Page 1
Owner’s Manual
MIC MIC MIC MIC MIC MIC MIC MIC
LINE
LINE
LINE
INSERT
INSERT
I O I O I O I O
1
GAIN
+10
-16 -60
PEAK
HIGH
-15
MID
-15
LOW
-15
MONI 1
0
MONI 2
0
EFFECT
0
PAN
L
PFL
0
5
10
15
20
25
30
40
50
1
INSERT
2345678
GAIN
GAIN
-34
-34
+10
+10
-16 -60
-16 -60
PEAK
PEAK
HIGH
HIGH
+15
+15
-15
-15
MID
MID
+15
+15
-15
-15
LOW
LOW
+15
+15
-15
-15
MONI 1
MONI 1
10
10
0
0
MONI 2
MONI 2
10
10
0
0
EFFECT
EFFECT
10
10
0
0
PAN
PAN
R
R
L
L
PFL
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
2345678
INPUT OUTPUT
LINE LINE LINE LINE
LINE
INSERT
GAIN
-34
+10
-16 -60
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
MONI 2
10
EFFECT
10
PAN
R
0
5
10
15
20
25
30
40
50
0dB
INSERT
I O
OUT IN
GAIN
GAIN
-34
+10
-16 -60
PEAK
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
0
MONI 2
10
0
0
EFFECT
10
0
0
PAN
R
L
L
PFL
PFL
0
5
10
15
20
25
30
40
50
GAIN
-34
-34
+10
+10
-16 -60
-16 -60
PEAK
PEAK
HIGH
HIGH
+15
+15
-15
-15
MID
MID
+15
+15
-15
-15
LOW
LOW
+15
+15
-15
-15
MONI 1
MONI 1
10
10
0
0
MONI 2
MONI 2
10
10
0
0
EFFECT
EFFECT
10
10
0
0
PAN
PAN
R
R
L
L
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
L
R
L
ST 1
+4dB
RL
ST 2
R
+4dB
MONI MONI
12
+4dB
LR
P.AMP
IN
+4dB
BRIDGE
LIMITER
LEVEL
+4
10
+18+4+18
LR
BRIDGE
ST1 L
MONI 1
MONO
(BRIDGE)
POWER AMP
10
10
0
ON
8
9
7
10
11
VOCAL ECHO 1 VOCAL REVERB 1 HALL 1 PLATE 1
1
12
2
VOCAL ECHO 2
13
3
VOCAL ECHO 3
14
4
VOCAL ECHO 4
1
15
16
DIGITAL EFFECT
GRAPHIC EQUALIZER
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
ST
0
MIN
PARAMETERPROGRAM
5
6
7
8
ST1 R
MONO
VOCAL REVERB 2
VOCAL REVERB 3
VOCAL REVERB 4
FOOT SW
MONO
+4dB
EFFECT
+4dB
C-R
PHONES
PEAK
+8
POWER
+5
+3
+1
PHANTOM +48V
(1-8ch)
0
ON
-1
OFF
-3
-5
C-R/PHONES
-7
-10
-15
10
10
MAX
0
-20
ST 2
L
R
10
0
ST 1
13
9
HALL 2
PLATE 2
14
10
15
11
HALL 3
PLATE 3
ROOM
GATE REVERB
16
12
8K4K2K1K500250125
+12
6
ON
0
6
-12
8K4K2K1K500250125
AFLAFLAFLAFLAFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
MONOMONI 2MONI 1 ST 1EFFECT
A
A
GAIN
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
BAL
A
B
+10
PEAK
-15
-15
-15
0
0
0
L
PFL
0
5
10
15
20
25
30
40
50
11 L
B
TAPE REC
-10dBV -10dBV
12 R
B
ST
SUB 1STSUB 2
+4dB +4dB
MONI 1
-34
0
MONI 2
+15
0
ST
+15
0
PFL
ST SUB 1
+15
MONI 1
10
0
MONI 2
10
0
ST
10
0
PFL
R
ST SUB 2
L
R
ST
10
0
PFL
10
TAPE IN
MONI 1 MONI 2
10
0
6
5
4
3
10
2
10
+12
6
0
6
10
-12
0
5
10
15
20
25
30
40
50
9 L
B
10 R
B
9 L 11 L L L
(MONO) (MONO) (MONO) (MONO)
A
10 R 12 R R R
A
9 10
11 12
A
B
GAIN
GAIN
-34
-34
+10
-16 -60
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
R
L
PFL
0
5
10
15
20
25
30
40
50
-34
+10
PEAK
HIGH
+15
+15
-15
MID
+15
+15
-15
LOW
+15
+15
-15
MONI 1
10
10
0
MONI 2
10
10
0
EFFECT
10
10
0
BAL
R
R
L
PFL
PFL
0
5
10
15
20
25
30
40
50
11 129 10
Keep This Manual For Future Reference.
E
Page 2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on
different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
Page 3
Introduction
Thank you for purchasing the Yamaha EMX3000 Powered Mixer. In order to
take full advantage of the EMX3000 and enjoy long, trouble-free performance,
please read this owner’s manual carefully, and keep it in a safe place for future
reference.
Precautions
■
Warnings
• Do not place a container with liquid or small metal
objects on top of this unit. Liquid or metal objects
inside this unit are a fire and electrical shock hazard.
• Do not allow water to enter this unit or allow the unit
to become wet. Fire or electrical shock may result.
• Connect this unit’s power cord only to an AC outlet of
the type stated in this Owner’s Manual or as marked
on the unit. Failure to do so is a fire and electrical
shock hazard.
• Do not scratch, bend, twist, pull, or heat the power
cord. A damaged power cord is a fire and electrical
shock hazard.
• Do not place heavy objects, including this unit, on top
of the power cord. A damaged power cord is a fire and
electrical shock hazard. In particular, be careful not to
place heavy objects on a power cord covered by a carpet.
• If you notice any abnormality, such as smoke, odor, or
noise, or if a foreign object or liquid gets inside the
unit, turn it off immediately. Remove the power cord
from the AC outlet. Consult your dealer for repair.
Using the unit in this condition is a fire and electrical
shock hazard.
• Should this unit be dropped or the cabinet be dam-
aged, turn the power switch off, remove the power
plug from the AC outlet, and contact your dealer. If
you continue using the unit without heeding this
instruction, fire or electrical shock may result.
• If the power cord is damaged (i.e., cut or a bare wire is
exposed), ask your dealer for a replacement. Using the
unit with a damaged power cord is a fire and electrical
shock hazard.
• Do not remove the unit’s cover. You could receive an
electrical shock. If you think internal inspection, maintenance, or repair is necessary, contact your dealer.
• Do not modify the unit. Doing so is a fire and electri-
cal shock hazard.
• If lightning begins to occur, turn off the power switch
of the unit as soon as possible, and unplug the power
cable plug from the electrical outlet.
• If there is a possibility of lightning, do not touch the
power cable plug if it is still connected. Doing so may
be an electrical shock hazard.
Introduction
■
Cautions
• Keep this unit away from the following locations:
- Locations exposed to oil splashes or steam, such
as near cooking stoves, humidifiers, etc.
- Unstable surfaces, such as a wobbly table or slope.
- Locations exposed to excessive heat, such as
inside a car with all the windows closed, or places
that receive direct sunlight.
- Locations subject to excessive humidity or dust
accumulation.
• This unit has ventilation holes at the rear, and the
right to prevent the internal temperature rising too
high. Do not block them. Blocked ventilation holes
are a fire hazard.
• To relocate the unit, turn the power switch off,
remove the power plug from the AC outlet, and
remove all connecting cables. Damaged cables may
cause fire or electrical shock.
• Turn off all musical instruments, audio equipment,
and speakers when connecting to this unit. Use the
correct connecting cables and connect as specified.
• Always lower the volume control to minimum before
turning on the power to this unit. A sudden blast of
sound may damage your hearing.
• Clean the contacts of the phone plug before connecting it to the SPEAKERS jack of this unit. Dirty contacts may generate heat.
• Use only speaker cables when connecting speakers to
amplifier outputs. Using other types of cables is a fire
hazard.
• Hold the power cord plug when disconnecting it from
an AC outlet. Never pull the cord. A damaged power
cord is a potential fire and electrical shock hazard.
• Do not touch the power plug with wet hands. Doing
so is a potential electrical shock hazard.
• The inside of the unit should be cleaned periodically.
Dust accumulation inside the unit may cause malfunction and is a potential fire hazard. Consult your
dealer for information about cleaning.
• To prevent electrical shock when cleaning the unit,
remove the power plug from the AC outlet.
• If you know you will not use this unit for a long
period of time, such as when going on vacation,
iii
EMX3000—Owner’s Manual
Page 4
iv
Introduction
remove the power plug from the AC outlet. Leaving it
connected is a potential fire hazard.
• Do not touch the heatsink when this apparatus is in
use. It can get very hot.
■
Operating Notes
• The digital circuits of this unit may induce a slight
noise into nearby radios and TVs. If noise occurs,
relocate the affected equipment.
• Using a mobile telephone near this unit may induce
noise. If noise occurs, use the telephone away from
the unit.
