Yamaha Audio RX-V2090 User Manual
RX-V2090
Natural Sound Stereo Receiver
OWNER’S MANUAL
Contents
PROFILE OF THIS UNIT ............................ 6
SPEAKER SETUP FOR THIS UNIT...........7
CONNECTIONS ......................................... 9
ADJUSTMENT BEFORE OPERATION....16
BASIC OPERATIONS .............................. 19
TUNING OPERATIONS ........................... 22
USING THE DIGITAL SOUND FIELD
PROCESSOR (DSP) ................................ 26
SETTING THE SLEEP TIMER ................. 31
REMOTE CONTROL TRANSMITTER ..... 32
IMPORTANT!
Please record the serial number of this
unit in the space below.
Model:
Serial No.:
The serial number is located on the rear
of the unit.
Retain this Owner’s Manual in a safe
place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE
THIS UNIT TO RAIN OR MOISTURE.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
• Explanation of Graphical Symbols
The lightning flash with arrowhead
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to
alert you to the presence of
important operating and
maintenance (servicing) instructions
in the literature accompanying the
appliance.
SAFETY INSTRUCTIONS
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810-20)
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
GROUND CLAMPS
POWER SERIVCE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250, PART H)
NEC – NATIONAL ELECTRICAL CODE
ELECTRIC
SERVICE
EQUIPMENT
GROUND
CLAMP
MAST
ANTENNA
LEAD IN
WIRE
EXAMPLE OF ANTENNA GROUNDING
1 Read Instructions — All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions — The safety and operating
instructions should be retained for future reference.
3 Heed Warnings — All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions — All operating and other
instructions should be followed.
5 Water and Moisture — The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a
swimming pool, etc.
6 Carts and Stands — The unit should be used only with a
cart or stand that is recommended by the manufacturer.
6A An unit and cart combination should be
moved with care. Quick stops,
excessive force, and uneven surfaces
may cause the unit and cart
combination to overturn.
7 Wall or Ceiling Mounting — The unit should be mounted
to a wall or ceiling only as recommended by the
manufacturer.
8 Ventilation — The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block
the ventilation openings; or placed in a built-in
installation, such as a bookcase or cabinet that may
impede the flow of air through the ventilation openings.
The power-supply cord or the plug has been damaged; or
A.
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits
a marked change in performance; or
E. The unit has been dropped, or the enclosure damaged.
16 Servicing — The user should not attempt service the
unit beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines — An outdoor antenna should be located
away from power lines.
18
Grounding or Polarization — Precautions should be taken
so that the grounding or polarization is not defeated.
19 Outdoor Antenna Grounding — If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of
the National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire
to an antenna discharge unit, size of grounding
conductors, location of antenna discharge unit,
connection to grounding electrodes, and requirements
for the grounding electrode.
9 Heat — The unit should be situated away from heat
sources such as radiators, stoves, or other appliances
that produce heat.
10 Power Sources — The unit should be connected to a
power supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection — Power-supply cords should
be routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning — The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods — The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry — Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of unit.
15 Damage Requiring Service — The unit should be
serviced by qualified service personnel when:
Note to CATV system installer:
This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT
1 To ensure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2 Install your unit in a cool, dry, clean place – away from
windows, heat sources, and too much vibration, dust,
moisture or cold. Avoid sources of hum (transformers,
motors). To prevent fire or electrical shock, do not
expose to rain and water.
3 Do not operate the unit upside-down. It may overheat,
possibly causing damage.
4 Never open the cabinet. If a foreign object drops into
the set, contact your dealer.
5 Do not use force on switches, knobs or cords. When
moving the set, first turn the unit off. Then gently
disconnect the power plug and the cords connecting to
other equipment. Never pull the cord itself.
FCC INFORMATION
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT! This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved
by Yamaha may void your authority, granted by the
FCC, to use the product.
2. IMPORTANT: When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation
instructions. Failure to follow instructions could void
your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC
Regulations, Part 15 for Class “B” digital devices.
Compliance with these requirements provides a
reasonable level of assurance that your use of this
product in a residential environment will not result in
harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and,
if not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
6 Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
7 Always set the volume control to “– ∞” before starting
the audio source play: increase the volume gradually to
an appropriate level after the play is started.
