Do not expose the plug-in board to direct sunlight,
excessive humidity, high temperatures, excessive dust
or strong vibrations.
●
Before handling the plug-in board, be sure to touch a
metal surface to discharge any static electricity which
may be in your body.
●
When holding the plug-in board, do not touch the inside
area of the circuit board or apply excessive pressure to
the board, and be sure to protect the board from contact
with water or other liquids.
●
Before installing the plug-in board onto a tone generator/sound card, unplug the power connector of your
computer.
* The company names and product names in this Owner’s Manual are the trademarks or registered
trademarks of their respective companies.
* The screens as illustrated in this owner’s manual are for instructional purposes only, and may
appear somewhat different from the ones of your instrument.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications
not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT:
Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void
your FCC authorization to use this product in the USA.
3. NOTE:
”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product
in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses
radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by
turning the unit ”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change
the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this
type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
When connecting this product to accessories and/or another product use only high quality shielded cables.
This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class
Before connecting the computer to other devices, turn
off the power switches of all devices.
●
Yamaha is not responsible for loss of data through computer malfunctions or operator actions.
●
The plug-in board contains no user-serviceable parts, so
never touch the inside area of the circuit board or
tamper with the electronic circuitry in any way. Doing
so may result in electrical shock or damage to the plugin board.
YAMAHA CANNOT BE HELD RESPONSIBLE
FOR DAMAGE CAUSED BY IMPROPER CARE
AND USE OF THE PLUG-IN BOARD.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
CANADA
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
• This applies only to products distributed by Yamaha Canada Music Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.
2
Page 3
Congratulations and thank you for purchasing the Yamaha PLG150-DR Drums Plug-in Board/
PLG150-PC Percussion Plug-in Board!
The PLG150-DR/PLG150-PC is a custom tone generator designed for use with a variety of
Yamaha electronic musical instruments. Foremost, the PLG150-DR/PLG150-PC can be
installed to and integrated with instruments of the Modular Synthesis Plug-in System (such as
the MOTIF, S80, etc.) It can also be used seamlessly with the MU128 Tone Generator (as well
as other MU-series instruments and the SW1000XG PCI Audio/MIDI Board).
To install your PLG150-DR/PLG150-PC correctly and to ensure full enjoyment of its sophisticated functions, be sure to read this manual very carefully. When finished, keep the manual in a
secure and convenient place for future reference.
SPECIAL NOTICE
• The product and this owner's manual are exclusive copyrights of Yamaha Corporation.
• Use of the software and this manual is governed by the SOFTWARE LICENCING AGREEMENT which the purchaser fully agrees to
upon breaking the seal of software packing. (Please read carefully the AGREEMENT at the end of this manual before installing the application.)
• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.
• Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible
for the results of the use of this manual and software.
• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has
license to use others' copyrights. Such copyrighted materials include, without limitation, all computer software, styles files, MIDI files,
WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under
relevant laws. Any violation of copyright has legal consequences. DON'T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
• Copying of the commercially available music sequence data and/or digital audio files is strictly prohibited except for your personal use.
• Future upgrades of application and system software and any changes in specifications and functions will be announced separately.
About the Modular Synthesis Plug-in System
The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabilities for Modular Synthesis-Plug-in-compatible synthesizers, tone generators and sound
cards. This enables you to easily and effectively take advantage of the latest and most sophisticated synthesizer and effects technology, allowing you to keep pace with the rapid and multifaceted advances in modern music production.
About the XG Plug-in System
The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XGPlug-in-compatible tone generators and sound cards. This enables you to easily and effectively
take advantage of the latest and most sophisticated synthesizer and effects technology, allowing
you to keep pace with the rapid and multi-faceted advances in modern music production.
3
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Table of Contents
Overview of the PLG150-DR/PLG150-PC
Main Features of the PLG150-DR/PLG150-PC................................................ 5
Included Items .................................................................................................. 5
Required and Recommended Items................................................................. 6
Installing the PLG150-DR/PLG150-PC ............................................................ 6
Once connected and installed, the PLG150-DR/PLG150-PC becomes a seamless additional sound
●
source for the host tone generator or synthesizer — providing a total of 88 drum/percussion voices
(80 Preset, 8 User), which can be edited from the panel of the host device. The PLG150-DR/
PLG150-PC can be easily installed to any device compatible with the Modular Synthesis Plug-in
System or the XG Plug-in System.
A single PLG150-DR/PLG150-PC Plug-in Board functions as one part for the host device, provid-
●
ing up to 32 different voices (in mono sampling), and several boards can be installed to the same
host device.
Thanks to the built-in effect processing power, the PLG150-DR/PLG150-PC has two separate
●
effect blocks — Insertion and Reverb — that can be applied to each kit.
With the included Voice Editor, you can easily edit the sound for each note in the kit as well as the
●
effect parameters, and create up to eight original User kits — all from your Windows computer.
The PLG150-DR also features a special drum kit based on the stunning stereo drum kit of the pop-
●
ular Yamaha MOTIF. (Not all of the sounds are exactly the same.) For MOTIF users, this means
you can use the PLG150-DR to play high-quality drum tracks and free up maximum polyphony for
other sounds on the MOTIF.
The PLG150-DR also has drum kits that have the same note mapping as XG kits — making them
●
fully compatible with any XG song data. This means you can simply enter desired program
changes, and your drum tracks will play and sound exactly as intended — or even better!
Included Items
The following items have been included in the package of your new PLG150-DR/PLG150-PC.
Please make sure that you have them all before starting to setup and use the instrument. If an item is
missing, contact the store or dealer from which you purchased the PLG150-DR/PLG150-PC.
• PLG150-DR/PLG150-PC Plug-in Board
• PLG150-DR/PLG150-PC Owner’s Manual (this book)
• CD-ROM
5
Page 6
Overview of the PLG150-DR/PLG150-PC
Required and Recommended Items
In addition to the included items listed above, you should also have the following:
■
Synthesizer/Tone Generator/Sound Card Compatible with the Modular
Synthesis or XG Plug-in Systems
In order to use the PLG150-DR/PLG150-PC, you’ll need a synthesizer, tone generator or sound card
that is compatible with the Modular Synthesis Plug-in System or the XG Plug-in System. Compatible
instruments include the MOTIF, MU128, and the SW1000XG. The synthesizer/tone generator/sound
card should also have an available slot or space for installing the PLG150-DR/PLG150-PC.
Installing the PLG150-DR/PLG150-PC
For detailed instructions on installing the PLG150-DR/PLG150-PC, refer to the owner’s manual of
the Plug-in-compatible “mother” device (e.g., MOTIF, MU128, etc.).
Specifications
Tone Generation System :
Polyphony :
Number of voices :
Interface :
Effects :
Dimensions (W x H x D) :
Weight :
Included Items :
AWM2 (Advanced Wave Memory 2)
32 (when using mono-sampled voices)
80 Preset voices, 8 User voice area
Plug-in connector
Insertion, Reverb
138.5 x 89.0 x 8.5mm
62g
Owner’s Manual, CD-ROM
* Specifications subject to change without notice.
6
Page 7
Parameter Structure
Plug-in Board
Part Parameters
XG Part Parameters
Part Parameters
DR/PC Native Part Parameters
Voice Edit
Parameters*
System Parameters
XG System Parameters
DR/PC Native System Parameters*
Part Parameters
Part Parameters
XG Part Parameters
DR/PC Native Part Parameters*
DR/PC Voice Parameters
Inst128
Inst3
Inst2
Inst1
Plug-in Platform
XG Effect Parameters
Reverb
Chorus
Variation
Insertion1
Insertion2
Offset
Voice Reverb
Voice Insertion
The Board voices are created with these parameters.
* See page 13 for details.
7
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For Modular Synthesis Plug-in System Users
Selecting DR/PC Voices
When the PLG150-DR/PLG150-PC is installed to a synthesizer compatible with the Modular Synthesis Plug-in System, the DR/PC voices can be selected in the same way as the internal voices of the
synthesizer.
• When several boards are installed to the same host device, set the “PolyExpand” parameter on the synthesizer
NOTE
1
2
to off.
• The example displays used in the following explanations are all taken from the MOTIF.
Enter the Voice Play mode.
Press the [VOICE] button.
Select a Plug-in voice.
Press any of the [PLG1] - [PLG3] buttons. The following display (or one similar) appears.
Select a Group.
3
Press any of the GROUP [A] - [H] buttons.
4
Select a Voice.
Press any of the NUMBER [1] - [16] buttons.
When using the PLG150-DR in the Song mode on the MOTIF, make sure to make these settings:
NOTE
• Set the Receive Channel of the [PLG] part (the part to which the PLG150-DR has been assigned) to
Channel 10.
• On the MOTIF, set the internal part assigned to Channel 10 to off.
For MOTIF6/MOTIF7/MOTIF8 users
To get the most out of your PLG150-DR/PLG150-PC, please go to the web address below and download
the latest version of the MOTIF operating system.
http://www.yamahasynth.com
8
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For Modular Synthesis Plug-in System Users
Editing the DR/PC Native Part Parameters
The following explanations show how to edit the DR/PC native part parameters when creating PLG
voices, using the MOTIF Control Synthesizer as an example. For information on storing the PLG
voices with your particular Modular Synthesis Plug-in System compatible instrument, refer to the
owner’s manual of that instrument.
Keep in mind that the parameter values and settings below represent offsets of the actual voice settings. This
NOTE
means that adjustments made to the parameters may not make much change in the actual sound, depending on
the original settings of the voice. For parameter values, a setting of “0” results in no change, while positive and
negative values increase and decrease the value respectively.
1
Select the desired DR/PC voice, as described in “Selecting DR/PC Voices”
on page 8.
Enter the Voice Edit mode.
2
Press the [EDIT] button.
Select an element to be edited.
3
1) Press any one of the NUMBER buttons ([1] - [4]) to edit the element parameters.
2) Press the [F4] button to select the “NATIVE” element.
Select the desired parameter.
4
Use the cursor buttons to select the desired parameter.
For a list of available parameters, see page 13.
NOTE
Adjust the value or change the setting for the selected parameter.
5
Use the [INC/YES] and [DEC/NO] buttons or the data dial.
9
Page 10
For XG Plug-in System Users
The PLG150-DR/PLG150-PC voices can be selected just like the voices of the XG tone generator.
Keep in mind, though, that they can only be selected when the Sound Module Mode is set to XG or
Performance. Also, the Part Assign parameter in the Utility mode (see below) must be set to the
desired Part.
The example displays used in the following explanations are all taken from the MU128.
NOTE
■
Enabling and Selecting DR/PC Voices
Set the Sound Module Mode to “XG” or “PFM” (Performance).
1
Press the [MODE] button and use the [SELECT </>] buttons.
Set the Part Assign parameter to the desired Part number.
2
To do this:
1) Press the [UTIL] button.
2) Select the “PLUGIN” menu (with the [SELECT >] button) and press [ENTER].
3) Select the “PLG150-DR/PLG150-PC” menu if necessary (with the [SELECT </>] buttons),
and press [ENTER]. The Part Assign menu appears.
4) Use the [VALUE –/+] buttons or dial to change the Part number.
The Part Assign range for the XG mode is 1 - 16 and “off”; for the Performance mode, it is 1 - 4
and “off.”
Press the [EXIT] button to return to the Play mode.
When several boards are installed to the same host device, assign them to the different parts.
NOTE
10
Page 11
For XG Plug-in System Users
Enable the PLG150-DR/PLG150-PC board for the desired Part.
3
First, make sure that the appropriate Part is selected (using the [PART –/+] buttons), then press
the [SELECT] button. The icon of the selected board appears in the display and the corresponding LED at the bottom of the panel (PLG-1, -2, or -3) flashes briefly.
4
Select the desired bank number.
Move the cursor to the Bank Number parameter with the [SELECT </>] buttons and use the
[VALUE –/+] buttons to select the desired bank.
