Yamaha Audio CVP-202 User Manual

Download

Page 1

Data List

Daten-Liste

Liste des données

Lista de datos

Page 2

Table of Contents (English)

Voice List ..............................................................................3

Demo Songs .........................................................................7

Drum/key Assignment List ....................................................8

Style List .............................................................................10

Parameter Chart .................................................................11

Fingering Chart ...................................................................12

MIDI Data Format ...............................................................13

Effect Type List ...................................................................24

Effect Parameter List ..........................................................25

Effect Data Assign Table ....................................................29

MIDI Implementation Chart ................................................ 30

Assembly ............................................................................32

Specifications ..................................................................... 38

Inhalt (Deutsch)

Stimmenverzeichnis ............................................................. 3

Demo-Songs ........................................................................ 7

Verzeichnis der Schlagzeugklänge ...................................... 8

Style-Verzeichnis ................................................................ 10

Parameterübersicht ............................................................ 11

Akkordliste ..........................................................................12

MIDI-Datenformat ...............................................................13

Liste der Effekttypen ........................................................... 24

Liste der Effektparameter ................................................... 25

Effektdaten-Zuordnungstabelle .......................................... 29

MIDI-Implementierungstabelle............................................ 30

Zusammenbau .................................................................... 32

Technische Daten .............................................................. 38

Table des matières (Français)

Liste des voix ........................................................................ 3

Morceaux de démo ............................................................... 7

Liste d’assignation instrument de batterie/touche

du clavier ........................................................................8

Liste des styles ...................................................................10

Tableau des paramètres..................................................... 11

Tablature ............................................................................ 12

Format des données MIDI ..................................................13

Liste des types d’effet ......................................................... 24

Liste des paramètres d’effets ............................................. 25

Tableau d’assignation des données d’effets ...................... 29

Feuille d’implantation MIDI ................................................. 30

Montage ............................................................................. 32

Spécifications ..................................................................... 38

Índice (Español)

Lista de voces ...................................................................... 3

Canciones de demostración .................................................7

Lista de asignaciones de teclas/batería ............................... 8

Lista de estilos .................................................................... 10

Gráfica de parámetros ........................................................11

Gráfica de digitado ............................................................. 12

Formato de datos MIDI ....................................................... 13

Lista de tipos de efecto ...................................................... 24

Lista de parámetros de efectos .......................................... 25

Tabla de asignación de datos para efectos ........................ 29

Gráfico de puesta en práctica de MIDI ...............................30

Montaje ............................................................................... 32

Especificationes .................................................................. 38

CVP-202

Page 3

Voice List / Stimmenverzeichnis / Liste des voix

Lista de voces

○○○○○○○○○○○○○

Voice #

Voice Group Voice Name

MSB # LSB #

Piano & Harpsi. GrandPiano 1 0 122 0

GrandPiano 2 0 112 0 BrightPiano1 0 112 1 Harpsichord1 0 122 6 GrandHarpsi1 0 123 6 Honky Tonk 0 112 3 Rock Piano 0 114 2 Midi Grand 0 112 2 CP 80 0 113 2 Oct. Piano 1 0 113 3 Oct. Piano 2 0 114 3 GrandPiano 3 0 116 0 GrandPiano 4 0 115 0 BrightPiano2 0 116 1 BrightPiano3 0 115 1 Harpsichord2 0 112 6 GrandHarpsi2 0 113 6

E.Piano Galaxy EP 0 114 4

Polaris EP 0 115 4 Hyper Tines 0 113 5 New Tines 0 116 5 Funk EP 0 112 4 DX Modern 0 112 5 Modern EP 0 115 5 Tremolo EP 0 113 4 Super DX 0 117 5 Clavi 0 112 7 Suitcase EP 0 118 4 Venus EP 0 114 5

Wah Clavi 0 113 7 Organ & Church Organ 0 123 19 Accordion Pipe Organ 0 112 19

ChapelOrgan1 0 113 19

ChapelOrgan2 0 114 19

ChapelOrgan3 0 115 19

Rock Organ 1 0 112 18

Dance Organ 0 113 17

Gospel Organ 0 119 16

Purple Organ 0 114 18

Jazz Organ 1 0 112 16

Rock Organ 2 0 113 18

Elec. Organ 0 118 17

DrawbarOrgan 0 115 16

Click Organ 0 112 17

Mellow Draw 0 115 17

Jazz Organ 2 0 113 16

Bright Draw 0 116 16

60’s Organ 0 116 17

Jazz Organ 3 0 120 16

Blues Organ 0 117 17

16'+1' Organ 0 121 16

16'+2' Organ 0 122 16

16'+4' Organ 0 123 16

TheatreOrgn1 0 114 16

TheatreOrgn2 0 114 17

Musette 0 112 21

Tutti Accord 0 113 21

Accordion 0 115 21

Tango Accord 0 112 23

Bandoneon 0 113 23

Soft Accord 0 114 21

Blues Harp 0 114 22

Harmonica 0 112 22

Reed Organ 0 112 20 Percussion Vibraphone 0 112 11

Jazz Vibes 0 113 11

Program

Change #

(0-127)

Voice #

Voice Group Voice Name

MSB # LSB #

Marimba 0 112 12 Xylophone 0 112 13 Steel Drums 0 112 114 Celesta 0 112 8 Glocken 0 112 9 Music Box 0 112 10 Tubular Bell 0 112 14 Kalimba 0 112 108 Dulcimer 0 112 15 Timpani 0 112 47 StandardKit1 127 0 0 StandardKit2 127 0 1 Room Kit 127 0 8 Rock Kit 127 0 16 Electro Kit 127 0 24 Analog Kit 127 0 25 Dance Kit 127 0 27 Jazz Kit 127 0 32 Brush Kit 127 0 40 Symphony Kit 127 0 48 StyStd. Kit 127 0 80 StyBrush Kit 127 0 82 SFX Kit 1 126 0 0 SFX Kit 2 126 0 1

Guitar Spanish Gtr. 0 113 24

Cool E.Gtr. 0 114 28 12Str.Guitar 0 113 25 Solid Guitar 0 118 27 Vintage Amp 0 115 29 Pedal Steel 0 125 27 FeedbackGtr. 0 113 29 Funk Guitar 0 113 28 60’s Clean 0 117 27 Vintage Open 0 123 27 Vintage Mute 0 115 28 Folk Guitar 0 112 25 ChorusGuitar 0 124 27 Vintage Trem 0 120 27 OctaveGuitar 0 113 26 Deep Chorus 0 114 27 CampfireGtr. 0 115 25 Smooth Nylon 0 114 24 Tremolo Gtr. 0 113 27 HawaiianGtr. 0 114 26 Bright Clean 0 116 27 Wah Guitar 0 122 27 Classic Gtr. 0 112 24 Distortion 0 112 30 Elec. 12Str. 0 119 27 Mandolin 0 114 25 Clean Guitar 0 112 27 Muted Guitar 0 112 28 FolkGw_pick1 0 116 25 FolkGw_pick2 0 117 25 FolkGw_pick3 0 118 25 Jazz Guitar 0 112 26 Overdrive 0 112 29

Bass Finger Bass 0 112 33

UprightBass 0 113 32 Pick Bass 0 112 34 SuperFretles 0 113 35 Slap Bass 0 112 36 Analog Bass 0 112 39 Hi Q Bass 0 113 38 Funk Bass 0 112 37 Aco. Bass 0 112 32

Program

Change #

(0-127)

CVP-202

Page 4

Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces

○○○○○○○○○○○○○○

Voice #

Voice Group Voice Name

MSB # LSB #

Fretless 0 112 35 Bass&Cymbal 0 114 32 Fusion Bass 0 113 36 Rave Bass 0 114 38 Dance Bass 0 113 39 Synth Bass 0 112 38

Brass SweetTrumpet 0 115 56

Trombone 0 112 57 MutedTrumpet 0 112 59 Flugel Horn 0 113 56 Soft Trumpet 0 114 56 BrassSection 0 112 61 Mellow Brass 0 116 61 BigBandBrass 0 113 61 Pop Brass 0 118 61 Brass Combo 0 115 66 Solo Trumpet 0 112 56 Mellow Tromb 0 114 57 Trb. Section 0 113 57 French Horn 0 112 60 Mellow Horns 0 119 61 Bright Brass 0 120 61 Full Horns 0 114 61 High Brass 0 115 61 Ballroom Brs 0 113 59 Small Brass 0 117 61 80’s Brass 0 113 62 Analog Brass 0 112 63 Techno Brass 0 114 62 Synth Brass 0 112 62 Brass Hit 0 126 61 Tuba 0 112 58

WoodWind Sweet Tenor 0 117 66

Breathy Alto 0 113 65 Soprano Sax 0 112 64 Clarinet 0 112 71 Sweet Flute 0 114 73 Tenor Sax 0 112 66 Pan Flute 0 113 73 Oboe 0 112 68 English Horn 0 112 69 Baritone Sax 0 112 67 Breath Tenor 0 114 66 Alto Sax 0 112 65 MelClarinet 0 113 71 Bassoon 0 112 70 ClassicFlute 0 115 73 Piccolo 0 112 72 Ethnic Flute 0 112 75 Flute 0 112 73 Shakuhachi 0 112 77 Whistle 0 112 78 Recorder 0 112 74 Ocarina 0 112 79 WoodwindEns. 0 113 66 Sax Section 0 116 66 Bagpipe 0 112 109

Strings Orch.Strings 0 113 48

Symphon.Strs 0 114 48 Strings 0 112 48 Slow Strings 0 113 49 Chamber Strs 0 112 49 SynthStrings 0 112 50 ConcertoStrs 0 115 48 Orch. Brass 0 118 49 Orch. Flute 0 119 49

Program

Change #

(0-127)

Voice #

Voice Group Voice Name

MSB # LSB #

Orch. Oboe 0 121 49 Solo Violin 0 112 40 Soft Violin 0 113 40 Fiddle 0 112 110 Viola 0 112 41 Cello 0 112 42 Contrabass 0 112 43 Str. Quartet 0 114 49 Bow Strings 0 116 48 Marcato Strs 0 115 49 Tremolo Strs 0 112 44 Pizz.Strings 0 112 45 Analog Strs 0 112 51 Tech Strings 0 113 50 Harp 0 112 46 Hackbrett 0 113 46 Banjo 0 112 105 Sitar 0 112 104 Koto 0 112 107 Shamisen 0 112 106 Orch. Hit 0 112 55

Choir & Pad Gothic Vox 0 113 53

Vocal Ens. 0 113 52 Vox Humana 0 112 53 Choir 0 112 52 Air Choir 0 112 54 Cyber Pad 0 113 99 Fantasia 0 112 88 Insomnia 0 113 94 Wave 2001 0 112 95 Atmosphere 0 112 99 Xenon Pad 0 112 91 Equinox 0 112 94 DX Pad 0 112 92 Symbiont 0 113 88 Stargate 0 114 88 Area 51 0 112 89 Dark Moon 0 113 89 Ionosphere 0 115 94 Golden Age 0 115 88 Solaris 0 114 94 Millennium 0 117 88 Transform 0 113 95

Synth. Square Lead 0 112 80

Saw. Lead 0 112 81 Fire Wire 0 116 81 Analogon 0 115 81 Fargo 0 119 81 Blaster 0 114 81 Big Lead 0 113 81 Warp 0 117 81 Tiny Lead 0 118 80 Stardust 0 112 98 Aero Lead 0 112 83 Mini Lead 0 114 80 Sub Aqua 0 118 81 Sun Bell 0 113 98 Hi Bias 0 116 80 Viny lead 0 115 80

Program

Change #

(0-127)

CVP-202

Page 5

○ ○○○○○○○○○○○○○

Voice Name

GrandPno 0 0 0 GrndPnoK 0 1 0 MelloGrP 0 18 0 PianoStr 0 40 0 Dream 0 41 0 BritePno 0 0 1 BritPnoK 0 1 1 El.Grand 0 0 2 ElGrPnoK 0 1 2 Det.CP80 0 32 2 LayerCP1 0 40 2 LayerCP2 0 41 2 HnkyTonk 0 0 3 HnkyTnkK 0 1 3 E.Piano1 0 0 4 El.Pno1K 0 1 4 MelloEP1 0 18 4 Chor.EP1 0 32 4 HardEl.P 0 40 4 VX El.P1 0 45 4 60sEl.P1 0 64 4 E.Piano2 0 0 5 El.Pno2K 0 1 5 Chor.EP2 0 32 5 DX Hard 0 33 5 DXLegend 0 34 5 DX Phase 0 40 5 DX+Analg 0 41 5 DXKotoEP 0 42 5 VX El.P2 0 45 5 Harpsi. 0 0 6 Harpsi.K 0 1 6 Harpsi.2 0 25 6 Harpsi.3 0 35 6 Clavi 0 0 7 Clavi K 0 1 7 ClaviWah 0 27 7 PulseClv 0 64 7 PierceCl 0 65 7 Celesta 0 0 8 Glocken 0 0 9 MusicBox 0 0 10 Orgel 0 64 10 Vibes 0 0 11 Vibes K 0 1 11 HardVibe 0 45 11 Marimba 0 0 12 MarimbaK 0 1 12 SineMrmb 0 64 12 Balimba 0 97 12 Log Drum 0 98 12 Xylophon 0 0 13 TubulBel 0 0 14 ChrchBel 0 96 14 Carillon 0 97 14 Dulcimer 0 0 15 Dulcimr2 0 35 15 Cimbalom 0 96 15 Santur 0 97 15 DrawOrgn 0 0 16

MSB # LSB #

Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces

Voice #

Program

Change #

(0-127)

Voice Name

DetDrwOr 0 32 16 60sDrOr1 0 33 16 60sDrOr2 0 34 16 70sDrOr1 0 35 16 DrawOrg2 0 36 16 60sDrOr3 0 37 16 EvenBar 0 38 16 16+2’2/3 0 40 16 Organ Ba 0 64 16 70sDrOr2 0 65 16 CheezOrg 0 66 16 DrawOrg3 0 67 16 PercOrgn 0 0 17 70sPcOr1 0 24 17 DetPrcOr 0 32 17 Lite Org 0 33 17 PercOrg2 0 37 17 RockOrgn 0 0 18 RotaryOr 0 64 18 SloRotar 0 65 18 FstRotar 0 66 18 ChrchOrg 0 0 19 ChurOrg3 0 32 19 ChurOrg2 0 35 19 NotreDam 0 40 19 OrgFlute 0 64 19 TrmOrgFl 0 65 19 ReedOrgn 0 0 20 Puff Org 0 40 20 Acordion 0 0 21 AccordIt 0 32 21 Harmnica 0 0 22 Harmo. 2 0 32 22 TangoAcd 0 0 23 TngoAcd2 0 64 23 NylonGtr 0 0 24 NylonGt2 0 16 24 NylonGt3 0 25 24 VelGtHrm 0 43 24 Ukulele 0 96 24 SteelGtr 0 0 25 SteelGt2 0 16 25 12StrGtr 0 35 25 Nyln&Stl 0 40 25 Stl&Body 0 41 25 Mandolin 0 96 25 Jazz Gtr 0 0 26 MelloGtr 0 18 26 Jazz Amp 0 32 26 CleanGtr 0 0 27 ChorusGt 0 32 27 Mute Gtr 0 0 28 FunkGtr1 0 40 28 MuteStlG 0 41 28 FunkGtr2 0 43 28 Jazz Man 0 45 28 Ovrdrive 0 0 29 Gt.Pinch 0 43 29 Dist.Gtr 0 0 30 FeedbkGt 0 40 30

MSB # LSB #

Voice #

Program

Change #

(0-127)

Voice #

Voice Name

FeedbGt2 0 41 30 GtrHarmo 0 0 31 GtFeedbk 0 65 31 GtrHrmo2 0 66 31 Aco.Bass 0 0 32 JazzRthm 0 40 32 VXUprght 0 45 32 FngrBass 0 0 33 FingrDrk 0 18 33 FlangeBa 0 27 33 Ba&DstEG 0 40 33 FngrSlap 0 43 33 FngBass2 0 45 33 Mod.Bass 0 65 33 PickBass 0 0 34 MutePkBa 0 28 34 Fretless 0 0 35 Fretles2 0 32 35 Fretles3 0 33 35 Fretles4 0 34 35 SynFretl 0 96 35 SmthFrt1 0 97 35 SlapBas1 0 0 36 ResoSlap 0 27 36 PunchThm 0 32 36 SlapBas2 0 0 37 VeloSlap 0 43 37 SynBass1 0 0 38 SynBa1Dk 0 18 38 FastResB 0 20 38 AcidBass 0 24 38 Clv Bass 0 35 38 TechnoBa 0 40 38 Orbiter 0 64 38 Sqr.Bass 0 65 38 RubberBa 0 66 38 Hammer 0 96 38 SynBass2 0 0 39 MelloSBa 0 6 39 Seq Bass 0 12 39 ClkSynBa 0 18 39 SynBa2Dk 0 19 39 SmthSynB 0 32 39 ModulrBa 0 40 39 DX Bass 0 41 39 X WireBa 0 64 39 Violin 0 0 40 Slow Vln 0 8 40 Viola 0 0 41 Cello 0 0 42 Contrabs 0 0 43 Trem.Str 0 0 44 SlwTrStr 0 8 44 Susp.Str 0 40 44 Pizz.Str 0 0 45 Harp 0 0 46 YangChin 0 40 46 Timpani 0 0 47 Strings1 0 0 48 S.Strngs 0 3 48

MSB # LSB #

Program

Change #

(0-127)

CVP-202

Page 6

Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces

Voice #

Voice Name

Slow Str 0 8 48 Arco Str 0 24 48 60sStrng 0 35 48 Orchestr 0 40 48 Orchstr2 0 41 48 TremOrch 0 42 48 Velo.Str 0 45 48 Strings2 0 0 49 S.SlwStr 0 3 49 LegatoSt 0 8 49 Warm Str 0 40 49 Kingdom 0 41 49 70s Str 0 64 49 Strings3 0 65 49 Syn Str1 0 0 50 Reso Str 0 27 50 Syn Str4 0 64 50 Syn Str5 0 65 50 Syn Str2 0 0 51 ChoirAah 0 0 52 S.Choir 0 3 52 Ch.Aahs2 0 16 52 MelChoir 0 32 52 ChoirStr 0 40 52 VoiceOoh 0 0 53 SynVoice 0 0 54 SyVoice2 0 40 54 Choral 0 41 54 AnaVoice 0 64 54 Orch.Hit 0 0 55 OrchHit2 0 35 55 Impact 0 64 55 Trumpet 0 0 56 Trumpet2 0 16 56 BriteTrp 0 17 56 Warm Trp 0 32 56 Trombone 0 0 57 Trmbone2 0 18 57 Tuba 0 0 58 Tuba 2 0 16 58 Mute Trp 0 0 59 Fr.Horn 0 0 60 FrHrSolo 0 6 60 FrHorn 2 0 32 60 HornOrch 0 37 60 BrssSect 0 0 61 Tp&TbSec 0 35 61 BrssSec2 0 40 61 HiBrass 0 41 61 MelloBrs 0 42 61 SynBrss1 0 0 62 Quack Br 0 12 62 RezSynBr 0 20 62 PolyBrss 0 24 62 SynBrss3 0 27 62 JumpBrss 0 32 62 AnVelBr1 0 45 62 AnVelBr2 0 64 62 SynBrss2 0 0 63 Soft Brs 0 18 63 SynBrss4 0 40 63

MSB # LSB #

Program

Change #

(0-127)

Voice Name

ChoirBrs 0 41 63 VelBrss2 0 45 63 AnaBrss2 0 64 63 SprnoSax 0 0 64 Alto Sax 0 0 65 Sax Sect 0 40 65 HyprAlto 0 43 65 TenorSax 0 0 66 BrthTnSx 0 40 66 SoftTenr 0 41 66 TnrSax 2 0 64 66 Bari.Sax 0 0 67 Oboe 0 0 68 Eng.Horn 0 0 69 Bassoon 0 0 70 Clarinet 0 0 71 Piccolo 0 0 72 Flute 0 0 73 Recorder 0 0 74 PanFlute 0 0 75 Bottle 0 0 76 Shakhchi 0 0 77 Whistle 0 0 78 Ocarina 0 0 79 SquareLd 0 0 80 SquarLd2 0 6 80 LMSquare 0 8 80 Hollow 0 18 80 Shroud 0 19 80 Mellow 0 64 80 SoloSine 0 65 80 SineLead 0 66 80 Saw Lead 0 0 81 Saw Ld 2 0 6 81 ThickSaw 0 8 81 Dyna Saw 0 18 81 Digi Saw 0 19 81 Big Lead 0 20 81 HeavySyn 0 24 81 WaspySyn 0 25 81 PulseSaw 0 40 81 Dr. Lead 0 41 81 VeloLead 0 45 81 Seq Ana. 0 96 81 CaliopLd 0 0 82 PureLead 0 65 82 Chiff Ld 0 0 83 Rubby 0 64 83 CharanLd 0 0 84 DistLead 0 64 84 WireLead 0 65 84 Voice Ld 0 0 85 SynthAah 0 24 85 Vox Lead 0 64 85 Fifth Ld 0 0 86 Big Five 0 35 86 Bass&Ld 0 0 87 Big&Low 0 16 87 Fat&Prky 0 64 87 Soft Wrl 0 65 87 NewAgePd 0 0 88

