Yamaha Audio RX-V492RDS User Manual

R X-V492RDS R X-V392RDS
Natural Sound AV Receiver
Natural Sound AV-Receiver
Natural Sound AV-receiver
Sintonizzatore AV a suono naturale
Receptor AV de Sonido Natural
Natural Sound AV Ontvanger
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING

SUPPLIED ACCESSORIES

REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TESTDELAY TIME
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
VIDEO
VCR
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/ LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
TUNER
CD
PHONO
DELAY/CENTER
/REAR
DVD/LD
VCR
TV/DBS
ACCESSOIRES FOURNIS MITGELIEFERTE ZUBEHÖRTEILE MEDFÖLJANDE TILLBEHÖR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES
After unpacking, check that the following parts are included.
Après le déballage, vérifier que les pièces suivantes sont incluses.
Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
Kontrollera efter det apparaten packats upp att följande delar finns med.
Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
Desembalar el aparato y verificar que los siguientes accesorios están en la caja.
Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
Indoor FM Antenna
Antenne FM intérieure
UKW-Innenantenne
FM inomhusantenn
Antenna FM interna
Antena FM interior
FM Binnenantenne
AM Loop Antenna
Cadre-antenna AM
MW-Rahmenantenne
AM ramantenn
Antenna AM ad anello
Antena de cuadro de AM
AM Lusantenne
Remote Control Transmitter
Emetteur de télécommande
Fernbedienung
Fjärrkontroll
Telecomando
Transmisor de control remoto
Afstandbediening
RX-V492RDS RX-V392RDS
75-ohm/300-ohm antenna adapter (U.K. model only)
Adaptateur d’antenne 75 ohms/300 ohms (Modèle pour le Royaume-Uni seulement)
75 Ohm/300 Ohm Antennenstecker (nur Großbritannien­Modell)
75 ohm/300 ohm antennadapter (Endast modell för Storbritannien)
Adattatore per antenna da 75 e 300 ohm (Solo modello per la Gran Bretagna)
Adaptador de antena de 75 ohmios/300 ohmios (Modelo para Reino Unido sólo)
75 ohm/300 ohm antenne-adapter (Alleen modellen voor Groot-Brittannië)
Batteries (size AA, R6, UM-3)
Piles (taille AA, R6, UM-3)
Batterien (Größe AA, R6, UM-3)
Batterier (storlek AA, R6, UM-3)
Batterie (dimensioni AA, R6, UM-3)
Pilas (tamaño AA, R6, UM-3)
Batterijen (maat AA, R6, UM-3)
2
FEATURES
Thank you for selecting this YAMAHA AV receiver.

English

5 Speaker Configuration
RX-V492RDS
Main: 65W + 65W (8) RMS Output
Power, 0.04% THD, 20–20,000 Hz
Center: 65W (8) RMS Output
Power, 0.09% THD, 1 kHz
Rear: 20W + 20W (8) RMS Output
Power, 0.7% THD, 1 kHz
RX-V392RDS
Main: 50W + 50W (8) RMS Output
Power, 0.04% THD, 20–20,000 Hz
Center: 50W (8) RMS Output
Power, 0.09% THD, 1 kHz
Rear: 20W + 20W (8) RMS Output
Power, 0.7% THD, 1 kHz
Digital Sound Field Processor
Dolby Pro Logic Surround Decoder
Theater-like Sound Experience by the Combination of Dolby Pro Logic and YAMAHA DSP Technology (CINEMA DSP)
Automatic Input Balance Control for Dolby Pro Logic Surround
Test Tone Generator for Easier Speaker Balance Adjustment
3 Center Channel Modes (NORMAL/WIDE/PHANTOM)
Multi-Functions for RDS Broadcast
Reception
40-Station Random Access Preset Tuning
Automatic Preset Tuning
Preset Station Shifting Capability (Preset
Editing)
IF Count Direct PLL Synthesizer Tuning
System
Video Signal Input/Output Capability
SLEEP Timer
Remote Control Capability
CONTENTS
Supplied Accessories ......................................2
Caution ............................................................4
Notes about the Remote Control Transmitter
........................................................................5
Profile of This Unit ...........................................6
Speaker Setup ................................................7
Connections ....................................................8
Controls and Their Functions ........................14
Speaker Balance Adjustment ........................20
Basic Operations ...........................................23
Tuning Operations .........................................26
Preset Tuning ................................................27
Receiving RDS Stations ................................30
Using Digital Sound Field Processor (DSP)
......................................................................35
Setting the SLEEP Timer ..............................39
Troubleshooting .............................................40
Specifications ................................................41
3
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
MAINS
REAR
6MIN./SPEAKER
SINGLE:6MIN./SPEAKER
DUAL
:3MIN./SPEAKER
A OR B
:4MIN./SPEAKER
A B
:8MIN./SPEAKER
CENTER
MAIN
REAR
8MIN./SPEAKER
SINGLE:8MIN./SPEAKER
DUAL
:4MIN./SPEAKER
A OR B
:8MIN./SPEAKER
A B:I6ΩMIN./SPEAKER
CENTER
MAIN
IMPEDANCE SELECTOR
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.
5. The openings on the cabinet assure proper ventilation of
the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in well­ventilated condition. Make sure to allow a space of at least 20 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit. Otherwise it may not only damage the unit, but also cause fire.
6. Always set the VOLUME control to “–
the audio source play. Increase the volume gradually to an appropriate level after playback has been started.
” before starting
For U.K. customers
If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below. Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN THE MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL Brown: LIVE
As the colours of the wires in the main lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Make sure that neither core is connected to the earth terminal of the three pin plug.
7. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
8. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that the unit is faulty.
9. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.
10.To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an electrical storm.
11.Grounding or polarization – Precautions should be taken
so that the grounding or polarization of an appliance is not defeated.
12.AC outlet
Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.
IMPORTANT
Please record the serial number of this unit in the space below.
Serial No.:
The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.
WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.
IMPEDANCE SELECTOR
(Europe model)
The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
4