• XLR-type connectors are wired as follows: pin 1:
ground, pin 2: hot (+), and pin 3: cold (–).
• Insert TRS phone jacks are wired as follows: sleeve:
ground, tip: send, and ring: return.
• Do not set all equalizer controls and faders to maximum. Doing so may cause oscillation depending on
the condition of the connected unit and speakers, and
may damage the speakers.
• The performance of components with moving contacts, such switches, rotary controls, faders, and connectors, deteriorates over time. The rate of
deterioration depends on the operating environment
and is unavoidable. Consult your dealer about replacing defective components.
much louder sound.
✦
In addition to the speaker output jacks, two stereo
output channels for line-level signals, two monitor
output channels, one effect output, and one monaural
output are provided. You can easily expand the system
by adding a power amplifier or powered speakers.
✦
The EMX3000 also has a C-R/PHONES jack, which is
very useful for checking the sound. You can monitor
only a specific channel or bus signal through the
headphones.
✦
Two limiter circuits are built-in to prevent excessive
input levels to the amp.
✦
A digital effect with sixteen selectable effect types is
built-in. A variety of effects can be applied to add
reverberation or ambience to vocals or instrumental
sounds.
✦
The EMX3000 has implemented “EEEngine”,
Yamaha’s epochal amp drive technology to create an
unrivaled high-efficiency drive.
The EEEngine’s energy-saver/low-heat-generation
design has reduced power consumption to 50% or
less, and reduced heat generation to 35% or less (in
field applications, compared to Yamaha’s previous
models), and has lead to a reduction in energy cost
and to less-restrictive installation requirements
related to heat generation.
Features
✦
The EMX3000 provides versatile inputs, such as two
stereo input channels and two stereo sub inputs, as
well as eight monaural input channels compatible
with mic/line signals. The mixer also has ample
power, with a maximum output of 300 W+300 W
(600 W with bridge connection), and is suitable for a
wide range of applications from installed systems to
small-scale PA systems.
✦
A two-channel power amp is built-in. The signals output to speakers can be selected as stereo (ST1 L-R),
monitor+monaural (MONI 1- MONO), or monaural
(bridge connection).
✧
Stereo
The main stereo mix signal is output from speaker
output jacks L and R of the EMX3000. You can connect one or two speakers to each speaker output jack.
✧
Monitor+monaural
The main monaural mix signal is output from speaker
output jack R, and the monitor signal from speaker
output jack L. You can connect one or two speakers to
each speaker output jack.
✧
Monaural (bridge connection)
The two-channel power amp is bridge-connected,
and the main monaural mix signal is output from
BRIDGE jack. You can connect only one speaker for a
Contents
Front and rear panel......................................1
Control panel ....................................................1
Input/output panel.............................................6
Rear panel........................................................8
Installation/Connections................................9
Installation ........................................................9
Connection .......................................................9
Connecting input/output equipment................10
Basic operation ...........................................11
Connecting microphones and instruments .....11
Using the digital effect ....................................11
Example setups...........................................12
As a conference/entertainment hall sound
system ............................................................12
As a band PA..................................................13
Using a subwoofer..........................................15
Specifications..............................................16
General specifications ....................................16
Input specifications.........................................17
Output specifications ......................................17
Dimensions.....................................................18
Block/Level Diagram.......................................19
EMX3000—Owner’s Manual
Page 5
3
0
Front and rear panel
Control panel
■
Channel control section
In this section, you can adjust equalization (frequency response), volume level, effect and monitor output levels for the input signal of each
channel.
1
3
4
5
6
7
9
GAIN GAIN
-34
+10
-16 -60
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
R
L
PFL PFL
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
BAL
A
B
-34
+10
PEAK
+15
-15
+15
-15
+15
-15
10
0
10
0
10
0
R
L
2
1
3
4
5
6
8
9
Front and rear panel
2
A/B switch (Channels 9/10~11/12 only)
This switch selects channel 9/10~11/12 input
jacks.
When the switch is up, the signal will be input
from jacks A (phone jacks on the input/output
panel
).
When the switch is pressed in, the signal will be
input from jacks B (phono jacks on the input/
3
output panel
3
PEAK indicator
).
The indicator will light 3 dB before clipping,
warning that clipping level is near.
4
Equalizer controls (HIGH, MID, LOW)
This is a 3-band equalizer that adjusts the high
frequency range, mid frequency range, and low
frequency range of each channel. Response is flat
▼
when the knobs are in the “
” position. Rotating
it toward the right will boost the corresponding
frequency band, and rotating it toward the left
will cut it.
The base frequency (or center frequency), range
of boost or cut, and equalizer type of each band
are as follows:
HIGH: 10kHz, ±15 dB, shelving type
MID: 2.5kHz, ±15 dB, peaking type
LOW: 100Hz, ±15 dB, shelving type
1
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
1
1
GAIN control
Use this knob to adjust the sensitivity according
to the input signal level, so that the input level is
appropriate.
For the best balance of S/N ratio and dynamic
range, adjust this knob so that the peak indicator
3
lights occasionally.
910
0
5
Monitor 1/2 controls (MONI 1/2)
For each channel, this controls the amount of signal that is sent to the MONITOR 1/2 buses.
The signal of the MONITOR 1 bus is sent to the
9
MONI 1 jack (input/output panel
). If the
power amp select switch V is in the MONI 1MONO position, the signal is also sent to the
speakers connected to the SPEAKERS L/MONI1
1/2 jacks.
The signal of the MONITOR 2 bus is sent to the
9
MONI 2 jack (input/output panel
).
Note: The signal sent to the MONITOR 1/2
buses does not pass through the channel fader
(pre-fader send). This means that it will not
be affected by the setting of the channel fader.
EMX3000—Owner’s Manual
Page 6
Front and rear panel
2
6
Effect control (EFFECT)
For each channel, this controls the amount of signal that is sent to the EFFECT bus.
The signal of the EFFECT bus is sent to the
A
EFFECT jack (input/output panel
). It is also
sent to the built-in effect when the ON switch P
in the digital effect section is turned on.
Note: The amount of signal that is sent to the
EFFECT bus from each channel will be affected
not only by the setting of the EFFECT control,
but also by the setting of the channel fader
(post-fader send).
7
PAN (panpot) control (Channels 1~8)
The PAN knobs set the stereo position of the signal that is sent to the STEREO bus.
8
BAL (balance) control (Channels 9/10~
11/12)
The BAL knobs set the balance between the left
and right channels, and assign the signals
received at inputs 9/10~11/12 to the STEREO
bus.
9
PFL (pre-fader listen) switch
Channels for which this switch is on will send a
signal from a post-EQ pre-fader location to the
C-R/PHONES jack (input/output panel
this when you wish to use the headphones to
monitor only a specific channel.
Note:
You can monitor the signal through the
headphones even if the fader of the corresponding channel is set to the lowest level. The
switch operation does not affect the signal sent
to the STEREO bus, MONITOR 1/2 buses, or
the EFFECT bus.
0
Channel fader
This controls the output level of the input channel signal.
B
0
). Use
■
Stereo sub input section
In this section, you can adjust the input level of
external equipment connected to the ST SUB 1/2
jacks on the input/output panel.
MONI 1
A
10
0
MONI 2
B
10
0
ST
C
10
0
PFL
ST SUB 1
MONI 1
D
A
10
0
MONI 2
B
10
0
ST
C
10
0
PFL
ST SUB 2
A
MONI 1 (monitor 1) control
The MONI 1 knob adjusts the amount of the signal sent from the ST SUB 1 and 2 jacks (input/
output panel 4) to the MONITOR 1 bus.
B
MONI 2 (monitor 2) control
The MONI 2 knob adjusts the amount of the signal sent from the ST SUB 1 and 2 jacks to the
MONITOR 2 bus.
C
ST (stereo) control
The ST knob adjusts the amount of stereo signal
sent from the ST SUB 1 and 2 jacks to the STEREO bus.
Note: The ST control setting does not affect
the level of the signal sent to the MONITOR
1/2 buses (pre-fader send).
D
EMX3000—Owner’s Manual
PFL (pre-fader listen) switch
D
When this switch is turned on, the signal at the
point before the ST control knob C is sent to the
C-R/PHONES jack (input/output panel B ).
Page 7
9
9
■
Master control section
In this section, you can adjust the final level of
the outputs.
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
0
5
10
15
20
25
30
40
50
E F G H I
3
I
MONO (monaural) fader
Control panel
The MONO fader adjusts the final level of the
monaural signal output from the STEREO bus to
0
the MONO jack (input/output panel
AFLAFLAFLAFLAFL
J
If the Power amp select switch V is set to
MONI 1-MONO, this fader also adjusts the level
).
of the signal sent from the SPEAKERS R/MONO
1/2 jacks to the speakers.
V
If the Power amp select switch
is set to MONO
(BRIDGE), this fader adjusts the level of the signal sent from the SPEAKERS BRIDGE jack to the
speaker.
AFL (after fader listen)
J
When this switch is on, the output signal that
passes through the corresponding fader is sent to
B
the C-R/PHONES jack (input/output panel
MONOMONI 2MONI 1 ST 1EFFECT
Use these switches when you wish to monitor a
).
particular output signal through the headphones.
