Yamaha Audio EZ-150 User Manual

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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and head­phones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before dam­age occurs.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a func­tion or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmen­tally friendly. We sincerely believe that our products and the production meth­ods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applica­ble) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batter­ies in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Model
Serial No.
Purchase Date
92-BP (bottom)
PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or
another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equip­ment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause inter­ference harmful to the operation of other electronic devices. Compliance
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or slukket pá apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.
with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corpora­tion of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
(class B)
Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sam­melstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
(battery)
(standby)
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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Use the specified adaptor (PA-3C or PA-3B or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.
• Unplug the AC power adaptor when not using the instrument, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Battery
• Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage.
• Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage.
• Do not dispose of batteries in fire.
• Do not attempt to recharge batteries that are not intended to be charged.
• When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery fluid.
• Keep batteries away from children.
• If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.
Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
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• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected adaptor and other cables.
• Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
Connections
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Handling caution
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Maintenance
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
When using a power adaptor, even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Make sure to discard used batteries according to local regulations.
The illustrations and LED display as shown in this owner’s manual are for instructional purposes only, and may be different from the ones on your instrument.
Trademarks
• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
• Windows is the registered trademark of Microsoft
®
Corporation.
All other trademarks are the property of their respective holders.
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Congratulations on your purchase of the Yamaha EZ-150 PortaTone!
You now own a portable keyboard that combines advanced functions, great sound
and exceptional ease-of-use in a highly compact package. Its outstanding features
also make it a remarkably expressive and versatile instrument.
Read this Owner’s Manual carefully while playing your new EZ-150 in order to
take full advantage of its various features.

Main Features

The EZ-150 is a sophisticated yet easy-to-use keyboard with the following features and functions:
Yamaha Education Suite
The EZ-150 features the new Yamaha Education Suite — a set of learning tools that utilize the latest tech­nology to make studying and practicing music more fun and fulfilling than ever before!
The Yamaha Education Suite includes:
Lesson ............................. page 36
The convenient and easy-to-use Lesson feature, guides you through the parts of a song — just like a patient teacher! Select from any one of 100 songs on the EZ-150, and learn the left- and right-hand parts independently at first, then together. Lesson features four easy steps that help you master each song: Timing, Waiting, Minus One, and Both Hands.
Grade & Talking ............................. pages 41, 42
The EZ-150 also has the Grade and Talking features. Grade is a virtual “teacher,” evaluating your practice sessions and rating your performance. The convenient Talking function “announces” each Lesson step and your “grades,” among other things.
Lighting ............................. page 42
When you are using the Lesson feature or the Dictionary, the key indicators tell you which keys to play. Also, during song playback, they show the keys that are playing.
Dictionary ............................. page 43
Dictionary is a built-in “chord encyclopedia” that teaches you how to play specific chords by showing lighting keyboards — perfect for when you know the name of a chord and want to quickly learn how to play it!
Portable Grand ............................. page 22
The EZ-150 also has a Portable Grand function for realistic piano performance. Pressing the [PORTA­BLE GRAND] button instantly calls up the stunningly authentic “Stereo Sampled Piano” voice and con­figures the entire EZ-150 for optimum piano play. Special Pianist styles — with piano-only accompaniment — are also provided.
DJ ............................. page 24
The DJ feature is an exciting new addition to the EZ-150, that puts a wealth of contemporary sounds and rhythms at your fingertips. Pressing the [DJ] button instantly calls up one of the special DJ songs (“DJ GAME”) and a DJ style, and provides the appropriate voice and sound effects to match.
Other powerful features include:
• Exceptionally realistic and dynamic sounds with 100 voices,
utilizing digital recordings of actual instruments.
• 100 dynamic auto accompaniment Styles, each with different
Intro, Main A and B, and Ending sections. All styles (except for the Piano styles) also have their own two Fill-in patterns.
• 100 songs, for your listening enjoyment — or for use with the
sophisticated learning tools of the Yamaha Education Suite.
• Convenient control over accompaniment Styles — including
Tempo, Tap Tempo and independent Accompaniment Volume.
• Four Multi Pads, for instantly adding special instrumental breaks, fills, and phrases to your performance.
• One Touch Setting (OTS), for automatically calling up an appropriate voice for playing with the selected Style and Song.
• MIDI terminals for interfacing with other MIDI devices.
• Built-in, high-quality stereo amplifier/speaker system.
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COPYRIGHT NOTICE

q Six of the demo-songs (or compositions) included in this keyboard
are as follows:
A Hard Day’s Night
• Words and Music by John Lennon and Paul McCartney
• Copyright © 1964 Sony/ATV Songs LLC
• Copyright Renewed
• All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN37203
• International Copyright Secured All Rights Reserved
Can’t Help Falling In Love
• Words and Music by George David Weiss, Hugo Peretti and Luigi Creatore
• Copyright © 1961 by Gladys Music, Inc.
• Copyright Renewed and Assigned to Gladys Music
• All Rights Administered by Cherry Lane Music Publishing Com­pany, Inc. and Chrysalis Music
• International Copyright Secured All Rights Reserved
Stella By Starlight
• from the Paramount Picture THE UNINVITED
• Words by Ned Washington
• Music by Victor Young
• Copyright © 1946 (Renewed 1973, 1974) by Famous Music Corpo­ration
• International Copyright Secured All Rights Reserved
Hey Jude
• Words and Music by John Lennon and Paul McCartney
• Copyright © 1968 Sony/ATV Songs LLC
• Copyright Renewed
• All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN37203
• International Copyright Secured All Rights Reserved
Edelweiss
• Lyrics by Oscar Hammerstein II
• Music by Richard Rodgers
• Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II
• Copyright Renewed
• WILLIAMSON MUSlC owner of publication and allied rights throughout the world
• International Copyright Secured All Rights Reserved
Linus And Lucy
• By Vince Guaraldi
• Copyright © 1965 LEE MENDELSON FILM PRODUCTIONS, INC.
• Copyright Renewed
• International Copyright Secured All Rights Reserved
w Four of the demo-songs (or compositions) included in this keyboard
are as follows:
Composition Title : An Englishman In New York Composer’s Name : Sumner 0590545 Copyright Owner’s Name : G M SUMNER LTD
Composition Title : Against All Odds Composer’s Name : Collins 0007403 Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD / HIT
& RUN MUSIC LTD
Composition Title : Just The Way You Are Composer’s Name : Joel 0273671 Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD
Composition Title : Look Of Love Composer’s Name : Bacharach/David 0093316 Copyright Owner’s Name : Screen Gems - EMI Music Ltd
CAUTION: All Rights Reserved, Unauthorized copying, public per­formance and broadcasting are strictly prohibited regarding the above ten demo-songs.
COPYRIGHT NOTICE This product incorporates and bundles com­puter programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copy­righted materials include, without limitation, all computer software, styles files, MIDI files, WAVE data and sound recordings. Any unautho­rized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
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Contents

Panel Controls and Terminals ........................8
Setting Up....................................................... 10
• Power Requirements ........................................10
• Turning On the Power.......................................10
• Accessory Jacks ...............................................11
Quick Guide 12
Step 1 Voices ........................................................... 12
Step 2 Songs............................................................ 14
Step 3 Style ............................................................. 16
Step 4 Lesson .......................................................... 18
Basic operation and LED Display ................20
Portable Grand............................................... 22
• Playing the Portable Grand...............................22
• Using the Metronome .......................................22
DJ .................................................................... 24
• Playing the DJ...................................................24
Selecting and Playing Voices .......................25
• Selecting and Playing a Voice ..........................25
• One Touch Setting............................................ 28
• Transpose and Tuning...................................... 29
Selecting and Playing Styles........................ 44
• Selecting and Playing a Style ...........................44
• Playing the Accompaniment .............................45
• Changing the Tempo ........................................48
• Sections (Main A, Main B) and Fill-ins..............48
• Adjusting the Accompaniment Volume .............49
• Using Auto Accompaniment
— Multi Fingering .............................................50
• Multi Pads .........................................................53
MIDI................................................................. 54
Voice List ....................................................... 55
Drum Kit List.................................................. 57
Style List & Multi pads .................................. 58
MIDI Implementation Chart........................... 60
Troubleshooting ............................................ 62
Index ............................................................... 63
Specifications ................................................ 65
Selecting and Playing Songs........................ 31
• Selecting and Playing a Song........................... 31
• Melody Voice Change.......................................32
• Changing the Tempo ........................................33
• Adjusting the Song Volume ..............................34
• Song Controls ...................................................34
• A-B Repeat .......................................................35
Song Lesson .................................................. 36
• Using the Lesson Feature.................................36
• Lesson 1 — Timing........................................... 38
• Lesson 2 — Waiting..........................................39
• Lesson 3 — Minus One ....................................39
• Lesson 4 — Both Hands................................... 40
• Grade................................................................ 41
Talking ............................................................ 42
Turning the Light Guide On and Off ............42
Dictionary ....................................................... 43
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Panel Controls and Terminals

Front Panel
q
e
w
!3 !4 !5 !6 !7
r
!8
t
q [MASTER VOLUME] dial
This determines the overall volume of the EZ-150.
w Power switch ([STANDBY/ON])
e LESSON [L] (Left) and [R] (Right) buttons
These call up the Lesson exercises for the correspond­ing hand (left or right) for the selected song. (See page 37.)
r [Dict.] (DICTIONARY) button
This calls up the Dictionary function (See page 43).
t [OVERALL] button
This is for selecting the various “overall” functions. (See page 20.)
y [SONG] button
This is for enabling song selection. (See page 31.)
u [STYLE] button
This is for enabling style selection. (See page 44.)
i [VOICE] button
This is for enabling voice selection. (See page 25.) Holding down this button calls up the Melody Voice Change function. (See page 32.)
!2
!1
01
!0
o
y u i
!9 @0
!0 [METRONOME] button
This turns the metronome on and off. (See page 22.)
!1 [DJ] button
This instantly calls up a special DJ voice, song and style. (See page 24.)
!2 Numeric keypad, [+/ON] and [–/OFF]
buttons
These are used for selecting songs, voices, and styles. (See page 26.) They are also used for entering values and adjusting or making certain settings.
!3 [ACCOMPANIMENT ON/OFF]
([A-B REPEAT]) button
When the Style mode is selected, this turns the auto accompaniment on and off. (See page 45.) When the Song mode is selected, this controls the A-B Repeat function. (See page 35.)
!4 [SYNC START] ([ PAUSE]) button
When the Style mode is selected, this turns the Sync Start function on and off. (See page 46.) When the Song mode is selected, this alternately pauses and starts song playback. (See page 34.)
o [PORTABLE GRAND] button
This instantly calls up the Grand Piano voice, plus a special piano song and style. (See page 22.)
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Panel Controls and Terminals
!5 [START/STOP] button
When the Style mode is selected, this alternately starts and stops the style. (See page 45.) When the Song mode is selected, this alternately starts and stops song playback. (See page 34.)
!6 [INTRO/ENDING/rit.] ([ REW]) button
When the Style mode is selected, this is used to con­trol the Intro and Ending functions. (See page 47.) When the Song mode is selected, this is used to rewind during song playback. When song playback is stopped, it is used to reverse to specific measure num­bers in the song. (See page 34.)
!7 [MAIN/AUTO FILL] ([ FF]) button
When the Style mode is selected, this is used to change auto accompaniment sections and control the Auto Fill function. (See page 48.) When the Song mode is selected, this is used to fast forward during song playback. When song playback is stopped, it is used to advance to specific measure numbers in the song. (See page 34.)
!8 [TEMPO/TAP] button
This button allows you to tap out the tempo and auto­matically start a selected song or style at that tapped speed. (See page 46.) It also is used to call up the Tempo setting, letting you set the Tempo with the numeric keypad or [+]/[–] buttons. (See page 33.)
!9 [DEMO] button
This is used to play the Demo songs. (See page 14.)
@0 [MULTI PAD/DJ GAME] buttons
These are used to automatically play pre-programmed musical phrases. (See page 53.) These are also used to play the DJ GAME. (See page
24.)
Rear Panel
@1 @3 @4
@1 MIDI IN, OUT terminals
These are for connection to other MIDI instruments and devices. (See pages 11, 54.)
@2 SUSTAIN jack
This is for connection to an optional FC4 or FC5 Footswitch. (See page 11.)
@3 PHONES/OUTPUT jack
This is for connection to a set of stereo headphones or to an external amplifier/speaker system. (See page
11.)
@4 DC IN 12V jack
This is for connection to a PA-3C or PA-3B AC power adaptor. (See page 10.)
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Setting Up

-
This section contains information about setting up your EZ-150 for playing. Make sure to read this section carefully before using the instrument.

