Liste des voix EX7..........................................................2
Drum Voice List
Liste mit Schlazeug-Voices
Liste des voix de batterie..............................................24
Sample List
Liste mit Samples
Liste des échantillons ..................................................26
Wave List
Liste der Wellenformen
Liste des ondes ............................................................29
EX7 Performance List
Liste der EX7 Performances
Liste des performances EX7 ........................................30
Controller List (Dest. Param: Destination Parameters)
Liste mit Controllern (Dest Param: Zielparameter)
Liste des contrôleurs (Paramètres de destination)
FDSP Parameter List
FDSP Parameter-Liste
Liste des Paramètres FDSP..........................................32
Effect Type List
Liste mit Effekt-Typen
Liste des type d'effets ..................................................34
Effect Parameter List
Liste mit Effekt-Parametern
Liste des Paramètres d'effets ......................................36
Groove Template List
Groove Template-Liste
Liste des modèles d'expressions rythmiques ..............41
..............31
Arpeggio List
Liste mit den Arpeggio-Typen
Liste des types arpèges................................................41
Controll Change List
Liste mit Controll Change-Daten
Liste des changements de commande ........................41
About MIDI ..................................................................42
MIDI Data Format ........................................................42
MIDI Data Table ..........................................................45
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM PANAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoFDSP Main Freq.AWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqFDSP Pitch EG DptFDSP Sub Freq.AWM LFO1 PMDCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
3
Page 4
Preset 1 (65-128)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWATMW2FC BC Rbn
65 E1 SectBr AWM000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
66 E2 Hi SectBr AWM000:THRU000:THRU003:Rev Room 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Volume
67 E3 FunkySectBr AWM000:THRU058:3Band EQ001:Rev Hall 1003:Chorus 3offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
68 E4 MyBigSectnBr AWM000:THRU058:3Band EQ001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
69 E5 Pop BrassBr AWM000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
70 E6 SectionBr AWM024:3Band EQ058:3Band EQ001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffCOM Rev Sendoff off AWM Pitch
71 E7 SforzandoBr AWM000:THRU058:3Band EQ009:Rev White Room 004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
72 E8 ClassicBrass Br AWM024:3Band EQ058:3Band EQ001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffCOM Cho Send,COM Rev Sendoff off AWM Pitch
73 E9 ClassicBras2 Br AWM024:3Band EQ058:3Band EQ001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffCOM Rev Sendoff off AWM Pitch
74 E10 VeloTrbSectBr AWM000:THRU058:3Band EQ001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
75 E11 Smooth Brass Br AWM000:THRU058:3Band EQ001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
76 E12 Solo Trumpet Br AWM023:EQ058:3Band EQ001:Rev Hall 1016:Delay L,Roff
AWM LFO1 PMD,AWM LFO1 AMD,
AWM Volume
AWM LFO1 PMD AWM LFO1 PMDoff off AWM DCF Freq
77 E13 TrumpetBr AWM000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
78 E14 SoloTrpSwtch Br AWM023:EQ058:3Band EQ001:Rev Hall 1016:Delay L,Roff
AWM LFO1 PMD,AWM LFO1 AMD,
AWM Volume
AWM LFO1 PMD AWM LFO1 PMDoff off AWM DCF Freq
79 E15 SoftTrombone Br AWM023:EQ058:3Band EQ001:Rev Hall 1016:Delay L,Roff
AWM LFO1 PMD,AWM LFO1 AMD,
AWM Volume
AWM LFO1 PMD AWM LFO1 PMDoff off AWM DCF Freq
80 E16 Jazz TrumpBr AWM000:THRU043:Exciter001:Rev Hall 1001:Chorus 1off
AWM LFO1 PMD,AWM LFO1 AMD,
AWM LFO1 FMD
AWM DCF Freq AWM DCF Freqoff off AWM Pitch
81 F1 Big BrassBr AWM000:THRU000:THRU001:Rev Hall 1003:Chorus 3offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
82 F2 MutationBr AWM000:THRU058:3Band EQ001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMDAWM LFO1 PMD AWM LFO1 PMDoff off AWM Pitch
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM FEG D2TimAWM AEG R2Tim,AWM FEG R1Tim COM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1Tim,AWM AEG AtTim AWM FEG R1Tim,AWM AEG R1Tim COM Rev SendCOM Cho Sendoff
AWM DCF ResoAWM AEG AtTimAWM AEG R2TimInsL EQ L-GainInsL EQ M-GainInsL EQ H-Gainoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTim
AWM AEG R2Tim,AWM FEG R1Tim,
AWM AEG D2Tim
COM Rev SendInsL D/W Baloff
AWM DCF FreqAWM FEG DepthAWM FEG D1TimAWM FEG D3Tim,AWM FEG D2Tim COM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM FEG DepthAWM FEG D1TimAWM FEG D3Tim,AWM FEG D2Tim COM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev Send,InsL D/W BalAWM Pitchoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev Send,InsL D/W Bal
AWM Volume,AWM DCF Freq,
AWM DCF Reso
off
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF Freq,AWM VolumeAWM DCF ResoInsS EQ L-Gain,InsL EQ L-GainInsS EQ H-Gain,InsL EQ H-GainAWM AEG AtTimAWM AEG R2Timoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev Send
InsS EQ L-Gain,InsS EQ H-Gain,
InsL Out Level
off
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAssign OffAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM LFO1 PMD,AWM LFO2Depth,
AWM LFO1 AMD
AWM LFO1Speed,AWM LFO2Speed AWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF Reso,AWM VolumeAWM AEG AtTimAWM AEG R2Tim,AWM FEG R1Tim FDSP LFO SpeedCOM Cho Sendoff
AWM DCF FreqAN Volume,AWM VolumeAWM AEG AtTim,AN AEG At Tim AN AEG Rl Tim,AWM AEG R2Tim COM Rev SendCOM Cho Sendoff
FDSP WetAWM VolumeAWM VolumeFDSP PitchCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM VolumeAWM AEG AtTimAWM AEG R2TimInsL LFO FreqCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqCOM Port SWAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM LFO1 FMDAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM VolumeAWM AEG AtTimAWM AEG R2TimInsS LFO Depth,InsL LFO Depthoff
AWM DCF FreqAWM VolumeAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM VolumeFDSP PitchFDSP LFO Depth,FDSP LFO Speed AWM AEG AtTim,AWM AEG R2Tim off
AWM DCF FreqAWM PitchAWM AEG AtTimAWM LFO1 FMDCOM Rev SendCOM Cho Sendoff
AWM FEG DepthAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM FEG DepthAWM FEG D1TimAWM FEG D3Tim,AWM FEG D2Tim COM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimAWM VolumeCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimAWM VolumeCOM Cho Sendoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
5
Page 6
Preset 2 (1-64)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWATMW2FC BC Rbn
1 A1 PW PadPd FDSP000:THRU000:THRU001:Rev Hall 1005:Chorus 5offFDSP LFO SpeedAWM LFO1 PMDAWM DCF Freqoff off AWM DCF Freq
2 A2 WarmerPd AWM000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
3 A3 SilverlakePd FDSP000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
4 A4 Soft ObiPd AWM004:Chorus 4017:Cross Delay001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
5 A5 Space ZooPd AWM000:THRU023:Phaser 1001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
6 A6 VFEXPd FDSP000:THRU000:THRU002:Rev Hall 2009:Celeste 4offAWM LFO1 PMDoffFDSP Feedbackoff off AWM DCF Freq
7 A7 Velvet ChoirPd FDSP000:THRU000:THRU001:Rev Hall 1008:Celeste 3offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
8 A8 FutopiaPd FDSP000:THRU000:THRU002:Rev Hall 2004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
9 A9 Oo ChoirEn AWM024:3Band EQ000:THRU001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMD,AWM LFO2Depth offAWM Volumeoff off AWM DCF Freq
10 A10 BreathChoirEn AWM024:3Band EQ064:Talking Modulator 001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMD,AWM LFO2Depth offAWM Volumeoff off InsL Vowel
11 A11 Choir AttackEn AWM024:3Band EQ043:Exciter001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffCOM Cho Sendoff off AWM DCF Freq
12 A12 V-ChoirEn AWM000:THRU017:Cross Delay002:Rev Hall 2004:Chorus 4offAWM LFO1 PMDoffAWM Volumeoff off AWM DCF Freq
13 A13 Aah ChoirEn AWM024:3Band EQ064:Talking Modulator 001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMD,AWM LFO2Depth offAWM Volumeoff off InsL Vowel
14 A14 NightchoirEn AWM000:THRU017:Cross Delay002:Rev Hall 2004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
15 A15 StraightSc AWM008:Celeste 4017:Cross Delay001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffInsL D/W Baloff off AWM DCF Freq
AWM DCF FreqInsL Over DriveInsS EQ M-GainAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
InsL Dst Lo GInsL Dst Mid GInsL Dst DriveAWM AEG AtTimInsL Delay Mix,InsL Dly FB LevCOM Rev Sendoff
AWM DCF FreqAWM AEG AtTimAWM AEG D2TimInsS EQ M-GainInsL D/W BalCOM Cho Sendoff
AWM DCF FreqAWM DCF Reso
InsS Threshold,InsS Ratio,
InsS Out Level
InsL LPF Reso.COM Cho SendCOM Rev Sendoff
AWM FEG Depth,AWM DCF Freq InsL EQ L-GainInsL EQ H-GainAWM AEG AtTimAWM AEG R2TimCOM Rev Sendoff
AWM DCF FreqAWM DCF Reso
AWM FEG Depth,AWM FEG D1Tim,
AWM FEG D2Tim
AWM AEG R1TimCOM Rev SendCOM Cho Sendoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
7
Page 8
Preset 2 (65-128)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWATMW2FC BC Rbn
65 E1 FingeredBa AWM016:AMP Simulator 058:3Band EQ009:Rev White Room 001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
66 E2 FlatwoundBa AWM024:3Band EQ040:AMP Simulator 001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
67 E3 PickitBa AWM016:AMP Simulator 058:3Band EQ009:Rev White Room 000:OffoffAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
InsL EQ L-GainInsL EQ H-GainAWM VolumeAWM AEG D2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2Tim,AWM FEG R1Tim COM Rev SendCOM Cho Sendoff
InsL EQ L-GainInsL EQ H-GainAWM VolumeAWM AEG D2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTim,AWM AEG D1Tim AWM AEG R2Tim,AWM FEG R1Tim COM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM LFO1 FMDAWM AEG AtTim,AWM KeyOnDly AWM LFO1 AMDCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM LFO2DepthAWM AEG AtTimAWM LFO2SpeedCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM Volume,AWM VolumeAWM LFO1SpeedAWM AEG AtTimAWM AEG R2Timoff
