Yamaha Audio RX-V590RDS User Manual

RX-V590RDS

Natural Sound Stereo Receiver

Récepteur stéréo “Son Naturel”

Natural Sound Stereoreceiver

Sintonizzatore stereo a suono naturale

Receptor estéreo de Sonido Natural

Natural Sound Stereo Ontvanger

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS MITGELIEFERTE ZUBEHORTEILE MEDFOLJANDE TILLBEHOR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES

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After unpacking, check that the following parts are included.

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Après le déballage, vérifier que les pièces suivantes sont incluses.

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Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

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Kontrollera efter det apparaten packats upp att följande delar finns med.

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Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

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Desembale el aparato y verificar que los siguientes accesorios están en la caja.

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Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

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Indoor FM Antenna

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Antenne FM intérieure

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UKW-Innenantenne

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FM inomhusantenn

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Antenna FM per interni

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Antena FM interior

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FM Binnenantenne

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AM Loop Antenna

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Cadre-antenna AM

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MW-Rahmenantenne

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AM ramantenn

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Antenna AM ad anello

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Antena de cuadro de AM

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AM Lusantenne

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Remote Control Transmitter

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Emetteur de télécommande

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Fernbedienungsgeber

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Fjärrkontrollsändare

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Telecomando

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Transmisor del control remoto

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Afstandbediening

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Batteries (size AA, R6, UM-3)

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Piles (taille AA, R6, UM-3)

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Batterien (Größe AA, R6, UM-3)

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Batterier (storlek AA, R6, UM-3)

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Batterie (dimensioni AA, R6, UM-3)

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Pilas (tamaño AA, R6, UM-3)

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Batterijen (maat AA, R6, UM-3)

This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/EEC.

Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE. Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG. Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj. Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi. Este producto está de acuerdo con los requisitos sobre interferencias de radio frecuencia fijados por el Consejo Directivo

87/308 CEE. Dit product voldoet aan de EEG normen betreffende radio-frekwentie storingen 82/499/EEG en/of 87/308/EEG.

FEATURES

Thank you for selecting this YAMAHA stereo receiver.

English

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5 Speaker Configuration Front: 70W + 70W (8Ω) RMS Output

Power , 0.04% THD, 20–20,000 Hz

Center: 70W (8Ω) RMS Output Power,

0.07% THD, 1 kHz

Rear: 20W + 20W (8Ω) RMS Output

Power , 0.3% THD, 1 kHz

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Digital Sound Field Processor 6 Programs for Digital Sound Field Processing 2 Programs for Dolby Surround Decoding (DOLBY PRO LOGIC and DOLBY PRO LOGIC ENHANCED)

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Automatic Input Balance Control for Dolby Surround

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Test Tone Generator for Easier Speaker Output Balance Adjustment

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3 Center Channel Modes (NORMAL/WIDE/PHANTOM)

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Multi-Functions for RDS Broadcast Reception

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40-Station Random Access Preset Tuning

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Automatic Preset Tuning

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Preset Station Shifting Capability (Preset Editing)

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IF Count Direct PLL Synthesizer Tuning System

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Video Signal Input/Output Capability (Including S Video Connections)

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SLEEP Timer

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Remote Control Capability

CONTENTS

Supplied Accessories ......................................2

Caution ............................................................4

Profile of This Unit ...........................................5

Speaker Setup for This Unit ............................6

Connections ....................................................7

Speaker Balance Adjustment ........................13

Basic Operations ...........................................16

Tuning Operations .........................................19

Preset Tuning ................................................20

Receiving RDS Stations ................................23

Using Digital Sound Field Processor (DSP)

......................................................................27

Setting the SLEEP Timer ..............................31

Remote Control Transmitter ..........................32

Notes about the Remote Control Transmitter

.......................................................................33

Troubleshooting .............................................34

Specifications ................................................35

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.

5. The openings on the cabinet assure proper ventilation of

the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly and eventually damage the circuits. Therefore, avoid placing objects against these openings and do not install the unit where the flow of air through the ventilation openings could be impeded.

6. Always set the VOLUME control to “–

the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

” before starting

∞

7. Do not attempt to clean the unit with chemical solvents;

this might damage the finish. Use a clean, dry cloth.

For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below. Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN THE MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL Brown: LIVE

As the colours of the wires in the main lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Make sure that neither core is connected to the earth terminal of the three pin plug.

8. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that the unit is faulty.

9. When not planning to use this unit for long periods of time

(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.

10.To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an electrical storm.

11.Grounding or polarization – Precautions should be taken

so that the grounding or polarization of an appliance is not defeated.

12.AC outlet

Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.

IMPORTANT

Please record the serial number of this unit in the space below.

Serial No.: The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future reference.

