Yamaha Audio R-V702 User Manual

R-V702
R-V502

Natural Sound AV Receiver

Récepteur audiovisuel “Son Naturel”

Receptor AV de Sonido Natural

Thank you for selecting this YAMAHA AV receiver.
Nous vous remercions d’avoir porté votre choix sur ce récepteur audiovisuel YAMAHA.
Muchas gracias por haber adquirido este receptor AV YAMAHA.

OWNER’S MANUAL

MODE D’EMPLOI

MANUAL DE INSTRUCCIONES

SAFETY INSTRUCTIONS

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

7 Wall or Ceiling Mounting – The unit should be mounted to

a wall or ceiling only as recommended by the
manufacturer.

8 Ventilation – The unit should be situated so that its

location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.

Explanation of Graphical Symbols

•

The lightning flash with arrowhead
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of
electric shock to persons.

The exclamation point within an
equilateral triangle is intended to alert
you to the presence of important
operating and maintenance
(servicing) instructions in the
literature accompanying the
appliance.

WARNING

TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
UNIT TO RAIN OR MOISTURE.

1 Read Instructions – All the safety and operating

instructions should be read before the unit is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the

operating instructions should be adhered to.

4 Follow Instructions – All operating and other instructions

should be followed.

5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.

6 Carts and Stands – The unit should be used only with a

cart or stand that is recommended by the
manufacturer.

6A A unit and cart combination should be

moved with care. Quick stops, excessive
force, and uneven surfaces may cause
the unit and
cart combination to overturn.

9 Heat – The unit should be situated away from heat

sources such as radiators, stoves, or other appliances
that produce heat.

10 Power Sources – The unit should be connected to a

power supply only of the type described in the operating
instructions or as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be

unplugged from the outlet when left unused for a long
period of time.

14 Object and Liquid Entry – Care should be taken so that

objects do not fall into and liquids are not spilled into the
inside of the unit.

15 Damage Requiring Service – The unit should be serviced

by qualified service personnel when:

A. The power-supply cord or the plug has been

damaged; or

B. Objects have fallen, or liquid has been spilled into the

unit; or

C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or

exhibits a marked change in performance; or

E. The unit has been dropped, or the cabinet damaged.

16 Servicing – The user should not attempt to service the unit

beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.

17 Power Lines – An outdoor antenna should be located

away from power lines.

18 Grounding or Polarization – Precautions should be taken

so that the grounding or polarization is not defeated.

19 For US customers only:

EXAMPLE OF ANTENNA GROUNDING

MAST

GROUND
CLAMP

ANTENNA
LEAD IN
WIRE

ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)

GROUNDING CONDUCTORS
(NEC SECTION 810–21)

GROUND CLAMPS

POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)

ELECTRIC
SERVICE
EQUIPMENT

NEC – NATIONAL ELECTRICAL CODE

Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of
the National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.

Note to CATV system installer:

This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.

SPECIAL NOTES FOR FCC COMPOSITE
DEVICE (for US customers only)

This device is a composite system. The digital device
component may not cause harmful interference.

English

FCC INFORMATION (for US customers only)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.

2. IMPORTANT : When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.

3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.

This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.

We Want You Listening For A Lifetime (for US customers only)

YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring
or distortion – and, most importantly, without affecting your
sensitive hearing.

Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product
is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following
measures:

Relocate either this product or the device that is being
affected by the interference.

Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620.
The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its
subsidiaries.

Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume levels.

1

CONTENTS

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TESTDELAY TIME

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

VIDEO

VCR

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TIME/
LEVEL

TEST

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER

/REAR

DVD/LD

VCR

TV/DBS

Safety Instructions ...............Inside the Front Cover

Supplied Accessories ......................................2

Features ..........................................................3

Caution ............................................................4

Notes about the Remote Control Transmitter

........................................................................5

Profile of This Unit ...........................................6

Speaker Setup ................................................7

Connections ....................................................8

Controls and Their Functions ........................14

SUPPLIED ACCESSORIES

After unpacking, check that the following parts are included.

Speaker Balance Adjustment ........................20

Basic Operations ...........................................23

Tuning Operations .........................................26

Preset Tuning ................................................27

Using Digital Sound Field Processor (DSP)

......................................................................30

Setting the SLEEP Timer ..............................34

Troubleshooting .............................................35

Specifications ................................................36

Indoor FM Antenna

AM Loop Antenna

Antenna adapter (U.S.A. and Canada models only)

Batteries (size AA, R6, UM-3)

Remote Control Transmitter

R-V702 R-V502

2

FEATURES

English

●

5 Speaker Configuration

R-V702

U.S.A. and Canada models

<

Main: 80W + 80W (8Ω) RMS Output

Power, 0.09% THD, 1 kHz

Center: 80W (8Ω) RMS Output

Power, 0.09% THD,

Rear: 20W + 20W (8Ω) RMS Output

Power, 0.7% THD, 1 kHz

Australia and General models

<

Main: 80W + 80W (8Ω) RMS Output

Power, 0.09% THD, 1 kHz

Center: 80W (8Ω) RMS Output

Power, 0.09% THD,

Rear: 20W + 20W (8Ω) RMS Output

Power, 0.7% THD, 1 kHz

R-V502

U.S.A. model

<

Main: 70W + 70W (8Ω) RMS Output

Power, 0.09% THD, 1 kHz

Center: 70W (8Ω) RMS Output

Power, 0.09% THD, 1 kHz

Rear: 20W + 20W (8Ω) RMS Output

Power, 0.7% THD, 1 kHz

Australia, Canada and General

<

models
Main: 60W + 60W (8Ω) RMS Output

Center: 60W (8Ω) RMS Output
Rear: 20W + 20W (8Ω) RMS Output

>

Power, 0.09% THD, 1 kHz
Power, 0.09% THD, 1 kHz
Power, 0.7% THD, 1 kHz

>

>

1 kHz

1 kHz

>

●

Digital Sound Field Processor

●

Dolby Pro Logic Surround Decoder

●

Theater-like Sound Experience by the
Combination of Dolby Pro Logic and
YAMAHA DSP Technology (CINEMA DSP)

●

Automatic Input Balance Control for
Dolby Pro Logic Surround

●

Test Tone Generator for Easier Speaker
Balance Adjustment

●

3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)

● 40-Station Random Access Preset Tuning

● Automatic Preset Tuning

● Preset Station Shifting Capability (Preset

Editing)

● IF Count Direct PLL Synthesizer Tuning

System

● Video Signal Input/Output Capability

● SLEEP Timer

● Remote Control Capability

3

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.

5. The openings on the cabinet assure proper ventilation of

the unit. If these openings are obstructed, the temperature
inside the cabinet will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in well­ventilated condition. Make sure to allow a space of at least
10 cm behind, 20 cm on the both sides and 30 cm above
the top panel of the unit. Otherwise it may not only damage
the unit, but also cause fire.

6. Always set the VOLUME control to “–

the audio source play. Increase the volume gradually to an
appropriate level after playback has been started.

” before starting

∞

7. Do not attempt to clean the unit with chemical solvents;

this might damage the finish. Use a clean, dry cloth.

IMPORTANT

Please record the serial number of this unit in the space
below.

Serial No.:
The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future
reference.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

FOR CANADIAN CUSTOMERS

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE
OF PLUG TO WIDE SLOT AND FULLY INSERT.

THIS CLASS B DIGITAL APPARATUS MEETS ALL
REQUIREMENTS OF THE CANADIAN INTERFERENCE­CAUSING EQUIPMENT REGULATIONS.

The apparatus is not disconnected from the AC power
source as long as it is connected to the wall outlet, even if
the apparatus itself is turned off.

8. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that
the unit is faulty.

9. When not planning to use this unit for long periods of time

(ie., vacation, etc.), disconnect the AC power plug from the
wall outlet.

10.To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an
electrical storm.

11.Grounding or polarization – Precautions should be taken

so that the grounding or polarization of an appliance is not
defeated.

12.AC outlet

Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.

13.Voltage Selector (General Model only)

The voltage selector on the rear panel of this unit must
be set for your local main voltage BEFORE plugging
into the AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.