MSB # LSB #

Voice #

Program

Change #

(0-127)

Voice Name

Fantasy 0 64 88 Warm Pad 0 0 89 ThickPad 0 16 89 Soft Pad 0 17 89 Sine Pad 0 18 89 Horn Pad 0 64 89 RotarStr 0 65 89 PolySyPd 0 0 90 PolyPd80 0 64 90 ClickPad 0 65 90 Ana. Pad 0 66 90 SquarPad 0 67 90 ChoirPad 0 0 91 Heaven 0 64 91 Itopia 0 66 91 CC Pad 0 67 91 BowedPad 0 0 92 Glacier 0 64 92 GlassPad 0 65 92 MetalPad 0 0 93 Tine Pad 0 64 93 Pan Pad 0 65 93 Halo Pad 0 0 94 SweepPad 0 0 95 Shwimmer 0 20 95 Converge 0 27 95 PolarPad 0 64 95 Celstial 0 66 95 Rain 0 0 96 ClaviPad 0 45 96 HrmoRain 0 64 96 AfrcnWnd 0 65 96 Carib 0 66 96 SoundTrk 0 0 97 Prologue 0 27 97 Ancestrl 0 64 97 Crystal 0 0 98 SynDrCmp 0 12 98 Popcorn 0 14 98 TinyBell 0 18 98 RndGlock 0 35 98 GlockChi 0 40 98 ClearBel 0 41 98 ChorBell 0 42 98 SynMalet 0 64 98 SftCryst 0 65 98 LoudGlok 0 66 98 ChrstBel 0 67 98 VibeBell 0 68 98 DigiBell 0 69 98 AirBells 0 70 98 BellHarp 0 71 98 Gamelmba 0 72 98 Atmosphr 0 0 99 WarmAtms 0 18 99 HollwRls 0 19 99 Nylon EP 0 40 99 NylnHarp 0 64 99 Harp Vox 0 65 99 AtmosPad 0 66 99 Planet 0 67 99

○○○○○○○○○○○○○○

Voice #

Program

MSB # LSB #

Change #

(0-127)

CVP-202

Page 7

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Voice #

Voice Name

Bright 0 0 100 FantaBel 0 64 100 Smokey 0 96 100 Goblins 0 0 101 GobSynth 0 64 101 Creeper 0 65 101 Ring Pad 0 66 101 Ritual 0 67 101 ToHeaven 0 68 101 Night 0 70 101 Glisten 0 71 101 BelChoir 0 96 101 Echoes 0 0 102 Echoes 2 0 8 102 Echo Pan 0 14 102 EchoBell 0 64 102 Big Pan 0 65 102 SynPiano 0 66 102 Creation 0 67 102 StarDust 0 68 102 Reso&Pan 0 69 102 Sci-Fi 0 0 103 Starz 0 64 103 Sitar 0 0 104 DetSitar 0 32 104 Sitar 2 0 35 104 Tambra 0 96 104 Tamboura 0 97 104 Banjo 0 0 105 MuteBnjo 0 28 105 Rabab 0 96 105 Gopichnt 0 97 105 Oud 0 98 105 Shamisen 0 0 106 Koto 0 0 107 Taisho-k 0 96 107 Kanoon 0 97 107 Kalimba 0 0 108 Bagpipe 0 0 109

MSB # LSB #

Program

Change #

(0-127)

Voice #

Voice Name

Fiddle 0 0 110 Shanai 0 0 111 Shanai 2 0 64 111 Pungi 0 96 111 Hichriki 0 97 111 TnklBell 0 0 112 Bonang 0 96 112 Altair 0 97 112 Gamelan 0 98 112 S.Gamlan 0 99 112 Rama Cym 0 100 112 AsianBel 0 101 112 Agogo 0 0 113 SteelDrm 0 0 114 GlasPerc 0 97 114 ThaiBell 0 98 114 WoodBlok 0 0 115 Castanet 0 96 115 TaikoDrm 0 0 116 Gr.Cassa 0 96 116 MelodTom 0 0 117 Mel Tom2 0 64 117 Real Tom 0 65 117 Rock Tom 0 66 117 Syn Drum 0 0 118 Ana Tom 0 64 118 ElecPerc 0 65 118 RevCymbl 0 0 119 FretNoiz 0 0 120 BrthNoiz 0 0 121 Seashore 0 0 122 Tweet 0 0 123 Telphone 0 0 124 Helicptr 0 0 125 Applause 0 0 126 Gunshot 0 0 127 CuttngNz 64 0 0 CttngNz2 64 0 1 Str Slap 64 0 3

MSB # LSB #

Program

Change #

(0-127)

Voice Name

Fl.KClik 64 0 16 Shower 64 0 32 Thunder 64 0 33 Wind 64 0 34 Stream 64 0 35 Bubble 64 0 36 Feed 64 0 37 Dog 64 0 48 Horse 64 0 49 Tweet 2 64 0 50 Ghost 64 0 54 Maou 64 0 55 Tel.Dial 64 0 64 DoorSqek 64 0 65 DoorSlam 64 0 66 ScratchC 64 0 67 ScratchS 64 0 68 WindChim 64 0 69 Telphon2 64 0 70 CarEIgnt 64 0 80 CarTSqel 64 0 81 Car Pass 64 0 82 CarCrash 64 0 83 Siren 64 0 84 Train 64 0 85 JetPlane 64 0 86 Starship 64 0 87 Burst 64 0 88 Coaster 64 0 89 Submarin 64 0 90 Laugh 64 0 96 Scream 64 0 97 Punch 64 0 98 Heart 64 0 99 Footstep 64 0 100 MchinGun 64 0 112 LaserGun 64 0 113 Xplosion 64 0 114 Firework 64 0 115

MSB # LSB #

Voice #

Program

Change #

(0-127)

Demo Songs / Demo-Songs / Morceaux de démo / Canciones de demostración

SONG DEMO

Title Composer

Song 1

Song 3 Beautiful Dreamer S.C. Foster Song 4 Annie Laurie Traditional

• Bei manchen der oben aufgelisteten Demostücke handelt es sich um Auszüge aus den Originalkompositionen mit speziellem Arrangement. Alle anderen Stücke sind eigene Kompositionen (© 2003 Yamaha Corporation).

• Alguna de las piezas de demostración arriba listadas son exceptos especialmente preparados de las composiciones originales de arriba. Todas las otras canciones son originales (© 2003 Yamaha Corporation.)

Andante Spianato and Grand Polonaise Brillante Op.22

F. Chopin

VOICE DEMO

Voice Group Title Composer

Piano&Harpsi.

Consolation No.3 F. Chopin Gavotte J.S. Bach

CVP-202

Page 8

Drum/key Assignment List / Verzeichnis der Liste d’assignation instrument de batterie/ Lista de asignaciones de teclas/batería

Bank Select MSB 127 127 127 127 127 127 127

Bank Select LSB 0 0 00000

Program Change (0-127) 0 1 8 16 24 25 27 Keyboard MIDI Key Alternate Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electro Kit Analog Kit Dance Kit Note Note # Note off assign C# 113C# -1 3 Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute D 1 14 D -1 3 Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open D# 115D# -1 Hi Q Hi Q Hi Q Hi Q Hi Q Hi Q Hi Q E 1 16 E -1 Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap F 1 17 F -1 4 Scratch H Scratch H Scratch H Scratch H Scratch H Scratch H Scratch H F# 118F# -1 4 Scratch L Scratch L Scratch L Scratch L Scratch L Scratch L Scratch L G 1 19 G -1 Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap G# 120G# -1 Click Noise Click Noise Click Noise Click Noise Click Noise Click Noise Click Noise A 1 21 A -1 Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click A# 122A# -1 Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell B 1 23 B -1 Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L C 2 24 C 0 Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H C# 225C# 0 Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap D2 26 D0 D# 227D# 0 Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap E2 28 E0 F2 29 F0 F# 230F# 0 Castanet Castanet Castanet Castanet Hi Q 2 Hi Q 2 Hi Q 2 G 2 31 G 0 Snare Soft Snare Soft 2 Snare Soft Snare Noisy SnrSnpyElctr SnareNoisy 4 SnareTechno3 G# 232G# 0 Sticks Sticks Sticks Sticks Sticks Sticks Sticks A 2 33 A 0 Kick Soft Kick Soft Kick Soft Kick Tight 2 Kick 3 Kick Tight 2 KickTechno Q A# 234A# 0 OpenRimShot RimShotHShrt OpenRimShot OpenRimShot OpenRimShot OpenRimShot Rim Gate B 2 35 B 0 Kick Tight KickTghtShrt Kick Tight Kick 2 Kick Gate KickAnlgShrt KickTechno L C 3 36 C 1 Kick Kick Short Kick Kick Gate KckGateHeavy Kick Analog KickTechno 2 C# 337C# 1 Side Stick Side Stick Side Stick Side Stick Side Stick SideStickAn SideStickAn D 3 38 D 1 Snare Snare Short Snare Snappy Snare Rock SnareNoisy 2 SnareAnalog Snare Clap D# 339D# 1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap E 3 40 E 1 Snare Tight SnareTight H SnrTightSnpy SnareRockRim SnareNoisy 3 SnareAnalog2 Snare Dry 2 F 3 41 F 1 Floor Tom L Floor Tom L Tom Room 1 Tom Rock 1 TomElectro 1 Tom Analog 1 Tom Analog 1 F# 342F# 1 1 Hi-HatClosed Hi-HatClosed Hi-HatClosed Hi-HatClosed Hi-HatClosed HatCloseAnlg HiHatClose 3 G 3 43 G 1 Floor Tom H Floor Tom H Tom Room 2 Tom Rock 2 TomElectro 2 Tom Analog 2 Tom Analog 2 G# 344G# 1 1 Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal HatCloseAn 2 HatCloseAn 2 A 3 45 A 1 Low Tom Low Tom Tom Room 3 Tom Rock 3 TomElectro 3 Tom Analog 3 Tom Analog 3 A# 346A# 1 1 Hi-Hat Open Hi-Hat Open Hi-Hat Open Hi-Hat Open Hi-Hat Open HatOpen Anlg HiHat Open 3 B 3 47 B 1 Mid Tom L Mid Tom L Tom Room 4 Tom Rock 4 TomElectro 4 Tom Analog 4 Tom Analog 4 C 4 48 C 2 Mid Tom H Mid Tom H Tom Room 5 Tom Rock 5 TomElectro 5 Tom Analog 5 Tom Analog 5 C# 449C# 2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 Crash Analog Crash Analog D 4 50 D 2 High Tom High Tom Tom Room 6 Tom Rock 6 TomElectro 6 Tom Analog 6 Tom Analog 6 D# 451D# 2 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 E 4 52 E 2 Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym F 4 53 F 2 Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup F# 454F# 2 Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine G 4 55 G 2 SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal G# 456G# 2 Cowbell Cowbell Cowbell Cowbell Cowbell Cowbell Anlg Cowbell Anlg A 4 57 A 2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 A# 458A# 2 Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap B 4 59 B 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 C 5 60 C 3 Bongo H Bongo H Bongo H Bongo H Bongo H Bongo H Bongo H C# 561C# 3 Bongo L Bongo L Bongo L Bongo L Bongo L Bongo L Bongo L D 5 62 D 3 Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga Anlg H Conga Anlg H D# 563D# 3 Conga H Open Conga H Open Conga H Open Conga H Open Conga H Open Conga Anlg M Conga Anlg M E 5 64 E 3 Conga L Conga L Conga L Conga L Conga L Conga Anlg L Conga Anlg L F 5 65 F 3 Timbale H Timbale H Timbale H Timbale H Timbale H Timbale H Timbale H F# 566F# 3 Timbale L Timbale L Timbale L Timbale L Timbale L Timbale L Timbale L G 5 67 G 3 Agogo H Agogo H Agogo H Agogo H Agogo H Agogo H Agogo H G# 568G# 3 Agogo L Agogo L Agogo L Agogo L Agogo L Agogo L Agogo L A 5 69 A 3 Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa A# 570A# 3 Maracas Maracas Maracas Maracas Maracas Maracas 2 Maracas 2 B5 71 B3 C6 72 C4 C# 673C# 4 Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short D6 74 D4 D# 675D# 4 Claves Claves Claves Claves Claves Claves 2 Claves 2 E 6 76 E 4 Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H F 6 77 F 4 Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L F# 678F# 4 Cuica Mute Cuica Mute Cuica Mute Cuica Mute Scratch H 2 Scratch H 2 Scratch H 2 G 6 79 G 4 Cuica Open Cuica Open Cuica Open Cuica Open Scratch L 2 Scratch L 3 Scratch L 3 G# 680G# 4 2 TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute A 6 81 A 4 2 TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen A# 682A# 4 Shaker Shaker Shaker Shaker Shaker Shaker Shaker B 6 83 B 4 Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells C 7 84 C 5 Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree – 85 C# 5 – 86 D 5 – 87 D# 5 – 88 E 5 – 89 F 5 – 90 F# 5 – 91 G 5

• Key Off: Keys marked “O” stop sounding the instant they are released.

• Alternate Assign: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.

O O

Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl

BrushTapSwrl BrushTapSwrl BrushTapSwrl BrushTapSwrl ReversCymbal ReversCymbal ReversCymbal Snare Roll Snare Roll 2 Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll

SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL

Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long

• Key Off: Durch “ der Taste.

• Alternate Assign: Mit derselben Nummer gekennzeichnete Klänge werden von demselben Instrument erzeugt und können daher nicht gleichzeitig produziert werden. Spielt einer dieser Klänge gerade, wird er beim Anschlagen einer anderen Taste mit derselben “Alternate Assign”-Nummer stummgeschaltet.

” gekennzeichnete Klänge verstummen beim Loslassen

CVP-202

Page 9

Schlagzeugklänge / touche du clavier /

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Bank Select MSB 127 127 127 127 127 126 126

Bank Select LSB 0000000

Program Change (0-127) 32 40 48 80 82 0 1 Keyboard MIDI Key Alternate Jazz Kit Brush Kit Symphony Kit Sty Std.Kit Sty BrushKit SFX Kit 1 SFX Kit 2 Note Note # Note off assign C# 113C# -1 3 Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute D 1 14 D -1 3 Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open D# 115D# -1 Hi Q Hi Q Hi Q Hi Q Hi Q E 1 16 E -1 Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap F 1 17 F -1 4 Scratch H Scratch H Scratch H Scratch H Scratch H F# 118F# -1 4 Scratch L Scratch L Scratch L Scratch L Scratch L G 1 19 G -1 Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap G# 120G# -1 Click Noise Click Noise Click Noise Click Noise Click Noise A 1 21 A -1 Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click A# 122A# -1 Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell B 1 23 B -1 Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L C 2 24 C 0 Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H C# 225C# 0 Brush Tap Brush Tap Brush Tap BrshTpStyStd BrshTpStBrsh D2 26 D0 D# 227D# 0 Brush Slap Brush Slap Brush Slap BrshSlStyStd BrshSlStBrsh E2 28 E0 F2 29 F0 F# 230F# 0 Castanet Castanet Castanet Castanet Castanet G 2 31 G 0 Snare Soft Brush Slap 2 Brush Slap 2 SnrSftStyStd SnrSftStBrsh G# 232G# 0 Sticks Sticks Sticks Sticks Sticks A 2 33 A 0 Kick Soft Kick Soft Kick Soft 2 KckSftStyStd KckSftStBrsh A# 234A# 0 OpenRimShot OpenRimShot OpenRimShot RimShtStyStd RimShtStBrsh B 2 35 B 0 Kick Tight Kick Tight Gran Cassa KickT StyStd KickT StBrsh C 3 36 C 1 Kick Jazz Kick Small GranCassa Mu Kick StyStd Kick StBrsh CuttingNoiz Phone Call C# 337C# 1 Side Stick Side Stick Side Stick S StckStyStd S StckStBrsh CuttingNoiz2 Door Squeak D 3 38 D 1 Snare Brush Slap 3 Band Snare Snare StyStd Snare StBrsh Door Slam D# 339D# 1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap String Slap Scratch Cut E 3 40 E 1 Snare Tight Brush Tap 2 Band Snare 2 Snr T StyStd Snr T StBrsh Scratch H 3 F 3 41 F 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 FlrTmLStyStd FlrTmLStBrsh Wind Chime F# 342F# 1 1 Hi-HatClosed Hi-HatClosed Hi-HatClosed HHCls StyStd HHCls StBrsh Telephone 2 G 3 43 G 1 Tom Jazz 2 Tom Brush 2 Tom Jazz 2 FlrTmHStyStd FlrTmHStBrsh G# 344G# 1 1 Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal HHPdl StyStd HHPdl StBrsh A 3 45 A 1 Tom Jazz 3 Tom Brush 3 Tom Jazz 3 LoTmStyStd LoTmStBrsh A# 346A# 1 1 Hi-Hat Open Hi-Hat Open Hi-Hat Open HHOpn StyStd HHOpn StBrsh B 3 47 B 1 Tom Jazz 4 Tom Brush 4 Tom Jazz 4 MidTmLStyStd MidTmLStBrsh C 4 48 C 2 Tom Jazz 5 Tom Brush 5 Tom Jazz 5 MidTmHStyStd MidTmHStBrsh C# 449C# 2 CrashCymbal1 CrashCymbal1 Hand Cymbal Crash1StyStd Crash1StBrsh D 4 50 D 2 Tom Jazz 6 Tom Brush 6 Tom Jazz 6 HiTom StyStd HiTom StBrsh D# 451D# 2 RideCymbal 1 RideCymbal 1 HandCymShort Ride1 StyStd Ride1 StBrsh E 4 52 E 2 Chinese Cym Chinese Cym Chinese Cym ChiCymStyStd ChiCymStBrsh Fl.Key Click Ignition F 4 53 F 2 Ride Cym Cup Ride Cym Cup Ride Cym Cup R Cup StyStd R Cup StBrsh Squeal F# 454F# 2 Tambourine Tambourine Tambourine Tambourine Tambourine Exhaust G 4 55 G 2 SplashCymbal SplashCymbal SplashCymbal SplashStyStd SplashStBrsh Crash G# 456G# 2 Cowbell Cowbell Cowbell Cowbell Cowbell Siren A 4 57 A 2 CrashCymbal2 CrashCymbal2 HandCymbal 2 Crash2StyStd Crash2StBrsh Train A# 458A# 2 Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Jet Plane B 4 59 B 2 RideCymbal 2 RideCymbal 2 HandCym2Shrt Ride 2StyStd Ride 2StBrsh Starship C 5 60 C 3 Bongo H Bongo H Bongo H Bongo H Bongo H Burst C# 561C# 3 Bongo L Bongo L Bongo L Bongo L Bongo L Coaster D 5 62 D 3 Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga H Mute Submarine D# 563D# 3 Conga H Open Conga H Open Conga H Open Conga H Open Conga H Open E 5 64 E 3 Conga L Conga L Conga L Conga L Conga L F 5 65 F 3 Timbale H Timbale H Timbale H Timbale H Timbale H F# 566F# 3 Timbale L Timbale L Timbale L Timbale L Timbale L G 5 67 G 3 Agogo H Agogo H Agogo H Agogo H Agogo H G# 568G# 3 Agogo L Agogo L Agogo L Agogo L Agogo L Shower Laugh A 5 69 A 3 Cabasa Cabasa Cabasa Cabasa Cabasa Thunder Scream A# 570A# 3 Maracas Maracas Maracas Maracas Maracas Wind Punch B5 71 B3 C6 72 C4 C# 673C# 4 Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Feed D6 74 D4 D# 675D# 4 Claves Claves Claves Claves Claves E 6 76 E 4 Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H F 6 77 F 4 Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L F# 678F# 4 Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute G 6 79 G 4 Cuica Open Cuica Open Cuica Open Cuica Open Cuica Open G# 680G# 4 2 TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute A 6 81 A 4 2 TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen A# 682A# 4 Shaker Shaker Shaker Shaker Shaker B 6 83 B 4 Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells C 7 84 C 5 Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Dog Machine Gun – 85 C# 5 Horse Laser Gun – 86 D 5 Bird Tweet 2 Explosion – 87 D# 5 Firework – 88 E 5 – 89 F 5 – 90 F# 5 Ghost – 91 G 5 Maou

• Key off : Le son produit par les touches marquées “O” cesse à l’instant où la touche est relâchée.

• Alternate Assign : Le fait de jouer un instrument appartenant à un groupe ayant un numéro arrête immédiatement le son de tout autre instrument appartenant à un groupe ayant le même numéro.

O O

Brush Swirl Brush Swirl Brush Swirl BrshSwStyStd BrshSwStBrsh

BrushTapSwrl BrushTapSwrl BrushTapSwrl BrshTSStyStd BrshTSStBrsh Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll

SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH Stream Heartbeat SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL Bubble Footsteps

Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long

• Key Off: Las teclas marcadas con “ que se sueltan.

• Alternate Assign: Al tocar algún instrumento con un grupo numerado detendrá inmediatamente el sonido de cualquier otro instrumento del mismo grupo con el mismo número.

