Yamaha PLG150PF User Manual

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Piano Plug-in Board Piano Plug-in Board Carte Plug-in piano

Owner’s Manual Bedienungsanleitung Mode d’emploi

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Precautions

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Do not expose the plug-in board to direct sunlight, excessive humidity, high temperatures, excessive dust or strong vibrations.

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Before handling the plug-in board, be sure to touch a metal surface to discharge any static electricity which may be in your body.

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When holding the plug-in board, do not touch the inside area of the circuit board or apply excessive pressure to the board, and be sure to protect the board from contact with water or other liquids.

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Before installing the plug-in board onto a tone generator/sound card, unplug the power connector of your computer.

* The company names and product names in this Owner’s Manual are the trademarks or registered

trademarks of their respective companies.

* The screens as illustrated in this owner’s manual are for instructional purposes only, and may

appear somewhat different from the ones of your instrument.

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Before connecting the computer to other devices, turn off the power switches of all devices.

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Yamaha is not responsible for loss of data through computer malfunctions or operator actions.

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The plug-in board contains no user-serviceable parts, so never touch the inside area of the circuit board or tamper with the electronic circuitry in any way. Doing so may result in electrical shock or damage to the plugin board.

YAMAHA CANNOT BE HELD RESPONSIBLE FOR DAMAGE CAUSED BY IMPROPER CARE AND USE OF THE PLUG-IN BOARD.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modiﬁcations not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT:

Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE:

”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit ”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line ﬁlter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this

type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

When connecting this product to accessories and/or another product use only high quality shielded cables.

This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class

CANADA

This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

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Congratulations and thank you for purchasing the Yamaha PLG150-PF Piano Plug-in Board! The PLG150-PF is a custom tone generator designed for use with a variety of Yamaha elec-

tronic musical instruments. Foremost, the PLG150-PF can be installed to and integrated with instruments of the Modular Synthesis Plug-in System (such as the CS6x, CS6R, S80, etc.) It can also be used seamlessly with the MU128 Tone Generator (as well as other MU-series instruments and the SW1000XG PCI Audio/MIDI Board). The PLG150-PF provides a wide variety of exceptionally high-quality, authentic keyboard instrument sounds — including piano, electric piano, harpsichord, clav, and others. It features its own built-in EQ, Reverb, Chorus, and Insertion effects, allowing you to process the sound without having to use the effects resources of the “mother” device.

The settings and parameters of the PLG150-PF can also be conveniently edited with a Windows PC computer by using the PF Easy Editor software module (included in the XGworks Music Sequencer software).

Overview of the PLG150-PF Parameter Structure Specifications

.............................................................7

About the Included Floppy Disks Installing the PLG150-PF Included Items

.............................................................9

Required and Recommended Items

Synthesizer/Tone Generator/

Sound Card Compatible with the Modular

Synthesis or XG Plug-in Systems..................10

XGworks or XGworks lite

Music Sequencing Software..........................10

PF Easy Editor ...................................................10

.....................................4

...............................................6

..............................8

...........................................9

......................10

Installing and Starting the Plug-in

Editor Software (Windows 95/98)

Installing the Software........................................11

Starting the PF Easy Editor................................11

...................11

Selecting PF Voices

(Modular Synthesis Plug-in System)

Enabling and Selecting PF Voices.....................12

Table of Contents

Editing the PF Native Part Parameters

(Modular Synthesis Plug-in System)

Selecting/Editing the PF System Parameters

(Modular Synthesis Plug-in System)

Selecting PF Voices (XG Plug-in System)

Enabling and Selecting PF Voices .....................15

Editing the PF Native Part Parameters

(XG Plug-in System)

Selecting/Editing the PF System Parameters

(XG Plug-in System)

Parameters

PF Native Part Parameters.................................19

PF System Parameters ......................................23

................12

Appendix

Voice List PLG150-PF Voice Effect Parameter List Effect Data Assign Table Parameter List (XG / Modular

MIDI Data Format MIDI Implementation Chart

.....................................................................24

Sysnthesis Plug-in System)

................13

................14

.............15

..............................................17

..............................................18

...............................................................19

................................................................24

...........30

.....................................33

............................34

..................................................35

.................................42

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Overview of the PLG150-PF

The PLG150-PF is a sophisticated tone generator board that provides realistic piano and other keyboard sounds. Utilizing Yamaha’s state-of-the-art AWM2 tone generation system along with true stereo sampling, the PLG150-PF features exceptionally rich, natural and authentic instrument voices, to augment the sound palette on the “mother” device.

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Easy Installation

Once it is connected, the PLG150-PF automatically becomes another sound source in the tone generator/sound card, and can be used as one of the instrument Parts. You can create your own original PF voices and combine PF voices with the other voices in the “mother” device.

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136 Voices and 64-note Polyphony

The PLG150-PF is packed with a total of 132 rich and authentic keyboard voices. Man y of the acoustic grand piano sounds have been recorded in stereo for enhanced realism and luxurious tone. The PLG150-PF also has a huge variety of realistic electric piano voices, covering a broad stylistic range — from the classic keyboards of the ‘60s and ‘70s, to the crisp and bright digital sounds of recent years. In addition to the electric grand, harpsichord and clav voices, a variety of combination voices are also included, letting you play sustained pad and choir sounds, layered with piano. A maximum 64-note polyphony lets you play complex sustained chords and passages, without worrying about notes being cut off. (For certain stereo and combination voices, the polyphony may be 32 notes or less.)

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Built-in Effects

The PLG150-PF also has its own dedicated effects processing. This means that you can apply EQ, Reverb, Chorus, and even a Insertion effect to the voice, letting you use all of the effects on the “mother” device for the other Parts.ong.

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Overview of the PLG150-PF

About the Modular Synthesis Plug-in System

The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabilities for Modular Synthesis-Plug-in-compatible synthesizers, tone generators and sound cards. This enables you to easily and effectively take advantage of the latest and most sophisticated synthesizer and effects technology, allowing you to keep pace with the rapid and multifaceted advances in modern music production.

About the XG Plug-in System

The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XGPlug-in-compatible tone generators and sound cards. This enables you to easily and effectively take advantage of the latest and most sophisticated synthesizer and effects technology, allowing you to keep pace with the rapid and multi-faceted advances in modern music production.

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Parameter Structure

Plug-in Board

System Parameter

XG System Parameter

PF Native System Parameter

Part Parameter

XG Part Parameter

Part Parameter

PF Native Part Parameter

XG Part Parameter

Part Parameter

PF Native Part Parameter

XG Part Parameter

PF Native Part Parameter

PF V oice Parameter

Plug-in Platform

XG Effect Parameter

Reverb

Chorus

Variation

Insertion1

Insertion2

Offset

Element4

Element3

Element2

Element1

Voice Reverb

Voice Insertion

Voice Chorus

Voice EQ

The Plug-in voices are made here.

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Speciﬁcations

TONE GENERATOR/MODULES : POLYPHONY :

NUMBER OF VOICES :

INTERFACE : EFFECTOR : DIMENSIONS (W x H x D) : WEIGHT : INCLUDED ITEMS :

AWM2 64 notes maximum (latest note priority; polyphony is expandable *1)

*1 On the CS6x, for example, two boards can be installed for a

maximum of 128 notes; on the MU128, three boards can be installed for a maximum of 192 notes.

136 XG voices (PF-XG/A, PF-XG/B) 128 Preset voices

Plug-in connector Reverb, Chorus, Insertion, 2-Band EQ

138.5 x 89.0 x 8.5mm 72g Owner’s Manual, Floppy disk

* Speciﬁcations subject to change without notice.

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About the Included Floppy Disk

The included ﬂoppy disk contain editing software f or the PLG150-PF as well as demonstr ation songs and Voice data for the “mother” device.

To use the editing software and transfer the song/Voice data to your particular “mother” device, you should have a computer (running Windows 95/98) with a MIDI interface, with the MIDI OUT on the interface connected to the MIDI IN of the “mother” device. You should also have XGworks (v3.0 or higher) or XGworks lite installed to your computer; this is necessary to use the editing software (page 10). For playing back the demonstration songs and transferring the Voice data, you can use any compatible sequence software (such as XGworks/XGworks lite) or hardware sequencer capable of sending bulk data. Insert the disk into the computer and start the installation.

The following software is included on the disk:

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PF Easy Editor (page 10)

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Demonstration Songs

(1) “Fantaisie-impromptu op.66” (02Fanta.mid)

By: Frederic Chopin For: Modular Synthesis Plug-in System devices (CS6x, etc.) and XG Plug-in System devices (MU128, etc.)

(2) “THE PF THEATRE” (02Theatr.mid)

By: Katsunori Ujiie (Idecs, Inc.) For: XG Plug-in System devices (MU128, etc.)

(3) “SOLO-demo” (02Solo.mid)

By: Katsunori Ujiie (Idecs, Inc.) For: Modular Synthesis Plug-in System devices (CS6x, etc.) and XG Plug-in System devices (MU128, etc.)

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Plug-in Voice Data for CS6x/CS6R/S80 (Modular Synthesis Plug-in System)

This is Plug-in voice data, featuring a total of 64 voices that were created using the PLG150-PF Preset voices. When the PLG150-PF is installed to PLG1, select the ﬁle “01PlgVc1.mid”; when the board is installed to PLG2, select the ﬁle “01PlgVc2.mid.”

For a complete list of these voices, refer to the Plug-in Voice List (page 29).

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Installing the PLG150-PF

For detailed instructions on installing the PLG150-PF, refer to the owner’s manual of the Plug-incompatible “mother” device (e.g., CS6x, MU128, etc.).

Included Items

The following items have been included in the package of your new PLG150-PF. Please make sure that you have them all before starting to setup and use the instrument. If an item is missing, contact the store or dealer from which you purchased the PLG150-PF.

• PLG150-PF board

• PLG150-PF Owner’s Manual (this book)

• Floppy disk

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Required and Recommended Items

In addition to the included items listed above, you should also have the following:

Synthesizer/Tone Generator/Sound Card Compatible with the Modular Synthesis or XG Plug-in Systems

In order to use the PLG150-PF, you’ll need a synthesizer, tone generator or sound card compatible with the Modular Synthesis Plug-in System or the XG Plug-in System. Compatible instruments include the CS6x, MU128, and the SW1000XG. The synthesizer/tone generator/sound card should al so have an available slot or space for installing the PLG150-PF.

XGworks or XGworks lite Music Sequencing Software

These software sequencers provide convenient tools for taking full advantage of the PLG150-PF, letting you create song data that automatically selects and plays back the PF voices. They also include the powerful PF Easy Editor (see below) for editing and controlling the PF voices. XGworks lite is contained on a CD-ROM included with the CS6x, MU128, etc., and XGworks is contained on a CDROM included with the SW1000XG.

PF Easy Editor

The PF Easy Editor is a special plug-in software module for XGworks and XGworks lite. It provides convenient easy-to-use control over the most important PLG150-PF settings and parameters. It also provides exceptionally intuitive editing, with a virtual “front panel” display that lets you change the settings with sliders.

Using the PF Easy Editor is just like using the Part editing controls on your tone generator — it indirectly and temporarily changes the PF voices without making changes to the original voice. The changed parameters can either be inserted into a song to automate sound changes, or can be saved as an PF parameter ﬁle for future recall. The PF Easy Editor software is contained on the included ﬂoppy disk.

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Installing and Starting the Plug-in Editor Software (Windows 95/98)

Installing the Software

Double-click the “Setup.exe” ﬁle in the “Plug_” folder on the ﬂoppy disk to start the installation. Click “Next” or “Yes” and follow the subsequent instructions on the screen to complete the installation.

Starting the PF Easy Editor

Start XGworks (or XGworks lite).

Click the “Plug-in” menu and select “PF

Easy Editor.”

Alternately, press Alt + P, then D, and ENTER. The “Select PF Part” dialog box appears.

Set the desired Part number and click “OK.”

The PF Easy Editor window appears. If the PLG150-PF has been prop-

erly installed and all computer/ MIDI connections have been properly made, operating the PF Easy Editor should directly affect the PLG150-PF. For details on using the PF Easy Editor, refer to the on-line help ﬁle that is included with the software.

When using a Modular Synthesis Plug-in System “mother” device, the Part assignment depends on which mode is used — Voice or Performance — and also on whether the PLG150-PF board is installed/assigned to PLG1 or PLG2, as described below.

When using the Voice mode:

Depending on which slot the PLG150-PF board has been installed to, press PLG1 or PLG2, then set the Part to “1” (no matter what the PLG1 or PLG2 assignment is).

When using the Performance (Multi) mode:

If the PLG150-PF board is assigned to PLG1, set the Part to “16.” If the PLG150-PF board is assigned to PLG2, set the Part to “15.”

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Selecting PF Voices (Modular Synthesis Plug-in System)

When the PLG150-PF is installed to a CS6x Control Synthesizer, the PF voices can be selected in the same way as the internal voices of the synthesizer.

The example displays used in the following explanations are all taken from the CS6x.

Enabling and Selecting PF Voices

Press the VOICE button.

Press the appropriate PLG button (PLG1 or PLG2, depending on which slot the PLG150-PF board has been installed to), then press the appropriate BANK button and PROGRAM button to select the desired Plug-in voice.

VCE Play) PLG1:001(A01)[PF:GndPnoSt ] EQLow-G EQMid-G EQHi-G ------- -------

To select a different bank, simultaneously hold down the appropriate PLG button and turn knob C (or press the DEC/INC buttons) to select the desired bank. The bank is expressed in two numbers: MSB and LSB.

VCE Play) PLG1:001(A01)[PF:GndPnoSt ] BANK= 080/000

If a selected bank is not available, the bank letter indication in the display (A - H) will not change. For a list of the available banks and their MSB/LSB values, refer to the “PF-XG Voice Map” at the back of this manual (pages 26 — 28).

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Editing the PF Native Part Parameters (Modular Synthesis Plug-in System)

Keep in mind that the parameter values and settings below represent offsets of the actual voice settings. This

●

means that adjustments made to the parameters may not make much change in the actual sound, depending on the original settings of the voice. For parameter values, a setting of “0” results in no change, while positive and negative values increase and decrease the value respectively.

The following explanations show how to edit the PF native part parameters when creating PLG voices, using

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the CS6x Control Synthesizer as an example. For information on storing the PLG voices with your particular Modular Synthesis Plug-in System compatible instrument, refer to the owner’s manual of that instrument.