AWM DCF Freq
AWM AEG AtTim,AWM FEG Hold,
AWM FEG D2Tim
AWM Volume,AWM FEG D3Tim,
AWM AEG D3Tim
COM Cho SendInsS D/W BalCOM Rev Sendoff
AWM DCF FreqAWM AEG AtTimAWM AEG AtTimAWM AEG R2TimFDSP PANCOM Cho Sendoff
AN VCF FreqAN VCF ResoAN VCO2 PMDAWM LFO1 FMDCOM Rev SendCOM Cho Sendoff
AWM DCF FreqFDSP PitchAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimAWM Volume,AWM VolumeCOM Cho Sendoff
AWM DCF FreqAWM LFO1 FMDAWM LFO1 AMDAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendFDSP LFO Speedoff
offoffoffoffoffoffoff
offoffoffoffoffoffoff
offoffoffoffoffoffoff
offoffoffoffoffoffoff
offoffoffoffoffoffoff
offoffoffoffoffoffoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
9
Page 10
Internal 1-1 (1-64)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWAT MW2FC BC Rbn
1 A1 Made in USA Pf AWM001:Chorus 1055:Ensemble Detune 001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoff AWM DCF Freq off off AWM Pitch
2 A2 Jazz Grand Pf AWM000:THRU058:3Band EQ009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoff AWM DCF Freq off off AWM Pitch
3 A3 GeorgiaPf AWM023:EQ055:Ensemble Detune 001:Rev Hall 1004:Chorus 4offCOM Cho Send,InsL D/W Baloff AWM DCF Freq off off AWM Pitch
4 A4 Lead Switch Gt AWM016:AMP Simulator 058:3Band EQ001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMDoff AWM DCF Freq off off AWM Pitch
5 A5 Pulse Smack Ba FDSP000:THRU000:THRU001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoff AWM DCF Freq off off AWM Pitch
6 A6 Snoop Bass Ba AWM024:3Band EQ071:Attack Lofi001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMDoff AWM DCF Freq off off AWM Pitch
7 A7 HardstepBa AN+AWM 000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffAN Sync Pitchoff AN VCO2 Edgeoff off AN Feedback
8 A8 Hardsequence Ba FDSP000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffFDSP Driveoff FDSP Ceilingoff off FDSP Egde Bias
9 A9 Swell String St AWM000:THRU058:3Band EQ002:Rev Hall 2016:Delay L,RoffAWM LFO1 PMD,AWM LFO2Depth off AWM DCF Freq off off AWM Pitch
10 A10 BreathChoir En AWM024:3Band EQ064:Talking Modulator 001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMD,AWM LFO2Depth off AWM Volumeoff off InsL Vowel
11 A11 TrumpetBr AWM000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoff AWM DCF Freq off off AWM Pitch
12 A12 MatrixBr AWM024:3Band EQ004:Chorus 4002:Rev Hall 2016:Delay L,RoffAWM LFO1 PMDoff AWM DCF Freq off off AWM DCF Freq
13 A13 Mean LeadLd AWM024:3Band EQ062:V-Distortion001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMDoff InsL D/W Baloff off AWM Pitch
14 A14 Earth LeadLd AN+AWM 000:THRU000:THRU002:Rev Hall 2016:Delay L,RoffAN VCO1 PMD,AN VCO2 PMDoff AN VCF Freqoff off AN VCF Freq
15 A15 Pro LeadLd AN+AWM 000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffAN VCO1 PMD,AN VCO2 PMDoff AN LFO1 Speed off off AN VCF Freq
16 A16 Minor Vocals Ld AWM017:Exciter015:Delay LR001:Rev Hall 1015:Ensemble Detune offoffoff AWM DCF Freq off off AWM DCF Freq
46 C14 Brush 'EmGt AWM001:Chorus 1000:THRU002:Rev Hall 2001:Chorus 1offAWM LFO1 PMDoff AWM AEG D2Tim off off AWM LFO1 PMD
47 C15 ClickbellCp AWM017:Exciter058:3Band EQ001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoff AWM LFO1Speed off off InsS HPF Cutoff
48 C16 Cloud NinePd AWM000:THRU011:Flanger 2009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoff AWM LFO1Speed off off AWM DCF Freq
49 D1 AdventureFx FDSP000:THRU000:THRU002:Rev Hall 2009:Celeste 4offAWM LFO1 PMDoff AWM DCF Freq off off AWM DCF Freq
50 D2 DescenderFx AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMDoff AN LFO1 Speed off off AN VCF Freq,AN VCF Reso
51 D3 Blue LeadGt AWM016:AMP Simulator 058:3Band EQ001:Rev Hall 1017:Ctrl. DelayoffAWM LFO1 PMDoff InsS D/W Baloff off AWM LFO1 PMD
52 D4 DigiWorldSq AWM024:3Band EQ053:Pitch Change 1 001:Rev Hall 1016:Delay L,RoffAWM LFO2Depth,AWM LFO2Speed off InsS EQ M-Gain off off AWM Pitch
53 D5 EX godFx AN+AWM 000:THRU000:THRU001:Rev Hall 1002:Chorus 2offAWM LFO1 PMD,AN VCO1 PMD off AWM DCF Freq off off AN Pitch
54 D6 TortureSc AWM013:Auto Pan000:THRU001:Rev Hall 1001:Chorus 1offAWM PEG D1Timoff AWM DCF Freq off off AWM Pitch
55 D7 WitchesEn AWM004:Chorus 4064:Talking Modulator 001:Rev Hall 1015:Ensemble Detune offInsS EQ H-Gainoff InsL Voweloff off InsS LFO Freq,InsS D/W Bal
56 D8 MerapiFx FDSP000:THRU000:THRU002:Rev Hall 2013:SymphonicoffAWM PEG Depth,AWM PEG D1Tim off FDSP Pitchoff off FDSP Sub Mod.,FDSP Main Mod.
57 D9 EvilSc AWM023:EQ015:Delay LR001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoff InsL D/W Baloff off AWM DCF Freq
58 D10 FM LineSq AWM010:Flanger 2055:Ensemble Detune 002:Rev Hall 2016:Delay L,RoffAWM Volumeoff InsL D/W Baloff off AWM DCF Freq
59 D11 FanfareBr AWM024:3Band EQ016:Echo001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoff AWM DCF Freq off off AWM Pitch
60 D12 FarawaySe FDSP000:THRU000:THRU009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoff AWM LFO1Speed off off FDSP Balance
61 D13 DX AtackyPf AWM000:THRU004:Chorus 4001:Rev Hall 1006:Celeste 1offAWM LFO1 AMDoff InsL LFO Freqoff off AWM Pitch
62 D14 FlivverFx AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMDoff COM Rev Send off off COM Cho Send
63 D15 Dist 5thLd AWM000:THRU038:Distortion001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoff AWM DCF Freq off off AWM DCF Freq
64 D16 FlowFx AWM013:Auto Pan017:Cross Delay001:Rev Hall 1012:Flanger 3offInsS LFO Freqoff AWM FEG Depth off off InsS EQ H-Gain
* Four different types of voice sets are assigned for the Internal 1 (1-32) voices; tables 1-1, 1-2, 1-3 and 1-4 corresponding to the Demonstration Disks 1, 2, 3 and 4, respectively. The same voice sets are assigned for the Internal 1
(33-64) voices. When restoring the factory set data using the Factory Set file (on page 24, Owner‘s Manual), choose the disk containing the appropriate file.
AWM DCF FreqAWM AEG D1TimAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM AEG AtTimInsL LFO DepthInsL LFO Freq,InsL EQ M-GainAWM VolumeCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AN VCF FreqAN VCF ResoAN AEG Rl TimAN Sync PitchAN VCO2 EdgeCOM Cho Sendoff
InsS DriveInsS Out LevelInsS LPF CutoffInsS D/W BalCOM Rev SendCOM Cho Sendoff
AWM FEG DepthAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Cho SendInsL D/W Baloff
AN VCF FreqAWM DCF ResoAWM LFO1 FMDAN LFO1 SpeedCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimInsS LFO Freq,AWM LFO1Speed COM Rev Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTim,AWM AEG R2Tim AWM KeyOnDlyCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM VolumeAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM FEG D1TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimAWM FEG D1TimInsL D/W Bal,InsL FB Level L off
AWM AEG AtTimFDSP PWFDSP LFO SpeedFDSP LFO DepthCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimInsL FB LevelCOM Rev SendCOM Cho Sendoff
AN VCF FMDAN PEG DepthAN FM DepthAN Sync PitchCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM LFO1 FMDAWM AEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimInsL D/W BalCOM Cho Sendoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
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Internal 1-2 (1-64)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWATMW2FC BC Rbn
1 A1 Rising High Fx AWM000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
2 A2 Pulse Bass 2 Ba FDSP000:THRU000:THRU001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
46 C14 Brush 'EmGt AWM001:Chorus 1000:THRU002:Rev Hall 2001:Chorus 1offAWM LFO1 PMDoffAWM AEG D2Timoff off AWM LFO1 PMD
47 C15 ClickbellCp AWM017:Exciter058:3Band EQ001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM LFO1Speedoff off InsS HPF Cutoff
48 C16 Cloud NinePd AWM000:THRU011:Flanger 2009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoffAWM LFO1Speedoff off AWM DCF Freq
49 D1 AdventureFx FDSP000:THRU000:THRU002:Rev Hall 2009:Celeste 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
50 D2 DescenderFx AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMDoffAN LFO1 Speedoff off AN VCF Freq,AN VCF Reso
51 D3 Blue LeadGt AWM016:AMP Simulator 058:3Band EQ001:Rev Hall 1017:Ctrl. DelayoffAWM LFO1 PMDoffInsS D/W Baloff off AWM LFO1 PMD
52 D4 DigiWorldSq AWM024:3Band EQ053:Pitch Change 1 001:Rev Hall 1016:Delay L,RoffAWM LFO2Depth,AWM LFO2Speed offInsS EQ M-Gainoff off AWM Pitch
53 D5 EX godFx AN+AWM 000:THRU000:THRU001:Rev Hall 1002:Chorus 2offAWM LFO1 PMD,AN VCO1 PMD offAWM DCF Freqoff off AN Pitch
54 D6 TortureSc AWM013:Auto Pan000:THRU001:Rev Hall 1001:Chorus 1offAWM PEG D1TimoffAWM DCF Freqoff off AWM Pitch
55 D7 WitchesEn AWM004:Chorus 4064:Talking Modulator 001:Rev Hall 1015:Ensemble Detune offInsS EQ H-GainoffInsL Voweloff off InsS LFO Freq,InsS D/W Bal
56 D8 MerapiFx FDSP000:THRU000:THRU002:Rev Hall 2013:SymphonicoffAWM PEG Depth,AWM PEG D1Tim offFDSP Pitchoff off FDSP Sub Mod.,FDSP Main Mod.
57 D9 EvilSc AWM023:EQ015:Delay LR001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffInsL D/W Baloff off AWM DCF Freq
58 D10 FM LineSq AWM010:Flanger 2055:Ensemble Detune 002:Rev Hall 2016:Delay L,RoffAWM VolumeoffInsL D/W Baloff off AWM DCF Freq
59 D11 FanfareBr AWM024:3Band EQ016:Echo001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
60 D12 FarawaySe FDSP000:THRU000:THRU009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoffAWM LFO1Speedoff off FDSP Balance
61 D13 DX AtackyPf AWM000:THRU004:Chorus 4001:Rev Hall 1006:Celeste 1offAWM LFO1 AMDoffInsL LFO Freqoff off AWM Pitch
62 D14 FlivverFx AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMDoffCOM Rev Sendoff off COM Cho Send
63 D15 Dist 5thLd AWM000:THRU038:Distortion001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
64 D16 FlowFx AWM013:Auto Pan017:Cross Delay001:Rev Hall 1012:Flanger 3offInsS LFO FreqoffAWM FEG Depthoff off InsS EQ H-Gain
* Four different types of voice sets are assigned for the Internal 1 (1-32) voices; tables 1-1, 1-2, 1-3 and 1-4 corresponding to the Demonstration Disks 1, 2, 3 and 4, respectively. The same voice sets are assigned for the Internal 1
(33-64) voices. When restoring the factory set data using the Factory Set file (on page 24, Owner‘s Manual), choose the disk containing the appropriate file.
