Yamaha Audio REV100 User Manual
DIGITAL REVERBERATOR
DIGITAL REVERBERATOR
PEAK
LR
INPUT LEVEL
010
MIX BALANCE
DRY WET
DELAY
MIN MAX
DECAY
MIN MAX
LEVEL
MIN MAX
POWER
ON OFF
PROGRAM
MIDI
STORE
MIDI INT
PGM CHANGE
1
21
41
51
61
71
-20
-40
-50
-60
-70
-99
REVERB
STEREO REV
GATE REV
DELAY
DLY/REV
MOD/REV
Operation Manual
Manuel d’instructions
Bedienungsanleitung
Manual de Operación
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference
with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users
manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference
will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please
try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference
Utilize power outlets that are on different branch (circuit breaker of fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America. Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
This applies only to products distributed by YAMAHA CORPORATION OF AMERICA
*
Dette apparat overholder det gaeldende EF-direktiv vedtrørende
radiostøj.
Cet appareil est conforme aux prescriptions de la directive
communautaire 87/308/CEE.
Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/
oder 87/308/EWG.
This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/
EEC.
Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva
CEE/87/308) sulla soppressione dei radiodisturbi.
Este producto está de acuerdo con los requisitos sobre interferencias
de radio frequencia fijados por el Consejo Directivo 87/308/CEE.
YAMAHA CORPORATION
IMPORTANT NOTICE FOR
THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT: The wires in this mains lead are coloured in accordance with
the following code:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings idenlifying the terminals in your
plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be connected to the
terminal in the plug which is marked by the letter E or by the safety earth
symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal which
is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal
which is marked with the letter L or coloured RED.
This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.)
*
LTD.
CANADA
THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS
B” LIMITS FOR RADIO NOISE EMISSIONS
FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT
OF COMMUNICATIONS.
LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS
RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES
AUX APPAREILS NUMERIQUES DE LA “CLASSE B”
PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE
RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.
This applies only to products distributed by YAMAHA CANADA
*
MUSIC LTD.
Litiumbatter!
Bör endast bytas av servicepersonal.
Explosionsfara vid felaktig hantering.
VAROITUS!
Lithiumparisto, Räjähdysvaara.
Pariston saa vaihtaa ainoastaan aian
ammattimies.
ADVARSELl!
Lithiumbatter!
Eksplosionsfare. Udskiftning må kun foretages
af en sagkyndig, –og som beskrevet i
servicemanualen.
Precautions
1. Location
Keep the unit away from locations where it is likely to be
exposed to high temperatures or humidity — such as near
radiators, stoves, etc. Also a v oid locations which are subject to excessive dust accumulation or vibration which
could cause mechanical damage and locations subject to
strong electromagnetic fields, such as close to broadcast
equipment.
2. Avoid Physical Shocks
Strong physical shocks to the unit can cause damage. Handle it with care.
3. Do Not Open the Case or Attempt Repairs or Modifications Y ourself
This product contains no user-serviceable parts. Refer all
maintenance to qualified Yamaha service personnel.
Opening the case and/or tampering with the internal circuitry voids the warranty.
4. Always power off before making connections
Always turn the power OFF before connecting or disconnecting cables. This is important to prevent damage to the
unit itself as well as other connected equipment.
5. Handle Cables Carefully
Always plug and unplug cables — including the AC power
cord — by gripping the connector, not the cord.
6. Clean With a Soft Dry Cloth
Never use solvents such as benzine or thinner to clean the
unit. Wipe clean with a soft, dry cloth.
7. Always Use the Correct Power Supply
The unit should only be powered using the supplied
Y amaha A C Adaptor . The use of other adaptors can cause
serious damage to the unit. Never use a cascade arrangement for the power supply connection from other equipment.
Introduction
The REV100 is a high-quality, inexpensive, and easy-to-use stereo Digital Reverberator. It can be used for home recording or
smaller sound reinforcement applications. It is a true stereo processor with two inputs and two outputs.
