Yamaha Audio 02R User Manual

DIGITAL RECORDING CONSOLE
E
FCC INFORMATION (U.S.A.)
ADVARSEL! Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren.
VARNING Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion.
VAROITUS Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR
THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT: The wires in this mains lead are coloured in accordance with
the following code: GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.

Important Information

Important Information
Please read the following before operating your Digital Recording Console 02R.

Precautions

Installing the 02R
The unit should be connected only to an AC receptacle of the type described in the owner’s manual or as marked on the unit.
Be careful to prevent the 02R from getting wet; do not allow water to enter the 02R, especially when raining or snowing, or near a body of a water. Otherwise, fire or electrical shock may result.
Do not block the ventilation holes on the 02R. The 02R has ventilation holes on the top, rear, front and bottom panel to prevent the inside temperature from rising. If the ventilation holes are blocked, the heat will remain inside, resulting in fire. In particular, avoid the following situations:
i
Do not orient the 02R upside down, face down, or sideways.
Do not place the 02R in a narrow, non-ventilated space, such as in a bookcase or closet. Use a dedicated rack.
Do not place a table cloth on top of the 02R; do not place the 02R on a carpet or mattress.
Do not place heavy objects on the power cord. If the cord is damaged, fire or electrical shock may result. In particular, it is possible that one might accidentally place a heavy object on the carpet that covers the cord, or place the 02R on top of a power cord; avoid these situations.
•To allow for the efficient release of heat, maintain a gap of 10cm or more between the rear of the 02R and the wall. Locate the 02R away from other equipment. If the release of heat is insufficient, the heat will remain inside the device, and result in a fire.
Do not install the 02R in a place where it may be exposed to oil, smoke, or steam (for example, near a cooking table or humidifier). Otherwise, fire or electrical shock may result.
Do not place the 02R on an unstable surface, such as an unstable bench or slanted surface. Otherwise, the equipment may fall or drop, resulting in injury.
Do not place the power cord near a heating device. Otherwise, the cord sheath may melt, resulting in fire or electrical shock.
Do not locate the 02R in a place subject to excessive heat, such as
Do not place the 02R in a place subject to excessive humidity or dust.
inside a car with all the windows closed, or in direct sunlight. Otherwise, fire may result.
Otherwise, fire or electrical shock may result.
Digital Recording Console 02R Owner’s Manual
ii
Important Information
Do not handle the power plug with wet hands. Otherwise, you may receive an electrical shock.
•When you remove the power plug, be sure to hold the plug. Never pull on the cord. Otherwise, the power cord will become damaged, resulting in fire or electrical shock.
•When relocating the 02R, since the 02R is heavy, make sure that two or more people carry it.
•When you are moving the 02R to another location, first turn off the power switch, remove the power plug from the AC outlet, and remove all cables connected to external devices. Otherwise, the cables may become damaged, resulting in fire or electrical shock.
The Digital Recording Console 02R offers superb sonic quality. To ensure the best possible results, you should use the best quality connecting cables that you can afford. Regular maintenance involves keeping all connections clean using a quality contact cleaner.
Using the 02R
Do not touch the 02R under the following circumstances:
If you hear thunder, turn off the power switch and remove the power plug from the AC outlet as soon as possible.
If you fear a lightning hit, and the 02R has been connected to an AC outlet, do not touch the power plug. Otherwise, you may receive an electrical shock.
Do not attempt to modify this equipment. Otherwise, fire or electrical shock may result.
Do not remove the case of the 02R. Otherwise, electrical shock may result.
If you think the 02R needs to be checked for maintenance or repair, consult your dealer.
Do not place a container of water, or any small metal object on top of the 02R. If water is spilled or if the metal object falls inside, fire or electrical shock may result. This applies to vases, potted plants, glasses, cosmetic bottles, medicine, etc.
Do not damage, process, bend, twist, stretch, or heat the power cord. Otherwise, the cord may be damaged, resulting in fire or electrical shock.
•When you are connecting audio devices or speakers to the 02R, make
Set the volume level on all the devices to the minimum before turning
If you plan not to use the 02R for a long period of time (such as when
Digital Recording Console 02R Owner’s Manual
sure that first you turn off the power to all devices to be connected. Refer to the user's guide for each device, and use the specified cable for connection.
on the power. Otherwise, an extremely loud noise could damage your hearing.
you are on vacation), remove the power plug from the AC outlet. Otherwise, a fire could possibly result.
Important Information
If an abnormality occurs while operating the 02, remove the plug from the AC outlet
If you notice any abnormality--such as smoke, odor, noise, etc.--turn off the power to the 02R immediately, and remove the power plug from the AC outlet. Confirm that the abnormality is no longer present, then consult your dealer for repair. If you continue using the 02R under abnormal conditions, fire or electrical shock may result.
If a foreign object or water enters inside the equipment, turn off the power to the 02R immediately, remove the power plug from the AC outlet, and consult your dealer for repair. If you continue using the 02R under this condition, fire or electrical shock may result.
If the power cord is damaged (for example, the it is cut or if the core wire is exposed), ask your dealer for a replacement. If you continue using the 02R under this condition, fire or electrical shock may result.
If the 02R is dropped, or the cabinet is damaged, turn off the power switch, remove the power plug from the AC outlet, and consult your dealer. If you continue using the 02R under this condition, fire or electrical shock may result.
iii

