwoofer are turned on.

2 Press PROGRAM h or l

repeatedly to select the desired program.

The name of the selected program appears on the display.

–+–+

DSP program name

Page 30

Canceling the Sound Effect (turning off the effect speakers)

Press EFFECT to cancel the sound effect and monitor only the main sound.

Press EFFECT again to turn the sound effect back on.

If the selector dial is set to a position other than the DSP/TUN position, first press DSP and then EFFECT on the remote control.

Notes

• If you turn off the sound effect when Dolby Digital or DTS is decoding, the sounds of the center and rear channels are mixed and output from the main speakers.

• If you turn off the sound effect when Dolby Digital or DTS is decoding, it may happen that the sound is output faintly or not output normally, depending on the source. In this case, turn sound effect back on.

Front panel

Remote control

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

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5 Press PRESET/TUNING h once to tune in to a

higher frequency or l once to tune in to a lower frequency.

Press the button again if the tuning search does not stop at the desired station.

• Use the manual tuning method if the tuning search does not stop at the desired station (because the signal from the station is weak).

• When tuned in to a station, the frequency of the received station is shown on the display.

Manual Tuning

1 Use INPUT SELECTOR to

select the tuner as the input source.

2 Press FM/AM to select the reception band (FM

or AM).

“FM” or “AM” appears on the display.

3 Press TUNING MODE so that the “AUTO”

indicator goes off.

4 Press PRESET/TUNING (EDIT) to turn “ z ” off.

5 Press PRESET/TUNING h or l to tune in to

the desired station.

To continue the tuning search, hold down the button.

Note

• If you tune in manually to an FM station, it will be automatically received in monaural mode to increase the signal quality.

TUNING

–+–+

Automatic tuning is effective when station signals are strong and there is no interference. However, if the signal from the station you want to select is weak, you must tune in to it manually (manual tuning).

Automatic Tuning

1 Use INPUT SELECTOR to

select the tuner as the input source.

2 Press FM/AM to select the reception band (FM

or AM).

“FM” or “AM” appears on the display.

3 Press TUNING MODE so that the “AUTO”

indicator lights up on the display.

4 Press PRESET/TUNING (EDIT) to turn “ z ” off.

Lights up

Goes off

Turn “ z ” off

Page 32

Automatic Preset Tuning (for FM stations only)

You can make use of the automatic preset tuning function for FM stations only. This function enables the unit to automatically tune in with strong signals and to sequentially store up to 40 FM stations (5 groups x 8 stations).

1 Press FM/AM to select the FM band.

2 Press TUNING MODE so that the “AUTO”

indicator lights up on the display.

3 Hold down MEMORY for about three seconds.

The preset number, the “MEMORY” and “AUTO” indicators flash. After about five seconds, automatic preset tuning begins from the frequency currently displayed toward the higher frequencies.

Received stations are sequentially stored as A1, A2 ... A8. If more than 8 stations have been tuned, they are stored as preset station numbers in other groups (B, C, D and E) in that order.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the memory will be erased. If so, store the stations again by using preset tuning methods.

–+–+

21 3

■ Automatic preset tuning options

You can select the preset number from which the unit will store FM stations and/or begin tuning toward lower frequencies. Before automatic preset tuning begins (after pressing MEMORY in step 3):

1. Press A/B/C/D/E and PRESET/TUNING h or l to

select the preset number with which the first station will be stored. The automatic preset tuning will stop when stations have all been stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn “ z ” off and

then press PRESET/TUNING l to begin tuning toward lower frequencies.

■ When automatic preset tuning is

completed

The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure in the section “To Recall a Preset Station” on page 29.

Notes

• A new setting can be stored in place of the former one.

• You can manually replace a preset station with another FM or AM

station by simply using the manual preset tuning method.

• Even if the number of received stations is not enough to be stored

up to E8, automatic preset tuning is automatically ended after searching for all stations.

• Only FM stations with sufficient signal strength are stored by

automatic preset tuning. If the station you want to store is weak in signal strength, tune in to it manually in monaural mode and store it by using the manual preset tuning method.

TUNING

Lights up

Flashes

Page 33

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

TUNING

To Recall a Preset Station

You can recall any desired station simply by selecting the preset station number with which it was stored.

You can also recall a preset station with the remote control. Set the selector dial to the AMP/TUN position and press TUNER (number 2) to select the tuner as the input source.

1 Press A/B/C/D/E to select the required group

of preset stations.

Make sure that “ z ” appears on the display.

2 Press PRESET/TUNING h or l (or PRESET

+/–) to select a preset station number (1 to 8).

The preset group and number appear on the display along with the reception band, frequency and signal strength information.

You can select the preset station number with the numeric buttons (1 to 8) on the remote control if code number “0023” has been set in the AMP/TUN (or DSP/TUN) position.

–+–+

1 2

Flashes

Front panel

Remote control

Front panel

Remote control

–+–+

3 2,54

Manual Preset Tuning

You can also store up to 40 stations (5 groups x 8 stations) manually.

1 Tune in to the desired station.

Refer to page 27 for the tuning procedure.

2 Press MEMORY.

The “MEMORY” indicator flashes for about five seconds.

3 Press A/B/C/D/E repeatedly to select the

desired group (A to E) of preset stations before the “MEMORY” indicator goes off.

Make sure that “ z ” appears on the display. The selected group appears on the display.

4 Press PRESET/TUNING h or l to select a

preset station number (1 to 8) with which you want to store the station before the “MEMORY” indicator goes off.

Press h to select a higher preset station number and l to select a lower preset station number.

5 Press MEMORY before the “MEMORY”

indicator goes off.

The displayed station has been stored as the preset group and number you have selected, and the reception band and frequency appear on the display.

6 Repeat steps 1 to 5 to store other stations.

Notes

• A new setting can be stored in place of the former one.

• The reception mode (stereo or monaural) is stored along with the station frequency.

Page 34

–+–+

2,4

Exchanging Preset Stations

You can exchange the assignment of two preset stations with each other.

■ Example: If you want to exchange

preset station “E1” with “A5”

1 Recall preset station “E1”.

Refer to the procedure in the section “To Recall a Preset Station” on page 29.

2 Hold down (PRESET/TUNING) EDIT for about

three second.

“E1” and the “MEMORY” indicator flash.

3 Recall preset station “A5” by using the buttons

on the front panel.

“A5” and the “MEMORY” indicator flash.

4 Press (PRESET/TUNING) EDIT again.

The display shows the exchange of stations has been completed.

TUNING

Flashes

Page 35

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE

–+–+

1,42

Recording adjustments and other operations are performed from the tape deck, MD recorder or VCR. Refer to the instructions for these components.

1 Set VOLUME to the “m”

position.

2 Select the source you want to record.

3 Begin recording by the tape deck, MD recorder

or VCR connected to this unit.

4 Play the source and then turn up the volume to

confirm the input source.

If a tape deck or MD recorder is being used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD).

Notes

• The DSP program and the setting of VOLUME, BASS, TREBLE and BALANCE have no effect on the material being recorded.

• Composite video and S video signals pass independently through this unit’s video circuits. Therefore, when recording or dubbing video signals, if your video source component is connected to provide only an S video (or only a composite video) signal, you can record only an S video (or only a composite video) signal by your VCR.

• A source connected to this unit only through the digital terminals cannot be recorded by the tape deck, MD recorder or VCR connected to this unit.

• A source connected to the EXTERNAL DECODER INPUT terminals of this unit cannot be recorded.

• Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws.

If you play back a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals.

Remote controlFront panel

Front panel

Remote control

Page 36

[4] PRO LOGIC/ENHANCED

( ox)

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 4 channels

• DSP: 1 (surround)

[5] DOLBY DIGITAL/ENHANCED

( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 2 (surround L, R)

[6] DTS DGTL SUR/ENHANCED

( tx)

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 2 (surround L, R)

This program ideally simulates the multisurround speaker systems of the 35 mm-film movie theater. Dolby Pro Logic decoding, Dolby Digital decoding or DTS decoding and digital sound field processing are precisely performed without altering the original sound orientation. The surround effect produced by the sound field folds around the viewer naturally from the rear to the right and left, and toward the screen.

SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theaterlike experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this will, of course, depend on what you are listening to).

When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned on according to which type of signals the source being played contains.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital re-creations of actual acoustic environments.

• The input source given in the following table for programs 4 through 8 indicates that input source which each program is best suited for.

• Select the DSP program that you feel sounds best regardless of the name and description given for it below.

■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP

programs)

No. PROGRAM SUBPROGRAM FEATURES

1 q/DTS

SURROUND

[1] PRO LOGIC/Normal ( o )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 4 channels

• DSP: —

[2] DOLBY DIGITAL/Normal ( g )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: —

[3] DTS DGTL SUR/Normal ( t )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: —

The built-in Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder precisely reproduces the sound and effect of a source encoded with Dolby Surround, Dolby Digital or DTS. The realization of a highly efficient decoding process improves cross talk and channel separation, and makes sound positioning smoother and more precise. In this program, the digital sound field processor is not turned on.

ADVANCED OPERATION

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

No. PROGRAM SUBPROGRAM FEATURES

2 MOVIE

THEATER1

3 MOVIE

THEATER2

[1] 70 mm SPECTACLE

( ox)

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL SPECTACLE

( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[3] DTS SPECTACLE ( tx )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program creates the extremely wide sound field of a movie theater. It precisely reproduces the source sound in detail, giving both the video and the sound field incredible reality. It is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie productions).

[1] 70 mm ADVENTURE

( ox )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL ADVENTURE

( gx)

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[3] DTS ADVENTURE ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Ideal for precisely reproducing the sound of the newest multi-track films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The data for the sound field of an opera house are used for the front presence, so the threedimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. By using the data for the sound field of a concert hall on the surround sound field, powerful reverberations are generated. You can enjoy watching action, adventure movies, etc. with strong presence.

