Vocal Ens.011352
Vox Humana011253
Choir011252
Air Choir011254
Cyber Pad011399
Fantasia011288
Insomnia011394
Wave 2001011295
Atmosphere011299
Xenon Pad011291
Equinox011294
DX Pad011292
Symbiont011388
Stargate011488
Area 51011289
Dark Moon011389
Ionosphere011594
Golden Age011588
Solaris011494
Millennium011788
Transform011395
Synth.Square Lead011280
Saw. Lead011281
Fire Wire011681
Analogon011581
Fargo011981
Blaster011481
Big Lead011381
Warp011781
Tiny Lead011880
Stardust011298
Aero Lead011283
Mini Lead011480
Sub Aqua011881
Sun Bell011398
Hi Bias011680
Viny lead011580
Andante Spianato and Grand
Polonaise Brillante Op.22
F. Chopin
VOICE DEMO
Voice GroupTitleComposer
Piano&Harpsi.
Consolation No.3F. Chopin
GavotteJ.S. Bach
CVP-202
7
Page 8
Drum/key Assignment List / Verzeichnis der
Liste d’assignation instrument de batterie/
Lista de asignaciones de teclas/batería
Bank Select MSB127127127127127127127
Bank Select LSB0000000
Program Change (0-127)01816242527
KeyboardMIDIKeyAlternateStandard Kit 1Standard Kit 2Room KitRock KitElectro KitAnalog KitDance Kit
NoteNote #Noteoffassign
C#113C#-13Surdo MuteSurdo MuteSurdo MuteSurdo MuteSurdo MuteSurdo MuteSurdo Mute
D114D-13Surdo OpenSurdo OpenSurdo OpenSurdo OpenSurdo OpenSurdo OpenSurdo Open
D#115D#-1Hi QHi QHi QHi QHi QHi QHi Q
E116E-1Whip SlapWhip SlapWhip SlapWhip SlapWhip SlapWhip SlapWhip Slap
F117F-14Scratch HScratch HScratch HScratch HScratch HScratch HScratch H
F#118F#-14Scratch LScratch LScratch LScratch LScratch LScratch LScratch L
G119G-1Finger SnapFinger SnapFinger SnapFinger SnapFinger SnapFinger SnapFinger Snap
G#120G#-1Click NoiseClick NoiseClick NoiseClick NoiseClick NoiseClick NoiseClick Noise
A121A-1Mtrnm ClickMtrnm ClickMtrnm ClickMtrnm ClickMtrnm ClickMtrnm ClickMtrnm Click
A#122A#-1Mtrnm BellMtrnm BellMtrnm BellMtrnm BellMtrnm BellMtrnm BellMtrnm Bell
B123B-1Seq Click LSeq Click LSeq Click LSeq Click LSeq Click LSeq Click LSeq Click L
C224C0Seq Click HSeq Click HSeq Click HSeq Click HSeq Click HSeq Click HSeq Click H
C#225C#0Brush TapBrush TapBrush TapBrush TapBrush TapBrush TapBrush Tap
D2 26 D0
D#227D#0Brush SlapBrush SlapBrush SlapBrush SlapBrush SlapBrush SlapBrush Slap
E2 28 E0
F2 29 F0
F#230F#0CastanetCastanetCastanetCastanetHi Q 2Hi Q 2Hi Q 2
G231G0Snare SoftSnare Soft 2Snare SoftSnare NoisySnrSnpyElctrSnareNoisy 4SnareTechno3
G#232G#0SticksSticksSticksSticksSticksSticksSticks
A233A0Kick SoftKick SoftKick SoftKick Tight 2Kick 3Kick Tight 2KickTechno Q
A#234A#0OpenRimShotRimShotHShrtOpenRimShotOpenRimShotOpenRimShotOpenRimShotRim Gate
B235B0Kick TightKickTghtShrtKick TightKick 2Kick GateKickAnlgShrtKickTechno L
C336C1KickKick ShortKickKick GateKckGateHeavyKick AnalogKickTechno 2
C#337C#1Side StickSide StickSide StickSide StickSide StickSideStickAnSideStickAn
D338D1SnareSnare ShortSnare SnappySnare RockSnareNoisy 2SnareAnalogSnare Clap
D#339D#1Hand ClapHand ClapHand ClapHand ClapHand ClapHand ClapHand Clap
E340E1Snare TightSnareTight HSnrTightSnpySnareRockRimSnareNoisy 3SnareAnalog2Snare Dry 2
F341F1Floor Tom LFloor Tom LTom Room 1Tom Rock 1TomElectro 1Tom Analog 1Tom Analog 1
F#342F#11Hi-HatClosedHi-HatClosedHi-HatClosedHi-HatClosedHi-HatClosedHatCloseAnlgHiHatClose 3
G343G1Floor Tom HFloor Tom HTom Room 2Tom Rock 2TomElectro 2Tom Analog 2Tom Analog 2
G#344G#11Hi-Hat PedalHi-Hat PedalHi-Hat PedalHi-Hat PedalHi-Hat PedalHatCloseAn 2HatCloseAn 2
A345A1Low TomLow TomTom Room 3Tom Rock 3TomElectro 3Tom Analog 3Tom Analog 3
A#346A#11Hi-Hat OpenHi-Hat OpenHi-Hat OpenHi-Hat OpenHi-Hat OpenHatOpen AnlgHiHat Open 3
B347B1Mid Tom LMid Tom LTom Room 4Tom Rock 4TomElectro 4Tom Analog 4Tom Analog 4
C448C2Mid Tom HMid Tom HTom Room 5Tom Rock 5TomElectro 5Tom Analog 5Tom Analog 5
C#449C#2CrashCymbal1CrashCymbal1CrashCymbal1CrashCymbal1CrashCymbal1Crash AnalogCrash Analog
D450D2High TomHigh TomTom Room 6Tom Rock 6TomElectro 6Tom Analog 6Tom Analog 6
D#451D#2RideCymbal 1RideCymbal 1RideCymbal 1RideCymbal 1RideCymbal 1RideCymbal 1RideCymbal 1
E452E2Chinese CymChinese CymChinese CymChinese CymChinese CymChinese CymChinese Cym
F453F2Ride Cym CupRide Cym CupRide Cym CupRide Cym CupRide Cym CupRide Cym CupRide Cym Cup
F#454F#2TambourineTambourineTambourineTambourineTambourineTambourineTambourine
G455G2SplashCymbalSplashCymbalSplashCymbalSplashCymbalSplashCymbalSplashCymbalSplashCymbal
G#456G#2CowbellCowbellCowbellCowbellCowbellCowbell AnlgCowbell Anlg
A457A2CrashCymbal2CrashCymbal2CrashCymbal2CrashCymbal2CrashCymbal2CrashCymbal2CrashCymbal2
A#458A#2VibraslapVibraslapVibraslapVibraslapVibraslapVibraslapVibraslap
B459B2RideCymbal 2RideCymbal 2RideCymbal 2RideCymbal 2RideCymbal 2RideCymbal 2RideCymbal 2
C560C3Bongo HBongo HBongo HBongo HBongo HBongo HBongo H
C#561C#3Bongo LBongo LBongo LBongo LBongo LBongo LBongo L
D562D3Conga H MuteConga H MuteConga H MuteConga H MuteConga H MuteConga Anlg HConga Anlg H
D#563D#3Conga H OpenConga H OpenConga H OpenConga H OpenConga H OpenConga Anlg MConga Anlg M
E564E3Conga LConga LConga LConga LConga LConga Anlg LConga Anlg L
F565F3Timbale HTimbale HTimbale HTimbale HTimbale HTimbale HTimbale H
F#566F#3Timbale LTimbale LTimbale LTimbale LTimbale LTimbale LTimbale L
G567G3Agogo HAgogo HAgogo HAgogo HAgogo HAgogo HAgogo H
G#568G#3Agogo LAgogo LAgogo LAgogo LAgogo LAgogo LAgogo L
A569A3CabasaCabasaCabasaCabasaCabasaCabasaCabasa
A#570A#3MaracasMaracasMaracasMaracasMaracasMaracas 2Maracas 2
B5 71 B3
C6 72 C4
C#673C#4Guiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro Short
D6 74 D4
D#675D#4ClavesClavesClavesClavesClavesClaves 2Claves 2
E676E4Wood Block HWood Block HWood Block HWood Block HWood Block HWood Block HWood Block H
F677F4Wood Block LWood Block LWood Block LWood Block LWood Block LWood Block LWood Block L
F#678F#4Cuica MuteCuica MuteCuica MuteCuica MuteScratch H 2Scratch H 2Scratch H 2
G679G4Cuica OpenCuica OpenCuica OpenCuica OpenScratch L 2Scratch L 3Scratch L 3
G#680G#42TriangleMuteTriangleMuteTriangleMuteTriangleMuteTriangleMuteTriangleMuteTriangleMute
A681A42TriangleOpenTriangleOpenTriangleOpenTriangleOpenTriangleOpenTriangleOpenTriangleOpen
A#682A#4ShakerShakerShakerShakerShakerShakerShaker
B683B4Jingle BellsJingle BellsJingle BellsJingle BellsJingle BellsJingle BellsJingle Bells
C784C5Bell TreeBell TreeBell TreeBell TreeBell TreeBell TreeBell Tree
–85C#5
–86D5
–87D#5
–88E5
–89F5
–90F#5
–91G5
• Key Off: Keys marked “O” stop sounding the instant they are released.
• Alternate Assign: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same
number.
BrushTapSwrlBrushTapSwrlBrushTapSwrlBrushTapSwrlReversCymbalReversCymbalReversCymbal
Snare RollSnare Roll 2Snare RollSnare RollSnare RollSnare RollSnare Roll
Guiro LongGuiro LongGuiro LongGuiro LongGuiro LongGuiro LongGuiro Long
• Key Off: Durch “
der Taste.
• Alternate Assign: Mit derselben Nummer gekennzeichnete Klänge werden
von demselben Instrument erzeugt und können daher nicht gleichzeitig
produziert werden. Spielt einer dieser Klänge gerade, wird er beim
Anschlagen einer anderen Taste mit derselben “Alternate Assign”-Nummer
stummgeschaltet.
