Yamaha Audio CVP-49 User Manual
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings
The exclamation point with the equilateral triangle is intended to alert the user
to the presence of important operating
and maintenance (servicing) instructions in the literature accompanying the
product.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in
place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform
the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
The lightning flash with arrowhead
symbol within the equilateral triangle is
intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that
may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims
filed under the expressed warranty may be denied if the
unit is/has been modified. Implied warranties may also be
affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
Model _____________________________________
92-469-
➀
Serial No.__________________________________
Purchase Date _____________________________
Introduction
Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs advanced
Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure.
● AWM (Advanced Wave Memory) tone generator system offers a range of 60 rich, realistic voices.
● A maximum of 32-note polyphony permits use of sophisticated playing techniques.
● Piano-like touch response provides extensive expressive control and outstanding playability.
● Dual and split play modes allow 2 voices to be played
simultaneously or individually with the left and right
hands.
● 24 exciting accompaniment styles can be used to
● Full-keyboard ABC (Auto Bass Chord) provides ac-
companiment as you play across the entire
keyboard.
● 24 Solo Styleplay variations make it simple to produce rich, complex harmonies.
● Performance memory (2-track + ABC + Rhythm)
records and plays back your keyboard performances.
● MIDI compatibility, GM voices, and a range of MIDI
functions make the Clavinova useful in a range of
advanced MIDI music systems.
provide rhythm-only accompaniment or fully-orchestrated rhythm, bass, and chord accompaniment.
In order to make the most of your Clavinova’s performance potential and features, we urge you to read this
Owner’s Manual thoroughly, and keep it in a safe place for later reference.
Taking Care of Your Clavinova
Your Clavinova will give you years of playing pleasure if you observe the simple rules given below:
1. Avoid Humidity & Heat
Avoid placing the Clavinova in areas that are subject to excessive humidity or heat. Do not leave the instrument near
heaters or in a car exposed to direct sunlight, for example.
2. Avoid Dust & Moisture
Avoid locations in which the instrument is likely to be exposed
to excessive dust or moisture.
3. Power-off Before Connecting
Connections between the Clavinova and any other device
must be made with both pieces of equipment turned off.
4. Handle With Care
Never apply excessive force to the controls, connectors or
other parts of your Clavinova, and avoid scratching or bumping it with hard objects. Further, always turn the POWER
switch off after use, and cover the instrument with the dust
cover provided.
5. Clean Carefully
Clean the cabinet and keys of your Clavinova only with a
clean, slightly damp cloth. A neutral cleanser may be used if
desired. Never use abrasive cleansers, waxes, solvents or
chemical dust cloths since these can dull or damage the
finish.
7. Electric Interference
Since the Clavinova contains digital circuitry, it may cause
interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the
affected equipment.
8. Check Your Power Supply
Make sure that your local AC mains voltage matches the
voltage specified on the name plate on the bottom panel. In
some areas a voltage selector may be provided on the bottom
panel of the main keyboard unit near the power cord. Make
sure that the voltage selector is set for the voltage in your
area. The voltage selector is set at 240V when the unit is
initially shipped. To change the setting use a “minus” screwdriver to rotate the selector dial so that the correct voltage
appears next to the pointer on the panel.
9. Name Plate Location
The Clavinova name plate, including the unit’s ser ial number,
is located on the bottom panel of the main unit.
6. Never Tamper With the Internal Circuitry
Never open the Clavinova cabinet and touch or tamper with
the internal circuitry. Tampering with the circuitry can result in
electrical shock!
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Owner’s Manual
Bedienungsanleitung
English
Deutsch
Mode d’emploi
Manual de instrucciones
Français
Español
Contents
1
The Panel Controls 2
Preparation 4
The V olume Controls 5
Demonstration Playback 6
Voice Selection 7
■ Selecting the 60 Voices .................................................... 7
■ Keyboard Percussion .......................................................8
Dual Mode 9
■ Engaging the Dual Mode .................................................. 9
■ Dual-mode Voice Balance ................................................ 9
Split Mode 10
■ Engaging the Split Mode ................................................10
■ Changing the Split Voices ..............................................10
■ Changing the Split Point ................................................. 10
■ Split Balance .................................................................. 11
■ Damper Pedal Operation in the Split Mode .................... 11
Digital Reverb Effects 12
■ Selecting a Reverb Effect ............................................... 12
■ Reverb Depth Control.....................................................12
The Keyboard & Polyphony 13
Pan 13
The Pedals 14
■ Right Pedal (Damper Pedal) .......................................... 14
■ Left Pedal (Multi-function) .............................................. 14
Transposition 15
Pitch Control 16
■ The Pitch Display ........................................................... 16
Solo Styleplay 23
■ Using Solo Styleplay ...................................................... 23
■ Harmonization Variations ...............................................23
■ The Left Pedal & Solo Styleplay ..................................... 23
Performance Memory 24
Easy One-pass Recording & Playback
Multi-track Recording & Playback.................................. 25
■ Adding New Tracks ........................................................26
■ Playback ......................................................................... 27
The Chord Sequence Function....................................... 28
.............................24
Utility Mode 29
U1: Touch Sensitivity ......................................................... 29
U2: Accompaniment Volume Mode ................................... 29