The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

PROFILE OF THIS UNIT

You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder. Please read this operation manual carefully and store it in a safe place for later reference.

Digital Sound Field Processing

English

What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert.

Dolby Pro Logic Surround

The Dolby Pro Logic Surround Decoder program lets you experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic gets its name from its professional-grade steering logic circuitry, which provides greater effective front and rear channel separation for a much higher degree of realism than the “passive” Dolby Surround circuits found in less sophisticated home audio/video equipment. Dolby Pro Logic Surround provides a true center channel, so that there are four independent channels, unlike passive Dolby Surround which has in effect only three channels: left, right, and rear. This center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from action on the screen while getting a stereo effect as well.

What’s more, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home.

This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system increases sound stability at each channel and minimizes crosstalk between channels compared to conventional analog Dolby signal processing. In addition, this unit features a built-in automatic input balance control. This circuit always presents you the best surround conditions without performing manual adjustments.

Dolby Pro Logic Surround + DSP

You can also enjoy a combination of Dolby Pro Logic Surround and DSP in the sound field program “ PRO LOGIC ENHANCED”. It recreates the surround effect of a movie theater, effectively duplicating its multiple surround loudspeaker system, completely surrounding the listener with the sounds of the action taking place on the screen.

SPEAKER SETUP FOR THIS UNIT

Front L Center Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L

Rear R

Front L Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L Rear R

Front R

Center

Front L

TV set

Rear R

Rear L

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The speakers to be used with this unit will be mainly front speakers, rear speakers, and a center speaker. (You can omit the center speaker. Refer to the “4-Speaker Configuration” shown below.) The front speakers are used for the main source sound and the effect sound. They will probably be the speakers of your present stereo speaker system. The rear speakers are used for the effect sound. And the center speaker is used for the center sound (dialog etc.) encoded with the Dolby Surround. The rear and center speakers do not need to be equal in power to the front speakers. However, all the speakers should have high enough power handling to accept the maximum output of this unit.

SPEAKER CONFIGURATION

5-Speaker Configuration

This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If the digital sound field program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, conversations will be output from the center speaker and the ambience will be excellent.

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Set the center channel mode to the “NORMAL” or “WIDE” position. (For details, refer to page 14.)

4-Speaker Configuration

The center speaker is not used in this configuration. If the digital sound field program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, the center sound is output from the left and the right front speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration.

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Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 14.)

SPEAKER PLACEMENT

The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.

Front: In normal position. (The position of your present

stereo speaker system.)

Rear: Behind your listening position, facing slightly inward.

Nearly six feet (approx. 1.8 m) up from the floor.

Center: Precisely between the front speakers. (To avoid

interference with TV sets, use a magnetically shielded speaker.)

CONNECTIONS

GND

MONITOR

OUT

S VIDEO

IN OUT

VCR 2

MONITOR

OUT

LD/TV

IN OUT

VCR 1

IN OUT

VCR 2

PHONO CD TAPE LD/TV VCR 1 VCR 2

TAPEPBREC

OUT

IN OUT IN OUT

A OR B:8ΩMIN.

/SPEAKER

A B:l6

Ω

MIN.

/SPEAKER

FRONT

C D:4ΩMIN./SPEAKER SINGLE:8ΩMIN./SPEAKER

Ω

MIN.

/SPEAKER

REAR

CENTER

DUAL

SINGLE

FRONT CENTER REAR

SWITCHED

l20W MAX. TOTAL

VIDEO SIGNAL

AUDIO SIGNAL

SPEAKERS

OUTPUT

AC OUTLETS

l0 dB 0 dB

FRONT LEVEL

ANT

AM ANT

GND

75Ω UNBAL.

fc:200Hz

LOW

PASS

MAINS

OUTPUT

GND

VIDEO IN

AUDIO OUT

VIDEO OUT

AUDIO OUT

VIDEO IN

AUDIO IN

OUTPUT

LINE OUT

LINE IN

VIDEO OUT

AUDIO OUT

AUDIO IN

VIDEO IN

Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

English

Turntable Monitor TV

LD player, TV tuner, etc. Video cassette recorder 2

(Europe model)

CD player Tape deck Video cassette recorder 1

:Refer to “ABOUT THE ACCESSORY TERMINALS” on page 11.

To AC outlet

CONNECTING TO S VIDEO TERMINALS

MONITOR

OUT

S VIDEO

IN OUT

VCR 2

MONITOR

OUT

LD/TV

IN OUT

VCR 1

IN OUT

VCR 2

VIDEO SIGNAL

S VIDEO

VIDEO IN

S VIDEO

OUT

S VIDEO

VIDEO OUT

VIDEO IN

VIDEO AUX

S VIDEO VIDEO L AUDIO R

S VIDEO

VIDEO

If you have a video cassette recorder and a monitor equipped with “S” (high-resolution) video terminals, those terminals can be connected to this unit’s S VIDEO terminals. Connect the video cassette recorder’s “S” video input and output terminals to this unit’s

S VIDEO VCR 2 IN and OUT terminals respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal. Otherwise, connect the video cassette recorder’s composite video terminals to this unit’s composite video terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal.