■
Tape in section
E
MONI 1 (monitor 1) fader
The MONI 1 fader adjusts the final level of the
signal sent from the MONITOR 1 bus to the
MONI 1 jack (input/output panel
). If the
Power amp select switch V is set to MONI 1MONO, using this fader enables you to adjust the
level of the signal sent from the SPEAKER L/
MONI1 1/2 jacks to the speakers.
F
MONI 2 (monitor 2) fader
The MONI 2 fader adjusts the final level of the
signal output from the MONITOR 2 bus to the
MONI 2 jack (input/output panel
G
EFFECT fader
).
The EFFECT fader adjusts the final level of the
signal output from the EFFECT bus to the
A
EFFECT jack (input/output panel
).
Note: The setting of this fader does not affect
the level of the signal sent from the EFFECT
bus to the built-in effect.
H
ST 1 (stereo 1) fader
The ST 1 fader adjusts the final level of the signal
sent from the STEREO bus to the ST 1 jacks
(input/output panel 8). If the Power amp select
switch V is set to ST1 L-ST1 R, this fader also
adjusts the level of the signal sent to the SPEAKERS jacks (rear panel 1 ).
In this section, you can adjust the input level of a
cassette deck or a CD player that is connected to
the TAPE jacks (input/output panel 5).
ST
K
10
0
PFL
TAPE IN
L
K ST (stereo) control
This knob adjusts the level of the signal sent from
the TAPE jacks to the STEREO bus.
L PFL (pre-fader listen) switch
When this switch is on, the signal input from the
TAPE jacks is routed at the point before the ST
control K to the C-R/PHONES jack (input/output panel B).
Note: The setting of this fader does not affect
the signal output from the STEREO bus to the
ST 2 jacks.
EMX3000—Owner’s Manual
Page 8
4 Front and rear panel
■ Digital effect section
This section enables you to turn the built-in digital effect on/off and select the effect type.
M N
MONI 1 MONI 2
10
0
8
9
7
6
10
5
11
4
12
13
3
2
14
1
15
16
O
M MONI 1/2 (monitor 1/2) control
This knob adjusts the level of the return signal
that is sent from the built-in digital effect to the
MONITOR 1/2 buses.
N ST (stereo) control
This knob adjusts the level of the return signal
that is sent from the built-in digital effect to the
STEREO bus.
O PROGRAM selector
This knob selects the effect type for the internal
digital effect.
P ON switch
This switch turns the internal digital effect on/
off.
P
ST
0
MIN
PARAMETERPROGRAM
5
VOCAL REVERB 2
6
7
VOCAL REVERB 3
VOCAL REVERB 4
8
10
MAX
Q
13
9
HALL 2
14
10
15
11
HALL 3
ROOM
16
12
10
0
ON
VOCAL ECHO 1 VOCAL REVERB 1 HALL 1 PLATE 1
1
2
VOCAL ECHO 2
3
VOCAL ECHO 3
4
VOCAL ECHO 4
DIGITAL EFFECT
PLATE 2
PLATE 3
GATE REVERB
■ Graphic equalizer section
This section enables you to adjust the tone of the
STEREO bus signal.
8K4K2K1K500250125
+12
6
0
6
-12
GRAPHIC EQUALIZER
+12
6
0
6
-12
8K4K2K1K500250125
R Graphic equalizer
This is a 7-band graphic equalizer that allows you
to adjust the frequency response of the STEREO
bus signal, providing a maximum of ±12 dB of
cut/boost for each frequency band.
This graphic equalizer affects both the STEREO
bus signal that is output to the speakers and the
line level signal that is output from the ST 1/2
jacks (input/output panel 8), and MONO jack
(input/output panel 0).
S ON switch
This switch turns the graphic equalizer on/off.
■ Power amp section
This section allows you to select the signals that
will be sent to the built-in two-channel power
amplifier.
SR
ON
Q PARAMETER control
This knob adjusts the time parameter of the
internal digital effect.
Note: The master EFFECT fader setting does
not affect the internal digital effect signal.
T
U
V
LIMITER
LEVEL
+4
+18
LR
BRIDGE
ST1 L
MONI 1
MONO
(BRIDGE)
POWER AMP
+4
+18
ST1 R
MONO
T LIMITER indicator
This indicator lights up when the level of the signal output from the power amp section reaches
the maximum and the limiter is activated. Adjust
the LEVEL control U and appropriate fader so
that the indicator lights up for only a short while
when the signal reaches the maximum level.
Note: The indicator lights up or flashes for a
longer duration if the power amp section is significantly overloaded, which could result in
malfunction. Avoid such a situation.
EMX3000—Owner’s Manual
Page 9
Control panel 5
U LEVEL controls
These knobs enable you to adjust the level of the
signals input from the mixer section to the power
amp section. Rotating the knob clockwise will
raise the level of the input signal. Use a screwdriver of a width of 3mm or less to adjust the
knob.
If an external piece of equipment is connected to
the P.AMP IN jacks (input/output panel 6),
these knobs adjust the input sensitivity of the
power amp (the input level that will provide the
maximum output level in the power amp section). The sensitivity range is +18 dB~+4 dB, and
rotating the knobs clockwise raises the input sensitivity.
Note: If the Power amp select switch V is set
to MONO (BRIDGE), only the L/BRIDGE
LEVEL control becomes effective.
V Power amp select switch
Select one of the following three settings to specify the signals to be routed to the corresponding
jacks according to the speaker connection at the
SPEAKER jacks 1 on the rear panel.
• ST1 L-ST1 R
The STEREO bus signals are output from the
SPEAKERS L/MONI1 1/2 jacks and the SPEAKERS R/MONO 1/2 jacks. The final level of these
signals is adjusted by the master ST 1 fader.
• MONI 1-MONO
The MONITOR 1 bus signals are output from the
SPEAKERS L/MONI1 1/2 jacks, and a monaural
signal that is a mix of the STEREO bus signals is
output from the SPEAKERS R/MONO 1/2 jacks.
The final level of these signals is adjusted by the
master MONI 1 fader and the MONO fader.
• MONO (BRIDGE)
The monaural signal that is a mix of the STEREO
bus is output from the BRIDGE jack. The final
level of this signal is adjusted by the master
MONO fader. Set the switch to this position
when you connect only one speaker to play a loud
sound.
■ Other indicators and controls
W
PEAK
+8
+5
+3
+1
0
-1
-3
-5
-7
-10
-15
-20
L
ST 1
R
POWER
PHANTOM +48V
(1-8ch)
ON
OFF
C-R/PHONES
0
ST 2
0
10
10
W Peak level indicator
This indicator allows you to monitor the level of
the signal output from the ST 1 jacks. The “0”
indicator lights up when the ouput level reaches
+4 dB.
X POWER indicator
This indicator will light up when the power of the
EMX3000 is turned on.
Y PHANTOM (+48V) switch and indicator
This switch turns the phantom power supply on/
off for the MIC input jacks for channels 1~8.
When this switch is on, the indicator lights up.
Z C-R/PHONES (control room/head-
phones) control
This knob adjusts the level of the signal monitored via the C-R/PHONES jack (input/output
panel B).
[ ST 2 (stereo 2) control
This knob adjusts the final level of the signal sent
from the STEREO bus to the ST 2 jacks (input/
output panel 8).
Note: The setting of this control does not affect
signals that are sent from the STEREO bus to
the ST 1 jacks and the SPEAKERS jacks.
X
Y
Z
[
EMX3000—Owner’s Manual
Page 10
6 Front and rear panel
Input/output panel
C857
MIC MIC MIC MIC MIC MIC MIC MIC
INPUT OUTPUT
1
LINE
INSERT
I O I O I O I O
1 2345678
LINE
INSERT
LINE
INSERT
LINE
INSERT
LINE LINE LINE LINE
0dB
INSERT
I O
OUT IN
1 Channel input jacks (MIC, LINE) 1~8
These are the input jacks for channels 1~8.
By using the GAIN control (control panel 1)
you can connect any of the jacks to a wide range
of sources, from mics to line-level devices
(including synthesizers and rhythm machines).
The MIC jacks can provide +48V phantom
power, allowing you to use condenser microphones.
Both MIC and LINE are balanced.
They are compatible with microphones of output
impedance 50~600Ω or line level devices of
600Ω. The nominal input level is –34 dB~+10 dB
for the LINE jacks, and –60 dB~–16 dB for the
MIC jacks.
Pin connections for the MIC and LINE jacks are
as follows:
MIC jacks
(XLR type)
Pin 1: ground Sleeve: ground
Pin 2: hot (+) Tip: hot (+)
Pin 3: cold (–) RIng: cold (–)
* You can also connect a normal unbalanced phone plug.