[4] 70 mm GENERAL ( ox )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[5] DGTL GENERAL ( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[6] DTS GENERAL ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program is for reproducing sounds on a multi-track film, and is characterized by a soft and extensive sound field. The front presence of the sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining echo effect of conversations without losing clarity. For the surround sound field, the harmony of music or chorus sounds beautifully in a wide space at the rear of the sound field.

[4] 70 mm SCI-FI ( o x )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[5] DGTL SCI-FI ( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[6] DTS SCI-FI ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques.

SOUND FIELD PROGRAM

Page 38

No. PROGRAM FEATURES

4 MONO MOVIE ( x )

• Input source: Monaural

• Output channel: 1 channel

• DSP: 1

This program is designed specifically to enhance monaural sources. Compared to a strictly mono setting, the sound image is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective for old mono movie, news broadcasts and dialog.

5 TV SPORTS ( x )

• Input source: Audio/Video

• Output channel: 2 to 5.1 channels

• DSP: 2 to 3 (presence & surround)

This program is furnished with a tight sound field in which the sound will not spread excessively at the front, but the rear surround produces dynamic sound expansion. It is the most suitable for sports programs.

■ For Hi-Fi audio sources

No. PROGRAM FEATURES

6 DISCO ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program simulates the acoustic environment of a disco in the heart of a lively city. The sound is dense and highly concentrated.

7 ROCK CONCERT ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program is ideally suited for rock music. You will experience a dynamic and lively sound field.

8 CONCERT HALL ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program creates the expansive ambience of a large concert hall. It is suited for orchestra and opera music.

CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP

■ Dolby Pro Logic + 2 digital sound fields

Digital sound fields are created in both the presence and rear surround zones of the Dolby Pro Logic-decoded sound field. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you were watching a movie in a popular Dolby Stereo theater.

■ Dolby Digital or DTS + 3 digital sound fields

Digital sound fields are created in the presence zone and independently on the left and right surround zones of the Dolby Digital-decoded or DTS-decoded sound field. They create a wide acoustic environment and strong surround effect in the room without losing high channel separation. With the wide dynamic range of Dolby Digital or DTS sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Digital theater or DTS-installed theater. This is the most ideal home theater sound at the present time.

SOUND FIELD PROGRAM

Page 39

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

SET MENU

This unit provides you with the following items on the SET MENU to maximize the performance of your system and expand your enjoyment for audio listening and video watching.

1. CENTER SP

2. REAR SP

3. MAIN SP

4. BASS OUT

5. MAIN LVL

6. D.D. LFE

7. D-RANGE

8. DTS LFE

9. CNTR DELAY

10.MEM. GUARD

11.TV INPUT

12.CBL INPUT

Adjusting Items on the SET MENU

Adjustments should be performed with the remote control while watching the information on the display.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN) position.

2 Press SET MENU

repeatedly to select the item you want to adjust.

The selected item appears on the display.

After pressing SET MENU once, you can also select the item by pressing d. (Pressing u goes back one selection.)

3 Press i or j repeatedly to

adjust the setting.

4 Repeat steps 2 and 3 to adjust the setting of

any other item in the same way.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the settings of the SET MENU will automatically return to the preset positions and values. If so, adjust the settings of the SET MENU again.

Page 40

Description of Each Item

1. CENTER SP

Choices: LRG (Large)/SML (Small)/NONE Preset position: LRG (Large)

LRG (Large)

Select this position if your center speaker is approximately the same size as the main speakers. In this position, fullrange signals on the center channel are directed to the center speaker.

SML (Small)

Select this position if you use a center speaker that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) on the center channel are distributed to the SUBWOOFER OUTPUT terminal (or to the right and left main speakers if “BASS OUT” is set to the MAIN position).

NONE

Select this position if you do not have a center speaker (4-speaker system). In this position, full-range signals on the center channel are directed to the right and left main speakers.

2. REAR SP

Choices: LARGE/SMALL Preset position: LARGE

LARGE

Select this position if your rear speakers have high ability for bass reproduction, or if a subwoofer is connected in parallel to the rear speaker. In this position, full-range signals on the rear channels are directed to the rear speakers.

SMALL

Select this position if your rear speakers do not have high ability for bass reproduction. In this position, low bass signals (below 90 Hz) on the rear channels are distributed to the SUBWOOFER OUTPUT terminal (or to the right and left main speakers if “BASS OUT” is set to the MAIN position).

3. MAIN SP

Choices: LARGE/SMALL Preset position: LARGE

LARGE

Select this position if your main speakers have high ability for bass reproduction. In this position, full-range signals on the main channels are directed to the right and left main speakers.

SMALL

Select this position if your main speakers do not have high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) on the main channels are distributed to the SUBWOOFER OUTPUT terminal if “BASS OUT” is set to the SW position.

4. BASS OUT

Choices: SW/MAIN/BOTH Preset position: BOTH

SW/BOTH

Select either the SW or BOTH position if your system includes a subwoofer. In either position, signals on the LFE channel and low bass signals (below 90 Hz) on the center and rear channels are directed to the SUBWOOFER OUTPUT terminal if “CENTER SP” is set to the SML or NONE position and “REAR SP” is set to the SMALL position. In the SW position, low bass signals on the main channels are directed to the SUBWOOFER OUTPUT terminal if “MAIN SP” is set to the SMALL position. In the BOTH position, low bass signals on the main channels are directed to both the main speakers and the SUBWOOFER OUTPUT terminal.

Note

• When playing a 2-channel source (tape, MD, CD, video cassette etc.), select the BOTH position to direct low bass signals (below 90 Hz) to the SUBWOOFER OUTPUT terminal.

MAIN

Select this position if your system does not include a subwoofer. In this position, besides full-range signals on the main channels, signals on the LFE channel and other low bass signals (below 90 Hz) that are distributed from other channels are directed to the right and left main speakers.

SET MENU

Page 41

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

7. D-RANGE (Adjusting the dynamic range)

Choices: MAX/STD (Standard)/MIN Preset position: MAX

Note

• This adjustment is only effective when Dolby Digital is being

decoded.

“Dynamic range” is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature a very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending on the condition of your listening environment, it may not be possible to increase the sound output to a level as high as that in a movie theater. However, at the normal level suitable for listening in your room, the low-level parts of source sound often cannot be heard well because they will be lost among noise in your environment. Dolby Digital technology has also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the sound data.

MAX

In this position, a source encoded with Dolby Digital is reproduced in the original sound track’s wide dynamic range to provide you with powerful sounds just like those in a movie theater. Selecting this position will be even better if you can listen to a source at a high output level in a room specially soundproofed for audio/video enjoyment.

STD (Standard)

In this position, a source encoded with Dolby Digital is reproduced in the “compressed” dynamic range of the source that is suitable for low-level listening.

MIN

In this position, the dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source at a low level.

Note

• It may happen that sound is output faintly or not output normally

depending on the source. In that case, select the MAX or STD position.

5. MAIN LVL

Choices: NORM (Normal)/–10 dB Preset position: NORM (Normal)

NORM (Normal)

Normally select this position.

–10 dB

Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated.

Notes

• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and “BASS OUT” have no effect on a source connected to the EXTERNAL DECODER INPUT terminals on the rear of this unit.

• Once you have adjusted appropriately for “CENTER SP”, “REAR SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not have to change any settings unless your speaker system is modified.

6. D.D. LFE (Adjusting the output

level of the LFE channel for Dolby Digital)

Control range: –20 dB to 0 dB (in 1 dB steps) Preset value: 0 dB

Note

• This adjustment is only effective when Dolby Digital is being decoded and the selected source encoded with Dolby Digital contains LFE signals.

This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are directed to the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted.

SET MENU

Page 42

8. DTS LFE (Adjusting the output

level of the LFE channel for DTS)

Control range: –10 dB to +10 dB (in 1 dB steps) Preset value: 0 dB

Note

• This adjustment is effective only when DTS is being decoded and

the selected source encoded with DTS contains LFE signals.

9. CNTR DELAY (Adjusting the delay

of the sound from the center speaker)

Control range: 0 ms to 5 ms (in 1 ms steps) Preset value: 0 ms

This adjusts the delay between the main sound (on the main channels) and dialog, etc. (on the center channel). The larger the value, the later the dialog, etc. is generated.

This makes sounds from the left main, center and right main speakers reach your listening position at the same time. This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the right and left main speaker to your listening position.

10.MEM. GUARD (Locking the settings)

Choices: ON/OFF Preset position: OFF

If you wish to prevent accidental alterations to the settings of the SET MENU and other adjustments on this unit, select the ON position. The following settings on this unit can be locked:

• Settings of other items on the SET MENU

• Settings in the TIME/LEVEL mode

• Settings when using TEST

11.TV INPUT (Selecting the initial input mode for a source connected to the D-TV input terminals)

Choices: AUTO/LAST Preset position: AUTO

The input mode for a source connected to the D-TV input terminals of this unit can be automatically set when the power of this unit is turned on. Refer to page 23 for details about the input mode.

AUTO

In this position, the input mode is always set to AUTO.

LAST

In this position, the input mode is automatically set to that selected the last time when the power of this unit was turned on.

12.CBL INPUT (Selecting the initial input mode for a source connected to the CBL/SAT input terminals)

Choices: AUTO/LAST Preset position: AUTO

The input mode for a source connected to the CBL/SAT input terminals of this unit can be automatically set when the power of this unit is turned on. Refer to page 23 for details about the input mode.

AUTO

In this position, the input mode is always set to AUTO.

LAST

In this position, the input mode is automatically set to that selected the last time when the power of this unit was turned on.