MSB=63
LSB=2
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Page 13
Kn1Kn2Kn3Kn4Kn5Kn6Vel
AWM DCF FreqAWM LFO1 FMDAWM AEG AtTim,AWM KeyOnDly AWM LFO1 AMDCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM AEG D1TimAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM AEG AtTimInsL LFO DepthInsL LFO Freq,InsL EQ M-GainAWM VolumeCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AN VCF FreqAN VCF ResoAN AEG Rl TimAN Sync PitchAN VCO2 EdgeCOM Cho Sendoff
InsS DriveInsS Out LevelInsS LPF CutoffInsS D/W BalCOM Rev SendCOM Cho Sendoff
AWM FEG DepthAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Cho SendInsL D/W Baloff
AN VCF FreqAWM DCF ResoAWM LFO1 FMDAN LFO1 SpeedCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimInsS LFO Freq,AWM LFO1Speed COM Rev Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTim,AWM AEG R2Tim AWM KeyOnDlyCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM VolumeAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM FEG D1TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimAWM FEG D1TimInsL D/W Bal,InsL FB Level L off
AWM AEG AtTimFDSP PWFDSP LFO SpeedFDSP LFO DepthCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimInsL FB LevelCOM Rev SendCOM Cho Sendoff
AN VCF FMDAN PEG DepthAN FM DepthAN Sync PitchCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM LFO1 FMDAWM AEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimInsL D/W BalCOM Cho Sendoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
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Page 14
Internal 1-3 (1-64)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWATMW2FC BC Rbn
1 A1 For Ballads Pf AWM003:Chorus 3058:3Band EQ001:Rev Hall 1002:Chorus 2offAWM LFO1 PMDoffAWM Volumeoff off AWM Pitch
2 A2 Jazz Chorus Pf AWM016:AMP Simulator 021:Auto Pan001:Rev Hall 1001:Chorus 1offInsL LFO Freq,InsL L/R Depthoff
46 C14 Brush 'EmGt AWM001:Chorus 1000:THRU002:Rev Hall 2001:Chorus 1offAWM LFO1 PMDoffAWM AEG D2Timoff off AWM LFO1 PMD
47 C15 ClickbellCp AWM017:Exciter058:3Band EQ001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM LFO1Speedoff off InsS HPF Cutoff
48 C16 Cloud Nine Pd AWM000:THRU011:Flanger 2009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoffAWM LFO1Speedoff off AWM DCF Freq
49 D1 AdventureFx FDSP000:THRU000:THRU002:Rev Hall 2009:Celeste 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
50 D2 Descender Fx AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMDoffAN LFO1 Speedoff off AN VCF Freq,AN VCF Reso
51 D3 Blue LeadGt AWM016:AMP Simulator 058:3Band EQ001:Rev Hall 1017:Ctrl. DelayoffAWM LFO1 PMDoffInsS D/W Baloff off AWM LFO1 PMD
52 D4 DigiWorldSq AWM024:3Band EQ053:Pitch Change 1 001:Rev Hall 1016:Delay L,RoffAWM LFO2Depth,AWM LFO2Speed offInsS EQ M-Gainoff off AWM Pitch
53 D5 EX godFx AN+AWM 000:THRU000:THRU001:Rev Hall 1002:Chorus 2offAWM LFO1 PMD,AN VCO1 PMD offAWM DCF Freqoff off AN Pitch
54 D6 TortureSc AWM013:Auto Pan000:THRU001:Rev Hall 1001:Chorus 1offAWM PEG D1TimoffAWM DCF Freqoff off AWM Pitch
55 D7 WitchesEn AWM004:Chorus 4064:Talking Modulator 001:Rev Hall 1015:Ensemble Detune offInsS EQ H-GainoffInsL Voweloff off InsS LFO Freq,InsS D/W Bal
56 D8 MerapiFx FDSP000:THRU000:THRU002:Rev Hall 2013:SymphonicoffAWM PEG Depth,AWM PEG D1Tim offFDSP Pitchoff off FDSP Sub Mod.,FDSP Main Mod.
57 D9 EvilSc AWM023:EQ015:Delay LR001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffInsL D/W Baloff off AWM DCF Freq
58 D10 FM LineSq AWM010:Flanger 2055:Ensemble Detune 002:Rev Hall 2016:Delay L,RoffAWM VolumeoffInsL D/W Baloff off AWM DCF Freq
59 D11 FanfareBr AWM024:3Band EQ016:Echo001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
60 D12 FarawaySe FDSP000:THRU000:THRU009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoffAWM LFO1Speedoff off FDSP Balance
61 D13 DX AtackyPf AWM000:THRU004:Chorus 4001:Rev Hall 1006:Celeste 1offAWM LFO1 AMDoffInsL LFO Freqoff off AWM Pitch
62 D14 FlivverFx AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMDoffCOM Rev Sendoff off COM Cho Send
63 D15 Dist 5thLd AWM000:THRU038:Distortion001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
64 D16 FlowFx AWM013:Auto Pan017:Cross Delay001:Rev Hall 1012:Flanger 3offInsS LFO FreqoffAWM FEG Depthoff off InsS EQ H-Gain
* Four different types of voice sets are assigned for the Internal 1 (1-32) voices; tables 1-1, 1-2, 1-3 and 1-4 corresponding to the Demonstration Disks 1, 2, 3 and 4, respectively. The same voice sets are assigned for the Internal 1
(33-64) voices. When restoring the factory set data using the Factory Set file (on page 24, Owner‘s Manual), choose the disk containing the appropriate file.
AWM DCF FreqAWM AEG D1TimAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM AEG AtTimInsL LFO DepthInsL LFO Freq,InsL EQ M-GainAWM VolumeCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AN VCF FreqAN VCF ResoAN AEG Rl TimAN Sync PitchAN VCO2 EdgeCOM Cho Sendoff
InsS DriveInsS Out LevelInsS LPF CutoffInsS D/W BalCOM Rev SendCOM Cho Sendoff
AWM FEG DepthAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Cho SendInsL D/W Baloff
AN VCF FreqAWM DCF ResoAWM LFO1 FMDAN LFO1 SpeedCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimInsS LFO Freq,AWM LFO1Speed COM Rev Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTim,AWM AEG R2Tim AWM KeyOnDlyCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM VolumeAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM FEG D1TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimAWM FEG D1TimInsL D/W Bal,InsL FB Level Loff
AWM AEG AtTimFDSP PWFDSP LFO SpeedFDSP LFO DepthCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimInsL FB LevelCOM Rev SendCOM Cho Sendoff
AN VCF FMDAN PEG DepthAN FM DepthAN Sync PitchCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM LFO1 FMDAWM AEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimInsL D/W BalCOM Cho Sendoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
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Internal 1-4 (1-64)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWAT MW2FC BC Rbn
1 A1 Natural Grnd Pf AWM024:3Band EQ058:3Band EQ002:Rev Hall 2001:Chorus 1offCOM Cho Sendoff AWM FEG Depth off off AWM Pitch
2 A2 Chorus Bell Pf AWM023:EQ055:Ensemble Detune 001:Rev Hall 1004:Chorus 4offInsL D/W Baloff AWM DCF Freq off off AWM Pitch
3 A3 SoulfulPf AWM024:3Band EQ021:Auto Pan001:Rev Hall 1004:Chorus 4offInsL LFO Freqoff InsL L/R Depthoff off AWM Pitch
4 A4 Ring RoadPf FDSP000:THRU000:THRU001:Rev Hall 1004:Chorus 4offAWM LFO1 AMDoff AWM DCF Freq off off AWM DCF Freq
5 A5 JazzyBallad Or AWM016:AMP Simulator 019:Rotary Speaker 2 001:Rev Hall 1003:Chorus 3off
46 C14 Brush 'EmGt AWM001:Chorus 1000:THRU002:Rev Hall 2001:Chorus 1offAWM LFO1 PMDoff AWM AEG D2Tim off off AWM LFO1 PMD
47 C15 ClickbellCp AWM017:Exciter058:3Band EQ001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoff AWM LFO1Speed off off InsS HPF Cutoff
48 C16 Cloud Nine Pd AWM000:THRU011:Flanger 2009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoff AWM LFO1Speed off off AWM DCF Freq
49 D1 AdventureFx FDSP000:THRU000:THRU002:Rev Hall 2009:Celeste 4offAWM LFO1 PMDoff AWM DCF Freq off off AWM DCF Freq
50 D2 Descender Fx AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMDoff AN LFO1 Speed off off AN VCF Freq,AN VCF Reso
51 D3 Blue LeadGt AWM016:AMP Simulator 058:3Band EQ001:Rev Hall 1017:Ctrl. DelayoffAWM LFO1 PMDoff InsS D/W Baloff off AWM LFO1 PMD
52 D4 DigiWorldSq AWM024:3Band EQ053:Pitch Change 1 001:Rev Hall 1016:Delay L,RoffAWM LFO2Depth,AWM LFO2Speed off InsS EQ M-Gain off off AWM Pitch
53 D5 EX godFx AN+AWM 000:THRU000:THRU001:Rev Hall 1002:Chorus 2offAWM LFO1 PMD,AN VCO1 PMD off AWM DCF Freq off off AN Pitch
54 D6 TortureSc AWM013:Auto Pan000:THRU001:Rev Hall 1001:Chorus 1offAWM PEG D1Timoff AWM DCF Freq off off AWM Pitch
55 D7 WitchesEn AWM004:Chorus 4064:Talking Modulator 001:Rev Hall 1015:Ensemble Detune offInsS EQ H-Gainoff InsL Voweloff off InsS LFO Freq,InsS D/W Bal
56 D8 MerapiFx FDSP000:THRU000:THRU002:Rev Hall 2013:SymphonicoffAWM PEG Depth,AWM PEG D1Tim off FDSP Pitchoff off FDSP Sub Mod.,FDSP Main Mod.
57 D9 EvilSc AWM023:EQ015:Delay LR001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoff InsL D/W Baloff off AWM DCF Freq
58 D10 FM LineSq AWM010:Flanger 2055:Ensemble Detune 002:Rev Hall 2016:Delay L,RoffAWM Volumeoff InsL D/W Baloff off AWM DCF Freq
59 D11 FanfareBr AWM024:3Band EQ016:Echo001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoff AWM DCF Freq off off AWM Pitch
60 D12 FarawaySe FDSP000:THRU000:THRU009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDoff AWM LFO1Speed off off FDSP Balance
61 D13 DX AtackyPf AWM000:THRU004:Chorus 4001:Rev Hall 1006:Celeste 1offAWM LFO1 AMDoff InsL LFO Freqoff off AWM Pitch
62 D14 FlivverFx AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMDoff COM Rev Send off off COM Cho Send
63 D15 Dist 5thLd AWM000:THRU038:Distortion001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoff AWM DCF Freq off off AWM DCF Freq
64 D16 FlowFx AWM013:Auto Pan017:Cross Delay001:Rev Hall 1012:Flanger 3offInsS LFO Freqoff AWM FEG Depth off off InsS EQ H-Gain
* Four different types of voice sets are assigned for the Internal 1 (1-32) voices; tables 1-1, 1-2, 1-3 and 1-4 corresponding to the Demonstration Disks 1, 2, 3 and 4, respectively. The same voice sets are assigned for the Internal 1
(33-64) voices. When restoring the factory set data using the Factory Set file (on page 24, Owner‘s Manual), choose the disk containing the appropriate file.