LINE jacks
(TRS phone jacks) *
L
9 L
B
10 R
B
9 L 11 L L L
(MONO) (MONO) (MONO) (MONO)
A
10 R 12 R R R
A
9 10
11 12
A
A
L
11 L
B
TAPE REC
-10dBV -10dBV
12 R
R
B
ST
SUB 1
+4dB +4dB
ST
SUB 2
L
R
R
ST 1
+4dB
RL
ST 2
+4dB
MONI MONI
12
+4dB
LR
P.AMP
IN
+4dB
BRIDGE
B93426
Note: It is not possible to simultaneously use
both the MIC and LINE inputs of a given channel. For each channel, use only one of the inputs as appropriate for the input source.
Phantom power is switched on/off simultaneously for channels 1~8. For this reason, devices (in particular, unbalanced devices) other
than condenser microphones must be connected to the LINE input jacks of channels 1~8 or
channel 9/10~11/12 input jacks if the PHANTOM +48V switch (control panel Y) is on.
2 INSERT I/O (insert) jacks 1~4
These are TRS phone jacks that enable you to
insert an external effect processor, such as a compressor/limiter, between the equalizer and fader
of input channels 1~4. These connections require
a special “Y” cable, such as shown in the following diagram. The nominal input/output levels are
0 dB.
to the input jack of
the external processor
to the INSERT I/O jack
FOOT SW
MONO
+4dB
EFFECT
+4dB
C-R
PHONES
0
A
12
3
+-
GND
GND
RST
EMX3000—Owner’s Manual
Sleeve
Tip
Sleeve
Ring
+-
Tip
to the output jack of
the external processor
Page 11
Input/output panel 7
3 Channel input jacks 9~12A
Channel input jacks 9~12B
These are the input jacks for channels 9/10~11/12
and are used to connect to the stereo output jacks
of electronic instruments, cassette decks, or CD
players.
Use the A/B switch (control panel 2) to select
phone jacks (A) or phono jacks (B). The nominal
input level –34 dB~+10 dB.
Note: Use only the L phone (A) jacks to connect a monaural device that has phone jacks.
4 ST SUB 1 (stereo sub 1) jacks
ST SUB 2 (stereo sub 2) jacks
These phone jacks are used to connect stereo outputs of a sub mixer. The signal input here can be
routed to the MONITOR 1 bus, MONITOR 2
bus, and STEREO bus. The nominal input level is
+4 dB.
Note: Use only the L jack to connect a monaural output device.
5 TAPE jacks
These are input jacks that allow the signal from
an external device, such as a cassette deck and CD
player, to be added to the STEREO bus. The
nominal input level is –10 dBV.
6 P.AMP IN (power amp input) jacks
These phone jacks are used to input line-level signals to the two-channel built-in power amplifier.
Connect an external mixer output here. The
nominal input level is +4 dB.
Note: If you insert a plug into this jack, the corresponding channel of the power amplifier will
be isolated, and no signals will be sent from the
mixer section. Use the LEVEL control (control
panel U) to adjust the level of the signal input
to the power amplifier.
7 REC (record) jacks
These phono jacks are used to connect to the
inputs of a recording device, such as a cassette
deck, to record the signal from the STEREO bus.
The nominal output level is –10 dBV.
Note: The setting of the graphic equalizer or
LEVEL control on the control panel does not
affect the signals output from these jacks. Adjust the recording level on the recording device.
8 ST 1 (stereo 1) jacks
ST 2 (stereo 2) jacks
These phone jacks output the line-level signals of
the STEREO bus. Connect an external mixer or
additional PA system to these jacks.
Use the ST 1 fader (control panel H) to adjust
the final output level at the ST 1 jacks, and use
the ST 2 control (control panel [) to adjust the
final output level at the ST 2 jacks. The nominal
output level is +4 dB.
9 MONI 1 (monitor 1) jack
MONI 2 (monitor 2) jack
These phone jacks output the line-level signals of
the MONITOR 1/2 buses. Connect stage-monitoring amplifiers or powered speakers here. Use
the MONI 1 fader (control panel E) and the
MONI 2 fader (control panel F) respectively to
adjust the final level of the signals output from
these jacks. The nominal output level is +4 dB.
0 MONO (monaural) jack
This phone jack mixes the STEREO bus signals
and output a monaural signal. Connect an additional PA system here. Use the MONO fader
(control panel I) to adjust the final level of the
signal output from this jack. THe nominal output level is +4 dB.
A EFFECT jack
The input of an external effect unit such as a
delay or echo can be connected to this jack.
The signal adjusted by the EFFECT control of
each channel will be sent to the EFFECT bus, its
level adjusted by the EFFECT fader (control
panel G), and output from this jack.
The nominal output level is +4 dB.
B C-R/PHONES (control room/head-
phones) jack
This is a stereo phone type output jack, and is
used to monitor the channels selected by the PFL
switches on the front panel and the buses selected
by the AFL switches. Connect the headphones
here, or use a “Y” cable to connect to a monitor
system.
The nominal output is 3mW when headphones
are connected, and +4 dB when a line-level
device of a monitor system is connected.
C FOOT SW (foot switch) jack
A separately sold Yamaha FC5 foot switch can be
connected to this jack so you can use your foot to
switch the built-in digital effect on/off. The digital effect ON switch on the front panel must be
set to ON in order to use a foot switch.
EMX3000—Owner’s Manual
Page 12
8 Front and rear panel
Rear panel
1
R/MONO
21
AC IN
SPEAKERS
BRIDGE
POWER
ON OFF
L/MONI 1
21
23
1 SPEAKERS (speaker output) jacks
Speakers can be connected to these jacks.
The type of signals output, the number of speakers you can connect, and acceptable impedance
differ depending on the setting of the Power amp
select switch (control panel V).
■ When the Power amp select switch is set
to ST1 L-ST1 R or MONI 1-MONO:
• Two-channel connection
You can connect one or two speakers to each of
the L/MONI1 and R/MONO jacks.
When the Power amp select switch is set to ST1
L-ST1 R, the speakers connected to the L/MONI1
and R/MONO jacks will output the ST1 L and
ST1 R bus signals. When the switch is set to
MONI 1-MONO, the speakers will output the
MONITOR 1 signal and the MONO signal
respectively.
Whichever way the switch is set to, connect 4~8Ω
speakers if you use one speaker per channel. The
maximum output is 300W+300W with two 4Ω
speakers.
Caution:
When using a two-channel connection or
two-channel parallel connection, do not connect a speaker to the BRIDGE jack.
When using a bridge connection, do not connect a speaker to either the L/MONI1 or R/
MONO jacks.
The BRIDGE jack is covered by a protective
cap to prevent you from accidentally connecting a speaker it when using a two-channel or
two-channel parallel connection. Remove
this cap if you are using a bridge connection.
If you wish to input the signal from the P.AMP
IN jack, input it from the P.AMP IN L jack.
2 POWER switch
This switch turns on/off the power to the
EMX3000.
Note: Before you turn the power of the
EMX3000 on or off, the faders and controls in
the master section of the control panel must be
lowered to the minimum position.
3 AC inlet
Connect the socket end of the included AC cable
to this inlet. Connect the plug end of the cable to
an AC outlet of the voltage printed below the
inlet.
• Two-channel parallel connection
If you wish to use two speakers per channel, use
8~16Ω speakers. The maximum output is
300W+300W with 8Ω impedance.
■ When the Power amp select switch is set
to MONO (BRIDGE):
• Bridge connection
If you are connecting a single speaker to the
BRIDGE jack, use a 8~16Ω speaker. The speaker
outputs the MONO bus signal, and the maxi-
mum output is 600W with 8Ω impedance.
EMX3000—Owner’s Manual
Page 13
Installation/Connections 9
Installation/Connections
Installation
The EMX3000 uses a forced cooling system with air intake on the right side and exhaust on the rear. When
placing the unit, make sure that the cooling ports are not obstructed.
Exhaust
Front
NO
30cm
or less
30cm
NO
Intake
or less
Connection
When connecting various devices, you must use cables and plugs of the appropriate standard.
When connecting the speaker jacks to speakers, you must use only cables that are designed for connecting
speakers.
■ Connecting speakers
There are three ways in which speakers can be connected to the EMX3000.
1 Two-channel connection — A single speaker each can be connected to either jack 1 or jack 2 of SPEAKERS
L/MONI1 and of SPEAKERS R/MONO.
2 Two-channel parallel connection — Two speakers can be connected in parallel to both jack 1 and jack 2 of
SPEAKERS L/MONI1 and SPEAKERS R/MONO.
3 Bridge connection — A single speaker can be connected to the BRIDGE jack.
For each of these, the required speaker impedance will differ. Refer to the following diagram, and make sure
that the speaker impedance is not less than the specified value.