Maintenance

Before cleaning the 02R, remove the power plug from the AC outlet for safety. Otherwise, an electrical shock may result.
An authorized dealer should clean the internal parts of the 02R on a regular basis. If you do not clean them for a long period of time, allowing dust to accumulate inside the equipment, fire or malfunction may result.
Consult your dealer about cleaning and its cost. The optimum frequency for cleaning is once a year. It is especially effective to clean before a rainy or humid season starts.
The performance of contact parts--such as switches, the volume encoder, and connectors--deteriorates with use. The degree of deterioration may differ depending on the environment, but the deterioration itself cannot be avoided. To replace the contact parts, consult your dealer.
Do not apply oil, grease, or a contact repair agent to the faders. Otherwise, the conductivity of the electrical contact point may be affected.
If you think the faders' movement is awkward, refer to "User’s Guide" on page 170 for calibration information.
Data backup
Data stored inside the equipment may be destroyed by malfunction or incorrect operation of the equipment. Be sure to save important data to an external MIDI device for backup.
Digital Recording Console 02R Owner’s Manual
iv
Important Information
Influences on other electrical devices
This equipment uses many digital circuits, which may cause noise to occur on nearby radio or TV. In this case, relocate the 02R away from those devices.

Exclusion of Certain Damages

Manufacturer, importer or dealer shall not be liable for any incidental or consequential damages for other than injury to the person and/or any other damages that caused by not proper use or operate the instrument.
Please, watch also our instructions in this manual.

Copyright

© 1995 Yamaha Corporation. All rights reserved.
No part of the Digital Recording Console 02R software or its user manuals may be reproduced or distributed in any form or by any means without the prior written authorization of Yamaha Corporation.

Trademarks

ADAT and Alesis are registered trademarks of Alesis Corporation.
ADAT Multichannel Optical Digital Interface is a trademark of Alesis Corporation.
®
TEAC
Tascam Digital Audio Interface (TDIF-1™) is a trademark of TEAC CORPORATION.
All other trademarks and registered trademarks are the property of their respective holders.
is a registered trademark of TEAC CORPORATION.

Package Contents

Your Digital Recording Console 02R package contains the following items. If you do not have them all, please contact your Yamaha dealer.
Digital Recording Console 02R
This Getting Started Guide
This Owner’s Manual consists of:
Digital Recording Console 02R Owner’s Manual
•A Getting Started Guide section and
•A User’s Guide section.

User’s Guide

DIGITAL RECORDING CONSOLE
User’s Guide

Contents

Contents
1 Introduction to the 02R. . . . . . . . . . . . . . . . . . . . . . 1
Digital Recording Console 02R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
User Guides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Top and Rear Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Key Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
2Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Basic Assumptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Making the Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Basic Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Power ON/OFF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Setting the Synchronization. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Recall Scene Memory 0. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
i
3 Introductory Recording Tutorial . . . . . . . . . . . . . 19
Setting the Input Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Applying EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Using the EQUALIZER Library . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Panning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
4 Secondary Recording Tutorial. . . . . . . . . . . . . . . 41
Auxiliary Send Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Setting the Auxiliary Send Level . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Creating a Monitor Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Applying Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Recalling and Editing Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Patching in a Dynamics Processor . . . . . . . . . . . . . . . . . . . . . . . . . 54
Using the Dynamics Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Scene Memories. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Digital Recording Console 02R Getting Started Guide
ii
Contents
5Mixing and Automation. . . . . . . . . . . . . . . . . . . . 67
What is 02R Automation? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Real-Time Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Editing Automation Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Off-Line Automix Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Using the AUTOMIX Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Digital Recording Console 02R Getting Started Guide
1

Introduction to the 02R

Introduction to the 02R
In this chapter...
Digital Recording Console 02R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
User Guides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Top and Rear Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
1
1
Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Key Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Digital Recording Console 02R Getting Started Guide
2
Introduction to the 02R