MIDI Functions 30
■ Send and Receive Channel Select ................................30
■ Local Control ON/OFF....................................................31
■ Program Change ON/OFF ............................................. 31
■ Control Change ON/OFF................................................ 31
■ The Multi-Timbre Mode ..................................................32
■ The Split Send Mode ...................................................... 32
■ MIDI Clock Select ........................................................... 33
■ Panel Data Send ............................................................33
■ MIDI Transpose Transmit ............................................... 33
■ The Clavinova Common Voice Mode ............................. 33
■ GM Multi-Timbre Mode................................................... 34
■ Performance Memory Data Send ................................... 34
The Connectors 35
Troubleshooting 36
Options 36
Index 37
Accompaniment 17
■ Style Selection................................................................17
■ Tempo Control................................................................17
■ Starting the Accompaniment ..........................................18
■ Fill-ins ............................................................................. 19
■ Stopping the Accompaniment ........................................ 19
■ Metronome .....................................................................19
Auto Bass Chord (ABC) 20
■ Single-finger Accompaniment ........................................ 20
■ Fingered Accompaniment .............................................. 21
■ Full-keyboard ABC .........................................................22
■ Volume Control...............................................................22
■ Changing the ABC Split Point ........................................ 22
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Assembly i
MIDI Data Format vii
Fingering Chart xi
Specifications xii
MIDI Implementation Chart xiii
2
IN
MIDI
OUT
AUX IN
AUX OUT
L/L+R
R
L/L+R
R
The Panel Controls
po Q
1
POWER
PHONES
CVP-49
i
2 3 6 7 8@ # $ ^%9 0 ! &54
MASTER VOLUME
MIDI/
TRANSPOSE
LEFT PEDAL
FUNCTION
SOFT
SOSTENUTO
START/STOP
SOLO STYLEPLAY
AUTO ACCOMPANIMENT
RHYTHM
CHORD 1
BASS
CHORD 2
BAGFEDC
MAX
MIN
AUTO BASS CHORD
FULL
SINGLE
KEYBOARD
FINGER
SYNCHRO
START
START/STOP
SOLO
FINGERED
STYLEPLAY
INTRO/ENDING NORMAL VARIATION
FILL TO NORMAL FILL TO VARIATION
DEMO
MAX
REVERB
ROOM
HALL 1
HALL 2
COSMIC
MIN
STYLE
POP 1
POP 2
SWING
JAZZ
BALLAD
DANCE
POP 1
DANCE
POP 2
BIG BAND
BOOGIE
16BEAT 1
16BEAT 2
BOSSA
SAMBA
ROCK’N’
16BEAT
SHUFFLE
CHA-CHA
RHUMBA
SLOW
ROCK
SHUFFLE
MARCH
MARCH 6/8
COUNTRY 1
COUNTRY 2
WALTZ
J.WALTZ
t
F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3E0
1 POWER Switch........................................................page 4
2 MASTER VOLUME Control .....................................page 5
3 [DEMO] Button.........................................................page 6
4 [REVERB] Button...................................................page 12
u
y
5 [LEFT PEDAL FUNCTION] Button........................page 14
6 [MIDI/TRANSPOSE] Button ................. page 5, 13, 15, 29
7 AUTO ACCOMPANIMENT Volume Controls.... page 5, 22
8 AUTO BASS CHORD
[FULL KEYBOARD] Button.
page 22
9 AUTO BASS CHORD [SINGLE FINGER] Button.page 20
0 AUTO BASS CHORD [FINGERED] Button ..........page 21
! [SOLO STYLEPLAY] Button..................................page 23
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The Panel Controls
3
RERFORMANCE MEMORY
21
REC
e r
RHYTHMABC
CHORD SEQUENCE
METRONOME
* q w
)(
BEAT
TEMPO
VOICE
CLAVINOVA
PIANO
TONE
1234 567
8
90
ORGAN
CHOIR
E.PIANO
UPRIGHT
BASS
HARPSI
ELEC
BASS
VIBES
DRUMS
GUITAR
VOICE 13-60
STRINGS
SPLIT
START/STOP
A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6
@ [START/STOP] Button .................................... page 18, 19
# [SYNCHRO START] Button...................................page 18
$ [INTRO/ENDING] Button ................................ page 18, 19
% [NORMAL/FILL TO NORMAL] Button............ page 18, 19
^ [VARIATION/FILL TO VARIATION] Button ..... page 18, 19
& STYLE Selectors ...................................................page 17
* BEAT Display .........................................................page 19
( [METRONOME] Button .........................................page 19
) TEMPO Display and [▲] and [▼] Buttons.............page 17
e PERFORMANCE MEMORY Buttons ....................page 24
r [CHORD SEQUENCE] Button...............................page 28
t Keyboard................................................................page 13
y Soft Pedal...............................................................page 14
u Damper Pedal ........................................................page 14
i PHONES Jack .........................................................page 4
o AUX IN R and L/L+R Jacks...................................page 35
p AUX OUT R and L/L+R Jacks...............................page 35
Q MIDI Connectors....................................................page 35
q VOICE Selectors......................................................page 7
w [SPLIT] Button .......................................................page 10
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4
Preparation
■The Music Stand
■The Power Switch
If you will be using sheet music with your Clavinova, raise the music
stand built into it’s top panel by lifting the rear edge of the music stand, flip
the support brackets on the rear of the music stand down so that they fit into
the corresponding recesses.
The music stand can be lowered after slightly lifting the stand and flipping
the two brackets which support it upward.
POWER
■Headphones
PHONES
After making sure that the Clavinova’s AC plug is properly inserted into a
convenient AC wall outlet (a power-plug adaptor may be provided in some
areas), press the [POWER] switch located to the left of the keyboard once to
turn the power on. Press the [POWER] switch again to turn the power off.
When the power is initially turned on, the PIANO voice selector LED will
light, the POP 1 style selector LED will light, and “78” will appear on the
TEMPO display.
A standard pairs of stereo headphones can be plugged in here for private
practice or late-night playing. The internal speaker system is automatically
shut off when a pair of headphones is plugged into the PHONES jack.
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The Volume Controls
5
The Clavinova has several volume controls that give
AUTO ACCOMPANIMENT
you extra versatility in creating the required sound.