Along with a high-quality stereo reverb, the REV100 offers delay-plus-reverb and modulation-plus-reverb effects. The 16-bit A/D
and D/A converters provide superb sound quality and a wide frequency response due to the 44.1 kHz sampling rate.
The REV100 is simple to use, with rotary controls for setting levels and editing effect parameters. A MIDI IN connection is provided so that effects programs can also be selected using MIDI messages.
To take full advantage of your REV100, please read this manual thoroughly and keep it for future reference.
Contents
1. Controls . . . . . . . . . . . . . . . . . . . . . . 1
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
2. Operation . . . . . . . . . . . . . . . . . . . . 2
Installation and Connections . . . . . . . . . . . . . . 2
Changing Programs . . . . . . . . . . . . . . . . . . . . . 2
3. Edit Mode . . . . . . . . . . . . . . . . . . . . 6
Editing a Program . . . . . . . . . . . . . . . . . . . . . . 6
Storing a Program . . . . . . . . . . . . . . . . . . . . . . 6
Initializing the REV100 . . . . . . . . . . . . . . . . . 6
4. MIDI Mode . . . . . . . . . . . . . . . . . . 7
MIDI Program Change Table . . . . . . . . . . . . . 7
Setting the MIDI Program Change Table . . . . 7
Setting the MIDI Receive Channel . . . . . . . . . 8
Real-time Parameter Change . . . . . . . . . . . . . . 8
MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . 9
5. Specifications . . . . . . . . . . . . . . . . 10
General specifications . . . . . . . . . . . . . . . . . . 10
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . 10
MIDI Implementation Chart
1
2
3
4
1. Controls
Front Panel
5
6
7
1
2
3
4
Controls
123 756
PEAK
LR
DIGITAL REVERBERATOR
010
INPUT LEVEL
DRY WET
MIX BALANCE
4
1
-20
21
-40
41
-50
51
-60
61
-70
71
-99
MIDI INT PGM CHANGE
REVERB
STEREO REV
GATE REV
DELAY
DLY/REV
MOD/REV
INPUT LEVEL control
This rotary control sets the input level. You should set the
level so that the PEAK (L/R) indicators only flash occasionally.
PEAK (L/R) indicators
These LEDs will light when the REV100 is receiving a peak
level signal.
MIX BALANCE (DRY/WET) control
This rotary control sets the balance of wet (effect) and dry
(no effect) sounds.
LED display (7-segment LED, MIDI indicator, INT indicator)
This 7-segment display indicates the current program in
Program Mode. It shows the value of parameters when the
REV100 is in Edit Mode and it shows MIDI program num-
POWER
ON OFF
PROGRAM
STORE
DELAY
MIDI
MIN MAX
DECAY
MIN MAX
LEVEL
MIN MAX
bers. When you select the MIDI Program Change table, the
MIDI indicator will light, and when you select the internal
programs, the INT indicator will light. Refer to “Setting the
MIDI Program Change Table” on page 7.
PROGRAM ( , , MIDI, STORE) keys
These keys allow you to select the dif ferent programs, edit
the MIDI Program Change table, and store modified programs.
Edit (DELAY, DECAY, LEVEL) controls
These rotary controls edit the amount of parameters of the
current effect. When the edited v alue of a parameter is the
same as the currently saved value, the LED to the left of the
control will light. Refer to “Editing a Program” on page 6.
POWER switch
Press this switch ON to turn on the power.
Rear Panel
1
DC 12V IN inlet
The supplied AC Adapter is plugged into this connector.
MIDI IN connector
The REV100 receives MIDI data via this connection.
OUTPUT connectors
These 1/4" phone connectors are used to output the processed sound from the REV100. If you are using it monophonically, plug a jack into the L-MONO connection only.
2
MIDI INDC 12V IN
34
OUTPUT
R L(MONO)
INPUT connectors
These 1/4" phone connectors are used to plug a sound source
into the REV100. If the source is monophonic, plug the jack
into the L-MONO connection only.