Power Requirements

Although the EZ-150 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
Using an AC Power Adaptor • • • • • • • • • • • • • • • • • • • • • • • • •
Make sure that the [STANDBY/ON] switch of the EZ-150 is set to STANDBY.
q w Connect the AC adaptor (PA-3C, PA-3B, or other adaptor specifically recom-
mended by Yamaha) to the DC IN 12V jack.
e Plug the AC adaptor into an AC outlet.
we
• Use ONLY a Yamaha PA-3C or PA-3B AC Power Adaptor (or other adaptor specifically rec­ommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irrepa­rable damage to both the adap tor and the EZ-150.
• Unplug the AC Power Adaptor when not using the EZ-150, or during electrical storms.
Using Batteries • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Inserting Batteries
For battery operation the
EZ-150
requires six 1.5V “D” size, R20P (LR20) or equivalent batteries. When the batteries need to be replaced, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power off and replace the batteries, as described below
q Open the battery compartment cover located on the instrument’s bottom panel. w Insert the six new batteries, being careful to follow the polarity markings in
the compartment cover.
e Replace the compartment cover, making sure that it locks firmly in place.

Turning On the Power

• When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new bat­teries.
• Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.
• If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery.
• The effective life of recharge­able batteries may shorter than that of conventional batteries.
With the AC power adaptor connected or with batteries installed, simply move the STANDBY switch until it is set to the ON position. When the instrument is not in use, be sure to turn the power off.
10
• Even when the switch is in the “STANDBY” position, electric­ity is still flowing to the instru­ment at the minimum level. When you are not using the EZ-150 for a long time, make sure you unplug the AC power adaptor from the wall AC out­let, and/or remove the batter­ies from the instrument.
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Accessory Jacks

MIDI
instrument
Using Headphones• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
For private practicing and playing without disturbing others, connect a set of ste­reo headphones to the rear panel PHONES/OUTPUT jack. Sound from the built­in speaker system is automatically cut off when you insert a headphone plug into this jack.
Setting Up
Connecting a Keyboard Amplifier or Stereo System • • • • • • •
Though the EZ-150 is equipped with a built-in speaker system, you can also play it through an external amplifier/speaker system. First, make sure the EZ-150 and any external devices are turned off, then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel PHONES/OUTPUT jack on the EZ-150.
Using a Sustain Footswitch • • • • • • • • • • • • • • • • • • • • • • • • •
This feature lets you use an optional footswitch (Yamaha FC4 or FC5) to sustain the sound of the keyboard voice. This is used in the same way as a damper pedal on an acoustic piano — press and hold down the footswitch as you play the key­board to sustain the sound.
Using the MIDI Terminals • • • • • • • • • • • • • • • • • • • • • • • • • • •
The EZ-150 also features MIDI terminals, allowing you to interface the EZ-150 with other MIDI instruments and devices. (For more information, see page 54.)
• To prevent damage to the speakers, set the volume of the external devices at the minimum setting before con­necting them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum lev­els and gradually raise the vol­ume controls while playing the instrument to set the desired listening level.
• Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
• Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
Music Rest
Insert the bottom edge of the included music rest into the slot located at the top rear of the EZ-150 control panel.
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Quick Guide

Step 1 Voices

w zx w
01
q z q
Playing the Piano
Simply by pressing the [PORTABLE GRAND] button, you can automatically reset the entire EZ-150 for piano play.
z
Press the [PORTABLE GRAND] button.
z
Playing along with the Metronome
Press the [METRONOME] button.
01
x
x
Play the keyboard.
Panel Voice List
No. Voice Name
PIANO
01 GRAND PIANO
HONKY-TONK
02
PIANO 03 ELECTRIC PIANO 1 04 ELECTRIC PIANO 2 05 ELECTRIC PIANO 3 06 ELECTRIC PIANO 4 07 HARPSICHORD 08 CLAVI 09 CELESTA
ORGAN
10 VIBRATO OFF 11 VIBRATO ON 12 HARMONY OFF
Want to find out more? See page 22.
No. Voice Name
13 HARMONY ON 14 ATTACK OFF 15 ATTACK ON 16 WAVE OFF 17 WAVE ON 18 PIPE OGAN 19 ACCORDION 20 HARMONICA
GUITAR/BASS
21 SOFT GUITAR 22 FOLK GUITAR
12STRINGS
23
GUITAR 24 JAZZ GUITAR 25 ELECTRIC GUITAR
No. Voice Name
26
27 WOOD BASS 28 FINGER BASS 29 SLAP BASS
STRINGS/MALLET
30 STRINGS 31 VIOLIN 32 CELLO 33 HARP 34 SITAR 35 BANJO 36 VIBRAPHONE 37 MARIMBA 38 STEEL DRUMS
DISTORTION GUITAR
Stop the Metronome.
Want to find out more? See page 22.
No. Voice Name
WIND
39 TRUMPET 40 TROMBONE 41 MUTE TRUMPET 42 FRENCH HORN 43 BRASS SECTION 44 ALTO SAX 45 TENOR SAX 46 OBOE 47 CLARINET 48 FLUTE 49 PAN FLUTE
SYNTHESIZER
50 THICK LEAD 51 SIMPLE LEAD
No. Voice Name
52 THICK SAWTOOTH
SIMPLE
53
SAWTOOTH 54 SYNTH BASS 55 SYNTH STRINGS 56 SYNTH BRASS 57 SLOW STRINGS 58 CHORUS
HARMONY
59 PIANO TRIO 60 PIANO COUNTRY
ELECTRIC PIANO 61
TRIO
HARPSICHORD 62
TRIO
12
Page 13
Selecting and Playing Other Voices
The EZ-150 has a total of 100 dynamic and realistic instrument voices. Let’s try a few of them out now...
Step 1 Voices
q
Press the [VOICE] button.
w
Select a voice.
02
e
01
Playing with the DJ Feature
The exciting new DJ feature gives you a full variety of dance and DJ sounds — letting you create your own real-time mixes and groove along with various contemporary rhythms.
q
Press the [DJ] button.
Play the keyboard.
Play the DJ GAME voice.
e
Want to find out more? See page 25.
98
w
Press the Lesson [L] or [R] button.
No. Voice Name
ELECTRIC ORGAN
63
TRIO 64 VIBRAPHONE DUET 65 TRUMPET DUET 66 HORN DUET 67 CLARINET TRIO 68 FLUTE DUET
69
70 STRINGS / PIANO
71
72 HARP / VIOLIN
SPLIT
WOOD BASS /
PIANO
FINGER BASS /
ELECTRIC PIANO
No. Voice Name
FRENCH HORN /
73
TRUMPET
SUSTAIN
74 SUSTAIN PIANO
SUSTAIN ELECTRIC
75
PIANO 1 SUSTAIN ELECTRIC
76
PIANO 2 77 SUS VIBRAPHONE 78 SUSTAIN STRINGS
79 ECHO PIANO
ECHO ELECTRIC 80
PIANO
ECHO
No. Voice Name
ECHO
81
HARPSICHORD
82 ECHO CELESTA
ECHO FOLK
83
GUITAR
84 ECHO BANJO
ECHO VIBRA-
85
PHONE
86 ECHO MARIMBA
ECHO STEEL
87
DRUMS
88 ECHO DRUM KIT
89 PIANO CONCERTO
DUAL
Want to find out more? See page 24.
No. Voice Name
ELECTRIC PIANO
90
CONCERTO 91 FAIRY LAND 92 MOOD GUITAR 93 RICH GUITAR 94 HOT ORGAN 95 EXCEL VIOLIN 96 CRYSTAL 97 STAR SHIP
DJ Voice
98 DJ VOICE 1 99 DJ VOICE 2
DRUMS
00 DRUM KIT
13
Page 14
Quick Guide
Step 2
Songs
q
01
Playing the Songs
The EZ-150 is packed with 100 songs, including 10 special Demo songs.
Playing the Demo songs
Demo songs (01 - 10) showcase the sophisticated features and stunning sound of the EZ-150. Let’s play the Demo songs now, starting with 01...
z
Press the [DEMO] button.
Naturally, you can also individually select and play back any of the EZ-150 songs (00 - 99).
z
Press the [SONG] button.
xwz
zxc
Playing a single song
-1
x
Stop the Demo song.
or
You can also play back songs of other categories. Simply select the appropriate number of the desired song during playback.
• Demo Cancel function that allows you to disable the Demo feature. To use this, simultaneously hold down the [DEMO] button and turn the power on ([STANDBY/ON] button). While the power is on in this condi­tion, pressing the [DEMO] button has no effect. To turn Demo Cancel off, simply turn the power off and back on again normally.
01
x
Select a song.
c
Start (and stop) the song.
06
Want to find out more? See page 31.
14
Page 15
Changing the volume of the song
This lets you adjust the volume balance between the song and your keyboard performance.
q
Press the [OVERALL] button, until “oooo7777” is indi­cated in the display.
o7
w
Use the [+]/[–] buttons to adjust the song vol­ume.
You can also use the numeric keypad to directly enter the value.
80
Want to find out more? See page 34.
Step 2 Songs
Song List
Song Name
No.
(Composer)
FAVORITES
1 Hey Jude 2 A Hard Day’s Night 3 Can’t Help Falling In Love 4 Englishman In New York 5 Against All Odds 6 Just The Way You Are 7 Linus And Lucy 8 The Look Of Love 9 Stella By Starlight
10 Edelweiss
PIANO/CLASSICAL
11 Für Elise (L.v. Beethoven) 12 Menuett (J.S. Bach)
Turkish March
13
(W.A. Mozart) Marcia Alla Turca
14
(L.v. Beethoven) Valse op.64-1 “Petit chien”
15
(F. Chopin) Etude op.10-3 “Chanson
16
De L’adieu” (F. Chopin) Jesu, Joy Of Man’s Desir-
17
ing (J.S. Bach) Symphonie Nr.9
18
(L.v. Beethoven)
19 Gavotte (F.J. Gossec)
Fröhlicher Landmann
20
(R. Schumann) 21 Polonaise (J.S. Bach) 22 Canon (J. Pachelbel) 23 Heidenröslein (F. Schubert) 24 Träumerei (R. Schumann)
From The New World 25
(A. Dvorák)
Frühlingslied 26
(F. Mendelssohn) 27 Menuett (J. Krieger)
Liebesträume Nr.3 28
(F. Liszt) 29 Blumenlied (G. Lange)
Valse Des Fleurs 30
(From “The Nutcracker”)
(P.I. Tchaikovsky)
Air On The G String 31
(J.S. Bach) 32 Die Forelle (F. Schubert)
Marche (From “The Nut­33
cracker”) (P.I. Tchaikovsky) 34 Humoreske (A. Dvorák) 35 Pizzicato Polka (J. Strauss) 36 Ave Maria (F. Schubert) 37 Ave Maria (C. Gounod) 38 Wiegenlied (B. Flies) 39 Wiegenlied (F. Schubert) 40 Wiegenlied (J. Brahms)
41 Twinkle Twinkle Little Star*
42
43
44 Greensleeves*
45
46 Im Mai*
47
48 Amazing Grace*
For the songs #11 - #85, refer to the included Song Book. * indicates that is traditional song.
WORLD
Grandfather’s Clock
(H.C. Work)
Beautiful Dreamer
(S.C. Foster)
Believe Me, If All Those En-
dearing Young Charms*
Home Sweet Home
(H. Bishop)
Song Name
No.
(Composer)
49 Aura Lee (G. Poulton)
My Old Kentucky Home
50
(S.C. Foster) 51 Aloha Oe* 52 Die Lorelei (F. Silcher) 53 Londonderry Air* 54 Auld Lang Syne*
Carry Me Back To Old 55
Virginny*
The Yellow Rose Of Texas 56
(C.H. Brown)
Long, Long Ago 57
(T.H. Bayly) 58 London Bridge*
Old Folks At Home 59
(S.C. Foster) 60 O Du Lieber Augustin* 61 My Darling Clementine* 62 Hamabe No Uta (T. Narita) 63 Furusato (T. Okano) 64 Oh! Susanna (S.C. Foster)
Jeanie With The Light 65
Brown Hair (S.C. Foster)
I’ve Been Working On The 66
Railroad* 67 Loch Lomond* 68 My Bonnie* 69 Yankee Doodle* 70 Turkey In The Straw* 71 Annie Laurie (L. Scott)
Close Your Hands,Open 72
Your Hands
(J.J. Rousseau) 73 Muss I Denn (F. Silcher) 74 The Cuckoo *
Battle Hymn Of The 75
Republic*
Camptown Races 76
(S.C. Foster) 77 Romance De L’amour*
American Patrol 78
(F.W. Meacham) 79 Little Brown Jug* 80 The Entertainer (S. Joplin)
CHRISTMAS
81 Jingle Bells (J.S. Pierpont) 82 Silent Night (F. Gruber)
Joy To The World 83
(G.F. Händel) 84 O Christmas Tree* 85 Deck The Halls*
86 Euro Techno (YAMAHA) 87 Flares (YAMAHA) 88 Grind (YAMAHA) 89 Acid House (YAMAHA) 90 Pop Reggae (YAMAHA) 91 Ragga (YAMAHA) 92 Digital Rock (YAMAHA) 93 Ambient (YAMAHA) 94 Acid Techno (YAMAHA) 95 Drums & Bass (YAMAHA) 96 Hard Step 8th (YAMAHA) 97 Hype (YAMAHA) 98 Beatbox (YAMAHA) 99 Funked Up (YAMAHA) 00 All That (YAMAHA)
DJ GAME
15
Page 16
Quick
Accompaniment
area
Left hand
Auto accompaniment
(for example, bass + guitar + drums)
Right hand
Melody
+
02
Guide