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

1
3
2
l6
20
28
40
60
l2
8
4
2
0
–dB
l6
20
28
40
60
l2
8
4
2
0
–dB
30°
30°
English
Battery installation
Battery replacement
If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones.
Notes
Use only AA, R6, UM-3 batteries for replacement.
Be sure the polarities are correct. (See the illustration inside the battery compartment.)
Remove the batteries if the remote control transmitter will not be used for an extended period of time.
If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.
Remote control transmitter operation range
RX-V492RDS
Remote control sensor
Notes
There should be no large obstacles between the remote control transmitter and the main unit.
If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting.
RX-V392RDS
Within approximately 6 m (19.7 feet)
5

PROFILE OF THIS UNIT

CINEMA DSP
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround Decoder. Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert.
Dolby Pro Logic Surround
This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects.
Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home.
This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and minimizes crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems. In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.
Manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby”, the double-D symbol and “Pro Logic” are trademarks of Dolby Laboratories Licensing Corporation.
Dolby Pro Logic Surround + DSP
Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater. Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field.
6
The combination of Dolby Pro Logic Surround and DSP is used on the sound field program “ PRO LOGIC ENHANCED”.
The YAMAHA “CINEMA DSP” logo indicates these programs are created by the combination of Dolby Pro Logic and YAMAHA DSP technology.

SPEAKER SETUP

Front L Center Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Front L Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L Rear R
Front R
Center
Front L
TV set
Rear R
Rear L
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker Configuration” shown below.) The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
English
5-Speaker Configuration
This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, conversations will be output from the center speaker and the ambience will be excellent.
Set the center channel mode to the “NORMAL” or “WIDE
position. (For details, refer to page 21.)
Main L
Main R
SPEAKER PLACEMENT
4-Speaker Configuration
The center speaker is not used in this configuration. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, the center sound is output from the left and the right main speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration.
Be sure to set the center channel mode to the “PHANTOM
position. (For details, refer to page 21.)
Main L
Main R
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Main R
Main L
Main: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically shielded speaker.)
7