To prevent lightning damage, pull out the power cord
8
and remove the antenna cable during an electrical storm.
9
Be sure to read the “Troubleshooting” section on common
operating errors before concluding that your unit is faulty.
10 Do not connect audio equipment to the AC outlets on
the rear panel if that equipment requires more power
than the outlets are rated to provide.
11 When not planning to use this unit for long periods of
time (ie., vacation, etc.), disconnect the AC power plug
from the wall outlet.
The apparatus is not disconnected from the AC power
source as long as it is connected to the wall outlet, even
if the apparatus itself is turned off.
Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If
this product is found to be the source of interference,
which can be determined by turning the unit “OFF”
and “ON”, please try to eliminate the problem by using
one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch
(circuit breaker of fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/
reorient the antenna. If the antenna lead-in is 300 ohm
ribbon lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce
satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can
not locate the appropriate retailer, please contact
Yamaha Electronics Corp., U.S.A. 6600 Orangethorpe
Ave, Buena Park, CA 90620
The above statement apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out
of your equipment by playing it at a safe level. One that lets
the sound come through loud and clear without annoying
blaring or distortion – and, most importantly, without
affecting your sensitive hearing. Since hearing damage from
loud sounds is often undetectable until it is too
late, YAMAHA and the Electronic Industries
Association’s Consumer Electronics Group
recommend you to avoid prolonged exposure
from excessive volume levels.
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are contained.
• Remote Control Transmitter • Indoor FM Antenna
Main Remote Room 2 Remote
TRANSMIT
USER
YPC LEARN
/LEARN
SLEEP TV VCR AUX
POWER
SKIP
SEARCH
DECK
A/B
SEARCH
SEARCH
CHAPTER/CH
—
PRO LOGIC
1234
SPORTS
5678
CHURCH
910
FRONT LEVEL
—
CENTER LEVEL
—
REAR LEVEL
—
RESET CLEAR
DISC
SKIP
PAUSE/STOP
PRESET
+
—
STOP PLAY
DIR A DIR B
REC/PAUSEREC MUTE TAPE 2 MON
PAUSE/STOP
DISPLAY
+
70mm TV
MOVIE THEATER
ENHANCED
SURROUND
JAZZ CLUB
STADIUM
ROCK
HALL
DSP
++
DELAY
+
TIME
+
—
PHONO
PLAY
A／B／C／D／E
PLAY LD/TV
STOP
THEATER
EFFECT
MASTER
ON/OFF
VOLUME
TEST
MUTING
CD
TUNER
TAPE 1
VCR 1
VCR 2
V–AUX
+
—
SKIP
PAUSE/STOPDISC SKIP
—
PRESET
DIR A
DECK A/
B
PAUSE/STOP
—
CHAPTER
REMOTE BOURCE
CONTROLLER
DIR B
PHONO
CD
PLAY
TUNER
A／B／C／D／E
+
TAPE 1
PLAY
STOP
TAPE 2
PLAY
LD/TV
+
VCR 1
STOP
VCR 2
V–AUX
• AM Loop Antenna
• Batteries (size AA, LR6, UM-3) • User Program Sheets
4
Features
• Seven Speaker Configuration
Main: 100 W + 100 W (8Ω) RMS Output Power,
0.015% THD, 20-20,000 Hz
120 W + 120 W (6Ω) RMS Output Power,
0.04% THD, 20-20,000 Hz (USA Model Only)
Center: 100 W (8Ω) RMS Output Power,
0.015% THD, 1 kHz
Front: 35 W + 35 W (8Ω) RMS Output Power,
0.08% THD, 1 kHz
Rear: 35 W + 35 W (8Ω) RMS Output Power,
0.08% THD, 1 kHz
• Multi-Room Capability
Multi-Room and Multi-Source with two Remote Control Units
• Digital Sound Field Processor
10 Programs including “Cinema DSP” 70mm Movie Theater
• 5 Channel Discrete Input for Dolby Surround Digital AC-3
• Automatic Input Balance Control for Dolby Surround
• Test Tone Generator for Easier Speaker Output Balance Adjustment
• 3 Center Channel Modes (NORMAL/WIDE/PHANTOM)
• 40-Station Random Access Preset Tuning
• Automatic Preset Tuning (FM only)
• Preset Station Shifting Capability (Preset Editing)
• IF Count Direct PLL Synthesizer Tuning System
• Video Signal Input/Output Capability
• SLEEP Timer
• Remote Control Capability
• Program and status messages superimposed on connected video monitor
OPEN/CLOSE THE CONTROL DOOR
To open the door To close the door
When it is not necessary to operate controls inside the control door, close the door.