Digital Recording Console 02R

From the company that pioneered digital mixing consoles and leads the industry with its acclaimed DSP technology comes the Digital Recording Console 02R – the most advanced digital mixing console in the world. All of YAMAHA’s experience and innovation has been applied to the 02R, to create a perfect mixer for use with the current generation of modular digital multitrack tape and disk recorders.
Inputs and Outputs – I/O Cards and Digital Cascade
With the YAMAHA Digital Recording Console 02R you can record and mix directly to your modular digital multitrack recorder without ever leaving the sonic purity of the digital domain. It is a 40 input channel mixer, each with full dynamic processing and 4-band parametric EQ, plus two stereo internal effects returns. It comes with 24 analog inputs, featuring 20-bit 64-times oversampling analog-to-digital conversion. By adding one of the optional digital I/O cards, you can also have 8 channels of direct digital input. Depending on configuration, up to four cards can be inserted into the 02R. The cards allow you to select from any of the currently used formats (ADAT®, TDIF™, YAMAHA, or AES/EBU). The optional cards allow you to route up to 16 outputs directly to your modular digital multitrack recorder. In addition, you can insert a Digital Cascade card into one of the I/O slots, allowing you to connect multiple 02Rs together to create a larger digital mixing system.
Dynamic Automation with Total and Instant Recall
The Digital Recording Console 02R is a fully dynamic automated mixing console – all referenced to time code. Its onboard automation system memorizes not just the faders, but a myriad of parameters. Switch individual channels on or off, adjust the equalization or the pan position, change the auxiliary send, and recall any scene memory – automatically. There are 64 internal scene memories which can store every digital mix parameter in a “snapshot” providing instant recall and reset.
Crystal Clarity and Unsurpassed Audio Quality
The 02R contains YAMAHA’s latest generation 32-bit proprietary audio DSP. All of your mix data is processed internally with 32-bit precision. Using the power of the latest generation effects processor chip, it also has a startling range of effects available: shimmering reverbs, clean, precise delays, flanging and chorus, and other effects are built into this mixer. It also features dynamics processors on all the inputs, allowing you to compress, limit, or gate the signals, giving you unparalleled sonic quality and flexibility. The 02R samples audio at 44.1 kHz and 48 kHz using its internal clock, and can sample at any frequency from 28 kHz to 53 kHz when an external word clock is applied.
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R
RISC Technology
To provide powerful system control and full dynamic automation, the 02R is driven by a RISC technology CPU. With all this power and sonic quality, the 02R will become the heart of your digital recording studio.

User Guides

The Digital Recording Console 02R is supplied with an Owner’s Manual which consists of two sections – a Getting Started Guide and a User’s Guide . You should keep this manual handy for future reference.
Getting Started Guide
The Getting Started Guide sections contain a simple description and a couple of tutorials about digital recording with the 02R to get you started. It also has a tutorial on the automation system.
User’s Guide
3
The User’s Guide sections explain each 02R function in full detail. Use its table of contents to search for general topics and the index to search for specifics. A glossary of related terms is also provided.
Where to Start
If you are unfamiliar with the 02R, you should start with the Getting Started
Guide . Read through the section and follow the steps outlined in the
tutorials. Refer to the User’s Guide when you are more familiar with the 02R and just need the details of how a particular function works. You may also want to refer to the User’s Guide for more detailed information while using the Getting Started Guide .
Automation System
Regardless of your level of experience, you should read through the section “Mixing and Automation” on page 67 of the Getting Started Guide . The automation system built into the 02R is unique to this product. Even experienced recording engineers will want to refer to this section to discover how to record and playback entire mixing sessions. You should also refer to the section entitled “Automation” on page 123 of the User’s
Guide .

Installation

You should locate the Digital Recording Console 02R on a stable surface. It should be sited so that the display screen can be easily read from a comfortable position. Leave plenty of access space at the back of the unit to make the required connections to the other equipment in your digital recording studio.
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R