CONNECTIONS

FM
ANT
AM
ANT
GND
75
UNBAL.
GND
MONITOR OUT
DVD/LD
TV/DBSIN OUTVCR
VIDEO SIGNAL
CD
TAPE ( MD )
DVD/LDPHONO
TV/DBS
VCR
TAPEPBREC
OUT
IN OUT
AUDIO SIGNAL
3 4
1
CENTER
OUTPUT
SUB
WOOFER
REAR
CENTER
CD
DUAL
SINGLE
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN
SPEAKERS
A
B
MAIN
LEVEL
MAINS
REAR
6MIN./SPEAKER
SINGLE:6MIN./SPEAKER
DUAL
:3MIN./SPEAKER
A OR B
:4MIN./SPEAKER
A B
:8MIN./SPEAKER
CENTER
MAIN
REAR
8MIN./SPEAKER
SINGLE:8MIN./SPEAKER
DUAL
:4MIN./SPEAKER
A OR B
:8MIN./SPEAKER
A B:I6ΩMIN./SPEAKER
CENTER
MAIN
IMPEDANCE SELECTOR
10dB 0dB
GND
OUTPUT
AUDIO IN
VIDEO IN
AUDIO OUT
VIDEO OUT
VIDEO IN
AUDIO OUT
VIDEO OUT
I00W MAX. TOTAL
SWITCHED
AC OUTLETS
LINE OUT
LINE IN
OUTPUT
VIDEO OUT
AUDIO OUT
Never plug in this unit and other components until all connections are completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. * If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
RX-V492RDS
Turntable
Monitor TV
2
*
Video cassette recorder
TV/Satellite tuner
(Europe model)
1
*
Tape deck, MD recorder, etc.
1
2
,
: See the next page.
*
*
8
LD player etc.
CD player
To AC outlet
RX-V392RDS
FM
ANT
AM
ANT
GND
75
UNBAL.
GND
MONITOR OUT
VIDEO
IN OUTVCR
VIDEO SIGNAL
CD
TAPE ( MD )
VIDEOPHONO VCR
TAPEPBREC
OUT
IN OUT
AUDIO SIGNAL
3 4
1
CENTER
OUTPUT
SUB
WOOFER
REAR
CENTER
CD
DUAL
SINGLE
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN
SPEAKERS
A
B
MAINS
REAR
6MIN./SPEAKER
SINGLE:6MIN./SPEAKER
DUAL
:3MIN./SPEAKER
A OR B
:4MIN./SPEAKER
A B
:8MIN./SPEAKER
REAR
8MIN./SPEAKER
SINGLE:8MIN./SPEAKER
DUAL
:4MIN./SPEAKER
A OR B
:8MIN./SPEAKER
A B:I6ΩMIN./SPEAKER
CENTER
MAIN
CENTER
MAIN
IMPEDANCE SELECTOR
I00W MAX. TOTAL
SWITCHED
AC OUTLETS
MAIN
LEVEL
10dB 0dB
GND
OUTPUT
LINE OUT
LINE IN
OUTPUT
AUDIO IN
VIDEO IN
AUDIO OUT
VIDEO OUT
VIDEO IN
VIDEO OUT
AUDIO OUT
English
Turntable
Monitor TV
2
*
Video cassette recorder
(Europe model)
1
*
1
AC OUTLET(S) (SWITCHED)
*
Tape deck, MD recorder, etc.
(Europe model) ................................. 2 SWITCHED OUTLETS
(U.K. model) ........................................ 1 SWITCHED OUTLET
Use these to connect the power cords from your components
LD player etc.
to this unit. The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s POWER key. These outlets will supply power to any
component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 100 watts.
To AC outlet
CD player
2
GND terminal (For turntable use)
*
Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.
9
CONNECTING SPEAKERS
CENTER
OUTPUT
SUB
WOOFER
REAR
CENTER
CD
DUAL
SINGLE
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN
SPEAKERS
A
B
REAR
6MIN./SPEAKER
SINGLE:6MIN./SPEAKER
DUAL
:3MIN./SPEAKER
A OR B
:4MIN./SPEAKER
A B
:8MIN./SPEAKER
CENTER
MAIN
REAR
8MIN./SPEAKER
SINGLE:8MIN./SPEAKER
DUAL
:4MIN./SPEAKER
A OR B
:8MIN./SPEAKER
A B:I6ΩMIN./SPEAKER
CENTER
MAIN
IMPEDANCE SELECTOR
REAR
CENTER
CD
DUAL
SINGLE
Right
Center speaker
Rear speaker Rear speaker
Right
Left
Left
Subwoofer system
(Europe model)
Main speakers B
Left
Right
Main speakers A
Note
Use speakers with the specified impedance shown on the rear of this unit.
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the
SPEAKERS A or B terminals. Note on a subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies. Connect the SUBWOOFER OUTPUT terminal of this unit to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit.
Note on center speaker connection:
One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position. For connecting two center speakers, follow the method shown below.
Center speaker
Center speaker
10
1
2
3
How to Connect:
FM
ANT
AM
ANT
GND
75
UNBAL.
GND
PHONO
TAPE
PB
3
MAIN
LEVEL
10dB 0dB
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage this unit and/or speakers.
English
For connecting to the MAIN SPEAKERS terminals
Red: positive (+) Black: negative (–)
Unscrew the knob.
Insert the bare wire.
[Remove approx. 5mm (1/4”) insulation from the speaker wires.] Tighten the knob and
secure the wire.
MAIN LEVEL switch