” dejan de sonar en el momento en

CVP-202

Page 10

Style List / Style-Verzeichnis /

○○○○○○○○○○○○○

Liste des styles

Style Group Style Name

POP&ROCK 60’sGtrPop

POPBALLADS

DANCE EuroTrance

60’s8Beat 8Beat1 OffBeat 60’sRock RockShuffle 8BeatRock PopShuffle1 PopShuffle2 GuitarPop 16BtUptempo KoolShuffle JazzRock 8BeatModern MovieBallad SecretServce OrganBallad Unplugged 8BeatAdria PianoBallad RomanticBld LoveSong 6/8ModernEP 6/8SlowRock1 6/8SlowRock2 16Beat PopBallad 16BeatBalad1 16BeatBalad2 RockBallad

Ibiza HouseMusik SwingHouse Clubdance ClubLatin Garage TechnoParty UKPop HipHopGroove HipHopLight HipHopPop 70’sDisco1 70’sDisco2 LatinDisco SaturdyNight DiscoHands

Lista de estilos

Style Group Style Name Style Group Style Name Style Group Style Name

SWING& BigBandFast1 JAZZ BigBandMed1

40’sBigBand BigBandFast2 BigBandMed2 BigBandBalad BigBandShufl JazzClub Swing1 Swing2 Five/Four JazzPiano Bebop JazzBallad1 GypsySwing ElectricJazz Charleston Dixieland Ragtime

R&B Soul

DetroitPop 60’sRock&Rol SwingBoogie Gospel Bros 6/8Soul CrocoTwist Rock&Roll SoulBeat SoulShuffle 6/8Blues BluesPiano Amaz.Gospel ComboBoogie

COUNTRY Country8Beat

CountryPop CountryRock CountrySwing CountryWaltz CntryBallad Country2/4 CowboyBoogie CntryShuffle Hoedown

LATIN Brazil Samba

BossaNova PopBossa BigBandMambo BigBandSalsa Tijuana DiscoLatin RockChaCha Beguine Mambo Salsa GypsyRumba

HappyReggae MARCH& USMarch WORLD 6/8March

GermanMarch

Showtune

PolkaPop

OberPolka

ScottishReel

Hawaiian

Tarantella

HullyGully

Enka

PopEnka

X’masWaltz

X’masSwing WALTZ Gtr Serenade

SwingWaltz

JazzWaltz1

JazzWaltz2

OberWalzer

Musette BALLROOM VienneseWltz

EnglishWaltz

Slowfox

Foxtrot

Quickstep

Tango

Pasodoble

Samba

ChaChaCha

Rumba

Jive

PIANIST Stride1

Stride2 PianoSwing1 PianoSwing2 PianoSwing3 PianoRag1 PianoRag2 Arpeggio1 Arpeggio2 Arpeggio3 PianoOrchBld Musical Traditional1 Traditional2 Traditional3 PianoBoogie PnoRock&Roll SlowRock 2BeatSwing JazzBallad2 8Beat2 8BeatBallad1 8BeatBallad2 4Stroke Nocturne PianoMarch1 PianoMarch2 6/8PnoMarch Waltz JazzWaltz3 PianoBossa PianoSamba PianoChaCha PianoBeguine PianoRumba SlowWaltz

CVP-202

Page 11

Parameter Chart / Parameterübersicht

Tableau des paramètres / Gráfica de parámetros

Group Contents Default

VOICE RIGHT1 VOICE Grand Piano 1

DUAL DUAL ON/OFF OFF

SPLIT SPLIT ON/OFF OFF

REVERB REVERB ON/OFF Depends on voice selection.

EFFECT EFFECT ON/OFF Depends on v oice selection.

CHORUS CHORUS TYPE Depends on style selection.

REGISTRATION REGISTRATION FREEZE ON/OFF OFF — — — — — REGISTRATION REGISTRATION

MIXER MIXER PART VOLUME (RHYTHM, BASS, CHORD,

ACCOMPANIMENT STYLE 60’sGtrPop — O — ACMP. SETTING O ACMP SETTING ACMP SETTING

METRONOME METRONOME TYPE NORMAL — — — — O ACMP SETTING ACMP SETTING

SONG GUIDE MO DE NORMAL — — — —

HELP LANGUAGE ENGLISH — — — — O Always backed up. — FUNCTION TUNE 440.0Hz (A3) — — — — O TUNE TUNE

RIGHT1 OCTAVE SHIFT 0 RIGHT1 PAN Center RIGHT1 VOLUME 127 Selected voice in each VOICE SELECT page Top voice HARMONY ON/OFF OFF HARMONY TYPE Depends on voice selection. HARMONY VOLUME Depends on voice selection. HARMONY SPEED Depends on voice selection.

RIGHT2 VOICE SlowStrs. RIGHT2 OCTAVE SHIFT 0 DUAL DETUNE DEPTH 5 RIGHT2 PAN Center RIGHT2 VOLUME 127

LEFT VOICE Aco.Bass LEFT OCTA VE SHIFT +1 SPLIT POINT F#2 LEFT PAN Center LEFT VOLUME 127 PEDAL RANGE RIGHT

REVERB TYPE Depends on style (voice)

REVERB TOTAL DEPTH 64 REVERB PART DEPTH (RHYTHM, ACMP) 64 REVERB PART DEPTH (LEFT, RIGHT1, RIGHT2) Depends on voice selection.

EFFECT TYPE (RIGHT1, RIGHT2, LEFT) Depends on voice selection. EFFECT DEPTH Depends on voice selection. EFFECT VARIATION Depends on voice selection.

CHORUS DEPTH (RIGHT1, RIGHT2, LEFT) Depends on voice selection.

FREEZE CATEGORY ON/OFF (VOICE SETTING), REVERB/EFFECT, TUNE, PEDAL, ACMP.SETTING ALL REGISTRATION Memory Data (20) Factory preset data — — —

PAD, PHRASE) KEYBOARD VOLUME 127 — O O VOICE SETTING O VOICE SETTING VOICE SETTING

Selected style in each STYLE SELECT page Top style — — — — O ACMP SETTING ACMP SETTING MAIN A/B/C/D MAIN C — O — ACMP. SETTING O ACMP SETTING ACMP SETTING ACMP. ON/OFF OFF ON ON — ACMP. SETTING O ACMP SETTING ACMP SETTING ACCOMPANIMENT MODE MULTI FINGER — — — ACMP. SETTING O ACMP SETTING ACMP SETTING

TEMPO INTRO/FILL IN/ENDING OF F — — — A CMP. SETTING O ——

METRONOME VOLUME 64 — — — — O ACMP SETTING ACMP SETTING

SOUND REPEAT AUTO — — — — O SONG SETTING SONG SETTING PIANO ROLL DISPLAY AUTO — — — — O SONG SETTING SONG SETTING GUIDE LAMP ON/OFF ON — — — — O SONG SETTING SONG SETTING LYRICS ON/OFF ON — — — SONG VOLUME [ACMP/SONG VOLUME]

TRANSPOSE (ALL) 0 — — — VOICE SETTING O VOICE SETTING VOICE SETTING TRANSPOSE (SONG) 0 — — — — O VOICE SETTING VOICE SETTING VOICE SETTING AUTO — — — — O VOICE SETTING VOICE SETTING KEY TOUCH NORMAL — — — VOICE SETTING O VOICE SETTING VOICE SETTING FIXED VELOCITY 76 — — — VOICE SETTING O VOICE SETTING VOICE SETTING LEFT PEDAL FUNCTION SOFT — O O PEDAL O PEDAL PEDAL LEFT PART MIDI SEND Ch. 3 — — — — O MIDI SETTING MIDI SETTING RIGHT 1 PART MIDI SEND Ch. 1 — — — — O MIDI SETTING MIDI SETTING RIGHT 2 PART MIDI SEND Ch . 2 — — — — O MIDI SETTING MIDI SETTING LOCAL CONTROL ON/OFF ON — — — — O MIDI SETTING MIDI SETTING SYNC. CLOCK INT. — — — — O MIDI SETTING MIDI SETTING PROGRAM CHANGE SEND/RECEIVE ON/OFF TX&RX (ON) — — — — O MIDI SETTING MIDI SETTING CONTROL CHANGE SEND/RECEIVE ON/OFF TX&RX (ON) — — — — O MIDI SETTING MIDI SETTING SYSTEM EXCLUSIVE SEND/RECEIVE ON/OFF TX&RX (ON) — — — — O MIDI SETTING MIDI SETTING START/STOP SEND/RECEIVE ON/OFF OFF — — — — O MIDI SETTING MIDI SETTING MIDI FILTER ON/OFF (all channels) ON — — — — O MIDI SETTING MIDI SETTING MIDI TRANSPOSE RECEIVE ON/OFF ON — — — — O MIDI SETTING MIDI SETTING ACMP & RHY SEND ON/OFF OF F — — — — O MIDI SETTING MIDI SETTING HARMONY SEND ON/OFF OFF — — — — O MIDI SETTING MIDI SETTING SEQUENCER SEND ON/OFF OFF — — — — O MIDI SETTING MIDI SETTING REMOTE KEYBOARD OFF — — — — O MIDI SETTING MIDI SETTING MICRO TUNING ON/OFF O FF — — — — O TUNE TUNE MICRO TUNE. SETTING 0 — — — — O TUNE TUNE SCALE TUNING SELECT PRESET — — — TUNE O TUNE TUNE PRESET SCALE SELECT EQUAL — — — TUNE O TUNE TUNE PRESET SCALE KEY C — — — TUNE O TUNE TUNE USER SCALE SETTING 0 — — — TUNE O TUNE TUNE BACKUP ON/OFF Set separately for each

selection.

ACMP. SETTING: ON Others: OF F

110 — O ACMP. SETTING O ACMP SETTING ACMP SETTING

Depends on style selection. — O — ACMP. SETTING O ACMP SETTING ACMP SETTING

slider value

group.

One Touch

Setting

Music

Set Up

Database

OOOVOICE SETTING O VOICE SETTING VOICE SETTING O O O VOICE SETTING O VOICE SETTING VOICE SETTING OOOVOICE SETTING O VOICE SETTING VOICE SETTING O O O VOICE SETTING O VOICE SETTING VOICE SETTING

——— — O VOICE SETTING VOICE SETTING

O O O VOICE SETTING O VOICE SETTING VOICE SETTING OOOVOICE SETTING O VOICE SETTING VOICE SETTING O O O VOICE SETTING O VOICE SETTING VOICE SETTING OOOVOICE SETTING O VOICE SETTING VOICE SETTING O O O VOICE SETTING O VOICE SETTING VOICE SETTING OOOVOICE SETTING O VOICE SETTING VOICE SETTING O O O VOICE SETTING O VOICE SETTING VOICE SETTING OOOVOICE SETTING O VOICE SETTING VOICE SETTING O O O VOICE SETTING O VOICE SETTING VOICE SETTING OOOVOICE SETTING O VOICE SETTING VOICE SETTING

— O O VOICE SETTING O VOICE SETTING VOICE SETTING — OOVOICE SETTING O VOICE SETTING VOICE SETTING — O O VOICE SETTING O VOICE SETTING VOICE SETTING —— O VOICE SETTING O VOICE SETTING VOICE SETTING — O O VOICE SETTING O VOICE SETTING VOICE SETTING — OOVOICE SETTING O VOICE SETTING VOICE SETTING — — O PEDAL O PEDAL PEDAL

OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

— O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

— OOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF — O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF OOO O OOOREV/CHO/EFF O

— OOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF

OOO O

— — — — — REGISTRATION REGISTRATION

— — SONG SETTING

—— —

Memory

—

Registration Freeze

Group

REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF

— O REGISTRATION REGISTRATION

— O SONG SETTING SONG SETTING

All Set Up

Backup Group Recall Group

REV/CHO/EFF REV/CHO/EFF

—— —

—

Always backed up.

1 When a Music Database setup or registration is recalled during Auto Accompaniment

playback, the style thereby selected will begin playing immediately if it is the same as the style that is currently playing, or from the top of the next measure if it is a different style.

2 REGISTRATION: ON; Others: OFF

1 Bei Wiederaufruf eines Musikdatenbank-Setup oder einer Registrierung während des

Auto Accompaniment-Backup (Backup von Autom. Begleitung) wird der dabei gewählte Style sofort abgespielt, sofern dieser derselbe ist wie der aktuell abgespielte Style, oder ab der obersten Stelle des nächsten Taktes, falls es sich um einen anderen Style handelt.

2 REGISTRATION: ON; Andere: OFF

1 Si une configuration de Music Database ou une registration est rappelée au cours de

l’accompagnement automatique, le style ainsi sélectionné sera joué immédiatement s’il est identique au style en cours de lecture, ou au début de la mesure suivante s’il s’agit d’un style différent.

2 REGISTRATION : ON ; Autres : OFF

1 Cuando un registro o los ajustes Music Database están llamados durante una

reproducción Auto Accompaniment, el estilo seleccionado reproducirá inmediatamente si es el mismo que el estilo que se está reproduciendo o desde el principio del compás siguiente si es un estilo diferente.

2 REGISTRATION: ON; Otros: OFF

CVP-202

Page 12

Fingering Chart / Akkordliste / Tablature / Gráfica de digitado

* All fingerings shown are simple root-position types. * Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigtés indiqués sont du type à position fondamentale simple. * Todos los digitados se muestran como tipos de posición de raíz sencilla.

Example for “C” chords Beispiele für “C”-Akkorde Exemples d’accords en “C” Ejemplo de acordes “C”

○○○○○○○○○○○○○○○○

Cadd

(#5)

CmM

( )

(9)

(b5)

(#5)

( )

Cmadd

CmM

( )

(9)

( )

(9)

( )

(9)

( )

(b5)

( )

Cdim

(b5)

(11)

( )

Caug

CmM

(#11)

( )

(b5)

C sus

(b9)

CVP-202

( )

(9)

( )

(b13)

( )

(#11)

( )

(#9)

( )

Csus

(13)

( )

(b5)

Page 13

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

○○○○○○

Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter “H” as a suffix. Also, “n” can freely be defined as any whole number. To enter data/values, refer to the table below.

Decimal Hexadecimal Binary Decimal Hexadecimal Binary

0 00 0000 0000 1 01 0000 0001 2 02 0000 0010 3 03 0000 0011 4 04 0000 0100 5 05 0000 0101 6 06 0000 0110 7 07 0000 0111 8 08 0000 1000

9 09 0000 1001 10 0 A 0000 1010 11 0 B 0000 1011 12 0 C 0000 1100 13 0 D 0000 1101 14 0 E 0000 1110 15 0 F 0000 1111 16 1 0 0001 0000 17 1 1 0001 0001 18 1 2 0001 0010 19 1 3 0001 0011 20 1 4 0001 0100 21 1 5 0001 0101 22 1 6 0001 0110 23 1 7 0001 0111 24 1 8 0001 1000 25 1 9 0001 1001 26 1 A 0001 1010 27 1 B 0001 1011 28 1 C 0001 1100 29 1 D 0001 1101 30 1 E 0001 1110 31 1 F 0001 1111 32 2 0 0010 0000 33 2 1 0010 0001 34 2 2 0010 0010 35 2 3 0010 0011 36 2 4 0010 0100 37 2 5 0010 0101 38 2 6 0010 0110 39 2 7 0010 0111 40 2 8 0010 1000 41 2 9 0010 1001 42 2 A 0010 1010 43 2 B 0010 1011 44 2 C 0010 1100 45 2 D 0010 1101 46 2 E 0010 1110 47 2 F 0010 1111 48 3 0 0011 0000 49 3 1 0011 0001 50 3 2 0011 0010 51 3 3 0011 0011 52 3 4 0011 0100 53 3 5 0011 0101 54 3 6 0011 0110 55 3 7 0011 0111 56 3 8 0011 1000 57 3 9 0011 1001 58 3 A 0011 1010 59 3 B 0011 1011 60 3 C 0011 1100 61 3 D 0011 1101 62 3 E 0011 1110 63 3 F 0011 1111

64 4 0 0100 0000 65 4 1 0100 0001 66 4 2 0100 0010 67 4 3 0100 0011 68 4 4 0100 0100 69 4 5 0100 0101 70 4 6 0100 0110 71 4 7 0100 0111 72 4 8 0100 1000 73 4 9 0100 1001 74 4 A 0100 1010 75 4 B 0100 1011 76 4 C 0100 1100 77 4 D 0100 1101 78 4 E 0100 1110 79 4 F 0100 1111 80 5 0 0101 0000 81 5 1 0101 0001 82 5 2 0101 0010 83 5 3 0101 0011 84 5 4 0101 0100 85 5 5 0101 0101 86 5 6 0101 0110 87 5 7 0101 0111 88 5 8 0101 1000 89 5 9 0101 1001 90 5 A 0101 1010 91 5 B 0101 1011 92 5 C 0101 1100 93 5 D 0101 1101 94 5 E 0101 1110 95 5 F 0101 1111 96 6 0 0110 0000 97 6 1 0110 0001 98 6 2 0110 0010

99 6 3 0110 0011 100 6 4 0110 0100 101 6 5 0110 0101 102 6 6 0110 0110 103 6 7 0110 0111 104 6 8 0110 1000 105 6 9 0110 1001 106 6A 0110 1010 107 6B 0110 1011 108 6C 0110 1100 109 6D 0110 1101 110 6E 0110 1110 111 6F 0110 1111 112 7 0 0111 0000 113 7 1 0111 0001 114 7 2 0111 0010 115 7 3 0111 0011 116 7 4 0111 0100 117 7 5 0111 0101 118 7 6 0111 0110 119 7 7 0111 0111 120 7 8 0111 1000 121 7 9 0111 1001 122 7A 0111 1010 123 7B 0111 1011 124 7C 0111 1100 125 7D 0111 1101 126 7E 0111 1110 127 7F 0111 1111

• Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) displays the Note On Message for each channel (1-16). 176-191/

BnH/1011 0000-1011 1111 displays the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-1100 1111 displays the Program

Change Message for each channel (1-16). 240/F0H/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of

a System Exclusive Message.

• aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.

• bbH/0bbbbbbb denotes the byte count.

• ccH/0ccccccc denotes the check sum.

• ddH/0ddddddd denotes the data/value.