SET MENU

Page 43

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

1. PRO LOGIC/Normal 15 to 30 20 DOLBY DIGITAL/Normal 0 to 15 5 DTS DGTL SUR/Normal 0 to 15 5 PRO LOGIC/ENHANCED 15 to 30 20 DOLBY DIGITAL/ENHANCED 0 to 15 5 DTS DGTL SUR/ENHANCED 0 to 15 5

2. 70 mm SPECTACLE 15 to 30 23 DGTL SPECTACLE 1 to 99 15 DTS SPECTACLE 1 to 99 15 70 mm SCI-FI 15 to 30 20 DGTL SCI-FI 1 to 99 16 DTS SCI-FI 1 to 99 16

3. 70 mm ADVENTURE 15 to 30 20 DGTL ADVENTURE 1 to 99 15 DTS ADVENTURE 1 to 99 15 70 mm GENERAL 15 to 30 20 DGTL GENERAL 1 to 99 15 DTS GENERAL 1 to 99 15

4. MONO MOVIE 1 to 99 49

5. TV SPORTS 1 to 99 9

6. DISCO 1 to 99 40

7. ROCK CONCERT 1 to 99 16

8. CONCERT HALL 1 to 99 44

DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder, you can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you wish.

Note

• When high-rate 96-kHz sampling 24-bit digital signals are input to this unit, the delay time and speaker output levels cannot be adjusted.

Delay Time

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. The delay time can be individually adjusted to all DSP programs.

Notes

• Adding too much delay will cause an unnatural effect with some sources.

• The sound is momentarily interrupted while adjusting the delay time.

Sound Output Level of the Center, Right Rear and Left Rear Speakers, and Subwoofer

If desired, you can adjust the sound output level of each speaker even if it has already been adjusted in “ADJUSTING THE SPEAKER BALANCE” on pages 19 and 20.

Notes

• The sound output level of the center speaker cannot be adjusted when the input signal is analog, PCM audio, or encoded with Dolby Digital in 2-channel.

• If “CENTER SP” on the SET MENU is set to the NONE position, the sound output level of the center speaker cannot be adjusted. This is because the center channel sound is automatically output from the right and left main speakers.

• Once the sound output level has been adjusted, the level will be the same for all DSP programs.

Speaker Control range (dB) Preset value Center MIN, –20 to +10 0 Right rear MIN, –20 to +10 0 Left rear MIN, –20 to +10 0 Subwoofer MIN, –20 to 0 0

Program

Control range (ms)

Preset value

Page 44

Adjusting Method

Adjustments should be performed with the remote control while watching the information on the display.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN) position.

2 Press TIME/LEVEL repeatedly to select the

item you want to adjust.

Each time you press TIME/LEVEL, the selected item changes and appears on the display as shown below.

You can also select the item by pressing d. (Pressing u changes the selection in the reverse order.)

Note

• Depending on the setting of the SET MENU, you may not be able to select all these items.

DELAY TIME AND SPEAKER OUTPUT LEVELS

3 Press i or j to adjust the

delay time or speaker output levels.

4 Repeat steps 2 and 3 to adjust the settings of

any other item.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the latest values for the delay time and the center/rear/ subwoofer output levels that were set will automatically return to the preset values. If so, adjust the delay time and output levels again.

Delay time Center speaker output level

Right rear speaker output level Left rear speaker output level

Subwoofer output level

DELAY

CENTER

R SUR.

L SUR.

SWFR

Page 45

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

SLEEP TIMER

Canceling the Selected SLEEP Timer

Press SLEEP repeatedly until “SLEEP OFF” appears on the display.

It will soon disappear and the “SLEEP” indicator will go off.

Note

• The SLEEP timer can also be canceled by setting the unit in the standby mode by using STANDBY on the remote control (or STANDBY/ON on the front panel), or by disconnecting the AC power cord from the AC power outlet.

The SLEEP timer can be used to automatically set this unit in the standby mode. This timer is useful when you are going to sleep while enjoying the desired input source. The SLEEP timer can only be set with the remote control.

Note

• The SLEEP timer is effective for the components connected to the AC OUTLET(S) on the rear panel of this unit.

Setting the SLEEP Timer

1 Play a source you want to enjoy when you are

going to sleep.

2 Set the selector dial to a

position other than the TV position.

3 Press SLEEP repeatedly to

select the desired SLEEP time.

Each time you press SLEEP, the SLEEP time will change as below:

4 The “SLEEP” indicator soon lights up on the

display after the SLEEP timer has been set.

The display returns to the previous indication.

Lights up

Flashes

120 90 60 30

The SLEEP timer is off

(SLEEP OFF).

(This is the state before

SLEEP is pressed.)

Page 46

PRESET REMOTE CONTROL

The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected to it.

Selector Dial

There are nine positions that you can select to control connected components with this remote control. For example, if the CD position is selected, the remote control is set in the CD operation mode, allowing the CD player to be operated by the buttons on the remote control. When turning the selector dial, the position changes as follows:

Note

• The button functions on the remote control differ depending on the position of the selector dial. Refer to the following pages for details.

Commonly used buttons in any position of the selector dial

Regardless of the position of the selector dial, you can control this unit and your TV with the following buttons.

Note

• You have to set the code for your TV before you can control the TV.

■ Controlling this unit

Refer to pages 7 and 8.

1 STANDBY 2 POWER 3 VOLUME (+/–) 4 SLEEP

Note

• If you have set the code for your TV and set the selector dial to the TV position, this button is used to set the SLEEP timer for the TV.

5 MUTE

Note

• If you have set the code for your TV and set the selector dial to the TV position, this button is used to mute the TV sound.

■ Controlling your TV

! TV POWER @ TV INPUT # TV VOLUME

AMP/TUN

You can perform the basic operations of this unit. Refer to pages 7 and 8.

The code for a YAMAHA CD player is factory set.

CBL/SAT

A cable TV or satellite tuner can be controlled.

VCR

A VCR can be controlled.

A TV can be controlled.

TAPE/MD

The code for a YAMAHA tape deck is factory set. (Be sure to set the proper code when operating an MD recorder.)

DVD/LD & DVD MENU

An LD player can be controlled in the DVD/ LD position. A DVD player can be controlled in the DVD/LD and DVD MENU positions. The code for a YAMAHA DVD player is factory set. If the remote control does not operate your YAMAHA DVD player, you need to set the code number “0048”.

DSP/TUN

This unit can be controlled and DSP programs can be selected directly.

Selector

dial

Page 47

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

3 7

Controlling the Components Connected to This Unit

■ Example: To control a YAMAHA CD

player

1 Make sure that VOLUME is set to the “m”

position.

2 Set the selector dial to the

CD position.

3 Turn on the power.

4 Press INPUT.

The indicator lights up for about three second.

5 Press CD (number 1) while

the indicator is lit.

6 Press p.

Refer to page 45 for the CD player operation buttons.

7 Adjust the volume.

If you set the remote control with the manufacturers’ codes listed from page i at the end of this manual, you can control other brands of components. Refer to “Setup codes” on page 48 for details.

PRESET REMOTE CONTROL

Page 48

Description of Each Position

■ TAPE/MD position

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

Select the TAPE/MD position.

r REC/PAUSE

This button gives a pause in recording on a tape deck or MD recorder.

p PLAY

This button plays a tape or an MD.

b DIR A (TAPE)

This button selects the playing direction of deck A.

SKIP– (MD)

This button skips to the beginning of the previous track.

w REWIND (TAPE)

This button rewinds a tape.

SEARCH (MD)

This button initiates a backward search on the track that is playing to find the point from which you want to listen.

Numeric buttons (MD) +10 (MD)

While the indicator lights up for about three seconds after pressing DSP, this button turns on or off the effect speakers (center and rear).

DECK A/B (TAPE)

This button selects deck A or B on a doublecassette tape deck.

DISPLAY (MD) e PAUSE (MD)

This button gives a pause in operation.

a DIR B (TAPE)

This button selects the playing direction of deck B.

SKIP+ (MD)

This button skips to the beginning of the next track.

s STOP

This button stops operation on a tape deck or MD recorder.

f FAST FORWARD (TAPE)

This button winds a tape fast forward.

SEARCH (MD)

This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen.

AV POWER

(TAPE) This button turns on the tape deck that has a remote control with a power button if you have set the code for another manufacturer. (MD) This button turns on the MD recorder that has a remote control with a power button if you have set the code for another manufacturer.

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EnglishBASIC OPERATION

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APPENDIXINTRODUCTION PREPARATION

■ CD position

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

P AUSE/STOP function

Press the button once to give a pause in operation and press once more to stop operation.

Select the CD position.

DISC SKIP+/– (for a CD player with CD changer)

These buttons skip to the next or previous CD.

p PLAY

This button plays a CD.

b SKIP–

This button skips to the beginning of the previous track.

w SEARCH

This button initiates a backward search on the track that is playing to find the point from which you want to listen.

Numeric buttons

DISPLAY

INDEX +10

While the indicator lights up for about three seconds after pressing DSP, this button turns on or off the effect speakers (center and rear).

e PAUSE

This button gives a pause in operation. The button functions as PAUSE/STOP* for operating a YAMAHA CD player under factory setting.

a SKIP+

This button skips to the beginning of the next track.

s STOP

This button stops operation. The button functions as PAUSE/STOP* for operating YAMAHA CD player under factory setting.

f SEARCH

This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen.

AV POWER

This button turns on the CD player that has a remote control with a power button if you have set the code for another manufacturer.

Page 50

■ DVD/LD position

■ DVD MENU position

Note

• DVD MENU operations cannot be performed for some DVD players.

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

DISC SKIP+/–

RETURN

TITLE/INDEX

+10

DISPLAY MENU UP

MENU RIGHT MENU DOWN MENU

MENU SELECT

MENU LEFT

TITLE

Select the DVD MENU position.

AV POWER

This button turns on the YAMAHA DVD player if you have set the code number “0048”. Also this button turns on the DVD player that has a remote control with a power button if you have set the code for another manufacturer.

Numeric buttons

DISC SKIP+/–

TITLE/INDEX

+10

DISPLAY PAUSE

SKIP+ STOP SEARCH

PLAY

SKIP–

Select the DVD/LD position.