Step 3 Style

zb x
01
zc v m n
Using the Style
The powerful yet easy-to-use Style features give you professional instrumental backing for your performances. Simply play chords with your left hand — and the EZ-150 automatically produces appropriate bass, chord and rhythm backing. Use your right hand to play melodies, and you’ll sound like an entire band!
• For more infomation on playing proper chords for the auto accompa­niment, see “Using Auto Accompaniment — Multi Fingering” on page 50 and “Looking up Chords in the Dictionary” on page 43.
z
Press the [STYLE] button.
x
Select a style.
01
c
Turn the auto accompaniment on.
16
Page 17
Step 3 Style
Looking up Chords in the Dictionary
The convenient Dictionary function teaches you how to play chords by showing you the individual notes. In the example below, we’ll learn how to play a GM7 chord...
c
Keys for entering
the chord type (A2 — Bb3)
Keys for entering
the chord root (C4 — B4)
Learning how to play a specific chord
Example:
GM7
Root note Chord type
Specify the chord type of the chord (in this case, M7).
v
Play the notes of the chord according to the Light Guide. The “Congratulation” melody plays when the chord is played properly.
Chord area
z
Press the [Dict.] button.
d1
x
Specify the root note of the chord (in this case, G).
v
Turn the Sync Start function on.
The keys light to show you how to play the chord. You can also play chord inversions, as described in the note on page 50 (Fingered Chords).
b
To leave the Dictionary function, press the [Dict.] button again.
Want to find out more? See page 43.
n
Select a section.
The auto accompaniment has four sections: Intro, Main A/B, and Ending.
b
Play a chord with your left hand.
The style starts as soon as you play the keyboard. For more on chords, see “Looking up Chords in the Dictio­nary” above.
Accompaniment
area
m
Stop the style.
Want to find out more? See page 45.
17
Page 18
Quick Guide

Step 4 Lesson

x
z
x
01
zv
Using the Lesson Feature
All of the EZ-150 songs can be used with the educational Lesson feature. Lesson makes it fun and easy to master these songs. You can practice the left- and right-hand parts of each song individually: simply press the appropriate button, [L] (left) or [R] (right). The practice steps below apply to either hand. Try playing with the Lesson feature, following the Light Guides.
Lesson 1 — Timing . . . . . . . . . This lesson step lets you practice just the timing of the notes.
Lesson 2 — Waiting . . . . . . . . In this lesson step, the EZ-150 waits for you to play the correct notes before continuing
playback of the song.
Lesson 3 — Minus One. . . . . .This lesson step plays back the song with one part muted — letting you play and master the
missing part yourself.
Lesson 4 — Both Hands . . . . .This lesson step is the same as “Minus One,” except in that both the left- and right-hand
parts are muted — letting you play and master both hands.
z
Select one of the Lesson songs.
For instructions on selecting songs, see page 31.
x
Select the part you wish to work on (left or right) and the Lesson step.
If you want to work on the right-hand part, press the [R] button; to work on the left, press the [L] button.
• Each press of the corresponding button ([L] or [R]) alternately selects Lessons 1 - 3. Pressing both buttons simultaneously calls up Lesson 4, Both Hands.
c
Start the Lesson.
v
When you’re finished, stop the Lesson.
• You can also exit from the Lesson by pressing one of the LESSON buttons ([L] or [R]) repeatedly until “Lesson off” is announced.
18
Page 19
Step 4 Lesson
Lesson 1 — Timing
This step lets you work on the timing of the notes. In Les­son 1, the particular note you play on the keyboard is unimportant. The EZ-150 checks your timing and how rhythmically “tight” your playing is.
measure number
06
Want to find out more? See page 38.
Lesson 2 — Waiting
In Lesson 2, you practice playing the notes correctly as they are indicated with the Light Guides. The accompani­ment pauses and waits for you to play the notes correctly before it continues.
06
Grade
The EZ-150 has a built-in evaluation function that moni­tors your practicing and — like a real teacher — tells you how well you did each exercise. Four grades are assigned, depending on your performance: “OK,” “Good,” “Very Good,” and “Excellent.”
Want to find out more? See page 41.
Talking
This feature “talks” to you through the speakers, “announcing” the Grade comments as well as the titles of the Lesson steps.
Want to find out more? See page 42.
Light Guide
This convenient feature of the instrument lights the keys in succession, showing you what keys you should play when learning a song.
Want to find out more? See page 39.
Lesson 3 — Minus One
In Lesson 3, one of the parts is muted, and you practice the missing part in time with the rhythm.
06
Want to find out more? See page 39.
Lesson 4 — Both Hands
Lesson 4 is just like Lesson 3, except that the parts for both hands are muted, letting you practice the missing parts in time with the rhythm.
Want to find out more? See page 42.
Changing the Tempo
Naturally, you can change the tempo (speed) of the song to your liking, letting you slow down difficult passages and bring up the tempo gradually until you master them at normal speed.
Press the [TEMPO/TAP] button.
z
19
x
Use the numeric keypad to set the desired tempo.
06
Want to find out more? See page 40.
• The EZ-150 also has a convenient Tap Tempo function that allows you to “tap” a new tempo in real time. (See page 46.)
19
Page 20

Basic operation and LED Display

Decreases the number by one step.
Increases the number by one step.
To continuously change the number up or down, press and hold the appropriate [+]/[–] button. To input a negative value, simultaneously hold the [–] button and enter the number.
Adjusting the Volume
Turn the [MASTER VOLUME] dial.
Decreases the overall volume.
Increases the overall volume.
Song/Style/Voice/Function Number or Value indication
Currently selected number (Song, Style or Voice) appear here.
For example, when song is selected:
Song number
01
01
Function settings and indications
This button lets you call up the various function settings.
..............................See page 42
..............................See page 53
..............................See page 41
..............................See page 42
..............................See page 29
..............................See page 30
........................See page 34, 49
..............................See page 23
Note that the function number in the LED indicates the selected function (LIGHT ON/OFF, MULTI PAD, etc.) when you select each function.
For example, when oooo2222 MULTI PAD is selected:
20
Function number
o2
Setting values
Use the numeric [0]-[9] buttons or [+]/[–] buttons.
Page 21
Entering one of the modes (Song, Style or Voice)
Pressing one of the buttons below calls up the appropriate mode — Song, Style or Voice, and the dot in the display indicates the currently selected mode.
Song
Select the desired song.
Style
Select the desired style.
Voice
Select the desired voice.
Basic operation and LED Display
The following indications appear when you press the [VOICE] button in the Song or Style mode.
For selecting a voice in the Song mode.
Entering numbers
Use the [+]/[–] buttons when you want to change the number in single steps.
For selecting a voice in the Style mode.
[PRESS AND HOLD FOR A WHILE] indication
Buttons having this indication can be used to call up an alternate function when the rel­evant button is pressed and held.
Decreases the number by one step.
To continuously change the number up or down, press and hold the appropriate [+]/[–] button.
Increases the number by one step.
To directly enter the desired number, use numeric buttons [0]-[9].
Ex. Voice number 19: ACCORDION
19
Press the numeric buttons [1], [9] in order.
• If the first digit is “0,” (ex., 07), pressing the [0] button is unnecessary.
21
Page 22

Portable Grand

This convenient function lets you instantly call up the Grand Piano voice.

Playing the Portable Grand

Press the piano-shaped [PORTABLE GRAND] button.
Doing this automatically cancels any other mode or function, and resets the entire instrument for playing the special “Stereo Sampled Piano” Grand Piano voice. It automatically selects the Song mode, calling up song #11, “Für Elise” — which can be played instantly by pressing the [START/STOP] button.
The Portable grand setting is designed also for playing with the special Pianist styles (#81 - #00). When auto accompaniment is turned on, these provide piano­only accompaniment in a variety of music styles.
• When the [PORTABLE GRAND] button is pressed, One Touch Setting (page 28) is automatically turned on, and special Multi Pad sounds for piano are automati­cally called up as well. (For more on Multi Pads, see page 53.)

Using the Metronome

1 Call up the Tempo setting.
Press the [TEMPO/TAP] button.
Current Tempo value
34
The tempo value can be adjusted over a range of 10 - 60 (40 - 240 bpm). The relative tempo value is indicated in the display. (For actual tempo val­ues, see chart below.)
Indication
10 40 11 44
::
20 80
Actual value in bpm
(beats per minute)
Indication
30 120 40 160 50 200 60 240
Actual value in bpm
(beats per minute)
2 Change the value.
Use the numeric keypad to set the desired Tempo value, or use the [+]/[–] buttons to increase or decrease the value.
22
38
Page 23
Turn on the Metronome.
3
Press the [METRONOME] button.
To turn the Metronome off, press the [METRONOME] button again.
Portable Grand
Setting the Metronome Time Signature
The time signature of the Metronome can be set to vari­ous quarter-note based meters.
• The time signature changes automatically when a style or song is selected.
Hold down the [METRONOME] button, then press the button on the numeric keypad or [+]/[–] buttons that corresponds to the desired time signature (see chart at right).
Number. button
Time signature
1 1/4 — Plays only “1” beats (all high clicks) 2 2/4 3 3/4 4 4/4 5 5/4 6 6/4 7 7/4 8 8/4 9 9/4 0 Plays no “1” beats (all low clicks)
4
Adjusting the Metronome Volume
You can adjust the volume of the Metronome sound independently of the other EZ-150 sounds. The volume range is 00 - 99.
1 Select the Metronome Volume function in the Overall menu.
Press the [OVERALL] button, repeatedly if necessary, until “o8” appears in the display.
o8
2 Change the value.
Use the numeric keypad to set the desired Metronome Volume value, or use the [+]/[–] buttons to increase or decrease the value.
Resetting the Metronome Volume Value
To restore the default Metro­nome Volume value of “80,” press both [+]/[–] buttons simultaneously (when Metro­nome Volume is selected).
23
Page 24
DJ
This exciting feature lets you instantly call up a dynamic DJ voice, style and DJ GAME for play­ing contemporary dance music.