5
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital
Sound Field Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the
field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in
this manual carefully when setting up your system, and this unit will sonically transform your room into a totally
new listening environment –movie theater, concert hall, and so on. In addition, you get incredible realism from
Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.
Please read this owner’s manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s
advanced sound reproduction technology lets you get
extremely close to the sound of a live performance,
but chances are you’ll still notice something missing:
the acoustic environment of the live concert hall.
Extensive research into the exact nature of the sonic
reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets
you experience the dramatic realism and impact of
Dolby Surround movie theater sound in your own
home. Dolby Pro Logic gets its name from its professional-grade steering logic circuitry, which provides
greater effective front and rear channel separation for
a much higher degree of realism than the “passive”
Dolby Surround circuits found in less sophisticated
home audio/video equipment. Dolby Pro Logic
Surround provides a true center channel, so that there
are four independent channels, unlike passive Dolby
Surround which has in effect only three channels: left,
right, and rear. This center channel allows listeners
this same sound in your own listening room, so you’ll
feel all the sound of a live concert.
Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it
possible to capture the acoustics of a variety of venues
such as an actual concert hall, theater, etc. to allow
you to accurately recreate one of several actual live
performance environments, all in your own home.
seated in even less-than-ideal positions to hear the
dialog originating from action on the screen while
getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a
digital signal processing system. This system increases sound stability at each channel and minimizes
crosstalk between channels compared to conventional
analog Dolby signal processing.
In addition, this unit features a built-in automatic
input balance control. This circuit always presents
you the best surround conditions without performing
manual adjustments.
Dolby Pro Logic Surround + DSP
You can also enjoy Dolby Pro Logic with two modes
of Digital Sound field processing. These combinations
expand the surround effect. One is the “ENHANCED” Dolby Pro Logic Surround which recreates the surround effect of the 35 mm film movie
theater. The other is the sound field program ”70 mm
MOVIE THEATER”. Which recreates the listening
experience of a 70 mm film theater.
Directional Enhancement Circuit + DSP
The newly featured directional enhancement circuit
expands and focuses the digital sound field by
emphasizing position of sound.
This effect puts you in the midst of the action, while
centering and focusing your attention to the screen.
This circuit is available on the sound field program
“TV THEATER” and “SPORTS”.
6
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates
these programs are created by the combination of
Dolby Pro Logic and YAMAHA DSP technology.
SPEAKER SETUP FOR THIS UNIT
Main L Center Main R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Front RFront L
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a seven speaker configuration. The speakers to be
used with this unit will be main speakers, front speakers, rear speakers, and a center speaker.
The main speakers are used for the main source sound. These are usually a much larger, high-quality loudspeaker
than you will use for the surround sound effects. The center speaker is used for the center sound (dialog, etc.)
encoded with the Dolby Surround. And the front and rear speakers are used for special effects that enhance the
surround sound. The front, rear, and center speakers do not need to be equal to the main speakers. However, all
the speakers should have high enough power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
Seven-Speaker Configuration
This configuration is the most effective and recommended
one. In this configuration, the front speakers and the center
speaker are necessary along with the rear speakers. If the
digital sound field program DOLBY PRO LOGIC, DOLBY
PRO LOGIC ENHANCED, 70 mm MOVIE THEATER, TV
THEATER, or SPORTS is selected, conversations will be
output from the center speaker and the ambience will be
excellent.
• The FRONT MIX switch on the rear panel should be set to
the “7 ch” setting. (For details, refer to page 17.)
• Set the center channel mode to the “NORMAL” or
“WIDE” position. (For details, refer to page 17.)
Five-Speaker Configuration
When you only have five speakers, this configuration can be
very effective. In this configuration, the center speaker is
used for dialog when you select the digital sound field
program DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, 70 mm MOVIE THEATER, TV THEATER, or
SPORTS. The front speakers are not used. The main speakers
handle the front channel effects.