AV POWER

(DVD) This button turns on the YAMAHA DVD player if you have set the code number “0048”. Also this button turns on the DVD player that has a remote control with a power button if you have set the code for another manufacturer. (LD) This button turns on the LD player that has a remote control with a power button if you have set the code for another manufacturer.

Numeric buttons

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

■ VCR position ■ CBL/SAT position

■ TV position

Note

• You can control your VCR if you have set the code for it.

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

VCR REC

Press this button twice to start recording.

AV POWER

This button turns on a VCR that has a remote control with a power button if you have set the code for your VCR.

Select the CBL/SAT position.

CHANNEL +/–

ENTER

+10 DISPLAY/

GUIDE (SAT) MENU UP

MENU RIGHT MENU DOWN MENU

MENU SELECT

MENU LEFT

RECALL

Select the TV position.

Numeric buttons

AV POWER

This button turns on a cable TV/satellite tuner that has a remote control with a power button if you have set the code for your cable TV/satellite tuner.

TV POWER

This button turns on a TV that has a remote control with a power button if you have set the code for your TV.

Numeric buttons

Select the VCR position.

CHANNEL +/–

ENTER/RECALL

+10

DISPLAY PAUSE

STOP FAST FORWARD

PLAY

REWIND

VCR REC

Press this button twice.

TV INPUT

TV VOL

CHANNEL +/–

ENTER/RECALL

+10

DISPLAY

VCR PAUSE

VCR STOP VCR FAST FORWARD

VCR POWER

TV SLEEP TV MUTE

VCR PLAY

VCR REWIND

Page 52

Advanced Information

■ Setup codes

You can set the code for the manufacturer of your component in each position of the selector dial.

1 Turn on your component to be used. 2 Set the selector dial to the

desired position for the component (TAPE/MD, CD , DVD/LD, etc.).

3 Press i (right) and j (left)

at the same time for about four seconds.

The indicator flashes twice.

4 Use the numeric buttons to

enter the four-digit manufacturer’s code for the component to be used. Make sure that the indicator flashes twice.

If the indicator does not flash or flashes rapidly several times, repeat step 3 and re-enter the code.

5 Press AV POWER (or any other button) on the

remote control to check if you have set the code correctly .

If your component cannot be controlled with the remote control, try setting another code for the same manufacturer.

Notes

• You can set only one code for one position.

• In the DVD/LD and DVD MENU positions:

Be sure to set the selector dial to the DVD/LD position before entering the code for the DVD/LD player. The code set in the DVD/LD position is also simultaneously set in the DVD MENU position. You cannot set the code for a DVD player when the selector dial is set to the DVD MENU position.

• If your component does not respond to any of the codes listed for

the manufacturer, use the original remote control supplied with your component.

PRESET REMOTE CONTROL

■ To use a second (and third) VCR

You can control a second (and third) VCR in the CBL/SAT and DVD MENU positions if a cable TV or satellite tuner, or DVD player is not being used.

Note

• If you want to control a second (and third) VCR in the DVD MENU position, you must set the code for an LD player in the DVD/LD position.

1 Turn on the VCR to be used. 2 Set the selector dial to the

CBL/SAT or DVD MENU position.

3 Press i (right) and j (left)

at the same time for about four seconds.

The indicator flashes twice.

4 Use the numeric buttons to

enter the four-digit code for the second (and third) VCR. Make sure that the indicator flashes twice.

If the indicator does not flash or flashes rapidly several times, repeat step 3 and re-enter the code.

5 Press AV POWER (or any other button) on the

remote control to check if you have set the code correctly .

If the VCR cannot be controlled with the remote control, try setting another code for the same manufacturer.

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

■ Returning to the factory-set codes

To return to the factory-set codes in all positions, follow these steps.

1 Press i (right) and j (left)

at the same time for about four seconds.

The indicator flashes twice.

2 Enter the code number

“9990”.

Make sure that the indicator flashes twice.

PRESET REMOTE CONTROL

To return to the factory-set codes in each position, follow these steps.

1 Set the selector dial to the

position for the component to be returned to the factory-set code.

2 Press i (right) and j (left)

at the same time for about four seconds.

The indicator flashes twice.

3 Enter the code number

“0000”.

Make sure that the indicator flashes twice.

The following codes are factory set.

Selector dial position

Component

Code

TV TV 0101 CBL/SAT Satellite tuner 0006 VCR VCR 0002 DVD/LD DVD player 0008 (YAMAHA DVD player) CD CD player 0005 (YAMAHA CD player) TAPE/MD Tape deck 0004 (YAMAHA Tape deck) AMP/TUN this unit 0003 DSP/TUN this unit 0013

We recommend that you write all the code numbers you have set on the “Quick Reference Card”.

Page 54

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center.

■ General

SYMPTOM CAUSE REMEDY

The unit does not work normally.

No sound and/or no picture.

The power cord is not connected or the plug is not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on the rear panel is not fully set to the right or left position.

Set the switch fully to the right or left position when the unit is in the standby mode.

The internal microcomputer has been frozen by an external electric shock (lightning, excessive static electricity, etc.) or by a power supply with low voltage.

Set the unit in the standby mode and disconnect the AC power cord from the AC power outlet. After about 30 seconds have passed, connect the power and operate the unit again.

The speaker connections are not secure.

Incorrect input or output cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

An appropriate input source has not been selected.

Select an appropriate input source with INPUT SELECTOR or TAPE/MD MON / EXT. DECODER (or the input selector buttons).

Secure the connections.

SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers

in use to the ON position.

No picture.

There is no S VIDEO connection between this unit and the TV monitor, although S video signals are being input to this unit.

Connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal.

Only the speaker on one side can be heard.

Incorrect cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

Incorrect setting of BALANCE. Adjust it to the appropriate position.

No sound from the effect speakers.

The sound effect is off. Press EFFECT to turn it on.

A Dolby Surround, Dolby Digital or DTS decoding DSP program is being used with material not encoded with Dolby Surround, Dolby Digital or DTS.

Select another DSP program.

The sound is muted.

Set VOLUME to the “m” position, press MUTE to cancel a mute and adjust the volume.

Play a source whose signals this unit can reproduce.

Digital signals other than PCM audio and the signals encoded with Dolby Digital or DTS which this unit cannot reproduce are being input to this unit by a CD-ROM, etc.

The sound suddenly goes off.

The protection circuit has been activated because of a short circuit, etc.

Set the unit in the standby mode and then turn on to reset the protection circuit.

The SLEEP timer has functioned.

Turn on the power, and play the source again.

Refer to page

APPENDIX

—

13, 14

16 21

—

41 16

22 26

The unit fails to turn on when STANDBY/ON (or POWER) is pressed, or enters in the standby mode soon after the power has been turned on.

The 96-kHz sampling 24-bit digital signals are input to this unit.

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SYMPTOM CAUSE REMEDY

The sound effect cannot be recorded.

It is not possible to record the sound effect by a tape deck or MD recorder connected to the TAPE/MD OUT (REC) terminals of this unit.

Refer to page

TROUBLESHOOTING

32, 33, 34

—

13, 14

No sound from the center speaker.

The sound output level of the center speaker is set to minimum.

Raise the level of the center speaker.

“CENTER SP” on the SET MENU is set to the NONE position.

Select the LRG or SML position.

Incorrect DSP program is selected. Select the appropriate program. The source encoded with Dolby Digital or DTS

does not have a center channel signal.

No sound from the rear speakers.

The output level of the rear speakers is set to minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the PRO LOGIC/Normal or PRO LOGIC/ENHANCED program.

Select another DSP program suitable for the monaural source.

Select the BOTH position.

The source does not contain low bass signals (below 90 Hz).

No sound from the subwoofer.

“BASS OUT” on the SET MENU is set to the SW or MAIN position when playing a 2-channel source.

Incorrect cable connections. Firmly connect the audio plugs. If the problem

persists, the cables may be defective.

No connection from the turntable to the GND terminal.

Make the GND connection between the turntable and this unit.

A “humming” sound can be heard.

The volume level is low while playing a record.

The record is being played on a turntable with an MC cartridge.

The turntable should be connected to the unit through the MC head amplifier.

The volume level cannot be increased, or the sound is distorted.

The component connected to the TAPE/MD OUT (REC) terminals of this unit is in the standby mode.

Turn on the power to the component.

—

The DVD/LD, TV/digital TV or cable TV/satellite tuner source cannot be recorded by a tape deck, MD recorder or VCR connected to this unit.

The DVD/LD player, TV/digital TV or cable TV/satellite tuner is connected to the unit only through the digital terminals.

Make additional connections between the analog terminals.

Adjusting this unit by using SET MENU, TIME/ LEVEL or TEST cannot be performed.

“MEM. GUARD” on the SET MENU is set to the ON position.

Set “MEM. GUARD” to the OFF position. 38

Page 56

■ Remote control

This unit is in the standby mode. Turn on the power of the unit.

SYMPTOM CAUSE REMEDY

Refer to page

The remote control does not work.

Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit.

Reposition the unit.

The batteries are weak. Replace all batteries with new ones.

The unit or other component cannot be controlled.

The component to be controlled has not been selected.

Set the selector dial to the appropriate position, corresponding to the component to be controlled.

The manufacturer’s code has not been set properly.

Enter the code again. Try setting another code for the same

manufacturer.

■ Others

SYMPTOM CAUSE REMEDY

Refer to page

The sound is degraded when listening with headphones to a tape deck or CD player connected to this unit.

There is noise interference from digital or high-frequency equipment, or the unit.

The unit is too close to the digital or highfrequency equipment.

Move the unit further away from such equipment.

TROUBLESHOOTING

—

Previously preset stations can no longer be tuned in.

The unit has been disconnected for a long period.

Re-store the stations.

■ Tuner

SYMPTOM CAUSE REMEDY

FM stereo reception is noisy.

The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor.

Check the antenna connections. Try using a high-quality directional FM antenna. Use the manual tuning method.