MAX
MASTER VOLUME
MAX
MIN
RHYTHM CHORD 1
MIDI/
MASTER VOLUME
AUTO ACCOMPANIMENT
DEMO
TRANSPOSE
MAX
LEFT PEDAL
REVERB
FUNCTION
SOFT
ROOM
HALL 1
SOSTENUTO
START/STOP
HALL 2
SOLO STYLEPLAY
COSMIC
MIN
RHYTHM
BASS
BASS
AUTO BASS CHORD
FULL
SINGLE
SOLO
FINGERED
KEYBOARD
FINGER
STYLEPLAY
MAX
SYNCHRO
START
START/STOP
INTRO/ENDING NORMAL VARIATION
MIN
CHORD 2
FILL TO NORMALFILL TO VARIATION
CHORD 1
MIN
CHORD 2
STYLE
DANCE
16BEAT 1 ROCK’N’
POP 1
POP 1
DANCE
16BEAT
POP 2
16BEAT 2
POP 2
SHUFFLE
BIG BAND
BOSSA
CHA-CHA
SWING
JAZZ
BOOGIE
SAMBA
RHUMBA
BALLAD
VOICE
BEAT
SLOW
COUNTRY 1
ROCK
SHUFFLE
MARCH
MARCH 6/8
CLAVINOVA
COUNTRY 2
PIANO
HARPSI
STRINGS SPLIT
VIBES
GUITAR
E.PIANO
TONE
1234567
WALTZ
8
90
ELEC
UPRIGHT
ORGAN
CHOIR
METRONOME
J.WALTZ
VOICE 13-60TEMPO
DRUMS
BASS
BASS
● Master Volume ........................................................................................................................................
MASTER VOLUME
MAX
MIN
The MASTER VOLUME control adjusts the overall volume of sound produced
by the Clavinova. It also adjusts headphone volume when a pair of headphones is
plugged into the PHONES jack.
Initially set the MASTER VOLUME control about half way between the
“MIN” and “MAX” settings. Then, when you start playing, adjust the control for
the most comfortable listening level.
RERFORMANCE MEMORY
START/STOP
RHYTHMABC
21
CHORD SEQUENCE
REC
● Auto Accompaniment ............................................................................................................................
AUTO ACCOMPANIMENT
RHYTHM CHORD 1
BASS
MIDI/
TRANSPOSE
MAX
MIN
CHORD 2
BASS
Separate volume controls are provided for the RHYTHM, CHORD 1,
CHORD 2, and BASS sound. These volume controls let you set up the best balance
between the various accompaniment parts when the AUTO BASS CHORD (ABC)
and Performance Memory features are used, and the RHYTHM volume control
can be used to balance the keyboard and rhythm sound when only rhythm accompaniment is used.
The volume of the keyboard can be independently adjusted by using the BASS
control while holding the [MIDI/TRANSPOSE] button — this is particularly
handy for adjusting the balance when recording the Clavinova sound.
● Additional Volume Control Mode (Reverb Depth)
Using the “Auto Accompaniment Volume Mode” utility function (page 29), the
Auto-Accompaniment volume controls can be assigned to control individual
reverb depths for the rhythm, bass, chord 1, and chord 2 parts.
• If any or all of the Auto Accompaniment volume controls are set to their minimum
NOTES
positions, no sound will be produced by the corresponding parts. The maximum
control positions produce the normal volume levels.
The Internal Amplifier &
Speaker System
The CVP-49 features a powerful stereo amplifier delivering 30 watts per channel to a highperformance speaker system that puts out exceptionally rich sound with natural response
from powerful lows to shimmering highs. The CVP-49 speaker systems employ two 13centimeter speaker units for low-to-midrange reproduction, and two 5-centimeter speaker
units for outstanding high-frequency sound.
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6
Demonstration Playback
The Clavinova features 25 demonstration tunes that effectively demonstrate
its sound and accompaniment capabilities. Here’s how you can select and play
the demo tunes.
STYLE
POP 1
POP 2
SWING
JAZZ
BALLAD
DEMO
DANCE
POP 1
DANCE
POP 2
BIG BAND
BOOGIE
16BEAT 1
16BEAT 2
BOSSA
SAMBA
SLOW
ROCK’N’
16BEAT
SHUFFLE
CHA-CHA
RHUMBA
MIDI/
MASTER VOLUME
AUTO ACCOMPANIMENT
DEMO
TRANSPOSE
MAX
MAX
LEFT PEDAL
REVERB
FUNCTION
SOFT
ROOM
HALL 1
SOSTENUTO
START/STOP
HALL 2
COSMIC
SOLO STYLEPLAY
MIN
MIN
CHORD 2
RHYTHM
CHORD 1
BASS
ROCK
SHUFFLE
MARCH
MARCH 6/8
AUTO BASS CHORD
FULL
SINGLE
KEYBOARD
FINGER
SYNCHRO
START
START/STOP
NOTES
COUNTRY 1
COUNTRY 2
WALTZ
J.WALTZ
STYLE
DANCE
16BEAT 1
POP 1
POP 1
SOLO
DANCE
FINGERED
16BEAT 2
POP 2
STYLEPLAY
POP 2
INTRO/ENDING NORMAL VARIATION
SWING
BIG BAND
BOSSA
CHA-CHA
JAZZ
BOOGIE
SAMBA
RHUMBA
BALLAD
FILL TO NORMALFILL TO VARIATION
• Demo tune playback data is not transmitted via the MIDI OUT terminal.
VOICE
CLAVINOVA
PIANO
TONE
123 456 7
8
CLAVINOVA
HARPSI
VIBES
GUITAR
E.PIANO
TONE
1234567
8
90
ELEC
UPRIGHT
CHOIR
VOICE 13-60
DRUMS
BASS
BASS
90
CHOIR
RERFORMANCE MEMORY
STRINGS
SPLIT
21
REC
START/STOP
ORGAN
VOICE
BEAT
SLOW
ROCK’N’
COUNTRY 1
ROCK
16BEAT
COUNTRY 2
SHUFFLE
SHUFFLE
PIANO
MARCH
WALTZ
ORGAN
METRONOME
MARCH 6/8
J.WALTZ
TEMPO
E.PIANO
UPRIGHT
BASS
RHYTHMABC
CHORD SEQUENCE
HARPSI
ELEC
BASS
VIBES
DRUMS
GUITAR
VOICE 13-60
STRINGS
ZPress the [DEMO] button .......................................................................................................................