• The FRONT MIX switch should be set to the “5 ch”
setting. (For details, refer to page 17.)
• Set the center channel mode to the “NORMAL” or
“WIDE” position. (For details, refer to page 17.)
Four-Speaker Configuration
The center speaker is not used in this configuration. If the
digital sound field program DOLBY PRO LOGIC or DOLBY
PRO LOGIC ENHANCED is selected, the center sound
along with the front effects are output from the left and the
right main speakers. However, the sound effect of other
programs can be the same as that of the other configurations.
• Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 17.)
Main L Center Main R
Dialogue
Dialogue
Surround sound
Surround sound
Rear L
Main L Main R
Dialogue
Dialogue
Surround sound
Surround sound
Rear L Rear R
Rear R
7
SPEAKER PLACEMENT
The recommended speaker configuration, the seven-speaker configuration, will require three speaker pairs: main
speakers, front speakers, and rear speakers, plus a center speaker. When you place these speakers, refer to the
following:
Front L
Main L
Center
Rear L
Front R
Main R
Rear R
Main: In normal position. (The position of a standard
stereo speaker setup)
Front: Placed much further apart than the Main speakers,
facing slightly inwards. Nearly six feet (approx. 1.8
m) up from the floor.
Center: Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker.) When two center speakers are
used, place these to the right and left of your TV
set or video monitor.
Rear: Behind your listening position, facing slightly
inward. Nearly six feet (approx. 1.8 m) up from the
floor.
8
CONNECTIONS
CAUTION
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this
unit and to any other components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly,
that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each
component to be connected to this unit.
Turntable
GND
Tape deck 1
Tape deck 2
LINE OUT
LINE IN
LINE OUT
LINE IN
AM
ANT
GND
FM
ANT
Compact disc player
AUDIO SIGNAL
PHONO
CD
TAPE
PB
TAPE 1
REC
OUT
TAPE
PB
TAPE 2
75
Ω
UNBAL.
REC
OUT
GND
MAIN
IN
MAIN CH
PRE
OUT
MAIN
LEVEL
0dB
10dB
-
OUTPUT
AUDIO SIGNAL
5CH
DISCRT
INPUT
Video cassette recorder 1
AUDIO IN
VIDEO OUT
AUDIO OUT
VIDEO SIGNAL
IN
VCR 1
OUT
IN
VCR 2
OUT
LD/TV
LD/TV
MAIN
LD/TV
CENTER
LD/TV
SURROUND
AUDIO
PRE OUT
VIDEO
VIDEO
OUT
IN
VCR 1
OUT
IN
VCR 2
OUT
LD/TV
MONITOR
OUT
FRONT
MIX
IN OUT
REMOTE CONTROLROOM 2 OUT
S VIDEO
ON
5ch
OFF
7ch
VIDEO IN
Video cassette recorder 2
AUDIO OUT
VIDEO OUT
VIDEO IN
AUDIO IN
VIDEO IN
Monitor TV
VIDEO OUT
AUDIO OUT
LaserDisc-Spieler
9
CONNECTING SPEAKERS
Connect the respective speakers to this unit as shown below:
Main speakers A
Right Left
CENTER
LOW
OUT
PASS
fo:200Hz
A
B
Right Left
Main speakers B
Note on main speaker connection:
One or two speaker systems can be connected to this
unit. If you connect only one speaker system, connect
it to either the SPEAKERS A or B terminals.
Front speakers
Right Left
OUTPUT
FRONT
OUT
REAR
OUT
A OR B: 5ΩMIN. /SPEAKER
A
+
B:l2ΩMIN. /SPEAKER
Note:
Use speakers with the specified impedance shown on
the rear of this unit.
For connecting to the SPEAKER terminals
SPEAKERS
FRONT REAR
8ΩMIN. /SPEAKER
C
C+D
Rear speakers
Right Left
8ΩMIN. /SPEAKER
CENTER
CC
DD
C: 8ΩMIN. /SPEAKER
C
+
D: 4ΩMIN. /SPEAKER
Center speaker(s)
Note on center speaker connection:
One or two center speakers can be connected to this
unit. If you cannot place the center speaker on or
under the TV, it is recommended to use two center
speakers and place them on both sides of the TV to
orient the center sound at the center position.