There is distortion, and clear reception cannot be obtained even with a good FM antenna.

There is multipath interference.

Adjust the antenna position to eliminate multipath interference.

The desired station cannot be tuned in with the automatic tuning method.

The station is too weak.

Use the manual tuning method. Use a high-quality directional FM antenna.

The desired station cannot be tuned in with the automatic tuning method.

The signal is weak or the antenna connections are loose.

Tighten the AM loop antenna connections and orient it for best reception. Use the manual tuning method.

Refer to page

11, 27

12, 27

—

There are buzzing and whining noises (especially in the evening).

A TV set is being used nearby. Move this unit away from the TV.

There are continuous crackling and hissing noises.

Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment.

Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise.

The remote control cannot control system components.

—

Depending on the manufacturer or the model, some components cannot be controlled with this unit’s remote control even though the code has been set properly.

Use the original remote control supplied with your component.

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SYMPTOM CAUSE REMEDY

■ When playing back a source encoded with DTS

Refer to page

A loud hissing noise is heard when playing back a source encoded with DTS.

The player which plays back the source is not connected to a digital audio signal input terminal of this unit.

The player must be connected to a digital audio signal input terminal of this unit besides the analog audio signal terminal connections.

The input mode is set to ANALOG on this unit. Set a proper input mode to turn on the built-in

DTS decoder.

A percussive noise is heard when playing back a source encoded with DTS.

If the input mode is set to AUTO, depending on some sources, there may be a noise heard while this unit is identifying the format of the input signal.

Set the input mode of the currently selected input source to DTS.

No sound is heard when playing back a source encoded with DTS, even if the input mode is set to AUTO on this unit.

The built-in DTS decoder does not function because the player has a digital volume control and it is set at a position other than “maximum,” “neutral” or “ineffective.”

Set the player’s digital volume control at the maximum, neutral or ineffective position.

No sound is heard when playing back an MD or DAT on which has been recorded a source encoded with DTS.

A source encoded with DTS cannot be recorded on an MD or DAT.

No sound is heard when playing back a source (CD, etc.) even if the currently selected input mode is AUTO.

In the AUTO mode, the DTS-decoding mode cannot be automatically changed to the normal (PCM) digital signal input mode.

Set the input mode to AUTO again.

—

TROUBLESHOOTING

Notes

• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.

• The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a source encoded with DTS. If this status continues for 30 or more seconds, the unit will automatically switch from DTS-decoding mode to PCM digital signal input mode and the “t” indicator will go out.

Page 58

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power 20 Hz to 20 kHz, 0.06% THD, 8 ohms

Main L/R, Center, Rear L/R ....................................... 100 W*/70 W

1 kHz, 0.09% THD, 8 ohms

Main L/R, Center, Rear L/R ....................................... 110 W*/80 W

• Maximum Output Power (EIAJ)

1 kHz, 10% THD, 8 ohms ........................................................105 W

• DIN Standard Output Power

1 kHz, 0.7% THD, 4 ohms ....................................................... 110 W

• IEC Output Power

1 kHz, 0.06% THD, 8 ohms .......................................................75 W

• Dynamic Power (IHF)

8/6/4/2 ohms ..................... 130/150/190/240 W*, 90/110/135/160 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms ................................................................ 80

• Frequency Response

CD etc. to MAIN L/R ................................. 10 Hz to 100 kHz, –3 dB

• Total Harmonic Distortion (20 Hz to 20 kHz)

CD etc. to MAIN L/R, 1/2 power, 8 ohms .............................. 0.06%

• Signal-to-Noise Ratio (IHF-A Network) CD etc. to MAIN L/R

(150 mV, Input Shorted) ........................................................ 99 dB

(250 mV, Input Shorted) ....................................................... 103 dB

• Residual Noise (IHF-A Network)

MAIN L/R .............................................................................. 150 µV

• Input Sensitivity/Impedance

CD etc. ................................................................. 150 mV/47 k-ohms

EXT. DECODER......................................... 150 mV/40 – 47 k-ohms

• Output Level/Impedance

REC OUT ........................................................... 150 mV/1.2 k-ohms

PRE OUT ............................................................... 2.1 V/1.2 k-ohms

SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms

PHONES ................................................................. 0.34 V/560 ohms

• Channel Separation (Vol. –30 dB) CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

..................................................................................... 60 dB/45 dB

• Tone Control Characteristics

BASS: Boost/cut .......................................................... ±10 dB/50 Hz

TREBLE: Boost/cut ................................................... ±10 dB/20 kHz

* for U.S.A. and Canada models

VIDEO SECTION

• Video Signal Type ...........................................................NTSC or PAL

• Video Signal Level ...................................................... 1 Vp-p/75 ohms

• Signal-to-Noise Ratio .................................................................. 50 dB

• Monitor Out Frequency Response....................5 Hz to 10 MHz, –3 dB

FM SECTION

• Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz

• Usable Sensitivity (DIN)

Mono (S/N 26 dB) ................................................................... 0.9 µV

Stereo (S/N 46 dB) ................................................................... 28 µV

• Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB

• Signal-to-Noise Ratio (Mono/Stereo)

DIN ................................................................................. 75 dB/69 dB

IHF ................................................................................. 81 dB/75 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ........................................................................ 0.1/0.2%

• Stereo Separation (1 kHz) ........................................................... 48 dB

• Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB

• Antenna Input ...................................................... 75 ohms, Unbalanced

AM SECTION

• Tuning Range ............................................530/531 to 1,710/1,611 kHz

• Usable Sensitivity................................................................. 300 µV/m

• Signal-to-Noise Ratio ................................................................... 52 dB

• Antenna ........................................................................... Loop antenna

GENERAL

• Power Supply

[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz

[Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz

[Australia model]..................................................... AC 240 V, 50 Hz

[China model]......................................................... AC 220 V, 50 Hz

[General model].............................AC 110/120/220/240 V, 50/60 Hz

• Power Consumption ...................................................... approx. 310 W

• Power Consumption (standby mode) .................................approx. 1 W

• AC Outlets (100 W max. total)

[U.K. and Australia models]..................................... 1 (SWITCHED)

[Other models].......................................................... 2 (SWITCHED)

• Dimensions (W x H x D)

.....................435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)

• Weight ......................................................................... 11.2 kg (25 lbs.)

• Accessories ................................................................ AM loop antenna

.......................................................................... Indoor FM antenna

.....................75-ohm/300-ohm antenna adapter (U.K. model only)

........................ Antenna adapter (U.S.A. and Canada models only)

.................................................................................Remote control

........................................................................................... Batteries

Specifications are subject to change without notice.

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GLOSSARY

CINEMA DSP

■ Dolby Surround

Dolby Surround uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

■ Dolby Digital

Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full-range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the “LFE channel”.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. The wide dynamic range of sound reproduced by the five full-range channels and precise sound orientation by digital sound processing provides listeners with excitement and realism that have never been experienced before.

■ DTS (Digital Theater System)

Digital Surround

DTS was developed to replace the analog soundtracks of movies with six discrete channels of digital soundtracks, and it is now installed in many theaters around the world. The DTS digital playback system changed the way we experienced movies in theaters with six discrete channels of superb digital audio. DTS technology, through intense research and development has made it possible to deliver similar encode/decode discrete technology to home audio surround-sound entertainment. DTS Digital Surround is an encode/decode system which delivers six channels of master-quality, 20-bit audio; technically, it is 5.1 channels, which means 5 full-range (left, center, right and two surround) channels, plus a subwoofer (LFE) channel (as “0.1”). It is compatible with the 5.1 speaker configurations that are currently available for home theater systems.

■ CINEMA DSP

The Dolby Surround and Dolby Digital sound and DTS systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on. In other words, your listening room is very different from a movie theater. However, YAMAHA DSP technology allows you to create nearly the same sound experience as that of a large movie theater in your home by compensating for the lack of presence and dynamics in the listening room with original digital sound fields combined with Dolby Surround, Dolby Digital or DTS Digital Surround sounds. The YAMAHA “CINEMA DSP” logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround, Dolby Digital or DTS.

■ LFE 0.1 Channel

This channel is for reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is called the channel 0.1 because it only reproduces a low frequency range compared to the full-range from 20 Hz to 20 kHz that is reproduced by the 5 channels in a Dolby Digital or DTS 5.1 channel system.

■ S VIDEO Signal

The S VIDEO signal is separated and transmitted as the Y signal which indicates the luminance and the C signal which indicates the chroma of the video signal (composite signal). Using the S VIDEO terminal eliminates video signal transmission loss and allows recording and playback of even more beautiful images.