5
Select the desired voice number.
Move the cursor to the Voice (Program) Number parameter with the [SELECT </>] buttons and
use the [VALUE –/+] buttons to select the desired voice.
• DR Preset voice : 000, 001-080
• DR User voice: 000, 001-008
• PC Preset voice : 001, 001-080
• PC User voice: 001, 001-008
Bank Number parameter
DR Preset voicePC Preset voicePC User voiceDR User voice
Alternately, you can select voices from a connected MIDI keyboard, or from sequencing software
on a connected computer.
For a list of available voices and their bank/voice numbers, see page 26.
11
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For XG Plug-in System Users
Editing the DR/PC Native Part Parameters
Any of the DR/PC voices can be freely edited from the front panel with the DR/PC Native Part parameters. Keep in mind that changing the Part parameters does not permanently affect the original voice
settings. The edits that you make here temporarily change the settings of the currently selected voice.
When you select a different voice for the Part, the settings are applied to the newly selected voice.
• The parameter values and settings below represent offsets of the actual voice settings. This means that
NOTE
1
adjustments made to the parameters may not make much change in the actual sound, depending on the original settings of the voice. For parameter values, a setting of “0” results in no change, while positive and nega-
tive values increase and decrease the value respectively.
• The Part parameter settings cannot be saved in Multi Play mode. If you wish to save your Part parameter
edits, do it from the Performance mode or Plug-in Board Editor.
• The example displays used in the following explanations are all taken from the MU128.
Select the Part having the DR/PC voice, then select the desired voice.
Select the appropriate Part with the [PART –/+] buttons, then, with the cursor at the Voice Number parameter, select the desired voice.
Press the [EDIT] button to enter the Edit mode.
2
Select the “PLUGIN” menu.
3
Use the [SELECT >] button, then press the [ENTER] button. The PLG150-DR/PLG150-PC
Edit menu appears.
4
Select the desired parameter.
Use the [SELECT </>] buttons.
5
Adjust the value or change the setting for the selected parameter.
Use the [VALUE +/–] buttons.
6
Return to the main Play display.
Press the [EXIT] button several times, or press the [PLAY] button once.
12
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Parameters
Native Part Parameters
These parameters are used to offset the actual settings (made on the host device) of the voices of the
PLG150-DR/PLG150-PC Plug-in Board. Tune, Pan, Level, and other settings can be made for each
of any four instruments, and Insertion effects can also be applied.
Keep in mind that these offset Part parameters do not permanently change the original kit settings.
Also remember that for parameters with values, a setting of “0” results in no change to the original
setting, while positive and negative values change the setting accordingly. For example, if the original
Pan setting for a sound is all the way to the left, a setting of “0” for the Pan parameter here does NOT
represent “center” — it simply keeps the sound at its current hard-left position.
●
Note Select 1 - Note Select 4
This determines the specific note (instrument sound) for which the same numbered Native Part
parameters will be effective. Set this parameter to the note (1 - 4) you wish to edit, then set the corresponding parameters (1 - 4) below to edit it.
Range:
C-2 — G8, Off
●
Note Select 1 Tune - Note Select 4 Tune
This determines the pitch of the selected note’s instrument. The greater the value the higher the
pitch. Negative values lower the pitch.
Range:
●
Note Select 1 Level - Note Select 4 Level
This determines the level or volume of the selected note’s instrument.
Range:
●
Note Select 1 Pan - Note Select 4 Pan
This determines the stereo position of the selected note’s instrument. The lower the value (more
negative), the further left the sound is in the stereo image. The higher the value (more positive), the
further right the sound is.
Range:
●
Note Select 1 Ins Eff - Note Select 4 Ins Eff (Insertion Effect)
This determines whether the PLG150-DR/PLG150-PC’s built-in Insertion effect is applied to the
selected note’s instrument or not. (When set to “on,” the Insertion effect is applied.) When this is
set to “Inst,” the original setting for the kit is maintained.
This determines the level of the selected note’s instrument that is sent to the PLG150-DR/PLG150-
PC’s built-in Reverb effect. This parameter has no effect if the Insertion effect (above) is on.
Range:
-64 — +00 — +63
-64 — +00 — +63
-127 — +00 — +127
off, on, Inst
-127 — +00 — +127
13
Page 14
Parameters
●
●
●
●
INS L.Freq (Insertion Effect — EQ Low Frequency)
This determines the particular frequency which is boosted or cut (in the Low Gain parameter below)
for the selected note’s instrument. When this is set to “Vce,” the original setting for the kit (voice) is
maintained.
Settings/Range:
50Hz — 2.0kHz, Vce (**** : Not available)
INS L.Gain (Insertion Effect — EQ Low Gain)
This determines the level of the specified frequency (in the Low Frequency parameter above) for the
selected note’s instrument. When this is set to “Vce,” the original setting for the kit (voice) is main-
tained.
Settings/Range:
-12 — +12dB, Vce (**** : Not available)
INS H.Freq (Insertion Effect — EQ High Frequency)
This determines the particular frequency which is boosted or cut (in the High Gain parameter below)
for the selected note’s instrument. When this is set to “Vce,” the original setting for the kit (voice) is
maintained.
Settings/Range:
500Hz — 16kHz, Vce (**** : Not available)
INS H.Gain (Insertion Effect — EQ High Gain)
This determines the level of the specified frequency (in the High Frequency parameter above) for
the selected note’s instrument. When this is set to “Vce,” the original setting for the kit (voice) is
maintained.
Settings/Range:
-12 — +12dB, Vce (**** : Not available)
14
●
INS LFOFrq (Insertion Effect — LFO Frequency)
This determines the frequency of LFO modulation for the PLG150-DR/PLG150-PC’s built-in Insertion effect.
Range:
●
INS LFODpt (Insertion Effect — LFO Frequency)
This determines the depth of LFO modulation for the PLG150-DR/PLG150-PC’s built-in Insertion
effect.
Range:
●
INS DryWet (Insertion Effect — Dry/Wet Balance)
This determines the balance between the direct, unprocessed sound (dry) and the Insertion-processed sound (wet).
Range:
●
INS Drive (Insertion Effect — Drive)
This determines the amount of distortion overdrive for the PLG150-DR/PLG150-PC’s built-in Insertion effect.
Range:
NOTE
-127 — +00 — +127 (**** : Not available)
-127 — +00 — +127 (**** : Not available)
-127 — +00 — +127 (**** : Not available)
-127 — +00 — +127 (**** : Not available)
• Keep in mind that some of these parameters are offset controls; the actual resulting sound may differ depending on the selected kit.
• If the currently selected kit does not have any effect or uses an effect type not corresponding to a certain
parameter, the parameter is unavailable for editing and is indicated by asterisks (****).
• Whether an Insertion effect parameter is available or not differs depending the selected kit and its preassigned Insertion effect types. For details, refer to the “DR/PC Voice Effect Parameter List” in the Reference
section (page 53).
Page 15
Native System Parameter
The Native System parameter “Part Assign” is added to the Utility parameters of the XG tone generator. For more details on how to edit this, refer to the section “Enabling and Selecting DR/PC Voices”
on page 10. If you are using the PLG150-DR/PLG150-PC with an Modular Synthesis Plug-in System
compatible synthesizer, the Parts assigned to Plug-in Boards are fixed and this parameter cannot be
changed.
●
Part Assign
This determines the Part to which the PLG150-DR/PLG150-PC voice is assigned. If a Part is not
properly assigned here, none of the PLG150-DR/PLG150-PC voices can be selected for the Part.
(This applies to XG Plug-in System compatible “mother” devices.)
Settings:
1 -16, off
Parameters
Voice Edit Parameters
These parameters are used to create original voices, and as such are more detailed and offer greater
sonic control than the Native parameters. Voice Edit parameters are divided into two groups: 1) the
Common parameters, which affect all instruments in the kit (voice), and 2) the Instrument parameters,
which are set independently for each instrument. For greater ease and convenience in editing, use the
Plug-in Board Editor, contained on the included CD-ROM. For detailed instructions on using the
Plug-in Board Editor, refer to the electronic documentation on the CD-ROM.
Common Parameters
●
Name
This determines the name for the voice or kit.
●
Volume
This determines the overall volume of the kit (voice).
Range:
●
Rev Send (Reverb Send)
This determines the level of the kit’s sound that is sent to the Reverb effect.
Range:
0 — 127
0 — 127
●
Original Kit
This lets you select one of the eighty Preset kits.
Range:
0 — 79
15
Page 16
Parameters
●
●
●
●
●
●
Reverb Type
Reverb Parameter 1 - 16
This determines the Reverb type for the kit (voice) and allows you to set each of sixteen different
parameters. For details, refer to the “DR/PC Voice Effect Parameter List” on page 53 in the Refer-
ence section.
Reverb Return
This determines the return level of the Reverb signal for the kit (voice).
Range:
0 — 127
Reverb Pan
This determines the stereo position for the kit (voice).
Range:
L63 — R63
Insertion Type
Insertion Parameter 1 - 16
This determines the Insertion effect type for the kit (voice) and allows you to set each of sixteen different parameters. For details, refer to the “DR/PC Voice Effect Parameter List” on page 53 in the
Reference section.
●
Insertion Rev Send (Insertion Reverb Send)
This determines the level of the Insertion effect that is sent to the Reverb for the kit (voice).
Range:
0 — 127
Instrument Parameters
●
Inst (Instrument) Pitch Coarse
This determines the coarse pitch setting of the selected instrument in semitones.
Range:
●
Inst (Instrument) Pitch Fine
This determines the fine pitch setting of the selected instrument in 1-cent steps.
Range:
●
Inst (Instrument) Level
This determines the level of the selected instrument.
Range:
●
Inst (Instrument) Alternate Group
This determines the group assignment of the selected instrument. Instruments that are assigned to
the same group cannot sound simultaneously, and mute one another — useful for sounds like hihat, where a closed hi-hat cuts off the sound of an open hi-hat.
Settings:
-64 — +0 — +63
-64 — +0 — +63
0 — 127
0: Off; 1 — 127
16
●
Inst (Instrument) Pan
This determines the stereo position of the selected instrument. The “Random” setting randomly
assigns the sound to a pan position — useful for having different drum/percussion instruments
sound from various parts of the stereo image.
Settings/Range:
0: Random; L63 — R63
Page 17
Parameters
●
Inst (Instrument) Reverb Send
This determines the level of the selected instrument that is sent to the Reverb effect. This parameter has no effect if the Insertion effect (below) is on.
Range:
●
Inst (Instrument) Insertion On/Off
This determines whether the Insertion effect is applied to the selected instrument or not.
Settings:
●
Inst (Instrument) Key Assign
When several notes are played at the same time, this determines whether the kit (voice) will sound
the notes simultaneously (Multi) or one sound at a time (Single).
Settings:
●
Inst (Instrument) Rcv Note Off (Receive Note Off)
This determines whether the selected instrument responds to MIDI Note Off messages or not.
Settings:
●
Inst (Instrument) Rcv Note On (Receive Note On)
This determines whether the selected instrument responds to MIDI Note On messages or not.
Settings:
0 — 127
0: Off; 1: On
0: Single, 1: Multi
0: Off; 1: On
0: Off; 1: On
●
Inst (Instrument) Filter Cutoff Frequency
This determines the cutoff frequency for the filter applied to the selected instrument. The greater
the value, the more “open” the filter, and the brighter the sound becomes. The lower the value, the
more muted the sound.
Range:
●
Inst (Instrument) Filter Resonance
This determines the filter resonance or emphasis for the selected instrument.
Range:
●
Inst (Instrument) EG Attack
This determines the attack rate of the EG (envelope generator) for the selected instrument.
Range:
●
Inst (Instrument) EG Decay 1
This determines the first decay rate of the EG (envelope generator) for the selected instrument.