INPUT
R L(MONO)
1
DIGITAL
MODEL REV100
MADE IN JAPAN
DC 12V IN
Operation
2. Operation
Installation and Connections
Install the REV100 in a rack or place it in a location where it is safe
and stable. Connect the AC Adapter to the DC 12V IN inlet, then
plug the Adapter into a mains supply. To prevent the power from
being accidentally disconnected, hook the cable around the anchor.
Press the POWER switch to turn the REV100 on.
Changing Programs
Select the different programs by pressing the and keys. The
REV100 has 99 programs for you to select from.
REVERB
No Name Type Description
1 Vocal Rev 1 Vocal Reverberation suitable for vocals
2 Vocal Rev 2 Hall
3 Vocal Rev 3 Vocal
4 Room Ambience 1
5 Room Ambience 2
6 Room Ambience 3
7 Wood Booth 1
9 Acoustic Piano Plate
10 Club Piano
11 Booming Kick 1
12 Booming Kick 2
13 Loud Snare Reverberation for louder snare
14 Acoustic Steel Guitar 1
15 Acoustic Steel Guitar 2
16 String Plate Reverberation mainly used for strings
Plate
Vocal8 Wood Booth 2
Hall
Room
Plate
No.3 has a longer pre-delay and shorter reverb time
These are mainly for drums and percussions. You can use them for
the entire drum kit or a single drum sound such as snare, bass drum,
etc.
Reverberation for acoustic piano
Reverberation for bass drum, with an emphasized low range
Reverberation for steel-string acoustic guitar
17 Acoustic Gut Guitar 1
18 Acoustic Gut Guitar 2
19 Brass Room 1
20 Brass Room 2
Vocal Reverberation for nylon-string acoustic guitar
Room Brighter and shorter reverb for brass section
2
STEREO REVERB
No Name Type Description
21 Large Hall 1
Operation
22 Large Hall 2
23 Stage 1
24 Stage 2
25 Chamber 1 Vocal
26 Chamber 2 Hall
27 Church 1 Room
28 Church 2 Hall
29 Old Tunnel Hall
30 New Tunnel Vocal
31 Large Room 1
32 Large Room 2
33 Slide Reverb Reverb sound is panned to right
34 Huge Room 1
35 Huge Room 2
36 Bathroom
37 String Ensemble Spacious reverb suitable for strings
38 Rude Reverb 1
39 Rude Reverb 2
Hall
Room
Plate
Vocal
These are hall-type reverb variations.”Stage” reverbs are brighter than
“Hall” reverbs
Image of a large chamber with a high ceiling
Simulates sound inside a long tunnel. “Old” is dark and “New” is bright
Room-type simulation. No.32 contains more low range than No.31
More dynamic than a room-type reverberation
Very short stereo reverb
Rough reverberation
40 Concert Grand Piano Suitable for an acoustic piano
GATE REVERB
No Name Type Description
41 Small Ambience 1
Hall
42 Small Ambience 2
43 Tight Room 1 Room
44 Tight Room 2 Hall
45 Gate Reverb 1 Plate
46 Gate Reverb 2 Vocal
47 Gate Reverb 3
Hall
48 Gate Reverb 4
49 Stone Room Room Simulates a room made of stone
50 Big Curve Vocal The longest reverb in the gate reverbs
Simulates a room with smaller reflections. No.42 has been made by
cutting the low range of No.41
Simulates a room smaller than “Small Ambience” reverbs
Gate reverb variations
3
Operation
DELAY
No Name Description
51 Analog Delay 1 Soft delay sound
52 Ping Pong Delay Delay sound is panned between left and right
53 Eighth Note Triplet Ping-pong delay that sounds like eight note triplets
54 Karaoke Echo used for Karaoke
55 Short Delay Doubler Very short, one-time delay
56 Stereo Long Delay Stereo delay with the same length for the left and right channels
57 Stereo Medium Delay Stereo delay with different length channels
58 Stereo Short Delay Short delay with the same length channels
59 Mono Long Delay
60 Mono Short Delay
Repeat delay with mono output
DELAY/REVERB
No Name Type Description
61 Electric Piano DLY+Hall Mainly used for electric pianos