O
” gekennzeichnete Klänge verstummen beim Loslassen
8
CVP-202
Page 9
Schlagzeugklänge /
touche du clavier /
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Bank Select MSB127127127127127126126
Bank Select LSB0000000
Program Change (0-127)324048808201
KeyboardMIDIKeyAlternateJazz KitBrush KitSymphony KitSty Std.KitSty BrushKitSFX Kit 1SFX Kit 2
NoteNote #Noteoffassign
C#113C#-13Surdo MuteSurdo MuteSurdo MuteSurdo MuteSurdo Mute
D114D-13Surdo OpenSurdo OpenSurdo OpenSurdo OpenSurdo Open
D#115D#-1Hi QHi QHi QHi QHi Q
E116E-1Whip SlapWhip SlapWhip SlapWhip SlapWhip Slap
F117F-14Scratch HScratch HScratch HScratch HScratch H
F#118F#-14Scratch LScratch LScratch LScratch LScratch L
G119G-1Finger SnapFinger SnapFinger SnapFinger SnapFinger Snap
G#120G#-1Click NoiseClick NoiseClick NoiseClick NoiseClick Noise
A121A-1Mtrnm ClickMtrnm ClickMtrnm ClickMtrnm ClickMtrnm Click
A#122A#-1Mtrnm BellMtrnm BellMtrnm BellMtrnm BellMtrnm Bell
B123B-1Seq Click LSeq Click LSeq Click LSeq Click LSeq Click L
C224C0Seq Click HSeq Click HSeq Click HSeq Click HSeq Click H
C#225C#0Brush TapBrush TapBrush TapBrshTpStyStdBrshTpStBrsh
D2 26 D0
D#227D#0Brush SlapBrush SlapBrush SlapBrshSlStyStdBrshSlStBrsh
E2 28 E0
F2 29 F0
F#230F#0CastanetCastanetCastanetCastanetCastanet
G231G0Snare SoftBrush Slap 2Brush Slap 2SnrSftStyStdSnrSftStBrsh
G#232G#0SticksSticksSticksSticksSticks
A233A0Kick SoftKick SoftKick Soft 2KckSftStyStdKckSftStBrsh
A#234A#0OpenRimShotOpenRimShotOpenRimShotRimShtStyStdRimShtStBrsh
B235B0Kick TightKick TightGran CassaKickT StyStdKickT StBrsh
C336C1Kick JazzKick SmallGranCassa MuKick StyStdKick StBrshCuttingNoizPhone Call
C#337C#1Side StickSide StickSide StickS StckStyStdS StckStBrshCuttingNoiz2Door Squeak
D338D1SnareBrush Slap 3Band SnareSnare StyStdSnare StBrshDoor Slam
D#339D#1Hand ClapHand ClapHand ClapHand ClapHand ClapString SlapScratch Cut
E340E1Snare TightBrush Tap 2Band Snare 2Snr T StyStdSnr T StBrshScratch H 3
F341F1Tom Jazz 1Tom Brush 1Tom Jazz 1FlrTmLStyStdFlrTmLStBrshWind Chime
F#342F#11Hi-HatClosedHi-HatClosedHi-HatClosedHHCls StyStdHHCls StBrshTelephone 2
G343G1Tom Jazz 2Tom Brush 2Tom Jazz 2FlrTmHStyStdFlrTmHStBrsh
G#344G#11Hi-Hat PedalHi-Hat PedalHi-Hat PedalHHPdl StyStdHHPdl StBrsh
A345A1Tom Jazz 3Tom Brush 3Tom Jazz 3LoTmStyStdLoTmStBrsh
A#346A#11Hi-Hat OpenHi-Hat OpenHi-Hat OpenHHOpn StyStdHHOpn StBrsh
B347B1Tom Jazz 4Tom Brush 4Tom Jazz 4MidTmLStyStdMidTmLStBrsh
C448C2Tom Jazz 5Tom Brush 5Tom Jazz 5MidTmHStyStdMidTmHStBrsh
C#449C#2CrashCymbal1CrashCymbal1Hand CymbalCrash1StyStdCrash1StBrsh
D450D2Tom Jazz 6Tom Brush 6Tom Jazz 6HiTom StyStdHiTom StBrsh
D#451D#2RideCymbal 1RideCymbal 1HandCymShortRide1 StyStdRide1 StBrsh
E452E2Chinese CymChinese CymChinese CymChiCymStyStdChiCymStBrshFl.Key ClickIgnition
F453F2Ride Cym CupRide Cym CupRide Cym CupR Cup StyStdR Cup StBrshSqueal
F#454F#2TambourineTambourineTambourineTambourineTambourineExhaust
G455G2SplashCymbalSplashCymbalSplashCymbalSplashStyStdSplashStBrshCrash
G#456G#2CowbellCowbellCowbellCowbellCowbellSiren
A457A2CrashCymbal2CrashCymbal2HandCymbal 2Crash2StyStdCrash2StBrshTrain
A#458A#2VibraslapVibraslapVibraslapVibraslapVibraslapJet Plane
B459B2RideCymbal 2RideCymbal 2HandCym2ShrtRide 2StyStdRide 2StBrshStarship
C560C3Bongo HBongo HBongo HBongo HBongo HBurst
C#561C#3Bongo LBongo LBongo LBongo LBongo LCoaster
D562D3Conga H MuteConga H MuteConga H MuteConga H MuteConga H MuteSubmarine
D#563D#3Conga H OpenConga H OpenConga H OpenConga H OpenConga H Open
E564E3Conga LConga LConga LConga LConga L
F565F3Timbale HTimbale HTimbale HTimbale HTimbale H
F#566F#3Timbale LTimbale LTimbale LTimbale LTimbale L
G567G3Agogo HAgogo HAgogo HAgogo HAgogo H
G#568G#3Agogo LAgogo LAgogo LAgogo LAgogo LShowerLaugh
A569A3CabasaCabasaCabasaCabasaCabasaThunderScream
A#570A#3MaracasMaracasMaracasMaracasMaracasWindPunch
B5 71 B3
C6 72 C4
C#673C#4Guiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro ShortFeed
D6 74 D4
D#675D#4ClavesClavesClavesClavesClaves
E676E4Wood Block HWood Block HWood Block HWood Block HWood Block H
F677F4Wood Block LWood Block LWood Block LWood Block LWood Block L
F#678F#4Cuica MuteCuica MuteCuica MuteCuica MuteCuica Mute
G679G4Cuica OpenCuica OpenCuica OpenCuica OpenCuica Open
G#680G#42TriangleMuteTriangleMuteTriangleMuteTriangleMuteTriangleMute
A681A42TriangleOpenTriangleOpenTriangleOpenTriangleOpenTriangleOpen
A#682A#4ShakerShakerShakerShakerShaker
B683B4Jingle BellsJingle BellsJingle BellsJingle BellsJingle Bells
C784C5Bell TreeBell TreeBell TreeBell TreeBell TreeDogMachine Gun
–85C#5HorseLaser Gun
–86D5Bird Tweet 2Explosion
–87D#5Firework
–88E5
–89F5
–90F#5Ghost
–91G5Maou
• Key off : Le son produit par les touches marquées “O” cesse à l’instant où la
touche est relâchée.
• Alternate Assign : Le fait de jouer un instrument appartenant à un groupe
ayant un numéro arrête immédiatement le son de tout autre instrument
appartenant à un groupe ayant le même numéro.
Guiro LongGuiro LongGuiro LongGuiro LongGuiro Long
O
• Key Off: Las teclas marcadas con “
que se sueltan.
• Alternate Assign: Al tocar algún instrumento con un grupo numerado
detendrá inmediatamente el sonido de cualquier otro instrumento del mismo
grupo con el mismo número.
Selected style in each STYLE SELECT pageTop style————OACMP SETTINGACMP SETTING
MAIN A/B/C/DMAIN C—O—ACMP. SETTINGOACMP SETTINGACMP SETTING
ACMP. ON/OFFOFFONON—ACMP. SETTINGOACMP SETTING ACMP SETTING
ACCOMPANIMENT MODEMULTI FINGER———ACMP. SETTINGOACMP SETTINGACMP SETTING
1
TEMPO
INTRO/FILL IN/ENDINGOF F———A CMP. SETTINGO——
METRONOME VOLUME64————OACMP SETTINGACMP SETTING
SOUND REPEATAUTO————OSONG SETTING SONG SETTING
PIANO ROLL DISPLAYAUTO————OSONG SETTINGSONG SETTING
GUIDE LAMP ON/OFFON————OSONG SETTING SONG SETTING
LYRICS ON/OFFON———
SONG VOLUME[ACMP/SONG VOLUME]
TRANSPOSE (ALL)0———VOICE SETTINGOVOICE SETTING VOICE SETTING
TRANSPOSE (SONG)0————OVOICE SETTING VOICE SETTING
VOICE SETTINGAUTO————OVOICE SETTING VOICE SETTING
KEY TOUCHNORMAL———VOICE SETTINGOVOICE SETTING VOICE SETTING
FIXED VELOCITY76———VOICE SETTINGOVOICE SETTING VOICE SETTING
LEFT PEDAL FUNCTIONSOFT—OOPEDALOPEDALPEDAL
LEFT PART MIDI SEND Ch.3————OMIDI SETTINGMIDI SETTING
RIGHT 1 PART MIDI SEND Ch.1————OMIDI SETTINGMIDI SETTING
RIGHT 2 PART MIDI SEND Ch .2————OMIDI SETTINGMIDI SETTING
LOCAL CONTROL ON/OFFON————OMIDI SETTINGMIDI SETTING
SYNC. CLOCKINT.————OMIDI SETTINGMIDI SETTING
PROGRAM CHANGE SEND/RECEIVE ON/OFFTX&RX (ON)————OMIDI SETTINGMIDI SETTING
CONTROL CHANGE SEND/RECEIVE ON/OFFTX&RX (ON)————OMIDI SETTINGMIDI SETTING
SYSTEM EXCLUSIVE SEND/RECEIVE ON/OFFTX&RX (ON)————OMIDI SETTINGMIDI SETTING
START/STOP SEND/RECEIVE ON/OFFOFF————OMIDI SETTINGMIDI SETTING
MIDI FILTER ON/OFF (all channels)ON————OMIDI SETTINGMIDI SETTING
MIDI TRANSPOSE RECEIVE ON/OFFON————OMIDI SETTINGMIDI SETTING
ACMP & RHY SEND ON/OFFOF F————OMIDI SETTINGMIDI SETTING
HARMONY SEND ON/OFFOFF————OMIDI SETTINGMIDI SETTING
SEQUENCER SEND ON/OFFOFF————OMIDI SETTINGMIDI SETTING
REMOTE KEYBOARDOFF————OMIDI SETTINGMIDI SETTING
MICRO TUNING ON/OFFO FF————OTUNETUNE
MICRO TUNE. SETTING0————OTUNETUNE
SCALE TUNING SELECTPRESET———TUNEOTUNETUNE
PRESET SCALE SELECTEQUAL———TUNEOTUNETUNE
PRESET SCALE KEYC———TUNEOTUNETUNE
USER SCALE SETTING0———TUNEOTUNETUNE
BACKUP ON/OFFSet separately for each
selection.
ACMP. SETTING: ON
Others: OF F
110—OACMP. SETTINGOACMP SETTINGACMP SETTING
Depends on style selection.—O—ACMP. SETTINGOACMP SETTING ACMP SETTING
1 When a Music Database setup or registration is recalled during Auto Accompaniment
playback, the style thereby selected will begin playing immediately if it is the same as
the style that is currently playing, or from the top of the next measure if it is a different
style.
2 REGISTRATION: ON; Others: OFF
1 Bei Wiederaufruf eines Musikdatenbank-Setup oder einer Registrierung während des
Auto Accompaniment-Backup (Backup von Autom. Begleitung) wird der dabei gewählte
Style sofort abgespielt, sofern dieser derselbe ist wie der aktuell abgespielte Style, oder
ab der obersten Stelle des nächsten Taktes, falls es sich um einen anderen Style
handelt.
2 REGISTRATION: ON; Andere: OFF
1 Si une configuration de Music Database ou une registration est rappelée au cours de
l’accompagnement automatique, le style ainsi sélectionné sera joué immédiatement s’il
est identique au style en cours de lecture, ou au début de la mesure suivante s’il s’agit
d’un style différent.
2 REGISTRATION : ON ; Autres : OFF
1 Cuando un registro o los ajustes Music Database están llamados durante una
reproducción Auto Accompaniment, el estilo seleccionado reproducirá inmediatamente
si es el mismo que el estilo que se está reproduciendo o desde el principio del compás
siguiente si es un estilo diferente.
2 REGISTRATION: ON; Otros: OFF
CVP-202
11
Page 12
Fingering Chart/Akkordliste/
Tablature / Gráfica de digitado
* All fingerings shown are simple root-position types.
* Die hier gezeigten Akkorde sind jeweils die Grundakkorde.
* Tous les doigtés indiqués sont du type à position fondamentale simple.
* Todos los digitados se muestran como tipos de posición de raíz sencilla.