(1) TRANSMIT FLOW

MIDI← KEY OFF 8nH OUT KEY ON/OFF 9nH

CONTROL CHANGE BnH BANK SELECT MSB BnH,00H

BANK SELECT LSB BnH,20H DATA ENTRY MSB BnH,06H DATA ENTRY LSB BnH,26H MAIN VOLUME BnH,07H PANPOT BnH,0AH EXPRESSION BnH,0BH SUSTAIN BnH,40H SOSTENUTE BnH,42H SOFT PEDAL BnH,43H PORTAMENTO CONTROL BnH,54H REVERB SEND LEVEL BnH,5BH CHORUS SEND LEVEL BnH,5DH VARIATION SEND LEVEL BnH,5EH RPN LSB BnH,64H RPN MSB BnH,65H PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH

PROGRAM CHANGE CnH

SYSTEM EXCLUSIVE MESSAGE

UNIVERSAL NON-REALTIME F0H 7EH.....F7H

XG PARAMETER CHANGE

XG BULK DUMP

SYSTEM REALTIME MESSAGE

MIDI CLOCK F8H START FAH STOP FCH ACTIVE SENSING FEH

(2) RECEIVE FLOW

MIDI → KEY OFF 8nH IN

KEY ON/OFF 9nH

CONTROL CHANGE

BANK SELECT MSB BnH,00H BANK SELECT LSB BnH,20H MODULATION BnH,01H PORTAMENTO TIME BnH,05H DATA ENTRY MSB BnH,06H DATA ENTRY LSB BnH,26H MAIN VOLUME BnH,07H PANPOT BnH,0AH EXPRESSION BnH,0BH SUSTAIN BnH,40H PORTAMENTO BnH,41H SOSTENUTO BnH,42H SOFT PEDAL BnH,43H HARMONIC CONTENT BnH,47H RELEASE TIME BnH,48H ATTACK TIME BnH,49H BRIGHTNESS BnH,4AH PORTAMENTO CONTROL BnH,54H REVERB SEND LEVEL BnH,5BH CHORUS SEND LEVEL BnH,5DH VARIATION SEND LEVEL BnH,5EH DATA INCREMENT BnH,60H DATA DECREMENT BnH,61H NRPN LSB BnH,62H NRPN MSB BnH,63H

VIBRATO RATE BnH,63H,01H,62H,08H,06H,mmH VIBRATO DEPTH BnH,63H,01H,62H,09H,06H,mmH VIBRATO DELAY BnH,63H,01H,62H,0AH,06H,mmH FILTER CUTOFF FREQ. BnH,63H,01H,62H,20H,06H,mmH FILTER RESONANCE BnH,63H,01H,62H,21H,06H,mmH EG ATTACK TIME BnH,63H,01H,62H,63H,06H,mmH EG DECAY TIME BnH,63H,01H,62H,64H,06H,mmH EG RELEASE BnH,63H,01H,62H,66H,06H,mmH DRUM INST *1

CUTOFF FREQ. BnH,63H,14H,62H,rrH,06H,mmH FILTER RESONANCE BnH,63H,15H,62H,rrH,06H,mmH EG ATTACK RATE BnH,63H,16H,62H,rrH,06H,mmH EG DECAY RATE BnH,63H,17H,62H,rrH,06H,mmH PITCH COARSE BnH,63H,18H,62H,rrH,06H,mmH

F0H 43H 1nH 4CH aaH aaH aaH ddH

F0H 43H 0nH 4CH bbH bbH aaH aaH

aaH ddH.....ddH ccH F7H

.....ddH F7H

CVP-202

Page 14

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

○○○

PITCH FINE BnH,63H,19H,62H,rrH,06H,mmH LEVEL BnH,63H,1AH,62H,rrH,06H,mmH PANPOT BnH,63H,1CH,62H,rrH,06H,mmH REVERB SEND BnH,63H,1DH,62H,rrH,06H,mmH CHORUS SEND BnH,63H,1EH,62H,rrH,06H,mmH

VARIATION SEND BnH,63H,1FH,62H,rrH,06H,mmH RPN LSB BnH,64H RPN MSB BnH,65H

PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH FINE TUNING BnH,65H,00H,64H,01H,06H,mmH,

COARSE TUNING BnH,65H,00H,64H,02H,06H,mmH

NULL BnH,65H,7FH,64H,7FH ALL SOUND OFF BnH,78H,00H RESET ALL CONTROLLERS BnH,79H,00H LOCAL CONTROL BnH,7AH ALL NOTES OFF BnH,7BH,00H OMNI OFF BnH,7CH,00H OMNI ON BnH,7DH,00H MONO BnH,7EH POLY BnH,7FH

PROGRAM CHANGE CnH

CHANNEL AFTER TOUCH DnH

PITCH BEND CHANGE EnH

SYSTEM EXCLUSIVE MESSAGE

UNIVERSAL REALTIME F0H 7FH.....F7H

UNIVERSAL NON-REALTIME F0H 7EH.....F7H

XG PARAMETER CHANGE

XG BULK DUMP

PARAMETER REQUEST DUMP REQUEST

SYSTEM REALTIME MESSAGE

MIDI CLOCK F8H START FAH STOP FCH ACTIVE SENSING FEH

F0H 43H 1nH 4CH aaH aaH aaH ddH

F0H 43H 0nH 4CH bbH bbH aaH aaH

aaH ddH.....ddH ccH F7H

F0H 43H 3nH 4CH aaH aaH aaH F7H F0H 43H 2nH 4CH aaH aaH aaH F7H

(3) TRANSMIT/RECEIVE DATA

(3-1) CHANNEL VOICE MESSAGES

(3-1-1) KEY OFF

STATUS 1000nnnn(8nH) n = 0 - 15 VOICE CHANNEL NUMBER NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8) VELOCITY 0vvvvvvv v: ignored

(3-1-2) KEY ON/OFF

STATUS 1001nnnn(9nH) n = 0 - 15 VOICE CHANNEL NUMBER NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8) VELOCITY 0vvvvvvv (v ≠ 0) NOTE ON

(3-1-3) PROGRAM CHANGE

STATUS 1100nnnn(CnH) n = 0 - 15 VOICE CHANNEL NUMBER PROGRAM NUMBER 0ppppppp p = 0 - 127

* PROGRAM NUMBER: XG DRUM VOICE number correspondence

P = 0 Standard Kit P = 1 Standard2 Kit P = 8 Room Kit P = 16 Rock Kit P = 24 Electro Kit P = 25 Analog Kit P = 27 Dance Kit P = 32 Jazz Kit P = 40 Brush Kit P = 48 Classic Kit

* PROGRAM NUMBER: XG SFX KIT number correspondence

P = 0 SFX1 Kit P = 1 SFX2 Kit

00000000 (v = 0) NOTE OFF

26H,llH

.....ddH F7H

When DRUM VOICE is selected and program change data for a different DRUM VOICE is received, the currently selected Drum Setup data will be replaced with the new DRUM VOICE DATA.

(3-1-4) CHANNEL AFTER TOUCH (Receive only)

STATUS 1101nnnn(DnH) n = 0 - 15 VOICE CHANNEL NUMBER VALUE 0vvvvvvv v = 0 - 127 AFTER TOUCH VALUE

(3-1-5) PITCH BEND CHANGE

STATUS 1110nnnn(EnH) n = 0 - 15 VOICE CHANNEL NUMBER LSB 0vvvvvvv PITCH BEND CHANGE LSB MSB 0vvvvvvv PITCH BEND CHANGE MSB

(3-1-6) CONTROL CHANGE

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER CONTROL NUMBER 0ccccccc CONTROL VALUE 0vvvvvvv

* Transmit CONTROL NUMBER.

c = 0 BANK SELECT MSB ; v = 0:XG NORMAL,

c = 32 BANK SELECT LSB ; v = 0 - 127 c = 6 DATA ENTRY MSB ; v = 0 - 127 *1 c = 38 DATA ENTRY LSB ; v = 0 - 127 *1 c = 7 MAIN VOLUME ; v = 0 - 127 c = 10 PANPOT ; v = 0 - 127 c = 11 EXPRESSION ; v = 0 - 127 c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2 c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2 c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2 c = 84 PORTAMENTO CONTROL ; v = 0 - 127 c = 91 REVERB SEND LEVEL ; v = 0 - 127 c = 93 CHORUS SEND LEVEL ; v = 0 - 127 c = 94

c = 100 RPN LSB ; v = 0 - 127 c = 101 RPN MSB ; v = 0 - 127

* Receive CONTROL NUMBER.

c = 0 BANK SELECT MSB ; v = 0:XG NORMAL,

c = 32 BANK SELECT LSB ; v = 0 - 127 c = 1 MODULATION ; v = 0 - 127 *2 c = 5 PORTAMENTO TIME ; v = 0 - 127 *2 c = 6 DATA ENTRY MSB ; v = 0 - 127 *1 c = 38 DATA ENTRY LSB ; v = 0 - 127 *1 c = 7 MAIN VOLUME ; v = 0 - 127 c = 10 PANPOT ; v = 0 - 127 c = 11 EXPRESSION ; v = 0 - 127 c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2 c = 65 PORTAMENTO ; v = 0-63:OFF , 64-127:ON *2 c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2 c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2 c = 71 HARMONIC CONTENT ; c = 72 RELEASE TIME ; c = 73 ATTACK TIME ; c = 74 BRIGHTNESS ; c = 84 PORTAMENT CONTROL ; v = 0 - 127 *2 c = 91 REVERB SEND LEVEL ; v = 0 - 127 c = 93 CHORUS SEND LEVEL ; v = 0 - 127 c = 94

c = 96 DATA INCREMENT ; v = 0 - 127 *1 c = 97 DATA DECREMENT ; v = 0 - 127 *1

*1 Only when setting the appointed parameter with RPN, NRPN. *2 Does not effect Rhythm Voice.

VARIATION SEND LEVEL

RPN MSB/LSB, NRPN MSB/LSB

64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM

; v = 0 - 127 (When only Connection = 1[System])

64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM

v = 0:-64 - 64:0 - 127:+63 *2 v = 0:-64 - 64:0 - 127:+63 *2 v = 0:-64 - 64:0 - 127:+63 *2 v = 0:-64 - 64:0 - 127:+63 *2

; v = 0 - 127 (When only Connection = 1[System])

• Until a PROGRAM CHANGE message is received, the BANK SELECT operation will be suspended. When a Voice, including VOICE BANK, is changed, set the BANK SELECT and Program Change Message, and transmit in the following order, BANK SELECT MSB, LSB, PROGRAM CHANGE.

• MODULATION controls the Vibrato Depth.

• PORTAMENTO TIME controls the Pitch Change Speed when the Portamento Switch = ON. 0 being the shortest time, and 127 being the longest.

• PANPOT changes the value for the melody voice and rhythm voice in relation to the preset value.

CVP-202

Page 15

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

• Portamento time is fixed to 0 when the PORTAMENTO CONTROL is used.

• HARMONIC CONTENT applies adjustment to the resonance value that is set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range.

• RELEASE TIME applies adjustment to the envelope release time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment.

• ATTACK TIME applies adjustment to the envelope attack time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment.

• BRIGHTNESS applies adjustment to the cut-off frequency set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. Lower voices produce a softer sound. For some voices the effective parameter range is narrower than the legal parameter range.

(3-2) CHANNEL MODE MESSAGES

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER CONTROL NUMBER 0ccccccc c = CONTROL NUMBER CONTROL VALUE 0vvvvvvv v = DATA VALUE

(3-2-1) ALL SOUND OFF (Receive only)

Switches off all sound from the channel. Reset Note On and Hold On conditions established by Channel Messages.

(CONTROL NUMBER = 78H , DATA VALUE = 0)

(3-2-2) RESET ALL CONTROLLERS (Receive only)

Resets controllers as follows.

PITCH BEND CHANGE 0 (Center) AFTER TOUCH 0 (min.) MODULATION 0 (min.) EXPRESSION 127 (max.) SUSTAIN 0 (off) SOSTENUTO 0 (off) SOFT PEDAL 0 (off) NRPN Sets number to null. (Internal data remains unchanged) RPN Sets number to null. (Internal data remains unchanged) PORTAMENT CONTROL Resets portamento source note number PORTAMENTO 0 (off)

(CONTROL NUMBER = 79H , DATA VALUE = 0)

(3-2-3) LOCAL CONTROL (Receive only)

(CONTROL NUMBER = 7AH , DATA VALUE = 0/7FH)

When the DATA VALUE = 7FH, LOCAL ON is activated where playing the keys on the keyboard will produce sound. When the DATA VALUE = 0, LOCAL OFF is activated where playing the keys on the keyboard will not produce any sound.

(3-2-4) ALL NOTES OFF (Receive only)

(CONTROL NUMBER = 7BH , DATA VALUE = 0)

Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.

(3-2-5)

OMNI OFF (Receive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)

Same processing as for All Notes Off.

(3-2-6) OMNI ON (Receive only)

Same processing as for All Notes Off. Omni On is not executed.

(3-2-7) MONO (Receive only)

Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding channel will be changed to Mode 4 (m=1).

(CONTROL NUMBER = 7DH , DATA VALUE = 0)

(CONTROL NUMBER = 7EH , DATA VALUE = 0)

(3-2-8) POLY (Receive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)

Same processing as for All Sounds Off and the corresponding channel will be changed to Mode 3.

(3-3) REGISTERED PARAMETER NUMBER(RPN)

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER RPN LSB 01100100(64H) RPN LSB NUMBER 0ppppppp p = RPN LSB (refer to the list below) RPN MSB 01100101(65H) RPN MSB NUMBER 0qqqqqqq q = RPN MSB (refer to the list below) DATA ENTRY MSB 00000110(06H) DATA VALUE 0mmmmmmm m = Data Value DATA ENTRY LSB 00100110(26H) DATA VALUE 0lllllll l = Data Value

First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry MSB/LSB.

RPN D.ENTRY LSB MSB MSB LSB PARAMETER NAME DATA RANGE 00H 00H mmH — 01H 00H mmH llH FINE TUNE

02H 00H mmH — COARSE TUNE 7FH 7FH — — NULL Clears the current RPN number setting.

PITCH BEND SENSITIVITY

{mmH,llH} = {00H,00H}-{40H,00H}-{7FH,7FH} (-8192*100/8192) - 0 - (+8192*100/8192)

28H - 40H - 58H (-24 - 0 - +24 semitones)

Does not change the internal parameter settings.

00H-18H (0 - 24 semitones)

(3-4) NON-REGISTERED PARAMETER NUMBER(NRPN) (Receive only)

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER NRPN LSB 01100010(62H) NRPN LSB NUMBER 0ppppppp p = NRPN LSB (refer to the list below) NRPN MSB 01100011(63H) NRPN MSB NUMBER 0qqqqqqq q = NRPN MSB (refer to the list below) DATA ENTRY MSB 00000110(06H) DATA VALUE 0mmmmmmm m = Data Value

First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry MSB/LSB.

NRPN D.ENTRY MSB LSB MSB LSB PARAMETER NAME DATA RANGE 01H 08H mmH — VIBRATO RATE 01H 09H mmH — VIBRATO DEPTH 01H 0AH mmH — VIBRATO DELAY 01H 20H mmH — 01H 21H mmH — FILTER RESONANCE 01H 63H mmH — EG ATTACK TIME 01H 64H mmH — EG DECAY TIME 01H 66H mmH — EG RELEASE 14H rrH mmH — 15H rrH mmH — 16H rrH mmH — DRUM AEG ATTACK RATE 17H rrH mmH — DRUM AEG DECAY RATE 18H rrH mmH — DRUM PITCH COARSE 19H rrH mmH — DRUM PITCH FINE 1AH rrH mmH — DRUM LEVEL 1CH rrH mmH — DRUM PANPOT

1DH rrH mmH — 1EH rrH mmH — 1FH rrH mmH —

The MSB 14H-1FH (for drums) message is received when multi-part parameters PART MODE = DRUMS1...2.

rrH : drum instrument note number

FILTER CUTOFF FREQUENCY

DRUM FILTER CUTOFF FREQ. 00H - 40H - 7FH (-64 - 0 - +63) DRUM FILTER RESONANCE

DRUM REVERB SEND LEVEL DRUM CHORUS SEND LEVEL DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.)

00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63)

00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 40H - 7FH (-64 - 0 - +63) 00H - 7FH (0 - max.) 00H ,01H - 40H - 7FH (random,left - center - right) 00H - 7FH (0 - max.) 00H - 7FH (0 - max.)

(3-5) SYSTEM REALTIME MESSAGES

(3-5-1) MIDI CLOCK

STATUS 11111000 (F8H)

Transmission: 96 clocks per measure are transmitted. Reception: If the instrument’s clock is set to external, after FAH is received from the external

device the instrument’s clock will sync with the 96 beats per measure received from the external device. Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used.

(3-5-2) START

STATUS 11111010 (FAH)

Transmission: Transmitted when instrument’s Rhythm or Song playback is started. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.

(3-5-3) STOP

STATUS 11111100 (FCH)

Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.

CVP-202

Page 16

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

○○○

(3-5-4) ACTIVE SENSING

STATUS 11111110 (FEH)

Transmission: Transmitted approximately once every 200msec. Reception: Sensing is started once this Code is received. If Status or Data is not received

within 400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being sustained, will be cut OFF. Also, all control values will be reset to their factory defaults.

(3-6) SYSTEM EXCLUSIVE MESSAGE

(3-6-1) YAMAHA MIDI FORMAT

(3-6-1-1) SECTION CONTROL

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01111110 7E Style 00000000 00 0sssssss SS Switch No.

0ddddddd DD Switch On/Off: 00H(Off),7FH(On) 11110111 F7 End of Exclusive

When an ON code is received, the appointed section will be changed.

(3-6-1-2) TEMPO CONTROL

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01111110 7E Style 00000000 01 0ttttttt TT Tempo4 0ttttttt TT Tempo3 0ttttttt TT Tempo2 0ttttttt TT Tempo1 11110111 F7 End of Exclusive

The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits).

00H : INTRO A 01H : INTRO B 02H : INTRO C/D 03H~07H : INTRO C/D 08H : MAIN A 09H : MAIN B 0AH : MAIN C 0BH~0FH : MAIN D 10H : FILL IN A 11H : FILL IN B 12H : FILL IN C 13H~17H : FILL IN D 18H : BREAK FILL 19H : BREAK FILL 1AH : BREAK FILL 1BH~1FH : BREAK FILL 20H : ENDING A 21H : ENDING B 22H : ENDING C/D 23H~27H : ENDING C/D

(3-6-1-3) CHORD CONTROL type1

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01111110 7E Style 00000010 02 type 1 0ddddddd dd chord root(cr) 0ddddddd dd chord type(ct) 0ddddddd dd bass note(bn) 0ddddddd dd bass type(bt) 11111110 F7 End of Exclusive

Chord transmit: Transmitted using type 1 format.

cr Chord Root 0kkknnnn (kkk:Change symbol, nnnn:Note) Binary Hex Change symbol Binary Hex Note 0000nnnn 0n bbb(3 flats) 0kkk0000 k0 reserved 0001nnnn 1n bb (2 flats) 0kkk0001 k1 C 0010nnnn 2n b (1 flat) 0kkk0010 k2 D 0011nnnn 3n natural 0kkk0011 k3 E 0100nnnn 4n # (1 sharp) 0kkk0100 k4 F 0101nnnn 5n ## (2 sharps) 0kkk0101 k5 G 0110nnnn 6n ###(3 sharps) 0kkk0110 k6 A

ct Chord Type 0 - 34,127 Binary Hex Dec Chord type Binary Hex Dec Chord type 00000000 00 0 Maj 00010010 12 18 dim7 00000001 01 1 Maj6 00010011 13 19 7th 00000010 02 2 Maj7 00010100 14 20 7sus4 00000011 03 3 Maj7(#11) 00010101 15 21 7b5 00000100 04 4 Maj(9) 00010110 16 22 7(9) 00000101 05 5 Maj7(9) 00010111 17 23 7(#11) 00000110 06 6 Maj6(9) 00011000 18 24 7(13) 00000111 07 7 aug 00011001 19 25 7(b9) 00001000 08 8 min 00011010 1A 26 7(b13) 00001001 09 9 min6 00011011 1B 27 7(#9) 00001010 0A 10 min7 00011100 1C 28 Maj7aug 00001011 0B 11 min7b5 00011101 1D 29 7aug 00001100 0C 12 min(9) 00011110 1E 30 1+8 00001101 0D 13 min7(9) 00011111 1F 31 1+5 00001110 0E 14 min7(11) 00100000 20 32 sus4 00001111 0F 15 minMaj7 00100001 21 33 1+2+5 00010000 10 16 minMaj7(9) 00100010 22 34 cc 00010001 11 17 dim

bn On Bass Note Same as Chord root,

bt Bass Chord Same as Chord type

0kkk0111 k7 B

127:No bass chord

(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE

(3-6-2-1) UNIVERSAL REALTIME MESSAGE

(3-6-2-1-1) MIDI MASTER VOLUME (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01111110 7F Universal Realtime 01111111 7F ID of target Device 00001001 04 Sub-ID #1=Device Control Message 00000001 01 Sub-ID #2=Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive or 11110000 F0 Exclusive status 01111110 7F Universal Realtime 0xxxnnnn XN

00001001 04 Sub-ID #1=Device Control Message 00000001 01 Sub-ID #2=Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive

The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)

When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = don’t care

CVP-202

Page 17

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE

(3-6-2-2-1) GENERAL MIDI SYSTEM ON

binary hexadecimal 11110000 F0 Exclusive status 01111110 7E Universal Non-Realtime 01111111 7F ID of target Device 00001001 09 Sub-ID #1=General MIDI Message 00000001 01 Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive or 11110000 F0 Exclusive status 01111110 7E Universal Non-Realtime 0xxxnnnn XN

00001001 09 Sub-ID #1=General MIDI Message 00000001 01 Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive

Depending upon the received ON message, the System Mode will be changed to XG. Except MIDI Master Tuning, all control data be reset to default values. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.

After the GM System ON message is received, message reception of the following will be limited.

• Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed.

• Bank Select MSB-LSB except in channel 10 will be ignored except 127/0.

• NRPN is not received.

When XG SYSTEM ON is received, these restrictions will be cancelled.

When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = don’t care

(3-6-3) XG STANDARD

(3-6-3-1) XG PARAMETER CHANGE

(3-6-3-1-1) XG SYSTEM ON

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N Device Number 01001100 4C Model ID 00000000 00 Address High 00000000 00 Address Mid 01111110 7E Address Low 00000000 00 Data 11110111 F7 End of Exclusive

Depending upon the received ON message, the SYSTEM MODE will be changed to XG.Controllers will be reset, all values of Multi Part and Effect, and All System values denoted by “XG” data within All System will be reset to default values in the table. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.

(3-6-3-1-2) XG PARMETER CHANGE

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 0ddddddd DD Data

11110111 F7 End of Exclusive

For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. For more information on Address and Parameters, refer to < Table 1-2 > (page 20) and < Table 1-4 > ~ < Table 1-6 > (pages 20-23).

The following Parameter Changes are handled.

XG System Data Multi Effect 1 Data Multi Part Data Drums Setup Data

(3-6-3-2) XG BULK DUMP

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0000nnnn 0N Device Number 01001100 4C Model ID 0bbbbbbb BB ByteCount 0bbbbbbb BB ByteCount 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 0ddddddd DD Data

|| 0ccccccc CC Check sum 11110111 F7 End of Exclusive

For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-6 >

(pages 20-23).

The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum

has value zero in its seven least significant bits.

If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be

received.

The Block is a unit that consists of the data, arranged in the list, as the Total Size.

The following Bulk Dumps are handled.

(3-6-3-3) XG PARAMETER REQUEST (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0011nnnn 3n Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 11110111 F7 End of Exclusive

For more information on Address and Byte Count refer to < Table 1-2 > (page 20) and

< Table 1-4 > ~ < Table 1-6 > (pages 20-23).

The following Parameter Requests are handled.

XG System Data Multi Effect 1 Data(Individual effect unit) Multi Part Data(Individual part unit) Drums Setup Data(Individual note unit) System Information(Transmit only)

XG System Data Multi Effect 1 Data Multi Part Data Drums Setup Data

(3-6-3-4) XG DUMP REQUEST (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0010nnnn 2n Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 11110111 F7 End of Exclusive

For more information on Address and Byte Count refer to

(pages 20-23).