Range:
●
Inst (Instrument) EG Decay 2
This determines the second or final decay rate of the EG (envelope generator) for the selected
instrument.
Range:
-64 — +0 — +63
-64 — +0 — +63
-64 — +0 — +63
-64 — +0 — +63
-64 — +0 — +63
17
Page 18
About the Included CD-ROM
This CD-ROM includes two types of data: application software and sampled audio data.
Please refer to page 19 (Windows) and 24 (Macintosh) for software instllation instructions.
You can play back the audio data from an audio CD player (or any CD playing/ripping function on
your computer.)
Never attempt to play back track 1 (containing the application software) on an audio CD player.
CAUTION
Track 1 : Application software; do NOT attempt to play back this track.
Track 2 : Demonstration song recorded on the PLG150-DR.
Track 3 : Demonstration song recorded on the PLG150-PC.
For Windows Users
The included CD-ROM contain editing software to make user voices for the PLG150-DR/PLG150PC as well as demonstration songs and Voice data for the “mother” device.
You can start the editing software as either a stand-alone software or a plug-in application in the Open
Plug-in Technology compatible application (SQ01, etc.) You can save the user voice edited on this
software as SMF format file. The SMF format file is used for any sequencers.
For playing back the demonstration songs, you can use any compatible sequence software or hardware sequencer capable of sending bulk data.
Doing so may damage to your hearing as well as to your CD player/audio speakers.
About Open Plug-in Technology
Open Plug-in Technology (OPT) is a newly developed software format that allows control over MIDI
devices from a music software sequencer. For example, this allows you to start up and operate various
parts of your music system, such as plug-in board editors, and mixing control editors — directly from an
OPT-compatible sequencer, without having to use each separately. This also makes it unnecessary to set
MIDI drivers for each application, streamlining your music production system and making all operations
more convenient and seamless.
OPT Level Implementation for the Plug-in Board Editor
The client application and its compatibility with OPT can be divided into three levels, as shown below.
(For more information, refer to the documentation or help files included with the client application.)
This chart shows the OPT-compatibility of the Plug-in Board Editor.
OPT levels of the client
application
VIEWS (Level 3)
PROCESSORS (Level 2)
PANELS (Level 1)
NOTE: Certain operations may not work as expected if there is no corresponding function in the cli-
ent application (sequencer, etc.). The highest level of implementation for the client application
is indicated in the OPT logo (which appears along with the version information in the application).
Plug-in Board Editor operation
Operation supportOperation limits
YesNone
YesNone
YesNone
18
Page 19
■
Contents of the CD-ROM
About the Included CD-ROM
Folder Name
DRPlug_Plug-in Board Editor for
PLG150-DR
MotifPlug-in Editor files for MOTIF Editor Enables you to edit the PLG150-DR voices on the Voice
DataDemonstration phrasesDemonstration phrases created using the PLG150-DR.
Demonstration song (Drum solo)Demonstration song created using the PLG150-DR.
Plug-in Voice Data
PCPlug_Plug-in Board Editor for
PLG150-PC
MotifPlug-in Editor files for MOTIF Editor Enables you to edit the PLG150-PC voices on the Voice
DataDemonstration phrasesDemonstration phrases created using the PLG150-PC.
Demonstration song (XG)Demonstration song for XG Plug-in System devices
Plug-in Voice Data
Acroread_Acrobat Reader
*1 These applications are supplied with PDF manuals. Refer to the PDF manual for operating these applications.
*2 These applications are started as either a stand-alone application or a plug-in software in the Open Plug-in
Technology compatible application.
*3 Unfortunately, Yamaha makes no guarantee concerning the stability of these programs nor can it offer user sup-
port for them.
*4 When the PLG150-DR/PLG150-PC is installed to PLG1, select the file “**PlgVc1.mid” ; when the board is
installed to PLG2, select the file “**PlgVc2.mid” ; when the board is installed to PLG3, select the file
“**PlgVc3.mid.”
For more details of demonstration songs, refer to page 25.
For a complete list of these voices, refer to the “DR/PC Plug-in Voice List” (page 52).
Application Name Contents
*1 *2
*4
*1 *2
*4
*1 *3
Enables you to edit the PLG150-DR voices on your
computer.
Editor for MOTIF6/MOTIF7/MOTIF8.
This is Plug-in voice data, featuring a total of 64 voices
that were created using the PLG150-DR Preset voices.
Enables you to edit the PLG150-PC voices on your
computer.
Editor for MOTIF6/MOTIF7/MOTIF8.
(MU128, etc.) created using the PLG150-PC.
This is Plug-in voice data, featuring a total of 64 voices
that were created using the PLG150-PC Preset voices.
Enables you to view each PDF manual for the applications.
■
Minimum System Requirements
Plug-in Board Editor for PLG150-DR
Plug-in Board Editor for PLG150-PC(using as a stand alone application)
CPU
OS
Available Memory
Hard Disk
Display
NOTE: When using the Editor as a plug-in with OPT-compatible software, keep in mind that the minimum system
requirements will be higher than that of the host software.
Pentium (or Celeron) 450MHz or faster
Windows® 98/98SE/Me/2000/XP Home Edition/XP Professional Edition
16MB or more
12MB or more
800 x 600, High Color (16 bit)
For the minimum system requirements of the other software programs, refer to the relevant manuals.
19
Page 20
About the Included CD-ROM
■
Software Installation
●
Plug-in Board Editor for PLG150-DR/PLG150-PC
Double-click on the “Plug_” folder in “DR”/“PC” folder.
1
“Setup.exe” file will be displayed.
Double-click on “Setup.exe.”
2
Setup Dialog box will be displayed.
Execute the installation by following the on-screen directions.
3
●
Acrobat Reader
In order to view the electronic (PDF) manuals included with each application, you’ll need to install
Acrobat Reader.
If an older version of Acrobat Reader is installed on your PC, you’ll need to uninstall it before proceeding.
NOTE
1
Double-click on the “ACROREAD” folder.
Four different language folders will be displayed.
2
Select the language you want to use and double-click on its folder.
“arxxx***.exe” file will be displayed. (“xxx” indicates figures and “***” indicates the selected
language; e.g.,“ar500enu.exe.”)
3
Double-click on “arxxx***.exe.”
Acrobat Reader Setup Dialog box will be displayed.
4
Execute the installation by following the on-screen directions.
After installation is complete, the Acrobat folder appears on your PC (in Program Files, as the
default).
For information on using the Acrobat Reader, refer to the Reader Guide in the Help menu.
●
Plug-in Editor files for MOTIF Editor
If you use the MOTIF, you can edit plug-in voices of the PLG150-DR/PLG150-PC on the Voice Editor for MOTIF by installing this files.
1
Double click on the “Motif” folder in the “DR”/“PC” folder.
Three files will be displayed:
For the PLG150-DR:
• PLG150DR_VceList.ini
• Plg150DR.tpg
• Plg150DR.tpm
For the PLG150-PC:
• PLG150PC_VceList.ini
• Plg150PC.tpg
• Plg150PC.tpm
20
2
Copy the above files in the following folder on your PC.
Voice Editor for Motif6\Module\VEditor\Motif6\PlugIn
By default, the folder “Voice Editor for Motif6” is located in Program Files\YAMAHA\Tools.
NOTE
Page 21
■
Starting the Plug-in Board Editor
If you are using a Modular Synthesis Plug-in System (MSPS) compatible synthesizer —
NOTE
About Plug-in Voices and Board Voices
The voices built into and used directly from the Plug-in Board are referred to as “Board voices,” while the Plug-
in Board voices that are processed with the parameters and controls of the host synthesizer are referred to as
“Plug-in voices.”
Precautions for Creating User Voices
Make sure to change to the appropriate bank in the Voice Play mode on the host synthesizer before starting
the Plug-in Board Editor. Select the Plug-in Board Voice bank so that you can directly monitor the User voice
as you edit it.
●
When using the Board Voice bank :
In this condition, any parameter changes made from the host synthesizer are not applied to the User
voice.
About the Included CD-ROM
Computer
Plug-in Board
Editor
Data transmission
●
When selecting Preset banks, etc. :
MSPS compatible synthesizer
Board voice
PLG150-DR/
PLG150-PC
User voice
Speaker
In this condition, you can hear the changes made to the User voice by the parameter edits on the host
synthesizer.
Computer
Plug-in Board
Editor
Data transmission
MSPS compatible synthesizer
Board voice
PLG150-DR/
PLG150-PC
User voice
Plug-in voice
parameters
Plug-in
voice
Speaker
Plug-in voices for the CS6x/CS6R/S30/S80/MOTIF
The included CD-ROM contains voice data for use with the Yamaha CS6x, CS6R, S30, S80, and MOTIF.
This data features 64 Plug-in voices specially programmed for the PLG150-DR/PLG150-PC.
21
Page 22
About the Included CD-ROM
●
Start the Plug-in Board Editor as a stand-alone application
Select the Plug-in Board Editor from the Start menu. (Programs m YAMAHA OPT Tools m
1
Plug-in Board Editor for PLG150-DR/PLG150-PC m Plug-in Board Editor for PLG150-DR/
PLG150-PC)
The Plug-in Board Editor can also be started by double-clicking on any Library file made with the
NOTE
Editor.
Click the [MIDI SETUP] button called up in step #1 above, then set the appropriate MIDI port.
2
Select the part in the “Select Part” dialog and click “OK”.
3
●
Start the Plug-in Board Editor in the client application as a plug-in software
The Plug-in Board Editor can be used as a plug-in software in any client application compatible with
Open Plug-in Technology (OPT). Refer to the owner’s manual of the client application for details on
using plug-in software.
For SQ01 users
NOTE
By installing the Plug-in Board Editor, you can select PLG150-DR/PLG150-PC voices on your SQ01 or
XG Editor. In order to use this function, make sure that the software is of the listed version (below) or
higher. (The latest versions can be downloaded from the Yamaha website.)
SQ01 : ver. 1.07 or higher
XG Editor : ver. 5.05 or higher
22
Page 23
About the Included CD-ROM
■
MIDI port setting (MIDI Setup)
Before setting the MIDI port on the Plug-in Board Editor, you should set the MIDI port as follows.
This is the port that you’ll use in the Plug-in Board Editor.
●
Using the Plug-in Board Editor as a stand-alone application
Start the Plug-in Board Editor.
1
Click the MIDI Setup button in the Toolbar called up via step #1.
2
MIDI Setup button
3
In the MIDI Setup window called up via step#2, select the MIDI In/Out/Thru port of the
“mother” device.
• MIDI driver software is needed to set the port here. The appropriate MIDI driver is contained in the
NOTE
●
Using the Plug-in Board Editor in the client application as a plug-in software
Select the relevant MIDI port from the MIDI Setup dialog in the client application. Refer to the client
application owner’s manual.
CD-ROM included with the “mother” device.
• When the “mother” device and your PC are connected with a USB cable, select “YAMAHA USB
OUT xxx.” When they are connected with serial cable, select “YAMAHA CBX Driver.” For details,
refer to the owner’s manual of the “mother” device.
23
Page 24
About the Included CD-ROM
For Macintosh Users
■
Contents of the CD-ROM
Folder NameApplication Name Contents
DRMotifPlug-in Editor file for MOTIF EditorEnables you to edit the PLG150-DR voices on the Voice
DataDemonstration phrasesDemonstration phrases created using the PLG150-DR.
Demonstration song (Drum solo)Demonstration song created using the PLG150-DR.
Plug-in Voice Data
PCMotifPlug-in Editor file for MOTIF EditorEnables you to edit the PLG150-PC voices on the Voice
DataDemonstration phrasesDemonstration phrases created using the PLG150-PC.
Demonstration song (XG)Demonstration song for XG Plug-in System devices
Plug-in Voice Data
* When the PLG150-DR/PLG150-PC is installed to PLG1, select the file “**PlgVc1.mid” ; when the board is
installed to PLG2, select the file “**PlgVc2.mid” ; when the board is installed to PLG3, select the file
“**PlgVc3.mid.”