Select the desired PF voice, as described in “Selecting PF Voices” on page

12.

Press the EDIT button.

The EDIT menu display appears.

GEN Name) Pf-Sq a-Z 0-? Cursor Commom [PF:GndPnoSt ]

Turn knob A clockwise until “Elem” is shown at the bottom left of the display.

PLG Assign) Bank Number Elem 080/000 1[GndPnoSt]

Turn the PAGE knob clockwise until “PLG150-PF” is shown at the bottom left of the display.

Keep turning the knob to select the different PF Part parameters, indicated just above knob C and knob 2.

NTV Param) PF Mode SusCurve PLG150-PF ON Normal

Use knobs C and 2 to select the desired parameter and change the value.

Once one of the parameters is selected (the arrow cursor appears next to the value), you can also adjust the value with the DATA knob or the DEC/INC buttons.

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Selecting/Editing the PF System Parameters (Modular Synthesis Plug-in System)

The example displays used in the following explanations are all taken from the CS6x.

Press the UTILITY button.

The Utility Mode display appears.



MSTR TG) Vol NtShift Tune Sys 64 + 0 + 0.0c

Turn the PAGE knob clockwise until “PLG150-PF” is shown at the bottom left of the display.

Keep turning the knob to select the different PF System parameters, indicated just above knob C and knob 2.

PLG1 MIDI) PartAssign VelCurve PLG150-PF 01 Normal

Use knobs C and 2 to select the desired PF System parameter and change

the value.

Once one of the parameters is selected (the arrow cursor appears next to the value), you can also adjust the value with the DATA knob or the DEC/INC buttons.

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Selecting PF Voices (XG Plug-in System)

The PLG150-PF voices can be selected just like the voices of the XG tone generator. Keep in mind, though, that they can only be selected when the Sound Module Mode is set to XG or Performance. Also, the Part Assign parameter in the Utility mode (see below) must be set to the desired Part.

The example displays used in the following explanations are all taken from the MU128.

Enabling and Selecting PF Voices

Set the Sound Module Mode to “XG” or “PFM” (Performance).

Press the MODE button and use the SELECT </> buttons.

The Performance mode is not available on the SW1000XG.

Set the Part Assign parameter to the desired Part number.

To do this:

1) Press the UTIL button.

2) Select the “PLUGIN” menu (with the SELECT > button) and press ENTER.

3) Select the “PLG150-PF” menu if necessary (with the SELECT </> buttons), and press ENTER.

4) Select the Part Assign parameter (with the SELECT tons or dial to change the Part number.

button), and use the VALUE -/+ but-

The Part Assign range for the XG mode is 1 - 16 and “off”; for the Performance mode, it is 1 - 4 and “off.”

Press the EXIT button to return to the Play mode. This operation can also be quickly and conveniently done from the PF Easy Editor (in XGworks).

Enable the PLG150-PF board for the desired Part.

First, make sure that the appropriate Part is selected (using the PART -/+ buttons), then press the SELECT button. The icon of the selected board appears in the display and the corresponding LED at the bottom of the panel (PLG-1, -2, or -3) ﬂashes brieﬂy.

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Selecting PF Voices (XG Plug-in System)

Select the desired bank number.

Move the cursor to the Bank Number parameter with the SELECT </> buttons and use the VALUE -/+ buttons to select the desired bank.

Select the desired voice number.

Move the cursor to the Voice (Program) Number parameter with the SELECT </> buttons and use the VALUE -/+ buttons to select the desired voice.

Voices (and Voice banks) can also be selected by using the Voice Category buttons.

Alternately, you can select v oices from a connected MIDI ke yboard, or from sequencing software (such as XGworks) on a connected computer.

Bank Number parameter

For a list of available voices and their bank/voice numbers, see page 26.

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Editing the PF Native Part Parameters (XG Plug-in System)

Any of the PF voices can be freely edited from the front panel with the PF Par t parameters. These same parameters can also be edited from a computer using the PF Easy Editor software (in XGworks).

Keep in mind that changing the Par t parameters does not permanently affect the original voice settings. The edits that you make here temporarily change the settings of the currently selected voice. When you select a different voice for the Part, the settings are applied to the newly selected voice.

● The Part parameter settings cannot be saved in Multi Play mode. If you wish to save your Part parameter

edits, do it from the Performance mode or the PF Easy Editor.

● The example displays used in the following explanations are all taken from the MU128.

1 Select the Part having the PF voice, then select the desired voice.

Select the appropriate Part with the PART -/+ buttons, then, with the cursor at the Voice Number parameter, select the desired voice.

2 Press the EDIT button to enter the Edit mode.

3 Select the “PLUGIN” menu.

Use the SELECT > button, then press the ENTER button. The PLG150-PF Edit menu appears.

4 Select the desired parameter.

Use the [SELECT </>] buttons.

5 Adjust the value or change the setting for the selected parameter.

Use the [VALUE +/-] buttons.

6 Return to the main Play display.

Press the [EXIT] button several times, or press the [PLAY] button once.

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Selecting/Editing the PF System Parameters (XG Plug-in System)

The parameters that apply to the entire system of the PLG150-PF are included in the Utility mode menu of the XG tone generator.

The example displays used in the following explanations are all taken from the MU128.

1 Press the [UTIL] button.

The Utility mode menu appears.

2 Select the “PLUGIN” menu.

Use the [SELECT >] button to highlight “PLUGIN,” then press the [ENTER] button.

3 Select the PLG150-PF board.

If the PLG150-PF board is the only one installed, “PLG150-PF” is already displayed and can be selected by pressing the [ENTER] button. If additional boards have been installed to the tone generator, you may need to select “PLG150-PF.” To do this, ﬁrst use the [SELECT </>] buttons, then press [ENTER].

The System parameter menu for the PLG150-PF appears.

4 Select the desired parameter.

Use the [SELECT </>] buttons.

5 Adjust the value or change the setting for the selected parameter.

Use the [VALUE +/-] buttons.

6 Return to the main Play display.

Press the [EXIT] button several times, or press the [PLAY] button once.

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Parameters

PF Native Part Parameters

Keep in mind that the parameter values and settings represent of fsets of the actual v oice settings. This means that the actual sound that results from the settings made here depends on the original settings of the voice.

Also keep in mind that these are “Part” parameters and as such, are temporary; they simply alter or offset the settings of the currently selected voice. The original voice settings are permanently maintained in memory.

For parameter values, a setting of “0” results in no change, while positiv e and ne gati v e v alues increase and decrease the value respectively.

Let’s look at a speciﬁc example. If the original Bass Frequency parameter of the selected voice is set to 100, and you set the Bass Frequency (below) to “-25,” the actual Bass Frequency will become “75.” If you set it to “+10,” the value will become “110.” Naturally, this also means that the parameter value cannot be increased or decreased beyond its maximum or minimum values. In our example, Bass Frequency values higher than “+27” have no effect on the sound, since the actual range is 0 —

127.

● Depending on the selected voice and the particular parameter being edited, the sound or actual

parameter value of certain voices may change very little or not at all, even when the parameter value is changed drastically.

● For Modular Synthesis Plug-in System compatible devices, the voices you edit/create can be stored

to the device as PLG voices. For details on storing voices, ref er to the owner’s manual of your Modular Synthesis Plug-in System compatible instrument.

■ PF Mode

Settings: ON, OFF

This determines whether the PF (Piano) Mode is on or off. When this is set to “ON” and damper (sustain) pedal messages are received, the PLG150-PF simulates the sound of a damper pedal.

■ SusCurve (Sustain Curve)

Settings: Normal, Step

This determines how the voices respond to damper (sustain) pedal messages. When this is set to “Normal,” the PLG150-PF simulates the actual damper pedal action of an acoustic piano, giving you continuous control over sustain. When this is set to “Step,” sustain is simply turned on or off in response to damper pedal messages.

Page 20

Parameters

■ Bass Freq (Bass Frequency)

Range: -64 — +00 — +63

This determines the frequency which is boosted or cut (in the Bass Gain parameter below) for each Part.

■ Bass Gain

Range: -64 — +00 — +63

This determines the level of the selected frequency (in “Bass Freq” above). Positive values boost the level of the selected frequency and negative values attenuate it.

■ Treble Freq (Treble Frequency)

Range: -64 — +00 — +63

This determines the frequency which is boosted or cut (in the Treble Gain parameter below) for each Part.

■ Treble Gain

Range: -64 — +00 — +63

This determines the level of the selected frequency (in “Treble Freq” above). Positive values boost the level of the selected frequency and negative values attenuate it.

■ EL1 Level (Element 1 Level)

■ EL2 Level (Element 2 Level)

■ EL3 Level (Element 3 Level)

■ EL4 Level (Element 4 Level)

Range: -64 — +00 — +63 (“***”: not available) The voices of the PLG150-PF are made up of one to four sound elements. More sophisticated sounds

have more elements. Though these elements are ﬁx ed f or the various sounds and cannot be changed, the volume of each element can be set and adjusted. These parameters determine the level of each corresponding element. (Elements that are not used b y the voice cannot be set here and are indicated by “***” in the display.)

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Parameters

■ AC1 EL1 Lev (Assignable Controller 1 — Element 1 Level Control)

■ AC1 EL2 Lev (Assignable Controller 1 — Element 2 Level Control)

■ AC1 EL3 Lev (Assignable Controller 1 — Element 3 Level Control)

■ AC1 EL4 Lev (Assignable Controller 1 — Element 4 Level Control)

Range: -64 — +00 — +63 (“***”: not available) As explained in EL1 - EL4 Level above, the voices of the PLG150-PF are made up of up to four sound

elements. These parameters determine the degree to which the Assignable Controller 1 (AC1) is used to control the level of each corresponding element. (Elements that are not used by the voice cannot be set here and are indicated by “***” in the display.) Positive values result in normal level control: Moving the controller toward the maximum settings increases the level. Negative values result in an inverse relationship: Moving the controller toward the maximum settings decreases the level. A value of “0” results in no control.

■ REV Send (Reverb Send)

Range: -127 — +127 (“****”: not available)

This determines the amount of voice signal that is sent to the PLG150-PF’s built-in Reverb effect.

■ CHO Send (Chorus Send)

Range: -127 — +127 (“****”: not available)

This determines the amount of voice signal that is sent to the PLG150-PF’s built-in Chorus effect.

■ INS LFOFrq (Insertion LFO Frequency)

Range: -127 — +127 (“****”: not available)

This determines the frequency of LFO modulation for the PLG150-PF’s built-in Insertion effect.

■ INS LFODpt (Insertion LFO Depth)

Range: -127 — +127 (“****”: not available)

This determines the depth of LFO modulation for the PLG150-PF’s built-in Insertion effect.

■ INS Feedback (Insertion Feedback Level)

Range: -127 — +127 (“***”: not available)

This determines the feedback level for the PLG150-PF’s built-in Insertion effect.

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Parameters

■ INS DryWet (Insertion Dry/Wet Balance)

Range: -127 — +127 (“****”: not available)

This determines the balance between the direct, unprocessed signal (dry) and the Insertion-processed sound (wet).

■ INS Offset (Insertion Offset)

Range: -64 — +63 (“****”: not available)

This parameter is used to change one speciﬁc parameter of the effect; the particular parameter depends on the effect type.

■ INS Drive (Insertion Drive)

Range: -127 — +127 (“****”: not available)

This determines the amount of distortion overdrive for the PLG150-PF’s built-in Insertion effect.

■ INS ClpCrv (Insertion Clipping Curve)

Range: -127 — +127 (“****”: not available)

This determines the amount of distortion “edge” for the PLG150-PF’s built-in Insertion effect. Higher values result in harder edged distortion.

■ INS Delay (Insertion Delay Time)

Range: -7149 — +7149 (“*****”: not available)

This determines the delay time for the PLG150-PF’s built-in Insertion effect.

● Keep in mind that these parameters are offset controls; the actual resulting effect sound will differ

from voice to voice. If the currently selected voice does not have any effect or uses an effect type not corresponding to this parameter, the parameter is unavailable and is indicated by asterisks ("***") in the display.

● Whether this Insertion effect parameter is available or not depends on the selected voice and its

pre-assigned Insertion effect types. (For details on the effect types and parameters for each voice, see the Preset Voice List on page 24 and the Effect Parameter List on page 30.)

Page 23

PF System Parameters

■ Part Assign

Settings: 01 — 16, off

This determines the Part to which the PLG150-PF voice is assigned. If a Part is not properly assigned here, none of the PLG150-PF voices can be selected for the Part. (This applies to XG Plug-in System compatible “mother” devices .)

The PLG150-PF voices can only be assigned to a single Part.

■ VelCurve (Velocity Curve)

Settings: Normal, Soft1, Soft2, Soft3, Hard1, Hard2, Cross1, Cross2

This function lets you to produce determine how the volume of the PLG150-PF's Voices respond to your playing touch (v elocity). Eight different Velocity Curve settings (or curves) are available , letting y ou tailor the response to your own preference.

Parameters

● The Normal setting provides standard touch response.

● Soft 1 to 3 allow you to produce a reasonably high v olume with a

soft, light touch (low velocities).

● Hard 1 and 2 produce high volume only with a hard, strong touch

(high velocities).

● Cross 1 and 2 are “mirror image” curves, designed to be used

together with different voices in a layer to produce a velocity crossfade effect. As shown in the illustration, the two curves complement each other in a way that allows the Cross 2 applied voice to sound at soft velocities, while the Cross 1 voice sounds at high velocities.