• Two-channel connection • Two-channel parallel connection
R/MONO
ST1 L
MONI 1
MONO
(BRIDGE)
ST1 R
MONO
or
ST1 L
MONI 1
MONO
(BRIDGE)
ST1 R
MONO
21
4Ω~8Ω 4Ω~8Ω
Main
Speaker
SPEAKERS
No
No
connection
connection
BRIDGE
L/MONI 1
21
Main/Monitor
Speaker
R/MONO
21
8Ω~16Ω 8Ω~16Ω 8Ω~16Ω 8Ω~16Ω
SPEAKERS
No
No
connection
connection
BRIDGE
Main
Speaker
L/MONI 1
21
Main/Monitor
Speaker
EMX3000—Owner’s Manual
Page 14
10 Installation/Connections
• Bridge connection
ST1 L
MONI 1
MONO
(BRIDGE)
ST1 R
MONO
R/MONO
21
No
No
connection
connection
Main Speaker
SPEAKERS
BRIDGE
8Ω~16Ω
L/MONI 1
21
No
No
connection
connection
Connecting input/output equipment
Foot switch
Microphone
Cassette deck
Main speakers
CD player
MIC MIC MIC MIC MIC MIC MIC MIC
LINE
INSERT
LINE
INSERT
LINE
INSERT
I O I O I O I O
1 2345678
INPUT OUTPUT
LINE
LINE LINE LINE LINE
INSERT
0dB
INSERT
I O
OUT IN
Synthesizer
88
Effect processor (compressor)
9 L
11 L
B
10 R
9 L 11 L L L
(MONO) (MONO) (MONO) (MONO)
A
10 R 12 R R R
A
9 10
B
12 R
B
B
A
A
11 12
Drum machine
Effect processor (reverb)
L
TAPE REC
-10dBV -10dBV
R
ST
SUB 1STSUB 2
+4dB +4dB
88
L
R
L
ST 1
+4dB
RL
ST 2
R
+4dB
MONI MONI
12
+4dB
LR
P.AMP
IN
+4dB
BRIDGE
Headphones
FOOT SW
MONO
+4dB
EFFECT
+4dB
C-R
PHONES
Power
amplifier
Monitor speakers
Additional/alternative PA system
Normally, connect speakers to
the jacks on the rear panel. If
more speaker outputs are
needed, use the OUTPUT ST 1
jacks for stereo output and the
OUTPUT MONI jack for
monaural output.
EMX3000—Owner’s Manual
Page 15
Basic operation
Basic operation 11
Connecting microphones and instruments
1 Before connecting mics or instruments,
make sure that the power of all equipment (where applicable) is turned off.
Also make sure that each channel fader
and the faders in the master section are
turned down. Check to see if the Power
amp select switch on the control panel is
set to ST1 L-ST1 R.
2 Connect cables to your mics and instru-
ment, and insert the other end of the
cables firmly into the appropriate MIC/
LINE jacks (channels 1~8) or the 9~12
jacks (channels 9/10~11/12).
Note: You cannot use channel 1~8 MIC and
LINE jacks at the same time.
3 Turn on the power to the peripheral
devices, then turn on the power to the
EMX3000.
Note: When turning the power off, reverse this
sequence.
4 While speaking into the mic (or while
playing the instrument), adjust the channel GAIN control so that the channel
PEAK indicator lights occasionally at the
maximum volume.
5 Raise the ST1 fader in the master section
to the “10” position, and while speaking
into the mic (or while playing the instrument), adjust the channel fader so that
the 0 LED of the peak level indicator lights
occasionally. Use the LEVEL control to
adjust the maximum level of the speakers.
6 If you wish to adjust the tone of each
channel, rotate the equalizer controls as
desired.
7 Use the graphic equalizer and the ST
fader in the master section to adjust the
overall volume and tone.
Using the digital effect
The EMX3000 has a built-in digital effect, allowing reverberation or ambiance to be added to
vocals or instrumental sounds.
1 Connect a mic or instrument to the
desired channels, and adjust the volume
and tone.
2 Press the ON switch of the digital effect
section.
3 Use the PROGRAM selector to select the
type of effect you wish to apply.
VOCAL ECHO 1~4 ....... Echo appropriate for
vocals.
VOCAL REVERB 1~4.... Reverb appropriate for
vocals.
HALL 1~3............ Reverb typical of a large hall.
ROOM................. Reverb typical of a small room.
PLATE 1~3 .......... Plate echo-like reverberation
GATE REVERB ... Special effect of truncating
reverberation
4 Raise the EFFECT control of the channels
to which you wish to apply the digital
effect.
5 Use the ST control of the digital effect
section to adjust the level of the effect
sound.
Note: You can send the effect sound to the
MONITOR 1/2 bus by raising the MONI 1/2
control in the digital effect section. If the effect
sound is distorted even though the ST control
and the MONI 1/2 controls in the digital effect
section are turned all the way down, lower the
EFFECT controls of the digital effect section.
6 Adjust the PARAMETER control of the dig-
ital effect section to the desired level.
Note: The setting of the EFFECT fader in the
master section does not affect the internal effect.
Note: The volume level is affected by the settings of the channel equalizers and the graphic
equalizer. When you set the equalizers, check
the peak level indicator and adjust the ST fader
if necessary.
EMX3000—Owner’s Manual
Page 16
12 Example setups
Example setups
This section provides some ways in which the EMX3000 can be used, and explains connections and operation.
As a conference/entertainment hall sound system
Here is an example of using the EMX3000 as a conference or entertainment hall sound system.
R/MONO
21
MIC MIC MIC MIC MIC MIC MIC MIC
LINE
LINE
INSERT
I O I O I O I O
1 2345678
GAIN
+10
-16 -60
PEAK
HIGH
-15
MID
-15
LOW
-15
MONI 1
0
MONI 2
0
EFFECT
0
PAN
L
LINE
INSERT
INSERT
GAIN
GAIN
-34
-34
+10
-16 -60
PEAK
HIGH
HIGH
+15
+15
-15
MID
MID
+15
+15
-15
LOW
LOW
+15
+15
-15
MONI 1
MONI 1
10
10
0
MONI 2
MONI 2
Microphone
10
10
0
EFFECT
EFFECT
10
10
0
PAN
PAN
R
R
L
PFL
PFL
INPUT OUTPUT
LINE
LINE LINE LINE LINE
INSERT
0dB
INSERT
I O
OUT IN
GAIN
GAIN
GAIN
GAIN
+10
-16 -60
PEAK
-15
-15
-15
0
0
0
L
-34
-34
-34
+10
+10
-16 -60
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
R
L
PFL
PFL
+10
-16 -60
-16 -60
PEAK
PEAK
HIGH
HIGH
+15
+15
-15
-15
MID
MID
+15
+15
-15
-15
LOW
LOW
+15
+15
-15
-15
MONI 1
MONI 1
10
10
0
0
MONI 2
MONI 2
10
10
0
0
EFFECT
EFFECT
10
10
0
0
PAN
PAN
R
R
L
L
PFL
-34
-34
+10
-16 -60
PEAK
HIGH
+15
+15
-15
MID
+15
+15
-15
LOW
+15
+15
-15
MONI 1
10
10
0
MONI 2
10
10
0
EFFECT
CD player
10
10
0
PAN
R
R
L
PFL
PFL
GAIN
HIGH
MID
LOW
MONI 1
MONI 2
EFFECT
PAN
+10
-16 -60
PEAK
-15
-15
-15
0
0
0
L
PFL
SPEAKERS
BRIDGE
R 1R 2 L 1L 2
speakers
9 L
B
10 R
B
9 L 11 L L L
(MONO) (MONO) (MONO) (MONO)
10 R 12 R R R
AAA
9 10
A
B
GAIN
-34
+10
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
R
L
PFL
L
11 L
B
TAPE REC
-10dBV -10dBV
12 R
R
B
A
ST
SUB 1STSUB 2
+4dB +4dB
11 12
A
B
MONI 1
GAIN
-34
-34
+10
0
PEAK
MONI 2
HIGH
+15
+15
0
-15
MID
ST
+15
+15
0
-15
LOW
PFL
ST SUB 1
+15
+15
-15
MONI 1
MONI 1
10
10
0
0
MONI 2
MONI 2
10
10
0
0
ST
EFFECT
Cassette deck (for paly back)
10
10
0
0
PAN
PFL
R
R
L
ST SUB 2
PFL
Main
ST
10
PFL
10
MONI 1 MONI 2
10
5
4
3
10
10
+12
6
0
6
10
-12
L
R
L
ST 1
+4dB
RL
ST 2
R
+4dB
MONI MONI
12
+4dB
LR
P.AMP
IN
+4dB
BRIDGE
+4
10
+18+4+18
0
LR
BRIDGE
ST1 L
MONI 1
MONO
(BRIDGE)
TAPE IN
POWER AMP
10010
0
ON
8
7
9
6
10
11
VOCAL ECHO 1 VOCAL REVERB 1 HALL 1 PLATE 1
1
12
2
VOCAL ECHO 2
13
3
VOCAL ECHO 3
2
14
4
VOCAL ECHO 4
1
15
16
L/MONI 1
21
FOOT SW
MONO
+4dB
EFFECT
+4dB
C-R
PHONES
LIMITER
PEAK
+8
POWER
+5
LEVEL
+3
+1
PHANTOM +48V
(1-8ch)
0
ST1 R
MONO
ST
0
MIN
PARAMETERPROGRAM
5
VOCAL REVERB 2
6
7
VOCAL REVERB 3
VOCAL REVERB 4
8
DIGITAL EFFECT
GRAPHIC EQUALIZER
ON
-1
OFF
-3
-5
C-R/PHONES
-7
-10
-15
0
10
-20
ST 2
L
R
0
MAX
ST 1
13
9
PLATE 2
HALL 2
14
10
15
11
PLATE 3
HALL 3
GATE REVERB
ROOM
16
12
8K4K2K1K500250125
+12
6
ON
0
6
-12
8K4K2K1K500250125
AFLAFLAFLAFLAFL
ST1 L
MONI 1
MONO
(BRIDGE)
10
Cassette deck (for recording)
10
ST1 R
MONO
■ Connections
• Connect mics to channel inputs 1~8.