Example for “C” chords
Beispiele für “C”-Akkorde
Exemples d’accords en “C”
Ejemplo de acordes “C”
○○○○○○○○○○○○○○○○
C
Cadd
(#5)
C
7
Cm
CmM
C
6
( )
(9)
9
(b5)
7
7
CM
7
(#5)
CM
7
( )
Cmadd
CmM
( )
9
(9)
7
CM
C
Cm
Cm
Cm
7
( )
(9)
6
( )
(9)
7
( )
(b5)
CM
(b5)
C
Cm
Cm
( )
Cdim
(b5)
7
6
(11)
7
( )
7
CM
Caug
Cm
CmM
C
7
7
7
(#11)
( )
( )
(b5)
7
12
C sus
7
(b9)
C
7
CVP-202
( )
4
( )
( )
( )
(9)
C
7
( )
(b13)
C
7
( )
(#11)
C
7
( )
(#9)
C
7
( )
C
7
Csus
(13)
( )
4
(b5)
C
7
Page 13
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI / Formato de datos MIDI
○○○○○○
Many MIDI messages listed in the MIDI Data Format are expressed in decimal
numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers
may include the letter “H” as a suffix. Also, “n” can freely be defined as any
whole number.
To enter data/values, refer to the table below.
PITCH BEND SENS.BnH,65H,00H,64H,00H,06H,mmH
FINE TUNINGBnH,65H,00H,64H,01H,06H,mmH,
COARSE TUNINGBnH,65H,00H,64H,02H,06H,mmH
NULLBnH,65H,7FH,64H,7FH
ALL SOUND OFFBnH,78H,00H
RESET ALL CONTROLLERSBnH,79H,00H
LOCAL CONTROLBnH,7AH
ALL NOTES OFFBnH,7BH,00H
OMNI OFFBnH,7CH,00H
OMNI ONBnH,7DH,00H
MONOBnH,7EH
POLYBnH,7FH
STATUS1000nnnn(8nH) n = 0 - 15 VOICE CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) - 127 (G8)
VELOCITY0vvvvvvvv: ignored
(3-1-2) KEY ON/OFF
STATUS1001nnnn(9nH) n = 0 - 15 VOICE CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) - 127 (G8)
VELOCITY0vvvvvvv(v ≠ 0) NOTE ON
(3-1-3) PROGRAM CHANGE
STATUS1100nnnn(CnH) n = 0 - 15 VOICE CHANNEL NUMBER
PROGRAM NUMBER0pppppppp = 0 - 127
* PROGRAM NUMBER: XG DRUM VOICE number correspondence
P = 0Standard Kit
P = 1Standard2 Kit
P = 8Room Kit
P = 16Rock Kit
P = 24Electro Kit
P = 25Analog Kit
P = 27Dance Kit
P = 32Jazz Kit
P = 40Brush Kit
P = 48Classic Kit
* PROGRAM NUMBER: XG SFX KIT number correspondence
P = 0SFX1 Kit
P = 1SFX2 Kit
00000000(v = 0) NOTE OFF
26H,llH
.....ddH F7H
When DRUM VOICE is selected and program change data for a different DRUM VOICE is
received, the currently selected Drum Setup data will be replaced with the new DRUM
VOICE DATA.
(3-1-4) CHANNEL AFTER TOUCH (Receive only)
STATUS1101nnnn(DnH) n = 0 - 15 VOICE CHANNEL NUMBER
VALUE0vvvvvvvv = 0 - 127 AFTER TOUCH VALUE
(3-1-5) PITCH BEND CHANGE
STATUS1110nnnn(EnH) n = 0 - 15 VOICE CHANNEL NUMBER
LSB0vvvvvvvPITCH BEND CHANGE LSB
MSB0vvvvvvvPITCH BEND CHANGE MSB
(3-1-6) CONTROL CHANGE
STATUS1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
CONTROL NUMBER0ccccccc
CONTROL VALUE0vvvvvvv
* Transmit CONTROL NUMBER.
c = 0BANK SELECT MSB; v = 0:XG NORMAL,
c = 32BANK SELECT LSB; v = 0 - 127
c = 6DATA ENTRY MSB; v = 0 - 127*1
c = 38DATA ENTRY LSB; v = 0 - 127*1
c = 7MAIN VOLUME; v = 0 - 127
c = 10PANPOT ; v = 0 - 127
c = 11EXPRESSION; v = 0 - 127
c = 64SUSTAIN; v = 0-63:OFF , 64-127:ON *2
c = 66SOSTENUTO; v = 0-63:OFF , 64-127:ON *2
c = 67SOFT PEDAL; v = 0-63:OFF , 64-127:ON *2
c = 84PORTAMENTO CONTROL ; v = 0 - 127
c = 91REVERB SEND LEVEL; v = 0 - 127
c = 93CHORUS SEND LEVEL; v = 0 - 127
c = 94
c = 100RPN LSB; v = 0 - 127
c = 101RPN MSB; v = 0 - 127
* Receive CONTROL NUMBER.
c = 0BANK SELECT MSB; v = 0:XG NORMAL,
c = 32BANK SELECT LSB; v = 0 - 127
c = 1MODULATION; v = 0 - 127*2
c = 5PORTAMENTO TIME; v = 0 - 127*2
c = 6DATA ENTRY MSB; v = 0 - 127*1
c = 38DATA ENTRY LSB; v = 0 - 127*1
c = 7MAIN VOLUME; v = 0 - 127
c = 10PANPOT ; v = 0 - 127
c = 11EXPRESSION; v = 0 - 127
c = 64SUSTAIN; v = 0-63:OFF , 64-127:ON *2
c = 65PORTAMENTO; v = 0-63:OFF , 64-127:ON *2
c = 66SOSTENUTO; v = 0-63:OFF , 64-127:ON *2
c = 67SOFT PEDAL; v = 0-63:OFF , 64-127:ON *2
c = 71HARMONIC CONTENT;
c = 72RELEASE TIME;
c = 73ATTACK TIME;
c = 74BRIGHTNESS;
c = 84PORTAMENT CONTROL; v = 0 - 127*2
c = 91REVERB SEND LEVEL; v = 0 - 127
c = 93CHORUS SEND LEVEL; v = 0 - 127
c = 94
c = 96DATA INCREMENT; v = 0 - 127*1
c = 97DATA DECREMENT; v = 0 - 127*1
*1 Only when setting the appointed parameter with RPN, NRPN.
*2 Does not effect Rhythm Voice.
VARIATION SEND LEVEL
VARIATION SEND LEVEL
RPN MSB/LSB, NRPN MSB/LSB
64:SFX NORMAL,
126:XG SFX KIT,
127:XG DRUM
; v = 0 - 127
(When only Connection = 1[System])
64:SFX NORMAL,
126:XG SFX KIT,
127:XG DRUM
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
; v = 0 - 127
(When only Connection = 1[System])
• Until a PROGRAM CHANGE message is received, the BANK SELECT
operation will be suspended. When a Voice, including VOICE BANK, is
changed, set the BANK SELECT and Program Change Message, and
transmit in the following order, BANK SELECT MSB, LSB, PROGRAM
CHANGE.
• MODULATION controls the Vibrato Depth.
• PORTAMENTO TIME controls the Pitch Change Speed when the
Portamento Switch = ON. 0 being the shortest time, and 127 being the
longest.
• PANPOT changes the value for the melody voice and rhythm voice in
relation to the preset value.
• Portamento time is fixed to 0 when the PORTAMENTO CONTROL is
used.
• HARMONIC CONTENT applies adjustment to the resonance value that
is set by the voice. This parameter specifies relative change with the
value of 64 producing 0 adjustment. As values get higher the sound
becomes increasingly eccentric. Note that for some voices the effective
parameter range is narrower than the legal parameter range.
• RELEASE TIME applies adjustment to the envelope release time set by
the voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
• ATTACK TIME applies adjustment to the envelope attack time set by the
voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
• BRIGHTNESS applies adjustment to the cut-off frequency set by the
voice. This parameter specifies relative change with the value of 64
producing 0 adjustment. Lower voices produce a softer sound. For some
voices the effective parameter range is narrower than the legal
parameter range.
(3-2) CHANNEL MODE MESSAGES
STATUS1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
CONTROL NUMBER0cccccccc = CONTROL NUMBER
CONTROL VALUE0vvvvvvvv = DATA VALUE
(3-2-1) ALL SOUND OFF (Receive only)
Switches off all sound from the channel. Reset Note On and Hold On conditions established
by Channel Messages.
(CONTROL NUMBER = 78H , DATA VALUE = 0)
(3-2-2) RESET ALL CONTROLLERS (Receive only)
Resets controllers as follows.
PITCH BEND CHANGE0 (Center)
AFTER TOUCH0 (min.)
MODULATION0 (min.)
EXPRESSION127 (max.)
SUSTAIN0 (off)
SOSTENUTO0 (off)
SOFT PEDAL0 (off)
NRPNSets number to null. (Internal data remains unchanged)
RPNSets number to null. (Internal data remains unchanged)
PORTAMENT CONTROLResets portamento source note number
PORTAMENTO0 (off)
(CONTROL NUMBER = 79H , DATA VALUE = 0)
(3-2-3) LOCAL CONTROL (Receive only)
(CONTROL NUMBER = 7AH , DATA VALUE = 0/7FH)
When the DATA VALUE = 7FH, LOCAL ON is activated where playing the keys on the
keyboard will produce sound.
When the DATA VALUE = 0, LOCAL OFF is activated where playing the keys on the
keyboard will not produce any sound.
(3-2-4) ALL NOTES OFF (Receive only)
(CONTROL NUMBER = 7BH , DATA VALUE = 0)
Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or
SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.
(3-2-5)
OMNI OFF (Receive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)
Same processing as for All Notes Off.
(3-2-6) OMNI ON (Receive only)
Same processing as for All Notes Off. Omni On is not executed.
(3-2-7) MONO (Receive only)
Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding
channel will be changed to Mode 4 (m=1).
(CONTROL NUMBER = 7DH , DATA VALUE = 0)
(CONTROL NUMBER = 7EH , DATA VALUE = 0)
(3-2-8) POLY (Receive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)
Same processing as for All Sounds Off and the corresponding channel will be changed to
Mode 3.
(3-3) REGISTERED PARAMETER NUMBER(RPN)
STATUS1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
RPN LSB01100100(64H)
RPN LSB NUMBER0pppppppp = RPN LSB (refer to the list below)
RPN MSB01100101(65H)
RPN MSB NUMBER0qqqqqqqq = RPN MSB (refer to the list below)
DATA ENTRY MSB00000110(06H)
DATA VALUE0mmmmmmmm = Data Value
DATA ENTRY LSB00100110(26H)
DATA VALUE0llllllll = Data Value
First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry
MSB/LSB.
RPND.ENTRY
LSB MSB MSB LSB PARAMETER NAMEDATA RANGE
00H 00H mmH —
01H 00H mmH llH FINE TUNE
02H 00H mmH —COARSE TUNE
7FH 7FH ——NULLClears the current RPN number setting.
STATUS1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
NRPN LSB01100010(62H)
NRPN LSB NUMBER 0pppppppp = NRPN LSB (refer to the list below)
NRPN MSB01100011(63H)
NRPN MSB NUMBER 0qqqqqqqq = NRPN MSB (refer to the list below)
DATA ENTRY MSB00000110(06H)
DATA VALUE0mmmmmmmm = Data Value
First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry
MSB/LSB.
Transmission: 96 clocks per measure are transmitted.
Reception: If the instrument’s clock is set to external, after FAH is received from the external
device the instrument’s clock will sync with the 96 beats per measure received from the external
device.
Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used.
(3-5-2) START
STATUS11111010 (FAH)
Transmission: Transmitted when instrument’s Rhythm or Song playback is started.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.
(3-5-3) STOP
STATUS11111100 (FCH)
Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.
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MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
○○○
(3-5-4) ACTIVE SENSING
STATUS11111110 (FEH)
Transmission: Transmitted approximately once every 200msec.
Reception: Sensing is started once this Code is received. If Status or Data is not received
within 400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being
sustained, will be cut OFF. Also, all control values will be reset to their factory defaults.
(3-6) SYSTEM EXCLUSIVE MESSAGE
(3-6-1) YAMAHA MIDI FORMAT
(3-6-1-1) SECTION CONTROL
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
011111107EStyle
0000000000
0sssssssSSSwitch No.
0dddddddDDSwitch On/Off: 00H(Off),7FH(On)
11110111F7End of Exclusive
When an ON code is received, the appointed section will be changed.
(3-6-1-2) TEMPO CONTROL
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
011111107EStyle
0000000001
0tttttttTTTempo4
0tttttttTTTempo3
0tttttttTTTempo2
0tttttttTTTempo1
11110111F7End of Exclusive
The internal clock will be set to the received Tempo value.
Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going
into each of the Tempos 1-4 (4 receives the remaining 3 bits).
00H : INTRO A
01H : INTRO B
02H : INTRO C/D
03H~07H : INTRO C/D
08H : MAIN A
09H : MAIN B
0AH : MAIN C
0BH~0FH : MAIN D
10H : FILL IN A
11H : FILL IN B
12H : FILL IN C
13H~17H : FILL IN D
18H : BREAK FILL
19H : BREAK FILL
1AH : BREAK FILL
1BH~1FH : BREAK FILL
20H : ENDING A
21H : ENDING B
22H : ENDING C/D
23H~27H : ENDING C/D
(3-6-1-3) CHORD CONTROL type1
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
011111107EStyle
0000001002type 1
0dddddddddchord root(cr)
0dddddddddchord type(ct)
0dddddddddbass note(bn)
0dddddddddbass type(bt)
11111110F7End of Exclusive
binaryhexadecimal
11110000F0Exclusive status
011111107FUniversal Realtime
011111117FID of target Device
0000100104Sub-ID #1=Device Control Message
0000000101Sub-ID #2=Master Volume
0sssssssSSVolume LSB
0tttttttTTVolume MSB
11110111F7End of Exclusive
or
11110000F0Exclusive status
011111107FUniversal Realtime
0xxxnnnnXN
0000100104Sub-ID #1=Device Control Message
0000000101Sub-ID #2=Master Volume
0sssssssSSVolume LSB
0tttttttTTVolume MSB
11110111F7End of Exclusive
The volume for all channels will be changed simultaneously.
The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)
When N is received N=0-F, whichever is received.
When N is transmitted N always=0.
X = don’t care
binaryhexadecimal
11110000F0Exclusive status
011111107EUniversal Non-Realtime
011111117FID of target Device
0000100109Sub-ID #1=General MIDI Message
0000000101Sub-ID #2=General MIDI On
11110111F7End of Exclusive
or
11110000F0Exclusive status
011111107EUniversal Non-Realtime
0xxxnnnnXN
0000100109Sub-ID #1=General MIDI Message
0000000101Sub-ID #2=General MIDI On
11110111F7End of Exclusive
Depending upon the received ON message, the System Mode will be changed to XG.
Except MIDI Master Tuning, all control data be reset to default values.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
After the GM System ON message is received, message reception of the following will be
limited.
• Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed.
• Bank Select MSB-LSB except in channel 10 will be ignored except 127/0.
• NRPN is not received.
When XG SYSTEM ON is received, these restrictions will be cancelled.
When N is received N=0-F, whichever is received.
When N is transmitted N always=0.
X = don’t care
(3-6-3) XG STANDARD
(3-6-3-1) XG PARAMETER CHANGE
(3-6-3-1-1) XG SYSTEM ON
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1NDevice Number
010011004CModel ID
0000000000Address High
0000000000Address Mid
011111107EAddress Low
0000000000Data
11110111F7End of Exclusive
Depending upon the received ON message, the SYSTEM MODE will be changed to
XG.Controllers will be reset, all values of Multi Part and Effect, and All System values
denoted by “XG” data within All System will be reset to default values in the table.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
(3-6-3-1-2) XG PARMETER CHANGE
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1NDevice Number
010011004CModel ID
0aaaaaaaAAAddress High
0aaaaaaaAAAddress Mid
0aaaaaaaAAAddress Low
0dddddddDDData
||
11110111F7End of Exclusive
For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.
For more information on Address and Parameters, refer to < Table 1-2 > (page 20) and
< Table 1-4 > ~ < Table 1-6 > (pages 20-23).
The following Parameter Changes are handled.
XG System Data
Multi Effect 1 Data
Multi Part Data
Drums Setup Data
(3-6-3-2) XG BULK DUMP
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0000nnnn0NDevice Number
010011004CModel ID
0bbbbbbbBBByteCount
0bbbbbbbBBByteCount
0aaaaaaaAAAddress High
0aaaaaaaAAAddress Mid
0aaaaaaaAAAddress Low
0dddddddDDData
||
0cccccccCCCheck sum
11110111F7End of Exclusive
For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-6 >
(pages 20-23).
The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum
has value zero in its seven least significant bits.
If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be
received.
The Block is a unit that consists of the data, arranged in the list, as the Total Size.
The following Bulk Dumps are handled.
(3-6-3-3) XG PARAMETER REQUEST (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0011nnnn3nDevice Number
010011004CModel ID
0aaaaaaaAAAddress High
0aaaaaaaAAAddress Mid
0aaaaaaaAAAddress Low
11110111F7End of Exclusive
For more information on Address and Byte Count refer to < Table 1-2 > (page 20) and
< Table 1-4 > ~ < Table 1-6 > (pages 20-23).
The following Parameter Requests are handled.
XG System Data
Multi Effect 1 Data(Individual effect unit)
Multi Part Data(Individual part unit)
Drums Setup Data(Individual note unit)
System Information(Transmit only)
XG System Data
Multi Effect 1 Data
Multi Part Data
Drums Setup Data
(3-6-3-4) XG DUMP REQUEST (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0010nnnn2nDevice Number
010011004CModel ID
0aaaaaaaAAAddress High
0aaaaaaaAAAddress Mid
0aaaaaaaAAAddress Low
11110111F7End of Exclusive
For more information on Address and Byte Count refer to
(pages 20-23).
The following Dump Requests are handled.
XG System Data
Multi Effect 1 Data(Individual module unit)
Multi Part Data(Individual part unit)
Drums Setup Data(Individual note unit)
System Information
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0000000101Clavinova common ID
0000001n0N
11110111F7End of Exclusive
N: 2(Internal Clock),3(External Clock)
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MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
○○○
(3-6-4-2) DOC MULTI TIMBRE ON / OFF (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0000000101Clavinova commmon ID
000001101N
11110111F7End of Exclusive
N:3(DOC Multi Timbre Off),4(DOC Multi Timbre On)
(3-6-4-3) PANEL LED ON / OFF (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0000000101Clavinova commmon ID
000110101APANEL LED On/Off
0mmmmmmmMM
0000000000
0nnnnnnnNNLED No.
11110111F7End of Exclusive
Remotely switches the Panel LED On/Off.
MM:00H(LED Off),01H(LED On),02H(The LED flashes)
03H (LED All off),
04H (Panel LED returns to normal operation)
(3-6-4-4) PANEL VOICE SETTING (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0010001022Piano Live Exclusive Substatus
0000000000Panel Voice Setting Substatus
0000nnnn0nPanel Part No.
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0010001022Piano Live Exclusive Substatus
0000000101Panel Voice Volume Setting Substatus
0000nnnn0nPanel Part No.
0vvvvvvvvvValue (0 - 7FH)
11110111F7End of Exclusive
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0010001022Piano Live Exclusive Substatus
0000001002
0000nnnn0nPanel Part No.
0vvvvvvvvvValue (0 - 7FH)
11110111F7End of Exclusive
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0010001022Piano Live Exclusive Substatus
0000001103
0000nnnn0nPanel Part No.
0vvvvvvvvvValue (0 - 7FH)
11110111F7End of Exclusive
Panel Voice Effect Depth Setting Substatus
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
(3-6-4-8) MIDI FA CANCEL (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0110000161MIDI FA Cancel
11110111F7End of Exclusive
If this message is received, even if FAH is received the Rhythm will not start.
(3-6-5) SPECIAL OPERATORS
(3-6-5-1) SPLIT POINT
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0001000111Sub ID
0000000000
0001010014Split Point
0dddddddDDSplit Key No.
11110111F7End of Exclusive
(3-6-5-2) STYLE NUMBER
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0101101035CVP-202 ID
0001000111Sub ID
0000000000Channel No. (always 00)
0001011016Style No. Control No.
0mmmmmmmmmStyle No. MSB
0lllllllllStyle No. LSB
11110111F7End of Exclusive
(3-6-5-3) FINGERING
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0001000111Sub ID
0000000000
0100000040Fingering
0000dddd0D0D: 00H(Off),01H(Single Finger),
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0001000111Sub ID
0000nnnn0N
0100000042Accomp Volume
0dddddddDDVolume Data: 00H~7FH
11110111F7End of Exclusive
(3-6-5-5) CHANNEL DETUNE
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0001000111Sub ID
0000nnnn0NN = MIDI Channel
0100001143Dual Detune
0vvvvvvvVV
11110111F7End of Exclusive
The Channel Detune message only affects the specified channel.
(3-6-5-6) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0001000111Sub ID
0000nnnn0NN = MIDI Channel
0100100145
0vvvvvvvVVValue VV: off=7FH, on=00H
11110111F7End of Exclusive
When “On” is received, subsequent volume, expression, and PAN changes are only valid
after the reception of the next key on. Normal operation resumes when “Off” is received.
Volume and Expression Realtime Control Off
(3-6-5-7) MIDI KEY LED MODE ON / OFF (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0001000111Sub ID
0000nnnn0NN = MIDI Channel
0100011147MIDI Key LED Mode On / Off
0dddddddDDDD: 00H(Key LED Mode Off),
11110111F7End of Exclusive
01H(Key LED Mode On + no tone),
02H(Key LED Mode On + tone)
(3-6-6) Others
(3-6-6-1) MIDI MASTER TUNING (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1NWhen N is received N=0-F,
0010011127Model ID
0011000030Sub ID
0000000000
0000000000
0mmmmmmmMMMaster Tune MSB
0lllllllLLMaster Tune LSB
0cccccccCCdon’t care
11110111F7End of Exclusive
Changes tuning of all channels.
MM, LL values are used to define the MIDI Master Tuning value.
T = M – 128
T: Tuning value (-99 cents to +99 cents)
M: A single byte value (28–228) that consists of bits 0–3 of MM as MSB, bits 0–3 of LL as LSB.
This setting is not reset when the GM System or XG System is turned on.
whichever is received.