Page 24

Appen-

■ Preset V oice List

No. Voice Name E

StGndPSt 2 2 Band EQ 28 69 46 68 9645264

GndPnoSt 2 2 Band EQ 28 69 46 68 9645264

BrghtGnd 2 2 Band EQ 28 69 52 74 9645876

60'sGrnd 1 3 Band EQ 70 44 76 81 59 28 46 9 64 52 64

StRichSt 2 2 Band EQ 28 69 49 76 9695270

RchGndSt 2 2 Band EQ 28 69 49 76 9695270

60'sJazz 2 2 Band EQ 21 52 28 76 30 67 49 56

StTghtSt 2 2 Band EQ 28 67 46 73 9695268

TghtGdSt 1 2 Band EQ 28 67 46 73 9695268

PowerGnd 2 2 Band EQ 28 67 46 76 9765273

MildGrnd 2 2 Band EQ 32 66 56 52 9644773

Timeworn 1 5685453

ChorusMn 1 Chorus 5 54 77 106 28 67 46 71 39 0 9 64 52 64

Doom 1 Reverse Gate 1 19 8 3 64 0 47 30 6 3 10 9 76 52 84

Phono 1 Distortion 2 20 60 34 75 43 76 10 127 120 9 64 52 64

Room 1 ER 1 19 5 16 64 0 46 37 5 0 10 14 71 52 72

AmbiGrnd 2 Cross Delay 1700 1750 104 1 10 35 28 67 58 67 9 64 52 64

FlngGrnd 2 Flanger 6 46 104 2 28 68 46 76 96 4 9 64 52 64

CelesGnd 1 Celeste 3 32 64 0 28 64 46 70 68 1 9 70 52 71

Dbl Pno 2 9645264

Montuno 3 9664570

GrndDyno 3 13 74 51 69

David 4 9645271

RhodyGnd 3 9705275

Perc Pno 4 22 58 52 70

GrandDX 3 16 72 50 68

GrandDX2 3 16 66 50 68

Bob 4 9665271

PianoStr 4 13 72 52 69

PnoStPad 4 13 72 52 69

SynStrPf 3 9644879

PianoPad 4 13 72 52 69

OctPf+Pd 4 9704567

Pf+Choir 3 9644865

ModPd Pf 4 9704569

Pia-Tron 3 19 55 52 6

SitaryPf 4 9704870

BrghtPno 1 2 Band EQ 28 64 46 66 9645264

Digital 1 2 Band EQ 28 68 46 68 9645264

ChorDigi 1 Chorus 5 54 102 106 28 64 46 66 46 0 9 64 52 64

Grnd+EP 3 13 71 51 73

DigiGrnd 1 9544152

Grnd/wDX 4 16 72 50 68

ChoDigiP 3 15 58 52 64

GlassPno 3 9605884

DigiTine 3 14 62 42 64

CP 1 2 Band EQ 28 68 46 69 9675268

CP-Symph 1 Symphonic 4 25 16 28 63 46 67 127 9 64 52 64

Trem CP 1 Auto Pan 34 80 24 0 28 66 46 69 9 69 52 71

BrightCP 2 Chorus 6 54 77 55 28 64 46 64 32 0 13 60 51 69

Digi CP1 2 9645264

Digi CP2 3 4685864

Jino 3 9505268

Petit CP 2 9704567

Hnkytnk1 2 3 Band EQ 58 34 52 10 68 28 46 9 68 52 64

Hnkytnk2 2 3 Band EQ 64 34 64 10 64 28 46 9 64 52 64

Hnkytnk3 2 3 Band EQ 60 34 64 10 63 28 46 9 64 52 64

FMHkytnk 2 3 Band EQ 60 34 59 10 67 28 46 9 64 52 64

Tea 1 2 Band EQ 28 64 46 70 9645268

Deodar 1 2 Band EQ 28 67 46 70 9645264

70's EP 1 2 Band EQ 28 63 46 68 9645264

80's EP 1 2 Band EQ 28 64 46 64 9645264

Crisp EP 1 3 Band EQ 61 34 62 10 69 28 46 9 64 52 64

Sweetnes 1 Phaser 8 111 11 91 28 60 58 64 64 3 1 9 63 52 73

E : Numbers of elements (*1) : Refer to “PLG150-PF Voice Effect Parameter List” (page 30).

Voice List

Insertion

Effect Type

Insertion Effect Parameter No. (*1)

Bass

Freq

Voice EQ

Bass Gain

Treble

Freq

Treble

Gain1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

Page 25

Voice List

No. Voice Name E

Freeway 1 Auto Pan 53 127 0 5 28 64 46 67 9 67 52 72

Trem 70 1 Auto Pan 48 80 32 5 28 64 46 65 9 67 52 72

Remark 1 Phaser 60 31 71 90 23 64 46 72 110 8 0 9 64 52 69

Sample 1 Rotary SP 29 30 24 59 45 65 127 39 53 52 70

Mid 70's 1 Chorus 6 39 77 57 28 59 46 67 34 0 9 64 52 64

Celest80 1 Celeste 12 13 64 0 28 62 46 66 61 1 9 64 52 64

At Once 2 Symphonic 12 14 58 28 62 48 73 61 9 64 52 64

TremDyno 1 Auto Pan 47 80 32 5 28 60 45 69 9 64 52 64

TremWurl 1 Tremolo 83 39 0 28 61 46 66 64 0 9 64 52 72

Phase 70 1 Phaser 36 111 74 104 28 61 46 68 64 6 1 9 64 52 64

DlydDyno 1 Delay L,C,R 3333 1667 5000 5000 74 100 10 32 28 64 58 67 9 58 52 68

FlngDyno 1 Flanger 14 15 84 2 28 55 46 67 59 4 9 64 52 69

Dstrtd70 1 Amp Simulator 4 0 60 127 29 26 9 64 52 69

Dyno 81 1 9515264

Tonight 1 Celeste 8 32 64 0 28 60 52 67 59 0 9 55 52 64

Dyno 83 1 ER 0 19 5 16 64 0 46 25 5 0 10 9 67 41 93

Dbl 70's 2 9645264

Digi-Rho 3 9655066

Choir EP 2 9704567

Paddy EP 2 7665668

VcePd EP 3 9704569

Vibrt EP 3 12 70 48 68

60's EP 1 2 Band EQ 28 62 46 65 9645268

Trump 1 Amp Simulator 3 3 48 105 127 42 9 64 50 71

DonnyWrl 1 8725374

WurliAmp 1 Amp Simulator 3 3 48 108 127 56 9 64 50 71

Dg Wurli 2 12 69 52 70

FullTine 1 2 Band EQ 28 62 46 64 9645270

DX EP2 1 2 Band EQ 28 63 46 68 9645264

DX 1980 1 2 Band EQ 28 61 46 67 9645264

DX 1990 1 2 Band EQ 28 64 46 65 9645264

Mllw DX 3 12 69 52 67

ChrsTine 1 Chorus 6 34 77 78 28 61 46 67 64 0 9 64 52 73

Chrs EP2 1 Chorus 6 38 77 64 28 61 46 68 64 0 9 64 52 64

Chrs1980 1 Chorus 6 54 77 85 28 60 46 68 39 0 9 64 52 64

100

Chrs1990 1 Chorus 6 54 77 53 28 60 46 67 37 0 9 64 52 64

101

DarkDXEP 2 12 69 52 71

102

FTBallad 1 Symphonic 12 25 16 28 60 46 69 40 9 66 52 68

103

Sym EP2 1 Symphonic 9 25 16 28 60 46 66 55 9 64 52 64

104

Chrs1982 1 3 Band EQ 60 34 52 10 64 28 46 9 64 52 67

105

90Ballad 1 Symphonic 10 25 16 28 60 46 67 47 9 62 52 66

106

816 4 9545268

107

DXEP+Pad 3 13 68 52 67

108

DXSynStr 3 Celeste 12 32 64 0 28 61 46 64 39 0 13 68 52 67

109

DXEP+Cho 3 13 68 52 67

110

Balmy DX 3 15 53 36 58

111

GlassyEP 4 4745475

112

FM Piano 1 9645264

113

Chrs FMP 1 Chorus 6 54 77 74 28 61 46 67 48 0 9 64 52 64

114

Harpsi 1 1 16 70 52 68

115

Harpsi 2 2 3 Band EQ 58 34 64 10 69 28 46 9 64 52 64

116

Harpsi 3 1 3 Band EQ 64 28 76 120 64 28 46 40 65 52 68

117

Harpsi 4 2 Reverse Gate 178364047 366310 9645264

118

RichHpsi 1 3 Band EQ 60 34 52 10 64 28 46 16 70 52 72

119

ShrpHpsi 2 3 Band EQ 58 34 52 10 72 28 46 9 64 52 64

120

Clav 1 1 3 Band EQ 64 45 67 10 70 28 46 9 64 52 64

121

Clav 2 1 3 Band EQ 64 34 64 10 71 28 46 9 64 52 64

122

MuteClav 1 3 Band EQ 64 34 68 10 64 28 46 9 64 52 84

123

Phs Clav 1 Phaser 14 127 69 24 28 66 46 67 127 6 0 9 64 52 69

124

PhsClav2 1 Phaser 8 111 127 104 28 62 46 64 127 6 0 9 64 52 75

125

Wah Clav 1 Auto Wah 70 33 56 49 28 69 46 71 127 9 64 52 86

126

DigiClav 1 17 68 52 68

127

Ch DgClv 1 Chorus 6 54 77 17 28 62 46 66 37 0 17 68 52 72

128

PhsDgClv 1 Phaser 17 111 74 104 28 62 46 66 64 10 1 17 68 52 68

Insertion

Effect Type

Insertion Effect Parameter No. (*1)

Bass

Freq

Voice EQ

Bass Gain

Treble

Freq

E : Numbers of elements (*1) : Refer to “PLG150-PF Voice Effect Parameter List” (page 30).

Treble

Gain1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

Page 26

Voice List

■ PF-XG V oice Map

Voices having the same name also have the same effect types and settings. (Page 24)

●

PF-XG/A Bank

Bank Select MSB 80 80 80 80 80 80 80 80 Bank Select LSB 0 64 65 66 67 68 69 70 Instrument

Group

Piano 1 GndPnoSt 2 GndPnoMn 1 BrghtGnd 2 60'sGrnd 1 RchGndSt 2 RchGndMn 2 60'sJazz 2 TghtGdSt 1

Bank Select MSB 80 80 80 80 80 80 80 80 Bank Select LSB 71 72 73 74 75 76 77 78 Instrument

Group

Piano 1 TghtGdMn 2 PowerGnd 2 MildGrnd 2 Timeworn 1 ChorusMn 1 Doom 1 Phono 1 Room 1

Pgm# (1-128)

2 BrghtPno 1 Digital 1 ChorDigi 1 Grnd+EP 3 DigiGrnd 1 Grnd/wDX 4 ChoDigiP 3 GlassPno 3 3 CP 1 CP-Symph 1 Trem CP 1 BrightCP 2 Digi CP1 2 Jino 3 Digi CP2 3 Petit CP 2 4 Hnkytnk1 2 Hnkytnk2 2 Hnkytnk3 2 FMHkytnk 2 5 Tea 1 Deodar 1 70's EP 1 80's EP 1 Crisp EP 1 Sweetnes 1 Freeway 1 Trem 70 1 6 FullTine 1 DX EP2 1 DX 1980 1 DX 1990 1 Mllw DX 3 ChrsTine 1 Chrs EP2 1 Chrs1980 1 7 Harpsi 1 1 Harpsi 2 2 Harpsi 3 1 Harpsi 4 2 RichHpsi 1 ShrpHpsi 2 8 Clav 1 1 Clav 2 1 MuteClav 1 Phs Clav 1 PhsClav2 1 Wah Clav 1 DigiClav 1 Ch DgClv 1

Pgm# (1-128)

2 DigiTine 3 SawDigi1 2 SawDigi2 2 3 4 5 Remark 1 Sample 1 Mid 70's 1 Celest80 1 At Once 2 TremDyno 1 TremWurl 1 Phase 70 1 6 Chrs1990 1 DarkDXEP 2 FTBallad 1 Sym EP2 1 Chrs1982 1 90Ballad 1 816 4 DXEP+Pad 3 7 8 PhsDgClv 1

E E E E E E E E

Bank Select MSB 80 80 80 80 80 80 80 80 Bank Select LSB 79 80 81 82 83 84 85 86 Instrument

Group

Piano 1 AmbiGrnd 2 FlngGrnd 2 CelesGnd 1 Dbl Pno 2 Montuno 3 GrndDyno 3 David 4 RhodyGnd 3

Bank Select MSB 80 80 80 80 80 80 80 80 Bank Select LSB 87 88 89 90 91 92 93 94 Instrument

Group

Piano 1 Perc Pno 4 GrandDX 3 GrandDX2 3 Bob 4 PianoStr 4 PnoStPad 4 SynStrPf 3 PianoPad 4

Pgm# (1-128)

2 3 4 5 DlydDyno 1 FlngDyno 1 Dstrtd70 1 Dyno 81 1 Tonight 1 Dyno 83 1 Dbl 70's 2 Digi-Rho 3 6 DXSynStr 3 DXEP+Cho 3 Balmy DX 3 GlassyEP 4 FM Piano 1 Chrs FMP1 1 7 8

Pgm# (1-128)

2 3 4 5 Choir EP 2 Paddy EP 2 VcePd EP 3 Vibrt EP 3 60's EP 1 Trump 1 DonnyWrl 1 WurliAmp 1 6 7 8

E E E E E E E E

E : Number of simultaneously sounding elements.

: Silence

Page 27

Voice List

Bank Select MSB Bank Select LSB 95 96 97 98 99 100 101 102 Instrument

Group

Piano 1 OctPf+Pd 4 Pf+Choir 3 ModPd Pf 4 Pia-Tron 3 SitaryPf 4 StGndPSt 2 StGndPMn 1 StRichSt 2

Bank Select MSB Bank Select LSB 103 104 105 Instrument

Group

Piano 1 StRichMn 1 StTghtSt 2 StTghtMn 1

Pgm# (1-128)

80 80 80 80 80 80 80 80

E E E E E E E E

2 3 4 5 Dg Wurli 2 6 7 8

80 80 80

E E E

2 3 4 5 6 7 8

E : Number of simultaneously sounding elements.

: Silence

●

PF-XG/B Bank

Bank Select MSB Bank Select LSB 0 64 65 66 67 68 69 70 Instrument

Group

Piano 1 GndPnoSt 2 GndPnoMn 1 BrghtGnd 2 60'sGrnd 1 RchGndSt 2 RchGndMn 2 60'sJazz 2 TghtGdSt 1

Bank Select MSB Bank Select LSB 71 72 73 74 75 76 77 78 Instrument

Group

Piano 1 TghtGdMn 2 PowerGnd 2 MildGrnd 2 Timeworn 1 ChorusMn 1 Doom 1 Phono 1 Room 1

Pgm# (1-128)

96 96 96 96 96 96 96 96

E E E E E E E E

96 96 96 96 96 96 96 96

E E E E E E E E

E : Number of simultaneously sounding elements.

: Refer to the XG Voice List (MSB=0) of the XG Plug-in System “mother” device.