FREQUENCY STEP switch (General Model only)

Because the interstation frequency spacing differs in
different areas, set the FREQUENCY STEP switch (located
at the rear) according to the frequency spacing in your area.
Before setting this switch, disconnect the AC power plug of
this unit from the AC outlet.

4

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

1

3

2

l6

20

28

40

60

l2

8

4

2

0

–dB

l6

20

28

40

60

l2

8

4

2

0

–dB

30°

30°

English

Battery installation

Battery replacement

If you find that the remote control transmitter must be used
closer to the main unit, the batteries are weak. Replace both
batteries with new ones.

Notes

●

Use only AA, R6, UM-3 batteries for replacement.

●

Be sure the polarities are correct. (See the illustration inside
the battery compartment.)

●

Remove the batteries if the remote control transmitter will not
be used for an extended period of time.

●

If batteries leak, dispose of them immediately. Avoid
touching the leaked material or letting it come in contact with
clothing, etc. Clean the battery compartment thoroughly
before installing new batteries.

Remote control transmitter operation range

R-V702

Remote control
sensor

Notes

●

There should be no large obstacles between the remote
control transmitter and the main unit.

●

If the remote control sensor is directly illuminated by strong
lighting (especially an inverter type of fluorescent lamp etc.),
it might cause the remote control transmitter not to work
correctly. In this case, reposition the main unit to avoid direct
lighting.

R-V502

Within approximately
6 m (19.7 feet)

5

PROFILE OF THIS UNIT

CINEMA DSP

You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.
In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround
Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar
to professional Dolby Stereo decoders used in many movie
theaters. By using the Dolby Pro Logic Surround decoder, you
can experience the dramatic realism and impact of Dolby
Surround movie theater sound in your own home. Dolby Pro
Logic employs a four channel five speaker system. The Pro
Logic Surround system divides the input signal into four levels:
the left and right main channels, the center channel (used for
dialog), and the rear surround sound channels (used for sound
effects, background noise, and other ambient noises). The
center channel allows listeners seated in even less-than-ideal
positions to hear the dialog originating from the action on the
screen while experiencing good stereo imaging.
Dolby Surround is encoded on the sound track of pre-recorded
video tapes, laser discs, and some TV/cable broadcasts. When
you play a source encoded with Dolby Surround on this unit,
the Dolby Pro Logic Surround decoder decodes the signal and
distributes the surround-sound effects.

Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of venues such as an actual concert
hall, theater, etc. to allow you to accurately recreate one of
several actual live performance environments, all in your own
home.

This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system improves the stability of
sound at each channel and minimizes crosstalk between
channels, so that positioning of sounds around the room is
more accurate compared with conventional analog signal
processing systems.
In addition, this unit features a built-in automatic input balance
control. This always assures you the best performance without
manual adjustment.

Manufactured under license from Dolby Laboratories Licensing
Corporation. “Dolby”, the double-D symbol and “Pro Logic” are
trademarks of Dolby Laboratories Licensing Corporation.

Dolby Pro Logic Surround + DSP

Dolby Surround sound system shows its full ability in a large
movie theater, because movie sounds are originally designed
to be reproduced in a large movie theater using many
speakers. It is difficult to create a sound environment similar to
that of a movie theater in your listening room, because the
room size, materials of inside walls, the number of speakers,
etc. of your listening room is much different from those of a
movie theater.
Yamaha DSP technology made it possible to present you with
nearly the same sound experience as that of a large movie
theater in your listening room by compensating for lack of
presence and dynamics in your listening room with its original
digital sound fields combined with Dolby Surround sound field.

6

The combination of Dolby Pro Logic Surround and DSP is used
on the sound field program “ PRO LOGIC ENHANCED”.

The YAMAHA “CINEMA DSP” logo indicates these programs are
created by the combination of Dolby Pro Logic and YAMAHA
DSP technology.

SPEAKER SETUP

Front L Center Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L

Rear R

Front L Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L Rear R

Front R

Center

Front L

TV set

Rear R

Rear L

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with
this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker
Configuration” shown below.)
The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your
present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center
sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main
speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to
accept the maximum output of this unit.

SPEAKER CONFIGURATION

English

5-Speaker Configuration

This configuration is the most effective and recommended one.
In this configuration, the center speaker is necessary as well as
the rear speakers. If the program DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED is selected, conversations
will be output from the center speaker and the ambience will be
excellent.

• Set the center channel mode to the “NORMAL” or “WIDE”

position. (For details, refer to page 21.)

Main L

Main R

SPEAKER PLACEMENT

4-Speaker Configuration

The center speaker is not used in this configuration. If the
program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected, the center sound is output from the
left and the right main speakers. However, the sound effect of
other programs can be the same as that of the 5-speaker
configuration.

• Be sure to set the center channel mode to the “PHANTOM”

position. (For details, refer to page 21.)

Main L

Main R

The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.

Main R

Main L

Main: In normal position. (The position of your present

stereo speaker system.)

Rear: Behind your listening position, facing slightly inward.

Nearly six feet (approx. 1.8 m) up from the floor.

Center: Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically shielded
speaker.)

7

CONNECTIONS

FM

ANT

AM

ANT

GND

75Ω

UNBAL.

GND

MONITOR OUT

DVD/LD

TV/DBSIN OUTVCR

VIDEO SIGNAL

CD

TAPE
( MD )

DVD/LDPHONO

TV/DBS

VCR

TAPEPBREC

OUT

IN OUT

AUDIO SIGNAL

3 4

1

CENTER

OUTPUT

SUB

WOOFER

REAR

CENTER

CD

DUAL

SINGLE

CAUTION

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN

SPEAKERS

A

B

MAINS

REAR

6ΩMIN./SPEAKER

SINGLE:6ΩMIN./SPEAKER

DUAL

:3ΩMIN./SPEAKER

A OR B

:4ΩMIN./SPEAKER

A B

:8ΩMIN./SPEAKER

CENTER

MAIN

REAR

8ΩMIN./SPEAKER

SINGLE:8ΩMIN./SPEAKER

DUAL

:4ΩMIN./SPEAKER

A OR B

:8ΩMIN./SPEAKER

A B:I6ΩMIN./SPEAKER

CENTER

MAIN

IMPEDANCE SELECTOR

GND

OUTPUT

AUDIO IN

VIDEO IN

AUDIO OUT

VIDEO OUT

VIDEO IN

AUDIO OUT

VIDEO OUT

LINE OUT

LINE IN

OUTPUT

VIDEO OUT

AUDIO OUT

I20V 60Hz

I00W MAX. TOTAL

SWITCHED

AC OUTLETS

Never plug in this unit and other components until all connections are completed.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)
to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure

to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

R-V702

Turntable

Monitor TV

2

*

Video cassette recorder

TV/Satellite tuner

(U.S.A. model)

1

*

Tape deck,
MD recorder, etc.

1

2

,

: See the next page.

*

*

8

LD player etc.

CD player

To AC outlet

R-V502

FM

ANT

AM

ANT

GND

75Ω

UNBAL.

GND

MONITOR OUT

VIDEO

IN OUTVCR

VIDEO SIGNAL

CD

TAPE
( MD )

VIDEOPHONO VCR

TAPEPBREC

OUT

IN OUT

AUDIO SIGNAL

3 4

1

CENTER

OUTPUT

SUB

WOOFER

REAR

CENTER

CD

DUAL

SINGLE

CAUTION

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN

SPEAKERS

A

B

MAINS

REAR

6ΩMIN./SPEAKER

SINGLE:6ΩMIN./SPEAKER

DUAL

:3ΩMIN./SPEAKER

A OR B

:4ΩMIN./SPEAKER

A B

:8ΩMIN./SPEAKER

REAR

8ΩMIN./SPEAKER

SINGLE:8ΩMIN./SPEAKER

DUAL

:4ΩMIN./SPEAKER

A OR B

:8ΩMIN./SPEAKER

A B:I6ΩMIN./SPEAKER

CENTER

MAIN

CENTER

MAIN

IMPEDANCE SELECTOR

GND

OUTPUT

LINE OUT

LINE IN

OUTPUT

AUDIO IN

VIDEO IN

AUDIO OUT

VIDEO OUT

VIDEO IN

VIDEO OUT

AUDIO OUT

I20V 60Hz

I00W MAX. TOTAL

SWITCHED

AC OUTLETS

English

Turntable

Monitor TV

2

*

Video cassette recorder

(U.S.A. model)

1

*

1

AC OUTLET(S) (SWITCHED)

*

Tape deck,
MD recorder, etc.