Top and Rear Panels

+48V
+48V
+48V
+48V
+48V
+48V
+4 -40
-16 -60
PEAK
SIGNAL
+48V
ON
ON
OFF
OFF
A
A
B
B
20dB
20dB
20dB
+4 -40
+4 -40
GAIN
GAIN
-16 -60
-16 -60
PEAK
PEAK
SIGNAL
SIGNAL
5
6
20dB
+4 -40
-16 -60
PEAK
SIGNAL
ON
ON
ON
OFF
A B
20dB
+4 -40
GAIN
GAIN
-16 -60
PEAK
SIGNAL
1
ON
OFF
OFF
OFF
A
A
A
B
B
B
20dB
20dB
+4 -40
+4 -40
GAIN
GAIN
-16 -60
-16 -60
PEAK
PEAK
SIGNAL
SIGNAL
2
3
4
4
+48V
ON
ON
OFF
OFF
A
A
B
B
20dB
20dB
20dB
20dB
20dB
20dB
20dB
+4 -40
-16 -60
PEAK
SIGNAL
20dB
+4 -40
+4 -40
+4 -40
+4 -40
+4 -40
GAIN
GAIN
GAIN
GAIN
-16 -60
-16 -60
PEAK
PEAK
PEAK
SIGNAL
SIGNAL
SIGNAL
14
17/18
15
16
+4 -40
GAIN
GAIN
GAIN
PEAK
PEAK
PEAK
SIGNAL
SIGNAL
SIGNAL
19/20
21/22
23/24
20dB
+4 -40
+4 -40
+4 -40
+4 -40
+4 -40
GAIN
GAIN
GAIN
-16 -60
-16 -60
PEAK
PEAK
SIGNAL
SIGNAL
9
7
8
-16 -60
PEAK
SIGNAL
+4 -40
GAIN
GAIN
GAIN
GAIN
-16 -60
-16 -60
-16 -60
PEAK
PEAK
PEAK
SIGNAL
SIGNAL
SIGNAL
10
11
13
12
010
STUDIO LEVEL
010
T/B LEVEL
010
PHONES
LEVEL
DISPLAY ACCESS
DIGITAL
SCENE
I/O
MEMORY
MIDI
AUTOMIX GROUP
CONFIGURATION
Ø/ATT DELAY
VIEW
METER
MIXING
AUX 1 AUX 2 AUX 3 AUX 4
AUX 5 AUX 6
AUX
SEL
SEL
SEL
ON
ON
ON
TAPE
TAPE
TAPE
3
2
1
SEL
SEL
SEL
ON
ON
ON
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
50
50
50
1
2
3
SETUP
PAN ROUTING
EQ
AUX 7
EFF1
SEL
TAPE
SEL
10
5
0
5
10
15
20
30
40 50
UTILITY
PAIR
DYNAMICS
AUX 8 EFF2
ON
4
ON
4
SCENE MEMORY
FADER STATUS
INPUT
AUX
1234 5678
SELECTED CHANNEL
MIC/LINE
TAPE/RTN
OUTPUT
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
TAPE
TAPE
6
5
SEL
SEL
ON
ON
10
10
5
5
0
0
5
5
10
10
15
15
20
20
30
30
40
40
50
50
5
6
TAPE
TAPE
TAPE
9
8
7
SEL
SEL
SEL
ON
ON
ON
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
50
50
50
7
8
9
TAPE
TAPE
TAPE
12
11
10
SEL
SEL
SEL
ON
ON
ON
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
50
50
50
10
11
12
TAPE
TAPE
TAPE
15
14
13
SEL
SEL
SEL
ON
ON
ON
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
50
50
50
13
14
15
CLIP
-2
-4
-6
-12
-15
-24
-35
-48
-60
-72
L STEREO R
CONTRAST
SEL
SEL
SEL
ON
ON
ON
TAPE
16
SEL
ON
10
5
0
5
10
15
20
30
40 50
16
EFF2
EFF1
RTN
RTN
FLIP
SELONSELONSELONSEL
ON
10
10
10
5
0
5
10
15
20
30
40 50
17/18
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
50
50
50
19/20
21/22
23/24
10
15
20
30
40
50
60 70
0
5
STEREO
1
3
5
7
ROUTING
EQ ON
SEL
ON
SELECTED CHANNEL
2
4
6
8
DIRECTST
RL/MONO
PAN
HIGH/LPFH-MIDL-MIDLOW/HPF
EQUALIZER
ODD
SEND LEVEL
L
ENTER
AUX 2
AUX 1
AUX 3
AUX 5
AUX 7
EFF1
AUX
EVEN
Hz kHz
AUX 4
AUX 6
AUX 8 EFF2
R
dB
STORE
ON
Q
F
G
SCENE MEMORY
C-R
AUX 5STAUX 6
2TR-D1 2TR-A1
2TR-D2 2TR-A2
2TR-D3 ST
AUX 5
MONO
CONTROL ROOM
SLATE T/B
TALKBACK
SOLO
RECALL
STUDIO
AUX 6
DIM
010
C-R
LEVEL
CURSOR
DIGITAL RECORDING CONSOLE
5
1
STUDIO MONITOR OUT
6
AUX SEND
LRL
C- R MONITOR OUT
+4dB +4dB
3
4
2
+4dB
L
R
R
-10dBV
STEREO OUT ANALOG
POWER
ON/ OFF
12
TIME
+4dB
SMPTE
L
R
METER
CODE INPUT
+4dB
-10dBV
2TR IN
ANALOG
MTC
L
1
R
INPUT INPUT INPUT INPUT
23
L
2
R
COAXIAL
STEREO OUT
DIGITAL
Digital Recording Console 02R Getting Started Guide
2224
AES/EBU
THRU OUT
INPUT AINPUT A
INPUT A
INPUT A INPUT A INPUT A
1718192021
COAXIAL
AES/EBU
INOUT
75
ON OFF
WORD CLOCK
IN
TO HOST
MIDI
2
3
2TR IN DIGITAL
1
INPUT A
INPUT
INPUT
INPUT
B
B
B
INSERT
INSERT
INPUTINPUTINPUTINPUTINPUTINPUTINPUTINPUTINPUTINPUTINPUTINPUT
INSERT
I/O
I/O
I/O
8910111213141516
SLOT 4
INPUT
INSERT I/O
INPUT
INPUT
B
B
INSERT
INSERT
I/O
I/O
SLOT 2
INPUT A
INPUT
INPUT
B
B
B
INSERT
INSERT
I/O
I/O
1234567
0dB0dB0dB0dB0dB0dB0dB0dB
SLOT 3
SLOT 1
Introduction to the 02R