The following Dump Requests are handled.

XG System Data Multi Effect 1 Data(Individual module unit) Multi Part Data(Individual part unit) Drums Setup Data(Individual note unit) System Information

< Table 1-2 > ~ < Table 1-6 >

(3-6-4) CLAVINOVA MIDI COMPLIANCE

(3-6-4-1) INTERNAL CLOCK / EXTERNAL CLOCK (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 00000001 01 Clavinova common ID 0000001n 0N 11110111 F7 End of Exclusive

N: 2(Internal Clock),3(External Clock)

CVP-202

Page 18

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

○○○

(3-6-4-2) DOC MULTI TIMBRE ON / OFF (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 00000001 01 Clavinova commmon ID 00000110 1N 11110111 F7 End of Exclusive

N:3(DOC Multi Timbre Off),4(DOC Multi Timbre On)

(3-6-4-3) PANEL LED ON / OFF (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 00000001 01 Clavinova commmon ID 00011010 1A PANEL LED On/Off 0mmmmmmm MM

00000000 00 0nnnnnnn NN LED No. 11110111 F7 End of Exclusive

Remotely switches the Panel LED On/Off.

MM:00H(LED Off),01H(LED On),02H(The LED flashes) 03H (LED All off), 04H (Panel LED returns to normal operation)

(3-6-4-4) PANEL VOICE SETTING (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00100010 22 Piano Live Exclusive Substatus 00000000 00 Panel Voice Setting Substatus 0000nnnn 0n Panel Part No.

0mmmmmmm mm Bank Select MSB 0lllllll ll Bank Select LSB 0ppppppp pp Program Change 11110111 F7 End of Exclusive

(3-6-4-5) PANEL VOICE VOLUME SETTING (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00100010 22 Piano Live Exclusive Substatus 00000001 01 Panel Voice Volume Setting Substatus 0000nnnn 0n Panel Part No.

0vvvvvvv vv Value (0 - 7FH) 11110111 F7 End of Exclusive

00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT)

(3-6-4-6) PANEL VOICE REVERB DEPTH SETTING (Receive only)

0vvvvvvv vv Value (0 - 7FH) 11110111 F7 End of Exclusive

Panel Voice Reverb Depth Setting Substatus

00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT)

(3-6-4-7) PANEL VOICE EFFECT DEPTH SETTING (Receive only)

0vvvvvvv vv Value (0 - 7FH) 11110111 F7 End of Exclusive

Panel Voice Effect Depth Setting Substatus

00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT)

(3-6-4-8) MIDI FA CANCEL (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 01100001 61 MIDI FA Cancel 11110111 F7 End of Exclusive

If this message is received, even if FAH is received the Rhythm will not start.

(3-6-5) SPECIAL OPERATORS

(3-6-5-1) SPLIT POINT

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 00000000 00 00010100 14 Split Point 0ddddddd DD Split Key No. 11110111 F7 End of Exclusive

(3-6-5-2) STYLE NUMBER

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01011010 35 CVP-202 ID 00010001 11 Sub ID 00000000 00 Channel No. (always 00) 00010110 16 Style No. Control No. 0mmmmmmm mm Style No. MSB 0lllllll ll Style No. LSB 11110111 F7 End of Exclusive

(3-6-5-3) FINGERING

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 00000000 00 01000000 40 Fingering 0000dddd 0D 0D: 00H(Off),01H(Single Finger),

11110111 F7 End of Exclusive

02H(Fingered 1),03H(Fingered 2), 04H(Full Keyboard),07H(Multi Finger)

(3-6-5-4) ACCOMP VOLUME

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 0000nnnn 0N

01000000 42 Accomp Volume 0ddddddd DD Volume Data: 00H~7FH 11110111 F7 End of Exclusive

(3-6-5-5) CHANNEL DETUNE

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 0000nnnn 0N N = MIDI Channel 01000011 43 Dual Detune 0vvvvvvv VV 11110111 F7 End of Exclusive

The Channel Detune message only affects the specified channel.

Part: 00H(All Part),05H(Rhythm),0AH(Bass), 06H(Chord),0DH(Pad),07H(Phrase)

Value VV: 00H - 40H - 7FH (-64 - 0 - +63)

CVP-202

Page 19

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

(3-6-5-6) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 0000nnnn 0N N = MIDI Channel 01001001 45 0vvvvvvv VV Value VV: off=7FH, on=00H 11110111 F7 End of Exclusive

When “On” is received, subsequent volume, expression, and PAN changes are only valid after the reception of the next key on. Normal operation resumes when “Off” is received.

Volume and Expression Realtime Control Off

(3-6-5-7) MIDI KEY LED MODE ON / OFF (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01110011 73 Clavinova ID 01000101 01 Clavinova common ID 00010001 11 Sub ID 0000nnnn 0N N = MIDI Channel 01000111 47 MIDI Key LED Mode On / Off 0ddddddd DD DD: 00H(Key LED Mode Off),

11110111 F7 End of Exclusive

01H(Key LED Mode On + no tone), 02H(Key LED Mode On + tone)

(3-6-6) Others

(3-6-6-1) MIDI MASTER TUNING (Receive only)

binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N When N is received N=0-F,

00100111 27 Model ID 00110000 30 Sub ID 00000000 00 00000000 00 0mmmmmmm MM Master Tune MSB 0lllllll LL Master Tune LSB 0ccccccc CC don’t care 11110111 F7 End of Exclusive

Changes tuning of all channels. MM, LL values are used to define the MIDI Master Tuning value.

T = M – 128

T: Tuning value (-99 cents to +99 cents) M: A single byte value (28–228) that consists of bits 0–3 of MM as MSB, bits 0–3 of LL as LSB.

This setting is not reset when the GM System or XG System is turned on.

whichever is received.

CVP-202

Page 20

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

< Table 1-1>

Parameter Basic Address

Parameter Change Address (H)(M) (L) Description

SYSTEM 00 00 00 System

00 00 7D Drum Setup Reset 00 00 7E XG System On 00 00 7F All Parameter Reset

INFORMATION 01 00 00 System Information

EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )

○○○

MULTI PART 08 00 00 Multi Part 1

DRUM 30 0D 00 Drum Setup 1 → Address Parameter

08 0F 00 Multi Part 16

31 0D 00 Drum Setup 2

3n 0D 00 note number 13 3n 0E 00 note number 14 :: 3n 5B 00 note number 91

< Table 1-2 >

MIDI Parameter Change table ( SYSTEM )

Address Size Data Parameter Name Description Default (H) (H) (H) Value(H) 00 00 00 4 0000 Master Tune -102.4..+102.3[cent] 00 04 00 00

TOTAL SIZE 6

01 ..07FF 1st bit3-0 -> bit15-12 (0400) 02 2nd bit3-0 -> bit11-8 03 3rd bit3-0 -> bit7-4

4th bit3-0 -> bit3-0 04 1 00..7F Master Volume 0..127 7F 05 1 Not Used 06 1 28..58 Transpose -24..+24[semitones] 40 7D n Drum Setup Reset n=Drum Setup Number 7E 00 XG System On 00=XG Sytem on 7F 00 All Parameter Reset 00=on (receive only)

< Table 1-3 >

MIDI Parameter table ( System information )

Address Size Data Parameter Name Description (H) (H) (H) 01 00 00 E 20..7F Model Name 32..127(ASCII)

TOTAL SIZE 10

(Transmitted by Dump Request. Not received. Bulk Dump Only)

: 0D 0E 1 00 0F 1 01

< Table 1-4 >

MIDI Parameter Change table ( EFFECT 1)

Address Size Data Parameter Name Description Default (H) (H) (H) Value(H)

02 01 00 2 00..7F Reverb Type MSB Refer to the Effect Type List 01(=HALL1)

02 1 00..7F Reverb Parameter 1 Refer to the Ef. Parameter List Depend on Reverb type 03 1 00..7F Reverb Parameter 2 Refer to the Ef. Parameter List Depend on Reverb type 04 1 00..7F Reverb Parameter 3 Refer to the Ef. Parameter List Depend on Reverb type 05 1 00..7F Reverb Parameter 4 Refer to the Ef. Parameter List Depend on Reverb type 06 1 00..7F Reverb Parameter 5 Refer to the Ef. Parameter List Depend on Reverb type 07 1 00..7F Reverb Parameter 6 Refer to the Ef. Parameter List Depend on Reverb type 08 1 00..7F Reverb Parameter 7 Refer to the Ef. Parameter List Depend on Reverb type 09 1 00..7F Reverb Parameter 8 Refer to the Ef. Parameter List Depend on Reverb type 0A 1 00..7F Reverb Parameter 9 Refer to the Ef. Parameter List Depend on Reverb type 0B 1 00..7F Reverb Parameter 10 Refer to the Ef. Parameter List Depend on Reverb type 0C 1 00..7F Reverb Return -∞..0..+6dB(0..96..127) 40

TOTAL SIZE 0E

0D 1 01..7F Reverb Pan L63..C..R63(1..64..127) 40

CVP-202

00..7F Reverb Type LSB 00 : basic type 00

Page 21

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

02 01 10 1 00..7F Reverb Parameter 11 Refer to the Ef. Parameter List Depend on Reverb type

TOTAL SIZE 6

02 01 20 2 00..7F Chorus Type MSB Refer to the Effect Type List 41(=Chorus1)

TOTAL SIZE 0F

02 01 30 1 00..7F Chorus Parameter 11 Refer to the Ef. Parameter List Depend on Chorus Type

TOTAL SIZE 6

02 01 40 2 00..7F Variation Type MSB Refer to the Effect Type List “05(=DELAY L,C,R)”

TOTAL SIZE 21

02 01 70 1 00..7F Variation Parameter 11 option Parameter Depend on Variation Type

TOTAL SIZE 6

11 1 00..7F Reverb Parameter 12 Refer to the Ef. Parameter List Depend on Reverb type 12 1 00..7F Reverb Parameter 13 Refer to the Ef. Parameter List Depend on Reverb type 13 1 00..7F Reverb Parameter 14 Refer to the Ef. Parameter List Depend on Reverb type 14 1 00..7F Reverb Parameter 15 Refer to the Ef. Parameter List Depend on Reverb type 15 1 00..7F Reverb Parameter 16 Refer to the Ef. Parameter List Depend on Reverb type

00..7F Chorus Type LSB 00 : basic type 00 22 1 00..7F Chorus Parameter 1 Refer to the Ef. Parameter List Depend on Chorus Type 23 1 00..7F Chorus Parameter 2 Refer to the Ef. Parameter List Depend on Chorus Type 24 1 00..7F Chorus Parameter 3 Refer to the Ef. Parameter List Depend on Chorus Type 25 1 00..7F Chorus Parameter 4 Refer to the Ef. Parameter List Depend on Chorus Type 26 1 00..7F Chorus Parameter 5 Refer to the Ef. Parameter List Depend on Chorus Type 27 1 00..7F Chorus Parameter 6 Refer to the Ef. Parameter List Depend on Chorus Type 28 1 00..7F Chorus Parameter 7 Refer to the Ef. Parameter List Depend on Chorus Type 29 1 00..7F Chorus Parameter 8 Refer to the Ef. Parameter List Depend on Chorus Type 2A 1 00..7F Chorus Parameter 9 Refer to the Ef. Parameter List Depend on Chorus Type 2B 1 00..7F Chorus Parameter 10 Refer to the Ef. Parameter List Depend on Chorus Type 2C 1 00..7F Chorus Return -∞..0..+6dB(0..96..127) 40 2D 1 01..7F Chorus Pan L63..C..R63(1..64..127) 40 2E 1 00..7F Send Chorus To Reverb -∞..0..+6dB(0..96..127) 00

31 1 00..7F Chorus Parameter 12 Refer to the Ef. Parameter List Depend on Chorus Type 32 1 00..7F Chorus Parameter 13 Refer to the Ef. Parameter List Depend on Chorus Type 33 1 00..7F Chorus Parameter 14 Refer to the Ef. Parameter List Depend on Chorus Type 34 1 00..7F Chorus Parameter 15 Refer to the Ef. Parameter List Depend on Chorus Type 35 1 00..7F Chorus Parameter 16 Refer to the Ef. Parameter List Depend on Chorus Type

00..7F Variation Type LSB 00 : basic type 00 42 2 00..7F Vari. Param. 1 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 1 LSB Refer to the Ef. Parameter List Depend on Vari. Type 44 2 00..7F Vari. Param. 2 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 2 LSB Refer to the Ef. Parameter List Depend on Vari. Type 46 2 00..7F Vari. Param. 3 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 3 LSB Refer to the Ef. Parameter List Depend on Vari. Type 48 2 00..7F Vari. Param. 4 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 4 LSB Refer to the Ef. Parameter List Depend on Vari. Type 4A 2 00..7F Vari. Param. 5 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 5 LSB Refer to the Ef. Parameter List Depend on Vari. Type 4C 2 00..7F Vari. Param. 6 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 6 LSB Refer to the Ef. Parameter List Depend on Vari. Type 4E 2 00..7F Vari. Param. 7 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 7 LSB Refer to the Ef. Parameter List Depend on Vari. Type 50 2 00..7F Vari. Param. 8 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 8 LSB Refer to the Ef. Parameter List Depend on Vari. Type 52 2 00..7F Vari. Param. 9 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 9 LSB Refer to the Ef. Parameter List Depend on Vari. Type 54 2 00..7F Vari. Param. 10 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 10 LSB Refer to the Ef. Parameter List Depend on Vari. Type 56 1 00..7F Variation Return -∞..0..+6dB(0..96..127) 40 57 1 01..7F Variation Pan L63..C..R63(1..64..127) 40 58 1 00..7F Send Vari. To Reverb -∞..0..+6dB(0..96..127) 00 59 1 00..7F Send Vari. To Chorus -∞..0..+6dB(0..96..127) 00 5A 1 00..01 Variation Connection 0:insertion,1:system 00 5B 1 00..1F Variation Part part1..32(0..31),off(127) 7F 5C 1 01..7F MW Vari. Ctrl Depth -63..+63 40 5D 1 01..7F PB Vari. Ctrl Depth -63..+63 40 5E 1 01..7F CAT Vari. Ctrl Depth -63..+63 40 5F 1 01..7F Not Used 60 1 01..7F Not Used

71 1 00..7F Variation Parameter 12 option Parameter Depend on Variation Type 72 1 00..7F Variation Parameter 13 option Parameter Depend on Variation Type 73 1 00..7F Variation Parameter 14 option Parameter Depend on Variation Type 74 1 00..7F Variation Parameter 15 option Parameter Depend on Variation Type 75 1 00..7F Variation Parameter 16 option Parameter Depend on Variation Type

CVP-202

Page 22

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI

< Table 1-5 >

MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Name Description Default (H) (H) (H) Value(H) 08 nn 00 1 00..20 Element Reserve 0..32 0(Part10),2(Others)

nn 01 1 00..7F Bank Select MSB 0..127 7F(Part10),00(Others) nn 02 1 00..7F Bank Select LSB 0..127 00 nn 03 1 00..7F Program Number 1..128 00 nn 04 1 00..0F, Rcv Channel 0..16;1..16,127;off Part No.

7F nn 05 1 00..01 Mono/Poly Mode 0:mono,1:poly 01 nn 06 1 00..02 Same Note Number 0:single 01

Key On Assign 1:multi

2:inst (for DRUM)

nn 07 1 00..02 Part Mode 0:normal 00 (Except Part10)

1..3:drum thru,drum1..2 02 (Part10) nn 08 1 28..58 Note Shift -24..+24[semitones] 40 nn 09 2 00..FF Detune -12.8..+12.7[Hz] 08 00 nn 0A 1st bit3..0 -> bit7..4 (80)

2nd bit3..0 -> bit3..0 nn 0B 1 00..7F Volume 0..127 64 nn 0C 1 00..7F Velocity Sense Depth 0..127 40 nn 0D 1 00..7F Velocity Sense Offset 0..127 40 nn 0E 1 00..7F Pan 0:random 40

L63..C..R63(1..64..127)

nn 0F 1 00..7F Note Limit Low C-2..G8 00 nn 10 1 00..7F Note Limit High C-2..G8 7F nn 11 1 00..7F Dry Level 0..127 7F nn 12 1 00..7F Chorus Send 0..127 00 nn 13 1 00..7F Reverb Send 0..127 28 nn 14 1 00..7F Variation Send 0..127 00

○○○

nn 15 1 00..7F Vibrato Rate -64..+63 40 nn 16 1 00..7F Vibrato Depth -64..+63 40 nn 17 1 00..7F Vibrato Delay -64..+63 40 nn 18 1 00..7F Filter Cutoff Freq. -64..+63 40 nn 19 1 00..7F Filter Resonance -64..+63 40 nn 1A 1 00..7F EG Attack Time -64..+63 40 nn 1B 1 00..7F EG Decay Time -64..+63 40 nn 1C 1 00..7F EG Release Time -64..+63 40

nn 1D 1 28..58 MW Pitch Control -24..+24[semitones] 40 nn 1E 1 00..7F MW Filter Control -9600..+9450[cent] 40 nn 1F 1 00..7F MW Amp. Control -100..+100[%] 40 nn 20 1 00..7F MW LFO PMod Depth 0..127 0A nn 21 1 00..7F MW LFO FMod Depth 0..127 00 nn 22 1 00..7F MW LFO AMod Depth 0..127 00

nn 23 1 28..58 Bend Pitch Control -24..+24[semitones] 42 nn 24 1 00..7F Bend Filter Control -9600..+9450[cent] 40 nn 25 1 00..7F Bend Amp. Control -100..+100[%] 40 nn 26 1 00..7F Bend LFO PMod Depth 0..127 00 nn 27 1 00..7F Bend LFO FMod Depth 0..127 00 nn 28 1 00..7F Bend LFO AMod Depth 0..127 00

TOTAL SIZE 29

nn 30 1 Not Used

: : :

nn 40 1 Not Used

nn 41 1 00..7F Scale Tuning C -64..+63[cent] 40 nn 42 1 00..7F Scale Tuning C# -64..+63[cent] 40 nn 43 1 00..7F Scale Tuning D -64..+63[cent] 40 nn 44 1 00..7F Scale Tuning D# -64..+63[cent] 40 nn 45 1 00..7F Scale Tuning E -64..+63[cent] 40 nn 46 1 00..7F Scale Tuning F -64..+63[cent] 40 nn 47 1 00..7F Scale Tuning F# -64..+63[cent] 40 nn 48 1 00..7F Scale Tuning G -64..+63[cent] 40 nn 49 1 00..7F Scale Tuning G# -64..+63[cent] 40 nn 4A 1 00..7F Scale Tuning A -64..+63[cent] 40 nn 4B 1 00..7F Scale Tuning A# -64..+63[cent] 40 nn 4C 1 00..7F Scale Tuning B -64..+63[cent] 40

nn 4D 1 28..58 CAT Pitch Control -24..+24[semitones] 40 nn 4E 1 00..7F CAT Filter Control -9600..+9450[cent] 40 nn 4F 1 00..7F CAT Amplitude Control -100..+100[%] 40 nn 50 1 00..7F CAT LFO PMod Depth 0..127 00

CVP-202

Page 23

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

nn 51 1 00..7F CAT LFO FMod Depth 0..127 00 nn 52 1 00..7F CAT LFO AMod Depth 0..127 00

nn 53 Not Used

66 Not Used

nn 67 1 00..01 Portamento Switch off/on 00 nn 68 1 00..7F Portamento Time 0..127 00

nn 69 Not Used

TOTAL SIZE 3F

08 nn 70 1 Not Used Don’t care

TOTAL SIZE 04

08 nn 74 1 Not Used Don’t care

TOTAL SIZE 0C

6E Not Used

nn 71 1 Not Used Don’t care nn 72 1 Not Used Don’t care nn 73 1 Not Used Don’t care

75 1 Not Used Don’t care 76 1 Not Used Don’t care 77 1 Not Used Don’t care 78 1 Not Used Don’t care 79 1 Not Used Don’t care 7A 1 Not Used Don’t care 7B 1 Not Used Don’t care 7C 1 Not Used Don’t care 7D 1 Not Used Don’t care 7E 1 Not Used Don’t care 7F 1 Not Used Don’t care

nn = PartNumber

If there is a Drum Voice assigned to the Part, the following parameters are ineffective.

• Bank Select LSB

• Pitch EG

• Portamento

• Soft Pedal

• Mono/Poly

• Scale Tuning

MIDI Parameter Change table ( DRUM SETUP )

Address Size Data Parameter Name Description Default (H) (H) (H) Value(H) 3n rr 00 1 00..7F Pitch Coarse -64..+63 40 3n rr 01 1 00..7F Pitch Fine -64..+63[cent] 40 3n rr 02 1 00..7F Level 0..127 Depend on the Note 3n rr 03 1 00..7F Alternate Group 0:off,1..127 Depend on the Note 3n rr 04 1 00..7F Pan 0:random Depend on the Note

3n rr 05 1 00..7F Reverb Send Level 0..127 Depend on the Note 3n rr 06 1 00..7F Chorus Send Level 0..127 Depend on the Note 3n rr 07 1 00..7F Variation Send Level 0..127 7F 3n rr 08 1 00..01 Key Assign 0:single,1:multi 00 3n rr 09 1 00..01 Rcv Note Off off/on Depend on the Note 3n rr 0A 1 00..01 Rcv Note On off/on 01 3n rr 0B 1 00..7F Filter Cutoff Freq. -64..63 40 3n rr 0C 1 00..7F Filter Resonance -64..63 40 3n rr 0D 1 00..7F EG Attack Rate -64..63 40 3n rr 0E 1 00..7F EG Decay1 Rate -64..63 40 3n rr 0F 1 00..7F EG Decay2 Rate -64..63 40 TOTAL SIZE 10

n:Drum Setup Number(0 - 1) rr:note number(0DH - 5BH)

If XG SYSTEM ON and/or GM SYSTEM ON message is received, all Drum Setup Parameter will be reset to default values. According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.