Page 60

INDEX

Accessories .......................................................................... 2

AC outlet ........................................................................... 18

Antennas ...................................................................... 11, 12

BALANCE ........................................................................ 22

BGV (background video) function .................................... 22

Canceling sound effect ...................................................... 26

CINEMA DSP ............................................................. 34, 55

Connections

Antennas................................................................ 11, 12

Audio components (tape deck/MD recorder, CD player

and turntable) .............................................................. 13

Digital connections...................................................... 14

Speakers ...................................................................... 16

TV monitor .................................................................. 14

Video components (DVD/LD player, VCR, TV/digital

TV and cable TV/satellite tuner)................................. 14

Delay time (TIME/LEVEL mode) .................................... 39

Display................................................................................. 6

Dolby Digital ..................................................................... 55

Dolby Surround ................................................................. 55

DSP program ...................................................... 25, 32 to 34

DTS Digital Surround ....................................................... 55

External decoder ................................................................ 15

Front panel........................................................................... 4

IMPEDANCE SELECTOR switch ................................... 18

Input mode......................................................................... 23

LFE ........................................................................ 37, 38, 55

Muting ............................................................................... 22

Playing ............................................................................... 21

Preset stations

To recall a preset station.............................................. 29

Exchanging preset stations .......................................... 30

Preset tuning

Automatic preset tuning .............................................. 28

Manual preset tuning................................................... 29

Recording .......................................................................... 31

Remote control

Basic operations ........................................................ 7, 8

Batteries......................................................................... 2

Factory-set code .......................................................... 49

Manufacturer’s codes .......... i (at the end of this manual)

Selector dial............................................................. 7, 42

Setup codes.................................................................. 48

SET MENU ....................................................................... 35

Sleep timer......................................................................... 41

Speaker

Output levels (TIME/LEVEL mode) .......................... 39

Output mode (SET MENU) .................................. 36, 37

Speaker balance (test tone).......................................... 19

Placement ...................................................................... 9

STANDBY/ON.................................................................... 4

Test tone....................................................................... 19, 20

Tone controls ..................................................................... 22

Tuning

Automatic tuning......................................................... 27

Manual tuning ............................................................. 27

Page 61

LIST OF MANUFACTURER’S CODES LISTES DES CODES FABRICANT

A-MARK 1161 A TANDY 0941 ABEX 1151 ADMIRA 1141 ADVENTURA 1131 AIKO 1121 AIWA 1481 AKAI 0331, 1101, 1111 ALBA 0431 ALLERON 1091 AMBASSADOR 1081 AMSTRAD 0481, 1081 ANAM 0251, 1041, 1051,

1061, 1071 ANAM NATIONAL 1041 AOC 0361, 1021, 1031,

1111, 1161 ARCHER 1161 AUDIOSONIC 1001 AUDIOVOX 1051, 1161 BAUER 0441 BAUR 1001 BEIJING 1511, 1551, 1561 BELCOR 1031 BELL & HOWELL 0981, 0991 BEON 1001 BRADFORD 1051 BROCKWOOD 1031 BROKSONIC 1161 BUSH 1001 CANDLE 0351, 0361, 0961,

0971, 1111, 1131 CAPEHART 1021 CARVER 0101 CATHAY 1001 CELEBRITY 0951 CENTURION 0411 CHANGHONG 1541, 1551, 1561,

1621 CITIZEN 0351, 0361, 0921,

0931, 0941, 0961,

0971, 1111, 1121,

1131 CLAIRTONE 1011 CLARIVOX 1001 CONCERTO 0351, 0971 CONROWA 1751 CONTEC 0901, 0911, 1011,

1051 CORANDO 0941 CRAIG 0251, 1051 CROWN 0941, 1051 CURTIS MATHES 0161, 0361,

0931, 0941,

0981, 1111 CXC 1051 DAEWOO 0291, 0301, 0331,

0721, 0941, 1001, 1031, 1121, 1191, 1531, 1581, 1591,

1601 DANSAI 1001 DAYTRON 0941, 1031 DECCA 0271, 1001 DIXI 0331, 1001, 1071 DUMONT 0891, 1031 DYNATECH 0881 ELECTROBAND 0951, 1011 ELECTROHOME 0941

ELECTRON 0941 ELIN 1001 ELTA 0331 EMERSON 0001, 0021, 0061,

0071, 0081, 0091, 0111, 0811, 0821, 0831, 0841, 0851, 0861, 0871, 0901, 0921, 0941, 0981, 1011, 1031, 1051,

1081, 1091 ENVISION 0361, 1111 ERRES 1001 ETRON 0331 FERGUSON 1001 FINLUX 1001 FISHER 0171, 0801, 0981 FORMENTI 0441 FORMONTI 1001 FORTRESS 1141 FUJITSU 1091 FUNAI 1051, 1091, 1341,

1361, 1411, 1451,

1501, 1521 FUTURETECH 1051 GE 0131, 0161, 0201,

0751, 0761, 0771,

0781, 0791, 0811,

0861, 1041 GEC 0271, 1001 GEMINI 0391 GENEXXA 0431 GIBRALTER 0891, 1031, 1111 GOLDSTAR 0031, 0121, 0351,

0411, 0731, 0741,

0861, 0941, 0971,

1001, 1031, 1111,

1151 GOODMANS/TASHIKO

0271, 0661, 1001 GRANADA 1001 GRUNDIG 1781, 1791, 1801,

1811, 1821, 1831,

1841, 1851, 1861,

1871, 1881 GUNPY 1051, 1091 H/K 0721 HALLMARK 0861 HANSEATIC 1001 HARVARD 1051, 1061 HINARI 1001, 1091 HITACHI 0181, 0351, 0671,

0681, 0691, 0701,

0711, 0871, 0941,

0971, 1351 HYPSON 1001 IMA 1051 INDIANA 1001 INFINITY REFERENCE

0101 INTERFUNK 1001 IMA 1051 INDIANA 1001 INFINITY REFERENCE

0101 INTERFUNK 1001 ITT 0611 JANEIL 1131 JBL 0101 JCB 0951 JENSEN 0311

JINXING 1531, 1541, 1551,

1561, 1571, 1621, 1631, 1641, 1651, 1691, 1731

JVC 0261, 0281, 0641,

0651, 0661, 0841 KAWASHO 0901 KAYPANI 1021 KENWOOD 0361, 1031, 1111 KLOSS 0631, 0721, 1131 KTV 0921, 0941, 1011,

1051, 1111 LEYCO 1001 LIESENK & TTER 1001 LLOYTRON 0941 LOEWE 1001 LOGIK 0991, 1771 LUXMAN 0351, 0971 LXI 0101, 0621, 0761,

0861, 0981 MAGNAVOX 0101, 0341, 0391,

0401, 0411, 0421,

0581, 0591, 0601,

0611, 0631, 0661,

0961, 1111 MAJESTIC 0991 MARANTZ 0101, 0221, 0361,

1001, 1111 MARK 1001 MATSUI 0271, 0331, 1001 MEDIATOR 1001 MEGATRON 0691, 0861, 1161 MEI 1011 M-ELECTRONIC 1001 MEMOREX 0331, 0571, 0861,

0971, 0981, 0991,

1771 METZ 1791, 1831, 1891,

1901, 1911, 1921,

1931, 1941 MGA 0361, 0561, 0571,

0861, 1031, 1111 MIDLAND 0751, 0761, 0891,

0941, 1151 MITSUBISHI 0221, 0321, 0561,

0571, 0661, 0861,

1031, 1101, 1381 MONTGOMERY 1091 MOTOROLA 1041, 1141 MTC 0351, 0361, 0881,

0931, 0971, 1011,

1031, 1111 MULTITECH 0881, 1051 NAD 0551, 0621, 0861 NEC 0241, 0351, 0361,

0661, 0971, 1031,

1111, 1321, 1711 NECKERMANN 1001 NEI 1001 NIKKAI 0271, 0431, 1001,

1151 NIKKO 0861, 1111, 1121 NOVABEAM 0721 NTC 1121 ONWA 1051 OPTIMUS 0551 OPTONICA 0541, 1141 ORION 0831, 1001 OSAKI 0271, 1151 OTTO VERSAND 1001

PANASONIC 0101, 0191, 0251,

0751, 1041, 1311,

1371, 1431 PANDA 1541, 1721 PENNY 0161, 0361, 0521,

0531, 0621, 0731,

0751, 0761, 0781,

0791, 0861, 0931,

0941, 1031, 1041,

1111, 1151, 1161 PEONY 1561, 1621 PHILCO 0361, 0581, 0591,

0601, 0611, 0631,

0961, 1031, 1111 PHILIPS 0101, 0401, 1001 PHONOLA 1001 PILOT 0941, 1031, 1111 PIONEER 0511, 0551, 0871,

1331 PORTLAND 0941, 1031, 1121 PRICECLUB 0931 PRISM 0751 PROSCAN 0761 PROTECH 1001 PROTON 0501, 0861, 0941,

1021, 1161 PULSAR 0891 PULSER 1031 QUASAR 0251, 0751, 1041 QUELLE 1001 RADIO SHACK 0541, 0941,

1031, 1051,

1151 RADIOLA 1001 RCA 0051, 0141, 0151,

0181, 0411, 0491, 0531, 0761, 0771, 0871, 1031

REALISTIC 0541, 0861, 0941,

0971, 0981, 1031,

1051, 1111, 1151 RHAPSODY 1011 R-LINE 1001 RUNCO 0891, 1111 SAISHO 0331, 1081 SAMPO 0361, 0941, 1021,

1111, 1151 SAMSUNG 0331, 0341, 0351,

0361, 0861, 0931,

0941, 0971, 1001,

1031, 1111, 1151,

1461 SAMSUX 0941 SANYO 0171, 0231, 0271,

0661, 0801, 0911,

0981, 1231, 1251,

1261 SBR 1001 SCHEIDER 1001 SCIMITSU 1031 SCOTCH 0861 SCOTT 0831, 0861, 0941,

1031, 1051, 1091 SEARS 0101, 0161, 0171,

0351, 0481, 0521,

0621, 0761, 0801,

0861, 0971, 0981,

1091 SHANGHAI 1561, 1681

Page 62

SHARP 0461, 0471, 0541,

0661, 0911, 0941,

1141, 1241, 1271 SHOGUN 1031 SIGNATURE 0991, 1771 SIMPSON 0581, 0961 SOLAVOX 1151 SONOKO 1001 SONTEC 1001 SONY 0371, 0451, 0661,

0841, 0951, 1281,

1441 SOUNDESIGN 0861, 0961, 1051,

1091 SOUNDWAVE 1001 SPECTRICON 1161 SQUAREVIEW 0481 SSS 1031, 1051 STAR-LITE 1051 SUPREM 0951 SUPRE-MACY 1131 SURPA 0351, 0971 SYLVANIA 0101, 0361, 0441,