Note If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective output terminals independently.

Monitor TV

Video cassette recorder 2

CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)

These terminals are used to connect any video input source such as a camcorder to this unit.

AUDIO OUT R

AUDIO OUT L

VIDEO OUT

S VIDEO OUT

Camcorder

CONNECTING SPEAKERS

A OR B:8ΩMIN.

/SPEAKER

A B:l6

Ω

MIN.

/SPEAKER

FRONT

C D:4ΩMIN./SPEAKER SINGLE:8ΩMIN./SPEAKER

Ω

MIN.

/SPEAKER

REAR

CENTER

FRONT CENTER REAR

SPEAKERS

OUTPUT

l0 dB 0 dB

FRONT

LEVEL

fc:200Hz

LOW PASS

DUAL

SINGLE

l0 dB 0 dB

FRONT

LEVEL

REAR

CENTER

DUAL

SINGLE

Connect the respective speakers to this unit as figured below.

Rear speakers

English

Center speaker

Right

Left

FRONT LEVEL switch

Left

Right

Front speakers A

Left

Front speakers B

Note on front speaker connection:

One or two speaker systems can be connected to this unit. If you connect only one speaker system, connect it to either the

SPEAKERS A or B terminals.

FRONT LEVEL switch

Normally set to “0 dB”. If desired, you can decrease the output level at the FRONT SPEAKERS terminals by 10 dB by setting this switch to “–10 dB”.

Note on center speaker connection:

One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position. For connecting two center speakers, follow the method shown below.

Center speaker

How to Connect:

➁

➂

➀

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is, + and – markings are observed. If these wires are reversed, the sound will be unnatural and will lack bass.

Do not let the bare speaker wires touch each other and do not let them touch the metal parts of this unit as this could damage this unit and/or speakers.

Note

Use speakers with the specified impedance shown on the rear of this unit.

For connecting to the FRONT SPEAKERS terminals

Red: positive (+) Black: negative (–)

Unscrew the knob.

➀

Insert the bare wire.

➁

[Remove approx. 5mm (1/4”) insulation from the speaker wires.] Tighten the knob and

➂

secure the wire.

For connecting to the REAR and CENTER SPEAKERS terminals

Red: positive (+) Black: negative (–)

Press up the tab.

➀

Insert the bare wire.

➁

[Remove approx. 5mm (1/4”) insulation from the speaker wires.] Release down the tab

➂

and secure the wire.

ABOUT THE ACCESSOR Y TERMINALS

English

AC OUTLET(S) (SWITCHED)

(Europe model) ................................. 2 SWITCHED OUTLETS

(U.K. model) ........................................ 1 SWITCHED OUTLET

Use these to connect the power cords from your components to this unit. The power to the SWITCHED outlets is controlled by this unit’s

POWER switch or the provided remote control transmitter’s POWER key. These outlets will supply power to any

component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC

OUTLET(S) is 120 watts.

GND terminal (For turntable use)

Connecting the ground wire of the turntable to this terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.

LOW PASS terminal

This terminal is for output to a monaural amplifier driving a subwoofer. Only frequencies below 200 Hz from the front and center channels are output.

FRONT OUTPUT terminals

These terminals are for front channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive front speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals.

REAR OUTPUT terminals

These terminals are for rear channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals.

CENTER OUTPUT terminal

This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal.

ADDING A SUBWOOFER

You may wish to add a subwoofer to reinforce the bass frequencies. Connect the LOW PASS terminal to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit.

OUTPUT

FRONT CENTER REAR

LOW

PASS

fc:200Hz

Subwoofer system

ANTENNA CONNECTIONS

Outdoor FM antenna

Outdoor AM antenna

AM loop antenna (included)

Ground

Indoor FM antenna (included)

75-ohm/300-ohm antenna adapter

75-ohm coaxial cable

300-ohm feeder

GND

MONITOR

OUT

S VIDEO

IN OUT

VCR 2

PHONO CD

TAPE

ANT

AM ANT

GND

75Ω UNBAL.

➀

➁

➂

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Each antenna should be connected to the designated terminals correctly, referring to the following diagram.

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Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.

Connecting the AM loop antenna

12 3

* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. * The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

GND terminal

For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

Notes

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When connecting the indoor FM antenna, insert its connector into the FM ANT terminal firmly.

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If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.

Orient so that the best reception is obtained.

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