For more details of demonstration songs, refer to page 25.
For a complete list of these voices, refer to the “DR/PC Plug-in Voice List” (page 52).
Editor for MOTIF6/MOTIF7/MOTIF8.
*
*
This is Plug-in voice data, featuring a total of 64 voices
that were created using the PLG150-DR Preset voices.
Editor for MOTIF6/MOTIF7/MOTIF8.
(MU128, etc.) created using the PLG150-PC.
This is Plug-in voice data, featuring a total of 64 voices
that were created using the PLG150-PC Preset voices.
■
Plug-in Editor files for MOTIF Editor
If you use the MOTIF, you can edit plug-in voices of the PLG150-DR/PLG150-PC on the Voice Editor for MOTIF by installing this files.
Double click on the “Motif” folder in the “DR”/“PC” folder.
1
Three files will be displayed:
For the PLG150-DR:
• PLG150DR_VceList.ini
• Plg150DR.tpg
• Plg150DR.tpm
Copy the above files in the following folder on your computer.
2
Voice Editor for Motif 6\VEditor\PlugIn
By default, the folder “Voice Editor for Motif6” is located in the “YAMAHA Tools” folder.
NOTE
For the PLG150-PC:
• PLG150PC_VceList.ini
• Plg150PC.tpg
• Plg150PC.tpm
24
Page 25
Demonstration Songs
This CD-ROM includes two types of demonstration songs : SMF format files and sampled audio data.
The SMF format files are used for any sequencers. The audio data is played back on an audio CD
player (or any CD playing/ripping function on your computer.) The SMF format files are contained on
track1 (as recognized on an audio CD player) and the audio data is contained in the subsequent tracks.
Never attempt to play back track 1 (containing the application software) on an audio CD player.
CAUTION
■
“Solo Phrases” (SMF format)
●
Demonstration phrases for PLG150-DR
●
Demonstration phrases for PLG150-PC
Doing so may damage to your hearing as well as to your CD player/audio speakers.
Demonstration phrases were created using the PLG150-PC.
When listening to the demo songs on an Modular Synthesis Plug-in System compatible
NOTE
instrument, make sure to first make these settings:
• Select the appropriate multi-timbral mode on the instrument (on the MOTIF, this would be the
Song mode).
• Set the Receive Channel of the [PLG] part (the part to which the PLG150-DR/PLG150-PC has
been assigned) to Channel 1.
• Set all other parts to channels other than Channel 1.
When listening to the demo songs on an XG Plug-in System compatible instrument,
make sure to first make these settings:
• Set the Sound Module Mode of the instrument to “XG mode.”
• Set the Device Number to “1” or “All.”
About the Included CD-ROM
Composed by Scott Plunkett & Philip A. Bloch
Composed by Ryuichi Sato
Composed by Geoff Stradling
Composed by Ryuichi Sato
■
“Drum Solo Demo” (SMF format)
●
Demonstration song for PLG150-DR
DSL_DEMO.MID
Composed by Junichi Omi
Demonstration song created using the PLG150-DR.
■
“XG Demo” (SMF format)
●
Demonstration song for PLG150-PC
PXG_DEMO.MID
Composed by Toshiro Imaizumi
Demonstration song for XG Plug-in System devices.
■
“MSPS Demos” (Audio data)
●
Demonstration song for PLG150-DR (Track 2)
●
Demonstration song for PLG150-PC (Track 3)
Composed by Scott Plunkett
Composed by Geoff Stradling
These songs were created on the MOTIF using PLG150-DR/PLG150-PC. The drum/percussion
parts are played with PLG150-DR/PLG150-PC voices and the other parts are played with the
MOTIF voices and other instruments.
*1 These sounds are unaffected by the LFO Frequency and LFO Depth parameters.
*2 Drum voices in these kits are mapped to keys B2 and lower.
*3 Percussion voices in these kits are mapped to keys C3 and higher.
If you have both the PLG150-DR and the PLG150-PC installed, you can combine the relevant kits indicated by notes *2 and *3.
* The User voice memory section of the Plug-in board lets you temporarily save the original kits you’ve created. (One Preset voice is already included in the User voices
by default.) However, since this is temporary and the edited data is lost when you turn off the power, you should save your important data to computer (using the Plug-
in Board Editor) or to Memory Card.
MSB=47, LSB=0, Pgm#=1-8 LiveRm A
MSB=47, LSB=1, Pgm#=1-8 AfroCubn
-1 Hi QHi QHi Qon Hi Qon Hi Qon Hi Qon
16 E -1 Whip SlapWhip SlapWhip Slapon Whip Slapon Whip Slapon Whip Slapon
17 F -1 Scratch H4Scratch H4Scratch H4on Scratch H4on Scratch H4on Scratch H4on
18 F
-1 Metronome BellMetronome BellMetronome Bellon Metronome Bellon Metronome Bellon Metronome Bellon
23 B -1 Seq Click LSeq Click LSeq Click Lon Seq Click Lon Seq Click Lon Seq Click Lon
24 C 0 Seq Click HSeq Click HSeq Click Hon Seq Click Hon Seq Click Hon Seq Click Hon
25 C
#
0 Brush TapBrush TapBrush TapBrush TapBrush TapBrush Tap
26 D 0 Brush SwirlonBrush Swir lonBrush SwirlonBrush SwirlonBrush SwirlonBrush Swirlon
27 D
#
0 Brush SlapBrush SlapBrush SlapBrush SlapBrush SlapBrush Slap
28 E 0 Brush Tap SwirlonBr ush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap Swirlon
29 F 0 Snare Roll RockonSnare Roll HardonSnare RollonSnare RollonSnare Roll HardonSnare Roll Hardon
30 F
#0Hat 1/4-1/2 Brilliant Sw
31 G 0
Snare Brass Piccolo Soft
32 G#0 SticksSticksStickson Stickson Stickson Stickson
33 A 0
Kick 18x22" Maple Dry SwKick 14x22" Maple Dr y Sw
34 A#0
Snare Brass Attack Rim
35 B 0
Kick 16x20" Maple Room SwKick 14x18" Birch Room Sw
36 C 1
Kick 18x22" Maple Room SwKick 14x22" Maple Room Sw
37 C
#1Sidestick Wood Knock SwSidestick Metal Knock Sw
38 D 1
Snare Brass Piccolo Sw
39 D#1 Hand ClapHand ClapHand Clapon Hand Clapon Hand ClapHand Clap
40 E 1
Snare Brass Attack Sw
41 F 1 Tom Power Lo FloorTom Smooth Lo FloorTom Dry Lo FloorTom Dry Lo FloorTom Rock Lo Floor
42 F#1
Hat Closed Brilliant Sw
43 G 1 Tom Power Hi FloorTom Smooth Hi FloorTom Dry Hi FloorTom Dry Hi FloorTom Rock Hi Floor
44 G#1 Hat Pedal Brilliant1Hat Pedal Heavy1Hat 1/2 Power1Hat Pedal Dry1
45 A 1 Tom Power LoTom Smooth LoTom Dry LoTom Dry LoTom Rock LoTom Rock Lo
46 A
#
1 Hat Open Brilliant1Hat Open Heavy1Hat Open Power 1Hat Open Dry1Hat Open Rock1 Sw 1Hat Open Rock2 1
47 B 1 Tom Power Lo-MidTom Smooth Lo-MidTom Dry Lo-MidTom Dry Lo-MidTom Rock Lo-MidTom Rock Lo-Mid
48 C 2 Tom Power Hi-MidTom Smooth Hi-MidTom Dry Hi-MidTom Dry Hi-MidTom Rock Hi-MidTom Rock Hi-Mid
49 C
#2Crash Cymbal 17" ThinCrash Cymbal 17" Thin
50 D 2 Tom Power HiTom Smooth HiTom Dry HiTom Dry HiTom Rock HiTom Rock Hi
51 D
#
2 Ride Cymbal 21" SwRide Cymbal 22"Ride CymbalRide CymbalRide Cymbal Rock1
52 E 2 China Cymbal 17"China Cymbal 17"China CymbalChina CymbalChina Cymbal Rock
53 F 2 Ride Cymbal Cup 21"Ride Cymbal Cup 22"Ride Cymbal CupRide Cymbal Cup
54 F#2 TambourineTambourineTambourineon Tambourineon TambourineTambourine
55 G 2 Splash Cymbal 10"Splash Cymbal 10"Splash CymbalSplash CymbalSplash Cymbal Rock
56 G#2 CowbellCowbellCowbellon Cowbellon CowbellCowbell
57 A 2 Crash Cymbal 14"Crash Cymbal 14"
58 A#2 VibraslapVibraslapVibraslapVibraslapVibraslapVibraslap
59 B 2 Ride Cymbal 22" R/LRide Cymbal 21" R/LRide Cymbal R/LRide Cymbal R/LRide Cymbal Rock2
60 C 3 Bongo HBongo HBongo Hon Bongo Hon Bongo Hon Bongo Hon
61 C
#
3 Bongo LBongo LBongo Lon Bongo Lon Bongo Lon Bongo Lon
62 D 3 Conga H MuteConga H MuteConga H Muteon Conga H Muteon Conga H Muteon Conga H Muteon
63 D
#
3 Conga H OpenConga H OpenConga H Openon Conga H Openon Conga H Openon Conga H Openon
64 E 3 Conga LConga LConga Lon Conga Lon Conga Lon Conga Lon
65 F 3 Timbale HTimbale HTimbale Hon Timbale Hon Timbale Hon Timbale Hon
66 F
#
3 Timbale LTimbale LTimbale Lon Timbale Lon Timbale Lon Timbale Lon
67 G 3 Agogo HAgogo HAgogo Hon Agogo Hon Agogo Hon Agogo Hon
68 G
#
3 Agogo LAgogo LAgogo Lon Agogo Lon Agogo Lon Agogo Lon
69 A 3 CabasaCabasaCabasaon Cabasaon Cabasaon Cabasaon
70 A
#
3 MaracasMaracasMaracason Maracason Maracason Maracason
71 B 3 Samba Whistle HonSamba Whistle HonSamba Whistle Hon on Samba Whistle Hon on Samba Whistle Hon on Samba Whistle Hon on