(U.S.A., Canada and General models)

.......................................................... 2 SWITCHED OUTLETS

LD player etc.

(Australia model) ................................. 1 SWITCHED OUTLET

Use these to connect the power cords from your components
to this unit.
The power to the SWITCHED outlets is controlled by this unit’s

POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any

component whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the SWITCHED AC OUTLET(S) is
100 watts.

To AC outlet

CD player

2

GND terminal (For turntable use)

*

Connecting the ground wire of the turntable to the GND
terminal will normally minimize hum, but in some cases better
results may be obtained with the ground wire disconnected.

9

CONNECTING SPEAKERS

CENTER

OUTPUT

SUB

WOOFER

REAR

CENTER

CD

DUAL

SINGLE

CAUTION

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN

SPEAKERS

A

B

REAR

6ΩMIN./SPEAKER

SINGLE:6ΩMIN./SPEAKER

DUAL

:3ΩMIN./SPEAKER

A OR B

:4ΩMIN./SPEAKER

A B

:8ΩMIN./SPEAKER

CENTER

MAIN

REAR

8ΩMIN./SPEAKER

SINGLE:8ΩMIN./SPEAKER

DUAL

:4ΩMIN./SPEAKER

A OR B

:8ΩMIN./SPEAKER

A B:I6ΩMIN./SPEAKER

CENTER

MAIN

IMPEDANCE SELECTOR

REAR

CENTER

CD

DUAL

SINGLE

Right

Center speaker

Rear speaker Rear speaker

Right

Left

Left

Subwoofer system

(U.S.A. model)

Main speakers B

Left

Right

Main speakers A

Note

Use speakers with the specified impedance shown on the rear
of this unit.

Note on main speaker connections:

One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either the

SPEAKERS A or B terminals.
Note on a subwoofer connection:

You may wish to add a subwoofer to reinforce low frequencies.
Connect the SUBWOOFER OUTPUT terminal of this unit to
the INPUT terminal of the subwoofer amplifier, and connect the
speaker terminals of the subwoofer amplifier to the subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer
are in the same unit.

Note on center speaker connection:

One or two center speakers can be connected to this unit. If
you cannot place the center speaker on or under the TV, it is
recommended to use two center speakers and place them on
both sides of the TV to orient the center sound at the center
position. For connecting two center speakers, follow the
method shown below.

Center speaker

Center speaker

10

➁

➂

➀

1

2

3

How to Connect:

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage
this unit and/or speakers.

English

For connecting to the MAIN SPEAKERS terminals

Red: positive (+)
Black: negative (–)

Unscrew the knob.

➀

Insert the bare wire.

➁

[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
Tighten the knob and

➂

secure the wire.

Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.

For connecting to the REAR and CENTER SPEAKERS
terminals

Red: positive (+)
Black: negative (–)

Press the tab.

➀

Insert the bare wire.

➁

[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
Release the tab and

➂

secure the wire.

11

OUTPUT terminals (for driving speakers with external amplifiers)

REAR

6ΩMIN./SPEAKER

SINGLE:6ΩMIN./SPEAKER

DUAL

:3ΩMIN./SPEAKER

A OR B

:4ΩMIN./SPEAKER

A B

:8ΩMIN./SPEAKER

CENTER

MAIN

REAR

8ΩMIN./SPEAKER

SINGLE:8ΩMIN./SPEAKER

DUAL

:4ΩMIN./SPEAKER

A OR B

:8ΩMIN./SPEAKER

A B:I6ΩMIN./SPEAKER

CENTER

MAIN

IMPEDANCE SELECTOR

CENTER

OUTPUT

SUB

WOOFER

CENTER OUTPUT terminal

This terminal is for center channel line output. There is no
connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power
amplifier, connect the input terminal of the external amplifier to
this terminal.

SUBWOOFER OUTPUT terminal

This terminal is for connecting with the input terminal of an
amplifier for driving a subwoofer.
This terminal outputs only frequencies below 200 Hz from the
main and center channels.

Note

Output level of signals from these terminals are adjusted
by the use of VOLUME control on the front panel or VOLUME
keys on the remote control transmitter.

IMPEDANCE SELECTOR switch

Be sure to switch this only when the power of this unit is turned
off.
Select the position whose requirements your speaker system
meets.

(U.S.A. model)

(Upper position)

Rear: The impedance of each speaker must be 6Ω or

higher.

Center: If you use one center speaker, the impedance of the

speaker must be 6Ω or higher.
If you use two center speakers, the impedance of
each speaker must be 3Ω or higher.

Main: If you use one pair of main speakers, the impedance

of each speaker must be 4Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8Ω or higher.

(Lower position)

Rear: The impedance of each speaker must be 8Ω or

higher.

Center: If you use one center speaker, the impedance of the

speaker must be 8Ω or higher.
If you use two center speakers, the impedance of
each speaker must be 4Ω or higher.

Main: If you use one pair of main speakers, the impedance

of each speaker must be 8Ω or higher.

<Except Canada model>

If you use two pairs of main speakers, the impedance
of each speaker must be 16Ω or higher.

12

ANTENNA CONNECTIONS

FM

ANT

AM

ANT

GND

75Ω

UNBAL.

GND

➀

➁

➂

●

Each antenna should be connected to the designated terminals correctly, referring to the following diagram.

●

Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience
poor reception quality, an outdoor antenna may result in improvement.

English

Outdoor FM antenna

75-ohm/300-ohm
antenna adapter

75-ohm coaxial cable

75-ohm/300-ohm
antenna adapter

300-ohm feeder

Outdoor AM antenna

Indoor FM

antenna

(included)

AM loop
antenna
(included)

Ground

Connecting the AM loop antenna

1 2 3

* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

GND terminal

For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is
a metal stake driven into moist earth.

Notes

●

When connecting the indoor
FM antenna, insert its
connector into the FM ANT
terminal firmly.

●

If you need an outdoor
FM antenna to improve
FM reception quality, either
300-ohm feeder or coaxial cable may be used. In locations
troubled by electrical interference, coaxial cable is
preferable.

Orient so that the best
reception is obtained.

13

FRONT PANEL

PRO LOGIC

ENHANCED

CONCERT

VIDEO

MONO
MOVIE

STADIUM

POWER

NATURAL SOUND AV RECEIVER

R–V702

SPEAKERSPHONES

AONB

OFF

BASS TREBLE BALANCE

VOLUME

55

4

3

2

l0l

2

3

4

55

4

3

2

l0l

2

3

4

LR

l6

20

28

40

60

l2

8

4

2

0

–dB

CINEMA DSP

55

4

3

2

l0l

2

3

4

DELAY/

CENTER/REAR

FM/AM

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

CENTER

MODE

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

DOWN

TUNING

UP

MEMORY

EDIT

TIME/LEVEL

A/B/C/D/E

1

2 3 4 5 6 7 8

VCR DVD/LDTV/DBS

TAPE (MD)

MONITOR

TUNER

CD

PHONO

1

90 A B C D FGI JK

EH

23 4 5 6 8

7

POWER

NATURAL SOUND AV RECEIVER

R–V502

SPEAKERSPHONES

AONB

OFF

BASS TREBLE BALANCE

VOLUME

55

4

3

2

l0l

2

3

4

55

4

3

2

l0l

2

3

4

LR

l6

20

28

40

60

l2

8

4

2

0

–dB

CINEMA DSP

55

4

3

2

l0l

2

3

4

FM/AM

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

CENTER

MODE

DOWN

TUNING

UP

EFFECT

MEMORY

EDIT

PROGRAM

A/B/C/D/E

1

2 3 4 5 6 7 8

TAPE (MD)

MONITOR

VIDEOVCR

TUNER

CD

PHONO

REAR

LEVEL

CENTER

LEVEL

0l0 0l0

1

90 A B C D FGI L

M NK

E

7H

23 4 5 8

R-V702

CONTROLS AND THEIR FUNCTIONS

R-V502

14

English

PHONES

1 POWER switch

Press this switch to switch the power on. Press it again to
switch the power off.