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MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
< Table 1-1>
Parameter Basic Address
Parameter Change
Address
(H)(M) (L)Description
SYSTEM00 00 00System
00 00 7DDrum Setup Reset
00 00 7EXG System On
00 00 7FAll Parameter Reset
INFORMATION01 00 00System Information
EFFECT 102 01 00Effect1(Reverb,Chorus,Variation )
○○○
MULTI PART08 00 00Multi Part 1
DRUM30 0D 00Drum Setup 1 → AddressParameter
:
08 0F 00Multi Part 16
31 0D 00Drum Setup 2
3n 0D 00note number 13
3n 0E 00note number 14
::
3n 5B 00note number 91
02 0100200..7FReverb Type MSBRefer to the Effect Type List01(=HALL1)
02100..7FReverb Parameter 1Refer to the Ef. Parameter ListDepend on Reverb type
03100..7FReverb Parameter 2Refer to the Ef. Parameter ListDepend on Reverb type
04100..7FReverb Parameter 3Refer to the Ef. Parameter ListDepend on Reverb type
05100..7FReverb Parameter 4Refer to the Ef. Parameter ListDepend on Reverb type
06100..7FReverb Parameter 5Refer to the Ef. Parameter ListDepend on Reverb type
07100..7FReverb Parameter 6Refer to the Ef. Parameter ListDepend on Reverb type
08100..7FReverb Parameter 7Refer to the Ef. Parameter ListDepend on Reverb type
09100..7FReverb Parameter 8Refer to the Ef. Parameter ListDepend on Reverb type
0A100..7FReverb Parameter 9Refer to the Ef. Parameter ListDepend on Reverb type
0B100..7FReverb Parameter 10Refer to the Ef. Parameter ListDepend on Reverb type
0C100..7FReverb Return-∞..0..+6dB(0..96..127)40
02 0110100..7FReverb Parameter 11Refer to the Ef. Parameter ListDepend on Reverb type
TOTAL SIZE 6
02 0120200..7FChorus Type MSBRefer to the Effect Type List41(=Chorus1)
TOTAL SIZE 0F
02 01 30100..7FChorus Parameter 11Refer to the Ef. Parameter ListDepend on Chorus Type
TOTAL SIZE 6
02 01 40200..7FVariation Type MSBRefer to the Effect Type List“05(=DELAY L,C,R)”
TOTAL SIZE 21
02 0170100..7FVariation Parameter 11option ParameterDepend on Variation Type
TOTAL SIZE 6
11100..7FReverb Parameter 12Refer to the Ef. Parameter ListDepend on Reverb type
12100..7FReverb Parameter 13Refer to the Ef. Parameter ListDepend on Reverb type
13100..7FReverb Parameter 14Refer to the Ef. Parameter ListDepend on Reverb type
14100..7FReverb Parameter 15Refer to the Ef. Parameter ListDepend on Reverb type
15100..7FReverb Parameter 16Refer to the Ef. Parameter ListDepend on Reverb type
00..7FChorus Type LSB00 : basic type00
22100..7FChorus Parameter 1Refer to the Ef. Parameter ListDepend on Chorus Type
23100..7FChorus Parameter 2Refer to the Ef. Parameter ListDepend on Chorus Type
24100..7FChorus Parameter 3Refer to the Ef. Parameter ListDepend on Chorus Type
25100..7FChorus Parameter 4Refer to the Ef. Parameter ListDepend on Chorus Type
26100..7FChorus Parameter 5Refer to the Ef. Parameter ListDepend on Chorus Type
27100..7FChorus Parameter 6Refer to the Ef. Parameter ListDepend on Chorus Type
28100..7FChorus Parameter 7Refer to the Ef. Parameter ListDepend on Chorus Type
29100..7FChorus Parameter 8Refer to the Ef. Parameter ListDepend on Chorus Type
2A100..7FChorus Parameter 9Refer to the Ef. Parameter ListDepend on Chorus Type
2B100..7FChorus Parameter 10Refer to the Ef. Parameter ListDepend on Chorus Type
2C100..7FChorus Return-∞..0..+6dB(0..96..127)40
2D101..7FChorus PanL63..C..R63(1..64..127)40
2E100..7FSend Chorus To Reverb-∞..0..+6dB(0..96..127)00
31100..7FChorus Parameter 12Refer to the Ef. Parameter ListDepend on Chorus Type
32100..7FChorus Parameter 13Refer to the Ef. Parameter ListDepend on Chorus Type
33100..7FChorus Parameter 14Refer to the Ef. Parameter ListDepend on Chorus Type
34100..7FChorus Parameter 15Refer to the Ef. Parameter ListDepend on Chorus Type
35100..7FChorus Parameter 16Refer to the Ef. Parameter ListDepend on Chorus Type
00..7FVariation Type LSB00 : basic type00
42200..7FVari. Param. 1 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 1 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
44200..7FVari. Param. 2 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 2 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
46200..7FVari. Param. 3 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 3 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
48200..7FVari. Param. 4 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 4 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
4A200..7FVari. Param. 5 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 5 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
4C200..7FVari. Param. 6 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 6 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
4E200..7FVari. Param. 7 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 7 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
50200..7FVari. Param. 8 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 8 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
52200..7FVari. Param. 9 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 9 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
54200..7FVari. Param. 10 MSBRefer to the Ef. Parameter ListDepend on Vari. Type
00..7FVari. Param. 10 LSBRefer to the Ef. Parameter ListDepend on Vari. Type
56100..7FVariation Return-∞..0..+6dB(0..96..127)40
57101..7FVariation PanL63..C..R63(1..64..127)40
58100..7FSend Vari. To Reverb-∞..0..+6dB(0..96..127)00
59100..7FSend Vari. To Chorus-∞..0..+6dB(0..96..127)00
5A100..01Variation Connection0:insertion,1:system00
5B100..1FVariation Partpart1..32(0..31),off(127)7F
5C101..7FMW Vari. Ctrl Depth-63..+6340
5D101..7FPB Vari. Ctrl Depth-63..+6340
5E101..7FCAT Vari. Ctrl Depth-63..+6340
5F101..7FNot Used
60101..7FNot Used
71100..7FVariation Parameter 12option ParameterDepend on Variation Type
72100..7FVariation Parameter 13option ParameterDepend on Variation Type
73100..7FVariation Parameter 14option ParameterDepend on Variation Type
74100..7FVariation Parameter 15option ParameterDepend on Variation Type
75100..7FVariation Parameter 16option ParameterDepend on Variation Type
CVP-202
21
Page 22
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
nn 01100..7FBank Select MSB0..1277F(Part10),00(Others)
nn 02100..7FBank Select LSB0..12700
nn 03100..7FProgram Number1..12800
nn 04100..0F,Rcv Channel0..16;1..16,127;offPart No.
7F
nn 05100..01Mono/Poly Mode0:mono,1:poly01
nn 06100..02Same Note Number0:single01
Key On Assign1:multi
2:inst (for DRUM)
nn 07100..02Part Mode0:normal00 (Except Part10)
1..3:drum thru,drum1..202 (Part10)
nn 08128..58Note Shift-24..+24[semitones]40
nn 09200..FFDetune-12.8..+12.7[Hz]08 00
nn 0A1st bit3..0 -> bit7..4(80)
2nd bit3..0 -> bit3..0
nn 0B100..7FVolume0..12764
nn 0C100..7FVelocity Sense Depth0..12740
nn 0D100..7FVelocity Sense Offset0..12740
nn 0E100..7FPan0:random40
L63..C..R63(1..64..127)
nn 0F100..7FNote Limit LowC-2..G800
nn 10100..7FNote Limit HighC-2..G87F
nn 11100..7FDry Level0..1277F
nn 12100..7FChorus Send0..12700
nn 13100..7FReverb Send0..12728
nn 14100..7FVariation Send0..12700
○○○
nn 15100..7FVibrato Rate-64..+6340
nn 16100..7FVibrato Depth-64..+6340
nn 17100..7FVibrato Delay-64..+6340
nn 18100..7FFilter Cutoff Freq.-64..+6340
nn 19100..7FFilter Resonance-64..+6340
nn 1A100..7FEG Attack Time-64..+6340
nn 1B100..7FEG Decay Time-64..+6340
nn 1C100..7FEG Release Time-64..+6340
nn 1D128..58MW Pitch Control-24..+24[semitones]40
nn 1E100..7FMW Filter Control-9600..+9450[cent]40
nn 1F100..7FMW Amp. Control-100..+100[%]40
nn 20100..7FMW LFO PMod Depth0..1270A
nn 21100..7FMW LFO FMod Depth0..12700
nn 22100..7FMW LFO AMod Depth0..12700
nn 23128..58Bend Pitch Control-24..+24[semitones]42
nn 24100..7FBend Filter Control-9600..+9450[cent]40
nn 25100..7FBend Amp. Control-100..+100[%]40
nn 26100..7FBend LFO PMod Depth0..12700
nn 27100..7FBend LFO FMod Depth0..12700
nn 28100..7FBend LFO AMod Depth0..12700
TOTAL SIZE29
nn 301Not Used
:: :
nn 401Not Used
nn 41100..7FScale Tuning C-64..+63[cent]40
nn 42100..7FScale Tuning C#-64..+63[cent]40
nn 43100..7FScale Tuning D-64..+63[cent]40
nn 44100..7FScale Tuning D#-64..+63[cent]40
nn 45100..7FScale Tuning E-64..+63[cent]40
nn 46100..7FScale Tuning F-64..+63[cent]40
nn 47100..7FScale Tuning F#-64..+63[cent]40
nn 48100..7FScale Tuning G-64..+63[cent]40
nn 49100..7FScale Tuning G#-64..+63[cent]40
nn 4A100..7FScale Tuning A-64..+63[cent]40
nn 4B100..7FScale Tuning A#-64..+63[cent]40
nn 4C100..7FScale Tuning B-64..+63[cent]40
nn 4D128..58CAT Pitch Control-24..+24[semitones]40
nn 4E100..7FCAT Filter Control-9600..+9450[cent]40
nn 4F100..7FCAT Amplitude Control-100..+100[%]40
nn 50100..7FCAT LFO PMod Depth 0..12700
nn 51100..7FCAT LFO FMod Depth 0..12700
nn 52100..7FCAT LFO AMod Depth 0..12700
nn 53Not Used
::
66Not Used
nn 67100..01Portamento Switchoff/on00
nn 68100..7FPortamento Time0..12700
nn 69Not Used
::
TOTAL SIZE3F
08nn 701Not UsedDon’t care
TOTAL SIZE 04
08nn 741Not UsedDon’t care
TOTAL SIZE 0C
6ENot Used
nn 711Not UsedDon’t care
nn 721Not UsedDon’t care
nn 731Not UsedDon’t care
751Not UsedDon’t care
761Not UsedDon’t care
771Not UsedDon’t care
781Not UsedDon’t care
791Not UsedDon’t care
7A1Not UsedDon’t care
7B1Not UsedDon’t care
7C1Not UsedDon’t care
7D1Not UsedDon’t care
7E1Not UsedDon’t care
7F1Not UsedDon’t care
nn = PartNumber
If there is a Drum Voice assigned to the Part, the following parameters are ineffective.
• Bank Select LSB
• Pitch EG
• Portamento
• Soft Pedal
• Mono/Poly
• Scale Tuning
<Table 1-6 >
MIDI Parameter Change table ( DRUM SETUP )
Address Size DataParameter NameDescriptionDefault
(H)(H)(H)Value(H)
3nrr 00100..7FPitch Coarse-64..+6340
3nrr 01100..7FPitch Fine-64..+63[cent]40
3nrr 02100..7FLevel0..127Depend on the Note
3nrr03100..7FAlternate Group0:off,1..127Depend on the Note
3nrr 04100..7FPan0:randomDepend on the Note
3nrr 05100..7FReverb Send Level0..127Depend on the Note
3nrr 06100..7FChorus Send Level0..127Depend on the Note
3nrr 07100..7FVariation Send Level0..1277F
3nrr 08100..01Key Assign0:single,1:multi00
3nrr 09100..01Rcv Note Offoff/onDepend on the Note
3nrr 0A100..01Rcv Note Onoff/on01
3nrr 0B100..7FFilter Cutoff Freq.-64..6340
3nrr 0C100..7FFilter Resonance-64..6340
3nrr 0D100..7FEG Attack Rate-64..6340
3nrr 0E100..7FEG Decay1 Rate-64..6340
3nrr 0F100..7FEG Decay2 Rate-64..6340
TOTAL SIZE 10
If XG SYSTEM ON and/or GM SYSTEM ON message is received, all Drum Setup Parameter will be reset to default values.