Page 28

Voice List

Bank Select MSB Bank Select LSB 79 80 81 82 83 84 85 86 Instrument

Group

Piano 1 AmbiGrnd 2 FlngGrnd 2 CelesGnd 1 Dbl Pno 2 Montuno 3 GrndDyno 3 David 4 RhodyGnd 3

Bank Select MSB Bank Select LSB 87 88 89 90 91 92 93 94 Instrument

Group

Piano 1 Perc Pno 4 GrandDX 3 GrandDX2 3 Bob 4 PianoStr 4 PnoStPad 4 SynStrPf 3 PianoPad 4

Bank Select MSB Bank Select LSB 95 96 97 98 99 Instrument

Group

Piano 1 OctPf+Pd 4 Pf+Choir 3 ModPd Pf 4 Pia-Tron 3 SitaryPf 4

Pgm# (1-128)

96 96 96 96 96 96 96 96

E E E E E E E E

2 3 4 5 DlydDyno 1 FlngDyno 1 Dstrtd70 1 Dyno 81 1 Tonight 1 Dyno 83 1 Dbl 70's 2 Digi-Rho 3 6 DXSynStr 3 DXEP+Cho 3 Balmy DX 3 GlassyEP 4 FM Piano 1 Chrs FMP1 1 7 8

96 96 96 96 96 96 96 96

E E E E E E E E

2 3 4 5 Choir EP 2 Paddy EP 2 VcePd EP 3 Vibrt EP 3 60's EP 1 Trump 1 DonnyWrl 1 WurliAmp 1 6 7 8

96 96 96 96 96

E E E E E

2 3 4 5 Dg Wurli 2 6 7 8

E : Number of simultaneously sounding elements.

: Refer to the XG Voice List (MSB=0) of the XG Plug-in System “mother” device.

Page 29

■ Plug-in V oice List (for CS6x, CS6R, S80)

Voice List

Program No.

10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32

Plug-in Voice Name

StrchGndPf Reverb Send

StrchRichP Reverb Send

StrchTghtP Reverb Send

BrghtGrand Reverb Send

60's Grand Reverb Send

60's Jazz Reverb Send

Timeworn Reverb Send

ChorusMono Reverb Send Chorus Send

Phono Reverb Send Distortion Drive GrandDyno Reverb Send Chorus Send RhodyGrand Reverb Send Chorus Send Perc Piano Reverb Send Chorus Send Grand DX Reverb Send Chorus Send Bob Reverb Send Chorus Send Grand+EP Reverb Send Chorus Send GlassPiano Reverb Send Chorus Send PianoStrng Reverb Send SynthStrPf Reverb Send Chorus Send Pia-Tron Reverb Send BrghtPiano Reverb Send ChoDigiP Reverb Send Chorus Send CP Reverb Send Bright CP Reverb Send Chorus Send Jino Reverb Send Digital CP Reverb Send Petit CP Reverb Send Chorus Send Honkytonk Reverb Send FMHonkytnk Reverb Send T ea Comp Threshold Chorus Send Deodar Comp Threshold Chorus Send 70's EP Reverb Send Chorus Send 80's EP Reverb Send Chorus Send

KNOB1 KNOB2

Program No.

Plug-in Voice Name

Crisp EP Reverb Send Comp Threshold

Sweetness Phaser Depth Chorus Send

Freeway AutoPan L/RDpth AutoPan Speed

Remark Phaser Depth Phaser Speed

Sample Reverb Send Chorus Send

At Once Reverb Send Chorus Send

TremroDyno AutoPan L/RDpth AutoPan Speed

Phase 70 Phaser Depth Phaser Speed

Dyno 81 Reverb Send Comp Ratio

Tonight Reverb Send Celeste Depth

Digi-Rho Reverb Send Chorus Send

Choir EP Reverb Send Chorus Send

Paddy EP Reverb Send Chorus Send

VcePd EP Reverb Send

60's EP Reverb Send Chorus Send

Wurli Amp Reverb Send

Digi Wurli Reverb Send Chorus Send

FullTine Reverb Send Chorus Send

DX EP Reverb Send Chorus Send

DX 1980 Reverb Send Chorus Send

53 DX 1990 Reverb Send Chorus Send 54 Mellow DX Reverb Send Chorus Send 55 816 Reverb Send Chorus Send 56 DXSynStr Reverb Send Celeste Depth 57 Glassy EP Reverb Send Chorus Send 58 FM Piano Reverb Send Chorus Send 59 Rich Hpsi Reverb Send 60 Octv Hpsi Reverb Send 61 Clavi Reverb Send 62 PhaserClav Phaser FBLevel Phaser Speed 63 Wah Clavi AutoWah Speed AutoWah Reso 64 ChoDigiClv Reverb Send Chorus Send

KNOB1 KNOB2

AmpSimulator Drive

Page 30

PLG150-PF Voice Effect Parameter List

(*1) PF Native Part Param : This parameter can control the Voice Effect.

DELAY L,C,R

See

No. Parameter Display Value

1 Lch Delay 0.1 – 715.0ms 1-7150 INS Delay Time 2 Rch Delay 0.1 – 715.0ms 1-7150 INS Delay Time 3 Cch Delay 0.1 – 715.0ms 1-7150 INS Delay Time 4 Feedback Delay 0.1 – 715.0ms 1-7150 INS Delay Time 5 Feedback Level -63 – +63 1-127 INS Feedback 6 Cch Level 0 – 127 0-127 7 High Damp 0.1 – 1.0 1-10 8

9 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 12 13 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 14 EQ Low Gain -12 – +12dB 52-76 15 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3 16 EQ High Gain -12 – +12dB 52-76

Table

PF Native Part Param

CROSS DELAY

See

No. Parameter Display Value

1 L->R Delay 0.1 – 355.0ms 1-3550 INS Delay Time

2 R->L Delay 0.1 – 355.0ms 1-3550 INS Delay Time

3 Feedback Level -63 – +63 1-127 INS Feedback

4 Input Select L,R,L&R 0-2

5 High Damp 0.1 – 1.0 1-10

Table

PF Native Part Param

GATE REVERB / REVERSE GATE

See

No. Parameter Display Value

1 Type TypeA,TypeB 0-1 2 Room Size 0.1 – 7.0 0-44 table#5 3 Diffusion 0 – 10 0-10 4 Initial Delay 0.1 – 99.3ms 0-63 table#4 5 Feedback Level -63 – +63 1-127 INS Feedback 6 HPF Cutoff Thru – 8.0kHz 0-52 table#3 7 LPF Cutoff 1.0k – Thru 34-60 table#3 8

9 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 Liveness 0 – 10 0-10 12 Density 0 – 3 0-3 13 High Damp 0.1 – 1.0 1-10 14 15 16

Table

PF Native Part Param

CHORUS1,2,3,4 / CELESTE1,2,3,4

See

No. Parameter Display Value

1 LFO Frequency 0.00Hz – 39.7Hz 0-127 table#1 INS LFO Freq

2 LFO Depth 0 – 127 0-127 INS LFO Depth

3 Feedback Level -63 – +63 1-127 INS Feedback

4 Delay Offset 0.0 – 50 0-127 table#2 INS Offset

6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3

7 EQ Low Gain -12 – +12dB 52-76

8 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3

9 EQ High Gain -12 – +12dB 52-76 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 12 13 14 15 Input Mode mono/stereo 0-1 16

Table

PF Native Part Param

EARLY REF1,EARLY REF2

No. Parameter Display Value

1 Type 2 Room Size 0.1 – 7.0 0-44 table#5 3 Diffusion 0 – 10 0-10 4 Initial Delay 0.1 – 99.3ms 0-63 table#4 5 Feedback Level -63 – +63 1-127 INS Feedback 6 HPF Cutoff Thru – 8.0kHz 0-52 table#3 7 LPF Cutoff 1.0k – Thru 34-60 table#3 8

9 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 Liveness 0 – 10 0-10 12 Density 0 – 3 0-3 13 High Damp 0.1 – 1.0 1-10 14 15 16

S-H, L-H, Rdm, Rvs, Plt, Spr

0-5

See Table

PF Native Part Param

FLANGER1,2,3

See

No. Parameter Display Value

1 LFO Frequency 0.00Hz – 39.7Hz 0-127 table#1 INS LFO Freq 2 LFO Depth 0 – 127 0-127 INS LFO Depth 3 Feedback Level -63 – +63 1-127 INS Feedback 4 Delay Offset 0 – 63 0-63 table#2 INS Offset 5 6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 7 EQ Low Gain -12 – +12dB 52-76 8 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3

9 EQ High Gain -12 – +12dB 52-76 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 12 13 14 LFO Phase

Difference 15 16

-180 – +180deg 4-124

Table

resolution=3deg.

PF Native Part Param

Page 31

PLG150-PF Voice Effect Parameter List

SYMPHONIC

See

No. Parameter Display Value

1 LFO Frequency 0.00Hz – 39.7Hz 0-127 table#1 INS LFO Freq 2 LFO Depth 0 – 127 0-127 INS LFO Depth 3 Delay Offset 0.0 – 50 0-127 table#2 INS Offset 4 5 6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 7 EQ Low Gain -12 – +12dB 52-76 8 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3

9 EQ High Gain -12 – +12dB 52-76 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 12 13 14 15 16

Table

PF Native Part Param

ROTARY SPEAKER

See

No. Parameter Display Value

1 LFO Frequency 0.00Hz – 39.7Hz 0-127 table#1 INS LFO Freq

2 LFO Depth 0 – 127 0-127 INS LFO Depth

6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3

7 EQ Low Gain -12 – +12dB 52-76

8 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3

9 EQ High Gain -12 – +12dB 52-76 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 12 13 14 15 16

Table

PF Native Part Param

AUTO PAN

See

No. Parameter Display Value

1 LFO Frequency 0.00Hz – 39.7Hz 0-127 table#1 INS LFO Freq 2 L/R Depth 0 – 127 0-127 INS LFO Depth 3 F/R Depth 0 – 127 0-127 INS LFO Depth 4 PAN Direction L<->R,L->R,L<-

5 6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 7 EQ Low Gain -12 – +12dB 52-76 8 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3

9 EQ High Gain -12 – +12dB 52-76 10 11 12 13 14 15 16

R,Lturn,Rturn,L/R

0-5

Table

PF Native Part Param

PHASER 1

See

No. Parameter Display Value

1 LFO Frequency 0.00Hz – 39.7Hz 0-127 table#1 INS LFO Freq

2 LFO Depth 0 – 127 0-127 INS LFO Depth

3 Phase Shift Offset 0 – 127 0-127 INS Offset

4 Feedback Level -63 – +63 1-127 INS Feedback

6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3

7 EQ Low Gain -12 – +12dB 52-76

8 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3

9 EQ High Gain -12 – +12dB 52-76 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 Stage 6 – 10 6-10 12 13 14 15 16

Table

PF Native Part Param

TREMOLO

See

No. Parameter Display Value

1 LFO Frequency 0.00Hz – 39.7Hz 0-127 table#1 INS LFO Freq 2 AM Depth 0 – 127 0-127 INS LFO Depth 3 PM Depth 0 – 127 0-127 INS LFO Depth 4 5 6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 7 EQ Low Gain -12 – +12dB 52-76 8 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3

9 EQ High Gain -12 – +12dB 52-76 10 11 12 13 14 LFO Phase

Difference 15 Input Mode mono/stereo 0-1 16

-180 – +180deg 4-124

Table

resolution=3deg.

PF Native Part Param

DISTORTION / OVERDRIVE

See

No. Parameter Display Value

1 Drive 0 – 127 0-127 INS Drive 2 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 3 EQ Low Gain -12 – +12dB 52-76 4 LPF Cutoff 1.0k – Thru 34-60 table#3 5 Output Level 0 – 127 0-127 6 7 EQ Mid Frequency 500Hz – 10.0kHz 28-54 table#3 8 EQ Mid Gain -12 – +12dB 52-76

9 EQ Mid Width 1.0 – 12.0 10-120 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 Edge(Clip Curve) 0 – 127 0-127 mild–

12 13 14 15 16

Table

sharp

PF Native Part Param

INS Clip Curve

Page 32

PLG150-PF Voice Effect Parameter List

AMP SIMULATOR

See

No. Parameter Display Value

1 Drive 0 – 127 0-127 INS Drive 2 AMP T ype Off ,Stack,Combo ,Tube 0-3 3 LPF Cutoff 1.0k – Thru 34-60 table#3 4 Output Level 0 – 127 0-127 5 6 7 8

9 10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 Edge(Clip Curve) 0 – 127 0-127 mild–

12 13 14 15 16

Table

sharp

PF Native Part Param

INS Clip Curve

AUTO WAH

See

No. Parameter Display Value

1 LFO Frequency 0.00Hz – 39.7Hz 0-127 table#1 INS LFO Freq

2 LFO Depth 0 – 127 0-127 INS LFO Depth

3 Cutoff Frequency

Offset 4 Resonance 1.0 – 12.0 10-120 5 6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 7 EQ Low Gain -12 – +12dB 52-76 8 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3 9 EQ High Gain -12 – +12dB 52-76

10 Dry/Wet D63>W – D=W – D<W63 1-127 INS DryWet 11 12 13 14 15 16

0 – 127 0-127 INS Offset

Table

PF Native Part Param

2BAND EQ (STEREO)

No. Parameter Display Value

1 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 2 EQ Low Gain -12 – +12dB 52-76 3 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3 4 EQ High Gain -12 – +12dB 52-76 5 6 7 8

9 10 11 12 13 14 15 16

See Table

PF Native Part Param

3BAND EQ (MONO)

No. Parameter Display Value

1 EQ Low Gain -12 – +12dB 52-76 2 EQ Mid Frequency 500Hz – 10.0kHz 28-54 table#3 3 EQ Mid Gain -12 – +12dB 52-76 4 EQ Mid Width 1.0 – 12.0 10-120 5 EQ High Gain -12 – +12dB 52-76 6 EQ Low Frequency 50Hz – 2.0kHz 8-40 table#3 7 EQ High Frequency 500Hz – 16.0kHz 28-58 table#3 8