Playing the DJ

1 Press the [DJ] button.
98
Doing this automatically resets the entire instrument for playing the spe­cially programmed DJ song and voice.
2 Turn on the Lesson feature, and select a Lesson step.
Lesson steps 1 - 3 can be used with DJ play. Press either the [L] or [R] but­ton, repeatedly if necessary, until the desired Lesson step is called up.
You can play with the DJ feauture by using the Multi pads or the keyboard. In the case of the keyboard, the DJ voice is divided into “blocks” (as shown below). Each block has a different sound.
Block #1 Block #4Block #2 Block #3
For Lesson 1, any note on the keyboard can be played. For the other Lesson steps, play the appropriate octave block.
Once the song starts playing and the DJ “teacher” says “Go,” play the appro­priate block as indicated by the lights on the keyboard. (When Talking is on, the blocks are also “announced” in Lesson 2.)
• Since there are no left or right parts in the DJ song, the [L] and [R] buttons can be used inter­changeably. Also for the same reason, Lesson 3 and Lesson 4 are identical.
06
3 Press the [START/STOP] button to stop the song.
24
measure number
• Try playing one of the special DJ voices (#098, #099) with the DJ song. (See page 27.)
Page 25

Selecting and Playing Voices

The EZ-150 features 100 authentic voices that have been created with Yamaha’s sophisticated AWM (Advanced Wave Memory) tone generation system. Many of these voices also have spe­cial preset characteristics or embellishments. The voices are divided into various categories depending on their characteristics or the effects used.

Selecting and Playing a Voice

1 Press the [VOICE] button.
Voice number
01
2 Select the desired voice number.
Use the numeric keypad. The basic categories of voices and their numbers are shown on the panel.
25
Page 26
Selecting and Playing Voices
There are two ways to select voices: 1) directly entering the voice number with the numeric keypad, or 2) using the [+]/[–] buttons to step up and down through the voices.
Using the numeric keypad
Enter the digits of the voice number as printed on the panel. For example, to select voice #42, press “4” on the numeric keypad, then “2.” For voice num­bers beginning with zeroes (such as #06), the initial zeroes may be omitted. In this case, there is a short pause before the indication appears.
42
Using the [+]/[–] buttons
Press the [+] button to select the next voice number, and press the [–] button to select the previous voice. Holding down either key continuously scrolls up or down through the numbers.
3 Play the selected voice.
• Each voice is automatically called up with the most suitable octave range setting. Thus, play­ing middle C with one voice may sound higher or lower than another voice at the same key.
• Four of the Organ voices are effect “pairs.” Switching between each of the paired voices (with the [+]/[–] buttons) turns the effect of the voice on or off. For example, for the Vibrato pair (#10 and #11), selecting #10 turns the vibrato effect off, while selecting #11 turns vibrato on. The same applies to the Harmony, Attack and Wave voices (#12 - #17).
• You can select the One Touch Setting Voice ( both [+]/[–] buttons simulta­neously. (See page 28.)
ot
) by pressing
26
• The EZ-150 is polyphonic up to a maximum of 16 notes. (Depend­ing on the voice selected — such as split voices and dual voices — fewer notes may be available.) This includes not only the notes played from the keyboard, but also the notes in a style pattern, the notes played by a Pad (page
53), and so on. Thus, if you play too many notes at one time, some may not sound and/or oth­ers may be cancelled.
Page 27
Selecting and Playing Voices
Harmony voices (#59 - #68) automatically add a one-, two- or three-note har­mony to the original voice. Split voices (#69 - #73) feature two separate voices, each playable from opposite area of the keyboard — the lower voice playable up to B2 and the upper voice from C3 (middle C). Sustain voices (#74 - #78) have a special sustained release for playing slower or legato passages. Echo voices (#79 ­#88) provide an echo effect that adds delayed repeats to the original voice. Dual voices (#89 - #97) blend two voices together for a rich, layered sound.
There’s even a dynamic set of DJ voices (#98 - #99) that provides a wealth of exciting sounds for playing many of today’s popular music styles. The EZ-150 also features special Drum Kit voices — #88 (with Echo) and #00 — that let you play a variety of drum and percussion sounds from the keyboard. (Refer to the Drum Kit Voice Chart below.) Icons representing each sound are printed above the keyboard, conveniently indicating which sounds are played from which keys.
DJ Voice Chart (voices #98 and #99)
About the Harmony voices
• Since Harmony voices are designed to automatically play two or more notes with the notes you play on the keyboard, only one note can be played on the keyboard at a time. If several notes are played together, only the last note or highest note played will be used for the har­mony effect.
• #98
Scratch (C1-B2)
Uhh+Hit
One
One More Time
Ohh 2
Two
Ohh 1
Three
Yo-Kurt
Four
Hiuhu
Huea
Turntable
Ok
Off
• #99
Electronic
Bass(C1-B2)
Orchestra Hit
(C3-F 3)
Electronic Bass Drum B
Electronic Bass Drum C
Electronic Snare Drum B
Reverse Pluse
Electronic Snare Drum A
Drum Kit Voice Chart (voices #88 and #00)
Signal
Reverse
Omen-FX
Lesson
Electronic Strings
Dj!
FMTB2
Pinpon
(C4-C6)
BLJ Trill
Good
FMTB1
Yeah...
Uhh
Very Good
Go!!
Excellent
GetUp!
Dictionary
Come On 2
Come On 1
Hand Clap
Scratch (L)
Bell Tree
Scratch (H)
Bass Drum 1
Rim Shot
Snare Drum 1
Bass Drum 2
Hi-hat Close
Snare Drum 2
Hi-hat Pedal
Tom Lo w
Tom Bass
Hi-hat Open
Crash Cymbal
Tom Mid
Splash Cymbal
Tom High
SynthBass Drum
Cowbell
SynthSnare Drum
Synth Tom Bass
Synth Tom Low
Claves
Shaker
Synth Tom Mid
Synth Tom High
Timbale H
Agogo H
Timbale L
Agogo L
Bongo H
Conga H Mute
Bongo L
Conga H Open
Guiro Short
Conga L
Guiro Long
27
Page 28
Selecting and Playing Voices

One Touch Setting

The powerful One Touch Setting (ot) feature lets you instantly and automatically call up an appropriate voice and other settings when you select a style or song. In other words, when One Touch Setting is active, selecting a desired style or song also automatically selects the best suited voice and Multi Pad bank.
1 Press the [VOICE] button.
01
2 Select the One Touch Setting voice (oo
Pressing both [+] and [–] buttons simultaneously calls up One Touch Setting.
ootttt
).
ot
To turn One Touch Setting off, select another voice.
28
Page 29
Selecting and Playing Voices

Transpose and Tuning

You can also adjust the tuning and change the transposition (key) of the EZ-150 with the Transpose and Tuning functions.
Transpose • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Transpose determines the key of both the main voice and the bass/chord accompa­niment of the selected style. It also determines the pitch of the songs and the Multi Pads. This allows you to easily match the pitch of the EZ-150 to other instruments or singers, or play in a different key without changing your fingering. The Transpose settings can be adjusted over a range of ± 12 semitones (± 1 octave).
1 Select the Transpose function in the Overall menu.
Press the [OVERALL] button, repeatedly if necessary, until “o5” appears in the display.
o5
2 Change the value.
Use the numeric keypad to set the desired Transpose value (-12 - +12). To transpose the pitch down, simultaneously press the [–] button and use the numeric keypad to type in the (negative) value. You can also use the [+]/[–] buttons to increase or decrease the value. Holding down either button con­tinuously increases or decreases the value.
02
• Transpose has no effect on voices #88 (Echo Drum Kit), #98 and #99 (DJ), or #00 (Drum Kit). Also, this setting cannot be changed during song playback.
Resetting the Transpose Value
• If you’ve changed the Transpose setting, you can instantly restore the default setting of “00” by pressing both [+]/[–] buttons simultaneously (when Transpose is selected).
29
Page 30
Selecting and Playing Voices
Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Tuning determines the fine pitch setting of both the main voice and the bass/chord accompaniment of the selected style. It also determines the pitch of the songs and the Multi Pads. This allows you to accurately match the tuning with that of other instruments. The Tuning settings can be adjusted over a range of ± 50 (approx. ±
0.5 semitones).
1 Select the Tuning function in the Overall menu.
Press the [OVERALL] button, repeatedly if necessary, until “o6” appears in the display.
o6
2 Change the value.
Use the numeric keypad to set the desired Tuning value (–50 - +50). To tune the pitch down, simultaneously press the [–] button and use the numeric key­pad to type in the (negative) value. You can also use the [+]/[–] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.
12
Resetting the Tuning Value
• If you’ve changed the Tuning set­ting, you can instantly restore the default setting of “00” by pressing both [+]/[–] buttons simulta­neously (when Tuning is selected).
• The left dot appears to indicate the minus value.
12
30
Page 31

Selecting and Playing Songs

The Song mode features 100 special songs that have been created using the rich and dynamic sounds of the EZ-150.
The songs are generally for your listening enjoyment; however, you can also play along with them on the keyboard. The songs of the EZ-150 can also be used with the powerful Lesson feature (page 36), a convenient tool that makes learning songs fun and easy.

Selecting and Playing a Song

1 Press the [SONG] button.
Song number
01
2 Select the desired song number.
Use the numeric keypad. The basic categories of songs and their numbers are shown at the left of the panel.
Song numbers can be selected in the same way as with the voices (see page
26). You can use the numeric keypad to directly enter the song number, or use the [+]/[–] buttons to step up and down through the songs.
06
3 Start the selected song.
Press the [START/STOP] button.
4 Stop the song.
Press the [START/STOP] button.
• You can play along with the song using the currently selected voice, or even select a different voice for playing along. Simply press the [VOICE] button while the song is playing back and select the desired voice. There’s also a Melody Voice Change function (below) that lets you change the song’s melody voice to the one currently selected voice.
• The EZ-150 also has a conve­nient Tap Tempo function that allows you to "tap" a new tempo in real time. (See page 46.)
31
Page 32
Selecting and Playing Songs

Melody Voice Change

The EZ-150 lets you play a melody on the keyboard along with each of the songs, either with the original melody voice or one of your own selection. The conve­nient Melody Voice Change feature takes this one step further — it lets you replace the original voice used for the melody of the song with the panel voice of your own selection. For example, if the current voice selected on the panel is piano but the song’s melody is being played by a flute voice, using Melody Voice Change will change the flute melody voice to piano.
1 Select the desired song.
Press the [SONG] button, then use the numeric keypad or [+]/[–] buttons to select the desired song.
06
2 Select the desired voice.
Press the [VOICE] button, then use the numeric keypad or [+]/[–] buttons to select the desired voice.
27
3 Press and hold down the [VOICE] button for at least one
second.
The selected panel voice has replaced the song’s original melody voice.
32
Page 33
Selecting and Playing Songs

Changing the Tempo

The tempo of song playback can be adjusted over a range of 10 - 60 (40 - 240 bpm).
The relative tempo value is indicated in the display. (For actual tempo values, see chart below.)
Indication
10 40 20 80 30 120 40 160 50 200 60 240
Actual value in bpm
(beats per minute)
1 Press the [TEMPO/TAP] button.
Current Tempo value
29
2 Change the value.
Use the numeric keypad to set the desired Tempo value, or use the [+]/[–] buttons to increase or decrease the value.
24
The EZ-150 also has a convenient Tap Tempo function that allows you to “tap” a new tempo in real time. (See page 46.)
Resetting the Tempo Value
Each song and style has been given a default or standard Tempo setting. You can instantly restore this default Tempo setting by press­ing both [+]/[–] buttons simulta­neously (when Tempo is selected).
Also, the tempo of a song or style returns to the default setting when selecting a different song or style. (The set tempo remains, however, when switching styles during play­back except when OTS is on.) When you turn on the power of the EZ-150, the tempo is automati­cally set to 29.
About the Beat Display
When 4/4 is selected.
1st beat 2nd, 3rd, 4th beat
01 01
33
Page 34
Selecting and Playing Songs

Adjusting the Song Volume

The playback volume of the song can be adjusted. This volume control affects only the song volume. The volume range is 00 - 99.
1 Select the Song Volume function in the Overall menu.
Press the [OVERALL] button, repeatedly if necessary, until “o7” appears in the display.
o7
2 Change the value.
Use the numeric keypad to set the desired Song Volume value (00 - 99). You can also use the [+]/[–] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.