AWM DCF FreqAWM AEG D1TimAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM AEG AtTimInsL LFO DepthInsL LFO Freq,InsL EQ M-GainAWM VolumeCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AN VCF FreqAN VCF ResoAN AEG Rl TimAN Sync PitchAN VCO2 EdgeCOM Cho Sendoff
InsS DriveInsS Out LevelInsS LPF CutoffInsS D/W BalCOM Rev SendCOM Cho Sendoff
AWM FEG DepthAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Cho SendInsL D/W Baloff
AN VCF FreqAWM DCF ResoAWM LFO1 FMDAN LFO1 SpeedCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimInsS LFO Freq,AWM LFO1Speed COM Rev Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTim,AWM AEG R2Tim AWM KeyOnDlyCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM VolumeAWM AEG AtTimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM FEG D1TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R2TimAWM FEG D1TimInsL D/W Bal,InsL FB Level L off
AWM AEG AtTimFDSP PWFDSP LFO SpeedFDSP LFO DepthCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM AEG AtTimInsL FB LevelCOM Rev SendCOM Cho Sendoff
AN VCF FMDAN PEG DepthAN FM DepthAN Sync PitchCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM LFO1 FMDAWM AEG D1TimAWM AEG R2TimCOM Rev SendCOM Cho Sendoff
AWM DCF FreqAWM DCF ResoAWM FEG D1TimAWM AEG R2TimInsL D/W BalCOM Cho Sendoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
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Internal 1 (65-128)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWATMW2FC BC Rbn
65 E1 House Piano Pf FDSP000:THRU000:THRU001:Rev Hall 1003:Chorus 3offAWM LFO1 PMDoffFDSP Cutoffoff off AWM Pitch
66 E2 Stage Stack Co AWM017:Exciter004:Chorus 4001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
67 E3 Funky SynSc AWM000:THRU015:Delay LR001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffInsL D/W Baloff off AWM DCF Freq
68 E4 GenasideSe AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAN VCO1 PMD,AN VCO2 PMDoffAN FEG Depthoff off AN Pitch
69 E5 Silent LeadGt FDSP000:THRU000:THRU002:Rev Hall 2017:Ctrl. DelayoffAWM LFO1 PMDoffAWM DCF Freqoff off AWM LFO1 PMD
70 E6 Hard Groove Sq FDSP000:THRU000:THRU001:Rev Hall 1017:Ctrl. DelayoffFDSP OvertoneoffFDSP Driveoff off FDSP Egde Bias
71 E7 HarmonicsFx AWM013:Auto Pan017:Cross Delay001:Rev Hall 1012:Flanger 3offCOM Rev SendoffInsS EQ L-Gain,InsS EQ H-Gain off off COM Cho Send
72 E8 HarptarEt AWM024:3Band EQ043:Exciter001:Rev Hall 1011:Flanger 2offAWM LFO1 PMDAWM LFO1 PMD InsL Driveoff off AWM Pitch
74 E10 House OrgBa AWM023:EQ000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
75 E11 ImpactFx AWM024:3Band EQ052:Plate009:Rev White Room 003:Chorus 3offAWM LFO1Speed,AWM LFO1 AMD offAWM DCF Freqoff off AWM LFO2Depth
76 E12 So DeepFx AWM000:THRU000:THRU002:Rev Hall 2013:SymphonicoffAWM FEG D2Tim,AWM FEG Depth offAWM Volumeoff off AWM LFO2Depth
77 E13 Jungle CallDr AWM016:AMP Simulator 062:V-Distortion001:Rev Hall 1001:Chorus 1offAWM LFO2SpeedoffCOM Rev Sendoff off AWM DCF Freq
78 E14 Glass StratGt FDSP000:THRU000:THRU001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffFDSP Cutoffoff off AWM Pitch
79 E15 Lazy Sweep Pd AWM022:Phaser057:2Band EQ002:Rev Hall 2004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
80 E16 LoFiLd AWM015:Overdrive062:V-Distortion001:Rev Hall 1010:Flanger 1offAWM LFO1 PMDoffInsL Over Driveoff off AWM Pitch
81 F1 LoFiJazzComb Co AWM015:Overdrive072:Digital Turntable 001:Rev Hall 1001:Chorus 1offInsL Noise Lev,InsL Clk LeveloffInsS EQ M-Freqoff off AWM Pitch
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
19
Page 20
Internal 2 (1-64)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWATMW2FC BC Rbn
1 A1 Equi 1998Sq AN+AWM 000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffAN FEG DcyTimoffAN VCF HPFoff off AN Pitch
2 A2 RoboTribeAT Sq AWM016:AMP Simulator 064:Talking Modulator 011:Rev Basement 016:Delay L,RoffAWM LFO1 PMDInsL VowelInsS Out Leveloff off InsL Vowel
3 A3 Sync EchoSq AWM013:Auto Pan015:Delay LR001:Rev Hall 1014:PhaseroffAWM FEG D1TimoffInsL D/W Baloff off AWM DCF Freq
4 A4 ZambeeziSq AN+AWM 000:THRU000:THRU001:Rev Hall 1009:Celeste 4offAN VCO1 PMD,AN VCO2 PMDoffCOM Rev Sendoff off AN VCF Freq
5 A5 BasslineABa AN+AWM 000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffAN VCO1 PWoffAN Sync Pitchoff off AN VCO1 Edge
6 A6 BasslineBBa AN+AWM 000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffAN Sync PitchoffAN Sync Pitchoff off AN VCO1 Edge
7 A7 Dry SynBa AWM000:THRU000:THRU001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
8 A8 Hardsequence Ba FDSP000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffFDSP DriveoffFDSP Ceilingoff off FDSP Egde Bias
9 A9 StrobeBass A Ba AN+AWM 000:THRU000:THRU001:Rev Hall 1003:Chorus 3offAN VCO1 PMD,AN VCO2 PMDoffAN VCF Freqoff off AN VCF Freq
10 A10 AnaSweepBa AWM000:THRU000:THRU002:Rev Hall 2001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freqoff off AWM DCF Freq
11 A11 Bwacka Bass Ba FDSP000:THRU000:THRU011:Rev Basement 001:Chorus 1offAWM LFO1 PMDoffCOM Cho Sendoff off AWM Pitch
12 A12 Talkin' Bass Ba FDSP000:THRU000:THRU011:Rev Basement 010:Flanger 1offAWM LFO1 PMDoffFDSP Egde Biasoff off AWM Pitch
13 A13 HardstepBa AN+AWM 000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffAN Sync PitchoffAN VCO2 Edgeoff off AN Feedback
14 A14 SH AcidBa AWM024:3Band EQ017:Cross Delay001:Rev Hall 1001:Chorus 1offAWM LFO1 FMDoffAWM Volumeoff off AWM FEG Depth
15 A15 Sub BassBa AWM024:3Band EQ000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM FEG Depthoff off AWM Pitch
16 A16 Massive FM Ba FDSP000:THRU000:THRU007:Rev Stage 2001:Chorus 1offAWM LFO1 PMDoffFDSP EG Depthoff off off
17 B1 Mean BassBa AWM014:Distortion062:V-Distortion001:Rev Hall 1003:Chorus 3offAWM LFO1 PMDoffInsL Over Driveoff off AWM DCF Freq
18 B2 Lately BassBa AWM024:3Band EQ016:Echo001:Rev Hall 1014:PhaseroffAWM LFO1 PMDoffAWM PEG Depthoff off AWM Pitch
19 B3 SpeedBa AWM024:3Band EQ022:Ambience001:Rev Hall 1013:SymphonicoffAWM LFO1 PMDoffAWM Volumeoff off AWM Pitch
20 B4 KangarooBa AWM016:AMP Simulator 011:Flanger 2001:Rev Hall 1016:Delay L,RoffAWM AEG R2Tim,AWM FEG R1Tim offAWM DCF Freqoff off AWM Pitch
21 B5 Plastic BoxBa AN+AWM 000:THRU000:THRU007:Rev Stage 2001:Chorus 1offAN VCO1 PMDoffAN VCF Freqoff off AN FEG Rl Tim,AN AEG Rl Tim
22 B6 TosserBa AN+AWM 000:THRU000:THRU003:Rev Room 1013:SymphonicoffAN VCF FreqoffAN VCO2 Edge,AN VCO1 Edgeoff off AN VCF HPF
23 B7 Wave BassBa AN+AWM 000:THRU000:THRU007:Rev Stage 2013:SymphonicoffAN VCO1 PMD,AN VCO2 PMDoffAN VCF Freqoff off AN VCO2 Edge,AN VCO1 Edge
24 B8 Velo SubBa AWM024:3Band EQ015:Delay LR002:Rev Hall 2001:Chorus 1offAWM LFO1 PMDoffAWM LFO1Speedoff off AWM DCF Freq
25 B9 MondoloidBa AN+AWM 000:THRU000:THRU001:Rev Hall 1001:Chorus 1off
AN VCO1 PMD,AWM LFO1 PMD,
AN VCO2 PMD
offAN Feedback,AN VCF Resooff off AN Pitch
26 B10 Hollow Bass Ba AWM023:EQ017:Cross Delay001:Rev Hall 1004:Chorus 4offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
27 B11 Techline AN Ba AWM016:AMP Simulator 032:Auto WAH001:Rev Hall 1016:Delay L,RoffInsL LFO FreqoffInsS Driveoff off AWM Pitch
28 B12 3 Pole Reso Ba AWM000:THRU000:THRU001:Rev Hall 1009:Celeste 4offAWM LFO1 PMDoffCOM Cho Sendoff off AWM LFO1Speed
29 B13 SlipmatLd FDSP000:THRU000:THRU001:Rev Hall 1005:Chorus 5offAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
30 B14 Fusion Tekk Ld FDSP000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffFDSP LFO DepthoffFDSP PWoff off AWM DCF Freq
31 B15 Minor SynLd AWM023:EQ015:Delay LR001:Rev Hall 1004:Chorus 4offAWM DCF FreqoffInsL D/W Baloff off AWM DCF Freq
32 B16 Fat HookLd AWM016:AMP Simulator 015:Delay LR001:Rev Hall 1015:Ensemble Detune offAWM LFO1 PMDoffInsL D/W Baloff off AWM DCF Freq
33 C1 ChemistryLd AWM000:THRU000:THRU001:Rev Hall 1017:Ctrl. DelayoffAWM LFO1SpeedoffAWM Volumeoff off AWM DCF Freq
34 C2 Rap Whistle Ld AN+AWM 000:THRU000:THRU010:Rev Tunnel016:Delay L,RoffAN VCO1 PMD,AN VCO2 PMDoffAN VCO1 Edgeoff off AN Pitch
35 C3 MonoLead AN Ld AN+AWM 000:THRU000:THRU001:Rev Hall 1005:Chorus 5offAN VCO1 PMD,AN VCO2 PMDoffAN VCF Freqoff off AN Pitch
36 C4 Sync Lead 2 Ld AN+AWM 000:THRU000:THRU001:Rev Hall 1005:Chorus 5offAN VCO1 PMD,AN VCO2 PMDoffAN VCF Freqoff off AN Sync Pitch
37 C5 Talk ModLd AWM022:Phaser000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffAWM DCF Freq,AWM DCF Freqoff off AWM DCF Freq
38 C6 Mean LeadLd AWM024:3Band EQ062:V-Distortion001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMDoffInsL D/W Baloff off AWM Pitch
39 C7 TrippyLd AWM024:3Band EQ040:AMP Simulator 005:Rev Room 3004:Chorus 4offInsL DriveoffAWM AEG R2Tim,AWM FEG R1Tim off off AWM FEG Depth
40 C8 Acid SawLd AWM024:3Band EQ040:AMP Simulator 001:Rev Hall 1014:PhaseroffAWM LFO1 PMDoffInsL Driveoff off InsL LPF Cutoff
41 C9 CompuTech Ld AWM014:Distortion000:THRU001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMDoffAWM DCF Freqoff off AWM Pitch
42 C10 OrganicLd AWM007:Celeste 3024:Phaser 2001:Rev Hall 1001:Chorus 1offAWM LFO1 FMDoffAWM LFO2Depthoff off AWM LFO2Speed
43 C11 HPF AttackLd AWM024:3Band EQ040:AMP Simulator 001:Rev Hall 1017:Ctrl. DelayoffAWM FEG D2Tim,AWM FEG D1Tim offAWM PEG Depth,AWM PEG D1Tim off off COM Cho Send
44 C12 Sync Lead 3 Ld AN+AWM 000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffAN VCO1 PMD,AN VCO2 PMDoffAN Sync Pitchoff off AN VCO1 Edge,AN VCO2 Edge
AWM DCF FreqAWM DCF ResoAWM AEG AtTimAWM AEG R1Tim,AWM AEG R2Tim COM Rev SendCOM Cho Sendoff
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
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Internal 2 (65-128)
EffectController
No. Bnk Voice Name Cat TypeIns-S TypeIns-L TypeReverb TypeChorus TypePBMWATMW2FC BC Rbn
65 E1 RhythmWheels Fx AWM024:3Band EQ067:Auto Synth001:Rev Hall 1010:Flanger 1offAWM LFO2Speed,AWM LFO2Depth AWM LFO1 PMD InsL AM Speedoff off AWM Pitch
66 E2 Ribbon Slide Fx AWM005:Celeste 1059:Control Delay 001:Rev Hall 1001:Chorus 1offAWM LFO1 PMDoffInsL Dly Trans.off off InsL Dly Time
67 E3 QuickeningFx FDSP000:THRU000:THRU009:Rev White Room 014:PhaseroffAWM LFO1SpeedFDSP PitchFDSP Dryoff off AWM Pitch
68 E4 HollowFx FDSP000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 AMDoffAWM DCF Freqoff off FDSP Pitch
69 E5 StarDustFx FDSP000:THRU000:THRU001:Rev Hall 1001:Chorus 1offAWM LFO1 AMDoffAWM DCF Freqoff off AWM Pitch
70 E6 NirvanaFx FDSP000:THRU000:THRU002:Rev Hall 2004:Chorus 4offFDSP PitchoffAWM LFO1Speedoff off AWM DCF Freq
71 E7 MoebiusFx FDSP000:THRU000:THRU001:Rev Hall 1016:Delay L,RoffAWM LFO1 PMDoffFDSP LFO Speedoff off AWM Pitch
72 E8 StarDriveFx FDSP000:THRU000:THRU001:Rev Hall 1012:Flanger 3offAWM LFO2DepthoffCOM Cho Send,AWM Volumeoff off AWM Pitch
73 E9 AstralMonkey Fx AWM001:Chorus 1066:Digital Scratch 009:Rev White Room 016:Delay L,RoffAWM LFO1 PMDInsL Scratch Spd InsL Scratch Spdoff off AWM Pitch
• The abbreviations “Ins S”and “Ins L” in the “Effect” and “Controller”sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively.
• Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und
“Insertion Effect 2” Bezug.
• A la section “Effect”et “Controller”de la liste des voix les abréviations “Ins S” et “Ins L” signifient respectivement “Insertion Effect 1” et “Insertion Effect 2”.