9 10 11 12 13 14 15 16

See Table

PF Native Part Param

Page 33

Effect Data Assign Table

table #1 LFO Frequency

Data

Value

0 0.00 1 0.04 2 0.08 3 0.12 4 0.16 5 0.21 6 0.25 7 0.29 8 0.33

9 0.37 10 0.42 11 0.46 12 0.50 13 0.54 14 0.58 15 0.63 16 0.67 17 0.71 18 0.75 19 0.79 20 0.84 21 0.88 22 0.92 23 0.96 24 1.00 25 1.05 26 1.09 27 1.13 28 1.17 29 1.22 30 1.26 31 1.30 32 1.34 33 1.38 34 1.43 35 1.47 36 1.51 37 1.55 38 1.59 39 1.64 40 1.68 41 1.72 42 1.76 43 1.80 44 1.85 45 1.89 46 1.93 47 1.97 48 2.01 49 2.06 50 2.10 51 2.14 52 2.18 53 2.22 54 2.27 55 2.31 56 2.35 57 2.39 58 2.43 59 2.48 60 2.52 61 2.56 62 2.60 63 2.65 64 2.69

Data

Value

65 2.77 66 2.86 67 2.94 68 3.02 69 3.11 70 3.19 71 3.28 72 3.36 73 3.44 74 3.53 75 3.61 76 3.70 77 3.86 78 4.03 79 4.20 80 4.37 81 4.54 82 4.71 83 4.87 84 5.04 85 5.21 86 5.38 87 5.55 88 5.72 89 6.05 90 6.39 91 6.72 92 7.06 93 7.40 94 7.73 95 8.07 96 8.41 97 8.74 98 9.08

99 9.42 100 9.75 101 10.0 102 10.7 103 11.4 104 12.1 105 12.7 106 13.4 107 14.1 108 14.8 109 15.4 110 16.1 111 16.8 112 17.5 113 18.1 114 19.5 115 20.8 116 22.2 117 23.5 118 24.8 119 26.2 120 27.5 121 28.9 122 30.2 123 31.6 124 32.9 125 34.3 126 37.0 127 39.7

table #2 Modulation Delay Offset

Data

0 0.0 1 0.1 2 0.2 3 0.3 4 0.4 5 0.5 6 0.6 7 0.7 8 0.8

9 0.9 10 1.0 11 1.1 12 1.2 13 1.3 14 1.4 15 1.5 16 1.6 17 1.7 18 1.8 19 1.9 20 2.0 21 2.1 22 2.2 23 2.3 24 2.4 25 2.5 26 2.6 27 2.7 28 2.8 29 2.9 30 3.0 31 3.1 32 3.2 33 3.3 34 3.4 35 3.5 36 3.6 37 3.7 38 3.8 39 3.9 40 4.0 41 4.1 42 4.2 43 4.3 44 4.4 45 4.5 46 4.6 47 4.7 48 4.8 49 4.9 50 5.0 51 5.1 52 5.2 53 5.3 54 5.4 55 5.5 56 5.6 57 5.7 58 5.8 59 5.9 60 6.0 61 6.1 62 6.2 63 6.3 64 6.4

Value

65 6.5 66 6.6 67 6.7 68 6.8 69 6.9 70 7.0 71 7.1 72 7.2 73 7.3 74 7.4 75 7.5 76 7.6 77 7.7 78 7.8 79 7.9 80 8.0 81 8.1 82 8.2 83 8.3 84 8.4 85 8.5 86 8.6 87 8.7 88 8.8 89 8.9 90 9.0 91 9.1 92 9.2 93 9.3 94 9.4 95 9.5 96 9.6 97 9.7 98 9.8

99 9.9 100 10.0 101 11.1 102 12.2 103 13.3 104 14.4 105 15.5 106 17.1 107 18.6 108 20.2 109 21.8 110 23.3 111 24.9 112 26.5 113 28.0 114 29.6 115 31.2 116 32.8 117 34.3 118 35.9 119 37.5 120 39.0 121 40.6 122 42.2 123 43.7 124 45.3 125 46.9 126 48.4 127 50.0

table #3 EQ Frequency

Data

Value

0 THRU

(20) 122 225 328 432 536 640 745 850 956

10 63 11 70 12 80 13 90 14 100 15 110 16 125 17 140 18 160 19 180 20 200 21 225 22 250 23 280 24 315 25 355 26 400 27 450 28 500 29 560 30 630 31 700 32 800 33 900 34 1.0k 35 1.1k 36 1.2k 37 1.4k 38 1.6k 39 1.8k 40 2.0k 41 2.2k 42 2.5k 43 2.8k 44 3.2k 45 3.6k 46 4.0k 47 4.5k 48 5.0k 49 5.6k 50 6.3k 51 7.0k 52 8.0k 53 9.0k 54 10.0k 55 11.0k 56 12.0k 57 14.0k 58 16.0k 59 18.0k 60 THRU

(20.0k)

table #4 Reverb time

Data

Value

0 0.3 1 0.4 2 0.5 3 0.6 4 0.7 5 0.8 6 0.9 7 1.0 8 1.1

9 1.2 10 1.3 11 1.4 12 1.5 13 1.6 14 1.7 15 1.8 16 1.9 17 2.0 18 2.1 19 2.2 20 2.3 21 2.4 22 2.5 23 2.6 24 2.7 25 2.8 26 2.9 27 3.0 28 3.1 29 3.2 30 3.3 31 3.4 32 3.5 33 3.6 34 3.7 35 3.8 36 3.9 37 4.0 38 4.1 39 4.2 40 4.3 41 4.4 42 4.5 43 4.6 44 4.7 45 4.8 46 4.9 47 5.0 48 5.5 49 6.0 50 6.5 51 7.0 52 7.5 53 8.0 54 8.5 55 9.0 56 9.5 57 10.0 58 11.0 59 12.0 60 13.0 61 14.0 62 15.0 63 16.0 64 17.0 65 18.0 66 19.0 67 20.0 68 25.0 69 30.0

table #5 Delay Time (200.0ms)

Value

Data

65 102.4 66 104.0 67 105.6 68 107.1 69 108.7 70 110.3 71 111.9 72 113.4 73 115.0 74 116.6 75 118.2 76 119.7 77 121.3 78 122.9 79 124.4 80 126.0 81 127.6 82 129.2 83 130.7 84 132.3 85 133.9 86 135.5 87 137.0 88 138.6 89 140.2 90 141.8 91 143.3 92 144.9 93 146.5 94 148.1 95 149.6 96 151.2 97 152.8 98 154.4

99 155.9 100 157.5 101 159.1 102 160.6 103 162.2 104 163.8 105 165.4 106 166.9 107 168.5 108 170.1 109 171.7 110 173.2 111 174.8 112 176.4 113 178.0 114 179.5 115 181.1 116 182.7 117 184.3 118 185.8 119 187.4 120 189.0 121 190.6 122 192.1 123 193.7 124 195.3 125 196.9 126 198.4 127 200.0

Data

0 0.1 1 1.7 2 3.2 3 4.8 4 6.4 5 8.0 6 9.5 7 11.1 8 12.7

9 14.3 10 15.8 11 17.4 12 19.0 13 20.6 14 22.1 15 23.7 16 25.3 17 26.9 18 28.4 19 30.0 20 31.6 21 33.2 22 34.7 23 36.3 24 37.9 25 39.5 26 41.0 27 42.6 28 44.2 29 45.7 30 47.3 31 48.9 32 50.5 33 52.0 34 53.6 35 55.2 36 56.8 37 58.3 38 59.9 39 61.5 40 63.1 41 64.6 42 66.2 43 67.8 44 69.4 45 70.9 46 72.5 47 74.1 48 75.7 49 77.2 50 78.8 51 80.4 52 81.9 53 83.5 54 85.1 55 86.7 56 88.2 57 89.8 58 91.4 59 93.0 60 94.5 61 96.1 62 97.7 63 99.3 64 100.8

Value

Page 34

Parameter List (XG / Modular Synthesis Plug-in System)

Modular Synthesis Plug-in System XG Plug-in System (LCD of CS6x/CS6R/S80/etc.)

(Common Parameter)

Parameter Name Parameter Name Group Parameter

Volume VOLUME QED*Level Vol Pan PAN QED*Level Pan Reverb Send REVERB SEND QED*Level RevSend Chorus Send CHORUS SEND QED*Level ChoSend LPF Cutoff Frequency LOW PASS FILTER CUTOFF FREQUENCY QED*Filter Cutoff LPF Resonance LOW PASS FILTER RESONANCE QED*Filter Reso Attack Time EG ATTACK TIME QED*EG Attack Decay Time EG DECAY TIME QED*EG Decay Release Time EG RELEASE TIME QED*EG Release Pitch Bend Range BEND PITCH CONTROL CTL*Pitch Pitch Bend Portamento Switch PORTAMENTO SWITCH CTL*Pitch Portamento Portamento Time PORT AMENT O TIME CTL*Pitch Time Mono/Poly Mode MONO/POLY MODE GEN*Other Mode Same Note Number Key On Assign SAME NOTE NUMBER KEY ON ASSIGN *1 GEN*Other Assign

(Element Parameter)

Parameter Name Parameter Name Group Parameter

Plug-in Board Voice Bank MSB BANK SELECT MSB PLG*Assign Bank Plug-in Board Voice Bank LSB BANK SELECT LSB PLG*Assign Bank Plug-in Board Voice Program Number PROGRAM NUMBER PLG*Assign Number Note Shift NOTE SHIFT PLG*Velocity NoteSft Velocity Sense Depth VELOCITY SENSE DEPTH PLG*Velocity Depth Velocity Sense Offset VELOCITY SENSE OFFSET PLG*Velocity Offset Pitch EG Initial Level PITCH EG INITIAL LEVEL PCH*PEG InitLvl Pitch EG Attack Time PITCH EG ATTACK TIME PCH*PEG Attack Pitch EG Release Level PITCH EG RELEASE LEVEL *1 PCH*PEG --Level Pitch EG Release Time PITCH EG RELEASE TIME *1 PCH*PEG Release LFO Rate VIBRATO RATE LFO Param Speed LFO Pitch Modulation Depth VIBRATO DEPTH LFO Param PMod LFO Delay VIBRATO DELAY LFO Param Delay HPF Cutoff Frequency HIGH PASS FILTER CUTOFF FREQUENCY QED*Filter HPF EQ Low Gain EQ BASS GAIN EQ*Param LoGain EQ High Gain EQ TREBLE GAIN EQ*Param HiGain EQ Low Frequency EQ BASS FREQUENCY EQ*Param LoFreq EQ High Frequency EQ TREBLE FREQUENCY EQ*Param HiFreq

MW Filter Control MW LOW PASS FILTER CONTROL CTL*MW Control Filter MW LFO Pitch Modulation Depth MW LFO PMOD DEPTH CTL*MW Modulation PMod MW LFO Filter Modulation Depth MW LFO FMOD DEPTH CTL*MW Modulation FMod MW LFO Amplitude Modulation Depth MW LFO AMOD DEPTH CTL*MW Modulation AMod CAT Pitch Control CAT PITCH CONTROL CTL*AT Control Pitch CAT Filter Control CAT LOW PASS FILTER CONTROL CTL*AT Control Filter CAT LFO Pitch Modulation Depth CAT LFO PMOD DEPTH CTL*AT Modulation PMod CAT LFO Filter Modulation Depth CAT LFO FMOD DEPTH CTL*AT Modulation FMod CAT LFO Amplitude Modulation Depth CAT LFO AMOD DEPTH CTL*AT Modulation AMod AC1 Controller Number AC1 CONTROLLER NUMBER CTL*AC Control Source AC1 Filter Control AC1 LOW PASS FILTER CONTROL CTL*AC Control Filter AC1 LFO Pitch Modulation Depth AC1 LFO PMOD DEPTH CTL*AC Modulation PMod AC1 LFO Filter Modulation Depth AC1 LFO FMOD DEPTH CTL*AC Modulation FMod AC1 LFO Amplitude Modulation Depth AC1 LFO AMOD DEPTH CTL*AC Modulation AMod

*1 : Changing the values of these parameters has no effect on the sound (even though the values change in the display).

Page 35

MIDI Data Format

1. Channel messages

1.1 Note on/note off

These messages convey keyboard performance data. Range of note numbers received = C-2...G8

Velocity range = 1...127 (Velocity is received only for note-on) When the Multi Part parameter “Rcv NOTE MESSAGE” = OFF, that part will

not receive these messages.

1.2 Control changes

These messages convey control operation information for volume or pan etc. Their functions are differentiated by the control number (Ctrl#). If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes.

1.2.1 Bank Select This message selects the voice bank. Control# Parameter Data Range 0 Bank Select MSB 0...127 32 Bank Select LSB 0...127

The Bank Select data will be processed only after a Program Change is received, and then voice bank will change at that time. If you wish to change the voice bank as well as the voice, you must transmit Bank Select and Program Change messages as a set, in the following order: Bank Select MSB, LSB, and Program Change.

1.2.2 Modulation This message is used primarily to control the depth of vibrato, but the depth of the following 6 types of effect can be controlled. The effect of this message can be changed by the following parameters.

* Multi Part Parameter l. MW PITCH CONTROL

2. MW FILTER CONTROL

3. MW AMPLITUDE CONTROL

4. MW LFO PMOD DEPTH

5. MW LFO FMOD DEPTH

6. MW LFO AMOD DEPTH By default, an LFO Pitch Modulation (PMOD) effect will apply.

Control# Parameter Data Range 1 Modulation 0...127

If the Multi Part parameter Rcv MODULATION = OFF, that part will not receive Modulation.

1.2.3 Portamento Time This message controls the degree of Portamento (see 1.2.9).

Control# Parameter Data Range 5 Portamento Time 0...127

When Portamento is ON, this regulates the speed of the pitch change. A value of 0 is the shortest Portamento time, and 127 is the longest Portamento time.

1.2.4 Data Entry This message sets the value of the parameter which was speciﬁed by RPN (see

1.2.18) and NRPN (see 1.2.17). Control# Parameter Data Range

6 Data Entry MSB 0...127 38 Data Entry LSB 0...127

1.2.5 Main Volume This message controls the volume of each part. (It is used to adjust the volume balance between parts.)

Control# Parameter Data Range 7 Main Volume0...127

When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume. With a value of 0 there will be no sound, and a value of 127 will produce the maximum volume.

1.2.6 Panpot This message controls the panning (stereo location) of each part.

Control# Parameter Data Range 10 Pan 0...64...127

When the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot. 0 is left, 64 is center, and 127 is right.

1.2.7 Expression This message controls expression for each part. It is used to create volume changes during a song.

Control# Parameter Data Range 1l Expression0...127 If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive Expression.