2 Standby mode indicator

(Except U.S.A. and Canada models)

While the power is on, pressing the SYSTEM POWER OFF
key on the remote control transmitter switches the unit to the
standby mode. In this mode, this indicator is illuminated.

3 Remote control sensor

Receives signals from the remote control transmitter.

4 Display panel

Shows various information. (Refer to page 17 for details.)

5 Input selector buttons

Select a program source to listen to or watch. When a button is
pressed, the name of selected source appears on the display.

6 DSP program selector buttons

R-V702 only

Select a DSP program. When a button is pressed, the name of
selected program lights up on the display.

7 EFFECT button

Switches on/off the digital sound field processor (including the
Dolby Pro Logic Surround decoder).

8 VOLUME control

Used to raise or lower the volume level.

0 SPEAKERS switches

Set the switch A or B (or both A and B) for the main speaker
system (connected to this unit) you will use to the ON position.
Set the switch for the main speaker system you will not use to
the OFF position.

A A/B/C/D/E button

Press this button to select a desired group (A–E) of preset
stations.

B Preset station number selector buttons

Select a preset station number (1 to 8).

C Tone controls

These controls are effective only for the sound from the main
speakers.

BASS

Used to increase or decrease the low frequency response.
The 0 position produces flat response.

TREBLE

Used to increase or decrease the high frequency response.
The 0 position produces flat response.

D BALANCE control

Adjusts the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.

E FM/AM buttons

Press this button to switch the reception band to FM or AM.

9 PHONES jack

When you listen with headphones, connect the headphones to
the PHONES jack. You can listen to the sound to be output
from the main speakers through headphones.
When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch
off the digital sound field processor (so that no DSP program
name is illuminated on the display) by pressing the EFFECT
button.

15

F MEMORY (MAN’L/AUTO FM) button

When this button is pressed, the MEMORY indicator flashes for
about 5 seconds. During this period, select a desired preset
station number by pressing the corresponding preset station
number selector button to enter the displayed station into the
memory.
When this button is pressed and held for about 3 seconds, the
automatic preset tuning begins. (Refer to page 28 for details.)

G EDIT button

This button is used to exchange the places of two preset
stations with each other.

H TUNING DOWN/UP button

Used for tuning. Press the “UP” side to tune in to higher
frequencies, and press the “DOWN” side to tune in to lower
frequencies.

I TUNING MODE (AUTO/MAN’L MONO) button

Press this button to switch the tuning mode to automatic or
manual. To select the automatic tuning mode, press this
button so that “AUTO” lights up on the display. To select the
manual tuning mode, press this button so that “AUTO” goes
off.

J DELAY/CENTER/REAR and TIME/LEVEL +/– buttons

R-V702 only

Adjust the delay time (DELAY), the rear channel output level
(REAR) and the center channel output level (CENTER).
Select the item which you want to adjust by pressing the
DELAY/CENTER/REAR button and adjust its time or level by
pressing the TIME/LEVEL +/– button.

K CENTER MODE button

Selects a center channel output mode (NORMAL, WIDE or
PHANTOM). (For details, refer to page 21.)

L PROGRAM selector button

R-V502 only

When the built-in digital sound field processor (including the
Dolby Pro Logic Surround decoder) is on, this button changes
the currently selected DSP program whenever the right or left
side of this button is pressed.

M CENTER LEVEL control

R-V502 only

Adjusts the sound output level of the center speaker.

N REAR LEVEL control

R-V502 only

Adjusts the sound output level of the rear speakers.

16

DISPLAY PANEL

PRESET

kHz

MHz

MEMORY AUTO

SLEEP

TAPE MON

STEREO

0

20

l00

ms dB

PRO LOGIC
ENHANCED

CONCERT

VIDEO

MONO

MOVIE

STADIUM

DISCO

ROCK CONCERT

CONCERT HALL

NORM

WIDE

PHANTOM

EFFECT OFF

123

56

9

0

87

4

English

1 Multi-information display

Displays various information, for example station frequency,
preset station number and name of selected input source.

2 STEREO indicator

Lights up when an FM stereo broadcast with sufficient signal
strength is received.

3 Signal-level meter

Indicates the signal level of the received station.
If multipath interference is detected, the indication decreases.

4 SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.

5 Center channel mode indicators

The name of a selected center channel mode lights up only
when a program which uses the Dolby Pro Logic Surround
decoder is selected.

6 EFFECT OFF indicator

Lights up if neither the digital sound field processor nor the
Dolby Pro Logic Surround decoder is on. In this state, sound
output is 2-channel stereo.

7 AUTO indicator

Lights up when this unit is in the automatic tuning mode.

9 TAPE MON indicator

Lights up when the tape deck (or MD recorder etc.) is selected
as the input source by pressing the TAPE (MD) MONITOR
button.

0 DSP program indicators

The name of a selected DSP program lights up when the built­in digital sound field processor and/or the Dolby Pro Logic
Surround decoder is on.

8 MEMORY indicator

When the MEMORY button is pressed, this indicator flashes
for about 5 seconds. During this period, the displayed station
can be programmed to the memory by using the A/B/C/D/E
button and the preset station number selector buttons.

17

REMOTE CONTROL TRANSMITTER

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TIME/

LEVEL

TEST

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER

/REAR

DVD/LD

VCR

TV/DBS

2

3

4

2

8

9

6

7

5

1

1

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TESTDELAY TIME

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

VIDEO

VCR

2

3

4

2

8

9

6

7

5

1

1

The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the
CD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then this
remote control transmitter will also control various functions of each component.

R-V702

R-V502

18

English

For Control of This Unit

1 DELAY/CENTER/REAR and TIME/LEVEL +/– keys

R-V702 only

Adjust the delay time (DELAY), the rear channel output level
(REAR) and the center channel output level (CENTER).
Select the item which you want to adjust by pressing the
DELAY/CENTER/REAR key and adjust its time or level by
pressing the TIME/LEVEL +/– key.

DELAY TIME +/– key

R-V502 only

Adjusts the delay time, or the time difference between the
begining of source sound and the begining of effect sound.
(For details, refer to page 33.)

2 Tuner keys

Controls tuner.

+: Selects higher preset station number.
–: Selects lower preset station number.
A/B/C/D/E: Selects the group (A – E) of preset station

numbers.

3 SLEEP timer key

This key is used to turn the built-in SLEEP timer on and off,
and to set the SLEEP time. (See page 34 for details.)

For Other Component Control

Identify the remote control transmitter keys with your
component’s keys. If these keys are identical, their functions
will be the same. On each key function, refer to the
corresponding instruction on your component’s manual.

1 Tape deck keys

Controls tape deck.
* DIR A, B and A/B are applicable only to double

cassette tape deck.

* For a single cassette deck with automatic reverse

function, pressing DIR A will reverse the direction of
tape running.

2 CD player keys

Controls compact disc player.
* DISC is applicable only to compact disc changer.

4 POWER key

Turns the power on/off.
* (Except U.S.A. and Canada models)

While the power is on, pressing the POWER key on the
remote control transmitter switches the unit from the power­on mode to the standby mode, and vice versa. (In the
standby mode, the standby mode indicator on the front panel
is illuminated.)

5 VOLUME +/– keys

Turns the volume level up/down.

6 Input selector keys

Selects input source.

7 Program selector keys

PROGRAM:

When the built-in digital sound field processor (including the
Dolby Pro Logic Surround decoder) is on, this key changes the
currently selected DSP program whenever the right or left side
of this key is pressed.

PROLOGIC:

Directly selects the PRO LOGIC program.

ENHANCED:
Directly selects the PRO LOGIC ENHANCED program.

8 EFFECT ON/OFF key

Switches on/off the digital sound field processor (including the
Dolby Pro Logic Surround decoder).

9 TEST key

Used for speaker balance adjustment. (For details, refer to
page 20–22.)