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pc
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Pf
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Or
Cp
Cp
Cp
Cp
Cp
Cp
Cp
Cp
Cp
Cp
Cp
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
Br
St
St
St
St
St
St
St
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Gt
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
Ba
En
En
En
En
En
En
En
En
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Rd
Pi
Pi
Pi
Pi
Pi
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Wv
Fx
Fx
Fx
Fx
Fx
Fx
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Dr
Pc
Sq
Fx
Co
Co
Co
Sq
Fx
Co
Fx
Fx
Co
Se
Fx
Ba
Pd
Fx
Co
Co
Ld
Br
Pd
Co
Gt
Pd
Pd
Sq
Fx
Co
Co
Fx
Sq
Pd
Co
Co
St
Fx
Pf
En
Br
Pd
Se
Se
Pd
Or
Ba
Co
Co
Pd
Co
Fx
St
Sq
Fx
Rd
Fx
Se
Co
Fx
Fx
Sq
Co
St
Pd
Co
Radioactive
Eternal
Dream Grand
Lover's Sax
Analog Bros
FX loop
Lightyears
Epic
DolphinDance
CirqueDeLuna
Sync Chords
Warpout
HotSpring
Darkcore
Wave Pad
Snow Dwarf
80's Seq
Piano String
HeadDriver
Alaskan
BreathyChoir
Obi & Paddy
Two GuitarS
Sunbeam
Relax
FrenchSchool
Celebration
Fretles Pad
Ballad Stack
Saphire
BeatExplorer
Quarks
Drums & Bass
Roads&Brass
WideStrings
FlowerDrops
HybridRoads
WallChoir
Tower Brass
Amethyst
Microbe X
Clockshop
CrystalLake
Jazz Upr&Lwr
Moonbase
Silver Bird
The Dreamer
Stratosphere
Digi Rock
NeoCity
AnalogStrngs
The Journey
S P A W N E
TwinTenor
Emotion
Experiment
Midnite Blue
Nuclear
Mars > Orion
EX-Teknofarm
SteviesSplit
SmoothEnsmbl
Water Dance
Hokkaido
NewAge
Down Spiral
Dreamsphere
Fractal
4 Osc Sweep
StereoString
Trippy
OberBrass
BreathChoir
Warmer
Edgy Strat
Fifth Rise
Clear Bell
Paris
V-Choir
AnaOrch
Georgia
Harmonics
FX Kit
Flow
Slapit
Sect
AnaOrch
Quickening
Made in USA
Pop Brass
Foam
Geiger Count
Broken Arp
Glass Choir
Jazz Organ
Flatwound
EnsembleMix
Earth Lead
Faraway
Chemistry
Busy Brass
StereoString
Pop
Drumnotized
Tenor Soft
V-Choir
Geiger Count
Mute Trumpet
Paris
Orion
Equi 1998
Pulsaw
Swell String
Nightchoir
Witches
■Controller List (Dest. Param: Destination Parameters)
0offAssign OffALL
1COM Volume Common VolumeVoice Common
2COM Rev SendReverb Send LevelVoice Common
3COM Cho SendChorus Send LevelVoice Common
4COM Port SWPortamwnt SWVoice Common
5EF1 Prm 1 Insertion-S Dist1Voice Common
6EF1 Prm 2 Insertion-S Dist2Voice Common
7EF1 Prm 3 Insertion-S Dist3Voice Common
8EF1 Prm 4 Insertion-S Dist4Voice Common
9EF1 Prm 5 Insertion-S Dist5Voice Common
10 EF1 Prm 6 Insertion-S Dist6Voice Common
11 EF1 Prm 7Insertion-S Dist7Voice Common
12 EF1 Prm 8Insertion-S Dist8Voice Common
13 EF1 Prm 9Insertion-S Dist9Voice Common
14 EF1 Prm 10Insertion-S Dist10Voice Common
15 EF1 Prm 11Insertion-S Dist11Voice Common
16 EF1 Prm 12Insertion-S Dist12Voice Common
17 EF1 Prm 13Insertion-S Dist13Voice Common
18 EF1 Prm 14Insertion-S Dist14Voice Common
19 EF1 Prm 15Insertion-S Dist15Voice Common
20 EF1 Prm 1Insertion-L Dist1Voice Common
21 EF2 Prm 2Insertion-L Dist2Voice Common
22 EF2 Prm 3Insertion-L Dist3Voice Common
23 EF2 Prm 4Insertion-L Dist4Voice Common
24 EF2 Prm 5Insertion-L Dist5Voice Common
25 EF2 Prm 6Insertion-L Dist6Voice Common
26 EF2 Prm 7Insertion-L Dist7Voice Common
27 EF2 Prm 8Insertion-L Dist8Voice Common
28 EF2 Prm 9Insertion-L Dist9Voice Common
29 EF2 Prm 10Insertion-L Dist10Voice Common
30 EF2 Prm 11Insertion-L Dist11Voice Common
31 EF2 Prm 12Insertion-L Dist12Voice Common
32 EF2 Prm 13Insertion-L Dist13Voice Common
33 EF2 Prm 14Insertion-L Dist14Voice Common
34 EF2 Prm 15Insertion-L Dist15Voice Common
35 EF2 Prm 16Insertion-L Dist16Voice Common
36 FDSP -------FDSP PanVoice Common
37 FDSP -------FDSP Dist1Voice Common
38 FDSP -------FDSP Dist2Voice Common
39 FDSP -------FDSP Dist3Voice Common
40 FDSP -------FDSP Dist4Voice Common
41 FDSP -------FDSP Dist5Voice Common
42 FDSP -------FDSP Dist6Voice Common
43 FDSP -------FDSP Dist7Voice Common
44 FDSP -------FDSP Dist8Voice Common
45 AWM VolumeVolumeAWM Element
46 AWM PAN PANAWM Element
47 AWM Tune FineTune FineAWM Element
48 AWM PitchPitchAWM Element
49 AWM KeyOnDlyKey On DelayAWM Element
50 AWM LFO1SpeedLFO1 FrequencyAWM Element
51 AWM LFO1 PMDLFO1 PMDAWM Element
52 AWM LFO1 AMDLFO1 AMDAWM Element
53 AWM LFO1 FMDLFO1 CMDAWM Element
54 AWM LFO2SpeedLFO2 FrequencyAWM Element
55 AWM LFO2PhaseLFO2 Wave PhaseAWM Element
56 AWM LFO2DepthLFO2 DepthAWM Element
57 AWM PEG DepthPEG DepthAWM Element
58 AWM PEG HoldPEG Hold TimeAWM Element
59 AWM PEG D1TimPEG 1st RateAWM Element
60 AWM PEG D2TimPEG 2nd RateAWM Element
61 AWM PEG D3TimPEG 3rd RateAWM Element
62 AWM PEG R1TimPEG Release1 RateAWM Element
63 AWM PEG R2TimPEG Release2 RateAWM Element
64 AWM AEG AtTimAEG ARAWM Element
65 AWM AEG D1TimAEG D1RAWM Element
66 AWM AEG D2TimAEG D2RAWM Element
67 AWM AEG D3TimAEG D3RAWM Element
68 AWM AEG R1TimAEG RR1AWM Element
69 AWM AEG R2TimAEG RR2AWM Element
70 AWM FEG HoldFEG Initial Hold RateAWM Element
71 AWM FEG D1TimFEG 1st RateAWM Element
72 AWM FEG D2TimFEG 2nd RateAWM Element
73 AWM FEG D3TimFEG 3rd RateAWM Element
74 AWM FEG R1TimFEG Release1 RateAWM Element
75 AWM FEG R2TimFEG Release2 RateAWM Element
76 AWM FEG DepthDCF1 FEG DepthAWM Element
77 AWM DCF ResoDCF QAWM Element
78 AWM DCF FreqDCF1 FcAWM Element
79 AN VolumeVolumeAN Element
80 AN PAN PANAN Element
81 AN DetuneDetuneAN Element
82 AN Pitch PitchAN Element
83 AN Pitch DownPitchAN Element
84 AN PEG DcyTimPEG_DecayRateAN Element
85 AN PEG DepthPEG_AmountAN Element
86 AN Port TimePortamentoTimeAN Element
87 AN LFO1 SpeedLFO1_SpeedAN Element
88 AN LFO1 DelayLFO1_DelayAN Element
89 AN LFO2 SpeedLFO2_SpeedAN Element
90 AN Sync PitchVCO_FormantAN Element
91 AN Sync DepthVCO_SyncAmountAN Element
92 AN FM Depth VCO_FM_AmountAN Element
93 AN VCO1 EdgeVCO1_EdgeAN Element
94 AN VCO1 PWVCO1_PulseWidthAN Element
95 AN VCO1 PWM VCO1_PWM_DepthAN Element
96 AN VCO1 PMD VCO1_VibDepthAN Element
97 AN VCO2 EdgeVCO2_EdgeAN Element
98 AN VCO2 PWVCO2_PulseWidthAN Element
99 AN VCO2 PWM VCO2_PWM_DepthAN Element
100 AN VCO2 PMD VCO2_VibDepthAN Element
101 AN VCO1 LevelMixVCO1LevelAN Element
102 AN VCO2 LevelMixVCO2LevelAN Element
103 AN Ring Mod MixRmLevelAN Element
104 AN NoiseLevelMixNoiseLevelAN Element
105 AN FEG At TimFEG_AttackRateAN Element
106 AN FEG DcyTimFEG_DecayRateAN Element
107 AN FEG SusLvlFEG_SustainLevelAN Element
108 AN FEG Rl TimFEG_ReleaseRateAN Element
109 AN VCF HPF VCF_HPf_CutoffAN Element
110 AN VCF Freq VCF_CutoffAN Element
111 AN VCF Reso VCF_EmphasisAN Element
112 AN FEG Depth VCF_EnvelopeAmount AN Element
113 AN VCF FMD VCF_ModDepthAN Element
114 AN AEG At TimAEG_AttackRateAN Element
115 AN AEG DcyTimAEG_DecayRateAN Element
116 AN AEG SusLvlAEG_SustainLevelAN Element
117 AN AEG Rl TimAEG_ReleaseRateAN Element
118 AN Feedback VCA_FeedbackLevelAN Element
119 AN VCA VolumeVCA_VolumeAN Element
120 AN VCA AMD VCA_ModDepthAN Element
121 DR PANPANDRUM Element
122 DR PEG Depth PEG DepthDRUM Element
123 DR DCF Reso DCF QDRUM Element
124 DR DCF Freq DCF1 FcDRUM Element
125 DR FEG Depth DCF1 FEG DepthDRUM Element
126 VL Volume VolumeVL Element
127 L PANPANVL Element
128 VL Detune DetuneVL Element
129 VL Pressure PressureVL Element
130 VL EmbouchureEmbouchureVL Element
131 VL Tonguing TonguingVL Element
132 L Scream ScreamVL Element
133 VL Brth NoiseBreath NoiseVL Element
134 VL Growl GrowlVL Element
135 VL Throat Throat FormantVL Element
136 VL Enhancer Harmonic enhancerVL Element
137 VL Damping DampingVL Element
138 VL AbsorptionAbsorptionVL Element
139 VL Amplitude AmplitudeVL Element
140 VL Flt Freq FilterVL Element
141 VL FMDFmodVL Element
142 VL PMDPmodVL Element
143 VL Pitch PitchVL Element
144 VL Flt Reso ResonanceVL Element
145 VL EG At Tim Aeg ARVL Element
146 VL EG Rl Tim Aeg RRVL Element
No. LCDParameter
Voice/Element Type
No. LCDParameter
Voice/Element Type
No. LCDParameter
Voice/Element Type
NOTE: The parameters for EF1, EF2 and FDSP appearing on the screen depend on the currently selected type.
VL and AN parameters will be shown only when one of the VL/AN voices is selected.