• A CD player/LD player/cassette deck can also be
connected to the input jacks of channels 9/10 and
11/12.
• To record a meeting or a party, connect the REC
jacks of the EMX3000 to the input jack of a
recording cassette deck, and to monitor the
recording on the EMX3000, connect the TAPE
jacks of the EMX3000 to the output of the
recording cassette deck.
• Connect the main speakers to the SPEAKERS L/
MONI1 1/2 jacks and the SPEAKERS R/MONO
EMX3000—Owner’s Manual
1/2 jacks, and set the Power amp select switch to
ST1 L-ST1 R.
■ Playing back a CD player
1 Turn on the power to the peripheral
devices, then to the EMX3000.
2 Start playback on the CD player. Use the
GAIN control of channel 9/10 so that the
PEAK indicator below the GAIN control
will light occasionally. Then, raise the ST 1
fader to the “10” position, and adjust the
channel 9/10 fader so that the 0 LED of
the peak indicator will light occasionally.
Page 17
As a band PA 13
As a band PA
Here is an example of using the EMX3000 as a small PA for a band. In this example, the monitor speakers are
being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is
also being used.
■ Connections
• Connect mics or instruments, such as keyboards,
to channel input jacks 1~12.
• Connect the main speakers to the SPEAKERS R/
MONO 1/2 jacks, and connect the monitor
speakers to the SPEAKERS L/MONI1 1/2 jacks.
Set the Power amp select switch to “MONI 1MONO.”
• If you use an external effect such as delay or
reverb, connect the EMX3000’s EFFECT jack to
the input jack of the external effect, and connect
the output jack of the external effect to the
EMX3000’s ST SUB 1.
Note: If you are using an external effect, we
recommend that you turn down all the EFFECT controls of the digital effect section.
You can connect the output of an external effect to channels 9/10 and 11/12 to apply the
equalizer to the effect return signal. However in
this case, make sure that the EFFECT controls
are turned all the way down for the channels
into which the effect sound is being input. If
the EFFECT controls are raised, feedback will
occur, and your speakers may be damaged.
R/MONO
21
Main speakers
MIC MIC MIC MIC MIC MIC MIC MIC
LINE
LINE
INSERT
I O I O I O I O
1 2345678
GAIN
+10
-16 -60
PEAK
HIGH
-15
MID
-15
LOW
-15
MONI 1
0
MONI 2
0
EFFECT
0
PAN
L
0
5
10
15
20
25
30
40
50
LINE
INSERT
INSERT
GAIN
GAIN
-34
-34
+10
+10
-16 -60
-16 -60
PEAK
HIGH
HIGH
+15
+15
-15
-15
MID
MID
+15
+15
-15
-15
LOW
LOW
+15
+15
-15
-15
MONI 1
MONI 1
Microphone
10
10
0
MONI 2
MONI 2
10
10
0
EFFECT
EFFECT
10
10
0
* Direct box,
PAN
PAN
effect unit,
R
R
L
pre-amp, etc.
PFL
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
INPUT OUTPUT
LINE
LINE LINE LINE LINE
INSERT
0dB
INSERT
I O
OUT IN
GAIN
GAIN
GAIN
GAIN
-34
-34
-34
+10
+10
-16 -60
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
D.I.*
R
L
0
5
10
15
20
25
30
40
50
+10
-16 -60
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
R
L
PFL
0
5
10
15
20
25
30
40
50
-16 -60
PEAK
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
0
MONI 2
10
0
0
EFFECT
10
0
0
PAN
R
L
L
PFL
PFL
0
5
10
15
20
25
30
40
50
GAIN
-34
-34
+10
-16 -60
PEAK
HIGH
HIGH
+15
+15
-15
MID
MID
+15
+15
-15
LOW
LOW
+15
+15
-15
MONI 1
MONI 1
10
10
0
MONI 2
MONI 2
10
10
0
EFFECT
EFFECT
10
10
0
PAN
PAN
Effect unit
R
R
L
PFL
PFL
0
5
10
15
20
25
30
40
50
+10
-16 -60
PEAK
-15
-15
-15
0
0
0
L
0
5
10
15
20
25
30
40
50
PFL
GuitarBass guitar
SPEAKERS
BRIDGE
9 L
B
10 R
B
9 L 11 L L L
(MONO) (MONO) (MONO) (MONO)
10 R 12 R R R
AAA
9 10
A
B
GAIN
-34
+10
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
R
L
PFL
0
5
10
15
20
25
30
40
50
L
11 L
B
TAPE REC
-10dBV -10dBV
12 R
R
B
A
ST
SUB 1STSUB 2
+4dB +4dB
11 12
A
B
MONI 1
GAIN
-34
-34
+10
0
PEAK
MONI 2
HIGH
+15
+15
0
-15
MID
ST
+15
+15
0
-15
LOW
PFL
ST SUB 1
+15
+15
-15
MONI 1
MONI 1
10
10
0
0
MONI 2
MONI 2
10
10
0
0
ST
EFFECT
10
10
0
0
PAN
PFL
R
R
L
ST SUB 2
PFL
0
5
10
15
20
25
30
40
50
11 129 10
Monitor speakers
L
L
R
MONI MONI
12
LR
BRIDGE
ST
10
10
+18+4+18
0
LR
BRIDGE
ST1 L
MONI 1
PFL
MONO
(BRIDGE)
10
TAPE IN
MONI 1 MONI 2
10
0
ON
8
7
9
6
10
5
11
VOCAL ECHO 1 VOCAL REVERB 1 HALL 1 PLATE 1
1
12
4
2
VOCAL ECHO 2
13
3
3
VOCAL ECHO 3
10
2
14
4
VOCAL ECHO 4
1
15
16
10
+12
6
0
6
10
-12
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
L/MONI 1
21
R
ST 1
FOOT SW
+4dB
RL
ST 2
MONO
+4dB
+4dB
EFFECT
+4dB
+4dB
P.AMP
IN
C-R
PHONES
+4dB
LIMITER
PEAK
+8
+5
LEVEL
+4
POWER AMP
10010
GRAPHIC EQUALIZER
+3
+1
PHANTOM +48V
0
ST1 R
MONO
ST
0
MIN
PARAMETERPROGRAM
5
VOCAL REVERB 2
6
7
VOCAL REVERB 3
VOCAL REVERB 4
8
DIGITAL EFFECT
Effect processor
0
5
10
15
20
25
30
Keyboard
40
50
ON
-1
OFF
-3
-5
C-R/PHONES
-7
-10
-15
10
-20
ST 2
L
R
MAX
ST 1
13
9
PLATE 2
HALL 2
14
10
15
11
PLATE 3
HALL 3
GATE REVERB
ROOM
16
12
88
8K4K2K1K500250125
+12
6
ON
0
6
-12
8K4K2K1K500250125
AFLAFLAFLAFLAFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
MONOMONI 2MONI 1 ST 1EFFECT
L 1L 2R 1R 2
ST1 L
MONI 1
MONO
POWER
(1-8ch)
10
0
10
0
(BRIDGE)
ST1 R
MONO
EMX3000—Owner’s Manual
Page 18
14 Example setups
■ Sending an independent mix to
the monitor speakers
1 Set the MONI 1 fader to the “10” posi-
tion.
2 Raise the MONI 1 controls for the chan-
nels that you wish to hear from the monitor speakers.
Note: The MONI controls are not affected by
the level settings of each channel. This allows
you to create a mix that is independent of the
main speakers.
3 Use the MONI 1 fader of the master sec-
tion to adjust the overall volume.
■ Using an external effect proces-
sor
You may sometimes want to use an external effect
processor, such as an echo machine or a multieffect unit.
Follow the steps below.
1 Set the EFFECT fader of the master sec-
tion to the “10” position.
2 Raise the EFFECT controls for the channels
to which you want the external effect to
be applied.
3 Use the EFFECT fader in the master sec-
tion to adjust the level of the signal output to the external effects processor so
that the sound will not be distorted at the
input of the external effects processor.
4 Use the control of the ST SUB channel to
which the processed signal is input from
the external effects processor to adjust
the level of the effect sound.
EMX3000—Owner’s Manual
Page 19
Using a subwoofer
Here is an example of using a subwoofer in the speaker system.