1.2.8 Holdl This message controls sustain pedal on/off.

Control# Parameter Data Range 64 Hold10...63, 64...127

When this is ON, currently-sounding notes will continue to sound even if noteoff messages are received. If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Holdl.

1.2.9 Portamento This message controls Portamento pedal on/off.

Control# Parameter Data Range 65 Portamento 0...63, 64...127

When ON, Portamento produces a smooth glide connecting two notes of different pitch. The time over which the pitch changes is adjusted by Portamento Time (see 1.2.3). When the Multi Part Parameter MONO/POLY MODE = MONO, the tone will also change smoothly (legato) if Portamento = ON. If the Multi Part parameter Rcv PORTAMENTO = OFF, that part will not receive Portamento.

1.2.10 Sostenuto This message controls sostenuto pedal on/off.

Control# Parameter Data Range 66 Sostenuto 0...63, 64...127

If sostenuto is turned on while a note is sounding, that note will be sustained until sostenuto is turned OFF. If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive Sostenuto.

1.2.11 Soft Pedal This message controls soft pedal on/off.

Control# Parameter Data Range 67 Soft Pedal 0...63, 64...127

When ON, the sound is soft. If the Multi Part parameter Rcv SOFT PEDAL = OFF, that part will not receive the Soft Pedal.

1.2.12 Harmonic Content This message adjusts the resonance of the ﬁlter that is speciﬁed for the sound.

Control# Parameter Data Range 71 Harmonic Content 0...64...127

Since this is a relative change parameter, it speciﬁes an increase or decrease relative to 64. Higher values will produce a more distinctive sound. For some sounds, the effective range may be less than the possible range of settings.

1.2.13 Release Time This message adjusts the EG release time that was speciﬁed by the sound data.

Control# Parameter Data Range 72 Release Time 0...64... 127

Since this is a relative change parameter, it speciﬁes an increase or decrease relative to 64. Increasing this value will lengthen the release time that follows a noteoff.

1.2.14 Attack Time This message adjusts the EG attack time that was speciﬁed by the sound data.

Control# Parameter Data Range 73 Attack Time 0...64... 127

Since this is a relative change parameter, it speciﬁes an increase or decrease relative to 64. Increasing this value will make the attack more gradual, and decreasing this value will make the attack sharper.

1.2.15 Brightness This message adjusts the cutoff frequency of the low pass ﬁlter speciﬁed by the sound data.

Control# Parameter Data Range 74 Brightness 0...64...127

Since this is a relative change parameter, it speciﬁes an increase or decrease relative to 64. Lower values will produce a more mellow sound. For some sounds, the effective range may be less than the possible range of settings.

(OFF, ON)

(-64...0...+63)

Page 36

MIDI Data Format

1.2.16 Data Increment/Decrement (for RPN) This message is used to increment or decrement values for parameters speciﬁed by RPN (see 1.2.18), in steps of 1.

Control# Parameter Data Range 96 RPN Increment — 97 RPN Decrement — The data byte is ignored.

1.2.17 NRPN (Non-registered parameter number) This is a message for setting the sound for things like vibrato, ﬁlter or EG. Use NRPN MSB and NRPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value for the speciﬁed parameter.

Control# Parameter Data Range 98 NRPN LSB 0...127 99 NPRN MSB 0...127

If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN.

The following NRPN messages can be received.

NRPN MSB LSB

01H 08H mm -- *2 Vibrato rate

01H 09H mm -- Vibrato depth

01H 0AH mm -- *3 Vibrato delay

01H 20H mm -- Low pass ﬁlter cutoff frequency

01H 21H mm -- Low pass ﬁlter resonance

01H 63H mm -- EG Attack Time

01H 64H mm -- EG Decay Time

01H 66H mm -- EG Release Time

*1 See 1.2.4 *2 “--” means that the set value will be ignored. *3 Adjusts the time after the note is played until vibrato begins to take effect. The

effect will begin more quickly for lower values, and more slowly for higher values.

1.2.17 RPN (Registered parameter number) This message is used to specify part parameters such as Pitch Bend Sensitivity or Tuning. Use RPN MSB and RPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value of the speciﬁed parameter.

Control# Parameter Data Range 100 RPN LSB 0 ... 127 101 RPN MSB 0 ... 127

If the Multi Part parameter Rcv RPN = OFF, that part will not receive this message.

The following RPN messages can be received.

RPN MSB LSB

00 00H mm --*2 Pitch bend sensitivity

00 01H mm ll Fine tuning

00H 02H mm -- Coarse tuning

7FH 7FH -- -- RPN Null

*1 Refer to 1.2.4 *2 “--” means that the set value will be ignored.

Data Entry*1 MSB LSB

Parameter Name and Data Range

mm: 00H - 40H - 7FH (-64 ...0...+63)

Parameter name and value range

mm: 00-18H (0...+24 semitones) Specify up to 2 octaves in semitone steps

mm ll: 00H 00H -100 cents

mm 11: 40H 00H 0 cents

mm ll: 7FH 7FH +100 cents Note: The next after mm 11: 00H 7FH (= -87.5) cent is 01H 00H (-87.4) cents.

mm: 28H - 40H - 58H (-24...0...+24 semitones)

This empties settings from RPN and NRPN numbers. Internal data is not affected.

1.2.19 Assignable controller By assigning a control change number of 0...95 to a part, application of effects can be controlled. This device allows two control change numbers (AC1 and AC2) to be speciﬁed for each part. The following parameters specify the effect of AC1 and AC2:

* Multi Part Parameter

1. AC1, AC2 PITCH CONTROL

2. AC1, AC2 FIL TER CONTROL

3. AC1, AC2 AMPLITUDE CONTROL

4. AC1, AC2 LFO PMOD DEPTH

5. AC1, AC2 LFO FMOD DEPTH

6. AC1, AC2 LFO AMOD DEPTH The AC1 control change number is speciﬁed by the Multi Part parameter ACl CONTROLLER NUMBER, and the AC2 control change number is speciﬁed by the Multi Part parameter AC2 CONTROLLER NUMBER.

1.3 Channel mode messages

These messages specify the basic operation of a part.

1.3.1 All Sound Off This message silences all notes being played on the corresponding channel. However, channel messages such as Note-on and Hold-on will be maintained in their present state.

Control# Parameter Data Range 120 All Sound Off 0

1.3.2 Reset All Controllers This message changes the settings of the following controllers.

Controller Value

Pitch bend change Channel pressure Polyphonic key pressure Modulation Expression Hold Portamento Sostenuto RPN NRPN

The following data is not changed Parameter values speciﬁed for program change, bank select MSB/LSB, volume, pan, effect send levels 1, 3, 4, RPN and NRPN.

Control# Parameter Data Range 121 Reset All Controllers 0

1.3.3 All Note Off This message turns off all notes which are currently on for the corresponding part. However, if Hold 1 or Sostenuto are on, notes will continue to sound until these are turned off.

Control# Parameter Data Range 123 All Note Off 0

1.3.4 Omni Off Works the same as when All Note Off is received.

Control# Parameter Data Range 124 Omni Off 0

1.3.5 Omni On Works the same as when All Note Off is received. Control# Parameter Data Range 125 Omni On 0

1.3.6 Mono Works the same as when All Sound Off is received, and if the value (mono number) is in the range of 0... 16, sets the corresponding channel to Mode4* (m = 1).

Control# Parameter Data Range 126 Mono 0 ... 16

* Mode4 is a state in which only channel messages on the speciﬁed channel will

be received, and notes will be played individually (monophonically).

1.3.7 Poly Works the same as when All Sound Off is received, and sets the corresponding channel to Mode3*.

Control# Parameter Data Range 127 Poly 0

* Mode3 is when channel messages will be received only on the speciﬁed chan-

nel, and notes will be sounded polyphonically.

±0 (Center) 0 (OFF) 0 (OFF) 0 (OFF) 127 (Max.) 0 (OFF) 0 (OFF) 0 (OFF) Number unset, internal data is not affected. Number unset, internal data is not affected.

Page 37

MIDI Data Format

1.4 Program change

This message is used to switch voices. It changes the program number on the receiving channel. When the change is to include the voice bank, transmit the program change after sending the Bank Select message (see 1.2.1). If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not receive program changes.

1.5 Pitch bend

This message conveys information on pitch bend operations. Basically, this message is for changing the pitch of a part, but the depth of the fol-

lowing six effects can be controlled. The effect of this message can be modiﬁed by the following parameters.

* Multi Part Parameter

1. BEND PITCH CONTROL

2. BEND FILTER CONTROL

3. BEND AMPLITUDE CONTROL

4. BEND LFO PMOD DEPTH

5. BEND LFO FMOD DEPTH

6. BEND LFO AMOD DEPTH By default, the Pitch Control effect is applied.

If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive pitch bend messages.

1.6 Channel aftertouch

This message conveys the pressure after the key is played on the ke yboard (for an entire MIDI channel). The pressure can be controlled for each part. This message will affect the notes currently playing.

The effect of this message can be modiﬁed by the following parameters. * Multi Part Parameter

1. CAT PITCH CONTROL

2. CAT FILTER CONTROL

3. CAT AMPLITUDE CONTROL

4. CAT LFO PMOD DEPTH

5. CAT LFO FMOD DEPTH

6. CAT LFO AMOD DEPTH By default, there will be no effect.

If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch.

1.7 Polyphonic aftertouch

This message conveys the pressure after the key is played on the keyboard (for individual note number). The pressure can be controlled for each part. This message will affect the notes currently playing.

The effect of this message is determined by the following Multi Part parameters.

1. PAT PITCH CONTROL

2. PAT AMPLITUDE CONTROL

3. PAT LFO PMOD DEPTH

4. PAT LFO FMOD DEPTH

5. PAT LFO AMOD DEPTH By default, there will be no effect.

If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Polyphonic Aftertouch.

2. System exclusive messages

2.1 Parameter changes

This device uses the following parameter changes. [ UNIVERSAL REALTIME MESSAGE ]

1) Master Volume

[ UNIVERSAL NON REALTIME MESSAGE ]

1) General MIDI System On

[ XG PARAMETER CHANGE]

1) XG System on

2) XG System parameter change

3) Multi Part parameter change

[ PLG150-PF NATIVE PARAMETER CHANGE ]

1) PLG150-PF System parameter change

2) PLG150-PF Part parameter change

2.1.1 Universal realtime messages

2.1.1.1 Master Volume

11110000 F0H = Exclusive status 01111111 7FH = Universal Real Time 01111111 7FH = ID of target device 00000100 04H = Sub-ID #1=Device Control Message 00000001 01H = Sub-ID #2=Master Volume

* 0sssssss SSH = Volume LSB

0ttttttt TTH = V olume MSB 11110111 F7H = End of Exclusive

11110000 F0H = Exclusive status 01111111 7FH = Universal Real Time 0xxxnnnn XNH = Device Number, xxx = don't care 00000100 04H = Sub-ID #1=Device Control Message 00000001 01H = Sub-ID #2=Master Volume 0sssssss SSH = Volume LSB 0ttttttt TTH = V olume MSB 11110111 F7H = End of Exclusive

When received, the Volume MSB is reﬂected in the System Parameter MASTER VOLUME.

* The binary expression 0sssssss is expressed in hexadecimal as SSH.

The same applies elsewhere.

2.1.2 Universal non-realtime messages

2.1.2.1 General MIDI System On

11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 01111111 7FH = ID of target device 00001001 09H = Sub-ID #1=General MIDI Message 00000001 01H = Sub-ID #2=General MIDI On 11110111 F7H = End of Exclusive

11110000 F0H = Exclusive status 01111110 7EH = Universal Non-Real Time 0xxxnnnn XNH = N:Device Number, X:don't care 00001001 09H = Sub-ID #1=General MIDI Message 00000001 01H = Sub-ID #2=General MIDI On 11110111 F7H = End of Exclusive

When this message is received, the SOUND MODULE MODE is set to XG, and all data except for MIDI Master Tuning will be restored to the default value. However this message will not be received when SOUND MODULE MODE = C/M. Since approximately 50ms is required to process this message, be sure to allow an appropriate interval before sending the next message.

2.1.3 XG Parameter Change

This message sets XG-related parameters. Each message can set a single parameter. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:device Number 01001100 4CH Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

11110111 F7H End of Exclusive For parameters whose Data Size is 2 or 4, the appropriate amount of data will

be transmitted as indicated by Size.

Page 38

MIDI Data Format

2.1.3.1 XG System On

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:device Number 01001100 4CH Model ID 00000000 00H Address High 00000000 00H Address Mid 01111110 7EH Address Low 00000000 00H Data 11110111 F7H End of Exclusive

When ON is received, the SOUND MODULE MODE changes to XG. Since approximately 50ms is required to process this message, be sure to allow an appropriate interval before sending the next message.

2.1.3.2 XG System parameter change This message sets the XG SYSTEM block (see Tables <1-1> and <1-2>).

2.1.3.3 Multi Part parameter change This message sets the Multi Part block (see Tables <1-1> and <1-3>).

2.1.4 PLG150-PF Native parameter change This message sets parameters unique to the PLG150-PF.

Each message sets a single parameter. The message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0001nnnn 1NH N:Device Number 01100111 67H Model ID 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

11110111 F7H End of Exclusive For parameters whose Data Size is 2 or 4, the appropriate amount of data will

be transmitted as indicated by Size.

2.1.4.1 PLG150-PF System parameter change This message sets the PLG150-PF SYSTEM block (see Tables <2-1> and

<2-2>).

2.1.4.2 PLG150-PF Part parameter change This message sets the PLG150-PF MULTI PART block (see Tables <2-1>

and <2-3>).

2.2.1.1 XG System bulk dump This message sets the XG SYSTEM block (see Tables <1-1> and <1-2>).

2.2.1.2 Multi Part bulk dump This message sets the MULTI PART block (see Tables <1-1> and <1-3>).

2.2.2 PLG150-PF Native Bulk Dump This message sets the special parameters for PLG150-PF.

Unlike Parameter change, one message can modify multiple parameters.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N:Device Number 01100111 67H Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum 11110111 F7H End of Exclusive

The detail are the same as for 2.2.1 XG Bulk Dump. However, see Tables <2n> for the Address, Byte, Count, and block.

2.2.2.1 PLG150-PF Native System bulk dump

This message sets the PLG150-PF SYSTEM block (see Tables <2-1> and <2-2>).