According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.
ROTARY SP16916
ROTARY SP27117
ROTARY SP37118
ROTARY SP47017
ROTARY SP56618
ROTARY SP6690
ROTARY SP77122
ROTARY SP86917
ROTARY SP96619
ROTARY SP107125
TREMOLO17016
TREMOLO27119
TREMOLO3700
TREMOLO47020
GT TREMOLO17120
EP TREMOLO7018
EP TREMOLO27021
AUTO PAN17116
AUTO PAN2710
AUTO PAN37123
EP AUTOPAN7121
EP AUTOPAN27124
AUTO WAH17816
AUTO WAH2780
AUTO WAH37819
AUTO WAH47820
DELAY LCR1516
DELAY LCR250
DELAY LR60
ECHO70
CROSS DELAY80
DIST HARD
(
DISTORTION HARD
DIST HARD27522
DIST HARD37525
DIST SOFT
(AMP SIMULATOR)
ST AMP27521
ST AMP37524
EQ DISCO7616
EQ TEL7617
2BAND EQ770
3BAND EQ760
)
)
7516
7517
750
24
CVP-202
Page 25
Effect Parameter List / Liste der Effektparameter / Liste
/
des paramètres d’effets
If a table has no LSB number specified, the table applies for any LSB numbers.
Parameters marked with a ● in the Control column can be controlled from an AC1 (assignable controller 1) etc. However, this is valid only for a Variation effect (when selected for Insertion).
Notes:
*1: The send channel for the RIGHT1, RIGHT2, and LEFT parts can be set
using the Send Channel (Keyboard) function. The transmission of
accompaniment, harmony, and song data can be turned on or off using
the Send Channel (Accompaniment/Harmony) and Song Transmission
functions.
*2: Messages received on the channel set by the Remote Keyboard func-
tion are handled as operations performed directly on the keyboard or
panel. Only the following messages are received on this channel:
• Note On/Off (A-1...C7)
• Control Changes
Bank Select MSB/LSB (RIGHT1 part)
Modulation
Data Entry MSB (when PITCH BEND SENS. is set by RPN LSB/
MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (when PITCH BEND SENS. is set by
RPN LSB/MSB)
RPN LSB/MSB (PITCH BEND SENS. only)
All Note Off
• Program Change (RIGHT1 part)
• Pitch Bend
*3: “m” is always treated as “1” regardless of its value.
*4: Transmitted when ACMP&RHY or HARMONY setting of Send Channel
(Accompaniment/Harmony) function is on.
Remarques :
*1 : Le canal d’émission pour les parties RIGHT1, RIGHT2, et LEFT peut
être configuré à l’aide de la fonction Send Channel (Keyboard). La
transmission des données d’accompagnement, d’harmonie et de
morceau peut être activée ou désactivée à l’aide des fonctions Send
Channel (Accompaniment/Harmony) et Song Transmission.
*2 : Les messages reçus sur le canal configuré à l’aide de la fonction Re-
mote Keyboard sont traités comme des opérations réalisées
directement sur le clavier ou le panneau. Seuls les messages suivants
sont reçus sur ce canal :
• Note On/Off (A-1...C7)
• Control Changes
Bank Select MSB/LSB (partie RIGHT1)
Modulation
Data Entry MSB (si PITCH BEND SENS. est défini à l’aide de
RPN LSB/MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (si PITCH BEND SENS. est défini à
l’aide de RPN LSB/MSB)
RPN LSB/MSB (PITCH BEND SENS. uniquement)
All Note Off
• Program Change (partie RIGHT1)
• Pitch Bend
*3 : “m” équivaut toujours à “1” quelle que soit sa valeur.
*4 : Transmis(e) si le paramètre ACMP&RHY ou HARMONY de la fonction
Send Channel (Accompaniment/Harmony) est activé.
Hinweise:
*1: Der Sendekanal für die Parts RIGHT1, RIGHT2 und LEFT läßt sich
über die Funktion Sendekanal (Keyboard) einstellen. Die Übertragung
von Begleitungs-, Harmonie- und Songdaten kann mit den Funktionen
Sendekanal (Begleitung/Harmonie) und Song-Übertragung ein- bzw.
ausgeschaltet werden.
*2: Meldungen, die an dem Kanal empfangen werden, der von der Remote
Keyboard-Funktion eingestellt wurde, werden als direkt auf dem Keyboard oder Steuerpult ausgeführte Bedienoperationen angesehen. Nur
die nachfolgend genannten Meldungen werden auf diesem Kanal
empfangen:
• Noten Ein/Aus (A-1...C7)
• SteuerungsänderungsBank. Wählen Sie MSB/LSB (Part RIGHT1)
Modulation
Dateneintrag MSB (sofern die Option PITCH BEND SENS.
(Tonlagenabtastung) von RPN LSB/MSB) eingestellt wurde
VOLUME (LAUTSTÄRKE)
Expression (Ausdruck)
Sustain
Sostenuto
Soft Pedal
Datenerhöhung/-erniedrigung (sofern die Option PITCH BEND
SENS. (Tonlagenabtastung) von RPN LSB/MSB eingestellt
wurde)
RPN LSB/MSB (nur PITCH BEND SENS.,
TONLAGENABTASTUNG)
Alle Noten ausgeschaltet
• Programmänderung (Part RIGHT1)
• Pitch Bend (Tonlage)
*3: “m” wird stets als “1” behandelt, unabhängig von dessen Wert.
*4: Wird übertragen, wenn die ACMP&RHY- oder HARMONIE-Einstellung
der Funktion Sendekanal (Begleitung/Harmonie) aktiviert ist.
Notas:
*1: El canal de envío para las partes RIGHT1, RIGHT2 y LEFT puede
ajustarse utilizando la función Send Channel (teclado). La transmisión
del acompañamiento de la armonía y de los datos de canción se
pueden activar o desactivar utilizando las funciones Send Channel
(Accompaniment/Harmony) y Song Transmission.
*2: Los mensajes recibidos en el canal ajustado por la función Remote
Keyboard se consideran como operaciones realizadas directamente en
el teclado o el panel. Sólo los mensajes siguientes se reciben en este
canal:
• Note On/Off (A-1...C7)
• Control Changes
Bank Select MSB/LSB (parte RIGHT1)
Modulation
Data Entry MSB (cuando PITCH BEND SENS. se ajusta con
RPN LSB/
MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (cuando PITCH BEND SENS. se
ajusta con
RPN LSB/MSB)
RPN LSB/MSB (sólo PITCH BEND SENS.)
All Note Off
• Program Change (parte RIGHT1)
• Pitch Bend
*3: “m” siempre se considera como “1” independientemente de su valor.
*4: Transmitido cuando los ajustes ACMP&RHY o HARMONY de la
función Send Channel (Accompaniment/Harmony) está activada.
CVP-202
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Page 32
1
A
• Bundled pedal cord inside
B
• Gebündeltes Pedalkabel
• Cordon de pédalier enroulé à l’intérieur
• Cable de pedales enrollado en el interior
C
D
Assembly
○○○○○○○○○○○○○○○○○○○○○○○○○
CAUTION
• Be careful not to confuse parts, and be sure to install all parts in the
correct direction. Please assemble in accordance with the sequence given below.
• Assembly should be carried out by at least two persons.
• Be sure to use the correct screw size, as indicated above. Use of
incorrect screws can cause damage.
• Be sure to tighten up all screws upon completing assembly of each
unit.
• To disassemble, reverse the assembly sequence given below.
ZOpen the box and remove all the parts.
Remove all parts from the box. Confirm that all parts
shown in the illustration above are provided.
XAttach the side panels (D) to the pedal box
(C).
Before installing the pedal box, untie and straighten out
the bundled cord attached to the bottom of the pedal box.
Don’t discard the vinyl tie, you’ll need it later in step B.
Place the pedal box on top of the brackets attached to the
side panels (D), and attach using the four 6 x 20
millimeter round-head screws 1 — two screws on each
side. Make sure the pedals extend in the same direction as
the side panel feet.
• AC power cord
• Netzkabel
• Cordon d’alimentation
• Cable de alimentación de CA
• Cord holdersx 2
• Kabelhalterx 2
• Serre-câblex 2
• Soportes de cable x 2
Zusammenbau
○○○○○○○○○○○○○○○○○○○○○○○○○
VORSICHT
• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren
Sie alle Teile in der richtigen Ausrichtung. Gehen Sie beim
Zusammenbau bitte in der angegebenen Reihenfolge vor.
• Die Montage sollte von mindestens zwei Personen vorgenommen
werden.
• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie
es oben gezeigt ist. Die Verwendung der falschen Schrauben kann
zu Schäden führen.
• Achten Sie während der Montage darauf, bei jedem Arbeitsgang
alle Schrauben festzuziehen.
• Für die Demontage muß die angegebene Reihenfolge umgekehrt
befolgt werden.
ZÖffnen Sie den Karton und nehmen Sie alle
Teile heraus.
Vergewissern Sie sich, daß alle in der obigen Abbildung
aufgeführten Teile vollzählig vorhanden sind.
XBefestigen Sie die Seitenwände (D) am
Pedalkasten (C).
Bevor Sie den Pedalkasten montieren, nehmen Sie zunächst das gebündelte Kabel aus dem Pedalkasten, entfernen den Kabelbinder und ziehen das Kabel dann gerade
aus. Werfen Sie den Kabelbinder nicht wg, er wird in
Schritt B wieder gebraucht.
Setzen Sie den Pedalkasten auf die Winkelbleche der
beiden Seitenwänden (D), und schrauben Sie ihn dann mit
den vier Halbrundschrauben (6 x 20 mm) 1 fest (jeweils
zwei Schrauben links und rechts). Achten Sie dabei darauf, daß die Pedale in dieselbe Richtung weisen wie die
vorspringenden Teile der Füße.
32
CVP-202
Page 33
• 6 x 20 mm round-head screwsx 41
• 6 x 20 mm Halbrundschraubenx 41
• Vis à tête ronde de 6 x 20 mmx 41
• Tornillos de cabeza redonda
de 6 x 20 mmx 41
• 4 x 12 mm round-head screwsx 22
• 4 x 12 mm Halbrundschraubenx 22
• Vis à tête ronde de 4 x 12 mmx 22
• Tornillos de cabeza redonda
de 4 x 12 mmx 22
• 4 x 20 mm tapping screwsx 43
• 4 x 20 mm Schneidschraubenx 43
• Vis auto-taraudeuses 4 x 20 mm x 43
• Tornillos de autoenrosque
de 4 x 20 mmx 43
• 6 x 16 mm flat-head screwsx 44
• 6 x 16 mm Senkschraubenx 44
• Vis à tête plate de 6 x 16 mmx 44
• Tornillos de cabeza plana
de 6 x 16 mmx 44
2
• 6 x 20 mm round-head screws 1
• 6 x 20 mm Halbrundschrauben 1
• Vis à tête ronde de 6 x 20 mm 1
• Tornillos de cabeza redonda de 6 x
20 mm 1
C
Montage
○○○○○○○○○○○○○○○○○○○○○○○○○
PRECAUTION
• Veiller à ne pas mélanger les pièces et à les installer dans le sens
correct. Veuillez assembler l’instrument dans l’ordre indiqué cidessous.
