Yamaha Audio RX-V595aRDS User Manual

RX-V595aRDS

Natural Sound AV Receiver

Ampli-Tuner audio-vidéo

B G

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS MITGELIEFERTE ZUBEHÖRTEILE MEDFÖLJANDE TILLBEHÖR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES

• After unpacking, check that the following parts are included.

• Après le déballage, vérifier que les pièces suivantes sont incluses.

• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

• Kontrollera efter uppackningen att följande delar finns med.

•

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.

• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

• Indoor FM Antenna

• Antenne FM intérieure

• UKW-Innenantenne

• Inomhus-FM-antenn

• Antenna FM interna

• Antena FM interior

• FM-binnenantenne

• AM Loop Antenna

• Cadre-antenne AM

• MW-Rahmenantenne

• AM-ramantenn

• Antenna AM ad anello

• Antena de cuadro de AM

• AM-raamantenne

• 75-ohm/300-ohm antenna adapter (U.K. model only)

• Adaptateur d’antenne 75 ohms/300 ohms (Modèle Royaume-Uni seulement)

• 75-Ohm/300-Ohm Antennenstecker (nur Großbritannien-Modell)

• 75 ohm/300 ohm antennadapter (gäller endast modellen för Storbritannien)

• Adattatore per antenna da 75/300 ohm (Soltanto il modello per la Gran Bretagna)

• Adaptador de antena de 75-ohmios/300-ohmios (Sólo el modelo para el Reino Unido)

• 75 ohm/300 ohm antenneadapter (Alleen modellen voor Verenigd Koninkrijk)

• Batteries (size AA, R6, UM-3)

• Piles (taille AA, R6, UM-3)

• Batterien (Größe AA, R6, UM-3)

• Batterier (storlek AA, R6, UM-3)

• Batterie (formato AA, R6, UM-3)

• Pilas (tamaño AA, R6, UM-3)

• Batterijen (maat AA, R6, UM-3)

• Remote control Before using the remote control, install the supplied batteries. See page 49 for battery installation.

• Télécommande Avant d’utiliser la télécommande, mettre les piles fournies en place. Pour la mise en place des piles, voir page 101.

• Fernbedienung Legen Sie vor Gebrauch der Fernbedienung die mitgelieferten Batterien ein. Angaben zum Einlegen der Batterien finden Sie auf Seite 155.

• Fjärrkontroll Sätt i de medföljande batterierna innan du använder fjärrkontrollen. Se sidan 207 om hur man sätter i dem.

• Telecomando Prima di usare il telecomando, installare le batterie in dotazione. Per l’installazione delle batterie vedere a pagina 259.

• Control remoto Antes de utilizar el transmisor de control remoto, instálele las pilas suministradas. Para instalar las pilas, consulte la página 311.

• Afstandsbediening Alvorens u de afstandsbediening gaat gebruiken, moet u de bijgeleverde batterijen plaatsen. Zie blz. 363 voor het plaatsen van de batterijen.

English

5-Channel Power Amplification

Mininum RMS Output (0.04% THD, 20 Hz – 20 kHz) Main: 65 W + 65 W (8 Ω) Center: 65 W (8 Ω)

Rear: 65 W + 65 W (8 Ω)

Multi-mode Digital Sound Field Processing

● Digital Sound Field Processor (DSP)

● Dolby Digital Decoder

● Dolby Pro Logic Decoder

● DTS Decoder

● CINEMA DSP: Theater-like Sound

Experience by the Combination of YAMAHA DSP Technology and Dolby Digital, Dolby Pro Logic or DTS