62 String Pad DLY → Hall Suitable for pad-type sound
63 Synth
DLY → Vocal
64 Vocal 1
65 Vocal 2 DLY → Hall
66 Vocal 3 DLY + Room
67 Bright Vocal DLY → Plate Bright reverb, with very subtle delay
68 Chorus DLY+Plate 50% of delay and 50% of reverb are combined
69 Drum Kit 1 DLY+Room
70 Drum Kit 2 DLY → Plate
Suitable for pad strings
Preset No.64 and No.65 are longer reverbs with a slight delay, suitable for vocal. Preset No.66 is a short reverb, with delay emphasized
Ambience effect for drums and percussion
REVERB/MODULATION
No Name Type Description
71 Soft Flange 1
72 Soft Flange 2
73 Ambience Flange 1
74 Ambience Flange 2
75 Short Reverb Flange
76 Organ Cabinet 1 Plate →
77 Organ Cabinet 2 Room →
78 Symphonic Reverb 1 Hall+SYM
79 Symphonic Reverb 2 Vocal+SYM
Hall+
FLG
Room →
FLG
FLG
SYM
4
This effect combines thin flanging effect with a small pitch variation,
and reverberation, suitable for pad-type synth sounds
Flanging effect has been added to a short reverb
A very short reverb has been added to the flange effect with a larger
pitch variation
Flange effect suitable for organ sounds
Elegant effect mainly based on reverberation
REVERB/MODULATION
No Name Type Description
Operation
80 Flange Room 1 Vocal → FLG
81 Flange Room 2 Room+FLG
82 Rolling Flange 1
Plate+FLG
83 Rolling Flange 2
84 Big Flange Vocal → FLG Jet machine effects
85 Chorus Reverb 1 Hall+CHO
86 Chorus Reverb 2 Plate+CHO
87 Chorus Reverb 3 Hall+CHO
88 Chorus Reverb 4 Vocal+CHO
89 Tremolo Reverb 1 Hall+TRM
90 Tremolo Reverb 2 Room → TRM
91 Tremolo Reverb 3 Plate+TRM
92 Tremolo Reverb 4
Vocal+TRM
93 Tremolo Reverb 5
94 Tremolo Reverb 6
Hall+TRM95 Tremolo Reverb 7
96 Ambient Slow Pan 1
97 Ambient Slow Pan 2
Use these effects to make your drum or percussion sound very
unique and strange
Use these effects to make your drum or percussion sound rather
strange
Preset No.85 and No.86 are normal chorus/reverb, and can be used
for many applications such as electric piano
Tremolo and Reverb variation that has a tremolo effect of panning
sound
Sound with a short reverb is panned between left and right
99 Sequence Pan 2
Room+TRM98 Sequence Pan 1
You can add panning effects to a song with a tempo of around 120.
Adjust the speed according to the tempo
5
DELAY
MIN MAX
DECAY
MIN MAX
LEVEL
MIN MAX
MIDI INT
1.
2.
3.
4.
1.
2.
1.
2.
3.
Edit Mode
3. Edit Mode
Each of the effects in the REV100 has several parameters. Three of the most effective parameters can be edited using the rotary
controls for quick, versatile, and simple operation.
Editing a Program
Press the and keys until the desired program number is displayed on the 7-segment LED.
Select one of the Edit controls, for example, the DELAY rotary control.
Rotate the control. The value on the 7-segment LED changes to reflect the adjustment you are making to the parameter.
When the parameter value you are editing matches the preset value, the LED beside the control lights up:
Listen to the modified effect.
The following table lists the values that you can edit with the front panel controls:
No. Effect Type Delay Decay Level
1 - 20 REVERB Pre Delay (msec) Reverb Time ( × 0.1sec) Effect Level
21 - 40 STEREO REVERB Pre Delay (msec) Reverb Time ( × 0.1sec) Effect Level
41 - 50 GATE REVERB Pre Delay (msec) Noise Gate Level Effect Level
51 - 60 DELAY Delay Time ( × 10msec) Feedback Level Effect Level
61 - 70 DELAY/REVERB Delay Time ( × 10msec) Feedback Level Reverb Level
71 - 99 REVERB/MODULATION Modulation Depth Modulation Speed Reverb Level
Storing a Program
Press the STORE key. The program number will flash on the 7-segment LED.