Features

Sonic Specifications
Linear 20-bit 64-times oversampling A/D convertors
Linear 20-bit 8-times oversampling D/A convertors
105 dB dynamic range (typical)
32-bit precision internal processing with a dynamic range of over 190 dB using YAMAHA’s 32-bit proprietary audio DSP
General Features
40 input channel mixer, with full dynamic processing and 4-band parametric equalization
Dynamic automation – all referenced to time code
64 internal scene memories for storing all digital mixer settings
4-band Parametric EQ with sweepable center-frequency from 20 Hz to 20kHz and adjustable bandwidth (Q)
5
Extensive EQ library
Comprehensive dynamics processors on each input channel, tape return, and buss and stereo output:
Compressor
Expander
Gate/Ducking
Soft and Hard Compander
Dynamics library
Fully programmable channel settings: phase and attenuation, delay, pan, routing, meters, EQ, and dynamics
Channel library
•Two internal stereo effects using proprietary processor chip
•Effects library
•8 output busses, 8 auxiliary send busses, and main stereo mix buss
24 balanced analog inputs (8 channels with either XLR-type or phone connectors)
Continuously variable gain control
20 dB input pad
•8 XLR-type inputs with 48V phantom power for condenser
•8 analog insert input/output connections
•2 analog 2TR IN inputs
microphones
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R
•2 analog stereo outputs
•6 analog auxiliary send outputs
Stereo studio and control room outputs
•3 digital 2TR IN inputs
•2 digital stereo outputs
Industry standard AES/EBU or IEC958 Part2 (Consumer) digital
100mm motorized faders
Fader and mute groups for single fader or button control over several
Adjacent channel pair function for stereo operation on inputs, tape
Dedicated buttons and controls of the Selected Channel module
inputs and outputs
faders or channel ON buttons
returns, and auxiliary channels
6
×
Large 320
RISC technology CPU
•SMPTE and MTC synchronization plus full MIDI implementation
240 pixel, FL-backlit, user-friendly graphical display screen
Optional Features
Optional digital I/O cards:
Alesis ADAT
•TASCAM TDIF-1
•YAMAHA
AES/EBU
Digital Cascade
Optional analog input/output card
Optional 1MB memory expansion kit
Optional meter bridge
Optional wooden side panels
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R