Song Controls

The panel buttons below the display function as song controls.
Pressing this button alter­nately pauses and resumes song playback.
Pressing this button alter­nately starts and stops song playback.
Resetting the Song Volume Value
If you’ve changed the Song Volume setting, you can instantly restore the default setting of “110” by pressing both [+]/[–] buttons simul­taneously (when Song Volume is selected).
This functions as a fast-forward button, step­ping in advance through the measure numbers. It can be used during playback (with sound), or when playback is paused or stopped.
34
This controls the A-B Repeat function. (See page 35.)
This functions as a rewind button, stepping in reverse through the measure numbers. It can be used during playback, or when playback is paused.
Page 35
Selecting and Playing Songs

A-B Repeat

This useful function is ideal for practicing and learning purposes. It allows you to specify any phrase of a song (between point A and point B) and repeat it — while you play or practice along with it.
1 While playing back a song, set point A (the start point).
Select and play back the desired song. (See page 31.) Then, while the song is playing back, press the [A-B REPEAT] button once at the start point of the phrase to be repeated.
A-
2 Set point B (the end point).
Press the [A-B REPEAT] button once again, at the ending point of the phrase to be repeated. The selected phrase repeats indefinitely until stopped.
Ab
3 Pause or stop playback as needed.
Use the [ PAUSE] and [START/STOP] buttons. Stopping playback does not cancel the set A/B points or the A-B Repeat function.
4 Turn off the A-B Repeat function.
Press the [A-B REPEAT] button. This can be done either when the song is stopped or during playback.
OF
• You can also set the A-B Repeat function while the song is stopped. Simply use the [ REW]/[ FF] buttons to select the measures for the A and B points in the song, then start playback.
• While the song is playing back (but before setting the A/B points), try slowing down the Tempo (page 33). This makes it easier to accurately set the A and B points. Slowing down the Tempo also makes it easier to practice the parts you want to learn.
• To set the A point at the begin­ning of a song, press the [A-B REPEAT] button before starting song playback.
• Selecting a different song num­ber (or changing to the Style mode) automatically cancels the A-B Repeat function.
35
Page 36

Song Lesson

The Lesson feature provides an exceptionally fun and easy-to-use way to learn how to play the keyboard. All of the 100 songs of the EZ-150 can be used with these educational features. Lesson lets you practice the left- and right-hand parts of each song independently, step by step, until you’ve mastered them and are ready to practice with both hands together. These practices are divided into four Lesson steps, as described below. Lessons 1 - 3 apply to each hand; press the appropriate button, L (left) or R (right) to select the desired part for practice. Try practicing with the Lessons, following the Light Guide.
Lesson 1 — Timing
This lesson step lets you practice just the timing of the notes — any note can be used, as long as you play in rhythm.
Lesson 2 — Waiting
In this lesson step, the EZ-150 waits for you to play the correct notes before continuing playback of the song.
Lesson 3 — Minus One
This lesson step plays back the song with one part muted, letting you play and master the missing part (following the Light Guide) yourself — in rhythm and at the proper tempo.
Lesson 4 — Both Hands
Lesson 4 is a “Minus One” practice essentially the same as Lesson 3, except that both the left- and right-hand parts are muted — letting you play and master both hands at the same time.

Using the Lesson Feature

1 Select one of the Lesson songs.
Press the [SONG] button, then use the numeric keypad or [+]/[–] buttons to select the desired song (from 00 - 99).
Many of the songs are divided into different categories or music genres, including Piano/Classical, World and Christmas, plus a special set of DJ Game songs.
06
36
Page 37
Select the part you wish to work on (left or right) and the
2
Lesson step.
If you want to work on the right-hand part, press the [R] button; to work on the left, press the [L] button. Pressing either button repeatedly cycles through the available Lesson steps in order: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1, etc.
Song Lesson
• When the Talking function (page
42) is on, the EZ-150 “announces” the current Lesson step.
Lesson 1
Lesson 2
Lesson 3
Lesson off
To select Lesson 4, press both [L] and [R] buttons simultaneously.
Lesson 1
Lesson 2
Lesson 3
Lesson off
01
• When a DJ song is selected, the left (L) and right (R) lessons are identical.
3 Start the Lesson.
The Lesson and song playback start automatically (following a lead-in count) as soon as the Lesson step is selected. When the Lesson is finished, your performance “grade” is announced (if the Grade function is turned on; page 41). After a short pause, the Lesson begins again automatically.
4 Press the [START/STOP] button to stop the Lesson.
The EZ-150 exits from the Lesson feature automatically when the [START/ STOP] button is pressed.
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Page 38
Song Lesson

Lesson 1 — Timing

This lesson step lets you practice just the timing of the notes — any note can be used, as long as you play in rhythm. Pick a note to play. For the left hand, use a note in the auto accompaniment area or play the appropriate left-hand note; for the right, play a note above F#2. Simply concentrate on playing each note in time with the rhythmic accompaniment.
1 Select one of the songs. 2 Select Lesson 1.
Press the [L] or [R] button (repeatedly, if necessary) until Lesson 1 is announced.
• The melody note does not sound unless your playing is in time with the rhythm.
• Make sure to turn on the Light Guide and Talking function when using the Lesson.
3 Play the appropriate melody or chord with the song.
After the lead-in, the song starts automatically, and the appropriate keys light. In Lesson 1, simply play one note repeatedly in time with the music.
Regarding chords and the use of the left hand, the EZ-150 actually has two different types of songs: 1) songs with normal left-hand chords, and 2) songs in which the left hand plays melodic figures in combination with the right.
In the case of the first type, play the chords with your left hand in the auto accompaniment area of the keyboard.
In the case of the second type, play the left-hand part with the same timing as the melody.
Auto accompaniment
area
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Page 39

Lesson 2 — Waiting

In this lesson step, the EZ-150 waits for you to play the correct notes before con­tinuing playback of the song. This lets you practice playing the correct keys at your own pace. The Light Guide shows you which keys to play.
1 Select one of the songs. 2 Select Lesson 2.
Press the [L] or [R] button (repeatedly, if necessary) until Lesson 2 is announced.
Song Lesson
• Make sure to turn on the Light Guide and Talking function when using the Lesson.
• Depending on the selected song, the rhythm part may be muted for Lesson 2.
3 Play the appropriate melody or chord with the song.
After the lead-in, the song starts automatically, and the Light Guide shows you which keys to play. In Lesson 2, play the correct notes at your own pace, until you can master playing them in rhythm.

Lesson 3 — Minus One

This lesson step lets you practice one part of the song in rhythm at the proper tempo. The EZ-150 plays back the song with one part muted (either the left part or the right)— letting you play and master the missing part yourself according to the Light Guide.
1 Select one of the songs. 2 Select Lesson 3.
Press the [L] or [R] button (repeatedly, if necessary) until Lesson 3 is announced.
3 Play the appropriate part with the song.
After the lead-in, the song starts automatically, and the Light Guide shows you which keys to play. In Lesson 3, listen carefully to the un-muted part, and play the muted part yourself.
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Page 40
Song Lesson

Lesson 4 — Both Hands

Lesson 4 is a “Minus One” practice essentially the same as Lesson 3, except that both the left- and right-hand parts are muted — letting you play and master both hands at the same time. Go on to this lesson step after you’ve mastered each hand’s part in the previous three lesson steps. Practice both hands in time with the rhythm.
1 Select one of the songs.
2 Select Lesson 4.
Press the [L] and [R] buttons simultaneously, so that Lesson 4 is announced.
3 Play both the left- and right-hand parts with the song.
After the lead-in, the song starts automatically, and the Light Guide shows you which keys to play. In Lesson 4, both parts (left and right) are muted, letting you play the entire song by yourself.
40
Page 41

Grade

The Lesson feature has a built-in evaluation function that monitors your practicing of the Lesson songs, and just like a real teacher, it tells you how well you did each exercise. Four grades are assigned, depending on your performance: “OK,” “Good,” “Very Good,” and “Excellent.” When the Talking function (page 42) is on, the EZ-150 announces your grade.
1 Select the Grade function.
Press the [OVERALL] button, repeatedly if necessary, until “o3” appears in the display.
Song Lesson
• Grade is automatically set to on as the default setting.
2 Set Grade to on or off as desired.
Use the [+]/[–] buttons to set Grade to on or off.
Grade off Grade on
o3
On
41
Page 42

Talking

This feature “talks” to you through the speakers, “announcing” the Grade comments as well as the titles of the Lesson steps and the names of certain functions.
1 Select the Talking function.
Press the left Overall button, repeatedly if necessary, until “o4” appears in the display.
o4
2 Set Talking to on or off as desired.
Use the [+]/[–] buttons to set Talking to on or off.
• Talking is automatically set to on as the default setting.
On
Talking off Talking on
The Talking function includes the following “announcements”:
• DJ • LESSON 1 • LESSON 2 • LESSON 3 • LESSON 4 • LESSON OFF
• OK • Good • Very Good • Excellent • Dictionary

Turning the Light Guide On and Off

You can switch the Light Guide on or off. The Light Guide can be used as a keyboard guide during song playback, while you are using the Lesson or the Dictionary function.
1 Press the [OVERALL] button repeatedly if necessary, until
o1” appears in the display.
2 Turn the Light Guide ON or OFF.
Use the [+]/[–] buttons.
Light Guide off Light Guide on
42
o1
On
• Playing while looking at the lights for a long period of time may cause eyestrain or stiff­ness in your neck and shoul­ders. For your health and comfort, we recommend that you take a ten-minute break after every hour of playing.
Page 43

Dictionary

The Dictionary feature is essentially a built-in “chord book” that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
1 Press the [Dict.] button.
d1
2 Specify the root of the chord.
Press the key on the keyboard that corresponds to the desired chord root (as printed on the panel).
Ex. chord GM7
Pressing this key selects the root G.
3 Specify the type of the chord (major, minor, seventh, etc.).
Press the key on the keyboard that corresponds to the desired chord type (as printed on the panel).
Pressing this key selects the major seventh chord type (M7).
4 Play the chord.
Play the chord by pressing the keys that light in the ACMP area of the key­board. A “congratualtions” melody is played when the correct notes are held down. (Inversions for many of the chords are also recognized.)
To leave the Dictionary function, press the [Dict.] button again.
43
Page 44

Selecting and Playing Styles

The EZ-150 provides dynamic rhythm/accompaniment patterns — as well as voice settings appropriate for each pattern — for various popular music styles.
A total of 100 different styles are available, in several different categories. Each style is made up of separate “sections” — Intro, Main A and B (with 2 Fill-ins), and Ending — letting you call up different accompaniment patterns as you perform.
The auto accompaniment features that are built into the rhythms add the excitement of instrumental backing to your performance, letting you control the accompaniment by the chords you play. Auto accompaniment effec­tively splits the keyboard into two areas: The upper is used for playing a melody line, and the lower (labeled “ACMP” above the keyboard, at F#2) is for the auto accompaniment function.
The EZ-150 also features the convenient Dictionary function. Dictionary provides you with a built-in “chord encyclopedia” that teaches you how to play any chord you specify by showing you which keys to play.