L63..C..R63(1..64..127)

CVP-202

Page 24

Effect Type List /

Liste der Effekttypen /

Liste des types d’effet

Lista de tipos de efecto

○○○○○

Reverb Type List

Type MSB # LSB #

Chorus Type List

Type MSB # LSB #

CHORUS1 66 17 CHORUS2 66 8 CHORUS3 66 16 CHORUS4 66 1 CHORUS5 65 2 CHORUS6 65 0 CHORUS7 65 1 CHORUS8 65 8 CELESTE1 66 0 CELESTE2 66 2 FLANGER1 67 8 FLANGER2 67 16 FLANGER3 67 17 FLANGER4 67 1 FLANGER5 67 0

Effect Type List

Type MSB # LSB #

HALL1 1 0 HALL2 1 16 HALL3 1 17 HALL4 1 18 HALL5 1 1 ROOM1 2 16 ROOM2 2 17 ROOM3 2 18 ROOM4 2 19 ROOM5 2 0 ROOM6 2 1 ROOM7 2 2 STAGE1 3 16 STAGE2 3 17 STAGE3 3 0 STAGE4 3 1 PLATE1 4 16 PLATE2 4 17 PLATE3 4 0 ER1 9 0 ER2 9 1 GATE REVERB 10 0 REVERS GATE 11 0 KARAOKE1 20 0 KARAOKE2 20 1 KARAOKE3 20 2 CHORUS1 66 17 CHORUS2 66 8 CHORUS3 66 16 CHORUS4 66 1 CHORUS5 65 2 CHORUS6 65 0 CHORUS7 65 1 CHORUS8 65 8 CELESTE1 66 0 CELESTE2 66 2 FLANGER1 67 8 FLANGER2 67 16 FLANGER3 67 17 FLANGER4 67 1 FLANGER5 67 0 SYMPHONIC1 68 16 SYMPHONIC2 68 0 PHASER1 72 0 PHASER2 72 8 EP PHASER1 72 17 EP PHASER2 72 16

Type MSB # LSB #

ROTARY SP1 69 16 ROTARY SP2 71 17 ROTARY SP3 71 18 ROTARY SP4 70 17 ROTARY SP5 66 18 ROTARY SP6 69 0 ROTARY SP7 71 22 ROTARY SP8 69 17 ROTARY SP9 66 19 ROTARY SP10 71 25 TREMOLO1 70 16 TREMOLO2 71 19 TREMOLO3 70 0 TREMOLO4 70 20 GT TREMOLO1 71 20 EP TREMOLO 70 18 EP TREMOLO2 70 21 AUTO PAN1 71 16 AUTO PAN2 71 0 AUTO PAN3 71 23 EP AUTOPAN 71 21 EP AUTOPAN2 71 24 AUTO WAH1 78 16 AUTO WAH2 78 0 AUTO WAH3 78 19 AUTO WAH4 78 20 DELAY LCR1 5 16 DELAY LCR2 5 0 DELAY LR 6 0 ECHO 7 0 CROSS DELAY 8 0 DIST HARD

(

DISTORTION HARD DIST HARD2 75 22 DIST HARD3 75 25 DIST SOFT

(

DISTORTION SOFT DIST SOFT2 75 23 DIST HEAVY 73 0 OVERDRIVE 74 0 AMP SIM

(AMP SIMULATOR) ST AMP2 75 21 ST AMP3 75 24 EQ DISCO 76 16 EQ TEL 76 17 2BAND EQ 77 0 3BAND EQ 76 0

)

75 16

75 17

75 0

CVP-202

Page 25

Effect Parameter List / Liste der Effektparameter / Liste

des paramètres d’effets

If a table has no LSB number specified, the table applies for any LSB numbers. Parameters marked with a ● in the Control column can be controlled from an AC1 (assignable controller 1) etc. However, this is valid only for a Variation effect (when selected for Insertion).

Lista de parámetros de efectos

○○○

MSB = 1 MSB = 2 MSB = 3 MSB = 4

No. Parameter Display Value See Table Control

Reverb Time 0.3 – 30.0s 0 – 69 table#4

2 Diffusion 0 – 10 0 – 10 3 Initial Delay 0.1mS – 99.3mS 0 – 63 table#5 4 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3 5 LPF Cutoff 1.0k – Thru 34 – 60 table#3 6 7 8 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 Rev Delay 0.1mS – 99.3mS 0 – 63 table#5 12 Density 0 – 4 (rev, var) 0 – 4 13 Er/Rev Balance E63>R – E=R – E<R63 1 – 127 14 15 Feedback Level -63 – +63 1 – 127 16

MSB = 5

No. Parameter Display Value See Table Control

1 Lch Delay 0.1 – 715.0ms 1 – 7150 2 Rch Delay 0.1 – 715.0ms 1 – 7150 3 Cch Delay 0.1 – 715.0ms 1 – 7150 4 Feedback Delay 0.1 – 715.0ms 1 – 7150 5 Feedback Level -63 – +63 1 – 127 6 Cch Level 0 – 127 0 – 127 7 High Damp 0.1 – 1.0 1 – 10 8 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 12 13 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 14 EQ Low Gain -12 – +12dB 52 – 76 15 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 16 EQ High Gain -12 – +12dB 52 – 76

MSB = 6

No. Parameter Display Value See Table Control

1 Lch Delay 0.1 – 715.0ms 1 – 7150 2 Rch Delay 0.1 – 715.0ms 1 – 7150 3 Feedback Delay 1 0.1 – 715.0ms 1 – 7150 4 Feedback Delay 2 0.1 – 715.0ms 1 – 7150 5 Feedback Level -63 – +63 1 – 127 6 High Damp 0.1 – 1.0 1 – 10 7 8 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 12 13 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 14 EQ Low Gain -12 – +12dB 52 – 76 15 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 16 EQ High Gain -12 – +12dB 52 – 76

MSB = 7

No. Parameter Display Value See Table Control

1 Lch Delay1 0.1 – 355.0ms 1 – 3550 2 Lch Feedback Level -63 – +63 1 – 127 3 Rch Delay1 0.1 – 355.0ms 1 – 3550 4 Rch Feedback Level -63 – +63 1 – 127 5 High Damp 0.1 – 1.0 1 – 10 6 Lch Delay2 0.1 – 355.0ms 1 – 3550 7 Rch Delay2 0.1 – 355.0ms 1 – 3550 8 Delay2 Level 0 – 127 0 – 127 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 12 13 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 14 EQ Low Gain -12 – +12dB 52 – 76 15 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 16 EQ High Gain -12 – +12dB 52 – 76

MSB = 8

No. Parameter Display Value See Table Control

→

R Delay 0.1 – 355.0ms 1 – 3550

→

L Delay 0.1 – 355.0ms 1 – 3550 3 Feedback Level -63 – +63 1 – 127 4 Input Select L, R, L&R 0 – 2 5 High Damp 0.1 – 1.0 1 – 10 6 7 8 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

●

11 12 13 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 14 EQ Low Gain -12 – +12dB 52 – 76 15 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 16 EQ High Gain -12 – +12dB 52 – 76

MSB = 9

No. Parameter Display Value See Table Control

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0 – 5 2 Room Size 0.1 – 7.0 0 – 44 table#6 3 Diffusion 0 – 10 0 – 10 4 Initial Delay 0.1mS – 200.0mS 0 – 127 table#5 5 Feedback Level -63 – +63 1 – 127 6 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3 7 LPF Cutoff 1.0k – Thru 34 – 60 table#3 8 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 Liveness 0 – 10 0 – 10 12 Density 0 – 30 – 3 13 High Damp 0.1 – 1.0 1 – 10 14 15 16

●

CVP-202

Page 26

Effect Parameter List

Liste der Effektparameter / Liste des paramètres d’effets /

MSB = 10 MSB = 11

No. Parameter Display Value See Table Control

1 Type TypeA, TypeB 0 – 1 2 Room Size 0.1 – 7.0 0 – 44 table#6 3 Diffusion 0 – 10 0 – 10 4 Initial Delay 0.1mS – 200.0mS 0 – 127 table#5 5 Feedback Level -63 – +63 1 – 127 6 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3 7 LPF Cutoff 1.0k – Thru 34 – 60 table#3 8 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 Liveness 0 – 10 0 – 10 12 Density 0 – 30 – 3 13 High Damp 0.1 – 1.0 1 – 10 14 15 16

MSB = 16 MSB = 17 MSB = 18 MSB = 19

No. Parameter Display Value See Table Control

1 Reverb Time 0.3 – 30.0s 0 – 69 table#4 2 Diffusion 0 – 10 0 – 10 3 Initial Delay 0.1mS – 99.3mS 0 – 63 table#5 4 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3 5 LPF Cutoff 1.0k – Thru 34 – 60 table#3 6 Width 0.5 – 10.2m 0 – 37 table#8 7 Heigt 0.5 – 20.2m 0 – 73 table#8 8 Depth 0.5 – 30.2m 0 – 104 table#8 9 Wall Vary 0 – 30 0 – 30

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 Rev Delay 0.1mS – 99.3mS 0 – 63 table#5 12 13 14 15 16

MSB = 20

No. Parameter Display Value See Table Control

1 Delay Time 0.1mS – 400.0mS 0 – 127 table#7 2 Feedback Level -63 – +63 1 – 127 3 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3 4 LPF Cutoff 1.0k – Thru 34 – 60 table#3 5 6 7 8 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 12 13 14 15 16

MSB = 65 MSB = 66

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 2 LFO Depth 0 – 127 0 – 127 3 Feedback Level -63 – +63 1 – 127 4 Delay Offset 0.0mS – 50mS 0 – 127 table#2 5 6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 7 EQ Low Gain -12 – +12dB 52 – 76 8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 9 EQ High Gain -12 – +12dB 52 – 76

●

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 EQ Mid Frequency (*5) 100Hz – 10.0kHz 14 – 54 table#3 12 EQ Mid Gain (*5) -12 – +12dB 52 – 76 13 EQ Mid Width (*5) 1.0 – 12.0 10 – 120 14 15 Input Mode mono/stereo 0 – 1 16

●

MSB = 67

No. Parameter Display Value See Table Control

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

●

11 12 13 14 LFO Phase Difference -180 – +180deg (resolution=3deg.) 4 – 124 15 16

●

MSB = 68

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 2 LFO Depth 0 – 127 0 – 127 3 Delay Offset 0.0mS – 50mS 0 – 127 table#2 4 5 6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 7 EQ Low Gain -12 – +12dB 52 – 76 8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

●

11 12 13 14 15 16

●

CVP-202

Page 27

Lista de parámetros de efectos

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

MSB = 69, LSB = 0, 16, 17

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 ● 2 LFO Depth 0 – 127 0 – 127 3 4 5 6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 7 EQ Low Gain -12 – +12dB 52 – 76 8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 12 13 14 15 16

MSB = 70

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 ● 2 AM Depth 0 – 127 0 – 127 3 PM Depth 0 – 127 0 – 127 4 5 6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 7 EQ Low Gain -12 – +12dB 52 – 76 8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 9 EQ High Gain -12 – +12dB 52 – 76

11 12 13 14 LFO Phase Difference -180 – +180deg (resolution=3deg.) 4 – 124 15 Input Mode mono/stereo 0 – 1 16

MSB = 72, LSB = 0, 16, 17, 18

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 2 LFO Depth 0 – 127 0 – 127 3 Phase Shift Offset 0 – 127 0 – 127 4 Feedback Level -63 – +63 1 – 127 5 6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 7 EQ Low Gain -12 – +12dB 52 – 76 8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 Stage 6, 7, 8, 9, 10 6 – 10 12 13 14 15 16

MSB = 72, LSB = 8

No. Parameter Display Value See Table Control

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 Stage 3, 4, 5 3 – 5 12 13 LFO Phase Difference -180deg – +180deg (resolution=3deg.) 4 – 124 14 15 16

●

MSB = 71

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 ● 2 L/R Depth 0 – 127 0 – 127 3 F/R Depth 0 – 127 0 – 127 4 PAN Direction L R, L R, L R, Lturn, Rturn, L/R 0 – 5 5 6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 7 EQ Low Gain -12 – +12dB 52 – 76 8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 9 EQ High Gain -12 – +12dB 52 – 76

11 12 13 14 15 16

MSB = 73, LSB = 0 MSB = 74

No. Parameter Display Value See Table Control

1 Drive 0 – 127 0 – 127 ● 2 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 3 EQ Low Gain -12 – +12dB 52 – 76 4 LPF Cutoff 1.0k – Thru 34 – 60 table#3 5 Output Level 0 – 127 0 – 127 6 7 EQ Mid Frequency 100Hz – 10.0kHz 14 – 54 table#3 8 EQ Mid Gain -12 – +12dB 52 – 76 9 EQ Mid Width 1.0 – 12.0 10 – 120

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 Edge (Clip Curve) 0 (mild) – 127 (sharp) 0 – 127 12 13 14 15 16

CVP-202

Page 28

Effect Parameter List / Liste der Effektparameter / Liste

des paramètres d’effets

Lista de parámetros de efectos

○○○○○○○○○○○○○○

MSB = 75

No. Parameter Display Value See Table Control

1 Drive 0 – 127 0 – 127 ● 2 AMP Type Off, Stack, Combo, Tube 0 – 3 3 LPF Cutoff 1.0k – Thru 34 – 60 table#3 4 Output Level 0 – 127 0 – 127 5 6 7 8 9

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 Edge (Clip Curve) 0 (mild) – 127 (sharp) 0 – 127 12 13 14 15 16

MSB = 76

No. Parameter Display Value See Table Control

1 EQ Low Gain -12 – +12dB 52 – 76 2 EQ Mid Frequency 100Hz – 10.0kHz 14 – 54 table#3 3 EQ Mid Gain -12 – +12dB 52 – 76 4 EQ Mid Width 1.0 – 12.0 10 – 120 5 EQ High Gain -12 – +12dB 52 – 76 6 EQ Low Frequency 50Hz – 2.0kHz 8 – 40 table#3 7 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 8 9

11 12 13 14 15 Input Mode mono/stereo 0 – 1 16

MSB = 78, LSB = 0, 16, 19, 20

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 2 LFO Depth 0 – 127 0 – 127 3 Cutoff Frequency Offset 0 – 127 0 – 127 ● 4 Resonance 1.0 – 12.0 10 – 120 5 6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 7 EQ Low Gain -12 – +12dB 52 – 76 8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 12 13 14 15 16

MSB = 64

No. Parameter Display Value See Table Control

1 2 3 4 5 6 7 8 9

11 12 13 14 15 16

MSB = 77

No. Parameter Display Value See Table Control

1 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3 2 EQ Low Gain -12 – +12dB 52 – 76 3 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3 4 EQ High Gain -12 – +12dB 52 – 76 5 6 7 8 9

11 12 13 14 15 16

Parameter 10 Dry/Wet Balance only affects insertion type effects.

CVP-202

Page 29

Effect Data Assign Table / Effektdaten-Zuordnungstabelle /

○○○

Tableau d’assignation des données d’effets / Tabla de asignación de datos para efectos

Table#1 LFO Frequency

Data Value Data Value Data Value Data Value

0 0.00 32 1.35 64 2.69 96 8.41 1 0.04 33 1.39 65 2.78 97 8.75 2 0.08 34 1.43 66 2.86 98 9.08 3 0.13 35 1.47 67 2.94 99 9.42 4 0.17 36 1.51 68 3.03 100 9.76 5 0.21 37 1.56 69 3.11 101 10.1 6 0.25 38 1.60 70 3.20 102 10.8 7 0.29 39 1.64 71 3.28 103 11.4 8 0.34 40 1.68 72 3.37 104 12.1

9 0.38 41 1.72 73 3.45 105 12.8 10 0.42 42 1.77 74 3.53 106 13.5 11 0.46 43 1.81 75 3.62 107 14.1 12 0.51 44 1.85 76 3.70 108 14.8 13 0.55 45 1.89 77 3.87 109 15.5 14 0.59 46 1.94 78 4.04 110 16.2 15 0.63 47 1.98 79 4.21 111 16.8 16 0.67 48 2.02 80 4.37 112 17.5 17 0.72 49 2.06 81 4.54 113 18.2 18 0.76 50 2.10 82 4.71 114 19.5 19 0.80 51 2.15 83 4.88 115 20.9 20 0.84 52 2.19 84 5.05 116 22.2 21 0.88 53 2.23 85 5.22 117 23.6 22 0.93 54 2.27 86 5.38 118 24.9 23 0.97 55 2.31 87 5.55 119 26.2 24 1.01 56 2.36 88 5.72 120 27.6 25 1.05 57 2.40 89 6.06 121 28.9 26 1.09 58 2.44 90 6.39 122 30.3 27 1.14 59 2.48 91 6.73 123 31.6 28 1.18 60 2.52 92 7.07 124 33.0 29 1.22 61 2.57 93 7.40 125 34.3 30 1.26 62 2.61 94 7.74 126 37.0 31 1.30 63 2.65 95 8.08 127 39.7

Table#2 Modulation Delay Offset

Data Value Data Value Data Value Data Value

0 0.0 32 3.2 64 6.4 96 9.6

1 0.1 33 3.3 65 6.5 97 9.7

2 0.2 34 3.4 66 6.6 98 9.8

3 0.3 35 3.5 67 6.7 99 9.9

4 0.4 36 3.6 68 6.8 100 10.0

5 0.5 37 3.7 69 6.9 101 11.1

6 0.6 38 3.8 70 7.0 102 12.2

7 0.7 39 3.9 71 7.1 103 13.3

8 0.8 40 4.0 72 7.2 104 14.4

9 0.9 41 4.1 73 7.3 105 15.5 10 1.0 42 4.2 74 7.4 106 17.1 11 1.1 43 4.3 75 7.5 107 18.6 12 1.2 44 4.4 76 7.6 108 20.2 13 1.3 45 4.5 77 7.7 109 21.8 14 1.4 46 4.6 78 7.8 110 23.3 15 1.5 47 4.7 79 7.9 111 24.9 16 1.6 48 4.8 80 8.0 112 26.5 17 1.7 49 4.9 81 8.1 113 28.0 18 1.8 50 5.0 82 8.2 114 29.6 19 1.9 51 5.1 83 8.3 115 31.2 20 2.0 52 5.2 84 8.4 116 32.8 21 2.1 53 5.3 85 8.5 117 34.3 22 2.2 54 5.4 86 8.6 118 35.9 23 2.3 55 5.5 87 8.7 119 37.5 24 2.4 56 5.6 88 8.8 120 39.0 25 2.5 57 5.7 89 8.9 121 40.6 26 2.6 58 5.8 90 9.0 122 42.2 27 2.7 59 5.9 91 9.1 123 43.7 28 2.8 60 6.0 92 9.2 124 45.3 29 2.9 61 6.1 93 9.3 125 46.9 30 3.0 62 6.2 94 9.4 126 48.4 31 3.1 63 6.3 95 9.5 127 50.0

Table#3 EQ Frequency

Data Value Data Value

0 THRU(0) 32 800 12233900 2 25 34 1.0k 3 28 35 1.1k 4 32 36 1.2k 5 36 37 1.4k 6 40 38 1.6k 7 45 39 1.8k 8 50 40 2.0k

9 56 41 2.2k 10 63 42 2.5k 11 70 43 2.8k 12 80 44 3.2k 13 90 45 3.6k 14 100 46 4.0k 15 110 47 4.5k 16 125 48 5.0k 17 140 49 5.6k 18 160 50 6.3k 19 180 51 7.0k 20 200 52 8.0k 21 225 53 9.0k 22 250 54 10.0k 23 280 55 11.0k 24 315 56 12.0k 25 355 57 14.0k 26 400 58 16.0k 27 450 59 18.0k 28 500 60 29 560 30 630 31 700

Table#4 Reverb Time

Data Value Data Value Data Value

0 0.3 32 3.5 64 17.0

1 0.4 33 3.6 65 18.0

2 0.5 34 3.7 66 19.0

3 0.6 35 3.8 67 20.0

4 0.7 36 3.9 68 25.0

5 0.8 37 4.0 69 30.0

6 0.9 38 4.1

7 1.0 39 4.2

8 1.1 40 4.3

9 1.2 41 4.4 10 1.3 42 4.5 11 1.4 43 4.6 12 1.5 44 4.7 13 1.6 45 4.8 14 1.7 46 4.9 15 1.8 47 5.0 16 1.9 48 5.5 17 2.0 49 6.0 18 2.1 50 6.5 19 2.2 51 7.0 20 2.3 52 7.5 21 2.4 53 8.0 22 2.5 54 8.5 23 2.6 55 9.0 24 2.7 56 9.5 25 2.8 57 10.0 26 2.9 58 11.0 27 3.0 59 12.0 28 3.1 60 13.0 29 3.2 61 14.0 30 3.3 62 15.0 31 3.4 63 16.0