■Liste mit Controllern (Dest Param: Zielparameter)
■Liste des contrôleurs (Paramètres de destination)
31
Page 32
■FDSP Parameter List ■FDSP Parameter-Liste
111
222
333
444
555
666
777
888
99 drive9
101010
111111
121212
131313
141414
1515 cutoff15
161616
1717
single coil,hum backing
-24~+24
0~127
-64~+63
-32~+32
0~127
-64~+63
-32~+32
-48~+48
0~127
-48~+48
-32~+32
0~127
-32~+64
0~127
0~31
0~12717
-64~+63
-50~+50
-32~+64
0~127
-15~+15
0~63
0~63
2~200
0~63
0~63
-15~+15
0~15
-15~+15
0~48
0~127
-64~+63
-64~+63
181818
191919
20
normal,integrate-defferentiate,differentiate
-64~+63
-64~+63
-48~+0
0~+48
0~127
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
0~127
-32~+64
0~127
-32~+64
0~312020
111
222
3
drive
drive kf
position
output
cutoff
cutoff kf
Type1: EP Pickup
Parameter
pickup type
low break point
high break point
position high kf
position high mid kf
position low mid kf
position low kf
output high kf
output high mid kf
output low mid kf
output low kf
high pass
high pass kf
resonance
Controller
drive control
position control
cutoff control33
Type3: Water
Parameter
pitch coarse
pitch fine
key follow
CutOff Frequency
Fc key follow
Resonance
Freq.Mod.Depth
Mod.Speed
Mod.Smoothness
Feedback level
FB key follow
High dump
High dump key follow
release time
highpass
wet level
dry level
Controller
pitch control
wet control
dry control
44
Type2: EG Pickup
Parameter
pickup type
coarse
picking position
picking position kf
picking notch
pickup position
pickup position kf
pickup notch
distance
output
output kf
highpass
highpass kf
resonance
filter bypass
Controller
picking position control
pickup position control
fret position control
cutoff control4
555
666
777
888
999
101010
111
22 pitch fine2
33 key follow3
44 eg depth4
555
666
777
888
999
101010
111111
121212
131313
141414
-64~+63
-32~+64
-64~+63
-64~+63
decay,attack
0~127
-64~+63
0~48
0~127
1~255
-64~+63
-64~+63
-64~+63
-64~+63
15
-64~+63
-32~+64
0~127
-64~+63
-64~+63
common,key on reset,random phase
0~64
1~255
tri,sin
0,90,180,270
decay,attack,fade in
0~64
0~127
-64~+63
-32~+321515
1616 wet level16
1717 dry level
-64~+63
-50~+50
-32~+64
-64~+63
-64~+63
0~127
-64~+63
0~127
-64~+63
0~127
0~48
0~127
1~255
-64~+63
-64~+63
-64~+63
-64~+6317
181818
191919
202020
Controller
111
222
333
444
5
Type4: PWM
Parameter
pitch coarse
key follow
pulse width
PWM depth
PWM depth vs
LFO mode
LFO depth
LFO speed
LFO wave
LFO phase
EG mode
EG shape
EG time
EG time kf
balance
Controller
PW control
PWM control
LFO depth control
LFO speed control
balance control55
666
77
Type5: Flange
Parameter
pitch coarse
eg depth vs
attack time
attack time kf
decay time
decay time kf
sustain level
release time
LFO depth
LFO speed
feedback level
feedback level vs
pitch control
eg depth control
LFO depth control
LFO speed control
feedback control
wet control
dry control7
Type6: Phaser
Parameter
pitch coarse
key follow
eg depth
eg depth vs
EG mode
EG time
EG time kf
release time
LFO depth
LFO speed
feedback level
feedback level vs
wet level
dry level
Controller
pitch control
eg depth control
LFO depth control
LFO speed control
feedback control
wet control
dry control
888
999
101010
* Items listed under “Controller” can be selectable as the destination parameters for a Controller Set.
■Liste des Paramètres FDSP
32
Page 33
Type7: SelfFMType8: TornadoType9: RingMod
-64~+63
-32~+64
0~1
0~127
0~127
-64~+63
-64~+63
-64~+63
0~127
-32~+64
decay,attack
0~127
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
0~120
0~127
0~127
-64~+63
-64~+63
-64~+63
0~127
0~48
0~64
0~127
-64~+63
-64~+63
0~127
-32~+64
0~127
-32~+64
0~127
-64~+63
0~127
0~127
-64~+63
-50~+50
0~127
-32~+64
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
0~127
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
-64~+63
Parameter
pitch coarse
key follow
polarity
phase
drive
drive kf
drive eg depth
drive eg depth vs
drive lowpass
drive lowpass kf
EG mode
EG time
EG time kf
wet
wet vs
dry
dry vs
Controller
drive control
eg depth control
phase control
Parameter
pre gain
pre lowpass
drive
drive kf
eg depth
eg depth vs
decay time
release time
overtone
ceiling
edge bias
edge eg depth
highpass
highpass kf
lowpass
lowpass kf
wet gain
wet vs
wet
dry
Controller
drive control
overtone control
ceiling control
egde bias control
wet control
dry control
Parameter
pitch coarse
pitch fine
sub pitch
key follow coarse
key follow fine
pitch eg depth
pitch eg depth vs
main frequency coarse
main frequency fine
sub frequency coarse
sub frequency fine
EG mode
EG time
EG time kf
main modulation depth
main modulation eg depth
main modulation eg depth vs
sub modulation depth
sub modulation eg depth
sub modulation eg depth vs
Controller
pitch control
pitch eg depth control
main frequency control
sub frequency control
main modulation control
sub modulation control
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
1
2
3
4
5
6
7
8
9
10
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
1
2
3
4
5
6
7
8
9
10
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
1
2
3
4
5
6
7
8
9
10
-64~+16
0~127
-64~+63
-64~+63
-64~+63
-64~+63
0~127
-64~+63
0~127
-64~+63
0~127
0~127
0~127
-32~64
-60~+60
Parameter
input
drive
drive vs
drive kf
drive eg depth
drive eg depth vs
attack time
attack time kf
decay time
decay time kf
sustain level
over drive
highpass
highpass kf
output
Turn off the effect.
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb device.
Unique short reverb with a slight initial delay.
Simulation of a cylindrical space extending to left and right.
Reverb with distinctive resonance following a slight initial delay.
A hypothetical acoustic space which extends without limit.
Turn off the effect.
A standard chorus effect, adding natural spaciousness to the sound.
An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound.
An effect reminiscent of a jet airplane taking off and landing.
A multi-stage version of CELESTE modulation.
Cyclically changes the phase to modulate the sound.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Two delay sounds L and R, with two feedback delays.
A delay with controllable delay time.
Turn off the effect.
Conventional chorus effect which gives natural spaciousness to the sound.
A three-phase LFO is used to give modulation and spaciousness to the sound.
An effect reminiscent of a jet airplane taking off and landing.
An effect which cyclically modulates the volume.
An effect which cyclically moves the sound between left/right and front/back.
Adds distortion with an edge to the sound.
Adds mild distortion to the sound.
Simulation of a guitar amp.
This effect adds new overtones to the input signal to make the sound stand out.
Holds down the output when the input exceeds a specified level. Can be used to add a sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
Cyclically changes the center frequency of a wah filter. Can be used as a pedal wah by assigning it to a controller.
Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.
Cyclically changes the phase to modulate the sound.
Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
Stereo EQ with equalization of LOW, MID and HIGH.
Turns off the effect.
Conventional chorus effect which gives natural spaciousness to the sound.
A three-phase LFO is used to give modulation and spaciousness to the sound.
An effect reminiscent of a jet airplane taking off and landing.
A multi-stage version of CELESTE modulation.
Three delay sounds L, R and C (center).
Two delay sounds L and R, with two feedback delays.
Two delays L and R, with independent feedback delay for L and R.
This effect crosses the feedback of two delays.
Simulation of a rotary speaker. Can be used to control the rotation speed by assigning it to a controller.
An effect which cyclically modulates the volume.
An effect which cyclically moves the sound between left/right and front/back.
An effect which adds spatial breadth by blurring the location of the sound.
Cyclically changes the phase to modulate the sound.
This effect isolates only the early reflection components of the reverb.
Simulation of gated reverb.
Simulation of gated reverb played back in reverse.
Echo for karaoke.
Cyclically changes the center frequency of a wah filter. Can be used as a pedal wah by assigning it to a controller.
Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.
Applies DISTORTION to the output of AUTO WAH to distort the sound. Can be used
as a pedal wah by assigning it to a controller.
Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can be used
as a pedal wah by assigning it to a controller.
Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.
Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.
Adds distortion with an edge to the sound.
Adds mild distortion to the sound.
Simulation of a guitar amp.
Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level.
This effect adds new overtones to the input signal to make the sound stand out.
Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb device.
This effect changes the pitch of the input signal.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Attenuates the vocal part from sources such as CDs.
Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
Stereo EQ with equalization of LOW, MID and HIGH.
A delay with controllable delay time.
Distortion simulated the vintage tube and fuzz.
Degrades the audio quality of the input signal.
Simulated analog flanger. Random can be selected for the LFO wave.
Adds a vowel sound to the input signal.
Modifies the waveform length of the sound in realtime. Use in conjunction with a controller.
Adds a scratch sound to the input signal.
Processes the input signal into a synthesizer-type sound.
Adds a unique feeling of modulation similar to ring modulation.
Simulates a lowered resolution for the input signal. The phase of the Rch can be inverted.
Adds a feeling of noise to the input signal.
Creates a somewhat LoFi feeling, and emphasizes the attack of the sound. Also has the feel of a flanger.
Simulates the noise of an analog record.
Cuts apart the input signal and applies extreme modulation to the playback order or speed.
TOUCH WAH, DISTORTION and DELAY are connected in series.
TOUCH WAH, OVERDRIVE and DELAY are connected in series.
COMPRESSOR, DISTORTION and DELAY are connected in series.
COMPRESSOR, OVERDRIVE and DELAY are connected in series.
DISTORTION and DELAY are connected in series.
OVERDRIVE and DELAY are connected in series.
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■Effect Parameter List ■Liste mit Effekt-Parametern
■Liste des Paramétres d’effets
1. Reverb Block
[0] off
[1] HALL1 ~ [8] PLATEController
01. reverb time0.3s~30.0sec
02. diffusion0~10
03. initial delay0.1ms~200.0ms
04. HPF cutoff frequency20Hz~8.0kHz
05. LPF cutoff frequency1.0kHz~20.0kHz
06. reverb delay0.1ms~200.0ms
07. density0~4
08. ER / rev balanceE63>R ~ E=R ~ E<R63
09. feedback high damp0.1~1.0
10. feedback gain–63~+63
[9] WHITE ROOM ~ [12] CANYONController
01. reverb time0.3s~30.0sec
02. diffusion0~10
03. initial delay0.1ms~200.0ms
04. HPF cutoff frequency20Hz~8.0kHz
05. LPF cutoff frequency1.0kHz~20.0kHz
06. width0.5m~30.2m
07. height0.5m~30.2m
08. depth0.5m~30.2m
09. wall vary0~30
10. reverb delay0.1ms~200.0ms
11. density0~4
12. ER / rev balanceE63>R ~ E=R ~ E<R63
13. feedback high damp0.1~1.0
14. feedback gain–63~+63
2. Chorus Block
[0] off
[1] CHORUS1 ~ [5] CHORUS5
[6] CELESTE1 ~ [9] CELESTE4Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. feedback gain–63~+63
04. delay offset0.0ms~50.0ms
05. EQ low frequency32Hz~2.0kHz
06. EQ low gain–12dB~+12dB
✽
07. EQ high frequency500Hz~16.0kHz
08. EQ high gain–12dB~+12dB
[10] FLANGER1 ~ [12] FLANGER3Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. feedback gain–63~+63
04. delay offset0.0ms~50.0ms
05. LFO phase difference–180deg~+180deg
06 ~ 09. are the same as parameter ✽.
[13] SYMPHONICController
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. delay offset0.0ms~50.0ms
04 ~ 07. are the same as parameter ✽.
[14] PHASERController
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. phase shift offset0~127
04. feedback gain–63~+63
05. stage4, 5, 6
06. diffusionmono/stereo
07 ~ 10. are the same as parameter ✽.
[15] ENSEMBLE DETUNEController
01. detune–50cent~+50cent
02. initial delay Lch0.0ms~50.0ms
03. initial delay Rch0.0ms~50.0ms
[16] DELAY L,R(stereo)Controller
01. delay time L0.1ms~743.0ms
02. delay time R0.1ms~743.0ms
03. feedback time L0.1ms~743.0ms
04. feedback time R0.1ms~743.0ms
05. feedback gain–63~+63
06. feedback high damp0.1~1.0
07 ~ 10. are the same as parameter ✽.