Selecting and Playing a Style

1 Press the [STYLE] button.
Style number
01
2 Select the desired style number.
Use the numeric keypad. Available styles are listed at the center of the panel.
44
Style numbers can be selected in the same way as with the voices (see page
25). You can use the numeric keypad to directly enter the style number, or use the [+]/[–] buttons to step up and down through the style numbers.
Page 45
Selecting and Playing Styles

Playing the Accompaniment

When the Style mode is active, the panel buttons below the function as style con­trols.
Pressing this button switches between the Main A and Main B sections, auto­matically adding a fill-in pattern before changing the section. (See page 48.)
Pressing this button alter­nately enables and can­cels the bass and chord accompaniment.
Pressing this button alter­nately enables and cancels the Sync Start function. (See page 46.)
Pressing this button alter­nately starts and stops style playback.
1 Press the [ACCOMPANIMENT ON/OFF] button.
This enables the auto accompaniment.
Indicates auto accom­paniment is on.
On
2 Start the style.
You can do this in one of the following ways:
Pressing the [START/STOP] button
The rhythm starts playing immediately without bass and chord accompani­ment. The currently selected Main A or B section will play. (You can select either by repeatedly pressing the [MAIN/AUTO FILL] button, before press­ing the [START/STOP] button.)
Indicates the current section A or B.
This controls the Intro, Ending and Ritardando sections. (See pages 47, 48.)
SA
45
Page 46
Selecting and Playing Styles
Using Tap Tempo to start
This useful feature lets you tap out the speed (tempo) of the auto accompaniment and automatically start the accompaniment at that tapped speed.
Simply tap the [TEMPO/TAP] button four times (or three times for a 3/4 time style), and the accompaniment starts automatically at the tempo you tapped. You can also change the tempo while the accompaniment is playing by tapping the [TEMPO/ TAP] button twice at the desired tempo.
Using Sync Start
The EZ-150 also has a Sync Start function that allows you to start the rhythm/accompaniment by simply pressing a key on the keyboard. To use Sync Start, first press the [SYNC START] button (the Left dot flashes to indicate Sync Start stand-by), then press any key in the ACMP area of the keyboard (or any key when accompaniment is off).
46
Page 47
Selecting and Playing Styles
Starting with a section A or B
First, press the [MAIN/AUTO FILL] button, repeatedly if necessary, to select which section (A or B) is to follow the Intro. Next, press the [INTRO/ENDING/rit.] button to set the Intro to standby.
1A
Indicates that Intro is on, and will be followed by the Main A section.
To actually start the Intro section, press the [START/STOP] button.
Using Sync Start with an Intro section
First, press the [MAIN/AUTO FILL] button, repeatedly if necessary, to select which section (A or B) is to follow the Intro. Next, press the [INTRO/ENDING/rit.] button.
Indicates that Intro will be
1A
followed by the Main A section.
Finally, press the [SYNC START] button to enable Sync Start, and start the Intro section and style by playing any key in the ACMP area of the keyboard.
Left dot flashes
1A
Change chords using the auto accompaniment feature.
3
Try playing a few successive chords with your left hand, and notice how the bass and chord accompaniment change with each chord you play.
• The [ACCOMPANIMENT ON/ OFF] button can also be used to turn off and on the bass/chord accompaniment while playing — allowing you to create dynamic rhythmic breaks in your perfor­mance.
• Chords played in the ACMP area of the keyboard are also detected and played when the accompani­ment is stopped. In effect, this gives you a “split keyboard,” with bass and chords in the left hand and the normally selected voice in the right.
47
Page 48
Selecting and Playing Styles
Stop the style.
4
You can do this in one of three ways:
Pressing the [START/STOP] button
The style stops playing immediately.
Using an Ending section
Press the [INTRO/ENDING/rit.] button. The style stops after the Ending section is finished.
Pressing the [SYNC START] button
This stops the style and automatically enables Sync Start, letting you re-start the style by simply playing a chord or key in the ACMP area of the keyboard (or any key when accompaniment is off).

Changing the Tempo

The Tempo of song (and style) playback can be adjusted over a range of 10 - 60 (40 - 240 bpm). For instructions on changing the Tempo, see page 33.
• To have the Ending section grad­ually slow down (ritardando) as it is playing, press the [INTRO/ ENDING/rit.] button twice quickly.
• Each style has been given a default or standard tempo. When style playback is stopped and a different style is selected, the tempo returns to the default set­ting of the new style. When switching styles during playback, the last tempo setting is main­tained. (This allows you to keep the same tempo, even when changing styles.)

Sections (Main A, Main B) and Fill-ins

While the style is playing you can create dynamic variation in the rhythm and accompaniment by pressing the [MAIN/AUTO FILL] button. This switches between the Main A and Main B sections, automatically playing a fill-in pattern to smoothly lead into the next section. For example, if the Main A section is cur­rently playing, pressing this button automatically plays a fill-in pattern, followed by the Main B section. You can also select either the Main A or B section to start by pressing the [MAIN/ AUTO FILL] button before starting the style.
SA
• You can also use the convenient Tap Tempo function to change the tempo by “tapping” a new one in real time. (See page 46.)
• Fill-in patterns are not available when one of the Pianist styles (#81 - #00) are selected.
48
Page 49
About the Fill-in Patterns
Selecting and Playing Styles
If you press the [MAIN/AUTO FILL] button before beat
4...
1st measure 2nd measure 3rd measure
1234123412341233
beat
If you press the [MAIN/AUTO FILL] button here, after beat 4...
...a fill-in pattern plays immediately until the end of the measure...
...a fill-in pattern plays from here...
...and the Main A or B section begins here.
...and the Main A or B section begins here.

Adjusting the Accompaniment Volume

The playback volume of the accompaniment can be adjusted. This volume con­trol affects only the style volume. The volume range is 00 - 99.
1 Select the Accompaniment Volume function in the Overall
menu.
Press the [OVERALL] button, repeatedly if necessary, until “o7” appears in the display.
o7
2 Change the value.
Use the numeric keypad to set the desired Accompaniment Volume value (00
- 99). You can also use the [+]/[–] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value.
• Accompaniment Volume cannot be changed unless the Style mode is active.
Resetting the Accompaniment Volume Value
If you’ve changed the Accompani­ment Volume setting, you can instantly restore the default setting of “90” by pressing both [+]/[–] but­tons simultaneously (when Accom­paniment Volume is selected).
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Page 50
Selecting and Playing Styles

Using Auto Accompaniment — Multi Fingering

The auto accompaniment function automatically generates bass and chord accom­paniment for you to play along with, by using Multi Fingering operation. You can change the chords of the accompaniment by playing keys in the ACMP area of the keyboard using either the “Single Finger” or “Fingered” method. With Single Finger you can simply play a one-, two- or three-finger chord indication (see Sin­gle Finger Chords below). The Fingered technique is that of conventionally play­ing all the notes of the chord. Whichever method you use, the EZ-150 “understands” what chord you indicate and then automatically generates the accompaniment.
Single Finger Chords • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Chords that can be produced in Single Finger operation are major, minor, seventh and minor seventh. The illustration below shows how to produce the four chord types. (The key of C is used here as an example; other keys follow the same rules. For example, Bb7 is played as Bb and A.)
C
To play a major chord: Press the root note of the chord.
Cm C
To play a minor chord: Press the root note together with the nearest black key to the left of it.
7
To play a seventh chord: Press the root note together with the nearest white key to the left of it.
Fingered Chords • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Using the key of C as an example, the chart below shows the types of chords that can be recognized in the Fingered mode.
Fingered Chords in the Key of C
C
Csus
CmM
Cm
Cm
4
7
( )
6
C
7
( )
b5
C
7
C
(9)
Caug
Cm
Cm
7
7
(7aug)
( )
b5
Cdim
(dim7)
( )
( )
CM
7
( )
C sus
4
7
If the chord is inverted (i.e., C-E-G is played as G-C-E), the EZ-150 will still recognize it as a C chord. The chord recognition system also has the following rules and exceptions:
• Minor 6th chords are recognized only in
• If augmented and diminished 7th chords
• 7th flatted 5th chords may be played with
• Augmented 7th and diminished 7th
Cm
7
To play a minor seventh chord: Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
root position, however; all other inversions are interpreted as minor 7th/flatted 5th.
are inverted, the lowest note will be recog­nized as the root.
the lowest note as the root or the flatted 7th.
chords are interpreted as simple aug­mented and diminished.
50
* Notes enclosed in parentheses are optional; the chords will be
recognized without them.
• The following chords are not recognized : B minor 6, Bb minor 6, and B augmented.
Page 51
Selecting and Playing Styles
• • • • • • • • • • • • • • • • • • • • • • • • What is a Chord? • • • • • • • • • • • • • • • • • • • • • • • •
The simple answer: Three or more notes played simultaneously is a chord. (Two notes played together is an “interval” — an interval being the distance between two different notes. This is also referred to as a “harmony.”) Depending on the intervals between the three or more notes, a chord can sound beautiful or muddy and dissonant.
The organization of notes in the example at left — a triad chord — pro­duces a pleasant, harmonious sound. Triads are made up of three notes and are the most basic and common chords in most music.
In this triad, the lowest note is the “root.” The root is the most important note in the chord, because it anchors the sound harmonically by determining its “key” and forms the basis for how we hear the other notes of the chord.
The second note of this chord is four semitones higher than the first, and the third is three semitones higher than the second. Keeping our root note fixed and changing these notes by a semitone up or down (sharp or flat), we can create four different chords.
Major chord
(ex. C)
Minor 3rd Major 3rd Major 3rd Minor 3rd Major 3rd Major 3rd Minor 3rd Minor 3rd
Minor chord
(ex. Cm)
Augmented chord
(ex. Caug)
Diminished chord
(ex. Cdim)
Keep in mind that we can also change the “voicing” of a chord — for example, change the order of the notes (called “inversions”), or play the same notes in different octaves — without changing the basic nature of the chord itself.
Inversion examples for the key of C
G E C
C G E
E C G
Beautiful sounding harmonies can be built in this manner. The use of intervals and chords is one of the most important elements in music. A wide variety of emotions and feelings can be created depending on the types of chords used and the order in which they are arranged.
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Selecting and Playing Styles
• • • • • • • • • • • • • • • • • • • • • • Writing Chord Names • • • • • • • • • • • • • • • • • • • • • •
Knowing how to read and write chord names is an easy yet invaluable skill. Chords are often writ­ten in a kind of shorthand that makes them instantly recognizable (and gives you the freedom to play them with the voicing or inversion that you prefer). Once you understand the basic principles of harmony and chords, it’s very simple to use this shorthand to write out the chords of a song.
First, write the root note of the chord in an uppercase letter. If you need to specify sharp or flat, indicate that to the right of the root. The chord type should be indicated to the right as well. Exam­ples for the key of C are shown below.
Major chord
C
For simple major chords, the type is omitted.
Minor chord
Cm
Augmented chord
Caug
Diminished chord
Cdim
One important point: Chords are made up of notes “stacked” on top of each other, and the stacked notes are indicated in the chord name of the chord type as a number — the number being the dis­tance of the note from the root. (See the keyboard diagram below.) For example, the minor 6th chord includes the 6th note of the scale, the major 7th chord has the 7th note of the scale, etc.
The Intervals of the Scale
Dominant 7th (flatted 7th)
To better understand the intervals and the numbers used to represent them in the chord name, study this diagram of the C major scale:
CDEFGABCD E
Root
2nd
4th
3rd
5th
7th
6th
F
11th
9th
Octave
Other Chords
52
Csus4
5th 4th
CM7
7th Major chord
Dominant 7th
Cm7b5
Dominant 7th
C7
Major chord
Diminished chord
Cm7
Dominant 7th
Cm6
Minor chord
Minor chord
6th
C(9)
9th
Page 53
Selecting and Playing Styles

Multi Pads

These convenient pads let you instantly trigger various musical and rhythmic phrases as you play the EZ-150. There are a total of 40 different sounds or phrases (10 banks, with four pad sounds for each bank). The phrases play back at the same speed as the Tempo setting, and they also change harmonically along with the accompaniment chords (both in the Style and Song modes).
1 Select the Multi Pads function in the Overall menu.
Press the [OVERALL] button, repeatedly if necessary, until “o2” is selected in the display.
o2
2 Select the desired bank.
Use the numeric keypad to select the desired bank number (01 - 10). You can also use the [+]/[–] buttons to increase or decrease the value. Holding down either button continuously increases or decreases the value. For a complete list of the available banks and their contents, see page 58.
03
3 Play the Multi Pads.
Press one of the Pads. The phrase plays uninterrupted until it is finished. Pressing it repeatedly (before the phrase completely plays back) creates a “stutter” effect.
In the Style mode, melodic-type sounds correctly follow the chord changes. All sounds play back in perfect time with the current Tempo setting. When One Touch Setting (page 28) is on, appropriate Multi Pad banks for the selected style are automatically called up. This applies to the DJ and Portable Grand features as well.
• In the DJ GAME, you can play the Multi Pads as well as the key­board.
53
Page 54