DEMO
XSelect a Demo Tune ...............................................................................................................................
CLAVINOVA
PIANO
TONE
E.PIANO
HARPSI
VIBES
123 45
8
ORGAN
90
UPRIGHT
CHOIR
BASS
ELEC
BASS
DRUMS
The 25 demo tunes are selected via the STYLE and VOICE selectors — the
style and voice selectors will flash in sequence when the [DEMO] button is
pressed. Press a selector to start playback of the corresponding tune. You can also
select continuous repeat playback of all demo tunes by pressing the [START/
STOP] button.
CAdjust the Volume ..................................................................................................................................
MASTER VOLUME
MAX
MIN
Use the MASTER VOLUME control to adjust the volume, and play along on
the keyboard if you like.
• The tempo cannot be adjusted during demo playback.
NOTES
VStop Playback .........................................................................................................................................
DEMO
START/STOP
The Demo Tunes
VOICE NAME COMPOSER SONG TITLE
PIANO F. F. Chopin Etude Op.25-1 “Aeolian Harp” or “The Shephered Boy”
CLAVINOVA TONE D. Foster “Water Fountain” from “The Secret of My Success”
HARPSICHORD J. S. Bach Italienisches Konzert (Italian Concerto) BWV 971 3rd movement
GUITAR I. Albeniz Asturias
STRINGS A. Vivaldi The Four Seasons No. 3 “Autumn” 1st movement
ORGAN J. S. Bach Sinfonia from Kantate (Cantata) 29 BWV 29
CHOIR W. A. Mozart Requiem K. 626 No. 6 “Lacrimosa”
* The demonstration pieces listed above are short excerpts from the original compositions.
All other songs are original (© 1995 by Yamaha Corporation).
Demo playback can be stopped temporarily by pressing the [START/STOP]
button. Press the [DEMO] button when you want to stop demo playback and return
to the normal mode.
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Voice Selection
7
The CVP-49 has a total of 60 different voices
that can be selected in a number of ways. There’s
also a “Keyboard Percussion” mode that let’s you
play a range of drums and percussion instruments
on the keyboard.
VOICE
CLAVINOVA
PIANO
TONE
123 456 7
8
ORGAN
90
CHOIR
MIDI/
MASTER VOLUME
AUTO ACCOMPANIMENT
DEMO
TRANSPOSE
MAX
LEFT PEDAL
REVERB
FUNCTION
SOFT
ROOM
HALL 1
SOSTENUTO
START/STOP
HALL 2
SOLO STYLEPLAY
COSMIC
MIN
CHORD 2
RHYTHM
CHORD 1
BASS
E.PIANO
UPRIGHT
BASS
AUTO BASS CHORD
FULL
KEYBOARD
MAX
START/STOP
MIN
SINGLE
FINGER
SYNCHRO
START
FINGERED
INTRO/ENDING NORMAL VARIATION
FILL TO NORMALFILL TO VARIATION
HARPSI
VIBES
ELEC
DRUMS
BASS
STYLE
DANCE
16BEAT 1 ROCK’N’
POP 1
POP 1
SOLO
DANCE
16BEAT
POP 2
16BEAT 2
STYLEPLAY
POP 2
SHUFFLE
BIG BAND
BOSSA
CHA-CHA
SWING
JAZZ
BOOGIE
SAMBA
RHUMBA
BALLAD
SLOW
COUNTRY 1
ROCK
SHUFFLE
COUNTRY 2
MARCH
WALTZ
METRONOME
MARCH 6/8
J.WALTZ
VOICE RERFORMANCE MEMORY
BEAT
PIANO
1234567
8
ORGAN
GUITAR
VOICE 13-60
CLAVINOVA
HARPSI
E.PIANO
TONE
90
ELEC
UPRIGHT
CHOIR
BASS
BASS
STRINGS
STRINGS SPLIT
VIBES
GUITAR
VOICE 13-60TEMPO
DRUMS
RHYTHMABC21
CHORD SEQUENCERECSTART/STOP
■Selecting the 60 Voices
● Voices 1-12: Direct Panel Selection......................................................................................................
CLAVINOVA
PIANO
TONE
123 456 7
8
ORGAN
90
CHOIR
E.PIANO
UPRIGHT
BASS
HARPSI
ELEC
BASS
VIBES
DRUMS
GUITAR
VOICE 13-60
STRINGS
SPLIT
Of the Clavinova’s 60 voices, 12 are “panel voices” which can
be directly accessed by pressing the corresponding VOICE selector.
When a voice selector is pressed the corresponding indicator will
light and the number of the selected voice will appear on the
TEMPO display while the voice selector is held.
The PIANO voice is automatically selected when the power is
initially turned on.
● The VOICE 13-60 [▲] and [▼] Buttons..................................................................................................
Use the [▲] and [▼] buttons immediately to the right of the
[VOICE 13-60] button to select a voice number between 13 and 60.
VOICE 13-60
Press either button briefly to select the next voice number in the
specified direction, or hold the button for continuous scrolling in the
specified direction. The [VOICE 13-60] indicator will light and the
voice number will appear on the TEMPO display during selection.
If a panel voice (1-12) is selected, the last selected voice in the
13-60 range can be instantly re-selected simply by pressing the
[VOICE 13-60] button. The [VOICE 13-60] button will initially
select voice number 13 (BRASS) after the power is turned on.
• Voice number 13 can be instantly selected by pressing the [▲]
NOTES
▼
] buttons simultaneously.
and [
● Numeric Selection ..................................................................................................................................
CLAVINOVA
PIANO
TONE
123 456 7
8
ORGAN
90
CHOIR
E.PIANO
UPRIGHT
BASS
HARPSI
ELEC
BASS
VIBES
DRUMS
GUITAR
VOICE 13-60
STRINGS
SPLIT
Enter the number of the desired voice via the voice selectors
(note that each voice selector has a number between 1 and 0 associated with it) while pressing the [DRUMS] selector.