Press the STORE key again to confirm the operation.
Note that you cannot select a different program number to store your changes in.
Initializing the REV100
The following procedure is used to initialize the programs 1 to 99 (one selected program or all the programs) to the factory default
condition:
Turn on the power to the REV100 while holding down the STORE key.
Press the and keys to select the program number you wish to initialize.
When the 7-segment LED displays “ ”, all the programs 1 to 99 will be initialized.
Press the STORE key to execute the initialization.
6
1.
2.
3.
4.
5.
MIDI Mode
4. MIDI Mode
A MIDI IN connection is provided so that the REV100 effects programs can be selected and modified using MIDI messages.
MIDI Program Change Table
The REV100 has a MIDI Program Change table in memory which you can edit to re-order the effects programs. You can create
a table of program numbers which correspond to MIDI Program Change numbers 1 to 99. When the REV100 receiv es a MIDI
Program Change message, it will select the internal program number that corresponds to the MIDI number in the message. The
REV100 will ignore MIDI Program Change numbers 100 or greater.
The following table illustrates the correspondence between the MIDI Program Change numbers and the internal program numbers:
MIDI Program Number REV100 Program Number
110
25
322
... ...
99 1
100
ignored...
128
Setting the MIDI Program Change Table
Press the MIDI key. The MIDI indicator dot will light up on the 7-segment LED:
INT indicator dot
MIDI INT
When the MIDI indicator is lit, the 7-segment LED displays the current MIDI Program Change number.
Select another MIDI Program Change number by pressing the or keys.
To select the internal program numbers, press the MIDI key again. The MIDI indicator dot is switched off and the INT
indicator dot will light up.
Modify the internal program number for the selected MIDI Program Change number by pressing the or keys.
T o quit this mode, press and hold the MIDI key for approximately one second. The current indicator , either the MIDI indicator
or the INT indicator will switch off and the 7-segment LED will display the currently selected program number.
MIDI indicator dot
7
MIDI Mode
Setting the MIDI Receive Channel
By default, the REV100 is set to receive MIDI on all channels (OMNI mode). You can change this default with the following procedure:
1.
Press and hold the MIDI key as you switch on the power to the REV100.
The 7-segment LED will display “ ” and the current MIDI channel number alternately.
2.
Select another MIDI channel number by pressing the or keys.
You can select “ ” (OMNI), “ ” to “ ”, or “ ” (OFF).
3.
Press the MIDI key again to return to normal operational mode.
Real-time Parameter Change
You can send MIDI Control Change messages to the REV100. Some of these messages perform the same function as the front
panel Edit controls, others allow you access to additional parameters:
Effect Type Parameter Name Controller Number
Pre Delay 20
Reverb Time 21
REVERB
STEREO REVERB
GATE REVERB
DELAY
DELAY/REVERB
Effect Level 22
High Damp 23
Filter Type (LPF/HPF) 24
Cut-off Frequency 25
Pre Delay 20
Reverb Time 21
Effect Level 22
High Damp 23
Pre Delay 20
Gate Level 21
Effect Level 22
Reverb Time 23
High Damp 24
Release Time 25
Filter Type (LPF/HPF) 26
Cut-off Frequency 27
Delay Time 20
Feedback Level 21
Effect Level 22
High Damp 23
Filter Type (LPF/HPF) 24
Cut-off Frequency 25
Delay Time 20
Feedback Level 21
Reverb Level 22
Reverb Time 23
Reverb High Damp 24
Delay High Damp 25
Filter Type (LPF/HPF) 26
Cut-off Frequency 27
8
Effect Type Parameter Name Controller Number
Modulation Depth 20
Modulation Speed 21
Reverb Level 22
Reverb Time 23
Reverb High Damp 24
Resonance 25
Filter Type (LPF/HPF) 26
Cut-off Frequency 27
Modulation Depth 20
Modulation Speed 21
Reverb Level 22
Reverb Time 23
Reverb High Damp 24
Filter Type (LPF/HPF) 25
Cut-off Frequency 26
Modulation Depth 20
Modulation Speed 21
Reverb Level 22
Reverb Time 23
Reverb High Damp 24
Phase 25
Filter Type (LPF/HPF) 26
Cut-off Frequency 27
REVERB/
MODULATION
Flanger
Chorus
and
Symphonic
Tremolo
Control Change Value 00H = MIN parameter value
Control Change Value 7FH = MAX parameter value
If you require the system exclusive message format for the REV100, please contact your local Yamaha Sales Centre.