MIDI

The EZ-150 also features MIDI terminals, allowing you to interface the EZ-150 with other MIDI instruments and devices.
Receives MIDI data from the connected sending device.
Transmits MIDI data (key­board performance) to the connected device.
About MIDI• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
MIDI (Musical Instrument Digital Interface) is a worldwide standard that is built into many elec­tronic musical instruments and other digital music related devices, allowing them to be connected and “communicate” with each other.
For two MIDI instruments to communicate, they must be connected by MIDI cables. In a basic example, the MIDI IN and MIDI OUT terminals of the EZ-150 could be connected to the MIDI OUT and MIDI IN terminals of a sequencer, allowing you to record and play back performance data from the EZ-150.
The instruments communicate with each other by sending “messages” or MIDI data. The sending instrument usually assigns the data to one of sixteen MIDI channels, then transmits it over the MIDI cable. The cable itself, however, is not divided up into sixteen channels. Just as with a tele­vision set that receives programs on different channels, it is up to the receiving instrument to “tune into” the proper MIDI channel. If the sending and receiving channels on the respective instruments do not match, the receiving instrument may not understand or respond to the one sending.
How Can MIDI be Used? • • • • • • • • • • • • • • • • • • • • • • • • • • • •
In the simple, yet powerful MIDI application example below, the Yamaha QY70 Music Sequencer is used to record and play back performance data played on the EZ-150 keyboard.
Before actually recording to the sequencer, press the [STYLE] button once or twice to make sure that the current settings are sent.
01
Connect the MIDI OUT of the EZ-150 to the MIDI IN of the QY70
Connect the MIDI IN of the EZ-150 to the MIDI OUT of the QY70
• On the EZ-150, the following channels
• Parts that have been recorded using the
• MIDI data cannot be transmitted during
• Avoid using MIDI cables 15 meters or
MIDI Data and Light Guide
• With the Light Guide feature, you can see
(eight total) are enabled for MIDI reception: 1, 2, 3, 4, 5, 6, 7, 10. The MIDI transmit channels are fixed to the following data:
Ch. 1 : Keyboard, harmony Ch. 2 : Bass Ch. 3 : Chord Ch. 4 - 7 : Other Ch. 10 : Rhythm
EZ-150 should also be played back from the EZ-150. Data may not play back as expected when using other sound sources (such as the internal sounds of the QY70). Also, a connected sound source may sound at a different octave from that origi­nally played on the EZ-150.
song playback.
longer, since doing so can result in MIDI errors.
the incoming MIDI data. MIDI note data received over channel 1 will conveniently light up the appropriate keys when the Light Guide feature is turned on.
54
Page 55

Voice List

The following voices can be selected when the Voice mode is active, or when the Voice Change function is on. They can also be selected by a connected MIDI device; the corresponding bank select messages are: MSB = 00H, LSB = 70H.
When selecting voices via MIDI: * The Harmony voices (#59 - #68) and Echo voices (#79 - #88) are sounded without the respective harmony and
echo effects.
Panel Voice List
Voice
MIDI Program
No.
Change No.
01 0 GRAND PIANO 2 02 1 HONKY-TONK PIANO 2 03 2 ELECTRIC PIANO 1 2 04 3 ELECTRIC PIANO 2 2 05 4 ELECTRIC PIANO 3 2 06 5 ELECTRIC PIANO 4 2 07 6 HARPSICHORD 2 08 7 CLAVI 1 09 8 CELESTA 1
10 9 VIBRATO OFF 2 11 10 VIBRATO ON 2 12 11 HARMONY OFF 2 13 12 HARMONY ON 2 14 13 ATTACK OFF 2 15 14 ATTACK ON 2 16 15 WAVE OFF 2 17 16 WAVE ON 2 18 17 PIPE OGAN 2 19 18 ACCORDION 2 20 19 HARMONICA 1
21 20 SOFT GUITAR 1 22 21 FOLK GUITAR 1 23 22 12STRINGS GUITAR 2 24 23 JAZZ GUITAR 1 25 24 ELECTRIC GUITAR 2 26 25 DISTORTION GUITAR 2 27 26 WOOD BASS 1 28 27 FINGER BASS 1 29 28 SLAP BASS 1
30 29 STRINGS 1 31 30 VIOLIN 1 32 31 CELLO 1 33 32 HARP 1 34 33 SITAR 1 35 34 BANJO 1 36 35 VIBRAPHONE 1 37 36 MARIMBA 1 38 37 STEEL DRUMS 1
39 38 TRUMPET 1 40 39 TROMBONE 1 41 40 MUTE TRUMPET 1 42 41 FRENCH HORN 1 43 42 BRASS SECTION 1 44 43 ALTO SAX 1 45 44 TENOR SAX 1 46 45 OBOE 1 47 46 CLARINET 1 48 47 FLUTE 1 49 48 PAN FLUTE 1
50 49 THICK LEAD 2 51 50 SIMPLE LEAD 1 52 51 THICK SAWTOOTH 2
Voice Name
PIANO
ORGAN
GUITAR/BASS
STRINGS/MALLET
WIND
SYNTHESIZER
Notes
Used
Voice
MIDI Program
No.
Change No.
53 52 SIMPLE SAWTOOTH 1 54 53 SYNTH BASS 1 55 54 SYNTH STRINGS 1 56 55 SYNTH BRASS 2 57 56 SLOW STRINGS 1 58 57 CHORUS 1
59 58 PIANO TRIO 3 60 59 PIANO COUNTRY 2 61 60 ELECTRIC PIANO TRIO 3 62 61 HARPSICHORD TRIO 3 63 62 ELECTRIC ORGAN TRIO 3 64 63 VIBRAPHONE DUET 2 65 64 TRUMPET DUET 2 66 65 HORN DUET 2 67 66 CLARINET TRIO 3 68 67 FLUTE DUET 2
69 68 WOOD BASS / PIANO 1 70 69 STRINGS / PIANO 1 71 70 FINGER BASS / ELECTRIC PIANO 1 72 71 HARP / VIOLIN 1 73 72 FRENCH HORN / TRUMPET 1
74 73 SUSTAIN PIANO 1 75 74 SUSTAIN ELECTRIC PIANO 1 1 76 75 SUSTAIN ELECTRIC PIANO 2 1 77 76 SUS VIBRAPHONE 1 78 77 SUSTAIN STRINGS 1
79 78 ECHO PIANO 1 80 79 ECHO ELECTRIC PIANO 1 81 80 ECHO HARPSICHORD 1 82 81 ECHO CELESTA 1 83 82 ECHO FOLK GUITAR 1 84 83 ECHO BANJO 1 85 84 ECHO VIBRAPHONE 1 86 85 ECHO MARIMBA 1 87 86 ECHO STEEL DRUMS 1 88 *1 ECHO DRUM KIT 1
89 88 PIANO CONCERTO 2 90 89 ELECTRIC PIANO CONCERTO 2 91 90 FAIRY LAND 2 92 91 MOOD GUITAR 2 93 92 RICH GUITAR 2 94 93 HOT ORGAN 2 95 94 EXCEL VIOLIN 2 96 95 CRYSTAL 2 97 96 STAR SHIP 2
98 97 DJ VOICE 1 1 99 98 DJ VOICE 2 1
00 *2 DRUM KIT 1
*1 MSB=7FH, LSB=00H, Prg Ch#=1 *2 MSB=7FH, LSB=00H, Prg Ch#=2
Voice Name
HARMONY
SPLIT
SUSTAIN
ECHO
DUAL
DJ Voice
DRUMS
Used
Notes
55
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Voice List
The following voices cannot be directly selected from the panel controls; they are special voices programmed into the songs of the EZ-150 and are selected automatically in song playback. However, they can be selected by a con­nected MIDI device; the corresponding bank select messages are: MSB = 00H, LSB = 00H.
MIDI Program
Change No.
0 Piano 1 3 Honky-tonk Piano 2 4 Electric Piano 1 2 5 Electric Piano 2 2 6 Harpsichord 1 7 Clavi 1
8 Celesta 1 11 Vibraphone 1 12 Marimba 1 16 Electric Organ 1 2 17 Electric Organ 2 2 19 Pipe Organ 2 21 Accordion 1 22 Harmonica 1 23 Wave Organ 2 24 Soft Guitar 1 25 Folk Guitar 1 26 Jazz Guitar 1 27 Electric Guitar 1 28 12Strings Guitar 2 29 Rich Guitar 2 30 Distortion Guitar 1 32 Wood Bass 1 33 Finger Bass 1 34 Mute Bass 1 36 Slap Bass 1 38 Synth Bass 1 40 Violin 1 42 Cello 1 46 Harp 1 49 Strings 1 51 Synth Strings 1
Voice Name Used Notes
MIDI Program
Change No.
52 Choir 1 56 Trumpet 1 57 Trombone 1 59 Muted Trumpet 1 60 French Horn 1 61 Brass Section 1 63 Synth Brass 1 65 Alto Sax 1 66 Tenor Sax 1 68 Oboe 1 71 Clarinet 1 73 Flute 1 75 Pan Flute 1 80 Lead 1 81 Sawtooth 1 88 Piano Concerto 2 89 Electric Piano Concerto 2 90 Fairy land 2 91 Hot Organ 2 92 Mood Guitar 2 93 Excel Violin 2 94 Star ship 2 95 Slow Strings 1
98 Crystal 2 104 Sitar 1 105 Banjo 1 114 Steel Drums 1 123 Wood Bass / Piano 1 124 Strings / Piano 1 125 Finger Bass / Electric Piano 1 126 Harp / Violin 1 127 Horn / Trumpet 1
Voice Name Used Notes
56
Page 57

Drum Kit List

• Each percussion voice uses one note.
• The MIDI Note # and Note are actually one octave lower than listed. For example, the “Bass Drum 2” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).
• Voices with the same Alternate Note Number (*1 – 2) cannot be played simultaneously. (They are designed to be played alternately with each other.)
Bank MSB No. 127
Bank LSB No. 0
Program Change No. 0
Keyboard
Note No. Note
12 C -1 13 C# -1 14 D -1 15 D# -1 Hi Q 16 E -1 17 F -1 Scratch H 18 F# -1 Scratch L 19 G -1 20 G# -1 21 A -1 22 A# -1 23 B -1 24 C 0 25 C# 0 26 D 0 27 D# 0 Brush Slap 28 E 0 Reverse Cymbal 29 F 0 30 F# 0 Electronic Bass Drum 31 G 0 32 G# 0 Electronic Snare Drum 33 A 0 34 A# 0 35 B 0 Bass Drum 1 36 C 1 Bass Drum 2 37 C# 1 Rim Shot 38 D 1 Snare Drum 1 39 D# 1 Electronic Floor Tom 40 E 1 Snare Drum 2 41 F 1 Floor Tom 42 F# 1 1 Hi-hat Closed 43 G 1 Electronic Low Tom 44 G# 1 1 Hi-Hat Pedal 45 A 1 Low Tom 46 A# 1 1 Hi-Hat Open 47 B 1 Electronic Mid Tom 48 C 2 Mid Tom 49 C# 2 Crash Cymbal 50 D 2 High Tom 51 D# 2 Ride Cymbal 1 52 E 2 Electronic High Tom 53 F 2 Ride Cymbal Cup 54 F# 2 Tambourine 55 G 2 Splash Cymbal 56 G# 2 Cowbell 57 A 2 58 A# 2 59 B 2 Ride Cymbal 2 60 C 3 Bongo H 61 C# 3 Bongo L 62 D 3 Conga H Mute 63 D# 3 Conga H Open 64 E 3 Conga L 65 F 3 Timbale H 66 F# 3 Timbale L 67 G 3 Agogo H 68 G# 3 Agogo L 69 A 3 70 A# 3 71 B 3 72 C 4 73 C# 4 Guiro Short 74 D 4 Guiro Long 75 D# 4 Claves 76 E 4 77 F 4 78 F# 4 79 G 4 80 G# 4 2 Triangle Mute 81 A 4 2 Triangle Open 82 A# 4 Shaker 83 B 4 84 C 5 Bell Tree 85 C# 5 Electronic Bass Drum A 86 D 5 Electronic Bass Drum B 87 D# 5 Electronic Bass Drum C 88 E 5 Electronic Snare Drum A 89 F 5 Electronic Snare Drum B 90 F# 5 Electronic Rim Shot 91 G 5 Reverse Pulse 92 G# 5 Hand Clap 93 A 5 Orchestra Hit 94 A# 5 Scratch 1 95 B 5 Scratch 2 96 C 6 Scratch 3
Alternate
assign
Drum Kit
57
Page 58