• La présence de deux personnes minimum est nécessaire pour
procéder au montage.
• Toujours utiliser des vis aux dimensions correctes, comme indiqué
cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en
effet endommager l’instrument.
• Resserrer convenablement toutes les vis après le montage de
chaque élément.
• Pour démonter le Clavinova, inverser l’ordre des indications données ci-dessous.
ZOuvrez le carton et retirez toutes les pièces
Videz le carton de son contenu. Vérifiez que toutes les
pièces indiquées sur l’illustration sont bien fournies.
XFixez les panneaux latéraux (D) au pédalier
(C)
Avant de poser le pédalier, détacher le cordon de la partie
inférieure du pédalier et le dérouler. Ne jetez pas l’attache
en vinyle, vous la réutiliserez ultérieurement à l’étape B.
Placez le pédalier sur les ferrures fixées aux panneaux
latéraux (D) et fixez-le à l’aide des quatre vis à tête ronde
de 6 x 20 millimètres 1: deux vis de chaque côté.
Veillez à ce que les pédales soient dirigées dans le même
sens que les supports inférieurs.
Montaje
○○○○○○○○○○○○○○○○○○○○○○○○○
CUIDADO
• Observe cuidado para no confundir las piezas, y asegúrese de
montar todas ellas en el sentido correcto. Proceda al montaje en el
orden indicado a continuación.
• El montaje deberá realizarse al menos por dos personas.
• Procure utilizar los tornillos del tamaño adecuado, según se indica
arriba. El empleo de tornillos inadecuados puede ocasionar daños
en el instrumento.
• Asegúrese de apretar bien todos los tornillos después de montar
cada unidad.
• Para desmontar las unidades, invierta la secuencia de montaje
facilitada a continuación.
ZAbra la caja y extraiga todas las partes.
Extraiga todas las partes de la caja. Confirme que no falte
ninguna de las partes mostradas en la ilustración.
XAcople los paneles laterales (D) en la caja
de pedales (C).
Antes de instalar la caja de pedales, desate y enderezca el
cable plegado unido a la parte inferior de la caja de pedales. No tire la abrazadera de vinilo, porque la necesitará
en el paso B de más adelante.
Ponga la caja de pedales en la parte superior de las
ménsulas acopladas a los paneles laterales (D), y acople
empleando los cuatro tornillos de cabeza redonda de 6 x
20 mm 1; dos tornillos en cada lado. Asegúrese de que
el pedal se extiende en la misma dirección que la pata.
CVP-202
33
Page 34
• 4 x 12 mm round-head screws 2
• 4 x 12 mm Halbrundschrauben 2
• Vis à tête ronde de 4 x 12 mm 2
• Tornillos de cabeza redonda de 4 x 12 mm 2
43
15 cm
A
15 cm
D
B
• 4 x 20 mm tapping screws 3
• 4 x 20 mm Schneidschrauben 3
• Vis auto-taraudeuses 4 x 20 mm 3
• Tornillos de autoenrosque de 4 x 20 mm 3
CAttach the rear panel (B).
With the rear panel slightly angled as shown in the illustration, lower it onto the feet’s protruding edge at the rear
of the pedal box. Then, while eliminating any gaps between the rear and side panels, secure the top of the rear
panel to the side panel brackets using two 4 x 12 mm
round-head screws 2. Finally, secure the bottom of the
rear panel to the pedal box using four 4 x 20 mm tapping
screws 3.
VInstall the main unit (A).
Place the main unit (A) on the side panels (D) with the
screws on its bottom panel (toward the rear of the main
unit) just behind the grooves in the brackets located at the
top of the side panels. Then slide the main unit forward
until it stops. WATCH YOUR FINGERS WHEN DO-
ING THIS!!
Align the holes on the bottom panel of the main unit with
the holes in the brackets on the side panels (also center
the main unit to produce equal clearance on the left and
right sides, as shown in the illustration), then screw in and
securely tighten the four 6 x 16 millimeter flat-head
screws 4.
CAUTION
• Do not hold the keyboard in any position other than the position
shown in the above illustration.
• Fingers can become pinched between the main unit and the rear or
side panels, be extra careful so as not to drop the main unit.
BConnect the pedal cord.
The pedal cord from the pedal box must be plugged into
the PEDAL connector on the rear of the main unit. Once
connected, attach the cord holders to the rear panel as
shown, then clip the cord into the holders.
D
• Be sure to place your hands
at least 15 centimeters from
either end of the main unit when
positioning it.
• Mindestens 15 cm innen unter die
Tastatureinheit greifen.
• Placez bien vos mains à 15 cm au moins des extrémités du
clavier, lors de sa mise en place.
• Asegúrese de colocar las manos por lo menos a 15 centímetros
desde los extremos de la unidad principal cuando la sitúe.
CMontieren Sie die Rückwand (B).
Setzen Sie die Rückwand leicht abgewinkelt, wie in der
Abbildung gezeigt, hinter dem Pedalkasten auf die hervorspringenden Teile der Füße auf. Schrauben Sie dann
die Rückwand oben mit zwei 4 x 12 mm Halbrundschrauben 2 so an den Seitenwänden fest, daß kein Spiel
zwischen Rückwand und Seitenwänden verbleibt. Schrauben Sie die Rückwand abschließend noch mit vier 4 x 20
mm Schneidschrauben 3 an den Pedalkasten.
VMontieren Sie die Tastatureinheit (A).
Setzen Sie die Tastatureinheit (A) so auf den fertigen
Ständer, daß die beiden Schrauben an ihrer Unterseite
hinter den Winkelblechen mit Führungsschlitz an der
Hinterseite des Ständers zu liegen kommen. Schieben Sie
die Tastatureinheit dann bis zum Anschlag in die Schlitze.
KLEMMEN SIE IHRE FINGER DABEI NICHT
EIN!!
Richten Sie die Schraubenbohrungen an der Unterseite
der Tastatureinheit mit den Bohrungen der Winkelbleche
achten Sie auch darauf, daß sie mittig auf dem Stän-
aus (
der steht, wie in der Abbildung gezeigt). Schrauben Sie
die Tastatureinheit dann mit den vier 6 x 16 mm Senkschrauben 4 am Ständer fest.
VORSICHT
• Halten Sie die Tastatureinheit nur wie in der obigen Abbildung!
• Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatureinheit und den Seitenwänden bzw. der Rückwand einklemmen —
die Tastatureinheit könnte dadurch zu Fall kommen!
BSchließen Sie das Pedalkabel an.
Das vom Pedalkasten kommende Kabel muß in die
PEDAL-Buchse an der Rückwand der Haupteinheit
gesteckt werden. Befestigen Sie dann die Kabelhalter an
der Rückwand wie in der Abbildung gezeigt, und
klemmen Sie das Kabel in diese Halter.
34
CVP-202
Page 35
• 6 x 16 mm flat-head screws 4
• 6 x 16 mm Senkschrauben 4
• Vis à tête plate de 6 x 16 mm 4
• Tornillos de cabeza plana de 6 x 16
mm 4
A
D
5
• Use the vinyl tie that was removed from the bundled pedal
cord in step X to tie up any slack in the pedal cord.
• Nehmen Sie überlanges Kabel mit dem in Schritt X entfern-
ten Kabelbinder auf.
• Utilisez l’attache en vinyle qui a été enlevée du cordon de
pédalier à l’étape X pour attacher le fil excédentaire du
cordon de pédalier.
• Emplee la abrazadera de vinilo que se sacó del cale plegado
de los pedales en el paso X para fijar el cable de pedales
sobrante.
• Cord holder
• Kabelhalter
• Serre-câble
• Soporte del cable
CFixez le panneau arrière (B)
En inclinant légèrement en angle le panneau arrière,
comme mentionné sur l’illustration, abaissez-le sur le
rebord des pieds, à l’arrière du pédalier. Puis, tout en éliminant les espaces entre les panneaux arrière et latéraux,
fixez le haut du panneau arrière sur les supports des panneaux latéraux à l’aide de deux vis à tête ronde 4 x 12 mm
2. Et finalement, fixez le bas du panneau arrière au pédalier avec quatre vis auto-taraudeuses 4 x 20 mm 3.
VPosez le clavier (A)
Placez le clavier sur les panneaux latéraux (D), avec les
vis de son panneau inférieur (situées vers l’arrière du
clavier) placées immédiatement derrière les rainures des
ferrures situées à la partie supérieure des panneaux latéraux (D), puis faites glisser le clavier vers l’avant jusqu’à
ce qu’il vienne en butée. FAITES ATTENTION A VOS
DOIGTS EN EXECUTANT CETTE OPERATION!!
Alignez les trous du panneau inférieur du clavier sur les
trous des ferrures des panneaux latéraux (
centrez également le clavier de manière à avoir un jeu identique de
chaque côté) puis posez et serrez à fond les quatre vis à
tête plate de 6 x 16 millimètres 4.
PRECAUTION
• Ne tenez pas le clavier d’une autre manière que celle indiquée sur
l’illustration ci-dessus.
• Attention car vous risquez de vous faire pincer les doigts entre le
clavier et les panneaux arrière ou latéraux de sorte que vous devez
veiller à ne pas faire tomber le clavier.
BRaccordez le cordon du pédalier
Le câble qui sort du pédalier doit être branché sur le
connecteur PEDAL (PEDALE) à l’arrière du clavier. Une
fois raccordé, fixez les serre-fils sur le panneau arrière,
comme indiqué, puis faites passer le câble dans les serrefils.
CMonte el panel trasero (B).
Con el panel trasero un poco inclinado en ángulo como se
muestra en la ilustración, bájelo al borde saliente de las
patas de la parte posterior de la caja de pedales. Entonces, mientras elimina los huelgos entre los paneles trasero
y lateral, fije la parte superior del panel trasero a las
ménsulas de panel lateral usando dos tornillos de cabeza
redonda de 4 x 12 mm 2. Finalmente, fije la parte inferior del panel trasero a la caja de pedales usando cuatro
tornillos de autoenrosque de 4 x 20 mm 3.
VInstale la unidad principal (A).
Coloque la unidad principal en los paneles laterales (D)
con los tornillos de su panel inferior (hacia la parte posterior de la unidad principal) justo detrás de las ranuras de
la ménsula ubicada en la parte superior de los paneles
laterales (D), después deslice el teclado hacia adelante
hasta que se pare. ¡TENGA CUIDADO CON SUS DE-
DOS MIENTRAS LO HACE!
Alinee los orificios del panel inferior de la unidad principal con los orificios de las ménsulas de los paneles latera-
también centre la unidad principal para producir una
les (
holgura igual en los lados derecho e izquierdo, como se
muestra en la ilustración), después enrosque y apriete bien
los cuatro tornillos de cabeza plana de 6 x 16 mm 4.
CUIDADO
• No sostenga el teclado en ninguna posición que no sea la posición
mostrada en la ilustración de arriba.
• Podría pillarse los dedos ente la unidad principal y los paneles
traseros o laterales, por lo que deberá tener mucho cuidado que no
se caiga la unidad principal.
BConecte el cable de los pedales.
El cable de los pedales procedente de la caja de pedales
debe conectarse al conector PEDAL (pedales) situado en
la parte posterior de la unidad principal. Una vez
conectado, coloque los soportes de cable en el panel
trasero de la manera mostrada en la figura y enganche el
cable en los soportes.
CVP-202
35
Page 36
67
240
110
220
127
• A voltage selector is provided in some areas.
• Spannungswähler (nur in bestimmten Verkaufsgebieten)
• Un sélecteur de tension est prévu pour certaines régions
• El selector de tensión está provisto para ciertos destinos.