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[17] Control Delay(mono)Controller
01. delay time0.1ms~1486.0ms
02. delay transition rate1~48
03. feedback gain–63~+63
04. feedback high damp0.1~1.0
05 ~ 08. are the same as parameter ✽.
3. Insertion Effect 1
[0] thru
[1]~[4]CHORUS1~4
[5]~[8]CELESTE1~ 4Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. feedback gain–63~+63
04. delay offset0.0ms~50.0ms
05 ~ 08. are the same as parameter ✽.
09. input modemono/stereo
10. dry / wet balanceD63>W ~ D=W ~ D<W63
[9]~[11] FLANGER1~3Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. feedback gain–63~+63
04. delay offset0.0ms~50.0ms
05 ~ 08. are the same as parameter ✽.
09. LFO phase difference–180deg~+180deg
10. dry / wet balanceD63>W ~ D=W ~ D<W63
[12]TREMOLOController
01. LFO frequency0.0Hz~39.70Hz
02. AM depth0~127
03. PM depth0~127
04. LFO phase difference–180deg~+180deg
05 ~ 08. are the same as parameter ✽.
09. input modemono/stereo
[13]AUTO PANController
01. LFO frequency0.0Hz~39.70Hz
02. L/R depth0~127
03. F/R depth0~127
04. PAN directionL<>R, L>>R, L<<R, Lturn, Rturn, L/R
05 ~ 08. are the same as parameter ✽.
[14] DISTORTION
[15] OVERDRIVEController
01. drive0~127
02. EQ low frequency32Hz~2.0kHz
03. EQ low gain–12dB~+12dB
04. EQ mid frequency100Hz~10.0kHz
05. EQ mid gain–12dB~+12dB
06. EQ mid width1~12.0
07. LPF cutoff frequency1.0kHz~20.0kHz
08. edge0~127
09. output level0~127
10. dry / wet balanceD63>W ~ D=W ~ D<W63
[16] AMP SIMULATORController
01. drive0~127
02. AMP typeOff,Stack,Combo,T ube
03. LPF cutoff frequency1.0kHz~20.0kHz
04. edge0~127
05. output level0~127
06. dry / wet balanceD63>W ~ D=W ~ D<W63
[17] EXCITERController
01. HPF cutoff frequency500Hz ~ 16.0kHz
02. drive0~127
03. mix level0~127
[18] COMPRESSORController
01. attack1ms~40ms
02. release10ms~680ms
03. threshold–48dB~+6dB
04. ratio1~20.0
05. output level0~127
[19] NOISE GATEController
01. attack1ms~40ms
02. release10ms~680ms
03. threshold–72dB~+30dB
04. output level0~127
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[20] AUTO WAHController
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. cutoff frequency offset0~127
04. resonanse1~12.0
05 ~ 08. are the same as parameter ✽.
09. dry / wet balanceD63>W ~ D=W ~ D<W63
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[21] TOUCH WAHController
01. sensitive0~127
02. cutoff frequency offset0~127
03. resonanse1~12.0
04 ~ 07.are the same as parameter ✽.
08. dry / wet balanceD63>W ~ D=W ~ D<W63
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[22] PHASERController
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. phase shift offset0~127
04. feedback gain–63~+63
05. stage4,5,6
06. diffusionmono/stereo
07 ~ 10. are the same as parameter ✽.
11. dry / wet balanceD63>W ~ D=W ~ D<W63
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[23] EQController
01 ~ 04. are the same as parameter ✽.
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[24] 3BAND EQController
01. EQ low frequency50Hz~2.0kHz
02. EQ low gain–12dB~+12dB
03. EQ mid frequency100Hz~10.0kHz
04. EQ mid gain–12dB~+12dB
05. EQ mid Q1~12.0
06. EQ high frequency500Hz~16.0kHz
07. EQ high gain–12dB~+12dB
08. input modemono/stereo
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4. Insertion Effect 2
[0] thru
[1]~[5]CHORUS1~5
[6]~[9] CELESTE1~4Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. feedback gain–63~+63
04. delay offset0.0ms~50.0ms
05 ~ 08. are the same as parameter ✽.
09. EQ mid frequency100Hz~10.0kHz
10. EQ mid gain–12dB~+12dB
11. EQ mid Q1~12.0
12. input modemono/stereo
13. dry / wet balanceD63>W ~ D=W ~ D<W63
[10]~[12] FLANGER1~3Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. feedback gain–63~+63
04. delay offset0.0ms~50.0ms
05 ~ 08. are the same as parameter ✽.
09. EQ mid frequency100Hz~10.0kHz
10. EQ mid gain–12dB~+12dB
11. EQ mid Q1~12.0
12. LFO phase difference–180deg~+180deg
13. dry / wet balanceD63>W ~ D=W ~ D<W63
[13] SYMPHONICController
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. delay offset0.0ms~50.0ms
04 ~ 07. are the same as parameter ✽.
08. EQ mid frequency100Hz~10.0kHz
09. EQ mid gain–12dB~+12dB
10. EQ mid Q1~12.0
11. dry / wet balanceD63>W ~ D=W ~ D<W63
[14] DELAY L,C,RController
01. delay time L0.1ms~1486.0ms
02. delay time R0.1ms~1486.0ms
03. delay time C0.1ms~1486.0ms
04. feedback time0.1ms~1486.0ms
05. feedback gain–63~+63
06. delay level C0~127
07. feedback high damp0.1~1.0
08 ~ 11. are the same as parameter ✽.
12. dry / wet balanceD63>W ~ D=W ~ D<W63
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[15] DELAY L,RController
01. delay time L0.1ms~1486.0ms
02. delay time R0.1ms~1486.0ms
03. feedback time 10.1ms~1486.0ms
04. feedback time 20.1ms~1486.0ms
05. feedback gain–63~+63
06. feedback high damp0.1~1.0
07 ~ 10. are the same as parameter ✽.
11. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
[16] ECHOController
01. delay time L10.1ms~743.0ms
02. feedback gain L–63~+63
03. delay time R10.1ms~743.0ms
04. feedback gain R–63~+63
05. feedback high damp0.1~1.0
06. delay time L20.1ms~743.0ms
07. delay time R20.1ms~743.0ms
08. delay level 20~127
09 ~ 12. are the same as parameter ✽.
13. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
❍
❍
[17] CROSS DELAYController
01. delay time L>R0.1ms~743.0ms
02. delay time R>L0.1ms~743.0ms
03. feedback gain–63~+63
04. input select ( type )L, R, L&R
05. feedback high damp0.1~1.0
06 ~ 09. are the same as parameter ✽.
10. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
[18] ROTARY SPEAKER1Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03 ~ 06. are the same as parameter ✽.
07. EQ mid frequency100Hz~10.0kHz
08. EQ mid gain–12dB~+12dB
09. EQ mid Q1~12.0
10. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
❍
❍
❍
❍
[19] ROTARY SPEAKER2Controller
01. rotor speed0.0Hz~39.70Hz
02. drive low0~127
03. drive high0~127
04. low / high balanceL63>H ~ L=H ~ L<H63
05. mic L-R angle0deg~180deg
06. divide frequency100Hz~10.0kHz
07 ~ 10. are the same as parameter ✽.
❍
❍
❍
❍
❍
[20]TREMOLOController
01. LFO frequency0.0Hz~39.70Hz
02. AM depth0~127
03. PM depth0~127
04. LFO phase difference–180deg~+180deg
05 ~ 08. are the same as parameter ✽.
09. EQ mid frequency100Hz~10.0kHz
10. EQ mid gain–12dB~+12dB
11. EQ mid Q1~12.0
12. input modemono/stereo
❍
❍
❍
❍
❍
❍
❍
[21]AUTO PANController
01. LFO frequency0.0Hz~39.70Hz
02. L/R depth0~127
03. F/R depth0~127
04. PAN directionL<>R, L>>R, L<<R, Lturn, Rturn, L/R
05 ~ 08. are the same as parameter ✽.
09. EQ mid frequency100Hz~10.0kHz
10. EQ mid gain–12dB~+12dB
11. EQ mid Q1~12.0
❍
❍
❍
❍
❍
❍
❍
[22] AmbienceController
01. delay time0.0ms~50.0ms
02. wet output phasenormal/inverse
03 ~ 06. are the same as parameter ✽.
07. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
[23] PHASER1Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. phase shift offset0~127
04. feedback gain–63~+63
05. stage4, 5, 6, 7, 8, 9, 10, 11, 12
06. diffusionmono/stereo
07 ~ 10. are the same as parameter ✽.
11. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
❍
❍
❍
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[24] PHASER2Controller
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. phase shift offset0~127
04. feedback gain–63~+63
05. stage3, 4, 5, 6
06. LFO phase difference–180deg~+180deg
07 ~ 10. are the same as parameter ✽.
11. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
❍
❍
❍
[25]~[26]EARLY REF1~2Controller
01. typeS-hall, L-hall, random, reverse, plate, spring
02. room size0.1~20.0
03. diffusion0 ~ 10
04. initial delay0.1ms~200.0ms
05. feedback gain–63~+63
06. HPF cutoff frequency20Hz ~ 8.0kHz
07. LPF cutoff frequency1.0kHz~20.0kHz
08. liveness0 ~ 10
09. density0 ~ 3
10. feedback high damp0.1~1.0
11. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
❍
[27] GATE REVERB
[28] REVERSE GATEController
01. typetype-A, type-B
02 ~ 11. are the same as parameter EARLY REF1
[29]~[31]KARAOKE1~3Controller
01. delay time0.1ms~ 400.0ms
02. feedback gain–63~+63
03. HPF cutoff frequency20Hz ~ 8.0kHz
04. LPF cutoff frequency1.0kHz~20.0kHz
05. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
❍
[32] AUTO WAHController
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. cutoff frequency offset0~127
04. resonanse1~12.0
05 ~ 08. are the same as parameter ✽.
09. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
❍
❍
❍
[33] TOUCH WAHController
01. sensitive0~127
02. cutoff frequency offset0~127
03. resonanse1~12.0
04 ~ 07. are the same as parameter ✽.
08. dry / wet balanceD63>W ~ D=W ~ D<W63
❍
❍
❍
❍
❍
[34] AUTO WAH DISTORTION
[35] AUTO WAH OVERDRIVEController
01. LFO frequency0.0Hz~39.70Hz
02. LFO depth0~127
03. cutoff frequency offset0~127
04. resonanse1~12.0
05 ~ 08. are the same as parameter ✽.
MIDI is an acronym that stands for Musical Instrument Digital Interface,
which allows electronic musical instruments to “communicate” with each
other, by sending and receiving compatible Note, Control Change, Program
Change and various other types of MIDI data, or messages.
The EX can control a MIDI device by transmitting note related data and
various types of controller data. The EX can be controlled by the incoming
MIDI messages which automatically select MIDI channels, voices and
effects, change parameter values, and of course play the voices specified
for the various Parts in a Performance.
MIDI Messages Transmitted/Received by the EX
The MIDI messages can be divided into two groups: the Channel Messages and System Messages. Below is a
brief explanation of the various types of MIDI messages which the EX can receive/transmit.
CHANNEL MESSAGES
The Channel Messages are the data related to the performance on the keyboard for the specific channel.
•Note On/Note Off (Key On/Key Off)
Messages which are generated when the keyboard is played. Each message includes a specific note
number which corresponds to the key which is pressed, plus a velocity value based on how hard the key is
struck.
•Control Change
Control Change messages let you select a voice bank (Bank Select), control volume, panning, modulation,
portamento time, brightness and various other controller parameters, through specific Control Change
numbers which correspond to each of the various parameters.
•Program Change
Messages which voice to select for each Part.
With a combination of Bank Select, you can select not only basic voice numbers, but also variation voice
bank numbers.
•Channel Aftertouch
Messages which let you control the sounds by the pressure you apply to the keys after the initial striking of
the keys, over the entire channel.
•Polyphonic Key Pressure
Messages which let you control the sounds by the pressure you apply to the keys after the initial striking of
the keys, for each individual key.
•Pitch Bend
Pitch Bend messages are continuous controller messages that allow the pitch of designated notes to be
raised or lowered by a specified amount over a specified duration.
SYSTEM MESSAGES
The System Messages are the data related to the overall system of the device.
•Exclusive Messages
Exclusive messages control various functions of the EX, including bulk dump, master volume and master
tuning, effect type and various other parameters.
•Realtime Messages
Messages which control the sequencer including Start, Stop, Continue, MIDI clock and Active Sensing
messages.