Normally set to “0 dB”. If desired, you can decrease the output level at the MAIN SPEAKERS terminals by 10 dB by setting this switch to “–10 dB”.
For connecting to the REAR and CENTER SPEAKERS terminals
Red: positive (+) Black: negative (–)
Press the tab.
Insert the bare wire.
[Remove approx. 5mm (1/4”) insulation from the speaker wires.] Release the tab and
secure the wire.
11
OUTPUT terminals (for driving speakers with external amplifiers)
REAR
6MIN./SPEAKER
SINGLE:6MIN./SPEAKER
DUAL
:3MIN./SPEAKER
A OR B
:4MIN./SPEAKER
A B
:8MIN./SPEAKER
CENTER
MAIN
REAR
8MIN./SPEAKER
SINGLE:8MIN./SPEAKER
DUAL
:4MIN./SPEAKER
A OR B
:8MIN./SPEAKER
A B:I6ΩMIN./SPEAKER
CENTER
MAIN
IMPEDANCE SELECTOR
CENTER
OUTPUT
SUB
WOOFER
CENTER OUTPUT terminal
This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal.
SUBWOOFER OUTPUT terminal
This terminal is for connecting with the input terminal of an amplifier for driving a subwoofer. This terminal outputs only frequencies below 150 Hz (200 Hz for General model only) from the main and center channels.
Note
Output level of signals from these terminals are adjusted by the use of VOLUME control on the front panel or VOLUME keys on the remote control transmitter.
IMPEDANCE SELECTOR switch
Be sure to switch this only when the power of this unit is turned off. Select the position whose requirements your speaker system meets.
WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged.
(Europe model)
(Upper position)
Rear: The impedance of each speaker must be 6or
higher.
Center: If you use one center speaker, the impedance of the
speaker must be 6or higher. If you use two center speakers, the impedance of each speaker must be 3or higher.
Main: If you use one pair of main speakers, the impedance
of each speaker must be 4or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8or higher.
(Lower position)
Rear: The impedance of each speaker must be 8or
higher.
Center: If you use one center speaker, the impedance of the
speaker must be 8or higher. If you use two center speakers, the impedance of each speaker must be 4or higher.
Main: If you use one pair of main speakers, the impedance
of each speaker must be 8or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16or higher.
12
ANTENNA CONNECTIONS
FM
ANT
AM
ANT
GND
75
UNBAL.
GND
Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.
English
Outdoor FM antenna
75-ohm/300-ohm antenna adapter
75-ohm coaxial cable
75-ohm/300-ohm antenna adapter
300-ohm feeder
Outdoor AM antenna
Indoor FM
antenna
(included)
AM loop antenna (included)
Ground
Connecting the AM loop antenna
1 2 3
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. * The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.
Notes
When connecting the indoor FM antenna, insert its connector into the FM ANT terminal firmly.
If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.
Orient so that the best reception is obtained.
13
FRONT PANEL
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO MOVIE
STADIUM
POWER
NATURAL SOUND AV RECEIVER
RX–V492RDS
SPEAKERSPHONES
AONB
OFF
BASS TREBLE BALANCE
VOLUME
55
4
3
2
l0l
2
3
4
55
4
3
2
l0l
2
3
4
LR
l6
20
28
40
60
l2
8
4
2
0
–dB
CINEMA DSP
55
4
3
2
l0l
2
3
4
RDS MODE/FREQ
DELAY/
CENTER/REAR
EONFM/
AM
MODE
START
MAN'L/AUTO FM
TUNING
MODE
AUTO/MAN'L MONO
CENTER
MODE
DISCO
CONCERT
HALL
ROCK
CONCERT
EFFECT
DOWN
TUNING
UP
PTY SEEK
MEMORY
EDIT
TIME/LEVEL
A/B/C/D/E
1
2 3 4 5 6 7 8
VCR DVD/LDTV/DBS
TAPE (MD)
MONITOR
TUNER
CD
PHONO
1
9 0 A B C DEF GH J K M N O
IL
23 4 5 6 8
7
POWER
NATURAL SOUND AV RECEIVER
RX–V392RDS
SPEAKERSPHONES
AONB
OFF
BASS TREBLE BALANCE
VOLUME
55
4
3
2
l0l
2
3
4
55
4
3
2
l0l
2
3
4
LR
l6
20
28
40
60
l2
8
4
2
0
–dB
CINEMA DSP
55
4
3
2
l0l
2
3
4
RDS MODE/FREQ
EONFM/
AM
MODE
START
MAN'L/AUTO FM
TUNING
MODE
AUTO/MAN'L MONO
CENTER
MODE
DOWN
TUNING
UP
EFFECT
PTY SEEK
MEMORY
EDIT
PROGRAM
A/B/C/D/E
1
2 3 4 5 6 7 8
TAPE (MD)
MONITOR
VIDEOVCR
TUNER
CD
PHONO
REAR
LEVEL
CENTER
LEVEL
0l0 0l0
1
9 0 A B C DEF GH J K M P
Q RO
I
7L
23 4 5 8
RX-V492RDS

CONTROLS AND THEIR FUNCTIONS

RX-V392RDS
14
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