THRU(20.0k)

Table#5 Delay Time (200.0ms)

Data Value Data Value Data Value Data Value

0 0.1 32 50.5 64 100.8 96 151.2 1 1.7 33 52.0 65 102.4 97 152.8 2 3.2 34 53.6 66 104.0 98 154.4 3 4.8 35 55.2 67 105.6 99 155.9 4 6.4 36 56.8 68 107.1 100 157.5 5 8.0 37 58.3 69 108.7 101 159.1 6 9.5 38 59.9 70 110.3 102 160.6 7 11.1 39 61.5 71 111.9 103 162.2 8 12.7 40 63.1 72 113.4 104 163.8

9 14.3 41 64.6 73 115.0 105 165.4 10 15.8 42 66.2 74 116.6 106 166.9 11 17.4 43 67.8 75 118.2 107 168.5 12 19.0 44 69.4 76 119.7 108 170.1 13 20.6 45 70.9 77 121.3 109 171.7 14 22.1 46 72.5 78 122.9 110 173.2 15 23.7 47 74.1 79 124.4 111 174.8 16 25.3 48 75.7 80 126.0 112 176.4 17 26.9 49 77.2 81 127.6 113 178.0 18 28.4 50 78.8 82 129.2 114 179.5 19 30.0 51 80.4 83 130.7 115 181.1 20 31.6 52 81.9 84 132.3 116 182.7 21 33.2 53 83.5 85 133.9 117 184.3 22 34.7 54 85.1 86 135.5 118 185.8 23 36.3 55 86.7 87 137.0 119 187.4 24 37.9 56 88.2 88 138.6 120 189.0 25 39.5 57 89.8 89 140.2 121 190.6 26 41.0 58 91.4 90 141.8 122 192.1 27 42.6 59 93.0 91 143.3 123 193.7 28 44.2 60 94.5 92 144.9 124 195.3 29 45.7 61 96.1 93 146.5 125 196.9 30 47.3 62 97.7 94 148.1 126 198.4 31 48.9 63 99.3 95 149.6 127 200.0

Table#6 Room Size

Data Value Data Value Data Value Data Value

0 0.1 32 5.1 64 10.1 96 15.1

1 0.3 33 5.3 65 10.3 97 15.3

2 0.4 34 5.4 66 10.4 98 15.5

3 0.6 35 5.6 67 10.6 99 15.6

4 0.7 36 5.7 68 10.8 100 15.8

5 0.9 37 5.9 69 10.9 101 15.9

6 1.0 38 6.1 70 11.1 102 16.1

7 1.2 39 6.2 71 11.2 103 16.2

8 1.4 40 6.4 72 11.4 104 16.4

9 1.5 41 6.5 73 11.5 105 16.6 10 1.7 42 6.7 74 11.7 106 16.7 11 1.8 43 6.8 75 11.9 107 16.9 12 2.0 44 7.0 76 12.0 108 17.0 13 2.1 45 7.2 77 12.2 109 17.2 14 2.3 46 7.3 78 12.3 110 17.3 15 2.5 47 7.5 79 12.5 111 17.5 16 2.6 48 7.6 80 12.6 112 17.6 17 2.8 49 7.8 81 12.8 113 17.8 18 2.9 50 7.9 82 12.9 114 18.0 19 3.1 51 8.1 83 13.1 115 18.1 20 3.2 52 8.2 84 13.3 116 18.3 21 3.4 53 8.4 85 13.4 117 18.4 22 3.5 54 8.6 86 13.6 118 18.6 23 3.7 55 8.7 87 13.7 119 18.7 24 3.9 56 8.9 88 13.9 120 18.9 25 4.0 57 9.0 89 14.0 121 19.1 26 4.2 58 9.2 90 14.2 122 19.2 27 4.3 59 9.3 91 14.4 123 19.4 28 4.5 60 9.5 92 14.5 124 19.5 29 4.6 61 9.7 93 14.7 125 19.7 30 4.8 62 9.8 94 14.8 126 19.8 31 5.0 63 10.0 95 15.0 127 20.0

Tab le #7 Delay Time (400.0ms)

Data Value Data Value Data Value Data Value

0 0.1 32 100.9 64 201.6 96 302.4 1 3.2 33 104.0 65 204.8 97 305.5 2 6.4 34 107.2 66 207.9 98 308.7 3 9.5 35 110.3 67 211.1 99 311.8 4 12.7 36 113.5 68 214.2 100 315.0 5 15.8 37 116.6 69 217.4 101 318.1 6 19.0 38 119.8 70 220.5 102 321.3 7 22.1 39 122.9 71 223.7 103 324.4 8 25.3 40 126.1 72 226.8 104 327.6

9 28.4 41 129.2 73 230.0 105 330.7 10 31.6 42 132.4 74 233.1 106 333.9 11 34.7 43 135.5 75 236.3 107 337.0 12 37.9 44 138.6 76 239.4 108 340.2 13 41.0 45 141.8 77 242.6 109 343.3 14 44.2 46 144.9 78 245.7 110 346.5 15 47.3 47 148.1 79 248.9 111 349.6 16 50.5 48 151.2 80 252.0 112 352.8 17 53.6 49 154.4 81 255.2 113 355.9 18 56.8 50 157.5 82 258.3 114 359.1 19 59.9 51 160.7 83 261.5 115 362.2 20 63.1 52 163.8 84 264.6 116 365.4 21 66.2 53 167.0 85 267.7 117 368.5 22 69.4 54 170.1 86 270.9 118 371.7 23 72.5 55 173.3 87 274.0 119 374.8 24 75.7 56 176.4 88 277.2 120 378.0 25 78.8 57 179.6 89 280.3 121 381.1 26 82.0 58 182.7 90 283.5 122 384.3 27 85.1 59 185.9 91 286.6 123 387.4 28 88.3 60 189.0 92 289.8 124 390.6 29 91.4 61 192.2 93 292.9 125 393.7 30 94.6 62 195.3 94 296.1 126 396.9 31 97.7 63 198.5 95 299.2 127 400.0

Tab l e #8 Reverb Width; Depth; Height

Data Value Data Value Data Value Data Value

0 0.5 32 8.8 64 17.6 96 27.5

1 0.8 33 9.1 65 17.9 97 27.8

2 1.0 34 9.4 66 18.2 98 28.1

3 1.3 35 9.6 67 18.5 99 28.5

4 1.5 36 9.9 68 18.8 100 28.8

5 1.8 37 10.2 69 19.1 101 29.2

6 2.0 38 10.4 70 19.4 102 29.5

7 2.3 39 10.7 71 19.7 103 29.9

8 2.6 40 11.0 72 20.0 104 30.2

9 2.8 41 11.2 73 20.2 10 3.1 42 11.5 74 20.5 11 3.3 43 11.8 75 20.8 12 3.6 44 12.1 76 21.1 13 3.9 45 12.3 77 21.4 14 4.1 46 12.6 78 21.7 15 4.4 47 12.9 79 22.0 16 4.6 48 13.1 80 22.4 17 4.9 49 13.4 81 22.7 18 5.2 50 13.7 82 23.0 19 5.4 51 14.0 83 23.3 20 5.7 52 14.2 84 23.6 21 5.9 53 14.5 85 23.9 22 6.2 54 14.8 86 24.2 23 6.5 55 15.1 87 24.5 24 6.7 56 15.4 88 24.9 25 7.0 57 15.6 89 25.2 26 7.2 58 15.9 90 25.5 27 7.5 59 16.2 91 25.8 28 7.8 60 16.5 92 26.1 29 8.0 61 16.8 93 26.5 30 8.3 62 17.1 94 26.8 31 8.6 63 17.3 95 27.1

CVP-202

Page 30

YAMAHA [ Clavinova ] Date:01-NOV-2002

Model

CVP-202

MIDI Implementation Chart

Version : 1.00

Transmitted Recognized Remarks

Function ...

Basic Default 1 - 16 1 - 16 Memorized Channel Changed 1 - 16 *1 1 - 16 *2

Default 3 3 Mode Messages x 3,4 (m=1) *3 Altered ************** x

Note 0 - 127 0 - 127 Number : True voice ************** 0 - 127

Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127 Note OFF x 9nH,v=0 x

After Key's x x Touch Ch's x o

Pitch Bend o o 0-24 semi

0,32 o o Bank Select 1 x *4 o Modulation 5 x o

Portamento Time

7,10,11 o o Control 6,38 o o Data Entry 64,66,67 o o change 65 x o Portamento 71-74 x *4 o 84 o o

Sound Controller Portamento Cntrl

91,93,94 o o Effect Depth 96,97 x o RPN Inc,Dec 98,99 x *4 o NRPN LSB,MSB 100,101 o o RPN LSB,MSB

Prog o 0 - 127 o 0 - 127 Change : True # **************

System Exclusive o o

: Song Pos. x x Common : Song Sel. x x : Tune x x

System :Clock o o Real Time :Commands o o

Aux : : : : Mes- : sages:

All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset

x o(120,126,127) x o(121) x o(122) x o(123-125) oo xx

Notes:

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

CVP-202

Page 31

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Notes: *1: The send channel for the RIGHT1, RIGHT2, and LEFT parts can be set

using the Send Channel (Keyboard) function. The transmission of accompaniment, harmony, and song data can be turned on or off using the Send Channel (Accompaniment/Harmony) and Song Transmission functions.

*2: Messages received on the channel set by the Remote Keyboard func-

tion are handled as operations performed directly on the keyboard or panel. Only the following messages are received on this channel:

• Note On/Off (A-1...C7)

• Control Changes Bank Select MSB/LSB (RIGHT1 part) Modulation Data Entry MSB (when PITCH BEND SENS. is set by RPN LSB/

MSB) Volume Expression Sustain Sostenuto Soft Pedal Data Increment/Decrement (when PITCH BEND SENS. is set by

RPN LSB/MSB) RPN LSB/MSB (PITCH BEND SENS. only) All Note Off

• Program Change (RIGHT1 part)

• Pitch Bend

*3: “m” is always treated as “1” regardless of its value. *4: Transmitted when ACMP&RHY or HARMONY setting of Send Channel

(Accompaniment/Harmony) function is on.

Remarques : *1 : Le canal d’émission pour les parties RIGHT1, RIGHT2, et LEFT peut

être configuré à l’aide de la fonction Send Channel (Keyboard). La transmission des données d’accompagnement, d’harmonie et de morceau peut être activée ou désactivée à l’aide des fonctions Send Channel (Accompaniment/Harmony) et Song Transmission.

*2 : Les messages reçus sur le canal configuré à l’aide de la fonction Re-

mote Keyboard sont traités comme des opérations réalisées directement sur le clavier ou le panneau. Seuls les messages suivants sont reçus sur ce canal :

• Note On/Off (A-1...C7)

• Control Changes Bank Select MSB/LSB (partie RIGHT1) Modulation Data Entry MSB (si PITCH BEND SENS. est défini à l’aide de

RPN LSB/MSB) Volume Expression Sustain Sostenuto Soft Pedal Data Increment/Decrement (si PITCH BEND SENS. est défini à

l’aide de RPN LSB/MSB) RPN LSB/MSB (PITCH BEND SENS. uniquement) All Note Off

• Program Change (partie RIGHT1)

• Pitch Bend

*3 : “m” équivaut toujours à “1” quelle que soit sa valeur. *4 : Transmis(e) si le paramètre ACMP&RHY ou HARMONY de la fonction

Send Channel (Accompaniment/Harmony) est activé.

Hinweise: *1: Der Sendekanal für die Parts RIGHT1, RIGHT2 und LEFT läßt sich

über die Funktion Sendekanal (Keyboard) einstellen. Die Übertragung von Begleitungs-, Harmonie- und Songdaten kann mit den Funktionen Sendekanal (Begleitung/Harmonie) und Song-Übertragung ein- bzw. ausgeschaltet werden.

*2: Meldungen, die an dem Kanal empfangen werden, der von der Remote

Keyboard-Funktion eingestellt wurde, werden als direkt auf dem Keyboard oder Steuerpult ausgeführte Bedienoperationen angesehen. Nur die nachfolgend genannten Meldungen werden auf diesem Kanal empfangen:

• Noten Ein/Aus (A-1...C7)

• SteuerungsänderungsBank. Wählen Sie MSB/LSB (Part RIGHT1) Modulation Dateneintrag MSB (sofern die Option PITCH BEND SENS.

(Tonlagenabtastung) von RPN LSB/MSB) eingestellt wurde VOLUME (LAUTSTÄRKE) Expression (Ausdruck) Sustain Sostenuto Soft Pedal Datenerhöhung/-erniedrigung (sofern die Option PITCH BEND

SENS. (Tonlagenabtastung) von RPN LSB/MSB eingestellt wurde)

RPN LSB/MSB (nur PITCH BEND SENS., TONLAGENABTASTUNG)

Alle Noten ausgeschaltet

• Programmänderung (Part RIGHT1)

• Pitch Bend (Tonlage)

*3: “m” wird stets als “1” behandelt, unabhängig von dessen Wert. *4: Wird übertragen, wenn die ACMP&RHY- oder HARMONIE-Einstellung

der Funktion Sendekanal (Begleitung/Harmonie) aktiviert ist.

Notas: *1: El canal de envío para las partes RIGHT1, RIGHT2 y LEFT puede

ajustarse utilizando la función Send Channel (teclado). La transmisión del acompañamiento de la armonía y de los datos de canción se pueden activar o desactivar utilizando las funciones Send Channel (Accompaniment/Harmony) y Song Transmission.

*2: Los mensajes recibidos en el canal ajustado por la función Remote

Keyboard se consideran como operaciones realizadas directamente en el teclado o el panel. Sólo los mensajes siguientes se reciben en este canal:

• Note On/Off (A-1...C7)

• Control Changes Bank Select MSB/LSB (parte RIGHT1) Modulation Data Entry MSB (cuando PITCH BEND SENS. se ajusta con

RPN LSB/ MSB) Volume Expression Sustain Sostenuto Soft Pedal Data Increment/Decrement (cuando PITCH BEND SENS. se

ajusta con RPN LSB/MSB) RPN LSB/MSB (sólo PITCH BEND SENS.) All Note Off

• Program Change (parte RIGHT1)

• Pitch Bend

*3: “m” siempre se considera como “1” independientemente de su valor. *4: Transmitido cuando los ajustes ACMP&RHY o HARMONY de la

función Send Channel (Accompaniment/Harmony) está activada.

CVP-202

Page 32

• Bundled pedal cord inside

• Gebündeltes Pedalkabel

• Cordon de pédalier enroulé à l’intérieur

• Cable de pedales enrollado en el interior

Assembly

○○○○○○○○○○○○○○○○○○○○○○○○○

CAUTION

• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of each unit.

• To disassemble, reverse the assembly sequence given below.

ZOpen the box and remove all the parts.

Remove all parts from the box. Confirm that all parts shown in the illustration above are provided.

XAttach the side panels (D) to the pedal box

(C).

Before installing the pedal box, untie and straighten out the bundled cord attached to the bottom of the pedal box. Don’t discard the vinyl tie, you’ll need it later in step B. Place the pedal box on top of the brackets attached to the side panels (D), and attach using the four 6 x 20 millimeter round-head screws 1 — two screws on each side. Make sure the pedals extend in the same direction as the side panel feet.

• AC power cord

• Netzkabel

• Cordon d’alimentation

• Cable de alimentación de CA

• Cord holders x 2

• Kabelhalter x 2

• Serre-câble x 2

• Soportes de cable x 2

Zusammenbau

○○○○○○○○○○○○○○○○○○○○○○○○○

VORSICHT

• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie alle Teile in der richtigen Ausrichtung. Gehen Sie beim Zusammenbau bitte in der angegebenen Reihenfolge vor.

• Die Montage sollte von mindestens zwei Personen vorgenommen werden.

• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie es oben gezeigt ist. Die Verwendung der falschen Schrauben kann zu Schäden führen.

• Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle Schrauben festzuziehen.

• Für die Demontage muß die angegebene Reihenfolge umgekehrt befolgt werden.

ZÖffnen Sie den Karton und nehmen Sie alle

Teile heraus.

Vergewissern Sie sich, daß alle in der obigen Abbildung aufgeführten Teile vollzählig vorhanden sind.

XBefestigen Sie die Seitenwände (D) am

Pedalkasten (C).

Bevor Sie den Pedalkasten montieren, nehmen Sie zunächst das gebündelte Kabel aus dem Pedalkasten, entfernen den Kabelbinder und ziehen das Kabel dann gerade aus. Werfen Sie den Kabelbinder nicht wg, er wird in Schritt B wieder gebraucht. Setzen Sie den Pedalkasten auf die Winkelbleche der beiden Seitenwänden (D), und schrauben Sie ihn dann mit den vier Halbrundschrauben (6 x 20 mm) 1 fest (jeweils zwei Schrauben links und rechts). Achten Sie dabei darauf, daß die Pedale in dieselbe Richtung weisen wie die vorspringenden Teile der Füße.

CVP-202

Page 33

• 6 x 20 mm round-head screws x 4 1

• 6 x 20 mm Halbrundschrauben x 4 1

• Vis à tête ronde de 6 x 20 mm x 4 1

• Tornillos de cabeza redonda

de 6 x 20 mm x 4 1

• 4 x 12 mm round-head screws x 2 2

• 4 x 12 mm Halbrundschrauben x 2 2

• Vis à tête ronde de 4 x 12 mm x 2 2

• Tornillos de cabeza redonda

de 4 x 12 mm x 2 2

• 4 x 20 mm tapping screws x 4 3

• 4 x 20 mm Schneidschrauben x 4 3

• Vis auto-taraudeuses 4 x 20 mm x 4 3

• Tornillos de autoenrosque

de 4 x 20 mm x 4 3

• 6 x 16 mm flat-head screws x 4 4

• 6 x 16 mm Senkschrauben x 4 4

• Vis à tête plate de 6 x 16 mm x 4 4

• Tornillos de cabeza plana

de 6 x 16 mm x 4 4

• 6 x 20 mm round-head screws 1

• 6 x 20 mm Halbrundschrauben 1

• Vis à tête ronde de 6 x 20 mm 1

• Tornillos de cabeza redonda de 6 x

20 mm 1

Montage

○○○○○○○○○○○○○○○○○○○○○○○○○

PRECAUTION

• Veiller à ne pas mélanger les pièces et à les installer dans le sens correct. Veuillez assembler l’instrument dans l’ordre indiqué cidessous.

• La présence de deux personnes minimum est nécessaire pour procéder au montage.

• Toujours utiliser des vis aux dimensions correctes, comme indiqué cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en effet endommager l’instrument.

• Resserrer convenablement toutes les vis après le montage de chaque élément.

• Pour démonter le Clavinova, inverser l’ordre des indications données ci-dessous.

ZOuvrez le carton et retirez toutes les pièces

Videz le carton de son contenu. Vérifiez que toutes les pièces indiquées sur l’illustration sont bien fournies.

XFixez les panneaux latéraux (D) au pédalier

(C)

Avant de poser le pédalier, détacher le cordon de la partie inférieure du pédalier et le dérouler. Ne jetez pas l’attache en vinyle, vous la réutiliserez ultérieurement à l’étape B. Placez le pédalier sur les ferrures fixées aux panneaux latéraux (D) et fixez-le à l’aide des quatre vis à tête ronde de 6 x 20 millimètres 1: deux vis de chaque côté. Veillez à ce que les pédales soient dirigées dans le même sens que les supports inférieurs.

Montaje

○○○○○○○○○○○○○○○○○○○○○○○○○

CUIDADO

• Observe cuidado para no confundir las piezas, y asegúrese de montar todas ellas en el sentido correcto. Proceda al montaje en el orden indicado a continuación.

• El montaje deberá realizarse al menos por dos personas.

• Procure utilizar los tornillos del tamaño adecuado, según se indica arriba. El empleo de tornillos inadecuados puede ocasionar daños en el instrumento.

• Asegúrese de apretar bien todos los tornillos después de montar cada unidad.

• Para desmontar las unidades, invierta la secuencia de montaje facilitada a continuación.

ZAbra la caja y extraiga todas las partes.

Extraiga todas las partes de la caja. Confirme que no falte ninguna de las partes mostradas en la ilustración.

XAcople los paneles laterales (D) en la caja

de pedales (C).

Antes de instalar la caja de pedales, desate y enderezca el cable plegado unido a la parte inferior de la caja de pedales. No tire la abrazadera de vinilo, porque la necesitará en el paso B de más adelante. Ponga la caja de pedales en la parte superior de las ménsulas acopladas a los paneles laterales (D), y acople empleando los cuatro tornillos de cabeza redonda de 6 x 20 mm 1; dos tornillos en cada lado. Asegúrese de que el pedal se extiende en la misma dirección que la pata.