72 C 4 Samba Whistle LonSamba Whistle LonSamba Whistle Lon on Samba Whistle Lon on Samba Whistle Lon on Samba Whistle Lon on
73 C
#
4 Guiro ShortGuiro ShortGuiro Shorton Guiro Shorton Guiro Shorton Guiro Shorton
74 D 4 Guiro LongonGuiro LongonGuiro Longon on Guiro Longon on Guiro Longon on Guiro Longon on
75 D
#
4 ClavesClavesClaveson Claveson Claveson Claveson
76 E 4 Wood Block HWood Block HWood Block Hon Wood Block Hon Wood Block Hon Wood Block Hon
77 F 4 Wood Block LWood Block LWood Block Lon Wood Block Lon Wood Block Lon Wood Block Lon
78 F
4 ShakerShakerShakeron Shakeron Shakeron Shakeron
83 B 4 Jingle BellsJingle BellsJingle Bellson Jingle Bellson Jingle Bellson Jingle Bellson
84 C 5 Bell TreeBell TreeBell Treeon Bell Treeon Bell Treeon Bell Treeon
85 C
#
5
86 D 5
87 D#5
88 E 5
89 F 5
90 F#5
91 G 5
92 G#5
93 A 5
94 A#5
95 B 5
96 C 6
97 C#6
98 D 6
99 D#6
100 E 6
101 F 6
123456
1Hat 1/4-1/2 Heavy Sw 1Castaneton Castaneton Castaneton Castaneton
Snare Loose Snap Soft
Snare Brass Rock Rim
Snare Loose Snap Sw
on Snare Brass Rock Sw
1Hat Closed Heavy Sw 1Hat Closed Power 1
MSB=79, LSB=0
Snare Dry Lo SoftSnare Dry Lo Soft
Kick Funk
Snare Dry Hi Sw
Kick Power Dry Lo
Kick Power Dry HiKick Dry SwKick Rock1Kick Rock2
Sidestick DrySidestick DrySidestick Rock1Sidestick Rock2
Snare Power Dry Lo Sw
Snare Power Dry Hi SwSnare Dry Hi mp-mf Sw
Crash CymbalCrash CymbalCrash Cymbal Rock1
Crash Cymbal R/LCrash Cymbal R/L
Snare Rock Open1 Dry
Kick Funk Hard Sw
Snare Dry Hi mf-ff Sw
Kick Dry HiKick Dry Hi HeavyKick Dry ff
Snare Dry Lo SwSnare Rock Open1
Hat Closed Dry Sw
Kick Dry Heavy Sw
Snare Rock Rim1Snare Rock Rim2
Snare Rock Mute1
1
Hat Closed Rock1 Sw
Hat Closed-Pedal Rock1 Sw
Ride Cymbal Cup Rock
Crash Cymbal Rock2
Snare Rock Open2 Dry
Kick Power Dry Lo
Snare Rock Open2
Snare Rock Mute2
Tom Rock Lo Floor
1
Hat Closed Rock2
Tom Rock Hi Floor
1Hat 1/2 Rock21
Crash Cymbal Rock1
Ride Cymbal Rock1
China Cymbal Rock
Ride Cymbal Cup Rock
Splash Cymbal Rock
Crash Cymbal Rock2
Ride Cymbal Rock2 Lo
1
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
-1 Hi QHi QHi Qon Hi Qon Hi QHi Q
16 E -1 Whip SlapWhip SlapWhip Slapon Whip Slapon Whip SlapWhip Slap
17 F -1 Scratch H4Scratch H4Scratch H4on Scratch H4on Scratch H4Scratch H4
18 F
-1 Metronome BellMetronome BellMetronome Bellon Metronome Bellon Metronome BellMetronome Bell
23 B -1 Seq Click LSeq Click LSeq Click Lon Seq Click Lon Seq Click LSeq Click L
24 C 0 Seq Click HSeq Click HSeq Click Hon Seq Click Hon Seq Click HSeq Click H
25 C
#
0 Brush TapBrush TapBrush TapBr ush TapBrush TapBrush Tap
26 D 0 Brush SwirlonBrush SwirlonBrush SwirlonBrush SwirlonBrush Swir lonBrush Swirlon
27 D
#
0 Brush SlapBrush SlapBrush SlapBrush SlapBrush SlapBr ush Slap
28 E 0 Brush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap Swirlon
29 F 0 Snare Roll RockonSnare Roll HardonSnare Roll RockonSnare Roll RockonSnare Roll RockonSnare Roll Hardon
30 F
#
0 CastanetCastanetCastaneton Castaneton CastanetHat 1/4-1/2 Heavy Sw 1
31 G 0
Snare Brass Piccolo Soft
32 G#0 SticksSticksStickson Stickson SticksSticks
33 A 0
Kick 18x22" Maple Dry SwKick 14x22" Maple Dry SwKick 18x22" Maple Dry Sw
34 A#0
Snare Brass Attck Rim DrySnare Brass Rock Rim Dry
35 B 0
Kick16x20" Maple Dry Sw
36 C 1
Kick18x22" Maple Dry SwKick 14x22" Maple Dry SwKick 14x22" Maple Dry Sw
37 C#1
Sidestick Wood Dry Sw
38 D 1
Snare Brass Piccl Dry Sw
39 D#1 Hand ClapHand ClapHand ClapHand ClapHand ClapHand Clap
40 E 1
Snare Brass Attack Dry Sw
41 F 1
Tom Power Lo Floor Dry
42 F
#1Hat Closed Brllant Dry Sw
43 G 1
Tom Power Hi Floor Dry
44 G
#1Hat Pedal Brilliant Dry
45 A 1 Tom Power Lo DryTom Smooth Lo DryTom Dry LoTom Dry LoTom Stick Lo-MidTom Smooth Lo
46 A
#
1 Hat Open Brilliant1Hat Open Heavy1Hat Open Heavy1Hat Open Dry1Hat Open Heavy Lo 1Hat Open Heavy1
47 B 1
Tom Power Lo-Mid Dry
48 C 2
Tom Power Hi-Mid Dry
49 C
#2Crash Cymbal 17" ThinCrash Cymbal 17" Thin
50 D 2 Tom Power Hi DryTom Smooth Hi DryTom Dry HiTom Dry HiTom Stick HiTom Smooth Hi
51 D
#
2 Ride Cymbal 21" SwRide Cymbal 22"Ride Cymbal 21" SwRide Cymbal 21" Sw
52 E 2 China Cymbal 17"China Cymbal 17"China CymbalChina Cymbal
53 F 2
Ride Cymbal Cup 21"Ride Cymbal Cup 22"Ride Cymbal Cup 21"Ride Cymbal Cup 21"Ride Cymbal Cup 21"
54 F
#
2 TambourineTambourineTambourineon Tambourineon TambourineTambourine
55 G 2 Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"
56 G
#
2 CowbellCowbellCowbellon Cowbellon CowbellCowbell
57 A 2 Crash Cymbal 14"Crash Cymbal 14"
58 A
#
2 VibraslapVibraslapVibraslapVibraslapVibraslapVibraslap
59 B 2
Ride Cymbal 22" R/LRide Cymbal 21" R/L
60 C 3 Bongo HBongo HBongo Hon Bongo Hon Bongo HBongo H
61 C
#
3 Bongo LBongo LBongo Lon Bongo Lon Bongo LBongo L
62 D 3 Conga H MuteConga H MuteConga H Muteon Conga H Muteon Conga H MuteConga H Mute
63 D
#
3 Conga H OpenConga H OpenConga H Openon Conga H Openon Conga H OpenConga H Open
64 E 3 Conga LConga LConga Lon Conga Lon Conga LConga L
65 F 3 Timbale HTimbale HTimbale Hon Timbale Hon Timbale HTimbale H
66 F
#
3 Timbale LTimbale LTimbale Lon Timbale Lon Timbale LTimbale L
67 G 3 Agogo HAgogo HAgogo Hon Agogo Hon Agogo HAgogo H
68 G
#
3 Agogo LAgogo LAgogo Lon Agogo Lon Agogo LAgogo L
69 A 3 CabasaCabasaCabasaon Cabasaon CabasaCabasa
70 A
#
3 MaracasMaracasMaracason Maracason MaracasMaracas
71 B 3 Samba Whistle HonSamba Whistle HonSamba Whistle Hon on Samba Whistle Hon on Samba Whistle HonSamba Whistle Hon
72 C 4 Samba Whistle LonSamba Whistle LonSamba Whistle Lon on Samba Whistle Lon on Samba Whistle LonSamba Whistle Lon
73 C
#
4 Guiro ShortGuiro ShortGuiro Shorton Guiro Shorton Guiro ShortGuiro Shor t
74 D 4 Guiro LongonGuiro LongonGuiro Longon on Guiro Longon on Guiro LongonGuiro Longon
75 D
#
4 ClavesClavesClaveson Claveson ClavesClaves
76 E 4 Wood Block HWood Block HWood Block Hon Wood Block Hon Wood Block HWood Block H
77 F 4 Wood Block LWood Block LWood Block Lon Wood Block Lon Wood Block LWood Block L
78 F
4 ShakerShakerShakeron Shakeron ShakerShaker
83 B 4 Jingle BellsJingle BellsJingle Bellson Jingle Bellson Jingle BellsJingle Bells
84 C 5 Bell TreeBell TreeBell Treeon Bell Treeon Bell TreeBell Tree
85 C
#
5
86 D 5
87 D#5
88 E 5
89 F 5
90 F#5
91 G 5
92 G#5
93 A 5
94 A#5
95 B 5
96 C 6
97 C#6
98 D 6
99 D#6
100 E 6
101 F 6
789101112
1
1
MSB=79, LSB=0
Snare Loose Snap Soft
Kick 14x18" Birch Dry Sw
Sidestick Metal Dry Sw
Snare Loose Snap Dry Sw
on
Snare Brass Rock Dry SwSnare Brass Attack Dry Sw
Tom Smooth Lo Floor Dry
Hat Closed Heavy Dry Sw
Tom Smooth Hi Floor Dry
Hat Pedal Heavy Dry
Tom Smooth Lo-Mid Dry
Tom Smooth Hi-Mid Dry
Snare Brass Piccl Dry Sw
Snare Dry Hi Sw
Kick Dry ffKick Dry ffKick Long Sw
Sidestick Wood Dry SwSidestick Metal Dry Sw
Snare Power Dry Hi SwSnare Power Dry Lo Sw
Tom Dry Lo FloorTom Dry Lo FloorTom Stick LoTom Smooth Lo Floor
1
Hat Closed Heavy Dry Sw
Tom Dry Hi FloorTom Dry Hi Floor
1
Hat Pedal Heavy Dry
Tom Dry Lo-MidTom Dry Lo-MidTom Stick MidTom Smooth Lo-Mid
Tom Dry Hi-MidTom Dry Hi-MidTom Stick Hi MidTom Smooth Hi-Mid
Crash CymbalCrash Cymbal
1Hat Pedal Dry1Hat Pedal Heavy Lo 1Hat Pedal Heavy1
Snare Brass Piccolo Soft
Kick 14x22" Dry Comp Sw
Snare Snap Rim
Sidestick Wood Knock Sw
Snare Hi Swon
Snare Wide Snap Sw
Hat Closed Heavy Lo Sw
Hat 1/4-1/2 Heavy Lo Sw
Crash Cymbal 17" Thin Lo
Ride Cymbal 21" Lo Sw
China Cymbal 17" Hi
Splash Cymbal 10" Hi
Crash Cymbal 14" Lo
Ride Cymbal 22" R/L Hi
1Hat Closed Heavy Sw 1
1Tom Smooth Hi Floor
Snare Loose Snap Soft
Kick 14x22" Maple Dry Sw
Snare Brass Rock Rim
Kick 14x18" Birch Room Sw
Kick 14x22" Maple Room Sw
Sidestick Metal Knock Sw
Snare Loose Snap Sw
Snare Brass Rock Sw
Crash Cymbal 17" Thin
Ride Cymbal 22"
China Cymbal 17"
Ride Cymbal Cup 22"
Splash Cymbal 10"
Crash Cymbal 14"
Ride Cymbal 21" R/L
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