● Automatic Input Balance Control for

Dolby Pro Logic decoding

SUPPLIED ACCESSORIES........................................... 2

FEA TURES .................................................................... 3

CAUTION ....................................................................... 4

●Introduction

FEATURES OF THE SOUND EFFECTS....................... 5

CONTROLS AND THEIR FUNCTIONS ......................... 8

●Preparation

SPEAKER SETUP ....................................................... 11

CONNECTIONS........................................................... 12

ADJUSTMENTS BEFORE USING THIS UNIT............ 19

●Basic Operation

BASIC OPERATION .................................................... 24

TUNING .......................................................................28

RECEIVING RDS STATIONS ......................................33

SETTING THE SLEEP TIMER..................................... 36

●Information about DSP

SOUND FIELD PROGRAM .........................................37

●Advanced Information

ADJUSTMENTS IN THE “SET MENU” MODE ............ 42

●Remote control

REMOTE CONTROL ...................................................44

SETUP CODES ........................................................... 50

TROUBLESHOOTING ................................................. 51

SPECIFICA TIONS .......................................................54

LIST OF MANUFACTURERS’ CODES ...................... 369

FEATURES

● Test Tone Generator for Easier Speaker

Balance Adjustment

● Speaker Output Mode Selection

Sophisticated FM/AM Tuner

● 40-Station Random Access Preset Tuning

● Automatic Preset Tuning

● Preset Station Shifting Capability

(Preset Editing)

● 6-Channel External Decoder Input for

Other Future Formats

● Video Signal Input/Output Capability

(Including S Video Connections)

● SLEEP Timer

● Universal Remote Control with Preset

Manufacturer Codes

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set, contact your dealer.

4. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.

5. The openings on the cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage.

Be sure to allow a space of at least 20 cm behind, 20 cm on both sides and 30 cm above the top panel of the unit to prevent fire and damage.

6. The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents. YAMAHA will not be held responsible for any damage resulting from the use of this unit with a voltage other than that specified.

7. Digital signals generated by this unit may interfere with other equipment such as tuners, receivers and TVs. Move this unit farther away from such equipment if interference is observed.

8. Always set the VOLUME control to “

” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.

11. When not planning to use this unit for a long period of time (e.g., a vacation), disconnect the AC power plug from the wall outlet.

12. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm.

13. Grounding or polarization – Precautions should be taken so that the grounding or polarization of the unit is not defeated.

14. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below. Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL Brown: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

English

FEATURES OF THE SOUND EFFECTS

Welcome to the exciting world of digital home entertainment. This unit is one of the most complete and advanced AV receivers available. Some of the more advanced features may not be familiar to you, but they are easy to use. State-of-the-art technologies such as Dolby Digital and Digital Theater Systems (DTS) may be new to your home, but you have probably experienced the amazing realism they bring to feature films in theaters around the world.

To make the listening experience even more enjoyable, this unit includes a number of exclusive, digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to such venues as an outdoor arena, a European church, or a cozy jazz club. Take some time now to read more about these features and enjoy the new experiences this unit brings to your home theater.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but the chances are that you’ll still notice something missing — the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for YAMAHA engineers to bring you this same sound to your listening room, so you’ll feel all the sound of a live concert.

Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, theaters, etc. from around the world, to allow you to accurately re-create any one of these live performance environments, all in your own home.

Dolby Surround has been used in movie theaters since the midseventies. It has also been available in home entertainment systems since the late eighties and continues to be a popular format for home theater systems. It uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range.

Most video tapes and laser discs include Dolby Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

Introduction

Dolby Pro Logic

Dolby Digital

Dolby Digital is the next level of the Dolby Surround sound system that was developed for 35 mm-film movies by employing low bit-rate audio coding. Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full-range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the “LFE channel”.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. Compared to Dolby Surround, which is referred to a “3/1” system (left front, center, right front and just one surround channel), Dolby Digital features two surround channels, called stereo or split surrounds, each offering the same full-range fidelity as the three front channels.

By using the built-in Dolby Digital decoder, you can experience the dramatic realism and impact of Dolby Digital theater sound in your home. The wide dynamic range of sound reproduced by the five fullrange channels and precise sound orientation by digital sound processing provides listeners with excitement and realism that have never been experienced before.

Dolby Digital forms 5.1 channels as already mentioned, but it can also form fewer channels, for example 2-channel stereo and monaural. You may be able to find some 2-channel stereo and/or monaural sources encoded with Dolby Digital in the market. Laser disc and DVD are home audio/video program sources that could benefit from Dolby Digital. In the near future, Dolby Digital will also be applied to DBS, CATV and HDTV. The ongoing release of Dolby Digital theatrical films now underway will provide an immediate source of Dolby Digital encoded video software.

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.

DTS Digital Surround

DTS (Digital Theater Systems) was developed to replace analog soundtracks of movies with six discrete channels of digital soundtracks, and it is now installed in many theaters around the world. The DTS digital playback system changed the way we experienced movies in theaters with six discrete channels of superb digital audio.