0581, 0591, 0601,

0611, 0631, 0961,

1111 SYMPHONIC 0481 SYSLINE 1001 TANDY 0271, 0431, 1141 TATUNG 0271, 0881, 1001,

1041, 1161 TCL 1561, 1631, 1701 TECHNICS 0751 TECHWOOD 0351, 0751, 0971 TEKNIKA 0101, 0351, 0571,

0931, 0941, 0961,

0971, 0991, 1031,

1051, 1091, 1121,

1131, 1771 TELETECH 0331 TERA 0501 THAKRAL 1671 THORM 1001 TMK 0351, 0861, 0971,

1081 TOSHIBA 0381, 0521, 0621,

0661, 0931, 0981,

1301 TOSONIC 1011 TOTEVISION 0941 TRICAL 0911 UNIVERSAL 0781, 0791 UNIVERSUM 1001 VECTOR RESEARCH 0361, 1111 VESTEL 1001 VICTOR 0641, 0651, 1201,

1211, 1221 VIDEO CONCEPT 1101 VIDIKRON 0101, 0211 VIDTECH 0861, 1031 VIKING 1131 WARDS 0101, 0361, 0451,

0541, 0581, 0591,

0601, 0611, 0771,

0781, 0791, 0861,

0971, 0991, 1031,

1091, 1111, 1771 WATSON 1001 XOGEGO 1611, 1621, 1661,

1741, 1761 YAMAHA 0221, 0361, 0571,

1031, 1111, 1141,

1381 YOKO 1001 ZENITH 0011, 0041, 0891,

0991, 1771 ZONDA 1161

CABLE TV

ABC 0256, 0376 ANTRONIX 0136 ARCHER 0136, 0286 BBT 0076 CABLETIME 0166 CABLEVISION 0196 COLOUR VOICE 0306, 0346 COMTRONICS 0216, 0276 EAGLE COMTRONICS

0276 EASTERN 0066 ELECTRICORD 0206 ELECTUS 0266 GE 0116, 0126 GEC CABLE SYSTEM

0196 HAMLIN H5 0676 HAMLIN H6 0666 HAMLIN H6S 0656 HAMLIN H8 0646 HAMLIN H9 0636 JERROLD 0256 JERROLD 400L 0626 JERROLD 450L 0616 JERROLD 550 0606 JERROLD OSD CATV

0596 JERROLD SPRUCER

0436 MAGNAVOX/PHILIPS

0416, 0426 MAMM 0296 MEMOREX 0386 MOVIE TIME 0146, 0206 NORTHCOAST 0016 NSC 0146 OAK 0106 OAK SIGMA 450 0546 OAK SIGMA 550 0536 PANASONIC TZ 120/130

0476 PANASONIC TZ 170/180

0446 PANASONIC TZ140 0466 PANASONIC TZ150/160

0456 PARAGON 0386 PHILIPS 0036, 0216, 0306,

0316, 0326, 0336,

0346 PIONEER 0006, 0086 PIONEER BR500846 PIONEER BR60/70/80/81/82

0696 PIONEER BR90 0556 PULSAR 0386 RCA DIGITAL SATELLITE SYSTEM 0396, 0406 REALISTIC 0136 REGENCY/EASTERN 0686 RUNCO 0386 SAMSUNG 0276 SCIENTIFIC A TLANT A 175/475

0576 SCIENTIFIC A TLANT A 75

0366, 0586 SCIENTIFIC A TLANT A 8650

0566 SIGNAL 0276 SL MARX 0276 SPECTAVISION 0236 STANDARD COMPONENTS

0186 STARCOM V 0256 STARGATE 0276

SYLVANIA/TEXSCAN

0376, 0496 TEKNIKA 0176 TELESERVICE 0056 TELEVIEW 0276 TEXSCAN 0186, 0376 TFC 0026 TOCOM 0226, 0356 TOCOM 5503A 0526 TOCOM 5503VIP/5507 0516 TOCOM TC56 0506 TOSHIBA 0386 TUDI 0046 UNIKA 0136 UNIVERSAL 0136, 0156, 0206,

0286 VIDEOWAY 0096 VIEWSTAR 0216 ZENITH 0246, 0386, 0486

SATELLITE TUNER

ALPHA STAR 0826 CHAPARRAL 0756 ECHOSTAR 0836 GENERAL INSTRUMENT

0776, 0876 HTS 0836 HUGHES NETWORK SYSTEMS

0816 JERROLD 0776, 0786 PANASONIC 0806 PRIMESTAR 0776, 0786 RCA 0766 SONY 0796

(DSS)

HITACHI 0856 MAGNAVOX 0886 MEMOREX 0886 PHILIPS 0886 STAR CHOICE 0876 TOSHIBA 0866 UNIDEN 0886

VCR

A T ANDY 0902 ADVENTURA 0992 AIKO 0982 AIW A 0992 AKAI 0262, 0942, 0952,

0962, 0972 AMERICAN HIGH 0932 AMSTRAD 0992 ASA 0002, 0912 ASHA 0922 AUDIO DYNAMICS 0202 AUDIOVOX 0912 BEAUMARK 0922 BELL & HOWELL 0902 BLAUPUNKT 0412 BROKSONIC 0872, 0882, 0892 BUSH 0852 CALIX 0912 CANON 0862, 0932 CCE 0852, 0982 CITIZEN 0912, 0982 COLT 0852 CRAIG 0832, 0842, 0852,

0912, 0922 CURTIS MATHES 0662, 0822,

0932 CYBERNEX 0922 DAEWOO 0802, 0812, 0982 DBX 0202 DYNATECH 0472, 0992 ELECTROHOME 0912

ELECTROPHONIC 0912 EMEREX 0792 EMERSON 0072, 0132, 0142,

0152, 0162, 0172, 0182, 0192, 0212, 0702, 0712, 0722, 0732, 0742, 0752, 0762, 0772, 0782, 0872, 0882, 0892, 0912, 0952, 0992,

1072 FINLUX 0002, 0992 FISHER 0682, 0692, 0842,

0902 FUJI 0672, 0932 FUNAI 0992 GARRARD 0992 GE 0662, 0822, 0932 GO VIDEO 0642, 0652 GOLDSTAR 0082, 0632, 0912 GOODMANS 0402 GRADIENTE 0992 GRANDA 0612, 0902 GRUNDIG 0002 H/K 1082 HARLEY DAVIDSON

0992 HARMAN/KARDON

0632, 1082 HARWOOD 0752, 0852 HEADQUARTER 0612 HI-Q 0842 HINARI 0852 HITACHI 0102, 0562, 0572,

0582, 0592, 0602,

0992 ITT 0942 JVC 0202, 0522, 0532,

0542, 0552 KENWOOD 0202, 0542, 0612,

0632, 0902 KLH 0852 KODAK 0912, 0932 LLOYD 0992 LOGIK 0852 LUXOR 0942 LXI 0022, 0912 MAGNAVOX 0002, 0482, 0492,

0502, 0512, 0932 MAGNIN 0922 MARANTZ 0002, 0202, 0402,

0632, 0932 MARTA 0912 MATSUSHITA 0932 MATSUI 0722 MEI 0222, 0932 MEMOREX 0232, 0242, 0472,

0512, 0612, 0842,

0902, 0912, 0922,

0932, 0992 MGA 0762, 0952 MGA TECHNOLOGY

0922 MINOLTA 0592, 0602 MITSUBISHI 0452, 0462, 0542,

0762, 0952, 1082 MOTOROLA 0472, 0932 MTC 0922, 0992 MULTITECH 0852, 0992 NAD 0442 NEC 0122, 0202, 0292,

0422, 0432, 0542,

0632 NIKKO 0912 NOBLEX 0922 OLYMPUS 0412, 0932 OPTIMUS 0442, 0472, 0912

Page 63

iii

OPTONICA 0402 ORION 0212, 0722, 0742,

0772 OSAKI 0912 PANASONIC 0012, 0052, 0092,

0222, 0372, 0382,

0392, 0412, 0932 PENNY 0202, 0432, 0602,

0632, 0692, 0912,

0922, 0932 PENTAX 0592, 0602 PERDIO 0992 PHILCO 0002, 0932 PHILIPS 0002, 0282, 0402,

0492, 0932 PILOT 0912 PIONEER 0442, 0542 PROSCAN 1002, 1012, 1022,

1032, 1042, 1052,

1062 PULSAR 0512 QUARTER 0612 QUARTZ 0272, 0612 QUASAR 0382, 0392, 0932 RADIO SHACK 0912, 0992 RADIX 0912 RANDEX 0912 RCA 0112, 0382, 0392,

0482, 0592, 0602,

0662, 0822, 0942 REALISTIC 0402, 0472, 0612,

0682, 0842, 0902,

0912, 0922, 0932,

0992 RICOH 0352, 0362 SAISHO 0212, 0582, 0722,

0732, 0742, 0772 SALORA 0612, 0762 SAMSUNG 0212, 0312, 0922,

0962 SANKY 0472, 0512 SANSUI 0292, 0542, 0832 SANYO 0242, 0612, 0842,

0902, 0922 SBR 0002, 0282 SCHEIDER 0852 SCOTT 0342, 0712, 0762,

0872, 0882, 0892 SEARS 0302, 0592, 0602,

0612, 0682, 0692,

0842, 0902, 0912,

0932 SHARP 0402, 0472 SHINTOM 0852 SHOGUN 0922 SINGER 0852 SONY 0032, 0332, 0352,

0362, 0672, 0792,

0932 STS 0602 SUNPAK 0352 SYLVANIA 0002, 0492, 0502,

0762, 0932, 0992 SYMPHONIC 0992 TANDY 0992 TASHIKO 0712, 0992 TEAC 0992 TECHNICS 0932 TEKNIKA 0322, 0912, 0932,

0992 TELEFUNKEN 0252 TMK 0212, 0732, 0772,

0922 TOSHIBA 0062, 0302, 0342,

0622, 0682, 0712,

0762 TOTEVISION 0912, 0922

UNITECH 0922 VECTOR RESEARCH

0202, 0432, 0632 VICTOR 0202, 0532, 0552 VIDEO CONCEPTS

0202, 0432, 0632,

0952 WARDS 0322, 0402, 0472,

0482, 0602, 0712,

0842, 0852, 0922,

0932, 0992 YAMAHA 0202, 0632, 0762 ZENITH 0042, 0362, 0512,

0672

DVD PLAYER

AKAI 0108 KENWOOD 0288 MAGNAVOX 0248 MITSUBISHI 0268 ONKYO 0128, 0248 PANASONIC 0048 PHILIPS 0188, 0248 PIONEER 0208, 0228 PROSCAN 0308 RCA 0308 SAMSUNG 0148 SHARP 0068 SONY 0028 TECHNICS 0048 THOMSON 0328 TOSHIBA 0088, 0248 VICTOR 0168, 0348 YAMAHA 0008, 0048 ZENITH 0248