28
Page 29
Voice List
131415161718
RockyTrashed1Trashed2Trashed3WeirdoDarkBrk
Inst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
Surdo Mute3Surdo Mute Dst3on Surdo Mute OD3on Surdo Mute Amp3on Surdo Mute SFX3Surdo Mute DBk3on
Surdo Open3Surdo Open Dst3on Surdo Open OD3on Surdo Open Amp3on Surdo Open SFX3Surdo Open DBk3on
Hi QHi Q Dston Hi Q ODon Hi Q Ampon Hi Q SFXHi Q DBk
Whip SlapWhip Slap Dston Whip Slap ODon Whip Slap Ampon Whip Slap SFXWhip Slap DBk
Scratch H4Scratch H Dst4on Scratch H OD4on Scratch H Amp4on Scratch H SFX4Scratch H DBk4
Scratch L4Scratch L Dst4on Scratch L OD4on Scratch L Amp4on Scratch L SFX4Scratch L DBk4
Finger SnapFinger Snap Dston Finger Snap ODon Finger Snap Ampon Finger Snap SFXFinger Snap DBkon
Click NoiseClick Noise Dston Click Noise ODon Click Noise Ampon Click Noise SFXClick Noise DBk
Metronome Click
Metronome BellMetronome Bell Dston Metronome Bell ODon Metronome Bell Ampon Metronome Bell SFXMetronome Bell DBk
Seq Click LSeq Click L Dston Seq Click L ODon Seq Click L Ampon Seq Click L SFXSeq Click L DBkon
Seq Click HSeq Click H Dston Seq Click H ODon Seq Click H Ampon Seq Click H SFXSeq Click H DBkon
Brush TapBrush Tap Dston Brush Tap ODon Brush Tap Ampon Brush Tap SFXBrush Tap DBkon
Brush SwirlonBrush Swirl Dston on Brush Swirl ODon on Brush Swirl Ampon on Brush Swirl SFXonBrush Swirl DBkon on
Brush SlapBrush Slap Dston Brush Slap ODon Brush Slap Ampon Brush Slap SFXBrush Slap DBkon
Brush Tap SwirlonBrush Tap Swirl Dston on Brush Tap Swirl ODon on Brush Tap Swirl Ampon on Brush Tap Swirl SFXonBrush Tap Swirl DBkon on
Snare Roll RockonSnare Roll Hard Dston on Snare Roll Rock ODon on Snare Roll Rock Ampon on Snare Roll Rock SFXonSnare Roll DBkon on
Castanet
Snare Brass Attack Sw
SticksSticks Dston Sticks ODon Sticks Ampon Sticks SFXSticks DBkon
Kick18x22" Maple Room Sw
Snare Rock Rim2
Kick Rock2
Kick Rock1
Sidestick Rock1
Snare Rock Mute2
Hand ClapHand Clap Dston Hand Clap ODon Hand Clap Ampon Hand Clap SFXHand Clap DBkon
Snare Brass Rock Sw
Tom Power Lo Floor
Hat Closed Rock21
Tom Power Hi Floor
Hat Closed-Pedal Rock1 Sw
Tom Power LoTom Smooth Lo Dston Tom Stick Lo-Mid ODon Tom Dry Lo Ampon Tom Dry Lo SFXTom Dry Lo DBkon
Hat Open Rock21Hat Open Heavy Dst 1on
Tom Power Lo-Mid
Tom Power Hi-Mid
Crash Cymbal 17" Thin Lo
Tom Power HiTom Smooth Hi Dston Tom Stick Hi ODon Tom Dry Hi Ampon Tom Dry Hi SFXTom Dry Hi DBkon
Ride Cymbal 21" Lo SwRide Cymbal 22" Dst
China Cymbal 17" Hi
Ride Cymbal Cup 21"
TambourineTambourine Dston Tambourine ODon Tambourine Ampon Tambourine SFXon Tambourine DBkon
Splash Cymbal 10"
CowbellCowbell Dston Cowbell ODon Cowbell Ampon Cowbell SFXCowbell DBkon
Crash Cymbal R/L
VibraslapVibraslap Dston Vibraslap ODon Vibraslap Ampon Vibraslap SFXVibraslap DBkon
Ride Cymbal 22" R/L Hi
Bongo HBongo H Dston Bongo H ODon Bongo H Ampon Bongo H SFXBongo H DBk
Bongo LBongo L Dston Bongo L ODon Bongo L Ampon Bongo L SFXBongo L DBk
Conga H MuteConga H Mute Dston Conga H Mute ODon Conga H Mute Ampon Conga H Mute SFXConga H Mute DBk
Conga H OpenConga H Open Dston Conga H Open ODon Conga H Open Ampon Conga H Open SFXConga H Open DBk
Conga LConga L Dston Conga L ODon Conga L Ampon Conga L SFXConga L DBk
Timbale HTimbale H Dston Timbale H ODon Timbale H Ampon Timbale H SFXTimbale H DBk
Timbale LTimbale L Dston Timbale L ODon Timbale L Ampon Timbale L SFXTimbale L DBk
Agogo HAgogo H Dston Agogo H ODon Agogo H Ampon Agogo H SFXAgogo H DBk
Agogo LAgogo L Dston Agogo L ODon Agogo L Ampon Agogo L SFXAgogo L DBk
CabasaCabasa Dston Cabasa ODon Cabasa Ampon Cabasa SFXCabasa DBk
MaracasMaracas Dston Maracas ODon Maracas Ampon Maracas SFXMaracas DBk
Samba Whistle Hon
Samba Whistle Lon
Guiro ShortGuiro Short Dston Guiro Shor t ODon Guiro Shor t Ampon Guiro Short SFXGuiro Short DBk
Guiro LongonGuiro Long Dston on Guiro Longon on Guiro Long Ampon on Guiro Long SFXonGuiro Long DBkon
ClavesClaves Dston Claves ODon Claves Ampon Claves SFXClaves DBkon
Wood Block HWood Block H Dston Wood Block H ODon Wood Block H Ampon Wood Block H SFXWood Block H DBk
Wood Block LWood Block L Dston Wood Block L ODon Wood Block L Ampon Wood Block L SFXWood Block L DBk
Cuica MuteCuica Mute Dston Cuica Mute ODon Cuica Mute Ampon Cuica Mute SFXCuica Mute DBk
Cuica OpenCuica Open Dston Cuica Open ODon Cuica Open Ampon Cuica Open SFXCuica Open DBk
Triangle Mute2Triangle Mute Dst2on Triangle Mute OD2on Triangle Mute Amp2on Triangle Mute SFX2Triangle Mute DBk2on
Triangle Open2Triangle Open Dst 2on Triangle Open OD2on Triangle Open Amp 2on Triangle Open SFX 2on Triangle Open DBk 2on
ShakerShaker Dston Shaker ODon Shaker Ampon Shaker SFXShaker DBk
Jingle BellsJingle Bells Dston Jingle Bells ODon Jingle Bells Ampon Jingle Bells SFXJingle Bells DBkon
Bell TreeBell Tree Dston Bell Tree ODon Bell Tree Ampon Bell Tree SFXBell Tree DBkon
Metronome Click Dst
Hat 1/4-1/2 Heavy Dst Sw
Snare Loose Snap Soft DstonSnare Brass Piccl Soft OD
Kick 14x22" Dry Dst Sw
Snare Brass Rock Rim Dst
Kick 14x18" Room Dst Sw
Kick 14x22" Room Dst Sw
Sidestick Metal Dst Sw
Snare Loose Snap Dst Sw
Snare Brass Rock Dst Sw
Tom Smooth Lo Floor Dst
Hat Closed Heavy Dst Sw
Tom Smooth Hi Floor Dst
1
Hat Pedal Heavy Dst
Tom Smooth Lo-Mid Dst
Tom Smooth Hi-Mid Dst
Crash Cymbal 17" Thin Dst
China Cymbal 17" Dst
Ride Cymbal Cup 22" Dst
Splash Cymbal 10" Dst
Crash Cymbal 14" Dst
Ride Cymbal 21" R/L Dst
Samba Whistle H Dst
Samba Whistle L Dst
on Metronome Click ODon Metronome Click Ampon Metronome Click SFX
on
on Snare Snap Rim ODon Snare Dr y Hi Amp Swon
on Kick Long OD Swon Kick Dry ff Ampon Kick Dry ff SFX
on Kick Punch OD Swon
on
on Snare Hi OD Swon
on
on Tom Stick OD Loon
1on
on
1on
on Tom Stick Mid ODon Tom Dry Lo-Mid Ampon Tom Dry Lo-Mid SFXTom Dry Lo-Mid DBkon
on Tom Stick Hi Mid ODon Tom Dry Hi-Mid Ampon Tom Dry Hi-Mid SFXTom Dry Hi-Mid DBkon
on
on
on
on
on
on
on
on on Samba Whistle H ODon on
on on Samba Whistle L ODon on Samba Whistle L Ampon on Samba Whistle L SFXon on
on
Snare Brs Picl Dry Amp Sw
Kick 14x22" Dry Cmp OD Sw
Sidestick Wood OD Sw
Snare Wide Snap OD Sw
Hat Closed Heavy Lo OD Sw
Hat 1/4-1/2 HeavyLo OD Sw
Hat Pedal Heavy Lo OD
Hat Open Heavy Lo OD
Crash Cym 17" Thin Lo OD
Ride Cymbal 21" Lo OD SwonRide Cymbal 21" Amp Sw
China Cymbal 17" Hi OD
Ride Cymbal Cup 21" OD
Splash Cymbal 10" Hi OD
Crash Cymbal 14" Lo OD
Ride Cymbal 22" R/L Hi ODonRide Cymbal R/L Amp
on
Kick 18x22" Dry Amp Sw
Kick 14x22" Dry Amp Sw
on
Sidestick Wood Dry Amp Sw
Snare Power Dry Hi Amp Sw
on
Snare Brs Attk Dry Amp Sw
Tom Dry Lo Floor Amp
1on
Hat Closed Hvy Dry Amp Sw
1on Tom Dry Hi Floor Ampon Tom Dry Hi Floor SFX
1on
Hat Pedal Heavy Dry Amp
1on Hat Open Heavy Amp 1on Hat Open Dry SFX1Hat Open Dry DBk 1on
on Crash Cymbal Ampon Crash Cymbal SFXon
on China Cymbal Ampon China Cymbal SFX
on
Ride Cymbal Cup 21" Amp
on
Splash Cymbal 10" Amp
on
Crash 17" Thin R/L Lo Amp
Samba Whistle H Amp
Metronome Click DBk
on
Snare Brs Attk Dry SFX Sw
on Kick Dry Hi SFX
Snare BrAtDry p-mf SFX Sw
on
Kick Power Dry Hi SFX
on
Sidestick Mtl Dry SFX Sw
on
Snare Power Dry Lo SFX Sw
on Snare Dry Hi SFX Sw
on
Tom Dry Lo Floor SFXTom Dry Lo Floor DBk
1on
Hat Closed Dry SFX Sw
1on Hat Pedal Dry SFX1Hat Pedal Dry DBk 1on
on
Ride Cymbal 21" Sw SFX
on
Ride Cymbal Cup 21" SFX
on
Splash Cymbal 10" SFX
on
Crash 17" Thin R/L Lo SFX
on Ride Cymbal R/L SFXon
on on
Samba Whistle H SFX
Snare Dry Lo Soft DBk
Kick Power Dry Lo DBk
Snare Rock Open1 DBk
Kick Dry Heavy DBk Sw
Kick Dry DBk Swon
Sidestick Rock2 DBkon
Snare Dry Lo DBk Sw
Snare Rock Rim2 DBk
1
Hat Closed Dry DBk Sw
Tom Dry Hi Floor DBk
Crash Cymbal 17" Thin DBk
on
Ride Cymbal 22" DBk
China Cymbal 17" DBk
on
Ride Cymbal Cup 22" DBk
on
Splash Cymbal 10" DBk
on
Crash Cymbal 14" DBk
Ride Cymbal 22" DBk
on on
Samba Whistle H DBk
Samba Whistle L DBk
1on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
NoteInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
13 C#-1 Surdo Mute BBk3Surdo Mute RBk3on Surdo Mute DTk3Surdo Mute Ethn3on Surdo Mute LoFi3on Surdo Mute Nz3
14 D -1 Surdo Open BBk3Surdo Open RBk3on Surdo Open DTk3Surdo Open Ethn3on Surdo Open LoFi3on Surdo Open Nz3
15 D
#
-1 Hi Q BBkHi Q RBkon Hi Q DTkHi Q EthnHi Q LoFiHi Q Nz
16 E -1 Whip Slap BBkWhip Slap RBkon Whip Slap DTkon Whip Slap EthnWhip Slap LoFiWhip Slap Nzon
17 F -1 Scratch H BBk4Scratch H RBk4on Scratch H DTk4on Scratch H Ethn4Scratch H LoFi4Scratch H Nz4
18 F
#
-1 Scratch L BBk4Scratch L RBk4on Scratch L DTk4on Scratch L Ethn4Scratch L LoFi4Scratch L Nz4
19 G -1 Finger Snap BBkFinger Snap RBkon Finger Snap DTkFinger Snap EthnFinger Snap LoFiFinger Snap Nz
20 G
#
-1 Click Noise BBkClick Noise RBkClick Noise DTkClick Noise EthnClick Noise LoFiClick Noise Nz
21 A -1 Metronome Click BBk
22 A#-1 Metronome Bell BBkMetronome Bell RBkon Metronome Bell DTkon Metronome Bell EthnMetronome Bell LoFiMetronome Bell Nz
23 B -1 Seq Click L BBkSeq Click L RBkSeq Click L DTkSeq Click L Ethnon Seq Click L LoFiSeq Click L Nzon
24 C 0 Seq Click H BBkSeq Click H RBkSeq Click H DTkSeq Click H Ethnon Seq Click H LoFiSeq Click H Nzon
25 C
#
0 Brush Tap BBkon Brush Tap RBkon Brush Tap DTkon Brush Tap EthnBrush Tap LoFion Brush Tap Nz
26 D 0 Brush Swirl BBkon on Brush Swirl RBkon on Brush Swirl DTkon on Brush Swirl EthnonBrush Swirl LoFion on Brush Swirl Nzon
27 D
#
0 Brush Slap BBkon Brush Slap RBkon Brush Slap DTkon Brush Slap EthnBrush Slap LoFion Brush Slap Nz
28 E 0 Brush Tap Swirl BBkon on Brush Tap Swirl RBkon on Br ush Tap Swirl DTkon on Brush Tap Swirl EthnonBrush Tap Swirl LoFion on Brush Tap Swirl Nzon
29 F 0 Snare Roll BBkon on Snare Roll Hard RBkon on Snare Roll Hard DTkon on
30 F
#
0 Castanet BBk
31 G 0
Snare Dry Lo Soft BBk
32 G#0 Sticks BBkon Sticks RBkon
33 A 0 Kick Dry ff BBk
34 A#0
Snare Rock Open2 Dry BBk
35 B 0
Kick18x22" Dry BBk Sw
36 C 1
Kick Dry Heavy BBk Sw
37 C
#
1 Sidestick Rock2 BBkon
38 D 1
Snare Dry Lo BBk Sw
39 D#1 Hand Clap BBkon Hand Clap RBkon
40 E 1
Snare Brass Rock BBk Sw
41 F 1
Tom Power Lo Floor BBk
42 F
#1Hat Closed Dry BBk Sw
43 G 1
Tom Power Hi Floor BBk
44 G
#
1 Hat Pedal Dry BBk 1on Hat Pedal Heavy RBk 1on
45 A 1 Tom Power Lo BBkTom Smooth Lo RBkTom Power Mid DTkTom Dry Lo Ethnon Tom Power Lo LoFion Tom Smooth Lo Nzon
46 A
#
1 Hat Open Dry BBk1on Hat Open Heavy RBk 1on
47 B 1
Crash Cymbal 14" BBkCrash Cymbal 14" RBk
58 A#2 Vibraslap BBkVibraslap RBkon
59 B 2 Ride Cymbal 22" BBk
60 C 3 Bongo H BBkBongo H RBkBongo H DTkon Bongo H Ethnon Bongo H LoFion Bongo H Nz
61 C
#
3 Bongo L BBkBongo L RBkBongo L DTkon Bongo L Ethnon Bongo L LoFion Bongo L Nz
62 D 3 Conga H Mute BBkConga H Mute RBkConga H Mute DTkon Conga H Mute Ethnon Conga H Mute LoFion Conga H Mute Nz
63 D
#
3 Conga H Open BBkConga H Open RBkConga H Open DTkon Conga H Open Ethnon Conga H Open LoFion Conga H Open Nz
64 E 3 Conga L BBkConga L RBkConga L DTkon Conga L Ethnon Conga L LoFion Conga L Nz
65 F 3 Timbale H BBkTimbale H RBkon Timbale H DTkon Timbale H EthnTimbale H LoFion Timbale H Nz
66 F# 3 Timbale L BBkTimbale L RBkon Timbale L DTkon Timbale L EthnTimbale L LoFion Timbale L Nz
67 G 3 Agogo H BBkAgogo H RBkon Agogo H DTkon Agogo H EthnAgogo H LoFiAgogo H Nz
68 G# 3 Agogo L BBkAgogo L RBkon Agogo L DTkon Agogo L EthnAgogo L LoFiAgogo L Nz
69 A 3 Cabasa BBkCabasa RBkon Cabasa DTkon Cabasa EthnCabasa LoFiCabasa Nz
70 A# 3 Maracas BBkMaracas RBkMaracas DTkMaracas Ethnon Maracas LoFiMaracas Nz
71 B 3
Samba Whistle H BBk
72 C 4 Samba Whistle L BBkon
73 C# 4 Guiro Shor t BBkGuiro Shor t RBkGuiro Short DTkon Guiro Short EthnGuiro Shor t LoFiGuiro Short Nz
74 D 4 Guiro Long BBkonGuiro Long RBkonGuiro Long DTkon on Guiro Long EthnonGuiro Long LoFionGuiro Long Nzon
75 D# 4 Claves BBkClaves RBkon Claves DTkon Claves Ethnon Claves LoFiClaves Nz
76 E 4 Wood Block H BBkWood Block H RBkon Wood Block H DTkon Wood Block H Ethnon Wood Block H LoFiWood Block H Nz
77 F 4 Wood Block L BBkWood Block L RBkon Wood Block L DTkon Wood Block L Ethnon Wood Block L LoFiWood Block L Nz
78 F# 4 Cuica Mute BBkCuica Mute RBkon Cuica Mute DTkon on Cuica Mute EthnCuica Mute LoFiCuica Mute Nz
79 G 4 Cuica Open BBkCuica Open RBkon Cuica Open DTkon on Cuica Open EthnCuica Open LoFiCuica Open Nz
80 G# 4 Triangle Mute BBk2on Triangle Mute RBk2Triangle Mute DTk2Triangle Mute Ethn 2Triangle Mute LoFi2on Triangle Mute Nz 2
81 A 4 Triangle Open BBk 2on Triangle Open RBk 2Triangle Open DTk 2Triangle Open Ethn 2Triangle Open LoFi 2on Triangle Open Nz 2
82 A# 4 Shaker BBkShaker RBkShaker DTkShaker EthnShaker LoFiShaker Nz
83 B 4 Jingle Bells BBkon Jingle Bells RBkon Jingle Bells DTkon Jingle Bells EthnJingle Bells LoFiJingle Bells Nz
84 C 5 Bell Tree BBkon Bell Tree RBkon Bell Tree DTkon Bell Tree EthnBell Tree LoFiBell Tree Nzon
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5
92 G# 5
93 A 5
94 A# 5
95 B 5
96 C 6
97 C# 6
98 D 6
99 D# 6
Snare Roll Hard Ethn
on Castanet Ethnon Castanet LoFion Castanet Nz
on
Snare Rock Open2 Ethn
Sticks Ethnon Sticks LoFion Sticks Nz
on
Kick Funk Hard Ethn Sw
on
Snare Rock Rim1 Ethn
on
Kick 14x18" Room Ethn SwonKick18x22" Dry LoFi Sw
on
Kick Power Dry Lo Ethn
on
Snare Loose Snap Ethn SwonSnare Dry Lo LoFi Sw
Hand Clap Ethnon Hand Clap LoFion Hand Clap Nz
on
Snare Brass Rock Rim Ethn
Tom Dry Lo Floor Ethn
1on
Hat Closed Heavy Ethn Sw
Tom Dry Hi Floor Ethn
1on
Hat Pedal Heavy Ethn
1on
Hat Open Heavy Ethn
on
Crash Cym 17" Thin Ethn
on
Ride Cymbal 22" Ethn
on
China Cymbal 17" EthnChina Cymbal 17" LoFi
on
Ride Cymbal Cup 22" Ethn
Tambourine EthnTambourine LoFiTambourine Nz
on
Splash Cymbal 10" Ethn
China Cymbal EthnCowbell LoFion Cowbell Nz
on Splash Cymbal EthnVibraslap LoFiVibraslap Nz
on
Ride Cymbal 21" R/L Ethn
on on
Samba Whistle H Ethn
on on
Samba Whistle L Ethn
on
Metronome Click LoFiMetronome Click Nz
onSnare Roll LoFion on Snare Roll Hard Nzon
on
Snare Dry Lo Soft LoFi
on Kick Dry ff LoFion
on
Snare Rock Open2 Dry LoFi
on
Kick Dry Heavy LoFi Sw
on Sidestick Rock2 LoFion
on
Snare Brass Rock LoFi Sw
on
Tom Power Lo Floor LoFi
1on
Hat Closed Dry LoFi Sw
on
Tom Power Hi Floor LoFi
1on Hat Pedal Dry LoFi 1on Hat Pedal Heavy Nz 1on
1on Hat Open Dry LoFi 1on Hat Open Heavy Nz 1on
Tom Power Lo-Mid LoFi
Tom Power Hi-Mid LoFi
Crash Cym 17" Thin LoFi
Ride Cymbal 21" LoFi Sw
Ride Cymbal Cup 21" LoFionRide Cymbal Cup 21" Nz
Splash Cymbal 10" LoFi
Ride Cymbal 22" LoFi
on
Samba Whistle H LoFi
on
Samba Whistle L LoFi
1on
on
on
on
Snare Rock Mute1 Nz
Kick16x20" Room Nz Sw
on
Snare Brass Piccl Soft Nz
on
Kick Dry Hi Heavy Nz
on
Kick 14x22" Room Nz Sw
Sidestick Wood Nz Sw
on
Snare Rock Mute2 Nz
Snare Rock Open2 Nz
on
Tom Smooth Lo Floor Nz
Hat Closed Heavy Nz Sw
on
Tom Smooth Hi Floor Nz
on
Tom Smooth Lo-Mid Nz
on
Tom Smooth Hi-Mid Nz
on
Crash Cymbal 17" Thin Nz
on
Ride Cymbal 21" Sw Nz
on
China Cymbal 17" Nz
on
Splash Cymbal 10" Nz
on
Crash Cymbal 14" Nz
on
Ride Cymbal 21" R/L Nz
Samba Whistle H Nz
Samba Whistle L Nz
1on
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
on
on
on
on
on
on
on
30
Page 31
Voice List
252627282930
BreakAmbElectronEthncAmbFlangerPhaser1Phaser2
Inst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
Surdo Mute BAmb3Surdo Mute Elc3on Surdo Mute EAmb3on Surdo Mute Flg3on Surdo Mute Ph13on Surdo Mute Ph23on
Surdo Open BAmb3Surdo Open Elc3on Surdo Open EAmb3on Surdo Open Flg3on Surdo Open Ph13on Surdo Open Ph23on
Hi Q BAmbHi Q ElcHi Q EAmbHi Q Flgon Hi Q Ph1on Hi Q Ph2on
Whip Slap BAmbon Whip Slap ElcWhip Slap EAmbWhip Slap Flgon Whip Slap Ph1on Whip Slap Ph2on
Scratch H BAmb4on Scratch H Elc4Scratch H EAmb4 onScratch H Flg4on Scratch H Ph14on Scratch H Ph24on
Scratch L BAmb4on Scratch L Elc4Scratch L EAmb4 onScratch L Flg4on Scratch L Ph14on Scratch L Ph24on