2.2.2.2 PLG150-PF Native Part bulk dump

This message sets the PLG150-PF MULTI PART block (see Tables <2-1> and <2-3>).

3. Realtime Messages

3.1 Active Sensing

a) Send

This is not transmitted.

b) Receive

After FE is received one time, if the MIDI signal does not come within 400 msec, PLG150-PF will act the same as when ALL SOUND OFF, ALL NOTE OFF, and RESET ALL CONTROLLERS are received, and return to the condition where has not been received once.

2.2 Bulk dump

This device uses only the following bulk dump messages.

[ XG BULK DUMP ]

1) XG System bulk dump

2) Multi Part bulk dump

[ PLG150-PF NATIVE BULK DUMP ]

1) System bulk dump

2) Part bulk dump

2.2.1 XG bulk dump This message sets XG-related parameters. Unlike parameter change mes-

sages, a single message can modify multiple parameters. This message format is as follows.

11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N:Device Number 01001100 4CH Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum 11110111 F7H End of Exclusive

Address and Byte Count are given in tables <1-n>. Byte Count is indicated by the total size of the Data in tables <1-n>. Bulk dump is received when the beginning of the block is speciﬁed in "Address." "Block" indicates the unit of the data string that is indicated in tables <1-n> as "Total Size." Check sum is the value that produces a lower 7 bits of 0 when this Start Address, Byte Count, Data, and the Check sum itself are added.

Page 39

MIDI Data Format

<1-1> Parameter Base Address

MODEL ID = 4

Parameter

XG SYSTEM

MULTI PART

MULTI PART (additional)

PART ASSIGN

<1-2> MIDI Parameter Change table ( XG SYSTEM )

Address Size Data Parameter Name Description Default

(H) (H) (H) (H) 0 0 0 4 00 - 0F MASTER TUNE -102.4...0...+102.3[cent] 00 04 00 00

TOTAL SIZE 7

(H) (M) (L)

00 00 00 System 00 00 7E XG System On 00 00 7F All Parameter Reset 08

70 04 00 PLG150-PF Part Assign

1 00 - 0F 1st bit3-0mbit15-12 2 00 - 0F 2nd bit3-0mbit11-8 3 00 - 0F 3rd bit3-0mbit7-4

4 1 00 - 7F MASTER VOLUME** 0...127 7F 5 1 00 - 7F MASTER ATTENUATOR** 0...127 0 6 1 28 - 58 TRANSPOSE -24...0...+24[semitones] 40 7D 1 NOT USED 7E 1 0 XG SYSTEM ON 00=XG system ON (receive only) -7F 1 0 ALL PARAMETER RESET 00=ON (receive only) --

** Processed on the platform side (CS6x, MU128, etc.)

DescriptionAddress

Multi Part 1

Multi Part 16

Multi Part 1

Multi Part 16

4th bit3-0mbit3-0

<1-3> MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Name Description Default

(H) (H) (H) (H) 8 nn 0 1 NOT USED

nn 1 1 00 - 7F BANK SELECT MSB 0...127 0 nn 2 1 00 - 7F BANK SELECT LSB 0...127 0 nn 3 1 00 - 7F PROGRAM NUMBER 1...128 0 nn 4 1 00-1F,7F Rcv CHANNEL A1...A16, OFF Part No. nn 5 1 00 - 01 MONO/POLY MODE MONO , POLY 1 nn 6 1 00 - 02 SAME NOTE NUMBER SINGLE, MULTI, 1

nn 7 1 00 - 05 PART MODE NORMAL, 0 nn 8 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] 40 nn 9 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] 08 00 nn 0A 00 - 0F 1st bit3-0mbit7-4

nn 0B 1 00 - 7F VOLUME** 0...127 64 nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0...127 40 nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0...127 40 nn 0E 1 00 - 7F PAN** C, L63...C...R63 40 nn 0F 1 00 - 7F NOTE LIMIT LOW C-2...G8 0 nn 10 1 00 - 7F NOTE LIMIT HIGH C-2...G8 7F nn 11 1 00 - 7F DRY LEVEL** 0...127 7F nn 12 1 00 - 7F CHORUS SEND** 0...127 0 nn 13 1 00 - 7F REVERB SEND** 0...127 28 nn 14 1 00 - 7F VARIATION SEND** 0...127 0 nn 15 1 00 - 7F VIBRATO RATE -64...0...+63 40 nn 16 1 00 - 7F VIBRATO DEPTH -64...0...+63 40 nn 17 1 00 - 7F VIBRATO DELAY -64...0...+63 40 nn 18 1 00 - 7F nn 19 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 40 nn 1A 1 00 - 7F EG ATTACK TIME -64...0...+63 40 nn 1B 1 00 - 7F EG DECAY TIME -64...0...+63 40 nn 1C 1 00 - 7F EG RELEASE TIME -64...0...+63 40 nn 1D 1 28 - 58 MW PITCH CONTROL -24...0...+24[semitones] 40 nn 1E 1 00 - 7F MW LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 1F 1 00 - 7F MW AMPLITUDE CONTROL** -100...0...+100[%] 40 nn 20 1 00 - 7F MW LFO PMOD DEPTH 0...127 0A nn 21 1 00 - 7F MW LFO FMOD DEPTH 0...127 00 nn 22 1 00 - 7F MW LFO AMOD DEPTH 0...127 0 nn 23 1 28 - 58 BEND PITCH CONTROL -24...0...+24[semitones] 42 nn 24 1 00 - 7F BEND LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 25 1 00 - 7F BEND AMPLITUDE CONTROL** -100...0...+100[%] 40 nn 26 1 00 - 7F BEND LFO PMOD DEPTH 0...127 0 nn 27 1 00 - 7F BEND LFO FMOD DEPTH 0...127 00 nn 28 1 00 - 7F BEND LFO AMOD DEPTH 0...127 0

TOTAL SIZE 29

KEY ON ASSIGN

LOW PASS FILTER CUTOFF FREQUENCY

2nd bit3-0mbit3-0

-64...0...+63 40

Page 40

MIDI Data Format

Address Size Data Parameter Name Description Default (H) (H) (H) (H)

nn 30 1 00 - 01 Rcv PITCH BEND OFF, ON 1 nn 31 1 00 - 01 Rcv CH AFTER TOUCH(CAT) OFF, ON 1 nn 32 1 00 - 01 Rcv PROGRAM CHANGE OFF, ON 1 nn 33 1 00 - 01 Rcv CONTROL CHANGE OFF, ON 1 nn 34 1 00 - 01 Rcv POLY AFTER TOUCH(PAT) OFF, ON 1 nn 35 1 00 - 01 Rcv NOTE MESSAGE OFF, ON 1 nn 36 1 00 - 01 Rcv RPN OFF, ON 1 nn 37 1 00 - 01 Rcv NRPN OFF, ON XGmode=01, GMmode=00 nn 38 1 00 - 01 Rcv MODULATION OFF, ON 1 nn 39 1 00 - 01 Rcv VOLUME OFF, ON 1 nn 3A 1 00 - 01 Rcv PAN OFF, ON 1 nn 3B 1 00 - 01 Rcv EXPRESSION OFF, ON 1 nn 3C 1 00 - 01 Rcv HOLD1 OFF, ON 1 nn 3D 1 00 - 01 Rcv PORTAMENTO OFF, ON 1 nn 3E 1 00 - 01 Rcv SOSTENUTO OFF, ON 1 nn 3F 1 00 - 01 Rcv SOFT PEDAL OFF, ON 01 nn 40 1 00 - 01 Rcv BANK SELECT OFF, ON XGmode=01, GMmode=00 nn 41 1 00 - 7F SCALE TUNING C -64...0...+63[cent] 40 nn 42 1 00 - 7F SCALE TUNING C# -64...0...+63[cent] 40 nn 43 1 00 - 7F SCALE TUNING D -64...0...+63[cent] 40 nn 44 1 00 - 7F SCALE TUNING D# -64...0...+63[cent] 40 nn 45 1 00 - 7F SCALE TUNING E -64...0...+63[cent] 40 nn 46 1 00 - 7F SCALE TUNING F -64...0...+63[cent] 40 nn 47 1 00 - 7F SCALE TUNING F# -64...0...+63[cent] 40 nn 48 1 00 - 7F SCALE TUNING G -64...0...+63[cent] 40 nn 49 1 00 - 7F SCALE TUNING G# -64...0...+63[cent] 40 nn 4A 1 00 - 7F SCALE TUNING A -64...0...+63[cent] 40 nn 4B 1 00 - 7F SCALE TUNING A# -64...0...+63[cent] 40 nn 4C 1 00 - 7F SCALE TUNING B -64...0...+63[cent] 40 nn 4D 1 28 - 58 CAT PITCH CONTROL -24...0...+24[semitones] 40 nn 4E 1 00 - 7F CAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 4F 1 00 - 7F CAT AMPLITUDE CONTROL** -100...0...+100[%] 40 nn 50 1 00 - 7F CAT LFO PMOD DEPTH 0...127 0 nn 51 1 00 - 7F CAT LFO FMOD DEPTH 0...127 0 nn 52 1 00 - 7F CAT LFO AMOD DEPTH 0...127 0 nn 53 1 28 - 58 PAT PITCH CONTROL -24...0...+24[semitones] 40 nn 54 1 00 - 7F PAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 55 1 00 - 7F PAT AMPLITUDE CONTROL** -100...0...+100[%] 40 nn 56 1 00 - 7F PAT LFO PMOD DEPTH 0...127 0 nn 57 1 00 - 7F PAT LFO FMOD DEPTH 0...127 0 nn 58 1 00 - 7F PAT LFO AMOD DEPTH 0...127 0 nn 59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10 nn 5A 1 28 - 58 AC1 PITCH CONTROL -24...0...+24[semitones] 40 nn 5B 1 00 - 7F AC1 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 5C 1 00 - 7F AC1 AMPLITUDE CONTROL** -100...0...+100[%] 40 nn 5D 1 00 - 7F AC1 LFO PMOD DEPTH 0...127 0 nn 5E 1 00 - 7F AC1 LFO FMOD DEPTH 0...127 0 nn 5F 1 00 - 7F AC1 LFO AMOD DEPTH 0...127 0 nn 60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11 nn 61 1 28 - 58 AC2 PITCH CONTROL -24...0...+24[semitones] 40 nn 62 1 00 - 7F AC2 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40 nn 63 1 00 - 7F AC2 AMPLITUDE CONTROL** -100...0...+100[%] 40 nn 64 1 00 - 7F AC2 LFO PMOD DEPTH 0...127 0 nn 65 1 00 - 7F AC2 LFO FMOD DEPTH 0...127 0 nn 66 1 00 - 7F AC2 LFO AMOD DEPTH 0...127 0 nn 67 1 00 - 01 PORTAMENTO SWITCH OFF, ON 0 nn 68 1 00 - 7F PORTAMENTO TIME 0...127 0 nn 69 1 00 - 7F PITCH EG INITIAL LEVEL -64...0...+63 40 nn 6A 1 00 - 7F PITCH EG ATTACK TIME -64...0...+63 40 nn 6B 1 00 - 7F PITCH EG RELEASE LEVEL -64...0...+63 40 nn 6C 1 00 - 7F PITCH EG RELEASE TIME -64...0...+63 40 nn 6D 1 01 - 7F VELOCITY LIMIT LOW 1...127 1 nn 6E 1 01 - 7F VELOCITY LIMIT HIGH 1...127 7F

TOTAL SIZE 3F

nn = PART NUMBER ** Processed on the platform side (CS6x, MU128, etc.)

<1-4> MIDI Parameter Change table ( PART ASSIGN )

Address Size Data Parameter Name Description Default

(H) (H) (H) (H)

70 4 nn 1 00 - 0F,7F Part Assign A1...A16, OFF0

TOTAL SIZE 1

nn = PLG150-PF Serial Number

Page 41

MIDI Data Format

<2-1> Parameter Base Address

MODEL ID = 67

Parameter

PLG150-PF SYSTEM PLG150-PF

MULTI PART

<2-2> MIDI Parameter Change table ( PLG150-PF Naitve SYSTEM )

Address Size Data Parameter Name Description Default (H) (H) (H) (H) 0 0 1 00 - 07 VELOCITY CURVE TOTAL SIZE 1

<2-3> MIDI Parameter Change table ( PLG150-PF Native MULTI PART )

Address Size Data Parameter Name Description Default

(H) (H) (H) (H) 60 nn 00 1 00 - 7F Voice EQ Lo Freq -64...0...+63 40

nn 01 1 00 - 7F Voice EQ Lo Gain -64...0...+63 40 nn 02 1 00 - 7F Voice EQ Hi Freq -64...0...+63 40 nn 03 1 00 - 7F Voice EQ Hi Gain -64...0...+63 40

TOTAL SIZE 4

60 nn 04 1 00 - 01 PF Mode OFF, ON 1

nn 05 1 00 - 03 Sustain Curve normal, step 0 nn 06 1 00 - 7F EL1 Level -64...0...+63 40 nn 07 1 00 - 7F EL2 Level -64...0...+63 40 nn 08 1 00 - 7F EL3 Level -64...0...+63 40 nn 09 1 00 - 7F EL4 Level -64...0...+63 40 nn 0A 1 00 - 7F AC1 EL1 Level -64...0...+63 40 nn 0B 1 00 - 7F AC1 EL2 Level -64...0...+63 40 nn 0C 1 00 - 7F AC1 EL3 Level -64...0...+63 40 nn 0D 1 00 - 7F AC1 EL4 Level -64...0...+63 40 nn 0E 2 1F81 - 207F REV Send -127...0...+127 2000 nn 10 2 1F81 - 207F CHO Send 1st bit7-0mbit13-7 2000 nn 12 2 1F81 - 207F INS LFO Freq 2nd bit7-0mbit6-0 2000 nn 14 2 1F81 - 207F INS LFO Depth 2000 nn 16 1 00 - 7F INS Feedback Level -64...0...+63 40 nn 17 2 1F81 - 207F INS DryWet Level -127...0...+127 2000 nn 19 2 1F81 - 207F INS Offset 1st bit7-0mbit13-7 2000 nn 1B 2 1F81 - 207F INS Drive 2nd bit7-0mbit6-0 2000 nn 1D 2 1F81 - 207F INS Clip Curve 2000 nn 1F 2 413 - 3BED INS Delay Time -7149...0...+7149 2000

TOTAL SIZE 1D

nn = PART NUMBER

(H) (M) (L)

00 00 00 System 60

DescriptionAddress

Multi Part 1

Multi Part 16

normal,Soft1,Soft2,Soft3,Hard1,Hard2,Cross1,Cross2

Page 42

MIDI Implementation Chart

Transmitted Recognized Remarks

0,32 x o *1 Bank Select

6,38 x o *1 Data Entry

64-67 x o *1

96-97 x o *1 RPN Inc,Dec

100-101 x o *1 RPN LSB,MSB

Default x 3

Mode Messages x 3,4 (m=1) *2

Altered ************** x

Note x 0 - 127

Number : True voice ************** 0 - 127

Model PLG150-PF MIDI Implementation Chart Version : 1.0

Function...