To select voice number 16, for example, press and hold
[DRUMS], press [PIANO/1], then [GUITAR/6], then release the
[DRUMS] button. The voice number will appear on the TEMPO
display while the [DRUMS] button is held. The [VOICE 13-60]
button indicator will light whenever a voice number between 13 and
60 is selected.
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8
Voice Selection
Panel Voices (1 — 12)
No. Name
1 PIANO E0 - G6
2 CLAVINOVA TONE C1 - G6
3 E. PIANO C1 - C6
4 HARPSI C1 - C6
5 VIBES F2 - F5
6 GUITAR E1 - F#4
7 STRINGS E0 - C6
8 ORGAN E0 - C6
9 CHOIR E1 - E5
10 UPRIGHT BASS E0 - F#3
11 ELEC BASS E0 - F#3
12 DRUMS —
Usable Range
Voices 13 — 60
No. Name
13 BRASS F0 - C6
14 POP BRASS F0 - C6
15 TRUMPET F0 - C6
16 MUTE TRUMPET F#2 - A5
17 HORN A#0 - F4
18 SAX A#0 - F#5
Usable Range
No. Name
19 SAX SOFT A#0 - F#5
20 CLARINET D2 - A#5
21 OBOE A#2 - G5
22 FLUTE G2 - F#6
23 ACCORDION F2 - A5
24 HARMONICA C3 - C6
25 STRINGS SOFT E0 - C6
26 VIOLIN E0 - C6
27 VIOLIN HARD E0 - C6
28 FULL ORGAN E0 - C6
29 JAZZ ORGAN 1 C1 - C6
30 SYNTH BRASS C1 - C6
31 SYNTH WOOD C2 - F#6
32 SYNTH STRINGS E0 - C6
33 SYNTH CHOIR E1 - E5
34 PIANO BRIGHT E0 - G6
35 PIANO SOFT E0 - G6
36 E. PIANO DX C1 - C6
37 SYNTH CRYSTAL C2 - C6
38 CELESTA C2 - C6
39 MARIMBA C2 - C6
• When the DRUMS voice is selected only the keys with drum or percussion sym-
NOTES
bols printed above them will sound.
• The PIANO voice is automatically selected when the power is initially turned on.
Usable Range
No. Name
40 FOLK GUITAR E1 - A4
41 JAZZ GUITAR 1 E1 - A4
42 JAZZ GUITAR 2 E1 - A4
43 ROCK GUITAR 1 E1 - A4
44 ROCK GUITAR 2 E1 - A4
45 MUTE GUITAR E1 - A4
46 BANJO C3 - A5
47 PIZZICATO C1 - C6
48 HARP C1 - C6
49 U. BASS SOFT E0 - F#3
50 E. BASS SOFT E0 - F#3
51 E. BASS HEAVY E0 - F#3
52 SYNTH BASS E0 - F#3
53
TIMPANI & ORCH. HIT
54 BASSOON A#0 - D4
CHAMBER STRINGS
55
56 JAZZ ORGAN 2 C1 - C6
57 ROCK GUITAR 3 E1 - A4
58 COSMIC 1 G0 - C6
59 COSMIC 2 G0 - C6
60 COSMIC 3 G0 - C6
Usable Range
E0 - C2/G2 - C6
C1 - C6
■Keyboard Percussion
DRUMS
Drum & Percussion Key Assignments
Key Instrument
F#2 BRUSH ROLL
G#2 HI-HAT CLOSED HEAVY
A#2 CRASH CYMBAL LIGHT
B2 BASS DRUM LIGHT
C3 SNARE DRUM + RIM HEAVY
C#3 RIDE CYMBAL CUP
D3 SNARE DRUM + RIM LIGHT
F3 BASS DRUM NORMAL
F#3 RIM SHOT
G3 SNARE DRUM HEAVY
G#3 BRUSH SHOT
A3 SNARE DRUM LIGHT
A#3 HI-HAT PEDAL
B3 SNARE DRUM ECHO
When the [DRUMS] voice selector is pressed (its indicator will light), you can
play 41 different drum and percussion instruments on the keyboard. The percussion
instruments played by the various keys are marked by symbols above the keys
(keys with no symbols produce no sound).
• The TRANSPOSE and PITCH functions described on pages 15 and 16 do not
NOTES
Key Instrument
C4 TOM 4
C#4 HI-HAT CLOSED NORMAL
D4 TOM 3
D#4 HI-HAT OPEN
E4 TOM 2
F4 TOM 1
F#4 RIDE CYMBAL NORMAL
G4 ELECTRIC TOM 3
G#4 CRASH CYMBAL NORMAL
A4 ELECTRIC TOM 2
(A#4) (CRASH CYMBAL)
B4 ELECTRIC TOM 1
C5 CONGA LOW
C#5 CABASA
affect the DRUMS sound.
Key Instrument
D5 CONGA HIGH
D#5 METRONOME
E5 BONGO HIGH
F5 TIMBALE LOW
F#5 CLAVES
G5 TIMBALE HIGH
G#5 CASTANETS
A5 CUICA LOW
A#5 COWBELL
B5 CUICA HIGH
C6 HAND CLAP
C#6 AGOGO LOW
D#6 AGOGO HIGH
E6 BONGO LOW
• HI-HAT OPEN (D#4) is muted by HI-HAT CLOSED HEAVY (G#2),
HI-HAT CLOSED NORMAL (C
• BRUSH ROLL (F
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#
2) is muted by BRUSH SHOT (G#3).
#
4) and HI-HAT PEDAL (A#3).
• The instruments listed in parentheses ( ) will not sound when
played on the keyboard, but can be recorded using the Performance Memory (page 24) and will sound on playback. These instruments can also be played via MIDI.