Using a subwoofer 15
R/MONO
21
+10
-16 -60
PEAK
-15
-15
-15
0
0
0
L
0
5
10
15
20
25
30
40
50
INPUT OUTPUT
LINE LINE LINE LINE
LINE
INSERT
0dB
INSERT
I O
OUT IN
GAIN
GAIN
GAIN
GAIN
-34
-34
-34
+10
+10
-16 -60
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
R
L
PFL
PFL
0
5
10
15
20
25
30
40
50
+10
-16 -60
-16 -60
PEAK
PEAK
HIGH
HIGH
+15
+15
-15
-15
MID
MID
+15
+15
-15
-15
LOW
LOW
+15
+15
-15
-15
MONI 1
MONI 1
10
10
0
0
MONI 2
MONI 2
10
10
0
0
EFFECT
EFFECT
10
10
0
0
PAN
PAN
R
R
L
L
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
GAIN
-34
-34
+10
+10
-16 -60
-16 -60
PEAK
PEAK
HIGH
HIGH
+15
+15
-15
-15
MID
MID
+15
+15
-15
-15
LOW
LOW
+15
+15
-15
-15
MONI 1
MONI 1
10
10
0
0
MONI 2
MONI 2
10
10
0
0
EFFECT
EFFECT
10
10
0
0
PAN
PAN
R
R
L
L
PFL
PFL
PFL
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
MIC MIC MIC MIC MIC MIC MIC MIC
LINE
LINE
INSERT
I O I O I O I O
1 2345678
GAIN
+10
-16 -60
PEAK
HIGH
-15
MID
-15
LOW
-15
MONI 1
0
MONI 2
0
EFFECT
0
PAN
L
0
5
10
15
20
25
30
40
50
LINE
INSERT
INSERT
GAIN
GAIN
-34
-34
+10
-16 -60
PEAK
HIGH
HIGH
+15
+15
-15
MID
MID
+15
+15
-15
LOW
LOW
+15
+15
-15
MONI 1
MONI 1
10
10
0
MONI 2
MONI 2
10
10
0
EFFECT
EFFECT
10
10
0
PAN
PAN
R
R
L
PFL
PFL
0
5
10
15
20
25
30
40
50
2345678
1
SPEAKERS
BRIDGE
R 1R 2 L 1L 2
Main speakers
9 L
B
10 R
B
9 L 11 L L L
(MONO) (MONO) (MONO) (MONO)
10 R 12 R R R
AAA
9 10
A
B
GAIN
-34
+10
PEAK
HIGH
+15
-15
MID
+15
-15
LOW
+15
-15
MONI 1
10
0
MONI 2
10
0
EFFECT
10
0
PAN
R
L
PFL
0
5
10
15
20
25
30
40
50
L
11 L
B
TAPE REC
-10dBV -10dBV
12 R
R
B
A
ST
SUB 1STSUB 2
+4dB +4dB
11 12
A
B
MONI 1
GAIN
-34
-34
+10
0
PEAK
MONI 2
HIGH
+15
+15
0
-15
MID
ST
+15
+15
0
-15
LOW
PFL
ST SUB 1
+15
+15
-15
MONI 1
MONI 1
10
10
0
0
MONI 2
MONI 2
10
10
0
0
ST
EFFECT
10
10
0
0
PAN
PFL
R
R
L
ST SUB 2
PFL
0
5
10
15
20
25
30
40
50
11 129 10
ST
10
0
PFL
10
TAPE IN
MONI 1 MONI 2
10
0
6
5
4
3
10
2
10
+12
6
0
6
10
-12
0
5
10
15
20
25
30
40
50
L
R
8
9
7
1
15
16
21
L
R
ST 1
+4dB
RL
ST 2
+4dB
MONI MONI
12
+4dB
LR
P.AMP
IN
+4dB
BRIDGE
LIMITER
LEVEL
+4
10
+18+4+18
LR
BRIDGE
ST1 L
ST1 R
MONI 1
MONO
MONO
(BRIDGE)
POWER AMP
ST
10010
0
ON
MIN
PARAMETERPROGRAM
10
11
VOCAL ECHO 1 VOCAL REVERB 1 HALL 1 PLATE 1
5
1
12
VOCAL REVERB 2
6
2
VOCAL ECHO 2
13
7
3
VOCAL REVERB 3
VOCAL ECHO 3
14
VOCAL REVERB 4
8
4
VOCAL ECHO 4
DIGITAL EFFECT
GRAPHIC EQUALIZER
0
0
5
5
10
10
15
15
20
20
25
25
30
30
40
40
50
50
L/MONI 1
FOOT SW
MONO
+4dB
EFFECT
+4dB
C-R
PHONES
10
MAX
0
5
10
15
20
25
30
40
50
Yamaha
Crossover network PN90
LEFT
INPUTS
RIGHT
PEAK
+8
POWER
+5
+3
+1
PHANTOM +48V
(1-8ch)
0
ON
-1
OFF
-3
-5
C-R/PHONES
-7
-10
-15
10
0
-20
ST 2
L
R
10
0
ST 1
9
13
HALL 2
PLATE 2
10
14
11
15
HALL 3
PLATE 3
ROOM
GATE REVERB
12
16
8K4K2K1K500250125
+12
6
ON
0
6
-12
8K4K2K1K500250125
AFLAFLAFLAFLAFL
0
5
10
15
20
25
30
40
50
MONOMONI 2MONI 1 ST 1EFFECT
ST1 L
MONI 1
MONO
(BRIDGE)
LEFT RIGHT
Power AMP
TO POWER
AMP INPUTS
HIGH
ST1 R
MONO
LOW
LEFT RIGHT
Subwoofer
EMX3000—Owner’s Manual
Page 20
16 Specifications
Specifications
■ General specifications
Maximum output power
Frequency response
Total harmonic distortion
Hum & noise
(Average, Rs=150Ω)
(with 20 Hz~20 kHz BPF)
Maximum voltage gain
Crosstalk at 1 kHz
MIC IN gain control
POWER AMP level control
Input channel equalization
Meters
CH peak indicators
Limiter
LIMIT indicators
Graphic equalizer
Internal digital effect
Foot switch
Protection circuit (Power amp)
Fan circuit
Phantom power
Option
Power requirement/
Power consumption
Dimensions (WxHxD)
Weight
Accessories
STEREO:300 W+300 W/4Ω @0.5% THD at 1 kHz
215 W+215 W/8Ω @0.5% THD at 1 kHz
BRIDGE: 600 W/8Ω @0.5% THD at 1 kHz
20 Hz~20 kHz +1 dB, –3 dB
@1 W output into 8Ω
(SPEAKER OUT)
20 Hz~20 kHz +1 dB, –3 dB
@+4 dB output into 600Ω
(ST OUT, MONO OUT, EFFECT
SEND, MONITOR OUT)
Less than 0.5% @20 Hz~20 kHz, 150 W output into 4Ω (SPEAKER OUT)
Less than 0.3% @20 Hz~20 kHz, +14 dB output into 600Ω
(ST OUT, MONO OUT, EFFECT SEND, MONITOR OUT)
–128 dB equivalent input noise
–63 dB residual output noise (SPEAKER OUT)
–95 dB residual output noise (ST OUT, MONO OUT, EFFECT SEND, MONITOR OUT)
–87 dB
(ST OUT, MONO OUT)
–64 dB (68 dB S/N)
(ST OUT, MONO OUT)
–80 dB
(EFFECT SEND, MONITOR OUT)
91 dB MIC IN to SPEAKER OUT (CH 1~8)
64 dB MIC IN to ST OUT (CH 1~8)
38 dB LINE IN to ST OUT (CH 1~8)
38 dB ST IN to ST OUT (CH 9/10, 11/12)
70 dB MIC IN to EFFECT SEND (CH 1~8)
64 dB MIC IN to MONITOR OUT (CH 1~8)
–70 dB adjacent input, –70 dB input to output
44 dB variable
14 dB variable
HIGH 10 kHz shelving*
MID 2.5 kHz peaking
LOW 100 Hz shelving*
* Turn over/roll off frequency of shelving: 3 dB below maximum variable level.
13 points LED meter
Red LED on each channel lits when POST EQ signal reaches the level –3 dB below clipping.
Comp. : THD≥0.5%
Turn on THD≥0.5%
7 bands (125, 250, 500, 1k, 2k, 4k, 8k Hz), ±12 dB Maximum
16 programs, PARAMETER control
Digital effect mute: on/off
POWER switch on/off mute, DC detection, TEMP (heatsink temp. ≥90°C)
stop — low speed (50°C) — variable — high speed (70°C)
+48 V is supplied to electrically balanced inputs.
FC5 (Foot switch)
USA and Canada:120 V AC 60 Hz, 250 W
Europe: 230 V AC 50 Hz, 300 W
Other: 240 V AC 50 Hz, 300 W
480×125×454 mm
16 kg
Power cord, Owner’s Manual
Channel Gain control at minimum.
Channel Gain control at minimum.
ST master/MONO master fader at maximum level and all
channel fader at minimum.
ST master/MONO master fader and 1 channel fader at maximum level. And 1 channel Gain control at maximum.
Master fader at maximum level and all channel level control
at minimum.
EMX3000—Owner’s Manual
Page 21
■ Input specifications
Input specifications 17
Input terminals
MIC INPUT (1–8)
LINE INPUT (1–8)
ST INPUT (9–12)
ST SUB IN (1, 2) +4 dB (1.23 V) +20 dB (7.75 V)
TAPE IN (L, R) –10 dBV (316 mV) +10 dBV (3.16 V) PHONO JACK
CH INSERT IN (1–4) 0 dB (775 mV) +20 dB (7.75 V)
POWER AMP IN (L, R)
1. Sensitivity is the lowest level that can produce an output of +4 dB (1.23 V) or the nominal output le vel when the unit is set at maximum gain.