DTS technology, through intense research and development has made it possible to deliver similar encode/decode discrete technology to home audio surround-sound entertainment. DTS Digital Surround is an encode/decode system which delivers six channels of master-quality, 20-bit audio; technically, it is 5.1 channels, which means 5 full-range (left, center, right and two surround) channels, plus a subwoofer (LFE) channel (as “0.1”). It is compatible with the 5.1 speaker configurations that are currently available for home theater systems.

The DTS Digital Surround algorithm is designed to encode the six channels of 20-bit audio on to some laser discs, compact discs and DVDs with considerably less data compression.

By using the DTS decoder built into this unit, you can experience the dramatic realism and impact of the DTSinstalled theater’s high quality sound in your home.

Laser disc, compact disc and DVD are home audio formats by which DTS can present its high-quality multi-channel audio. (In addition to movies on laser discs, many exciting new multichannel music recordings will also become available in the form of DTS-encoded compact discs.)

Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942 and other world-wide patents issued and pending. “DTS”, “DTS Digital Surround”, are trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital Theater Systems, Inc. All Rights Reserved.

English

CINEMA DSP: Dolby Surround + DSP / DTS + DSP

The Dolby Surround sound and DTS systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on. In other words, your listening room is very different from a movie theater.

However, YAMAHA DSP technology allows you to create nearly the same sound experience as that of a large movie theater in your home by compensating for the lack of presence and dynamics in the listening room with original digital sound fields combined with Dolby Surround or DTS Digital Surround sounds.

The YAMAHA “CINEMA DSP” logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround or DTS.

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic-decoded sound field, respectively. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you were watching a movie in a popular Dolby Stereo theater.

Refer to pages 37 to 38 for the DSP program.

CINEMA DSP

Dolby Digital or DTS + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digitaldecoded or DTS-decoded sound field, respectively. They create a wide acoustic environment and strong surround effect in the room without losing high-channel separation. With the wide dynamic range of Dolby Digital or DTS sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Digital theater or DTS-installed theater. This is the most ideal home theater sound at the present time.

Refer to pages 37 to 38 for the DSP program.

STANDBY/ON

TAPE/MD MON

/EXT. DECODER

–dB

BALANCETREBLEBASS

VIDEO AUX

PHONES

SPEAKERS

ON OFF

EON

START

PROGRAM

INPUT

VCR • V–AUX • TV/DBS • DVD/LD • CD • TUNER • PHONO

VOLUME

NATURAL SOUND AV RECEIVER

CINEMA DSP

8 VIDEO VIDEO

AUDIO R

A/B/C/D/E1 2

678

TUNING

MODE

MEMORY EDIT

FM/AM

DOWN

TUNING

INPUT MODE

5 RL 5

RDS

MODE

TIME/

LEVEL

SET

EFFECT

PTY SEEK

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

STANDBY/ON

Press this switch to turn on the power of this unit. Press it again to set this unit in the standby mode.

Standby mode In this state, this unit consumes a very small quantity of power to receive infrared-signals from the remote control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 10 for details.)

4 MEMORY (MAN’L/AUTO FM)

Press this button to store the broadcasting stations. When this button is pressed and held for more than three seconds, automatic preset tuning begins.

5 EDIT

This button is used to exchange the assigment of two preset stations with each other.

6 TUNING MODE (AUTO/MAN’L MONO)

Press this button to switch the tuning mode to automatic or manual. To select the automatic tuning mode, press this button so that the “AUTO TUNING” indicator lights up on the display. To select the manual tuning mode, press this button so that the “AUTO TUNING” indicator goes off.

7 FM/AM

Press this button to switch the reception band between FM and AM.

8 TUNING UP/DOWN

This button is used for tuning. Press the UP side to tune in to higher frequencies, and press the DOWN side to tune in to lower frequencies. When this unit is in the PTY SEEK mode, press this button to change the currently selected program type.

9 TAPE/MD MON / EXT. DECODER

Press this button to play a tape or an MD. The “TAPE/MD MON” indicator lights up on the display. When you press the button next, the “TAPE/MD MON” indicator goes off, “EXT. DECDR” appears on the display and you can play the signal connected to the EXTERNAL DECODER INPUT terminals.