Dual Mode
U
O
A
S
9
The DUAL mode makes it possible to play two
voices simultaneously across the entire range of
the keyboard. This makes it easy to create exceptionally rich, thick tonal textures.
■Engaging the Dual Mode
To engage the DUAL mode simply press two voice selectors at the same time —
CLAVINOVA
PIANO
TONE
123 45
8
ORGAN
90
CHOIR
E.PIANO
UPRIGHT
BASS
HARPSI
ELEC
BASS
VIBES
DRUMS
or press one voice selector while holding another. A voice in the 13…60 range can
G
be “dualed” with the panel voices by pressing the [VOICE 13-60] button and any
other voice selector at the same time (two voices in the 13…60 range cannot be
combined). The [s] and [t] buttons can then be used to select the desired 13…60
V
voice. The higher voice number will appear on the TEMPO display during selection.
The voice indicators of both selected voices will light when the DUAL mode is
active. To return to the normal single-voice play mode, press any single voice selector.
VOICE
CLAVINOVA
PIANO
TONE
123 456 7
8
ORGAN
90
CHOIR
MIDI/
MASTER VOLUME
AUTO ACCOMPANIMENT
DEMO
TRANSPOSE
MAX
LEFT PEDAL
REVERB
FUNCTION
SOFT
ROOM
HALL 1
SOSTENUTO
START/STOP
HALL 2
SOLO STYLEPLAY
COSMIC
MIN
CHORD 2
RHYTHM
CHORD 1
BASS
E.PIANO
UPRIGHT
BASS
AUTO BASS CHORD
FULL
KEYBOARD
MAX
START/STOP
MIN
SYNCHRO
SINGLE
FINGER
START
FINGERED
INTRO/ENDING NORMAL VARIATION
FILL TO NORMALFILL TO VARIATION
HARPSI
VIBES
ELEC
DRUMS
BASS
STYLE
DANCE
16BEAT 1 ROCK’N’
POP 1
POP 1
SOLO
DANCE
16BEAT
16BEAT 2
POP 2
STYLEPLAY
POP 2
SHUFFLE
BIG BAND
BOSSA
CHA-CHA
SWING
JAZZ
BOOGIE
SAMBA
RHUMBA
BALLAD
SLOW
COUNTRY 1
ROCK
SHUFFLE
COUNTRY 2
MARCH
WALTZ
METRONOME
MARCH 6/8
J.WALTZ
VOICE RERFORMANCE MEMORY
BEAT
PIANO
1234567
8
ORGAN
GUITAR
VOICE 13-60
CLAVINOVA
HARPSI
E.PIANO
TONE
90
ELEC
UPRIGHT
CHOIR
BASS
BASS
STRINGS
STRINGS SPLIT
VIBES
GUITAR
VOICE 13-60TEMPO
DRUMS
RHYTHMABC21
CHORD SEQUENCERECSTART/STOP
■Dual-mode V oice Balance
The volume balance between the two voices combined in the DUAL mode can
be adjusted by using the TEMPO [▲] and [▼] buttons while pressing both of the
active voice selectors. The selected balance value (1 … 15) will be shown on the
E.PI
TEMPO display while the voice selectors and TEMPO [▲] or [▼] buttons are
held.
UPR
BAS
■ A setting of “1” sets the volume of the lowest-numbered voice to maximum and
the highest-numbered voice to minimum (no sound).
■ A setting of “8” sets both voices to the same volume (this is the default balance
setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons simultaneously).
■ A setting of “15” sets the volume of the highest-numbered voice to maximum
and the lowest-numbered voice to minimum (no sound).
TEMPO
CLAVINOVA
PIANO
TONE
123
8
ORGAN
90
CHOIR
• Hold either the TEMPO [▲] or [▼] button for continuous scrolling in the specified
NOTES
direction.
• The dual mode cannot be used when the DRUMS voice is selected. Also, the
dual and split modes cannot be used at the same time.
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10
O
Split Mode
The split mode lets you play different voices with
the left and right hands — bass with the left and piano with the right, for example. You can assign any
of the Clavinova’s voices to the left and right-hand
sections of the keyboard.
SPLIT
■Engaging the Split Mode
Left-hand section
SPLIT
F#2
▼
C3
Right-hand section
When the [SPLIT] button is pressed and its indicator lights, the keyboard is
split into left- and right-hand sections and different voices can be assigned to each.
The split point is initially set at the F#2 key when the power is turned on, and the
UPRIGHT BASS voice is initially assigned to the left-hand section of the keyboard
(all keys up to and including F#2). The voice that was selected when the SPLIT
mode was engaged is assigned to the right-hand section of the keyboard. The current settings are retained if the SPLIT mode is turned off (press the [SPLIT] button again) and on while the power remains on.
■Changing the Split Voices
HARPSI
ELEC
BASS
VIBES
DRUMS
E.PIANO
345
0
UPRIGHT
BASS
G
SPLIT
V
The right-hand voice can be changed simply by pressing the appropriate voice
selector.
The left-hand voice can be changed by pressing a voice selector while holding
the [SPLIT] button.
MIDI/
MASTER VOLUME
AUTO ACCOMPANIMENT
DEMO
TRANSPOSE
MAX
MAX
LEFT PEDAL
REVERB
FUNCTION
SOFT
ROOM
HALL 1
SOSTENUTO
START/STOP
HALL 2
COSMIC
SOLO STYLEPLAY
MIN
MIN
CHORD 2
RHYTHM
CHORD 1
BASS
• All voices except BASS (voice numbers 10, 11, 49, 50, 51, and 52) and DRUMS
NOTES
(voice number 12) are shifted up one octave when assigned to the lower section
AUTO BASS CHORD
START/STOP
STYLE
DANCE
16BEAT 1 ROCK’N’
POP 1
SINGLE
FINGER
SYNCHRO
START
FINGERED
INTRO/ENDING NORMAL VARIATION
FILL TO NORMALFILL TO VARIATION
POP 1
SOLO
DANCE
16BEAT
POP 2
16BEAT 2
STYLEPLAY
POP 2
SHUFFLE
BIG BAND
BOSSA
CHA-CHA
SWING
JAZZ
BOOGIE
SAMBA
RHUMBA
BALLAD
FULL
KEYBOARD
VOICE
BEAT
SLOW
COUNTRY 1
ROCK
SHUFFLE
MARCH
MARCH 6/8
CLAVINOVA
COUNTRY 2
PIANO
TONE
1234567
WALTZ
8
90
ORGAN
CHOIR
METRONOME
J.WALTZ
TEMPO
RERFORMANCE MEMORY
HARPSI
STRINGS SPLIT
VIBES
E.PIANO
ELEC
UPRIGHT
DRUMS
BASS
BASS
RHYTHMABC
21
GUITAR
CHORD SEQUENCE
REC
START/STOP
VOICE 13-60
of the keyboard.