CVP-202

Page 34

• 4 x 12 mm round-head screws 2

• 4 x 12 mm Halbrundschrauben 2

• Vis à tête ronde de 4 x 12 mm 2

• Tornillos de cabeza redonda de 4 x 12 mm 2

15 cm

• 4 x 20 mm tapping screws 3

• 4 x 20 mm Schneidschrauben 3

• Vis auto-taraudeuses 4 x 20 mm 3

• Tornillos de autoenrosque de 4 x 20 mm 3

CAttach the rear panel (B).

With the rear panel slightly angled as shown in the illustration, lower it onto the feet’s protruding edge at the rear of the pedal box. Then, while eliminating any gaps between the rear and side panels, secure the top of the rear panel to the side panel brackets using two 4 x 12 mm round-head screws 2. Finally, secure the bottom of the rear panel to the pedal box using four 4 x 20 mm tapping screws 3.

VInstall the main unit (A).

Place the main unit (A) on the side panels (D) with the screws on its bottom panel (toward the rear of the main unit) just behind the grooves in the brackets located at the top of the side panels. Then slide the main unit forward until it stops. WATCH YOUR FINGERS WHEN DO-

ING THIS!!

Align the holes on the bottom panel of the main unit with the holes in the brackets on the side panels (also center the main unit to produce equal clearance on the left and right sides, as shown in the illustration), then screw in and securely tighten the four 6 x 16 millimeter flat-head screws 4.

CAUTION

• Do not hold the keyboard in any position other than the position shown in the above illustration.

• Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit.

BConnect the pedal cord.

The pedal cord from the pedal box must be plugged into the PEDAL connector on the rear of the main unit. Once connected, attach the cord holders to the rear panel as shown, then clip the cord into the holders.

• Be sure to place your hands at least 15 centimeters from either end of the main unit when positioning it.

• Mindestens 15 cm innen unter die Tastatureinheit greifen.

• Placez bien vos mains à 15 cm au moins des extrémités du clavier, lors de sa mise en place.

• Asegúrese de colocar las manos por lo menos a 15 centímetros desde los extremos de la unidad principal cuando la sitúe.

CMontieren Sie die Rückwand (B).

Setzen Sie die Rückwand leicht abgewinkelt, wie in der Abbildung gezeigt, hinter dem Pedalkasten auf die hervorspringenden Teile der Füße auf. Schrauben Sie dann die Rückwand oben mit zwei 4 x 12 mm Halbrundschrauben 2 so an den Seitenwänden fest, daß kein Spiel zwischen Rückwand und Seitenwänden verbleibt. Schrauben Sie die Rückwand abschließend noch mit vier 4 x 20 mm Schneidschrauben 3 an den Pedalkasten.

VMontieren Sie die Tastatureinheit (A).

Setzen Sie die Tastatureinheit (A) so auf den fertigen Ständer, daß die beiden Schrauben an ihrer Unterseite hinter den Winkelblechen mit Führungsschlitz an der Hinterseite des Ständers zu liegen kommen. Schieben Sie die Tastatureinheit dann bis zum Anschlag in die Schlitze.

KLEMMEN SIE IHRE FINGER DABEI NICHT EIN!!

Richten Sie die Schraubenbohrungen an der Unterseite der Tastatureinheit mit den Bohrungen der Winkelbleche

achten Sie auch darauf, daß sie mittig auf dem Stän-

aus ( der steht, wie in der Abbildung gezeigt). Schrauben Sie die Tastatureinheit dann mit den vier 6 x 16 mm Senkschrauben 4 am Ständer fest.

VORSICHT

• Halten Sie die Tastatureinheit nur wie in der obigen Abbildung!

• Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatureinheit und den Seitenwänden bzw. der Rückwand einklemmen — die Tastatureinheit könnte dadurch zu Fall kommen!

BSchließen Sie das Pedalkabel an.

Das vom Pedalkasten kommende Kabel muß in die PEDAL-Buchse an der Rückwand der Haupteinheit gesteckt werden. Befestigen Sie dann die Kabelhalter an der Rückwand wie in der Abbildung gezeigt, und klemmen Sie das Kabel in diese Halter.

CVP-202

Page 35

• 6 x 16 mm flat-head screws 4

• 6 x 16 mm Senkschrauben 4

• Vis à tête plate de 6 x 16 mm 4

• Tornillos de cabeza plana de 6 x 16

mm 4

• Use the vinyl tie that was removed from the bundled pedal

cord in step X to tie up any slack in the pedal cord.

• Nehmen Sie überlanges Kabel mit dem in Schritt X entfern-

ten Kabelbinder auf.

• Utilisez l’attache en vinyle qui a été enlevée du cordon de

pédalier à l’étape X pour attacher le fil excédentaire du cordon de pédalier.

• Emplee la abrazadera de vinilo que se sacó del cale plegado

de los pedales en el paso X para fijar el cable de pedales sobrante.

• Cord holder

• Kabelhalter

• Serre-câble

• Soporte del cable

CFixez le panneau arrière (B)

En inclinant légèrement en angle le panneau arrière, comme mentionné sur l’illustration, abaissez-le sur le rebord des pieds, à l’arrière du pédalier. Puis, tout en éliminant les espaces entre les panneaux arrière et latéraux, fixez le haut du panneau arrière sur les supports des panneaux latéraux à l’aide de deux vis à tête ronde 4 x 12 mm

2. Et finalement, fixez le bas du panneau arrière au pédalier avec quatre vis auto-taraudeuses 4 x 20 mm 3.

VPosez le clavier (A)

Placez le clavier sur les panneaux latéraux (D), avec les vis de son panneau inférieur (situées vers l’arrière du clavier) placées immédiatement derrière les rainures des ferrures situées à la partie supérieure des panneaux latéraux (D), puis faites glisser le clavier vers l’avant jusqu’à ce qu’il vienne en butée. FAITES ATTENTION A VOS

DOIGTS EN EXECUTANT CETTE OPERATION!!

Alignez les trous du panneau inférieur du clavier sur les trous des ferrures des panneaux latéraux (

centrez également le clavier de manière à avoir un jeu identique de chaque côté) puis posez et serrez à fond les quatre vis à tête plate de 6 x 16 millimètres 4.

PRECAUTION

• Ne tenez pas le clavier d’une autre manière que celle indiquée sur l’illustration ci-dessus.

• Attention car vous risquez de vous faire pincer les doigts entre le clavier et les panneaux arrière ou latéraux de sorte que vous devez veiller à ne pas faire tomber le clavier.

BRaccordez le cordon du pédalier

Le câble qui sort du pédalier doit être branché sur le connecteur PEDAL (PEDALE) à l’arrière du clavier. Une fois raccordé, fixez les serre-fils sur le panneau arrière, comme indiqué, puis faites passer le câble dans les serrefils.

CMonte el panel trasero (B).

Con el panel trasero un poco inclinado en ángulo como se muestra en la ilustración, bájelo al borde saliente de las patas de la parte posterior de la caja de pedales. Entonces, mientras elimina los huelgos entre los paneles trasero y lateral, fije la parte superior del panel trasero a las ménsulas de panel lateral usando dos tornillos de cabeza redonda de 4 x 12 mm 2. Finalmente, fije la parte inferior del panel trasero a la caja de pedales usando cuatro tornillos de autoenrosque de 4 x 20 mm 3.

VInstale la unidad principal (A).

Coloque la unidad principal en los paneles laterales (D) con los tornillos de su panel inferior (hacia la parte posterior de la unidad principal) justo detrás de las ranuras de la ménsula ubicada en la parte superior de los paneles laterales (D), después deslice el teclado hacia adelante hasta que se pare. ¡TENGA CUIDADO CON SUS DE-

DOS MIENTRAS LO HACE!

Alinee los orificios del panel inferior de la unidad principal con los orificios de las ménsulas de los paneles latera-

también centre la unidad principal para producir una

les ( holgura igual en los lados derecho e izquierdo, como se muestra en la ilustración), después enrosque y apriete bien los cuatro tornillos de cabeza plana de 6 x 16 mm 4.

CUIDADO

• No sostenga el teclado en ninguna posición que no sea la posición mostrada en la ilustración de arriba.

• Podría pillarse los dedos ente la unidad principal y los paneles traseros o laterales, por lo que deberá tener mucho cuidado que no se caiga la unidad principal.

BConecte el cable de los pedales.

El cable de los pedales procedente de la caja de pedales debe conectarse al conector PEDAL (pedales) situado en la parte posterior de la unidad principal. Una vez conectado, coloque los soportes de cable en el panel trasero de la manera mostrada en la figura y enganche el cable en los soportes.

CVP-202

Page 36

6 7

240

110

220

127

• A voltage selector is provided in some areas.

• Spannungswähler (nur in bestimmten Verkaufsgebieten)

• Un sélecteur de tension est prévu pour certaines régions

• El selector de tensión está provisto para ciertos destinos.

NVoltage Selector

Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, slide the AC power cord over the rear panel and connect the cord to the AC INLET, then connect the other end of the cord to an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.

CAUTION

• An improper voltage setting can cause serious damage to the CVP202 or result in improper operation.

MSet the adjuster.

For stability, an adjuster is provided on the bottom of the pedal box (C). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result.

■ After completing the assembly, please

check the following.

• Are there any parts left over? ➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures? ➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it? ➔ Tighten all screws.

• Does the pedal box rattle or give way when you step on the pedals?

➔ Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the sockets? ➔ Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.

CVP-202

NDen Spannungswähler einstellen.

Bevor Sie nun das Netzkabel anschließen, müssen Sie den Spannungswähler (falls vorhanden) auf die örtliche Netzspannung einstellen. Zum Verstellen drehen Sie den Spannungswähler mit einem Schlitzschraubendreher, bis der richtige Spannungswert (110, 127, 220 oder 240) an der Pfeilmarkierung steht. Bei der Auslieferung werden alle Instrumente mit Spannungswähler auf “240” voreingestellt. Wenn Sie die geeignete Spannung ausgewählt haben, führen Sie das Netzkabel über die Rückwand und stecken ein Ende des Netzkabels in die Gerätebuchse AC INLET (Wechselstrom-Anschluß) und das andere Ende in eine Wandsteckdose. Einigen Geräten ist ein Adapter zum Anschließen an Wandsteckdosen mit einer anderen Anschlußbelegung beigepackt.

VORSICHT

• Ein falsch eingestellter Spannungswähler kann zur Beschädigung des CVP-202 führen oder zu einem unsachgemäßen Betrieb.

MJustieren Sie schließlich noch den Höhen-

versteller.

Zur Stabilisierung ist an der Unterseite des Pedalkastens (C) ein Höhenversteller vorgesehen. Schrauben Sie den Höhenversteller heraus, bis er fest auf dem Fußboden steht. Der Höhenversteller sorgt für stabile Pedalbetätigung und ermöglicht eine präzise Regelung des Betätigungshubs. Wenn er nicht fest auf dem Boden steht, können beim Treten der Pedale Klangverzerrungen auftreten.

■ Wenn der Zusammenbau beendet ist, prüfen

Sie bitte folgende Dinge:

• Sind Teile übrig geblieben? ➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal

durch und korrigieren Sie eventuelle Fehler.

• Befindet sich das Clavinova weit genug von Türen und anderen beweglichen Vorrichtungen entfernt?

➔ Bewegen Sie das Clavinova an einen entsprechend sicheren

Ort.

• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln? ➔ Ziehen Sie alle Schrauben fest.

• Klappert der Pedalkasten oder gibt er nach, wenn Sie das Pedal treten?

➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußbo-

den steht.

• Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen? ➔ Prüfen Sie die Verbindung.

• Wenn die Tastatureinheit knarrt oder beim Spielen wackelt, betrachten Sie die Abbildungen und ziehen Sie alle Schrauben noch einmal nach.

Page 37

CAUTION

• When moving the instrument after assembly, always hold the lower surface of the main unit, NEVER the top portion or keyboard cover. Improper handling can result in damage to the instrument or personal injury.

VORSICHT

• Fassen Sie zum Umstellen des Instruments nach dem Zusammenbau stets unter das Gehäuse; heben Sie es NIEMALS am oberen Teil oder an der Tastaturabdeckung. Bei Nichtbeachtung dieses Punkts kann das Instrument beschädigt und im Extremfall eine Verletzung hervorgerufen werden.

PRECAUTION

• Pour déplacer l’instrument après le montage, toujours tenir l’instrument par la surface inférieure, JAMAIS par le dessus ou le couvercle. Une mauvaise manipulation peut provoquer des dommages ou des blessures.

CUIDADO

• Cuando mueva el instrumento después del montaje, sujete siempre la unidad principal por su superficie inferior, NUNCA por la parte superior ni por la cubierta del teclado. La manipulación indebida puede causar daños al instrumento o lesiones al usuario.

NSélecteur de tension

Avant de connecter le cordon d’alimentation, vérifiez le réglage du sélecteur de tension qui est prévu pour certaines régions. Pour régler le sélecteur sur 110 V, 127 V, 220 V ou 240 V, utilisez un tournevis à lame plate pour tourner le cadran du sélecteur afin de mettre l’indication correspondant à la tension de votre région vis à vis du repère triangulaire situé sur le panneau. Le sélecteur de tension est réglé sur 240 V au départ d’usine. Après avoir sélectionné la tension qui convient, faites glisser le câble d’alimentation de CA par dessus le panneau arrière et branchez-le dans l’AC INLET (prise de CA), puis branchez l’autre extrémité dans une prise murale de CA. Vous pouvez également dans certains cas avoir recours à un adaptateur de prise en fonction de la configuration des prises murales de CA de votre pays.

PRECAUTION

• Un mauvais réglage de la tension peut gravement endommager le CVP-202 ou entraîner des dysfonctionnements.

N’oubliez pas de régler la hauteur du pédalier

Pour assurer la stabilité du pédalier (C), un dispositif de réglage a été prévu à sa partie inférieure. Tournez ce dispositif jusqu’à ce qu’il soit en contact ferme avec la surface du sol. Ce dispositif assure la stabilité du pédalier lors de son utilisation et facilite la commande au pied des effets. Si ce dispositif n’est pas en contact ferme avec le sol, il pourra se produire une distorsion du son.

■ Lorsque le montage est terminé, veuillez

mener à bien les vérifications suivantes.

• Reste-t-il des pièces non utilisées? ➔ Passer en revue la procédure de montage et corriger toute

erreur éventuelle.

• Le Clavinova est-il placé à l’écart des portes et de toute autre structure mobile?

➔ Déplacer le Clavinova vers un emplacement approprié.

• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un cliquetis?

➔ Serrer convenablement toutes les vis.

• Le pédalier fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur les pédales?

➔ Tourner le stabilisateur de sorte que le Clavinova repose

fermement sur le sol.

• Les cordons des pédales et d’alimentation sont-ils bien enfoncés dans les prises?

➔ Vérifier toutes les connexions.

• Si la partie principale de l’appareil craque ou est instable lorsque vous jouez sur le clavier, consulter les diagrammes de montage et resserrer toutes les vis.

NSelector de tensión

Antes de conectar el cable de alimentación de CA, compruebe el ajuste del selector de tensión que se incorpora para ciertos destinos. Para ajustar el selector a 110V, 127V, 220V ó 240V de la red de alimentación, emplee un destornillador de cabeza recta “-” para girar el selector de modo que la tensión correcta de su zona aparezca al lado del indicador del panel. El selector de tensión se ajusta a 240V cuando la unidad sale de fábrica. Cuando haya seleccionado la tensión correcta, deslice el cable de alimentación por encima del panel trasero y conéctelo a la toma AC INLET (entrada de CA); a continuación, conecte el otro extremo del cable a una toma de corriente. En algunos países también podrá suministrarse un adaptador de clavija para permitir su conexión a las tomas de corriente locales.

CUIDADO

• Un ajuste incorrecto de la tensión podrá ocasionar daños graves al instrumento CVP-202 o provocar un funcionamiento defectuoso.

MAsegúrese de ajustar el ajustador.

Para la estabilidad del aparato, se proporciona un ajustador en la parte inferior de la caja de pedales (C). Gire el ajustador hasta que contacte firmemente con el suelo. El ajustador asegura una operación estable de los pedales y facilita el control del efecto de los pedales. Si el ajustador no contacta firmemente con el suelo, puede resultar en sonido distorsionado.

■ Cuando haya concluido el montaje, com-

pruebe los siguientes puntos:

• ¿Ha quedado alguna pieza sin instalar? ➔ Revise el procedimiento de montaje y corrija cualquier error

que se haya podido cometer.

• ¿Está el Clavinova alejado del recorrido de puertas y muebles? ➔ Traslade el Clavinova a una posición adecuada.

• ¿Suena algún ruido de holgura cuando se mueve el Clavinova? ➔ Apriete con firmeza todos los tornillos.

• ¿Vibra o cede la caja de pedales cuando se pisan los pedales? ➔ Gire el estabilizador hasta que apoye firmemente sobre el

suelo.

• ¿Están perfectamente insertados los cables de pedal y alimentación en los conectores?

➔ Revise las conexiones.

• Si la unidad principal cruje o presenta algún signo de inestabilidad cuando se toca el teclado, consulte los esquemas de montajee y vuelva a apretar todos los tornillos.

CVP-202

Page 38

Specifications / Technische Daten /

○○○○○○○○○○○○○

Spécifications / Especificationes

KEYBOARD 88 keys (A–1 — C7) TONE GENERATOR AWM (Advanced Wave Memory) MAXIMUM SIMULTANEOUS 64

POLYPHONY VOICES Clavinova voices: 243

EFFECTS Reverb: 23 types Chorus: 15 types

ACCOMPANIMENT STYLES Rhythm Styles: 134 Pianist Styles: 36

AUTO ACCOMPANIMENT Music Database: 463

REGISTRATION Bank A – E x 4 memory locations (20), Freeze SONG PLAY MODE Song Playback, Repeat, Volume control of individual Parts (Mixer)

SONG RECORD MODE Quick Recording, Track Recording, Chord Sequence, Song Name, Track Edit, Initial Edit, Setup Memory LCD/CONTROLS 240 x 64 dot liquid crystal display, Contrast dial, Beat lamp, Function button, Mixer button,

VOLUME CONTROLS Master volume, Acmp/Song volume DEMO/HELP 50 Demo Songs; 5 help languages (English, Japanese, German, French, Spanish) DISK DRIVE 3.5-inch micro floppy disk drive PEDAL RIGHT Damper

CONTROLS

JACKS AND TERMINALS PHONES jacks x 2, AUX OUT jacks (L/L+R, R), AUX IN jacks (L/L+R, R), TO HOST terminal, MIDI terminals (IN, OUT,

INPUT/OUTPUT AUX OUT: Output Impedance: 600 Ω SPECIFICATIONS AUX IN: Input Impedance: 10 kΩ; Input Sensitivity: –10 dBm

MAIN AMPLIFIERS 80W (40W x 2) SPEAKERS 16cm x 2, 5cm x 2 DIMENSIONS (W x D x H) Music rest down: 1394mm x 561mm x 845mm (54-7/8" x 22-1/16" x 33-1/4")

WEIGHT 56.0kg (123lbs., 7oz.)

CENTER Sostenuto

LEFT Soft, Start/Stop, Harmony, Registration, Registration Freeze, Ending/rit, Break, Break Fill,

XG voices: 480 Drum Kits: 14 sets Voice Groups: PIANO&HARPSI., E.PIANO, ORGAN&ACCORDION, PERCUSSION, GUITAR, BASS, BRASS, WOOD

WIND, STRINGS, CHOIR&PAD, SYNTH., XG Dual, Split

Effect: 92 types

Custom Styles: 4 Style Groups: POP&ROCK, POPBALLADS, DANCE, SWING&JAZZ, R&B, COUNTRY, LATIN, MARCH&WORLD, WALTZ,

BALLROOM, PIANIST, DISK/CUSTOM Controls: Intro, Main A, Main B ,Main C, Main D, Auto-fill, Ending, Fade in/out, Synchro, Start/Stop, Tap,

Metronome, Tempo –/+

Single Finger, Multi Finger, Fingered1, Fingered2, Full Keyboard, Harmony, One Touch Setting, Chord Assist, Synchro Stop, Individual Part Volume Control (Mixer)

Controls: Song, Play/Stop, Rewind, Fast forward, Pause Guide Control: Easy Play, Next Note, Sound Repeat

Lyric Display, Piano Roll Display, Keyboard Guide Lamps

Page < > buttons, Direct Access button, LCD buttons, data dial, –/+ buttons, Exit button

Bass Hold, Fade In/Out, Effect Variation, Glide

THRU)

Music rest up: 1394mm x 561mm x 1017mm (54-7/8" x 22-1/16" x 40-1/16")

• Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

• Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.

CVP-202

• Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche.

• Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha.

Page 39

Clavinova Web site (English only)

http://www.yamahaclavinova.com/

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

WA54890 3??PO???.?-01A0 Printed in Indonesia

Page 40

documentation manual, user maintenance, brochure, user reference, pdf manual

This file has been downloaded from:

User Manual and User Guide for many equipments like mobile phones, photo cameras, monther board, monitors, software, tv, dvd, and othes..

Manual users, user manuals, user guide manual, owners manual, instruction manual, manual owner, manual owner's, manual guide,

manual operation, operating manual, user's manual, operating instructions, manual operators, manual operator, manual product,