0 INPUT

Turn this selector to select the input source (VCR, VIDEO AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to listen to or watch. The name of the selected input source appears on the display.

Refer to pages 44 to 49 for the remote control.

English

q INPUT MODE

This button switches between the DVD/LD and TV/DBS input signal modes.

w VOLUME

This control is used to raise or lower the volume level.

e PHONES jack

When you use headphones, connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through the headphones. When using headphones only , set both SPEAKERS A and B to the OFF position and switch off the digital sound field processor (so that no DSP program name appears on the display) by pressing EFFECT.

r SPEAKERS

Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) that you want to use. Set the button(s) for the main speaker system you don’t want to use to the OFF position.

t A/B/C/D/E

Press this button to select one of a group (A to E) of preset stations.

y Preset station number selector

Each of these buttons selects a preset station number (1 to 8).

u Tone controls

These controls are only effective for the sound from the main speakers.

BASS

Use this control to increase or decrease the low-frequency response. The “0” position produces a flat response.

TREBLE

Use this control to increase or decrease the high-frequency response. The “0” position produces a flat response.

i BALANCE

This control is only effective for the sound from the main speakers. Turn the control to adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by the speaker location or listening room conditions.

o RDS MODE

When an RDS station is received, pressing this button changes the display mode into the PS mode, PTY mode, RT mode and/ or CT mode (if the station employs those RDS data services) in turn.

p PTY SEEK MODE

When this button is pressed, the unit is set in the PTY SEEK mode.

a PTY SEEK START

Press this button to begin searching for a station after the desired program type has been selected in the PTY SEEK mode.

s EON

Press this button to select the desired program type (NEWS, INFO, AFFAIRS, SPORT) when you want to call a radio program of that type automatically.

d TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

f +/–

These buttons are used to adjust the settings of the SET MENU mode and the TIME/LEVEL mode. In the TIME/LEVEL mode, press + to increase the delay time or speaker output level. Press – to decrease the delay time or speaker output level.

g SET MENU

Press this button to select functions in the SET MENU mode.

h PROGRAM selector

Press

or to select a DSP program.

The name of the selected program appears on the display.

j EFFECT

Press this button once to switch the effect speakers (center and rear) on or off. If you turn off the effect by using EFFECT, all Dolby Digital and DTS audio signals are directed to the main left and right channels. In that case, the left and right channel signal levels may not match.

k VIDEO AUX terminals

Connect an auxiliary video or audio input source such as a camcorder to these terminals. If the connected video unit has an S video output terminal, connect it to the S VIDEO terminal to obtain a high-resolution picture. The source connected to these terminals can be selected by INPUT.

1 Multi-information display

This displays various information, for example the station frequency, preset station number and name of the selected input source.

2 MEMORY indicator

When MEMORY is pressed, this indicator flashes for about five seconds. During this period, the displayed station can be stored in the memory.

3 AUTO TUNING indicator

This lights up when the unit is in the automatic tuning mode.

4 TAPE/MD MON indicator

This lights up when the tape deck (or MD recorder, etc.) is selected as the input source by pressing TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control.

5 STEREO indicator

This lights up when an FM stereo broadcast with sufficient signal strength is being received.

6 Signal-level indicator

This indicates the signal level of the station being received. If multipath interference is detected, the indication decreases.

indicators

Either “dts” indicator lights up when the built-in DTS decoder is turned on. The red “dts” indicator lights up when playing a CD or LD encoded with DTS. The orange “dts” indicator lights up when playing a DVD encoded with DTS. * An orange “dts” indicator may light up when playing a CD or

LD encoded with DTS after playing a video-CD or DVD on a DVD/LD combi-player.

DISPLAY PANEL

8 RDS mode indicators

The name(s) of the RDS mode(s) employed by the currently received RDS station light(s) up. Illumination of one of the named indicators shows that the corresponding RDS mode is now selected.

, and indicators

“

” lights up when the built-in Dolby Digital decoder is on and the signals of the selected source encoded with Dolby Digital are not in 2-channel. “

” lights up when the built-in

digital sound field processor is on, and “

” lights up when the built-in Dolby Pro Logic decoder is on. Depending on the selected DSP program, both “

” and “ ”, or

both “

” and “ ” will light up.