■Changing the Split P oint
SPLIT
C3
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The split point can be set at any key by pressing the desired key while holding
the [SPLIT] button. The split point key name will appear on the TEMPO display
while the [SPLIT] button is held.
Example:
The default split point — F#2 — will always be set automatically whenever the
power is initially turned on.
■Split Balance
SPLIT
Split M ode
The volume balance between the left-hand and right-hand voices can be ad-
justed by using the TEMPO [▲] and [▼] buttons while holding the [SPLIT] but-
ton. The selected balance value (1 … 15) will be shown on the TEMPO display
while the [SPLIT] and TEMPO [s] or [▼] buttons are held.
11
TEMPO
■ A setting of “1” sets the volume of the left voice to maximum and the right
voice to minimum (no sound).
■ A setting of “8” sets both voices to the same volume (this is the default balance
setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons simultaneously).
■ A setting of “15” sets the volume of the right voice to maximum and the left
voice to minimum (no sound).
• Hold either the TEMPO [▲] or [▼] button for continuous scrolling in the specified
NOTES
direction.
■Damper Pedal Operation in the Split Mode
The damper pedal (the right pedal — see “The Pedals” on page 14) can be as-
SPLIT
signed to the left voice only, the right voice only, or to both voices in the split
mode.
■ Right Voice Only (default): Press the right (damper) pedal while holding the
[SPLIT] button.
■ Left Voice Only: Press the left (soft) pedal while holding the [SPLIT] button.
■ Both Voices: Press both the right and left pedals while holding the [SPLIT]
button.
• The dual and split modes cannot be used at the same time.
NOTES
• In the split the soft and sostenuto pedal functions apply to both the left- and righthand voices.
• When the ABC Single Finger mode (page 20) and the split mode are used simultaneously, the left-hand voice will be accompanied by the appropriate ABC chord
voices.
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12
Digital Reverb Effects
The [REVERB] button provides a number of
digital effects that you can use for extra depth and
expressive power.
REVERB
ROOM
HALL 1
HALL 2
COSMIC
■Selecting a Reverb Effect
Each time the [REVERB] button is pressed the next effect on the reverb “list”
is selected and the corresponding indicator will light. No effect is selected when no
indicator is lit.
REVERB
ROOM
HALL 1
HALL 2
COSMIC
OFF (No indicator lit)
No effect is produced.
ROOM
This setting adds a reverb effect to the sound that is similar to the type of acoustic
reverberation you would hear in a medium-size room.
HALL 1
For a more spacious reverb sound, use the HALL 1 setting. This effect simulates
the natural reverberation of a medium-size concert hall.
HALL 2
HALL 2 simulates the reverb of a very large concert hall.
MIDI/
MASTER VOLUME
AUTO ACCOMPANIMENT
DEMO
TRANSPOSE
MAX
MAX
LEFT PEDAL
REVERB
FUNCTION
SOFT
ROOM
HALL 1
SOSTENUTO
START/STOP
HALL 2
SOLO STYLEPLAY
COSMIC
MIN
MIN
CHORD 2
RHYTHM
CHORD 1
BASS
AUTO BASS CHORD
START/STOP
STYLE
DANCE
16BEAT 1 ROCK’N’
POP 1
SINGLE
FINGER
SYNCHRO
START
FINGERED
INTRO/ENDING NORMAL VARIATION
FILL TO NORMALFILL TO VARIATION
POP 1
SOLO
DANCE
16BEAT
16BEAT 2
POP 2
STYLEPLAY
POP 2
SHUFFLE
SWING
BIG BAND
BOSSA
CHA-CHA
JAZZ
BOOGIE
SAMBA
RHUMBA
BALLAD
FULL
KEYBOARD
VOICE
BEAT
SLOW
COUNTRY 1
ROCK
SHUFFLE
MARCH
MARCH 6/8
CLAVINOVA
COUNTRY 2
PIANO
TONE
1234567
WALTZ
8
90
ORGAN
CHOIR
METRONOME
J.WALTZ
RERFORMANCE MEMORY
HARPSI
STRINGS SPLIT
VIBES
E.PIANO
ELEC
UPRIGHT
DRUMS
BASS
BASS
RHYTHMABC
21
GUITAR
CHORD SEQUENCE
REC
START/STOP
VOICE 13-60TEMPO
■Reverb Depth Control
REVERB
ROOM
HALL 1
HALL 2
COSMIC
TEMPO
COSMIC
“COSMIC” is an echo effect in which the sound seems to “bounce” around in the
stereo sound field.
• The ROOM effect is automatically selected when the POWER switch is turned
NOTES
on.
The depth of the selected reverb effect can be increased or decreased by press-
ing the TEMPO [▲] or [▼] button while holding the [REVERB] button. The reverb depth is shown on the TEMPO display while the [REVERB] and [▲] or [▼]
buttons are held. The reverb depth range is from “0” (no effect) to “15” (maximum depth).
• Reverb depth is initially set to “8” when the power is turned on (this setting can be
NOTES
recalled during reverb depth selection by pressing the TEMPO [
tons simultaneously).