19

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TIME/

LEVEL

TEST

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER

/REAR

DVD/LD

VCR

TV/DBS

SPEAKER BALANCE ADJUSTMENT

SPEAKERS

A

ON

OFF

B

BASS TREBLE

55

4

3

2

l0l

2

3

4

55

4

3

2

l0l

2

3

4

BALANCE

55

4

3

2

l0l

2

3

4

LR

l6

20

28

40

60

l2

8

4

2

0

–dB

VOLUME

POWER

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TESTDELAY TIME

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

VIDEO

VCR

l6

20

28

40

60

l2

8

4

2

0

–dB

TEST

This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surround
decoder.

1

2

3

4

1

R-V702

R-V502

5

3 Select the main speakers to be used.

5

Set to the “∞” position.

2 Turn the power on.

20

* If you use two main speaker systems, press both the A

and B switches.

4

Set to the “0” position.

5

English

l6

20

28

40

60

l2

8

4

2

0

–dB

l6

20

28

40

60

l2

8

4

2

0

–dB

VOLUME

CENTER

MODE

NORMAL

WIDE

PHANTOM

BALANCE

55

4

3

2

l0l

2

3

4

LR

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TESTDELAY TIME

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

VIDEO

VCR

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TIME/

LEVEL

TEST

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER

/REAR

DVD/LD

VCR

TV/DBS

8

6

7

6 Select the center channel output mode suitable for your

speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 7.)

R-V702

7 7

7 Turn up the volume.

R-V502

On the feature of each mode, refer to the “Note” shown
below.

Note

In step 6, when you select a center channel output mode, note
the following.

For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker

that is smaller than the main speakers. In this
mode, the bass tone will be output from the main
speakers.

WIDE: Select this mode when you use the center speaker

approximately same sized as the main speakers.

For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center

speaker. The center sound will be output from the
left and right main speakers.

You will hear a test tone (like pink noise) from the left main
speaker, then the center speaker, then the right main
speaker, and then the rear speakers, for about two seconds
each. The display changes as shown below.

Main (L)

Rear (L and R)

Center

Main (R)

* The test tone from the left rear speaker and the right

rear speaker will be heard at the same time.

8 Adjust the BALANCE control so that the effect sound

output level of the left main speaker and the right main
speaker are the same.

CONTINUED

21

R-V702

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TIME/

LEVEL

TEST

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER

/REAR

DVD/LD

VCR

TV/DBS

TIME/

LEVEL

–+

DELAY/CENTER

/REAR/SWFR

TEST

CENTER

LEVEL

0l0

REAR

LEVEL

0l0

R-V502

10

9

9 Adjust the sound output levels of the center speaker and

the rear speakers so that they become almost as same
as that of the main speakers.

R-V702

Make the adjustment of each speaker output level at your
listening position with the remote control transmitter.

a) Press once or more so that “CENTER” or “REAR”

appears on the display.
* Select “CENTER” to adjust the output level of the

center speaker, and select “REAR” to adjust the
output level of the rear speakers.

b) Adjust its level.

* Pressing the + side raises and the – side lowers the

level.

TESTDELAY TIME

VCR

PLAY

A/B/C/D/E

PLAY

EFFECT

ON/OFF

ENHANCED

VIDEO

TAPE

A/B

TUNER

CD

PHONO

–+

PROGRAM

l6

20

l2

28

8

4

40

2

60

0

–dB

PROLOGIC

REC/PAUSE

DIR BDIR A

PRESET

–+

DISC

POWER VOLUME

SLEEP

9

10 Cancel the test tone.

Disappears.

Notes

●

Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
the VOLUME control (or the VOLUME keys on the remote
control transmitter) only.

●

If you use external power amplifiers, you may also use
their volume controls to achieve proper balance.

●

R-V702 only

In step 9, if the center channel mode is in the
“PHANTOM” position, the sound output level of the center
speaker cannot be adjusted. This is because in this
mode, the center sound is automatically output from the
left and right main speakers.

10

R-V502

22

TO PLAY A SOURCE

l6

20

28

40

60

l2

8

4

2

0

–dB

VOLUME

SPEAKERS

A

ON

OFF

B

l6

20

28

40

60

l2

8

4

2

0

–dB

VOLUME

TUNER

CD

PHONO

POWER

l6

20

28

40

60

l2

8

4

2

0

–dB

English

BASIC OPERATIONS

1

2

Set to the “∞” position.

4

7

3

1, 6

5 Play the source. (For detailed information on the

tuning operation, refer to page 26.)

6

2 Turn the power on.

3 Select the desired input source by using the input

selector buttons.

(For video sources, turn the TV/monitor ON.)

* The name of the selected input source will appear on

the display.

4 Select the main speakers to be used.

Adjust to the desired output level.

7 If desired, adjust the BASS, TREBLE and BALANCE

controls (refer to page 25), and use the digital sound
field processor. (Refer to page 31.)

Notes on using the input selector buttons

●

Note that pressing on each input selector button selects
the source which is connected to the corresponding input
terminals on the rear panel.

●

The selection of TAPE (MD) MONITOR cannot be
canceled by pressing another input selector button. To
cancel it, press TAPE (MD) MONITOR again so that
“TAPE MON” disappears from the display.
When you select a button other than TAPE (MD)
MONITOR, make sure that “TAPE MON” is not illuminated
on the display.

●

If you select the input selector button for a video source
without canceling the selection of TAPE (MD) MONITOR,
the playback result will be the video image from the video
source and the sound from the audio tape (or MD etc.).

●

Once you play a video source, its video image will not be
interrupted even if the input selector button for an audio
source is selected.

* If you use two main speaker systems, press both the A

and B switches.

To turn off the power

Press the POWER switch again.

23

l6

20

28

40

60

l2

8

4

2

0

–dB

VOLUME

TO RECORD A SOURCE TO TAPE (OR MD)

l6

20

28

40

60

l2

8

4

2

0

–dB

TUNER

CD

PHONO

DVD/LDTV/DBS

TAPE (MD)

MONITOR

CD

PHONO

l6

20

28

40

60

l2

8

4

2

0

–dB

TAPE (MD)

MONITOR

VCR

TUNER PHONO

R-V702

1 4

2

1 Select the source to be recorded.

2 Play the source and then turn the VOLUME control up

to confirm the input source. (For detailed information
on the tuning operations, refer to the page 26.)

R-V502

2

14

3 Begin recording on the tape deck (or MD recorder etc.)

or VCR connected to this unit.

4 If the tape deck (or MD recorder etc.) is used for

recording, you can monitor the sounds being recorded
by pressing TAPE (MD) MONITOR so that “TAPE
MON” lights up on the display.

R-V502R-V702

24

Note
The settings of DSP and the VOLUME, BASS, TREBLE and
BALANCE controls have no effect on the material being

recorded.

English

Selecting the SPEAKER system

Because one or two speaker systems (as main speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.

SPEAKERS

A

B

ON

OFF

Adjusting the BALANCE control

Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.

BALANCE

l0l

2

3

2

4

3

4

55

LR

Adjusting the BASS and TREBLE
controls

BASS TREBLE

l0l

2

3

4

55

BASS : Turn this clockwise to increase (or counter-

clockwise to decrease) the low frequency
response.

TREBLE : Turn this clockwise to increase (or counter-

clockwise to decrease) the high frequency
response.

Note

These controls are effective only for the sound from the main
speakers.

2

3

4

l0l

2

3

4

55

2

3

4

Note

This control is effective only for the sound from the main
speakers.

25

TUNING OPERATIONS

FM/AM

TUNING

MODE

AUTO/MAN’L MONO

TUNING

MODE

AUTO/MAN’L MONO

DOWN

TUNING

UP

DOWN

TUNING

UP

l6

20

28

40

60

l2

8

4

2

0

–dB

FM/AM

AUTO

Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).

1

23

AUTOMATIC TUNING MANUAL TUNING

1 Select the reception band (FM or AM) confirming it on

the display.

or

2

3

1 Select the reception band (FM or AM) confirming it on

the display.

2

3 Tune to a desired station manually.

or

Turn “AUTO” off.

To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
* If the station where tuning search stops is not the desired

one, press again.

* If the tuning search does not stop at the desired station

(because the signals of the station are weak), change to
the MANUAL TUNING method.