LD PLAYER

AIWA 0157 DENON 0147 DISCO VISION 0017 FUNAI 0157 HITACHI (E) 0017 KENWOOD 0087, 0107 MAGNAVOX 0027 MARANTZ 0027 MITSUBISHI 0137 NAD 0137 PANASONIC 0077, 0177 PHILIPS 0027 PIONEER 0017, 0037, 0137 RCA 0167 REALISTIC 0157 SHARP 0127 SONY 0047, 0057, 0117 VICTOR 0097 YAMAHA 0007

CD PLAYER

ACOUSTIC RESEARCH

1295 ADC 0025, 0065 ADCOM 0205, 0255, 1015 ADS 0265 AIWA 0295, 0945, 1035,

1055 AKAI 0175, 0485, 0535 ALPINE 1215, 1305 AUDIO-TECHNICA 0545 BSR 0245, 0655, 0775 CALIFORNIA AUDIO LAB

0055 CAPETRONIC 1205 CARRERA 0245 CARVER 0285, 1135 CASIO 0345 CROWN 0185

CURTIS MATHS 0345 DENON 0275, 0875, 0885 DEUAL (E) 0505 DYNAMIC BASS (H)

0555 EMERSON 0205, 0325, 1105 EROICA 1275 FISHER 0095, 0555, 0925,

1005 GARRARD 0365 GENEXXA 0305, 0325, 1105 GOLDSTAR 1135, 1225, 1265,

1335 H/K 0105, 0175, 0465,

0995 HITACHI 0195, 0205, 0505,

0815 INKEL 0115, 0395 JVC 0315 KENWOOD 0045, 0095, 0405,

0585, 0725, 0735,

0745, 0755, 0895 KYOCERA 0025 LUXMAN 0075, 0425, 0675,

0705, 0715, 0985 MAGNAVOX 0165, 0215, 0645,

0955 MARANTZ 0215, 0235, 0375,

0785, 1345 MCINTOSH 0355, 1085 MCS 0905, 1315 MEMOREX 0205, 0225, 0235,

0305, 0325, 1105 MGA 0135 MISSION 0215 MITSUBISHI 0135, 0445 MTC 1255 NAD 0035, 0615, 0685,

0695 NAKAMICHI 0125, 0435, 0515 NEC 0255, 0905, 0965 NIKKO 0545, 1005 ONKYO 0155, 0455, 0495,

0805, 1155 OPTIMUS 0225, 0245, 0555,

0595, 0845, 0855,

0865, 0895, 0935 PANASONIC 0055, 0825, 1095,

1125 PENNY 0905 PHILIPS 0165, 0215 PIONEER 0305, 0935, 1045 PROTON 0215, 1185 QUASAR 0055 RCA 0205, 0915, 1115 REALISTIC 0205, 0225, 0235,

0325, 0555, 0845 REVOX 1175 ROTEL 0215 SABA TELECOMMANDER (E)

0505 SAE 0215 SAMSUNG 1285 SANSUI 0215, 0625, 0975,

1025, 1105 SANYO 0145, 0555, 0635,

0765 SCOTT 0325, 1105 SEARS 0345 SHARP 0235, 0665, 0895,

1065, 1075 SHERWOOD 0115, 0235, 0395,

0475 SIEMENTS GARRARD

1245 SIGNATURE 0175 SONTEC 1165

SONY 0065, 0565, 0865,

1145 STARON 1235 STS 0025 SYLVANIA 0215 SYMPHONIC 0335 TANDY 0305 TANGBERG 1195 TEAC 0235, 0335, 0385,

0525, 0795, 0835,

1355 TECHNICS 0055, 0605, 1095 TECHWOOD 1325 TELEFUNKEN (E) 0505 THOMSON (E) 0505 TOSHIBA 0035, 0685 VECTOR RESEARCH

0065, 1135 VICTOR 0315 WARDS 0175 YAMAHA 0005, 0015, 1065

MD RECORDER

YAMAHA 0024, 0394 KENWOOD 0384 SONY 0394

TAPE DECK

AIWA 0094, 0214, 0224 AKAI 0184 CARVER 0094 DENON 0304 FISHER 0144 GARRARD 0194, 0204 JVC 0274, 0284, 0294 KENWOOD 0124, 0134, 0154,

0234, 0244, 0264 MAGNAVOX 0094 MARANTZ 0094, 0344 MITSUBISHI 0184 OPTIMUS 0034, 0064, 0204,

0334 ONKYO 0364, 0374 PHILIPS 0094 PIONEER 0034, 0044, 0064 REVOX 0354 SANSUI 0094, 0344 SHARP 0264 SHERWOOD 0334 SONY 0054, 0084, 0324 TEAC 0194, 0254 TECHNICS 0074, 0314 VICTOR 0294 WARDS 0034 YAMAHA 0004, 0014

Page 64

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID V471910-1

Page 65

Numeric buttons (MD)

Quick Reference Card

TAPE/MD

AMP/TUN

DSP/TUN

INPUT

PLAY

REC/PAUSE

DSP

DIR A (TAPE)

SKIP– (MD)

REWIND (TAPE)

SEARCH (MD)

Numeric buttons

PLAY

DISC SKIP+/–

DSP

SKIP–

INDEX

INPUT

+10

DISPLAY PAUSE

SKIP+ STOP SEARCH

AV POWER

PRESET +/–

DSP

A/B/C/D/E

d (next), u (back)

j (left), i (right)

Input selector buttons

DSP program selector

EFFECT

INPUT

DSP program selector

EFFECT

INPUT

SET MENU

STANDBY

TEST

Input selector buttons

TIME/LEVEL

TV POWER

TV VOLUME

TV INPUT

POWER

VOLUME +/–

SLEEP MUTE

V479260

+10 (MD) DECK A/B (TAPE)

DISPLAY (MD) PAUSE (MD)

DIR B (TAPE) SKIP+ (MD) STOP

FAST FORWARD (TAPE) SEARCH (MD) AV POWER

Page 66

Quick Reference Card

Press this button twice to start recording. Appuyer deux fois sur cette touche pour commencer l’enregistrement. Drücken Sie diese Taste zweimal, um die Aufnahme zu starten. Tryck två gånger på den här knappen för att börja spela in.

V479260

*1 Premere due volte questo tasto per iniziare la registrazione.

Presione dos veces este botón para empezar a grabar. Druk tweemaal op deze toets om met opnemen te beginnen.

DISC SKIP+/–

DSP

DVD/LD DVD MENU

CBL/SAT

VCR

TITLE/INDEX

INPUT

Numeric buttons

+10

DISPLAY PAUSE

SKIP+ STOP

SEARCH AV POWER

AV POWER

Numeric buttons

AV POWER

Numeric buttons

AV POWER

PLAY

SKIP–

DISC SKIP+/–

RETURN

DSP

TITLE/INDEX +10

INPUT

DISPLAY MENU UP

MENU RIGHT MENU DOWN

MENU SELECT

MENU LEFT

TITLE

ENTER/ RECALL

INPUT

DISPLAY

+10

PAUSE

STOP FAST

FORWARD

PLAY

REWIND

TV INPUT

TV VOL

POWER

CHANNEL

+/–

DSP

ENTER/ RECALL

+10

INPUT

DISPLAY

VCR PAUSE

VCR STOP VCR FAST

FORWARD VCR POWER

TV SLEEP TV MUTE

VCR PLAY

VCR REC

VCR

REWIND

CHANNEL

+/–

DSP

VCR REC

CHANNEL

+/–

DSP

ENTER

INPUT

+10 DISPLAY/ GUIDE (SAT) MENU UP

MENU RIGHT

MENU DOWN MENU

SELECT

MENU LEFT

RECALL

Page 67

DSP-A5 only

L R COAXIAL OPTICAL

DIGITAL OUT

AUDIO OUT S VIDEO

OUT

VIDEO

OUT

DOLBY

DIGITAL

RF OUT

ANALOG AUDIO OUT

S VIDEO INVIDEO IN

S VIDEO OUT

VIDEO OUT

COAXIAL DIGITAL OUT

OPTICAL DIGITAL OUT

DOLBY DIGITAL RF IN

DOLBY DIGITAL RF OUT

R L R L

R L

DVD player LD player

Main speakers A Main speakers B

Rear speakers

Video signal

V573050 RX-V596/DSP-A5

Digital signal (coaxial)

Digital signal (optical)

Signal flow

Center speaker

Subwoofer

system

TV Monitor

Analog signal

(Europe model)

S Video signal

L R

RF demodulator

Page 68

documentation manual, user maintenance, brochure, user reference, pdf manual

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Yamaha Audio RX-V596 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

SAFETY INSTRUCTIONS

CAUTION

FEATURES

CONTENTS

GETTING STARTED

CONTROLS AND FUNCTIONS

SPEAKER SETUP

CONNECTIONS

ADJUSTING THE SPEAKER BALANCE

PLAYING A SOURCE

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

TUNING

RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE

SOUND FIELD PROGRAM

SET MENU

DELAY TIME AND SPEAKER OUTPUT LEVELS

SLEEP TIMER

PRESET REMOTE CONTROL

TROUBLESHOOTING

SPECIFICATIONS

GLOSSARY

INDEX

Quick Reference Card