NVoltage Selector
Before connecting the AC power cord, check the setting
of the voltage selector which is provided in some areas.
To set the selector for 110V, 127V, 220V or 240V main
voltages, use a “minus” screwdriver to rotate the selector
dial so that the correct voltage for your region appears
next to the pointer on the panel. The voltage selector is set
at 240V when the unit is initially shipped.
After the proper voltage has been selected, slide the AC
power cord over the rear panel and connect the cord to the
AC INLET, then connect the other end of the cord to an
AC wall outlet. A plug adaptor may be also provided in
some areas to match the pin configuration of the AC wall
outlets in your area.
CAUTION
• An improper voltage setting can cause serious damage to the CVP202 or result in improper operation.
MSet the adjuster.
For stability, an adjuster is provided on the bottom of the
pedal box (C). Rotate the adjuster until it comes in firm
contact with the floor surface. The adjuster ensures stable
pedal operation and facilitates pedal effect control. If the
adjuster is not in firm contact with the floor surface, distorted sound may result.
■ After completing the assembly, please
check the following.
• Are there any parts left over?
➔ Review the assembly procedure and correct any errors.
• Is the Clavinova clear of doors and other movable fixtures?
➔ Move the Clavinova to an appropriate location.
• Does the Clavinova make a rattling noise when you shake it?
➔ Tighten all screws.
• Does the pedal box rattle or give way when you step on the pedals?
➔ Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely into the sockets?
➔ Check the connection.
• If the main unit creaks or is otherwise unsteady when you play on
the keyboard, refer to the assembly diagrams and retighten all
screws.
36
CVP-202
C
NDen Spannungswähler einstellen.
Bevor Sie nun das Netzkabel anschließen, müssen Sie den
Spannungswähler (falls vorhanden) auf die örtliche Netzspannung einstellen. Zum Verstellen drehen Sie den
Spannungswähler mit einem Schlitzschraubendreher, bis der
richtige Spannungswert (110, 127, 220 oder 240) an der
Pfeilmarkierung steht. Bei der Auslieferung werden alle
Instrumente mit Spannungswähler auf “240” voreingestellt.
Wenn Sie die geeignete Spannung ausgewählt haben, führen
Sie das Netzkabel über die Rückwand und stecken ein Ende
des Netzkabels in die Gerätebuchse AC INLET
(Wechselstrom-Anschluß) und das andere Ende in eine
Wandsteckdose.
Einigen Geräten ist ein Adapter zum Anschließen an
Wandsteckdosen mit einer anderen Anschlußbelegung
beigepackt.
VORSICHT
• Ein falsch eingestellter Spannungswähler kann zur Beschädigung
des CVP-202 führen oder zu einem unsachgemäßen Betrieb.
MJustieren Sie schließlich noch den Höhen-
versteller.
Zur Stabilisierung ist an der Unterseite des Pedalkastens (C)
ein Höhenversteller vorgesehen. Schrauben Sie den Höhenversteller heraus, bis er fest auf dem Fußboden steht. Der
Höhenversteller sorgt für stabile Pedalbetätigung und ermöglicht eine präzise Regelung des Betätigungshubs. Wenn er
nicht fest auf dem Boden steht, können beim Treten der Pedale Klangverzerrungen auftreten.
■ Wenn der Zusammenbau beendet ist, prüfen
Sie bitte folgende Dinge:
• Sind Teile übrig geblieben?
➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal
durch und korrigieren Sie eventuelle Fehler.
• Befindet sich das Clavinova weit genug von Türen und anderen
beweglichen Vorrichtungen entfernt?
➔ Bewegen Sie das Clavinova an einen entsprechend sicheren
Ort.
• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?
➔ Ziehen Sie alle Schrauben fest.
• Klappert der Pedalkasten oder gibt er nach, wenn Sie das Pedal
treten?
➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußbo-
den steht.
• Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen?
➔ Prüfen Sie die Verbindung.
• Wenn die Tastatureinheit knarrt oder beim Spielen wackelt, betrachten Sie die Abbildungen und ziehen Sie alle Schrauben noch
einmal nach.
Page 37
CAUTION
• When moving the instrument after assembly, always hold the
lower surface of the main unit, NEVER the top portion or
keyboard cover. Improper handling can result in damage to the
instrument or personal injury.
VORSICHT
• Fassen Sie zum Umstellen des Instruments nach dem
Zusammenbau stets unter das Gehäuse; heben Sie es
NIEMALS am oberen Teil oder an der Tastaturabdeckung. Bei
Nichtbeachtung dieses Punkts kann das Instrument beschädigt
und im Extremfall eine Verletzung hervorgerufen werden.
PRECAUTION
• Pour déplacer l’instrument après le montage, toujours tenir
l’instrument par la surface inférieure, JAMAIS par le dessus ou
le couvercle. Une mauvaise manipulation peut provoquer des
dommages ou des blessures.
CUIDADO
• Cuando mueva el instrumento después del montaje, sujete
siempre la unidad principal por su superficie inferior, NUNCA
por la parte superior ni por la cubierta del teclado. La
manipulación indebida puede causar daños al instrumento o
lesiones al usuario.
NSélecteur de tension
Avant de connecter le cordon d’alimentation, vérifiez le
réglage du sélecteur de tension qui est prévu pour certaines
régions. Pour régler le sélecteur sur 110 V, 127 V, 220 V ou
240 V, utilisez un tournevis à lame plate pour tourner le cadran du sélecteur afin de mettre l’indication correspondant à
la tension de votre région vis à vis du repère triangulaire
situé sur le panneau. Le sélecteur de tension est réglé sur
240 V au départ d’usine.
Après avoir sélectionné la tension qui convient, faites glisser
le câble d’alimentation de CA par dessus le panneau arrière
et branchez-le dans l’AC INLET (prise de CA), puis branchez l’autre extrémité dans une prise murale de CA. Vous
pouvez également dans certains cas avoir recours à un adaptateur de prise en fonction de la configuration des prises
murales de CA de votre pays.
PRECAUTION
• Un mauvais réglage de la tension peut gravement endommager le
CVP-202 ou entraîner des dysfonctionnements.
M
N’oubliez pas de régler la hauteur du pédalier
Pour assurer la stabilité du pédalier (C), un dispositif de
réglage a été prévu à sa partie inférieure. Tournez ce dispositif jusqu’à ce qu’il soit en contact ferme avec la surface du
sol. Ce dispositif assure la stabilité du pédalier lors de son
utilisation et facilite la commande au pied des effets. Si ce
dispositif n’est pas en contact ferme avec le sol, il pourra se
produire une distorsion du son.
■ Lorsque le montage est terminé, veuillez
mener à bien les vérifications suivantes.
• Reste-t-il des pièces non utilisées?
➔ Passer en revue la procédure de montage et corriger toute
erreur éventuelle.
• Le Clavinova est-il placé à l’écart des portes et de toute autre
structure mobile?
➔ Déplacer le Clavinova vers un emplacement approprié.
• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un
cliquetis?
➔ Serrer convenablement toutes les vis.
• Le pédalier fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur
les pédales?
➔ Tourner le stabilisateur de sorte que le Clavinova repose
fermement sur le sol.
• Les cordons des pédales et d’alimentation sont-ils bien enfoncés
dans les prises?
➔ Vérifier toutes les connexions.
• Si la partie principale de l’appareil craque ou est instable lorsque
vous jouez sur le clavier, consulter les diagrammes de montage et
resserrer toutes les vis.
NSelector de tensión
Antes de conectar el cable de alimentación de CA, compruebe el ajuste del selector de tensión que se incorpora para
ciertos destinos. Para ajustar el selector a 110V, 127V, 220V
ó 240V de la red de alimentación, emplee un destornillador
de cabeza recta “-” para girar el selector de modo que la
tensión correcta de su zona aparezca al lado del indicador del
panel. El selector de tensión se ajusta a 240V cuando la
unidad sale de fábrica.
Cuando haya seleccionado la tensión correcta, deslice el
cable de alimentación por encima del panel trasero y
conéctelo a la toma AC INLET (entrada de CA); a
continuación, conecte el otro extremo del cable a una toma
de corriente. En algunos países también podrá suministrarse
un adaptador de clavija para permitir su conexión a las tomas
de corriente locales.
CUIDADO
• Un ajuste incorrecto de la tensión podrá ocasionar daños graves al
instrumento CVP-202 o provocar un funcionamiento defectuoso.
MAsegúrese de ajustar el ajustador.
Para la estabilidad del aparato, se proporciona un ajustador
en la parte inferior de la caja de pedales (C). Gire el
ajustador hasta que contacte firmemente con el suelo. El
ajustador asegura una operación estable de los pedales y
facilita el control del efecto de los pedales. Si el ajustador no
contacta firmemente con el suelo, puede resultar en sonido
distorsionado.
■ Cuando haya concluido el montaje, com-
pruebe los siguientes puntos:
• ¿Ha quedado alguna pieza sin instalar?
➔ Revise el procedimiento de montaje y corrija cualquier error
que se haya podido cometer.
• ¿Está el Clavinova alejado del recorrido de puertas y muebles?
➔ Traslade el Clavinova a una posición adecuada.
• ¿Suena algún ruido de holgura cuando se mueve el Clavinova?
➔ Apriete con firmeza todos los tornillos.
• ¿Vibra o cede la caja de pedales cuando se pisan los pedales?
➔ Gire el estabilizador hasta que apoye firmemente sobre el
suelo.
• ¿Están perfectamente insertados los cables de pedal y alimentación en los conectores?
➔ Revise las conexiones.
• Si la unidad principal cruje o presenta algún signo de inestabilidad
cuando se toca el teclado, consulte los esquemas de montajee y
vuelva a apretar todos los tornillos.
CVP-202
37
Page 38
Specifications/Technische Daten/
○○○○○○○○○○○○○
Spécifications/Especificationes
KEYBOARD88 keys (A–1 — C7)
TONE GENERATORAWM (Advanced Wave Memory)
MAXIMUM SIMULTANEOUS64
BALLROOM, PIANIST, DISK/CUSTOM
Controls: Intro, Main A, Main B ,Main C, Main D, Auto-fill, Ending, Fade in/out, Synchro, Start/Stop, Tap,
Metronome, Tempo –/+
Single Finger, Multi Finger, Fingered1, Fingered2, Full Keyboard,
Harmony, One Touch Setting, Chord Assist, Synchro Stop,
Individual Part Volume Control (Mixer)
Controls: Song, Play/Stop, Rewind, Fast forward, Pause
Guide Control: Easy Play, Next Note, Sound Repeat
Lyric Display, Piano Roll Display, Keyboard Guide Lamps
Page <> buttons, Direct Access button, LCD buttons, data dial, –/+ buttons, Exit button
Bass Hold, Fade In/Out, Effect Variation, Glide
THRU)
Music rest up: 1394mm x 561mm x 1017mm (54-7/8" x 22-1/16" x 40-1/16")
• Specifications and descriptions in this owner’s manual are for information purposes only.
Yamaha Corp. reserves the right to change or modify products or specifications at any time
without prior notice. Since specifications, equipment or options may not be the same in
every locale, please check with your Yamaha dealer.
• Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der
Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische
Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die
technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind,
setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.
38
CVP-202
• Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que
pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et
leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les
caractéristiques techniques, les équipements et les options peuvent différer d’un pays à
l’autre, adressez-vous au distributeur Yamaha le plus proche.
• Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito
de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o
modificaciones en los productos o especificaciones en cualquier momento sin previo aviso.
Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos
los mercados, solicite información a su distribuidor Yamaha.