• Hold either the TEMPO [
direction.
▲
] or [▼] button for continuous scrolling in the specified
▲
] and [▼] but-
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The Keyboard & Polyphony
13
The Clavinova has “32-note polyphony” which
means you can normally play up to 32 notes at once.
This number varies, however, according to the functions being used, as shown in the chart below:
The follwing voices are 2-layer:
• No. 31 SYNTH WOOD
• No. 56 JAZZ ORGAN 2
• No. 58 COSMIC 1
• No. 60 COSMIC 3
Keyboard only 32 notes.
Keyboard only (dual) 16 notes.
Keyboard + rhythm 24 notes (rhythm uses 8).
Keyboard (dual) + rhythm 12 notes
Keyboard + ABC 12 notes (rhythm 8; ABC 12).
Keyboard (dual) + ABC 6 notes
● The number of available notes is further reduced if the dual
mode or the performance memory is being played at the
same time. Further variation occurs with “1-layer” and “2layer” voices: the polyphony is halved with 2-layer voices.
The Clavinova also offers keyboard touch response, so the
volume and timbre of notes played can be controlled according to how “hard” you play the keys. The amount of
variation available depends on the selected voice.
Pan
MIDI/
TRANSPOSE
RHYTHM
The pan settings are as follows:
PL6 PL5 PL4 PL3 PL2 PL1 P c Pr1 Pr2 Pr3 Pr4 Pr5 Pr6
Full
Left
(P d)
Center
Full
Right
● The pan (stereo) position of the voice played on the key-
board can be adjusted by moving the RHYTHM volume
control while holding the [MIDI/TRANSPOSE] button.
The pan position is shown on the TEMPO display, from
“PL6” for full left at the “MIN” control position, through
“Pc” for center, to “Pr6” for full right at the “MAX”
control position. This can be used to produce a broader ensemble sound with the Performance Memory multitrack
recording feature.
Each voice has a preset pan setting (indicated by “Pd” on
the TEMPO display) which is automatically set when the
power is first turned on.
NOTES
• The “Pd” keyboard scale pan default for some voices places the trebleregister sound to the right and the bass-register sound to the left. Using
a different PAN setting places the entire voice, low and high notes included, at the same position.
• The DRUMS voice has a preset PAN setting which cannot be changed.
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14
The Pedals
The CVP-49 has two pedals. These offer a
range of advanced expressive capabilities.
■Right Pedal (Damper Pedal)
The damper pedal functions in the same way as a damper pedal on an acoustic
piano. When the damper pedal is pressed notes played have a long sustain. Releasing the pedal immediately stops (damps) any sustained notes.
■Left Pedal (Multi-function)
MASTER VOLUME
MAX
MIN
LEFT PEDAL
FUNCTION
SOFT
SOSTENUTO
START/STOP
SOLO STYLEPLAY
MIDI/
AUTO ACCOMPANIMENT
DEMO
TRANSPOSE
LEFT PEDAL
REVERB
FUNCTION
SOFT
ROOM
HALL 1
SOSTENUTO
START/STOP
HALL 2
SOLO STYLEPLAY
COSMIC
RHYTHM
BASS
STYLE
DANCE
16BEAT 1 ROCK’N’
POP 1
AUTO BASS CHORD
FULL
KEYBOARD
MAX
START/STOP
MIN
CHORD 2
CHORD 1
SINGLE
FINGER
SYNCHRO
START
FINGERED
INTRO/ENDING NORMAL VARIATION
FILL TO NORMALFILL TO VARIATION
POP 1
SOLO
DANCE
16BEAT
16BEAT 2
POP 2
STYLEPLAY
POP 2
SHUFFLE
SWING
BIG BAND
BOSSA
CHA-CHA
JAZZ
BOOGIE
SAMBA
RHUMBA
BALLAD
SLOW
COUNTRY 1
ROCK
SHUFFLE
COUNTRY 2
MARCH
WALTZ
METRONOME
MARCH 6/8
J.WALTZ
VOICE RERFORMANCE MEMORY
BEAT
CLAVINOVA
PIANO
HARPSI
VIBES
GUITAR
E.PIANO
TONE
1234567
8
90
ELEC
UPRIGHT
ORGAN
CHOIR
VOICE 13-60TEMPO
DRUMS
BASS
BASS
STRINGS SPLIT
RHYTHMABC21
CHORD SEQUENCERECSTART/STOP
LEFT PEDAL
FUNCTION
SOFT
SOSTENUTO
START/STOP
SOLO STYLEPLAY
The left pedal has a number of functions which can be selected using the
[LEFT PEDAL FUNCTION] button and indicators. Each time the [LEFT
PEDAL FUNCTION] button is pressed the next function on the LEFT PEDAL
function “list” is selected and the corresponding indicator will light.
● Soft...........................................................................................................................................................
Pressing the soft pedal subtly reduces the volume and slightly changes the tim-
bre of notes played. The SOFT function is automatically selected whenever the
POWER switch is turned on.
● Sostenuto ................................................................................................................................................
If you play a note or chord on the keyboard and press the sostenuto pedal while
the note(s) are held, those notes will be sustained as long as the pedal is held (as if
the damper pedal had been pressed) but all subsequently played notes will not be
sustained. This makes it possible to sustain a chord, for example, while other notes
are played “staccato.”
The left-pedal SOSTENUTO function cannot be selected while the SOLO
STYLEPLAY feature is operating.
● Start/Stop ................................................................................................................................................
The left pedal performs the same function as the panel [START/STOP] buttons.
For details on the START/STOP function, refer to the “Accompaniment” section
on page 18, 19.
● Solo Styleplay .........................................................................................................................................
For details on the SOLO STYLEPLAY function see “SOLO STYLEPLAY” on
page 23 (the SOLO STYLEPLAY pedal function can only be selected when the
SOLO STYLEPLAY feature is in use).
• The damper, soft, and sostenuto pedal functions do not affect the DRUMS voice.
NOTES
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