0 PTY HOLD indicator

This lights up while a search is being performed in the PTY SEEK mode.

q EON indicator

This lights up when an RDS station that employs the EON data service is being received.

w Program type name indicators

The name selected in the EON mode lights up.

e SLEEP indicator

This lights up while the built-in SLEEP timer is functioning.

English

SPEAKER SETUP

This unit is designed to provide the best sound-field quality with a 5-speaker configuration, using main speakers, rear speakers and a center speaker. The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system.

The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use high-performance models that can reproduce sounds over the full range for the center speaker and the rear speakers.

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source that is Dolby Digital or DTS-decoded. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction.

SPEAKERS TO BE USED

SPEAKER PLACEMENT

Refer to the following diagram when you place the speakers.

Main: The position of your present stereo speaker

system.

Rear: Behind your listening position, facing slightly

inward. Nearly 1.8 m (approx. 6 feet) up from the floor.

Center: Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically shielded speaker.)

Subwoofer: The position of the subwoofer is not as critical,

because low bass tones are not highly directional.

Rear speaker (R)

Main speaker (R)

Center speaker

Subwoofer

Main speaker (L)

Rear speaker (L)

Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and

right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 19 for details.)

AC OUTLET(S) (SWITCHED)

Europe model......................................................... 2 OUTLETS

U.K. model ................................................................1 OUTLET

Use these to connect the power cords from your components to this unit. The power to the AC OUTLET(S) is controlled by this unit’s

STANDBY/ON or the provided remote control’s POWER and STANDBY. These outlets will supply power to any connected

component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLET(S) is 100 watts.

CONNECTIONS

Never plug in this unit and other components until all connections have been completed.

CONNECTIONS WITH OTHER COMPONENTS

Use RCA-type pin plug cables for connecting audio/video components with the exception described later. When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. * If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure

to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

Turntable Monitor TV

DVD player, LD player, etc.

CD player Tape deck,

MD recorder, etc.

TV/DBS tuner VCR

(Video cassette recorder)

T o AC outlet

(Europe model)

GND terminal (for turntable use)

Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better results may be obtained with the ground wire disconnected.

English

CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS

If your DVD (LD) player, TV/DBS tuner, etc. are equipped with coaxial or optical digital audio signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals.

Digital audio signals are transmitted with less loss than analog audio signals. In addition, digital audio signal connections are necessary, especially for an LD player or a DVD player, to send signals encoded with Dolby Digital or DTS to this unit.

To make a connection between optical digital audio signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly.

Even if you connect an audio/video unit to the COAXIAL (or OPTICAL) terminal of this unit, you must keep the unit connected with the same-named analog audio signal terminals of this unit, because a digital signal cannot be recorded by a tape deck, MD recorder or VCR connected to this unit. You can easily switch the selection of input signals between “digital” and “analog.” (See page 26 for details.)

Notes

• When connecting an audio/video unit to both the digital and analog terminals of this unit, make sure to connect between both terminals of the same name.

• Be sure to attach the covers when the OPTICAL terminals are not being used in order to protect them from dust.

• The input signal from the DVD/LD input terminals is selected in the following order of priority with the input mode set to the AUTO position: 1 COAXIAL terminal 2 OPTICAL terminal 3 Analog terminal

• If the DIGITAL OUT data of the player has been processed in any way, you may not be able to perform DTS playback even if you make a digital connection between this unit and the player.

• All digital audio signal input terminals are applicable to sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.

No sound will be generated when connecting your LD player’s Dolby Digital RF signal output terminal directly to this unit’s COAXIAL DVD/LD digital signal input terminal.

DVD or LD player* * If your LD player has a Dolby Digital RF signal

output terminal, be sure to use the RF demodulator (separately purchased).

TV/DBS tuner

(Europe model)

CONNECTING TO S VIDEO TERMINALS

If you have a VCR and a monitor equipped with “S” (highresolution) video terminals, those terminals can be connected to this unit’s S VIDEO terminals. Connect the VCR’s “S” video input and output terminals to this unit’s S VIDEO VCR OUT and IN terminals, respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal. Otherwise, connect the VCR’s composite video terminals to this unit’s composite video terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal. In addition, if you have a DVD or LD player equipped with an “S” video terminal, connect the DVD/LD player’s “S” video output terminal to this unit’s S VIDEO DVD/LD terminal.