Key Features

This section looks at some of the key features of the Digital Recording Console 02R, what they mean to you, and some hints about how you can use them.
Dynamic Automation
One of the most demanding jobs of the recording engineer is taking all the raw material produced during a multitrack recording session and mixing it all together into an artistically satisfying master recording. The ability to setup portions of the mix and then have them playback automatically as you work on other portions is probably the most important feature of the Digital Recording Console 02R.
It has an on-board automation system that memorizes fader positions, switches individual channels on or off, adjusts the equalization or pan positions, and changes the auxiliary sends – all based on time code. It can also record and execute scene memory changes, also determined by time code. This allows you to perform an entire mixing session, and then edit individual channel settings until you have achieved the perfect mix.
7
The 02R allows you to record a mixdown in real-time and then edit the results, either in real-time or by using one of the event editors. You can select single parameters of the mixer to edit – for example, just enable the faders for one pass as you create your mixdown.
Scene Memories
The 02R has 64 internal scene memories each of which is a snapshot of all the digital settings of the mixer (a mix scene). Each can be named for easy identification. They can be stored and later recalled instantly.
If you work on several projects at one time, you can store the current mixer settings in a scene memory so when you return to that project, you can start immediately from where you left off. When you are working on a mixdown, the ability to recall mixer scenes can speed the process and allows for accurate repetition of the various parts of the mix. When you use the 02R for sound reinforcement applications, the ability to recall mix scenes can make light work of night-after-night sound checks.
Storing the mixer settings to a scene memory is a simple matter of pressing the [STORE] button and confirming the request.
Note: You can customize your 02R to perform the storage operation without
confirmation. See “Preferences” on page 162 of the User’s Guide for more details.
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R
Recalling the scene is even easier – just press the [RECALL] button. You should be careful that your scene memories flow into each other smoothly. The instant recall means that you can have very abrupt level changes or the unexpected intrusion of a very loud channel.
Note: The 02R allows you to have programmable fades between scene memories.
The only thing you need to watch is the sudden sound of a channel being switched on. Even then, if the original channel level was set to – problems. See “Fade Time” on page 121 of the User’s Guide.
Large Graphical Display
The heart of the 02R user interface is the large graphical display located in the center of the console. Using the Display Access controls, you can gain immediate access to the features of the mixer – clearly displayed on the 320
×
240 pixel, FL-backlit, user-friendly graphical display screen. Virtual control modules are shown on the screen, allowing you to adjust almost any digital parameter anywhere in the system.
8
dB, you should have no
As well as displaying parameter values numerically, faders, rotary controls, and push buttons are represented graphically, so you can actually see button status, pan positions, and fader levels.
In addition the equalization curves are displayed graphically as are the dynamics processor parameters.
User Interface
The Digital Recording Console 02R user interface is powerful but very intuitive. There are two main methods of working with the 02R:
Use the DISPLAY ACCESS controls to modify one parameter at a time
across the entire recording console.
Use the SELECTED CHANNEL controls to modify all of the
parameters of the currently selected channel.
The DISPLAY ACCESS controls consist of a block of 24 function buttons divided into three groups – the CONFIGURATION group, the MIXING group, and the AUX group – plus the large backlit graphical display screen, four cursor buttons, a detented encoder wheel, and the [ENTER] button. There is also a related block of four SCENE MEMORY buttons – to increment, decrement, store, and recall the scene memories.
The SELECTED CHANNEL controls consist of four main blocks of controls – each block was designed to be as familiar as the equivalent controls on a standard analog mixer, but with the power of digital precision and instant recall. The ROUTING block selects the buss onto which to route the current channel signal. The AUX block selects the auxiliary buss to send the channel signal to and sets the send level. The PAN block sets the pan position of the channel signal. The EQ block sets the equalization curve for
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R
the current channel. You can customize your 02R to automatically select the corresponding display function when you adjust a control in these blocks.
Motorized Faders
In addition to the DISPLAY ACCESS and SELECTED CHANNEL controls, each input channel and the stereo master channel utilizes a 100mm motorized fader. When a scene memory is recalled, the faders position themselves automatically to the levels stored. Fader movements are replayed automatically in synchronization with time code during playback of a dynamic automation memory.
The faders allow you to quickly and accurately set the levels for the selected channels. By pressing the [FLIP] button, you can transfer fader control over your tape returns as well. Faders can be grouped into one of four fader groups for control of multiple faders from a single control. (There are also four mute groups which allow you to toggle a group of channels on or off.) You can also control two adjacent channels in stereo with the pair operation using only one fader.
9
Internal Stereo Effects
The Digital Recording Console 02R features eight auxiliary sends, two of which are routed to the internal multi-effects stereo processors: Effect1 and Effect2. Using the power of YAMAHA’s proprietary effects processor chip, the 02R has a startling range of special effects available to apply to your mix. Shimmering reverbs, clean and precise delays, flanging and chorus, and a myriad of other effects are available built right into this mixer. The effects are processed entirely within the digital domain, ensuring the signal quality is the finest that a digital system can provide.
The 02R features a simple and convenient analog interface to outboard signal processing and effects units. When you use the six auxiliary sends, the signal from those channels is converted to analog at 18-bits linear, 8-times oversampling.
Effects can be applied to input channels or the tape return channels, and the auxiliary sends can be configured pre-fader or post-fader. There are 40 preset effects programs and 88 user effects programs for you to store your own settings.
Dynamics Processors
Dynamics processors are generally used to correct or control signal levels. However, you can also use them creatively to shape the volume envelope of a sound. The 02R features comprehensive dynamics processors for all the input, return, buss, and stereo output channels – a total of 50 processors. These processors allow you to compress, expand, limit, gate, or duck the signals passing through the mixer, giving you unparalleled sonic quality and flexibility.
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R
Similar to the internal stereo effects, the dynamics processors are patched directly into the signal path while the audio data remains in the digital domain. Signal quality is unaffected by conversion to and from digital as would be the case if you used an external dynamics processor. The dynamics program settings are stored in the dynamics library as well as the scene memory. There are 40 preset programs for you to recall and 88 user programs for you to store your own dynamics programs
Parametric EQ with Library
The Digital Recording Console 02R contains a high-performance four-band, fully parametric equalizer. Each input channel, tape and effect return, and the stereo output channel features an equalizer. You can tailor the equalization curve with a high degree of precision, covering the entire dynamic spectrum from 21 Hz to 20.1 kHz. Select the center-frequency (F) and adjust the bandwidth (Q) and the gain (G) until you have achieved the perfect sound.
10
The EQ setting for each channel is stored in the scene memory and can be adjusted in real-time with the dynamic automation system. The 02R also has an extensive EQ library which allows you to store frequently used equalizer settings for instant recall. An equalization program stored in the EQ library is a good starting point and reference when making adjustments to the equalization.
Digital Benefits
You’re probably already familiar with the many benefits of digital audio, but what exactly are the benefits for digital audio mixing?
An audio mixer has the job of combining audio signals from various sources, at differing levels and impedances, usually into a stereo signal. It must do this without introducing any new distortions and noise. Most analog mixers do a pretty good job, but even with the best designs, nonlinear effects caused by circuit components are unavoidable.
In the digital realm, audio mixing consists of adding and multiplying the binary numbers that represent audio signals. The 02R uses a 32-bit DSP (Digital Signal Processor) chip for these calculations, ensuring a very high degree of precision. Once past the analog-to-digital conversion, audio signals are essentially immune from standard signal degradation. With the 02R, noise, distortion, and crosstalk are virtually eliminated. You’ll hear a new clarity in your mixes.
Once in the digital realm, there’s little point converting back to analog. The 02R features stereo digital outputs for direct mixdown to DAT and other digital recorders. It uses the industry standards AES/EBU or IEC958 Part2 (Consumer) for its digital inputs and outputs. With one of the optional digital I/O cards installed in your 02R, you can record direct-to-digital to your modular digital multitrack recorder.
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R
11
Digital Recording Console 02R Sonic Performance
The Digital Recording Console 02R uses linear 20-bit 64-times oversampling analog-to-digital converters to provide a typical dynamic range of 105 dB. This means that an audio program’s dynamic range, from low to high levels, is processed intact. The 02R samples audio at 44.1kHz, the commercial sampling rate for compact discs, and at 48kHz, the professional sampling rate. It provides a full spectrum frequency response of 20 Hz to 20 kHz +1, –3 dB.
For digital-to-analog conversion, the 02R features 20-bit 8-times oversampling for its main stereo outputs, including the control room monitor outputs, and 18-bit 8-times oversampling for the studio and auxiliary send outputs. Oversampling and bitstream techniques effectively increase the internal sampling rate, so side effects caused by steep low-pass filters, which are used to filter out undesirable sampling frequency components during digital-to-analog conversion, are virtually eliminated.
Consequently, audio signal integrity is maintained from input through to output.
Digital Recording Console 02R Getting Started Guide
Introduction to the 02R
12
Digital Recording Console 02R Getting Started Guide
2