MIDI Mode
MIDI Data Format
Reception format
Progaram Change
status 1100 nnnn(CnH)nnnn = channel No. *1
1st data 0ppp pppp ppppppp = program No. *2
Control Change
You can control the parameters using Control Change messages. Refer to page 8 “Real time parameter change” for the
Control numbers.
status 1011 nnnn(BnH) nnnn = channel No. *1
1st data 000c cccc ccccc = control No. *3
2nd data 0vvv vvvv vvvvvvv = control Value
*4
Parameter Change
status 1111 0000(Foh) System exclusive
ID No. 0100 0011(43h) YAMAHA
substatus 0001 nnnn nnnn = channel No. *1
group No. 0001 1110(1Eh) PA group
device code 0000 0004(04h) REV100
parameter No. 0000 pppp parameter No. *5
0000 pppp
data 0000 aaaa 1st byte *6
0000 bbbb 2nd byte
EOX 1111 0111(F7h) End of exclusive
*1 nnnn = 0 (channel 1) –15 (channel 16)
*2 ppppppp = 0 (program 1) – 98 (program 99)
Program numbers after 99 will be ignored.
*3 ccccc = 20 – 27 Depends on the effect type. (See page 8)
*4 vvvvvvv = 0 – 127
*5, *6 Depends on the effect type and parameter.
(Please consult your local Yamaha Sales Centre.)
9
Specifications
5. Specifications
General specifications
ELECTRICAL CHARACTERISTICS
Frequency Response 20 Hz ~ 20 kHz
Dynamic Range 80 dB (typical)
Distortion less than 0.1% (1 kHz, max.
level)
INPUT
Number of Channels 2 (phone jack)
Nominal Level –10 dB
Impedance 20 kΩ (STEREO)
10 kΩ (L-MONO)
OUTPUT
Number of Channels 2 (phone jack)
Nominal Level –10 dB
Impedance 2 kΩ (STEREO)
1 kΩ (L-MONO)
AD / DA CONVERSION
AD Conversion 16 bit
DA Conversion 16 bit
Sampling Frequency 44.1 kHz
PROGRAM
Program Number 99
FRONT PANEL
Switches , , MIDI, STORE, POWER
Rotary Controls INPUT LEVEL, MIX BALANCE,
DELAY, DECAY, LEVEL
Display 7-segment LED × 2
PEAK L R
DELAY, DECAY, LEVEL
REAR PANEL
Jacks INPUT L (MONO), R
OUTPUT L (MONO), R
MIDI IN (DIN 5P), DC 12V IN
POWER SUPPLY DC 12V
DIMENSIONS (W × H × D) 480 mm × 45 mm × 232 mm
WEIGHT 2.5 kg
ACCESSORY AC Adapter
* Dynamic range is measured with a 6 dB/octave LPF at 12.7 kHz — equivalent to a 20 kHz LPF with infinite dB/octave
attenuation.
* 0 dB = 0.775V RMS
* Specifications and appearance are subject to change without notice.
Dimensions
10
440
W:480
388
7
26151.547.5
D: 232
19.4 2.6 203
H:45
44
APPAREIL DE RÉVERBÉRATION NUMÉRIQUE
MANUEL D’INSTRUCTIONS
Français
Introduction
Le REV100 est un appareil de réverbération de qualité, abordable et simple à utiliser. Il vous rendra de grands services aussi bien
dans votre studio personnel qu’avec un petit système d’amplification. Il s’agit s’un véritable processeur stéréo doté de deux entrées
et deux sorties.