26

* To continue tuning search, press and hold the button.

Note

If you tune to an FM station manually, it is received in monaural
mode automatically to increase the signal quality.

PRESET TUNING

MAN’L/AUTO FM

MEMORY

MEMORY

A/B/C/D/E

PRESET

A/B/C/D/E

PRESET

MHz

AUTO

STEREO

0

20

l00

CONCERT HALL

l6

20

28

40

60

l2

8

4

2

0

–dB

1

2 3 4 5 6 7 8

1

2 3 4 5 6 7 8

MANUAL PRESET TUNING

This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by only
selecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 groups) can be stored.

2, 11 34, 22

English

To store stations

1 Tune to a desired station.

(Refer to the previous page for tuning procedure.)

2 Select a desired group (A – E) of preset stations

confirming it on the display.

3

Flashes on and off
for about 5 seconds.

4 Select a preset station number where you want to

program the station before “MEMORY” goes off from the
display.

To recall a preset station

11 Select the group of preset stations.

22 Select the preset station number.

Notes

• A new setting can be programmed in place of the former

one.

• For presets, the setting of the reception mode (stereo or

monaural) is stored along with the station frequency.

Shows the displayed station has been
programmed to A1.

* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to preset station numbers

on other groups in the same way by selecting other groups
in step 2.

Memory back-up

The memory back-up circuit prevents the programmed data
from being lost even if the POWER switch is set off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
cut for more than one week, the memory may be erased. If
so, it can be re-programmed by simply following the PRESET
TUNING steps.

27

AUTOMATIC PRESET TUNING

FM/AM

MAN’L/AUTO FM

MEMORY

l6

20

28

40

60

l2

8

4

2

0

–dB

DOWN

TUNING

UP

PRESET

MEMORY

AUTO

You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic
tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the
manual preset tuning method on page 27.

To store stations

1

2

Press and hold for
about 3 seconds.

Flashes.

3

To tune to higher frequencies, press right side once.
To tune to lower frequencies, press left side once.
* If the TUNING button is not pressed, in a while, the

automatic preset tuning begins automatically toward higher
frequencies.

132

When the automatic preset tuning is finished

The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure of the section “To recall a preset
station” on page 27.

To recall a preset station

Simply follow the procedure of the section “To recall a preset
station” on page 27.

Notes

●

You can replace a preset station by another FM or AM
station manually by simply following the procedure of the
section “To store stations” on page 27.

●

If the number of received stations is not enough to be stored
up to E8, the search is finished automatically after searching
all frequencies.

●

With this function, only FM stations with sufficient signal
strength are stored automatically. If the station you want to
program is weak in signal strength, tune to it in monaural
manually and program it by following the procedure of the
section “To store stations” on page 27.

The automatic preset tuning begins from the frequency
currently displayed. Received stations are programmed to
A1, A2 ... A8 sequentially.
* If more than 8 stations are received, they are also

programmed to the preset station numbers on other groups
(B, C, D and E) in that order.

If you want to store the first station received by the
automatic preset tuning to a desired preset station
number.

If, for example, you want to store the first received station to
C5, select “C5” by using the A/B/C/D/E button and the preset
station number selector buttons after pressing the MEMORY
button in step 2. Then press the TUNING button. The first
received station is stored to C5, and next stations to C6, C7 ...
sequentially.
If stations are stored up to E8, the automatic preset tuning is
finished automatically.

28

EXCHANGING PRESET STATIONS

EDIT

EDIT

MEMORY

PRESET

MEMORY

PRESET

l6

20

28

40

60

l2

8

4

2

0

–dB

You can exchange the places of two preset stations with each other as shown below.

2, 4

Example)

If you want to shift the preset station on E1 to A5, and vice
versa.

English

1 Recall the preset station on E1 (by following the method

of “To recall a preset station” on page 27).

2

Flashes.

3 Next, recall the preset station on A5 by following the

same method with step 1.

Flashes.

4

Shows the exchange of stations is completed.

29

USING DIGITAL SOUND FIELD PROCESSOR (DSP)

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend
on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with
Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP
program including a combined operation of the Yamaha DSP and the Dolby Pro Logic Surround.

Brief Overview of Digital Sound Field Programs

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual
locations using sophisticated sound field measurement equipment.

Note
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are
listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.

PROGRAM FEATURE

This program is used for playback of sources encoded with Dolby Surround.

PRO LOGIC The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers

the sound source more smoothly and precisely, as compared to conventional types.
This program is also used for playback of sources encoded with Dolby Surround.

PRO LOGIC

ENHANCED

CONCERT VIDEO

MONO MOVIE

STADIUM

DISCO

ROCK CONCERT This program is ideally suited for rock music. You will experience a very dynamic or lively sound field.

Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the
sound stage with an improved presence image. This program is used for musical based movies, as well as
drama and comedy based movies.

This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the
orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.

This program is designed specifically to enhance mono source programs. Compared to a strictly mono
setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective when used with old mono movies, news
broadcasts and dialog.

This program gives you long delays between direct sounds and effect sounds, and extraordinarily
spacious feel of a large stadium.

This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The
sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.

CONCERT HALL

In this program, the center will appear to be deep behind the main speakers, creating an expansive large
hall ambience. Orchestra and opera music are suited for this sound field.

30

To play a source with the digital sound field processor

EFFECT

ON/OFF

PROLOGIC

ENHANCED

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TESTDELAY TIME

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

VIDEO

VCR

REC/PAUSE

DIR BDIR A

PLAY

DISC

POWER VOLUME

PLAY

PRESET

A/B/C/D/E

–+

TIME/

LEVEL

TEST

EFFECT

PROGRAM

PROLOGIC

ENHANCED

–+

SLEEP

TAPE

A/B

ON/OFF

TUNER

CD

PHONO

DELAY/CENTER

/REAR

DVD/LD

VCR

TV/DBS

PRO LOGIC

PRO LOGIC

ENHANCED

EFFECT

PROGRAM

English

R-V702

2

2

l6

20

l2

28

8

4

40

2

60

0

–dB

1 Follow steps 1 – 6 shown in “BASIC OPERATIONS” on

page 23.

2 Select the desired program that is suitable for the

source.

R-V502R-V702

a)

Turn the DSP on so that a
program name lights up on
the display.

PRO LOGIC

b)

R-V502

l6

20

l2

28

8

4

40

2

60

0

–dB

2

Notes

●

Program selection can be made to individual input sources.
Once you select a program, it is linked with the input source
selected at that time. So, when you select the input source
next time, the same program is automatically called.

●

If you prefer to cancel the DSP, press the EFFECT button.
The sound will be the normal 2-channel stereo without
surround sound effect.

●

When CONCERT VIDEO, MONO MOVIE, DISCO,
STADIUM, ROCK CONCERT or CONCERT HALL is

selected, no sound is heard from the center speaker.

●

When a monaural sound source is played with DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is

heard from the main speakers and the rear speakers.
Sound is heard only from the center speaker. However, if
the center channel mode is in PHANTOM, the main
speakers output the sound of the center channel.

●

When this unit’s Dolby Pro Logic Surround decoder is used,
if the main-source sound is considerably altered by
overadjustment of the BASS or TREBLE control, the
relationship between the center and rear channels may
produce an unnatural effect.

●

To select a DSP program on the remote control transmitter,
first turn the DSP on so that a program name lights up on
the display by pressing the EFFECT key. Next, select a
desired DSP program by pressing the or side of

PROGRAM key.

2

Select a desired program
confirming it on the display.

The selected program name is shown on the display.

3 If desired, adjust the delay time and the output level of

each speaker. (For details, refer to the corresponding
descriptions on page 32 and 33.)

PROGRAM

* Pressing the PROLOGIC or ENHANCED key turns

the DSP on and selects the corresponding program
directly.

31

Adjustment of the CENTER LEVEL

TIME/LEVEL

DELAY/CENTER

/REAR/SWFR

TIME/LEVEL

DELAY/CENTER

/REAR/SWFR

CENTER

LEVEL

0l0

REAR

LEVEL

0l0

If desired, you can adjust the sound output level of the center
speaker even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on page 22.