Note If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective output terminals.

S VIDEO terminals

This unit provides you with S VIDEO terminals in addition to standard VIDEO terminals. S VIDEO terminals transmit video signals separated into luminance (Y) signals and color (C) signals. In comparison with S VIDEO terminals, standard VIDEO terminals transmit “composite” video signals.

Monitor TV

S S S

Camcorder

CONNECTING TO VIDEO A UX TERMINALS (ON THE FRONT PANEL)

These terminals are used to connect any video input source such as a camcorder to this unit.

CONNECTING WITH A MONITOR TV THAT USES A 21-PIN CONNECTOR FOR INPUT

Make a connection as shown below with a commercially available SCART-plug connector cable.

Monitor TV

No connection

SCART-plug connector cable

DVD/LD player

S VIDEO cable

VCR

English

CONNECTING TO AN EXTERNAL DECODER

This unit is equipped with additional 6-channel audio signal input terminals for inputting signals from an external decoder to this unit. Connect the 6-channel audio signal output terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit.

Notes

• When signals input to these terminals are selected, the digital sound field processor cannot be used.

• The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the SET MENU mode have no effect on the signals input to these terminals. The setting of “M.LVL” is effective. (Refer to page 19 for details.)

• Adjustment of the output level of the center speakers, rear speakers and subwoofer is effective when the signals input to these terminals are selected as the input source. (Refer to page 40 for details.)

External decoder with 6-channel discrete outputs

(Europe model)

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.

If this unit fails to turn on when the STANDBY/ON switch is pressed, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully when this unit is in the standby mode.

Select the position whose requirements your speaker system meets.

(Upper position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 4 Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8 Ω or higher.

Center: The impedance of the speaker must be 6 Ω or higher. Rear: The impedance of each speaker must be 6 Ω or

higher.

(Lower position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 8 Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16 Ω or higher.

Center: The impedance of the speaker must be 8 Ω or higher. Rear: The impedance of each speaker must be 8 Ω or

higher.

IMPEDANCE SELECTOR SWITCH

IMPEDANCE SELECTOR

(Europe model)

Note

Use speakers with the specified impedance shown on the rear panel of this unit.

Main speaker connections

One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either of the

SPEAKERS A or B terminals.

Rear speaker connections

A rear speaker system can be connected to this unit. Place them to the rear of your listening position.

Center speaker connection

A center speaker can be connected to this unit. Place it on or under the TV.

Subwoofer connection

You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel. If you have a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer system.

CONNECTING SPEAKERS

Rear speakers

Subwoofer system

Center speaker

Right

Left

Main speakers A Main speakers B

Right

Left

Right Left

English

How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage the unit and/or speakers.

Connecting to the MAIN SPEAKERS terminals

Red: positive (+) Black: negative (–)

1 Unscrew the knob. 2 Remove approx. 5 mm

(1/4”) of insulation from each of the speaker wires and insert one bare wire into each terminal.

3 Tighten the knob to

secure the wire.

1 Press the tab. 2 Remove approx. 5 mm

(1/4”) of insulation from each of the speaker wires and insert one bare wire into each terminal.

3 Release the tab to

secure the wire.

Connecting to the REAR and CENTER SPEAKERS terminals

Red: positive (+) Black: negative (–)

OUTPUT TERMINALS (FOR DRIVING A SPEAKER WITH AN EXTERNAL AMPLIFIER)

The speaker connections described on page 16 are fine for most applications. If for some reason, however, you wish to drive main, center and/or rear speakers with your existing amplifier, etc., the following terminals are available for connecting an external amplifier(s) to this unit.

Connecting the AM loop antenna

• The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.

• The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.

ANTENNA CONNECTIONS

Each antenna should be correctly connected to the designated terminals, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.

GND terminal

For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

2 Attach the loop antenna to the

antenna stand.