•Common Messages
Messages which also control the sequencer including Song Select and Song Position Pointer messages.
MIDI Data Format
Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers.
Hexadecimal numbers may include the letter “H” as a suffix. The letter “n” indicates a certain whole number.
The chart below lists the corresponding decimal number for each hexadecimal/binary number.
• For example, 144 - 159(Decimal)/9nH/1001 0000 - 1001 1111(Binary) indicate the note-on messages for the
channels 1 through 16 respectively. 176 - 191/BnH/1011 0000 - 1011 1111 indicate the control change messages
for the channels 1 through 16 respectively. 192 - 207/CnH/1100 0000 - 1100 1111 indicate the program change
messages for the channels 1 through 16 respectively. 240/F0H/1111 0000 is positioned at the beginning of data
to indicate a system exclusive message. 247/F7H/1111 0 111 is positioned at the end of the system exclusive
message.
• aaH(Hexadecimal)/0aaaaaaa(Binary) indicates the data addresses. The data address consists of High, Mid and
Low.
• bbH/0bbbbbbb indicates byte counts.
• ccH/0ccccccc indicates tcheck sums.
• ddH/0ddddddd indicates data/value.
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1. NOTE ON/OFF
STATUS: 9nH/8nH
2. PROGRAM CHANGE
STATUS: CnH
3. PITCH BEND CHANGE
STATUS: EnH
4. CONTROL CHANGE
STATUS: BnH
<BANK SELECT MSB/LSB> 00H/20H
Cntrl#parameterData Range
0 Bank Select MSB63 (0x3F):Exclusive to EX
32Bank Select LSB0 (0x00):Preset1 Voice
New bank selection will not become effective until the Program Change message is received.
<MODULATION> 01H
Cntrl#parameterData Range
1Modulation0...127
<BREATH CONTROLLER> 02H
Cntrl#parameterData Range
2Breath Controller0...127
<FOOT CONTROLLER> 04H
Cntrl#parameterData Range
4Foot Controller0...127
<PORTAMENTO TIME> 05H
Cntrl#parameterData Range
5Portamento Time0...127
Setting the value to 127 produces maximum portamento time and 0 results in minimum portamento
time.
<DATA ENTRY MSB/LSB> 06H/26H
Cntrl#parameterData Range
6Data Entry MSB0...127
38Data Entry LSB0...127
Messages which set the value for the parameter specified by RPN.
<MAIN VOLUME> 07H
Cntrl#parameterData Range
7Main Volume0...127
<PAN POT> 0AH
Cntrl#parameterData Range
10Panpot0...127
Setting the value to 127 positions to the right most and 0 positions to the left most.
<EXPRESSION> 0BH
Cntrl#parameterData Range
11Expression0...127
<CONTROL CHANGE 13> 0DH
Cntrl#parameterData Range
13Control Change 130...127
<SUSTAIN> 40H
Cntrl#parameterData Range
64Sustain0...127 (0-63:Off, 64-127:On)
<PORTAMENTO> 41H
Cntrl#parameterData Range
65Portamento0...127 (0-63:Off, 64-127:On)
Portamento is applied according to the amount set in the Portamento Time when the Prtament is
set to ON. MONO is selected when the Prtament is set to ON: Single Trigger mode is selected. In
the other cases: Multi Trigger mode.
<SOSTENUTO> 42H
Cntrl#parameterData Range
66Sostenuto0...127 (0-63:Off, 64-127:On)
<HARMONIC CONTENT> 47H
Cntrl#parameterData Range
71Harmonic Content0...127 (0:-64, 64:+0, 127:+63)
Adjusts the resonance. Effective range may be narrower than the available range.
<RELEASE TIME> 48H
Cntrl#parameterData Range
72Release Time0...127 (0:-64, 64:+0, 127:+63)
Adjusts the envelope release time. Effective range may be narrower than the available range.
Cntrl#parameterData Range
73Attack Time0...127 (0:-64, 64:+0, 127:+63)
Adjusts the envelope attack time. Effective range may be narrower than the available range.
<BRIGHTNESS> 4AH
Cntrl#parameterData Range
74Brightness0...127 (0:-64, 64:+0, 127:+63)
Adjusts the filter cut-off frequency. Effective range may be narrower than the available range.
<PORTAMENT CONTROL> 54H
Cntrl#parameterData Range
84Portamento control 0...127
<EFFECT SEND LEVEL 1 (REVERB)> 5BH
Cntrl#parameterData Range
91Effect 1 Depth0...127
Adjusts the reverb send level.
<EFFECT SEND LEVEL 3 (CHORUS)> 5DH
Cntrl#parameterData Range
93Effect3 Depth0...127
Adjusts the chorus send level.
<DATA INCREMENT/DECREMENT> 60H/61H
Cntrl#parameterData Range
96Increment0...127
97Decrement0...127
The data byte is ignored.
Messages which increase or decrease the MSB value designated by RPN.
<REGISTERED PARAMETER NUMBER (RPN) LSB/MSB> 64H/65H
Cntrl#parameterData Range
100RPN LSB0...127
101RPN MSB0...127
The following parameters can be designated.
RPN
LSBMSBMSBparameterData Range
00H00HmmH Pitch Bend Sensitivitymm:00H-18H(0-+24)
01H00HmmHFine Tunemm:00H-40H-7FH(-64-0-+63)
02H00HmmHCoarse Tunemm:28H-40H-58H(-24-0-+24)
7FH7FH---Null---
5. CHANNEL MODE MESSAGES
<ALL SOUNDS OFF> 78H
Cntrl#parameterData Range
120-----0
All the sounds currently played except for the channel messages are muted when receiving this
message.
<RESET ALL CONTROLLERS> 79H
Cntrl#parameterData Range
121-----0
Resets the values set for the following controllers.
PITCH BEND CHANGECenter
CHANNEL AFTER TOUCH0
MODULATION0
BREATH CONTROLLERMaximum
FOOT CONTROLLERMaximum
EXPRESSIONMaximum
CONTROL CHANGE 13Center
SUSTAIN SWITCHOff
PORTAMENTO SWITCHOff
SOSTENUTO SWITCHOff
RPNNull
Resets the Portamento Control setting.
<ALL NOTES OFF> 7BH
Cntrl#parameterData Range
123---------0
All the notes currently set to on in a certain channel are muted when receiving this message.
However, if Hold 1 or Sostenute is on, notes will continue sounding until these are turned off.
<OMNI MODE OFF> 7CH
Cntrl#parameterData Range
124---------0
Performs the same function as when receiving ALL NOTES OFF.
<OMNI MODE ON> 7DH
Cntrl#parameterData Range
125-----0
Performs the same function as when receiving ALL NOTES OFF.
Default:40H
Default:02H
Default : 40H 00H
Default : 40H 00H
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<MONO> 7EH
Cntrl#parameterData Range
126Mono0...16
Performs the same function as when receiving ALL SOUNDS OFF. If the 3rd byte (mono) is
within 0 through 16, the channel will be Mode4(m = 1).
<POLY> 7FH
Cntrl#parameterData Range
127-----0
Performs the same function as when receiving ALL SOUNDS OFF. The channel will be Mode3.
6. CHANNEL AFTER TOUCH
STATUS: DnH
7. SYSTEM EXCLUSIVE MESSAGES
<UNIVERSAL REALTIME MESSAGES>
1) MIDI Master Volume (Receive only)
F0H,7FH,xnH,04H,01H,llH,mmH,F7H
xn:n=Device Number, xn=7F:Broadcast
ll:Don’t care
mm:Master Volume
When received, Master Volume in the System Parameter will be changed.
2) MIDI Machine Control (Transmit only)
Transmits when MTC is selected for the timing clock.
2-1) STOP
F0H,7FH,7FH,06H,01H,F7H
Transmits when STOP is pressed.
2-2) DEFERRED PLAY
F0H,7FH,7FH,06H,03H,F7H
Transmits when RUN is pressed.
2-3) LOCATE
F0H,7FH,7FH,06H,44H,06H,01H,hrH,mnH,scH,frH,ffH,F7H
Transmits when moving in measures in the Song Play mode.
<UNIVERSAL NON-REALTIME MESSAGES>
1) GM System On (Receive only)
F0H,7EH,xnH,09H,01H,F7H
xn:n=Device Number, xn=7F:Broadcast
Resets all the data to their respective default values except for MIDI Master Tune.
F0H,7EH,0nH,06H,02H,43H,00H,41H,02H,xxH,00H,00H,00H,7EH,F7H
0n:n=Device Number
xx:33(EX5),34(EX7),40(EX5R)
Transmits ID Reply when ID Request is received.
<PARAMETER CHANGES>
F0H,43H,1nH,idH,ahH,amH,alH,ddH,~,ddH,F7H
1n:n=Device Number
id:ID=5B,57
ah:Address High
am:Address Mid
al:Address Low
dd:Data
ID = 5BHAH AM AL
1) Current Performance / Common Parameters See < Table 1>10 ** **
2) Current Performance / Part ParametersSee < Table 2>3p ** **
3) Current Voice / Common TG ParametersSee < Table 3>40 ** **
4) Current Voice / Common Control Parameters See < Table 4>50 ** **
5) Current Voice / Element Parameters 1See < Table 5>60 ee **
6) Current Voice / Element Parameters 2See < Table 6>70 ee **
7) Remote SWSee < Table 13>0A 00 **
1) an 2) are effective only in the Performance mode.
3)~6) are effective only in the Voice mode.
7): receive only.
[Other]
MIDI Master Tune (Receive only)
F0H,43H,1nH,27H,30H,00H,00H,mmH,llH,ccH,F7H
1n:n=Device Number
mm:Master Tune MSB
ll:Master Tune LSB
cc:Don’t care
When received, Master Tune in the System Parameter will be changed.
p = Part No.(0~F:Part1~Part16)
ee = Element No.(00~7F:EL1~EL128)
** = Address (Refer to the tables)
<BULK DUMP>
F0H,43H,0nH,idH,bhH,blH,ahH,amH,alH,ddH,~,ddH,ccH,F7H
0n:n=Device Number
id:ID=5B,57
bh:Byte Count High
bl:Byte Count Low
ah:Address High
am:Address Mid
al:Address Low
dd:Data
cc:Check Sum
ID = 5BHAH AM AL
1) Current Performance / Common BulkSee < Table 7>10 00 00
2) Current Performance / Part BulkSee < Table 8> 3p 00 00
3) 1 Performance BulkSee < Table 9>11 00 nn
4) Current Voice / All BulkSee < Table 10>40 00 00
5) Current Voice / Element BulkSee < Table 11>60 ee 00
1) and 2) are effective only in the Performance mode.
4) and 5) are effective only in the Voice mode.
<BULK DUMP REQUEST>
F0H,43H,2nH,idH,ahH,amH,alH,F7H
2n:n=Device Number
id:ID=5B,57
ah:Address High
am:Address Mid
al:Address Low
Receive only.
Responds to all the Bulk Dumps.
See MIDI Data Table for Address and Byte Count.
The Check sum is the value that results in a value of 0 for the lower 7 bits when the Byte
Count, Start Address, Data and Check sum itself are added. When receiving the Bulk Dump with
the wrong check sum, a check sum error will be displayed.
8. SYSTEM COMMON MESSAGES
<MIDI TIME CODE (Quarter Frame Message)>
F1H,nxH
nx:data
Receives when MTC is selected for the timing clock.
<SONG POSITION POINTER>
F2H,llH,mmH
ll:Song Position LSB
mm:Song Position MSB
Transmits when moving in measures in the Song Play mode.
Receives when in the standby status in the Song Play mode.
9. SYSTEM REALTIME MESSAGES
Can transmit and receive.
<TIMING CLOCK>
STATUS: F8H
<START>
STATUS: FAH
<CONTINUE>
STATUS: FBH
<STOP>
STATUS: FCH
<ACTIVE SENSING>
STATUS: FEH
Once FE (Active Sensing) has been received, if no MIDI data is subsequently received for
longer than an interval of approximately 300msec, the EX will perform the same function as
when All Sounds Off, All Notes Off, and Reset All Controllers messages are received, and
will then return to a status in which FE is not monitored.
p = Part No.(0~F:Part1~Part16)
b = Memory Bank(1~4:P1,P2,I1,I2)
ee = Element No.(00~7F:EL1~EL128)
nn = Memory No.(Refer to the tables)