R-V702

1 Press once or more so that “CENTER” appears on the

display.

2 By continuously pressing the “+” or “–” side of the

TIME/LEVEL button, the level value changes continuously.

The value stops changing momentarily at the preset point
(0 dB).

Adjustable

Notes

●

This adjustment can be made only when the digital sound
field program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected.

●

Once the output level is adjusted, the level value will be the
same in all the digital sound field programs mentioned
above.

R-V502

Note

This adjustment is useful only when the digital sound field
program DOLBY PRO LOGIC or DOLBY PRO LOGIC

ENHANCED is selected.

Control range: MIN, –20 to +10 dB

Adjustment of the REAR LEVEL

If desired, you can adjust the sound output level of the rear
speakers even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on page 22.

R-V702

1 Press once or more so that “REAR” appears on the display.

2 By continuously pressing the “+” or “–” side of the

TIME/LEVEL button, the level value changes continuously.

The value stops changing momentarily at the preset point
(0 dB).

Notes

●

This adjustment can be made only when the built-in digital
sound field processor is on.

●

Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.

R-V502

Note

If no digital sound field program is used, this adjustment is
useless.

Adjustable

Control range: MIN, –20 to +10 dB

32

Adjustment of DELAY TIME

TIME/LEVEL

DELAY/CENTER

/REAR/SWFR

ms

ms

DELAY TIME

ms

English

You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
effect sound from the rear speakers.
The larger the value, the later the effect sound is generated.
This adjustment can be made to all programs individually.

PRO LOGIC : from 15 to 30 milliseconds

(Preset value: 20 milliseconds)

PRO LOGIC : from 15 to 30 milliseconds
ENHANCED (Preset value: 20 milliseconds)
CONCERT VIDEO : from 1 to 100 milliseconds

(Preset value: 28 milliseconds)

MONO MOVIE : from 1 to 100 milliseconds

(Preset value: 20 milliseconds)

STADIUM : from 1 to 50 milliseconds

(Preset value: 45 milliseconds)

DISCO : from 1 to 100 milliseconds

(Preset value: 14 milliseconds)

ROCK CONCERT : from 1 to 100 milliseconds

(Preset value: 17 milliseconds)

CONCERT HALL : from 1 to 100 milliseconds

(Preset value: 30 milliseconds)

R-V702

1 Press once or more so that “DELAY” appears on the

display.

2 By continuously pressing the “+” or “–” side of the

TIME/LEVEL button, the value changes continuously.

The value stops changing momentarily at the preset point.

Adjustable

* When the TIME/LEVEL button is pressed, sound is

momentarily interrupted.

Notes

R-V702 only

The values of the delay time, center level and rear level you set
the last time will remain memorized even when the power of
this unit is off.
However, if the power cord is kept disconnected for more than
one week, these values will be automatically changed back to
the original factory settings.

R-V502

This adjustment can be made by only using the remote control
transmitter.

Adjustable

* When the DELAY TIME key is pressed, sound is

momentarily interrupted.

Note

Adding too much delay will cause an unnatural effect with
some sources.

R-V502 only

The value of the delay time you set the last time will remain
memorized even when the power of this unit is off.
However, if the power cord is kept disconnected for more than
one week, these values will be automatically changed back to
the original factory settings.

33

SETTING THE SLEEP TIMER

120 90 60 30

SLEEP

SLEEP

SLEEP

If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a
broadcast or other desired input source, this timer function is helpful.

Notes

●

The SLEEP timer can be controlled only with the remote control transmitter.

●

The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear
panel of this unit.

To set the SLEEP time

1

Press once or more to select the desired
SLEEP time.

Indicates the SLEEP time.

Lights up.

Whenever the SLEEP key is pressed, the SLEEP time will
change as follows.

(Minutes)

To cancel the selected SLEEP time

Press once or more so that “SLEEP OFF” appears on the
display. (It will soon disappear and the “SLEEP” indicator will
go off from the display.)

Note

The SLEEP timer setting can also be canceled by turning off
the power with the POWER switch or disconnecting the power
plug of this unit from the AC outlet.

The SLEEP timer is off (OFF).
(The state before the SLEEP key
is pressed.)

After a while, the display returns to the indication before
the SLEEP timer is set.

2 The unit will be turned off automatically at the selected

SLEEP time.

34

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.

English

SYMPTOM

The unit fails to turn on when the POWER
switch is pressed, or turns off suddenly soon
after the power is turned on.

No sound or no picture.

The sound suddenly goes off.

Only one side speaker outputs the sound.

Sound “hums”.

AmplifierFM

The volume level is low while playing a record.

The volume level cannot be increased, or
sound is distorted.

No sound from the rear speakers.

No sound from the center speaker.

FM stereo reception is noisy.

There is distortion and clear reception cannot
be obtained even with a good FM antenna.

A desired station cannot be tuned in with the
automatic tuning method.

Previously preset stations can no longer be
tuned in.

A desired station cannot be tuned in with the
automatic tuning method.

There are continuous crackling and hissing

AMOthers

noises.

There are buzzing and whining noises
(especially in the evening).

The remote control transmitter does not work.

transmitter

Remote control

The sound is degraded when listening with the
headphones connected to the compact disc
player or cassette deck that are connected with
this unit.

CAUSE

Power cord is not plugged in or is not completely
inserted.

The IMPEDANCE SELECTOR switch on the rear
panel is not set to the upper or the lower end
exactly.

Incorrect output cord connections.

Appropriate input source is not selected.

The SPEAKERS switches are not set properly.

Speaker connections are not secure.
The protection circuit has been activated because

of short circuit etc.
The SLEEP timer has functioned.
Incorrect setting of the BALANCE control.
Incorrect cord connections.

Incorrect cord connections.

No connection from the turntable to the GND
terminal.

The record is being played on a turntable with an
MC cartridge.

The power to the component connected to the REC
OUT terminals of this unit is off.

The sound output level to the rear speakers is set
to 0.

The monaural sound source is played in DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED
mode.

The sound output level to the center speaker is set
to 0.

The center channel mode is in PHANTOM mode.
Incorrect sound field program selection.
Because of the characteristics of FM stereo

broadcasts, this is limited to cases where the
transmitter is too far away or the antenna input is
poor.

There is multipath interference.

The station is too weak.

This unit has been unplugged for a long period.

Weak signal or loose antenna connections.

Noises will result from ligtning, fluorescent lamps,
motors, thermostats and other electrical equipment.

A television set is being used nearby.

Direct sunlight or lighting (of an inverter type of
flourescent lamp etc.) is striking the remote control
sensor of the main unit.

The batteries of this remote control transmitter are
too weak.

The power to this unit is off.

REMEDY

Firmly plug in the power cord.

Set the switch to the upper or the lower end exactly.

Connect the cords properly. If the problem persists,
the cords may be defective.

Select an appropriate input source with the input
selector buttons.

Set the SPEAKERS switch which corresponds to
the speakers to be used to the ON position.

Secure the connections.
Turning the unit off and then on will reset the

protection circuit.
Cancel the SLEEP timer function.
Adjust it to the appropriate position.
Connect the cords properly. If the problem persists,

the cords may be defective.
Firmly connect the audio plugs. If the problem

persists, the cords may be defective.
Make the GND connection between the turntable

and this unit.
The player should be connected to the unit through

the MC head amplifier.
Turn the power to the component on.

Raise the sound output level to the rear speakers.

Select another program suitable for the monaural
sound source.

Raise the sound output level to the center speaker.

Select NORMAL or WIDE.
Select the appropriate program.
Check the antenna connections.

Try using a high quality directional FM antenna.
Set the TUNING MODE button to the manual tuning
mode.

Adjust antenna placement to eliminate multipath
interference.

Use the manual tuning method.
Use a high quality directional FM antenna.

Repeat the presetting procedure.

Tighten the AM loop antenna connections and
rotate it for best reception.

Use the manual tuning method.
Use an outdoor antenna and a ground wire. This

will help somewhat but it is difficult to eliminate all
noise.

Relocate this unit away from the TV.

Change the position of the main unit.

Replace the batteries with new ones.

Turn the power to this unit on.