When connecting two center speakers, be sure to
press the CENTER speaker switch into the “C+D”
position ( ) . When you use a single center speaker,
set the switch to the “C” position( ) .
How to Connect:
Connect the SPEAKERS terminals to your speakers
with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be
heard from the speakers. Make sure that the polarity
of the speaker wires is correct, that is, + and – markings are observed. If these wires are reversed, the
sound will be unnatural and will lack bass.
CAUTION
Do not let the bare speaker wires touch each other
and do not let them touch the metal parts of this unit.
This could damage this unit and/or the speakers.
Red: positive (+)
Black: negative (–)
1 Unscrew the knob.
2 Insert the bare wire. [Remove
2
1
approx. 5mm (1/4") insulation
from the speaker wires.]
3 Tighten the knob and secure
3
the wire.
Banana Plug connections are also possible. Simply
insert the Banana Plug connector into the corresponding terminal. (Not available on Singapore model.)
Note:
Use only single type banana plug cable.
10
ABOUT THE ACCESSORY TERMINALS
LOW
PASS
1
fo:200Hz
1LOW PASS terminal
This terminal is for output to a monaural amplifier
driving a subwoofer. Frequencies above 200␣ Hz are
filtered out so that only the bass range remains.
The output signal is from the main and center
channels.
You may wish to add a subwoofer to reinforce the
bass frequencies.
Connect the LOW PASS terminal to the INPUT
terminal of the subwoofer amplifier, and connect
the speaker terminals of the subwoofer amplifier to
the subwoofer.
With some subwoofers, including the Yamaha
Active Servo Processing Subwoofer System, the
amplifier and subwoofer are in the same unit.
2CENTER OUTPUT terminal
This terminal is for center channel line output.
There is no connection to this terminal when you
use the built-in amplifier.
However, if you drive a center speaker with an
external power amplifier, connect the input
terminal of the external amplifier to this terminal.
OUTPUT
CENTER
OUT
2
FRONT
OUT
3
4
REAR
OUT
3FRONT OUTPUT terminals
These terminals are for front channel line output.
There is no connection to these terminals when
you use the built-in amplifier.
However, if you drive front speakers with an
external stereo power amplifier, connect the input
terminals of the external amplifier (MAIN IN or
AUX terminals of a power amplifier or an integrated amplifier) to these terminals.
4REAR OUTPUT terminals
These terminals are for rear channel line output.
There is no connection to these terminals when
you use the built-in amplifier.
However, if you drive rear speakers with an
external stereo power amplifier, connect the input
terminals of the external amplifier (MAIN IN or
AUX terminals of a power amplifier or an integrated amplifier) to these terminals.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to this terminal will normally minimize hum. In some cases, better results
may be obtained with the ground wire
disconnected.
AC OUTLETS
2 SWITCHED OUTLETS and 1
UNSWITCHED OUTLET (USA,
Canada, and General models)
1 SWITCHED OUTLET (Australia model)
2 SWITCHED OUTLETS
(Singapore model)
Use these to connect the power cords from your
components to this unit.
The power to the SWITCHED outlets is controlled by
this unit’s POWER switch or the provided remote
control transmitter’s POWER key. These outlets will
SWITCHED UNSWITCHED
120V 60Hz
120W MAX. TOTAL
GND
120V 60Hz
200W MAX.
(USA model)
supply power to any connected component whenever
this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED
AC OUTLET(S) is 120 watts.
The power to the UNSWITCHED outlets cannot be
controlled by this unit’s POWER switch or the
provided remote control transmitter’s POWER key.
(USA, Canada, and General models only).
The maximum power (power consumption of component) that can be connected to the UNSWITCHED AC
OUTLET is 200 watts (USA model), 180 watts
(Canada model) and 200 watts (General model).
11
5
6
TAPE 2
REC
OUT
MAIN
IN
MAIN CH
PRE
OUT
5CH
DISCRT
INPUT
A
LD/TV
MAIN
LD/TV
CENTER
LD/TV
SURROUND
MONITOR
OUT
FRONT
MIX
ON
OFF
5ch
7ch
0
9
7
MAIN
LEVEL
0dB
10dB
-
5MAIN␣ CH — MAIN␣ IN terminals
These terminals are for line input to the built-in
main channel amplifier. Leave the jumper bars
connected to the PRE␣ OUT terminals when you use
the built-in amplifier.