Outdoor

FM antenna

75-ohm/300-ohm antenna adapter

75-ohm coaxial cable

75-ohm/300-ohm antenna adapter

300-ohm feeder

Ground

AM loop antenna (included)

Outdoor AM antenna

* If you cannot obtain good

reception with the AM loop antenna, connect 5 m to 10 m of vinyl covered wire to the AM ANT terminal and extend it outdoors from a window. (Be sure to also connect the AM loop antenna at this time.)

Indoor FM antenna (included)

* Firmly insert the

connector into the FM ANT terminal.

Loop antenna

Antenna stand

* You may be unable to obtain good FM radio

reception depending on your local conditions (distance from the broadcast station, interposing buildings and mountains, etc.). Consult your dealer or authorized service center and be sure to install an antenna that suits your local conditions. Install the special FM outdoor antenna in a high place as far away from any roads as possible to avoid being affected by automobile ignition noise.

1 1 Press the tab and unlock the terminal hole.

2 Connect the AM loop antenna lead wires to the

AM ANT and GND terminals.

3 Return the tab to its original position to lock the

lead wires. Lightly pull the lead wires to confirm a good connection.

3 Orient the AM loop

antenna so that the best reception is obtained.

English

ADJUSTMENTS BEFORE USING THIS UNIT

SELECTING THE OUTPUT MODES

This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for your audio system. When speaker connections have all been completed, select the proper setting for each function to make the best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 42.)

CNTR (CENTER SPEAKER)

2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)

DESCRIPTION OF EACH FUNCTION

CNTR (CENTER SPEAKER)

Choices: LARGE/SMALL/NONE Preset position: LARGE

LARGE: Select this position when your center speaker is

approximately the same size as the main speakers.

SMALL: Select this position when you use a center speaker

that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) on the center channel are output from the main speakers (or the SUBWOOFER OUTPUT terminal if the SMALL position is selected for “MAIN” and the SW position is selected for “BASS”).

NONE: Select this position when you do not have a center

speaker (four speaker system). The center channel sound will be output from the left and right main speakers.

REAR (REAR SPEAKERS)

Choices: LARGE/SMALL Preset position: LARGE

LARGE: Select this position if your rear speakers have high

ability for bass reproduction, or if a subwoofer is connected in parallel to the rear speaker. In this position, full-range signals are output from the rear speakers.

SMALL: Select this position if your rear speakers do not have

high ability for bass reproduction. In this position, low bass signals (below 90 Hz) on the rear channels are output from the SUBWOOFER OUTPUT terminal (or the main speakers if the MAIN position is selected for “BASS”).

MAIN (MAIN SPEAKERS)

Choices: LARGE/SMALL Preset position: LARGE

LARGE: Select this position if your main speakers have high

ability for bass reproduction. In this position, full-range signals present on the main channels are output from the main speakers.

SMALL: Select this position if your main speakers do not

have high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) on the main channels are output from the SUBWOOFER OUTPUT terminal if the SW or BOTH position is selected for “BASS”.

BASS (LFE/BASS OUT)

Choices: SW/MAIN/BOTH Preset position: SW

MAIN: Select this position if your system does not include a

subwoofer. In this position, full-range signals present on the main channels, signals from the LFE channel and other low bass signals that are distributed from other channels are output from the main speakers.

SW/BOTH:

Select either the SW or BOTH position if your system includes a subwoofer. In either position, signals on the LFE channel and other low bass signals that are distributed from other channels are output from the SUBWOOFER OUTPUT terminal. When the LARGE position is selected for “MAIN”, in the SW position, no signal is distributed from the main channels to the SUBWOOFER OUTPUT terminal; however, in the BOTH position, low bass signals from the main channels are output to both the main speakers and the SUBWOOFER OUTPUT terminal.

M.LVL (MAIN LEVEL)

Choices: NRML (NORMAL)/–10 dB Preset position: NRML (NORMAL)

NRML (NORMAL):

Normally select this position.

–10 dB: Select this position if the sound output from the main

speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated.

Note

The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no effect on the signals input to the EXTERNAL DECODER INPUT terminals on the rear of this unit.

+ 42 hidden pages

Yamaha Audio RX-V595aRDS User Manual

FEATURES

CONTENTS

FEATURES OF THE SOUND EFFECTS

CONTROLS AND THEIR FUNCTIONS

SPEAKER SETUP

CONNECTIONS

ADJUSTMENTS BEFORE USING THIS UNIT