35

SPECIFICATIONS

AUDIO SECTION

Minimum RMS Output Power per Channel
Main L, R

8 ohms, 1 kHz, 0.09% THD

<R-V702>...............................80W + 80W

<R-V502>

[U.S.A. model]..........................70W + 70W

[Australia Canada and General models]

.................................................60W + 60W

Center

8 ohms, 1 kHz, 0.09% THD

<R-V702>..........................................80W

<R-V502>

[U.S.A. model].....................................70W

[Australia Canada and General models]

............................................................60W

Rear

8 ohms, 1 kHz, 0.7% THD..........20W + 20W

Maximum Power [General model only]
(8 ohms, 1 kHz, 10% THD)

Main L, R

<R-V702>...........................100W + 100W

<R-V502>...............................75W + 75W

Center

<R-V702>...........................100W + 100W

<R-V502>...............................75W + 75W

Rear ...........................................30W + 30W

Dynamic Power per Channel
(by IHF Dynamic Headroom measuring
method)

<R-V702>

[U.S.A. and Canada models]

8/6/4/2 ohms..............100/120/150/175W

[Australia and General models]

8/6/4/2 ohms................95/115/145/165W

<R-V502>

[U.S.A. model]

8/6/4/2 ohms................90/110/140/170W

[Australia, Canada and General models]

8/6/4/2 ohms................80/100/120/135W

Dynamic Headroom (8 ohms)

[U.S.A. and Canada models only]

<R-V702>.....................................1.55 dB

<R-V502>

[U.S.A. model only].........................1.76 dB

[Canada model only] ......................2.04 dB

Power Band Width

<R-V702>

8 ohms, 30W, 0.1% THD

..........................................10 Hz to 50 kHz

<R-V502>

8 ohms, 25W, 0.1% THD

..........................................10 Hz to 50 kHz

Damping Factor (SPEAKERS A)

8 ohms, 20 Hz to 20 kHz .............80 or more

Input Sensitivity/Impedance

PHONO MM.....................2.5 mV/47 k-ohms

CD/TAPE/DVD·LD/TV·DBS/VCR

........................................150 mV/47 k-ohms

Maximum Input Signal

PHONO MM

1 kHz, 0.5% THD............................100 mV

CD/TAPE/DVD·LD/TV·DBS//VCR
(EFFECT OFF)

1 kHz, 0.5% THD.................................2.5V

Output Level/Impedance

REC OUT.......................150 mV/2.5 k-ohms

SUBWOOFER (EFFECT OFF)

...............................................3.5V/1 k-ohms

Headphone Jack Rated Output/Impedance

Output Level (8 ohms, 0.04% THD).....0.45V

Impedance.....................................330 ohms

Frequency Response (20 Hz to 20 kHz)

CD/TAPE/DVD·LD/TV·DBS//VCR

........................................................0±0.5 dB

RIAA Equalization Deviation

PHONO MM....................................0±0.5 dB

Total Harmonic Distortion (20 Hz to 20 kHz)

PHONO MM to REC OUT

1V.....................................................0.02%

CD/TAPE/DVD·LD/TV·DBS/VCR

30W/8 ohms .....................................0.03%

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT

(5 mV Input Shorted) ...........................80 dB

CD/TAPE/DVD·LD/TV·DBS/VCR

(Shorted)..............................................93 dB

Residual Noise (IHF-A Network)

MAIN L/R...........................................140 µV

Channel Separation

(Vol. –30 dB, EFFECT OFF)
PHONO MM

(Input Shorted, 1 kHz)

..........................................................60 dB

CD/TAPE/DVD·LD/TV·DBS/VCR

(Input 5.1 k-ohms Terminated,

1 kHz)................................................60 dB

to SP OUT

to SP OUT

Tone Control Characteristics

BASS: Boost/cut................±10 dB (50 Hz)

Turnover Frequency.........(350 Hz)

TREBLE: Boost/cut...........±10 dB (20 kHz)

Turnover Frequency.....(3.5 kHz)

Gain Tracking Error (0 to –60 dB)............3 dB

VIDEO SECTION

Video Signal Type

[U.S.A., Canada and General models]

.....................................................NTSC/PAL

[Australia model].....................................PAL

Video Signal Level..................1 Vp-p/75 ohms

Maximum Input Level............1.5 Vp-p or more

Signal-to-Noise Ratio................50 dB or more

Monitor Out Frequency Response

.....................................5 Hz to 10 MHz, –3 dB

FM SECTION

Tuning Range

[U.S.A. and Canada models]

..........................................87.5 to 107.9 MHz

[Australia and General models]

..........................................87.5 to 108.0 MHz

50 dB Quieting Sensitivity (IHF, 75 ohms)

[U.S.A., Canada and General models only]

Mono...............................1.55 µV (15.1 dBf)

Stereo................................21 µV (37.7 dBf)

Usable Sensitivity

DIN, Mono (S/N 26 dB)

[Australia model]

DIN, Stereo (S/N 46 dB)

[Australia model]

Image Response Ratio

[U.S.A., Canada and General models]

..............................................................45 dB

[Australia model]
IF Response Ratio

[U.S.A., Canada and General models]

.............................................................70 dB

[Australia model]..................................80 dB

Spurious Response Ratio........................70 dB

AM Suppression Ratio.............................55 dB

Capture Ratio..........................................1.5 dB

...............................0.9 µV

................................24 µV

...................................80 dB

36

English

Alternate Channel Selectivity

[U.S.A., Canada and General models]

..............................................................85 dB

Selectivity (two signals, 40 kHz Dev. ±300 kHz)

[Australia model]

Signal-to-Noise Ratio

(IHF) Mono/Stereo

[U.S.A., Canada and General models]

.................................................80 dB/75 dB

(DIN-Weighted, 40 kHz Dev.) Mono/Stereo

[Australia models]

Harmonic Distortion

Mono/Stereo (1 kHz) ........................0.1/0.2%

Stereo Separation (1 kHz)......................50 dB

Frequency Response

20 Hz to 15 kHz.............................0 ±1.5 dB

...................................70 dB

....................75 dB/70 dB

AM SECTION

Tuning Range

[U.S.A., Canada and General models]

.............................................530 to 1,710 kHz

[Australia model]

Usable Sensitivity.............................100 µV/m

Selectivity...............................................32 dB

Signal-to-Noise Ratio .............................50 dB

Image Response Ratio...........................40 dB

.................531 to 1,611 kHz

Spurious Response Ratio.......................50 dB

Harmonic Distortion (1 kHz) ....................0.3%

AUDIO SECTION

Output Level/Impedance

FM (100% mod., 1 kHz)

[U.S.A., Canada and General models]

......................................500 mV/2.2 k-ohms

[Australia model]
AM (30% mod., 1 kHz)

.........................................150 mV/2.2 k-ohms

...........400 mV/2.2 k-ohms

GENERAL

Power Supply

[U.S.A. and Canada models]

..............................................AC 120V, 60 Hz

[Australia model]...................AC 240V, 50 Hz

[General model]

....................AC 110/120/220/240V, 50/60 Hz

Power Consumption

<R-V702>

[U.S.A. model]...................................220W

[Australia, Canada and General models]

..........................................................230W

<R-V502>

[U.S.A. model]...................................190W

[Canada model].................................210W

[Australia and General models].........200W

Maximum Power Consumption

(8 ohms, 1 kHz, 10% THD, When 5 channels
are driven:)

[General model only]

<R-V702>......................................540W

<R-V502>......................................430W

AC Outlets

2 SWITCHED OUTLETS

[U.S.A., Canada and General models]

..........................................100W max. total

1 SWITCHED OUTLET

[Australia model]...............100W max. total

Dimensions (W x H x D)

.....................................435 x 151 x 266.5 mm

(17-1/8” x 5-15/16” x 10-1/2”)

Weight

<R-V702>....................8.7 kg (19 lbs. 2 oz.)

<R-V502>....................7.8 kg (17 lbs. 3 oz.)

Accessories..........................AM loop antenna

Indoor FM antenna

Remote control transmitter

Batteries

Antenna adapter

(U.S.A. and Canada models only)

Specifications are subject to change without
notice.

37

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

VV57220

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