Basic Default x 1 - 16

YAMAHA [ Piano Plug-in Board ] Date:09-JUL-1999

Channel Changed x 1 - 16

Note OFF x x

Velocity Note ON x o 9nH,v=1-127

After Key's x o *1

Touch Ch's x o *1

Pitch Bend x o 0-24 semi *1

1,5,7,10,11 x o *1

Control 71-75 x o *1 Sound Controller

Change 98-99 x o *1 NRPN LSB,MSB

Page 43

MIDI Implementation Chart

Prog x o 0 - 127

Change : True # **************

System Exclusive o *3 o *3

: Song Pos. x x

*2 m is always treated as "1" regardless of its value.

*3 transmit/receive if exclusive switch is on.

Common : Song Sel. x x

: Tune x x

System :Clock x x

Real Time:Commands x x

Aux :All Sound OFF x o(120,126,127)

:Reset All Cntrls x o(121)

:Local ON/OFF x x

:All Notes OFF x o(123-125)

Mes- :Active Sense x o

sages:Reset x x

Notes: *1 receive if switch is on.

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

Page 44

SOFTWARE LICENSING AGREEMENT

The following is a legal agreement between you, the end user, and Yamaha Corporation (“Yamaha”). The enclosed Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this licensing agreement with care. Opening this package indicates that you accept all terms outlined herein. If you do not agree to the terms, return this package unopened to Yamaha for a full refund.

1. GRANT OF LICENSE AND COPYRIGHT

Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data (“SOFTWARE”) on a single-user computer system. You may not use it on more than one computer or computer terminal. The SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included. Therefore, you must treat the SOFTWARE like any other copyrighted materials.

2. RESTRICTIONS

The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFTWARE by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the SOFTWARE in whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network the SOFTWARE with other computers.

You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that you retain no copies and the recipient agrees to the terms of the licensing agreement.

3. TERMINA TION

The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If any one of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately.

4. PRODUCT WARRANTY

Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform the functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media which proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set forth above, the SOFTWARE is provided “as is,” and no other warranties, either expressed or implied, are made with respect to this software, including, without limitation the implied warranties of merchantability and ﬁtness for a particular purpose.

5. LIMITED LIABILITY

Your sole remedies and Yamaha’s entire liability are as set forth above. In no event will Yamaha be liable to you or any other person for any damages, including without limitation any incidental or consequential damages, expenses, lost proﬁts, lost savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an authorized dealer has been advised of the possibility of such damages, or for any claim by any other party.

6. GENERAL

This license agreement shall be interpreted according to and governed by Japanese laws.

Page 45

SOFTWARE-LIZENZVEREINBARUNG

Die folgende Vereinbarung ist eine rechtsgültige Vereinbarung zwischen Ihnen, dem Endanwender, und der Yamaha Corporation („Yamaha”). Yamaha erteilt dem ursprünglichen Käufer für das beiliegende Yamaha-Softwareprogramm ausschließlich zu den hier ausgeführten Bedingungen eine Lizenz zur Verwendung. Bitte lesen Sie diese Lizenzvereinbarung sorgfältig. Durch das Öffnen dieser Packung bringen Sie zum Ausdruck, daß Sie alle darin enthaltenen Bedingungen akzeptieren. Wenn Sie nicht mit den Bedingungen einverstanden sind, können Sie die Packung ungeöffnet an Yamaha zurückgeben; der Kaufpreis wird in voller Höhe zurückerstattet.

1. ERETILUNG VON LIZENZ UND COPYRIGHT

Yamaha erteilt Ihnen, dem ursprünglichen Käufer, das Recht, ein Exemplar des beiliegenden Softwareprogramms und der darin enthaltenen Daten („SOFTWARE”) als Einzelperson auf jeweils einem Computer zu verwenden. Sie dürfen sie nicht auf mehr als einem Computer bzw. einer Computerstation v erwenden. Die SOFTWARE bleibt im Besitz von Yamaha und ist durch japanische Copyrightgesetze sowie alle anwendbaren internationalen Vertragsbestimmungen geschützt. Sie haben ein Anspruchsrecht auf das Eigentum an den Medien, denen die SOFTWARE beiliegt. Daher müssen Sie die SOFTWARE wie alle anderen durch Copyright geschützten Materialien behandeln.

2. EINSCHRÄNKUNGEN

Die SOFTWARE ist durch Copyright geschützt. Sie dürfen Sie weder analysieren noch durch anderweitige Methoden reproduzieren. Sie dürfen die SOFTWARE weder ganz noch teilweise reproduzieren, modiﬁzieren, verändern, gegen Entgelt oder unentgeltlich verleihen, verkaufen oder vertreiben, und Sie dürfen auf der Grundlage der SOFTWARE keine Ableitungen erstellen. Sie dürfen die SOFTWARE nicht an andere Computer senden oder in Netzwerke einspeisen. Sie dürfen das Eigentum an der SOFTWARE und den schriftlichen Begleitmaterialien auf unbefristeter Basis unter den Voraussetzungen übertragen, daß Sie keine Kopien zurückbehalten und sich der Empfänger mit den Bedingungen der Lizenzvereinbarung einverstanden erklärt.

3. BEENDIGUNG

Die Lizenzbedingung des Softwareprogramms wird am Tag, an dem Sie die SOFTWARE erhalten, wirksam. Falls ein Copyrightgesetz oder eine Bestimmung der Lizenzbedingungen verletzt wird, wird automatisch und ohne Benachrichtigung durch Yamaha die Lizenzvereinbarung beendet. In diesem Fall müssen Sie die lizensierte SOFTWARE und ihre Kopien unverzüglich vernichten.

4. PRODUKTGARANTIE

Yamaha garantiert dem ursprünglichen Käufer, daß, falls die SOFTWARE bei Verwendung unter normalen Bedingungen nicht die in der von Yamaha bereitgestellten Anleitung beschriebenen Funktionen erfüllt, die einzige Abhilfe darin bestehen wird, daß Yamaha auf Austauschbasis kostenlos jedes Medium ersetzen wird, das Material- oder Verarbeitungsfehler aufweist. Abgesehen von dem oben Ausgeführten wird die SOFTWARE „wie die Ware liegt und steht” geliefert, und es werden keine anderen ausdrücklichen oder stillschweigenden Garantien hinsichtlich dieser Software übernommen, einschließlich, aber nicht beschränkt auf, die stillschweigenden Garantien für handelsübliche Qualität und Eignung für einen bestimmten Einsatzzweck.

5. BESCHRÄNKTE HAFTUNG

Ihre einzige Abhilfe und die gesamte Haftung Yamahas bestehen in dem oben Ausgeführten. Keinesfalls haftet Yamaha Ihnen oder einer anderen Person gegenüber für etwaige Schäden, einschließlich, aber nicht beschränkt auf, zufällige Schäden oder Folgeschäden, Kosten, Verdienstausfall, verlorene Ersparnisse oder andere Schadenersatzansprüche, die aus der Verwendung der SOFTWARE oder aus der Tatsach hervorgehen, daß diese SOFTWARE nicht verwendet werden konnte, selbst wenn Yamaha oder ein autorisierter Händler über die Möglichkeit derartiger Schadenersatzansprüche informiert wurde, oder für etwaige andere Ansprüche einer anderen Partei.

6. ALLGEMEINES

Diese Lizenzvereinbarung soll gemäß und in Übereinstimmung mit den japanischen Gesetzen ausgelegt werden.

Page 46

CONTRAT DE LICENCE DE LOGICIEL

Ceci est un contrat entre vous-même, l’utilisateur ﬁnal, et Yamaha Corporation (“Yamaha”). Le logiciel Yamaha ci-inclus est concédé sous licence par Yamaha à l’acheteur original et ne peut être utilisé que dans les conditions prévues aux présentes. Veuillez lire attentivement ce contrat de licence. Le fait d’ouvrir ce coffret indique que vous acceptez l’ensemble des termes du contrat. Si vous n’acceptez pas lesdits termes, renvoyez le coffret non ouvert à Yamaha pour en obtenir le remboursement intégral.

1. CONCESSION DE LICENCE ET DROITS D’AUTEUR

Yamaha vous concède le droit d’utiliser, en tant qu’acheteur original, un exemplaire du logiciel et des données afférentes à celui-ci (“LOGICIEL”) sur un ordinateur pour utilisateur unique. Vous n’êtes pas autorisé à utiliser ces éléments sur plus d’un ordinateur ou terminal d’ordinateur. Le LOGICIEL est la propriété de Yamaha. Il est protégé par les dispositions relatives au droit d’auteur contenues dans la législation japonaise et les traités internationaux. Vous êtes en droit de revendiquer l’appartenance du support du LOGICIEL. A ce titre, vous devez traiter le LOGICIEL comme tout autre élément protégé par le droit d’auteur.

2. RESTRICTIONS

Le LOGICIEL est protégé par le droit d’auteur. Vous n’êtes pas autorisé à reconstituer la logique du LOGICIEL ou à reproduire ce dernier par quelque autre moyen que ce soit. Vous n’êtes pas en droit de reproduire, modiﬁer, prêter, louer, revendre ou distribuer le LOGICIEL en tout ou partie, ou d’utiliser le LOGICIEL à des ﬁns de création dérivée. Vous n’êtes pas autorisé à transmettre le LOGICIEL à d’autres ordinateurs ou à l’utiliser en réseau.

Vous êtes en droit de céder, à titre permanent, le LOGICIEL et la documentation imprimée qui l’accompagne, sous réserve que vous n’en conserviez aucun exemplaire et que le bénéﬁciaire accepte les termes du présent contrat.

3. RESILIATION

Les conditions énoncées dans le présent contrat de licence prennent effet à compter du jour où le LOGICIEL vous est remis. Si l’une quelconque des dispositions relatives au droit d’auteur ou des clauses du contrat ne sont pas respectées, le contrat de licence sera résilié de plein droit par Yamaha, ce sans préavis. Dans ce cas, vous devrez immédiatement détruire le LOGICIEL concédé sous licence ainsi que les copies réalisées.

4. GARANTIE PRODUIT

Si, dans des conditions normales d’utilisation, le LOGICIEL ne remplit pas les fonctions décrites dans le manuel fourni, Yamaha s’engage vis-à-vis de l’acheteur original à remplacer gratuitement, sur la base d’un échange, tout support reconnu défectueux par suite d’un défaut de matière première ou d’un vice de fabrication. Ceci constitue le seul recours opposable à Yamaha. Hormis dans les cas expressément énoncés plus haut, le LOGICIEL est livré “en l’état” et toute autre garantie expresse ou implicite le concernant, y compris, de manière non limitative, toute garantie implicite de qualité marchande et d’adéquation à un usage particulier, est exclue.

5. RESPONSABILITE LIMITEE

Votre unique recours et la seule responsabilité de Yamaha sont tels qu’énoncés précédemment. En aucun cas Yamaha ne pourra être tenu responsable, par vous-même ou une autre personne, de quelques dommages que ce soit, notamment et de manière non limitative, de dommages indirects, frais, pertes de bénéﬁces, pertes de fonds ou d’autres dommages résultant de l’utilisation ou de l’impossibilité d’utiliser le LOGICIEL, même si Yamaha ou un distributeur agréé ont été prévenus de l’éventualité de tels dommages, ou de quelque autre revendication formulée par une tierce partie.

6. REMARQUE GENERALE

Le présent contrat de licence est régi par le droit japonais, à la lumière duquel il doit être interprété.

Page 47

For details of products, please contact your nearest Yamaha or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mexico S.A. De C.V.,

Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33

BRAZIL

Yamaha Musical do Brasil LTDA.

Av. Rebouças 2636, São Paulo, Brasil Tel: 011-853-1377

ARGENTINA

Yamaha Music Argentina S.A.

Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021

PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES

Yamaha de Panama S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia, Ciudad de Panam*, Panam* Tel: 507-269-5311

EUROPE

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY/SWITZERLAND

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

AUSTRIA

Yamaha Music Austria

Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Nederland

Kanaalweg 18G, 3526KL, Utrecht, The Netherlands

Tel: 030-2828411

BELGIUM

Yamaha Music Belgium

Keiberg Imperiastraat 8, 1930 Zaventem, Belgium

Tel: 02-7258220

FRANCE

Yamaha Musique France, Division Professionnelle

BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000

SY20

ITALY

Yamaha Musica Italia S.P.A., Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A.

Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

AFRICA

Yamaha Corporation, International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 4308650 Tel: 053-460-2312

MIDDLE EAST

TURKEY/CYPRUS

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: 971-4-81-5868

HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2445

ASIA

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

KOREA

Cosmos Corporation

1461-9, Seocho Dong, Seocho Gu, Seoul, Korea Tel: 02-3486-0011

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951

THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2317

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation, International Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

Page 48

V418410 909POCP5.2-01A0 Printed in Japan

Yamaha PLG150PF User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Overview of the PLG150-PF

Parameter Structure

About the Included Floppy Disk

Installing the PLG150-PF

Included Items

Required and Recommended Items

XGworks or XGworks lite Music Sequencing Software

PF Easy Editor

Installing and Starting the Plug-in Editor Software (Windows 95/98)

Installing the Software

Starting the PF Easy Editor

Selecting PF Voices (Modular Synthesis Plug-in System)

Enabling and Selecting PF Voices

Editing the PF Native Part Parameters (Modular Synthesis Plug-in System)

Selecting/Editing the PF System Parameters (Modular Synthesis Plug-in System)

Selecting PF Voices (XG Plug-in System)

Enabling and Selecting PF Voices

Editing the PF Native Part Parameters (XG Plug-in System)

Selecting/Editing the PF System Parameters (XG Plug-in System)

Parameters

PF Native Part Parameters

PF System Parameters