Style List & Multi pads

Style List
No. Style Name
8BEAT
01 8Beat Pop 02 8Beat Uptempo 03 8Beat Standard 04 8Beat Shuffle 05 Folkrock 06 Pop Rock 07 Crystal Pop 08 8Beat Medium
16BEAT
09 16Beat Shuffle 10 16Beat Pop
BALLAD
11 8Beat Ballad 12 Epic Ballad 13 Piano Ballad 14 Soul Ballad 15 Slow Rock 16 6/8 Ballad 17 Harp Arpeggio 1 18 Harp Arpeggio 2 19 Harp Arpeggio 3 20 Music Box
DANCE
21 Dance Pop 22 Techno 23 Eurobeat 24 Hip Hop 25 70s Disco
No. Style Name
DJ
26 Euro Techno 27 Funky Trip Hop 28 Pop Reggae 29 Acid House 30 Shakin'
ROCK
31 8Beat Rock Ballad 32 16Beat Rock Ballad 33 Hard Rock 34 Rock Shuffle 35 6/8 Heavy Rock 36 US Rock
ROCK & ROLL
37 Rock & Roll 38 Boogie 39 Twist
RHYTHM & BLUES
40 R&B 41 Funk 42 Soul 43 Gospel Shuffle 44 6/8 Gospel 45 4/4 Blues
JAZZ
46 Jazz Ballad 47 Jazz Waltz 48 Fusion 49 Big Band Swing
No. Style Name
50 Big Band Ballad 51 Jazz Quartet 52 Dixieland
COUNTRY & WESTERN
53 Bluegrass 54 2/4 Country 55 Country Ballad 56 Country Shuffle
BALLROOM
57 Rhumba 58 Tango Continental 59 Jive
MARCH & WALTZ
60 March 61 6/8 March 62 Light March 63 Crystal March 64 Polka 65 Standard Waltz 66 German Waltz 67 Viennese Waltz 68 Crystal Waltz 69 Orchestra Waltz 1 70 Orchestra Waltz 2 71 Music Box Waltz
LATIN
72 Bossa Nova 73 Salsa 74 Samba
No. Style Name
75 Mambo 76 Beguine 77 Merengue 78 Bolero Lento
CARIBBEAN
79 Reggae 1 80 Reggae 2
PIANIST
81 2beat 82 Stride 83 Concerto 84 8beat 85 Honky-Tonk 86 Piano Ballad 87 Pop Ballad 88 Arpeggio 1 89 Arpeggio 2 90 Dance Pop 91 Rock & Roll 92 Tight Rock 93 Swing 94 Jazz Waltz 95 Ragtime 96 Beguine 97 Cha Cha 98 March 99 6/8 March 00 Galop
Multi pads
Bank No. Bank Name
01 Pianist 02 Twinkle 03 Organ Play 04 Guitar Play 05 Percussion 06 Drums 07 DJ Drums 08 DJ 09 Techno 10 1234
58
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Page 60
60
YAMAHA [ EZ-150 ] Date:4-MAR-2003
Model EZ-150 MIDI Implementation Chart Version : 1.0
Transmitted Recognized Remarks
Function...
Basic Default 1 - 7,10 1 - 7,10 Channel Changed x x
Default 3 3
Mode Messages x x
Altered ************** x
Note 0 - 127 0 - 127 Number : True voice ************** 0 - 127
Velocity Note ON o 9nH,v=1-127 *1 o 9nH,v=1-127
Note OFF x 9nH,v=0 x
9nH,v=0 or 8nH

MIDI Implementation Chart

After Key's x x Touch Ch's x x
Pitch Bend x x
0,32 o *2 o *2
7o o Volume
10 o o Pan
6,38 x x
Control 64 o o Sustain
71-74 x x
Change 84 o o Portamento Cntrl
91,93,94 x x
96-97 x x RPN Inc,Dec 98,99 x x NRPN LSB,MSB
100-101 x x RPN LSB,MSB
Bank Select LSB,MSB
Data Entry
Page 61
MIDI Implementation Chart
NOTE:
*1 Playing the keyboard does not produce any changes in velocity
data; the transmitted velocity value is fixed. The velocity value generated by playing the key is predetermined for each voice and may differ depending on the selected voice.
*2 MSB can be used to change the voice for the Melody or
Rhythm.
MSB=00H :Melody Voice MSB=7FH : Rhythm Voice LSB: Refer to Voice list.
*3 For program change values, refer to the voice list.
Program change and other like channel messages received will not affect the EZ-150 panel settings or what is being played on the keyboard.
*4 < GM System on > F0H,7EH,7FH, 09H, 01H, F7H
All data is restored to the default values.
*5 MIDI does not function (transmit/receive) in the Song mode.
Prog o 0 - 127 *3 o 0 - 127 *3
Change : True # ************** *3
System Exclusive o *4 o *4
: Song Pos. x x
Common : Song Sel. x x
: Tune x x
System : Clock x x
Real Time: Commands x x
Aux :All Sound OFF x x
:Reset All Cntrls x x
:Local ON/OFF x x
:All Notes OFF x x
Mes- :Active Sense o o
sages:Reset x x
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No
61
Page 62

Troubleshooting

Problem Possible Cause and Solution
When the EZ-150 is turned on or off, a pop­ping sound is temporarily produced.
When using a mobile phone, noise is pro­duced.
The sound of the voices or rhythms seems unusual or strange.
There is no sound even when the keyboard is played or when a Song is being played back.
When playing back one of the Pianist styles (#81 - #00), the rhythm cannot be heard.
The auto accompaniment doesn’t turn on, even when pressing the [ACCOMPANI­MENT ON/OFF] button.
Not all notes are heard when playing a num­ber of notes simultaneously.
Playing keys in the right hand section of the keyboard does not produce any sound.
This is normal and indicates that the EZ-150 is receiving electrical power.
Using a mobile phone in close proximity to the EZ-150 may produce in­terference. To prevent this, turn off the mobile phone or use it further away from the EZ-150.
The battery power is too low. Replace the batteries. (See page 10.)
Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output.
Check that Light Guide is turned on in the Lesson mode.
This is normal. The Pianist styles have no drums or bass — only piano accompaniment. The accompaniment of the style can only be heard when accompaniment is set to ON and keys are played in the auto ac­companiment area of the keyboard.
Make sure the Style mode is active before using the auto accompani­ment. Press the [STYLE] button to enable style operations.
Too many keys are pressed at the same time. The EZ-150 is polyphonic up to a maximum of 16 notes.
When using the Dictionary function (page 43), the keys in the right hand section are used only for entering the chord root and type.
The accompaniment does not sound proper­ly.
The Multi Pad sound is cut off or sounds un­usual.
The sound of the voice changes from note to note.
The Light Guide does not match the keys ac­tually played.
Make sure that the Accompaniment Volume (page 49) is set to an appro­priate level.
The EZ-150 is polyphonic up to a maximum of 16 notes. If a style or song is playing back at the same time a Multi Pad is played, some notes/ sounds of the Multi Pad may be omitted (or “stolen”) from the accompa­niment or song.
The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note.
When auto accompaniment is on, the Light Guide shows the specific notes of the chords you play in the auto accompaniment area of the key­board. If you play a single finger chord, or an inversion of a chord, the corresponding chord will be appropriately shown — even if the lighting keys do not exactly match the pressed keys.
62
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Index

Misc.
+/– buttons.......................................26
A
A-B Repeat ......................................35
AC Power adaptor............................10
Accessory Jacks...............................11
Accompaniment Volume .................49
Auto Accompaniment......................50
B
Batteries...........................................10
Both Hands ............................... 36, 40
C
chord ................................................51
Chord Names ...................................52
chord type ........................................43
chord, Fingered................................50
chord, Single Finger ........................50
D
DEMO button ..................................14
Dictionary ........................................43
DJ.....................................................24
DJ Voice Chart .................................27
Drum Kit..........................................27
Drum Kit List ..................................57
Dual voices ......................................27
E
Ending..............................................48
F
Fill-in ...............................................48
Fingered Chords ..............................50
G
Grade ...............................................41
M
Main A/B......................................... 48
Melody Voice Change ..................... 32
Metronome...................................... 23
MIDI ............................................... 54
MIDI Implementation Chart ........... 60
MIDI, about .................................... 54
Minus One................................. 36, 39
Multi Fingering ............................... 50
Multi Pads ....................................... 53
Music Rest ...................................... 11
N
numeric keypad............................... 26
O
One Touch Setting........................... 28
Overall button ................................. 23
P
PHONES/OUTPUT jack ................ 11
Portable Grand ................................ 22
R
root ............................................ 43, 50
S
sections (Style)................................ 48
Single Finger Chords ...................... 50
Song Controls ................................. 34
Song Volume ................................... 34
Songs, selecting and playing........... 31
Specifications .................................. 65
Split voices...................................... 27
Style List ......................................... 58
Styles, selecting and playing........... 44
SUSTAIN........................................ 11
Sync Start........................................ 46
V
Voice List......................................... 55
Voices, selecting and playing ..........25
W
Waiting ......................................36, 39
H
Harmony voices...............................27
Headphones .....................................11
I
Interval.............................................52
Intro .................................................45
inversion ..........................................50
L
Lesson..............................................36
Light Guide......................................42
T
Talking ............................................ 42
Tap Tempo....................................... 46
Tempo (song) .................................. 33
Tempo (style) .................................. 48
Time Signature................................ 23
Timing....................................... 36, 38
Transpose ........................................ 29
Troubleshooting .............................. 62
Tuning............................................. 30
63
Page 64
Memo
64
Page 65
Specifications
Keyboard
61 standard-size keys (C1 - C6) with light guide
Display
LED display
Setup
STANDBY/ON MASTER VOLUME : MINI-MAX
Panel controls
Overall, SONG, VOICE, STYLE, DEMO, POTABLE GRAND, DJ, METRONOME, Dict., L, R, TEMPO/TAP, numeric keypad (0 - 9, +, –)
Voices
100 panel voices (max. polyphony: 16)
Effects
Dual (Included in Voice), Harmony/Echo (Included in Voice), Split (Included in Voice), Sustain
Style
100 styles
Fingering: Multi Fingering
Sections: Intro, Main A, B, Ending, Ritardando, Fill
Overall controls
Light On/Off, Multi Pad, Grade, Talking, Transpose, Tuning, Accompaniment Volume, Song Volume, Metronome Volume
Power supply
Adaptor: Yamaha PA-3C or PA-3B AC power adaptor Batteries: Six “D” size, R20P(LR20) or equivalent
batteries
Dimensions
931 x 349 x 128 mm (36-2/3" x 13-3/4" x 5-1/16")
Weight
4.7kg (10 Ibs., 6 oz.)
Supplied accessories
Music Rest, Owner’s Manual, Song Book
Optional accessories
Headphones: HPE-150 AC power adaptor: PA-3C or PA-3B Keyboard stand: L-2L, L-2C
* Specifications and descriptions in this owner’s manual are for information
purposes only. Yamaha Corp. reserves the right to change or modify prod­ucts or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
Style controls
ACMP On/Off, Sync-Start, Start/Stop, Intro/Ending/rit., Main A, B (Auto Fill)
Song controls
Start/Stop, Pause, A-B Repeat, Fast Forward, Rewind, Melody Voice Change
One Touch Setting
1/style, 1/song
Multi Pads
4 pads x 10 banks
Yamaha Education Suite
Dictionary, Lesson 1-4
Preset songs
100 songs
Amplifier
2.0W + 2.0W
MIDI
IN/OUT
Auxiliary jacks
PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN
Speakers
12cm x 2
Power consumption
9W (when using PA-3C power adaptor)
65
Page 66
Limited Warranty
90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:
EZ SERIES OF PORTATONE ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PROD­UCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.
4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.
EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to fail­ures and/or damages that may occur as a result of:
1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.
Model___________________________ Serial #________________________________ Sales Slip #________________________________
Purchased from____________________________________________________________ Date______________________________________ (Retailer)
YAMAHA CORPORATION OF AMERICA
Electronic Service Division 6600 Orangethorpe Avenue
Buena Park, CA 90620
KEEP
THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!
Page 67
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de Mexico S.A. De C.V., Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33
BRAZIL
Yamaha Musical do Brasil LTDA.
Av. Rebouças 2636, São Paulo, Brasil Tel: 011-853-1377
ARGENTINA
Yamaha de Panamá S.A. Sucursal de Argentina
Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha de Panamá S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH, Branch Austria
Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
THE NETHERLANDS
Yamaha Music Central Europe, Branch Nederland
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH, Branch Belgium
Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032
FRANCE
Yamaha Musique France, S.A. Division Professionnelle
BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A. Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
AFRICA
Yamaha Corporation, Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868
ASIA
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor) PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0661
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951
THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES
Yamaha Corporation, Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation, Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312
[PK] 27
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273
Page 68
Yamaha PK CLUB (Portable Keyboard Home Page, English only)
http://www.yamahaPKclub.com/
Yamaha Manual Library
http://www2.yamaha.co.jp/manual/english/
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2003 Yamaha Corporation
WA07090 ???PO???.?-01A0 Printed in China
Page 69
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