However, if you drive main speakers with an
external stereo power amplifier, remove the
jumper bars.
6MAIN␣ CH — PRE␣ OUT terminals
These terminals are for main channel line output.
Leave the jumper bars connected to the MAIN␣ IN
terminals when you use the built-in amplifier.
However, if you drive main speakers with an
external stereo power amplifier, remove the
jumper bars and connect the input terminals of the
external amplifier (MAIN IN or AUX terminals of
a power amplifier or an integrated amplifier) to
these terminals.
7MAIN LEVEL switch
Normally set to “0␣ dB”. If desired, you can decrease the output level at the MAIN SPEAKERS
terminals by 10␣ dB by setting this switch to
“–10␣ dB”.
8ROOM 2 OUT — AUDIO PRE OUT, VIDEO
OUT terminals
These terminals output audio and video signals to
the equipment in the second room. The signal
source is selected using the Room 2 Remote
transmitter. Refer to “Connecting to Room 2
Equipment” on page 14.
8
AUDIO
PRE OUT
VIDEO
OUT
IN OUT
REMOTE CONTROLROOM 2 OUT
9REMOTE CONTROL — IN, OUT terminals
IN This terminal receives the commands from
the Room 2 Remote transmitter.
OUT This terminal outputs the commands at the
IN terminal from Room 2 Remote transmitter. Refer to “Connecting to Room 2 Equipment” on page 14.
0FRONT MIX switch
This switch should be set to match the number of
speakers in your system. For seven speaker
configurations, set it to “7 ch”. For five speaker
configurations, set it to “5 ch”.
A5CH DISCRT INPUT terminals
These terminals are used with a Dolby Surround
AC-3 decoder. Connect the main audio output of
the decoder to the LD/TV MAIN input terminals,
the center channel audio output to the LD/TV
CENTER input terminal, and the surround audio
output to the LD/TV SURROUND input terminals.
Note:
5CH DISCRT INPUT terminals can only be used with an
AC-3 decoder.
When you use a Dolby Surround AC-3 decoder, the LFE
(Low Frequency Effect channel) signal coming from the
AC-3 decoder to this unit must be mixed with the main
output signal. Refer to your AC-3 decoder’s operating
manual for information about mixing these signals mode.
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CONNECTING S␣ VIDEO TERMINALS
If your video cassette recorder, video disc player, monitor, etc., is equipped with “S” (high-resolution) video
terminals, connect them to this unit’s S␣ VIDEO terminals. Otherwise, use the composite video terminals of the unit.
Note:
• If video signals are sent to both the S␣ VIDEO input and composite input terminals, the input signals will be sent to the
respective S␣ VIDEO output and composite output terminals independently.
VIDEO SIGNAL
VIDEO
IN
VCR 1
OUT
IN
VCR 2
OUT
S VIDEO
S VIDEO OUT
S VIDEO IN
VIDEO IN
VIDEO OUT
S VIDEO OUT
VIDEO OUT
S VIDEO IN
VIDEO IN
LD/TV
MONITOR
OUT
Video Cassette recorder 1
Video Cassette recorder 2
VIDEO
IN
Monitor TV
S VIDEO
IN
S VIDEO
OUT
LD player
VIDEO
OUT
ON SCREEN DISPLAY
If you connect a video cassette recorder, video disc player, monitor, etc., to this unit, you can display DSP
program names and information about the other settings and adjustments on the video monitor screen which is
connected to MONITOR OUT terminal (cannot display on ROOM 2 moinitor). This information is superimposed
over the video image.
If there is no program material on the monitor, the information will be displayed over a monochromatic background.
Notes:
• If you use a video monitor that is connected to both the S␣ VIDEO and composite terminals, the screen display information is only output from the S␣ VIDEO terminals.
• When no video signal is input to any of the S␣ VIDEO or composite video input terminals, the screen display information
is output from the S␣ VIDEO and composite MONITOR OUT terminals with a monochromatic background.
CONNECTING TO VIDEO AUX TERMINALS (FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
VIDEO AUX
8 VIDEO VIDEO L AUDIO R
AUDIO OUT
AUDIO OUT
VIDEO OUT
S VIDEO OUT
R
L
S-VIDEO
VIDEO
8 VIDEO
Camcorder
13
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