(All fader and level controls are at maximum position.)
2. Balanced. (T=HOT, R=COLD, S=GND)
3. Unbalanced.
4. Unbalanced. (T=OUT, R=IN, S=GND)
5. POWER AMP level control= maximum (+4)
• In these specifications when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms, 0 dBV is referenced to 1 Vrms.
Gain
trim
MAX
MIN
MAX
MIN
MAX
MIN
Actual load
impedance
5 kΩ 50~600Ω Mics
50 kΩ
10 kΩ
For use with
nominal
600Ω Lines
Sensitivity
–60 dB (775 µV)
–16 dB (123 mV)
–34 dB (15.5 mV)
+10 dB (2.45 V)
–34 dB (15.5 mV)
+10 dB (2.45 V)
+4 dB (1.23 V)
Input level
1
5
Connectors on mixer
Max. before clip
–40 dB (7.75 mV)
+4 dB (1.23 V)
–14 dB (155 mV)
+30 dB (24.5 V)
–14 dB (155 mV)
+30 dB (24.5 V)
+18 dB (6.16 V)5PHONE JACK
XLR-3-31 type
PHONE JACK (TRS)
PHONE JACK
PHONE JACK (I/O)
2
2
3
4
3
■ Output specifications
Output terminals
ST OUT 1, 2 (L/R)
MONO OUT
EFFECT SEND
MONITOR OUT 1, 2
REC OUT (L/R)
CH INSERT OUT (1–4) 0 dB (775 mV) +20 dB (7.75 V)
C-R/PHONES
OUT
SPEAKER OUT 1, 2 (L/R)
BRIDGE OUT 8Ω Speaker 600 W/8Ω
1. Impedance balaned. (T=HOT, R=COLD, S=GND)
2. Unbalanced. (T=OUT, R=IN, S=GND)
3. Unbalanced. (T=L, R=R, S=GND)
4. Unbalanced.
5. Balanced. (T=HOT, S=COLD)
• In these specifications when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms, 0 dBV is referenced 1 Vrms.
for PHONES
for C-R OUT 10 kΩ Lines +4 dB (1.23 V) +20 dB (7.75 V)
Actual source
impedance
150Ω 600Ω Lines +4 dB (1.23 V) +20 dB (7.75 V)
600Ω 10 kΩ Lines
100Ω
0.1Ω
For use with
nominal
40Ω Phones 3 mW 100 mW
4/8Ω Speaker 300 W/4Ω
Nominal Max. before cliping
–10 dBV (316 mV) +10 dBV (3.16 V) PHONO JACK
Output level
Connectors on
mixer
PHONE JACK
1
(TRS)
PHONE JACK (I/O)
ST PHONE JACK
PHONE JACK
PHONE JACK
4
5
2
3
EMX3000—Owner’s Manual
Page 22
18 Specifications
Dimensions
H: 125
286
D: 454
W: 480
Specifications are subject to change without prior notice.
For European Model
Purchaser/User Information specified in EN55103-1 and EN55103-2.
Inrush Current: 85A
Conformed Environment: E1, E2, E3 and E4
168
Units: mm
EMX3000—Owner’s Manual
Page 23
Block/Level Diagram
MIC INPUT
[–60~–16dB]
CH INPUT
LINE INPUT
1~4ch
[–34~+10dB]
INSERT I/O
[0dB]
MIC INPUT
[–60~–16dB]
CH INPUT
LINE INPUT
5~8ch
[–34~+10dB]
9/10ch • 11/12ch
[–34~+10dB]
L/MONO
ST INPUT A
ST INPUT B
ST SUB IN
TAPE IN
EMX3000—Owner’s Manual
+30dB
+20dB
+10dB
0dB=0.775V
0dB
0dBV=1V
–10dB
–20dB
–30dB
–40dB
–50dB
–60dB
L/MONO
1–2
[+4dB]
[–10dBV]
CH INPUT LINE IN
GAIN Min. [+10dB]
ST SUB IN [+4dB]
CH INSERT I/O [0dB]
TAPE IN [–10dBV]
CH INPUT MIC IN GAIN Min. [–16dB]
CH INPUT LINE IN
GAIN Max. [–34dB]
CH INPUT MIC IN
GAIN Max. [–60dB]
PHANTOM
(8ch/sw)
+48V
[0dB]
A/B
PAD
[4dB]
PAD
[4dB]
[–60dB~–16dB]
[–34dB~+10dB]
[–60dB~–16dB]
[–34dB~+10dB]
GAIN (Trim)
[–34dB~+10dB]
HA
GAIN (Trim)
HA
GAIN (Trim)
HA
HA
BA
BA
BA
BA
[0dB]
[0dB]
[0dB]
[0dB]
3-Stage EQ
3-Stage EQ
[0dB]
[0dB]
[0dB]
[0dB]
ON
ON
PAD
[26.5dB]
PAD
[26.5dB]
R
L
R
R
L
R
3-Stage EQ
Lo
3-Stage EQ
Lo
Lo
DIGITAL
EFFECT
PEAK
[0dB]
[0dB]
BA
Ch.Fader
Hi
Mid
BA
PEAK
[0dB]
[0dB]
BA
Ch.Fader
Hi
Mid
BA
[0dB]
[0dB]
[0dB]
Hi
Mid
PEAK
[0dB]
[0dB]
[0dB]
ST Ch.Fader
[0dB]
[0dB]
BA
BA
PAN
MONITOR 1
MONITOR 2
PAN
MONITOR 1
MONITOR 2
EFFECT
MONITOR 1
MONITOR 2
MONITOR 1
MONITOR 2
MONITOR 1
MONITOR 2
EFFECT
PFL
PFL
BAL
PFL
ST
PFL
ST
PFL
ST
[0dB]
[0dB]
[–6dB]
[0dB]
[0dB]
[0dB]
[0dB]
[–6dB]
[0dB]
[0dB]
[0dB]
[0dB]
[–6dB]
[–6dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
STEREO L
STEREO R
EFFECT
L, R, MONITOR
EFFECT [–6dB]
MONITOR 1
MONITOR 2
AFL/PFL L
AFL/PFL R
PROGRAM
PARAMETER
SUM
SUM
SUM
SUM
SUM
SUM
[+12dB/AFL]
SUM
[0dB]
INV
INV
[0dB]
[0dB]
[0dB]
[0dB]
[0dB]
IN
DIGITAL
EFFECT
[INV]
LO RO
[0dB]
[0dB]
AFL
AFL
AFL
AFL
AFL
[0dB]
[7.8dB]
PAD
PAD
125Hz
125Hz
7-Stage GEQ
250Hz
7-Stage GEQ
250Hz
[–10dBV]
L
[–10dBV]
R
1kHz
2kHz
4kHz
500Hz
1kHz
2kHz
4kHz
500Hz
TAPE OUT [–10dBV]
REC OUT
8kHz
8kHz
[0dB]
[0dB]
ON
GEQ ON
ON
[0dB]
BA
ST 2
[0dB]
BA
[0dB]
BA
ST 1
[0dB]
BA
MONO
[0dB]
[0dB]
MONITOR 1
MONITOR 2
EFFECT
BA
[0dB]
INV
[0dB]
INV
[0dB]
INV
SUM
INV
INV
[–16dB]
C-R/PHONES
C-R/PHONES
[+4dB]
L
ST OUT 2
[+4dB]
R
[+4dB]
L
ST OUT 1
[+4dB]
R
POWER AMP IN
L/BRIDGE
ST L
MONI 1
BRIDGE
ST R
MONO
BRIDGE
ST R
MONO
BRIDGE
POWER AMP IN
R
[+4dB]
MONO
[+4dB]
1
MONITOR
[+4dB]
2
[+4dB]
EFFECT
[+4dB]
[3mW 40Ω]
C-R/PHONES
FOOT SWITCH
ST, MONO, MONITOR, EFFECT OUT [+4dB]
[C-R/PHONES +4dB, 3mW@40Ω]
[+4dB]
POWER AMP
[+4dB]
DR
DR
LEVEL
L
PEAK
POWER AMP LEVEL
L/BRIDGE
INV
POWER AMP LEVEL
R
METER
PEAK
R
SPEAKERS
LIMITER
PA
LIMITER
PA
PROTECTOR
2
1
1
L/MONI 1
[300W/4Ω]
2
2
1
2
BRIDGE
[600W/8Ω]
1
2
1
1
R/MONO
[300W/4Ω]
2
2
1
Block/Level Diagram 19
SPEAKERS OUT (300W/4Ω)
LEVEL MAX (+4dB)
SPEAKERS OUT (12W/4Ω)
LEVEL MIN (+18dB)
Page 24
V699500 R0 1 IP 24 Pro Audio & Digital Musical Instrument Division
NP Printed in Taiwan
YAMAHA CORPORATION
P.O. Box 3, Hamamatsu, 430-8651, Japan
Page 25
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