Getting Started

13
Getting Started
In this chapter...
Basic Assumptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Making the Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Basic Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Power ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
2
Setting the Synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Recall Scene Memory 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Digital Recording Console 02R Getting Started Guide
14 Getting Started
WARNING! Bef
WARNING! The Digital

Basic Assumptions

The Digital Recording Console 02R was designed to be the perfect digital mixing console for a studio using the current generation of modular digital multitrack tape and disk recorders. Although the 02R can also be used as a sound-reinforcement mixer, the typical user will own a project recording or post-production studio with some form of multitrack recorder. Therefore, your 02R will probably be equipped with one or more of the optional input/output cards. For the purposes of these tutorials, it does not matter if you are working with an analog or digital multitrack.
What You Will Need
To perform the following tutorials, you will need:
The 02R.
•A sound source: CD player, drum machine, synthesizer/sequencer
with demo song.
making any connections, make sure that all your equipment is powered OFF.
Recording Console 02R should be connected only to an AC receptacle of the voltage type marked on its rear panel.
ore
•Amplifiers and speakers, or headphones.
•A multitrack recorder and a stereo master recorder.
Audio connecting cables.

Making the Connections

1. Connect your sound source to input channel 1.
If you are using a stereo sound source, connect it to input channel 2 as well. A stereo source is not essential, and for most of the tutorials it will probably be easier to work with just one channel. If your sound source has XLR-type connectors, connect it to the XLR-type connectors on the 02R. Otherwise, use the phone jacks and select INPUT B with the [A/B] switch.
2. Connect the C-R MONITOR OUT connectors to the inputs on your
power amplifier.
If you are using headphones, connect them to the PHONES jack.
3. Connect your multitrack recorder to the appropriate optional
input/output card.
You can also connect your stereo master recorder to either the digital or analog STEREO OUT connectors.
4. Plug the 02R into a suitable AC receptacle.
Digital Recording Console 02R Getting Started Guide
Getting Started 15

Basic Setup

The following illustration shows how to set up a minimal system that will allow you to perform the following tutorials.
Amplifier
Sound Source Multi-track recorder
Digital Recording Console 02R Getting Started Guide
16 Getting Started

Power ON/OFF

This section explains how to power the Digital Recording Console 02R on and off.
Power ON
It is always important to observe the correct order for powering up equipment in a studio. Always start with the multitrack and mastering recorders and the signal processors, then the 02R, and finally the monitoring amplifiers and other downstream gear.
POWER
ON/ OFF
1. Turn ON the power to the 02R by pressing the POWER switch on
the back panel.
The 02R start-up screen appears for a few seconds, the faders initialize themselves, then the screen that was used when the 02R was last powered off appears.
Power OFF
It is always important to observe the correct order for powering up equipment in a studio. Always start with the monitoring amplifiers and other downstream gear, then the 02R, and finally the multitrack and mastering recorders and the signal processors.
1. Turn OFF the power to the 02R by pressing the POWER switch on
the back panel.
All mix settings, mix scenes, and other data are stored when the 02R is powered off.