Outre une réverbération stéréo de haute qualité, le REV100 vous propose des effets de réverbération & delay ainsi que de modulation & réverbération. Le convertisseur 16 bits A/N et N/A offre une qualité de son exceptionnelle ainsi qu’une large réponse en
fréquence grâce à la vitesse d’échantillonnage de 44,1kHz.
Le REV100 est un appareil facile à manier, pourvu de commandes rotatives pour régler les niveaux et éditer des paramètres. Une
connexion MIDI IN est comprise de sorte que les programmes d’effet peuvent également être sélectionnés au moyen de messages
MIDI.
Pour profiter au maximum des atouts que vous offre votre REV100, veuillez lire attentivement ce manuel et le ranger soigneusement afin de pouvoir le consulter ultérieurement.
Table des matières
1. Commandes . . . . . . . . . . . . . . . . . 1
Panneau avant . . . . . . . . . . . . . . . . . . . . . . . . . 1
Panneau arrière . . . . . . . . . . . . . . . . . . . . . . . . . 1
2. Fonctionnement . . . . . . . . . . . . . . 2
Installation et connexions . . . . . . . . . . . . . . . . 2
Changement de programmes . . . . . . . . . . . . . . 2
3. Mode Edit . . . . . . . . . . . . . . . . . . . 6
Edition d’un programme . . . . . . . . . . . . . . . . . 6
Sauvegarde d’un programme . . . . . . . . . . . . . . 6
Initialisation du REV100 . . . . . . . . . . . . . . . . . 6
Précautions
1. Emplacement
Ne placez pas l’appareil dans un endroit où il risque d’être
exposé à des températures élevées ou une forte humidité
(évitez la proximité de radiateurs, poêles, etc). Evitez
également les endroits poussiéreux ou soumis à des vibrations qui peuvent être à l’origine de dommages mécaniques ainsi que les endroits sujets à des champs magnétiques importants, tels que la proximité de matériel de
transmission.
2. Evitez tout choc
Un choc relativement important peut endommager l’appareil. Maniez-le donc avec soin.
3. N’ouvrez pas le boîtier et n’essayez pas d’effectuer des
réparations vous-même
Cet appareil ne contient pas d’élément pouvant être réparé
par l’utilisateur. Veuillez donc confier toute réparation à
un technicien Y amaha qualifié. Toute tentati ve d’ouverture
du boîtier et de manipulation des circuits internes se soldera par la perte du bénéfice de la garantie.
4. Mode MIDI . . . . . . . . . . . . . . . . . . 7
Tableau de changement de programme MIDI . 7
Réglage du tableau de changement de programme
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Réglage du canal de réception MIDI . . . . . . . . 8
Contrôle des paramètres en temps réel . . . . . . 8
MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . 9
5. Fiche technique . . . . . . . . . . . . . . 10
Caractéristiques générales . . . . . . . . . . . . . . . 10
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . 10
MIDI Implementation Chart
4. Coupez toujours l’alimentation avant de procéder à
des branchements
N’oubliez jamais de mettre les appareils hors tension avant
de brancher ou de débrancher des câbles afin de ne pas
endommager l’appareil lui-même ainsi que le matériel qui
y est branché.
5. Manipulez les câbles avec soin
Pour brancher et débrancher des câbles (y compris le câble
d’alimentation), prenez-le toujours par la prise et non par
le câble.
6. Nettoyez avec un chiffon doux et sec
N’utilisez jamais de solvants, tels que du benzène ou un
diluant pour nettoyer l’appareil. Prenez les poussières avec
un chiffon doux et sec.
7. Utilisez toujours une source d’alimentation adéquate
N’utilisez que l’adaptateur fourni par Y amaha pour mettre
l’appareil sous tension. Le recours à un autre adaptateur
risque d’endommager sérieusement l’appareil. Ne
branchez jamais l’appareil à un circuit de plusieurs appareils branchés en cascade.
Loading...