Setting the Synchronization

Before you use the 02R with a modular digital multitrack recorder or DAT master recorder, be sure to correctly set the synchronization. The 02R must be slaved to an external wordclock in order to process the input digital signals without drop-out or distortion. Refer to the section “Word Clock Select” on page 154 of the User’s Guide.
Look in the chapter “Installing Options” on page 171 of the User’s Guide. There is a section for each of the optional digital I/O cards that the 02R supports. Refer to the appropriate section for the card installed in your unit.
Digital Recording Console 02R Getting Started Guide
Getting Started 17

Recall Scene Memory 0

Before you start the tutorials, you should set the 02R to its initial mixer settings.
2. Use the SCENE MEMORY increment or decrement buttons to
select scene memory 0 “0 Initial Data”.
3. Press the [RECALL] button.
STORE
SCENE MEMORY
RECALL
This is a read-only scene memory that contains the default settings for the system. The 02R will be reset to its initial settings.
Note: It is best to start at the beginning of each tutorial and work your way through, taking breaks as required. If you deviate too far from the tutorial, or jump into a tutorial halfway through, you may find that subsequent tutorial steps do not work as expected. Also note that the tutorials do not explain all Digital Recording Console 02R functions, nor do they serve as a substitute for the User’s Guide explanations. For full details on all 02R functions, refer to the User’s Guide.
Digital Recording Console 02R Getting Started Guide
18 Getting Started
Digital Recording Console 02R Getting Started Guide
3
Introductory Recording Tutorial 19

Introductory Recording Tutorial

In this chapter...
Setting the Input Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Applying EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Using the EQUALIZER Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
3
Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Digital Recording Console 02R Getting Started Guide
20 Introductory Recording Tutorial

Setting the Input Level

Assuming that Digital Recording Console 02R is powered ON and your music source is playing, the very first thing you need to do is set up a basic control room monitor mix. When you recall Scene Memory 0 “0 Initial Data”, all the channel faders are set to the 0 dB mark.
Setting Fader Levels
10
5
0
5
10
15
20
30
40 50
1
0
5
10
15
20
30
40
50
60 70
STEREO
If the faders are not set to 0 dB, you should perform the following steps to optimize the input signal level for the best performance:
1. Set the fader for MIC/LINE 1 to the 0 dB mark.
The 0 dB fader position is a good place to start when setting fader levels. It is a good setting with regard to signal level and noise performance and it leaves room for you to raise the level later, if necessary.
2. Set the STEREO fader to the 0 dB mark.
The stereo output meters are indicating the stereo output level. The stereo mix signal is now being output to the digital and analog STEREO OUT connectors.
2TR-D2 2TR-A2
2TR-D3 ST
AUX 5
MONO
CONTROL ROOM
AUX 6
DIM
010
C-R
LEVEL
Selecting a Monitor Source
Before you can hear anything through your monitor amplifier and speakers, you have to select a Control Room source:
1. Press the [ST] button of the CONTROL ROOM buttons group.
This selects the stereo bus for monitoring in the control room.
2. Adjust the volume with the C-R LEVEL control.
You should be able to hear the sound source through your monitor speakers. If you are using stereo headphones, you will need to adjust the PHONES LEVEL control to set a comfortable listening level.
Note: Be very careful with the level settings, especially if you are using stereo headphones. When you are adjusting a unit as complex as the Digital Recording Console 02R, it is possible for you to inadvertently switch on a very loud signal source. Damaged loudspeakers or amplifiers can be very expensive. Damage to your hearing can be much worse. Your ears are for life!
Digital Recording Console 02R Getting Started Guide
Introductory Recording Tutorial 21
Setting the GAIN
1. Press the [METER] button.
METER
SEL
20dB
The METER Display function appears showing the signal level for MIC/LINE 1.
2. Press the [SEL] button for MIC/LINE 1.
You are now monitoring the input channel MIC/LINE 1.
3. If the sound is distorted, the PEAK indicator is illuminated, or the
level is going up to CLIP, press the 20dB (pad) switch to attenuate the input signal for MIC/LINE 1.
+4 -40
GAIN
-16 -60
You usually need to pad (attenuate) the input signal when you connect a line level device, such as a synthesizer or an effects unit to the channel. If you connect a microphone, you should not need to pad the signal.
If you want to use a very high impedance device, such as a guitar or bass guitar, you should insert a direct box or effects processor between the guitar and the 02R – or you should mike the guitar amplifier.
Note: The stereo input channels (LINE 17 through 24) accept line level signals only.
4. Use the GAIN control for MIC/LINE 1 to optimize the signal level.
Ideally the level should be set relatively high to obtain the best signal-to-noise performance. It is acceptable for the PEAK indicator to occasionally illuminate but the signal levels should not reach CLIP. If the PEAK indicator illuminates constantly, the signal is overloading the input preamplifier and you may be able to hear analog clipping distortion. When CLIP is reached, you will experience digital clipping distortion, which is usually very unpleasant sounding.
Digital Recording Console 02R Getting Started Guide
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