Finger Snap BAmbon Finger Snap Elcon Finger Snap EAmbFinger Snap Flgon Finger Snap Ph1on Finger Snap Ph2on
Click Noise BAmbon Click Noise ElcClick Noise EAmbClick Noise Flgon Click Noise Ph1on Click Noise Ph2on
Metronome Click BAmb
Metronome Bell BAmbon Metronome Bell ElcMetronome Bell EAmbMetronome Bell Flgon Metronome Bell Ph1on Metronome Bell Ph2on
Seq Click L BAmbSeq Click L Elcon Seq Click L EAmbSeq Click L Flgon Seq Click L Ph1on Seq Click L Ph2on
Seq Click H BAmbSeq Click H Elcon Seq Click H EAmbSeq Click H Flgon Seq Click H Ph1on Seq Click H Ph2on
Brush Tap BAmbon Brush Tap Elcon Brush Tap EAmbon Brush Tap Flgon Brush Tap Ph1on Brush Tap Ph2on
Brush Swirl BAmbonBrush Swirl Elcon on Brush Swirl EAmbonBrush Swirl Flgon on Brush Swirl Ph1on on Brush Swirl Ph2on on
Brush Slap BAmbBrush Slap Elcon Brush Slap EAmbon Brush Slap Flgon Brush Slap Ph1on Brush Slap Ph2on
Brush Tap Swirl BAmbonBrush Tap Swirl ElconBrush Tap Swirl EAmbon on Brush Tap Swirl Flgon on Brush Tap Swirl Ph1on on Br ush Tap Swirl Ph2on on
Snare Roll BAmbon on Snare Roll Hard Elcon on
Castanet BAmbCastanet Elcon Castanet EAmb
Snare Power Dry L BAmb Sw
Sticks BAmbSticks Elcon Sticks EAmbSticks Flgon Sticks Ph1on Sticks Ph2on
Kick 14x18" Room BAmb SwKick16x20" Room Elc Sw
Snare Rock Open1 Dry BAmb
Kick18x22" Dry BAmb Sw
Kick Dry Hi BAmb
Sidestick Wood BAmb SwSidestick Wood Elc Sw
Snare Dry Lo Soft BAmbSnare Rock Mute2 Elc
Hand Clap BAmbHand Clap ElcHand Clap EAmbon Hand Clap Flgon Hand Clap Ph1on Hand Clap Ph2on
Snare Power Dry H BAmb Sw
Tom Smooth Dry LoFlr BAmb
Hat Closed Dry BAmb Sw
Tom Smooth Dry HiFlr BAmbTom Smooth Hi Floor Elc
Hat Pedal Dry BAmb 1Hat Pedal Heavy Elc 1on
Tom Smooth Dry Lo BAmb
Hat Open Dry BAmb 1Hat Open Heavy Elc 1on
Tom Smooth Dry LoMid BAmb
Tom Smooth Dry HiMid BAmb
Crash Cym 17" Thin BAmb
Tom Smooth Dry Hi BAmb
Ride Cymbal 22" BAmb
China Cymbal 17" BAmb
Ride Cymbal Cup 22" BAmbRide Cymbal Cup 21" Elc
Tambourine BAmbTambourine ElcTambourine EAmbTambourine Flgon Tambourine Ph1on Tambourine Ph2on
Splash Cymbal 10" BAmb
Cowbell BAmbCowbell Elcon China Cymbal EAmbCowbell Flgon Cowbell Ph1on Cowbell Ph2on
Crash Cymbal 14" BAmbCrash Cymbal 14" ElcHat Open Brilliant EAmbCrash Cymbal 14" Flg
Vibraslap BAmbVibraslap Elcon
Ride Cymbal 22" BAmb
Bongo H BAmbBongo H Elcon Bongo H EAmbBongo H Flgon Bongo H Ph1on Bongo H Ph2on
Bongo L BAmbBongo L Elcon Bongo L EAmbBongo L Flgon Bongo L Ph1on Bongo L Ph2on
Conga H Mute BAmbConga H Mute Elcon Conga H Mute EAmbConga H Mute Flgon Conga H Mute Ph1on Conga H Mute Ph2on
Conga H Open BAmbConga H Open Elcon Conga H Open EAmbConga H Open Flgon Conga H Open Ph1on Conga H Open Ph2on
Conga L BAmbConga L Elcon Conga L EAmbConga L Flgon Conga L Ph1on Conga L Ph2on
Timbale H BAmbTimbale H Elcon Ride Cymbal EAmbTimbale H Flgon Timbale H Ph1on Timbale H Ph2on
Timbale L BAmbTimbale L Elcon
Agogo H BAmbon Agogo H Elcon
Agogo L BAmbon Agogo L Elcon
Cabasa BAmbCabasa Elcon Cabasa EAmbCabasa Flgon Cabasa Ph1on Cabasa Ph2on
Maracas BAmbMaracas Elcon Maracas EAmbMaracas Flgon Maracas Ph1on Maracas Ph2on
Samba Whistle H BAmb
Samba Whistle L BAmb
Guiro Short BAmbon Guiro Shor t Elcon Guiro Short EAmbGuiro Short Flgon Guiro Short Ph1on Guiro Short Ph2on
Guiro Long BAmbon Guiro Long Elcon on Guiro Long EAmbonGuiro Long Flgon on Guiro Long Ph1on on Guiro Long Ph2on on
Claves BAmbon Claves Elcon Claves EAmbClaves Flgon Claves Ph1on Claves Ph2on
Wood Block H BAmbon Wood Block H Elcon Wood Block H EAmbWood Block H Flgon Wood Block H Ph1on Wood Block H Ph2on
Wood Block L BAmbon Wood Block L Elcon Wood Block L EAmbWood Block L Flgon Wood Block L Ph1on Wood Block L Ph2on
Cuica Mute BAmbon Cuica Mute Elcon Cuica Mute EAmbCuica Mute Flgon Cuica Mute Ph1on Cuica Mute Ph2on
Cuica Open BAmbCuica Open Elcon Cuica Open EAmbCuica Open Flgon Cuica Open Ph1on Cuica Open Ph2on
Triangle Mute BAmb 2Triangle Mute Elc2on Triangle Mute EAmb 2Triangle Mute Flg2on Triangle Mute Ph1 2on Triangle Mute Ph2 2on
Triangle Open BAmb 2Triangle Open Elc2on Triangle Open EAmb 2Triangle Open Flg2on Triangle Open Ph1 2on Triangle Open Ph2 2on
Shaker BAmbShaker Elcon Shaker EAmbShaker Flgon Shaker Ph1on Shaker Ph2on
Jingle Bells BAmbJingle Bells Elcon Jingle Bells EAmbJingle Bells Flgon Jingle Bells Ph1on Jingle Bells Ph2on
Bell Tree BAmbon Bell Tree Elcon Bell Tree EAmbBell Tree Flgon Bell Tree Ph1on Bell Tree Ph2on
on Metronome Click Elc
Snare Rock Mute1 Elc
Snare Brass Picl Soft Elc
Kick Dry Hi Heavy Elc
Kick 14x22" Room Elc Sw
Snare Rock Open2 Elc
Tom Smooth Lo Floor Elc
1
Hat Closed Heavy Elc Sw
Tom Smooth Lo ElcTom Dry Lo EAmbTom Power Lo Flgon Tom Smooth Lo Ph1on Tom Power Lo Ph2on
Tom Smooth Lo-Mid ElcTom Dry Lo-Mid EAmbTom Power Lo-Mid Flg
Tom Smooth Hi-Mid ElcTom Dry Hi-Mid EAmbTom Power Hi-Mid Flg
Crash Cymbal 17" Thin Elc
Tom Smooth Hi ElcTom Dry Hi EAmbTom Power Hi Flgon Tom Smooth Hi Ph1on Tom Power Hi Ph2on
Ride Cymbal 21" Elc Sw
China Cymbal 17" Elc
on
Splash Cymbal 10" Elc
Ride Cymbal 21" R/L Elc
on on
Samba Whistle H Elc
on on Samba Whistle L Elcon on Brush Tap Swirl EAmbonSamba Whistle L Flgon on
Snare Brass Attack Ph2 Sw
Tom Power Lo Floor Ph2
Hat Closed Brllant Ph2 Sw
Hat 1/4-1/2 Brllnt Ph2 Sw
Hat Pedal Brilliant Ph2
Hat Open Brilliant Ph2
Tom Power Lo-Mid Ph2
Tom Power Hi-Mid Ph2
Crash Cymbal 17" Thin Ph2
Ride Cymbal 21" Ph2 Sw
China Cymbal 17" Ph2
Splash Cymbal 10" Ph2
Crash Cymbal 14" Ph2
Ride Cymbal 22" R/L Ph2
Samba Whistle H Ph2
Samba Whistle L Ph2
1on
1on
1on
1on
on on
on on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
on
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
31
Page 32
Voice List
DR Instrument Map
Program No.
Kit NameAM/PMAutoPanDroneSnareKitCym Amb
Note#
NoteInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
13 C#-1 Surdo Mute Trm3on Surdo Mute APan3on Surdo Mute Drn3on
14 D -1 Surdo Open Trm3on Surdo Open APan3on Surdo Open Drn3on
15 D#-1 Hi Q Trmon Hi Q APanon Hi Q Dr non
16 E -1 Whip Slap Trmon Whip Slap APanon Whip Slap Drnon
17 F -1 Scratch H Trm4on Scratch H APan4on Scratch H Drn4on
18 F#-1 Scratch L Trm4on Scratch L APan4on Scratch L Drn4on
19 G -1 Finger Snap Trmon Finger Snap APanon Finger Snap Drnon
20 G#-1 Click Noise Trmon Click Noise APanon Click Noise Drnon
21 A -1 Metronome Click Trmon Metronome Click APanon Metronome Click Drnon
22 A#-1 Metronome Bell Trmon Metronome Bell APanon Metronome Bell Drnon
23 B -1 Seq Click L Trmon Seq Click L APanon Seq Click L Drnon
24 C 0 Seq Click H Trmon Seq Click H APanon Seq Click H Drnon
25 C#0 Brush Tap Trmon Br ush Tap APanon Br ush Tap Drnon
26 D 0 Brush Swirl Trmon on Brush Swirl APanon on Brush Swirl Drnon on
27 D#0 Brush Slap Trmon Brush Slap APanon Brush Slap Drnon
28 E 0 Brush Tap Swirl Trmon on Brush Tap Swirl APanon on Brush Tap Swirl Drnon on
29 F 0 Snare Roll Hard Trmon on Snare Roll Rock APanon on Snare Roll Rock Drnon on
30 F#0 Castanet Trmon Castanet APanon Castanet Drnon
31 G 0
Snare Rock Open1 Dry Trm
32 G#0 Sticks Trmon Sticks APanon Sticks Drnon
33 A 0 Kick Dry Heavy Trm Swon Kick 14x22" Dry APan Swon Kick 18x22" Dry Drn Swon
34 A#0 Snare Rock Rim1 Trmon Snare Snap Rim APanon Snare Dry Hi Drn Swon
35 B 0 Kick Dry Hi HeavyKick Long Sw APanon Kick Dry ff Drn
36 C 1 Kick Rock1 Trmon Kick Punch Sw APanon Kick 14x22" Dry Drn Swon
37 C
#
1 Sidestick Rock1 Trmon Sidestick Wood APan Swon
38 D 1 Snare Rock Open1 Trmon Snare Hi APan Swon
39 D
#
1 Hand Clap Trmon Hand Clap APanon Hand Clap Drnon
40 E 1 Snare Rock Mute1Snare Wide Snap APan Swon Snare Brs Attk Dry Drn SwSnare Power Dry Hi ff Anaon Crash Cymbal R/L Ambon
41 F 1 Tom Rock Lo Floor Trmon Tom Stick Lo APanon Tom Dry Lo Floor Drnon
42 F
#
1 Hat Closed Rock1 Trm Sw 1on
43 G 1 Tom Rock Hi Floor Trmon Hat 1/4-1/2 Hvy L APan Sw 1on Tom Dry Hi Floor Drnon
44 G
#1Hat Close-Pedal Rk1Trm Sw
45 A 1 Tom Rock Lo Trmon Tom Stick Lo-Mid APanon Tom Dry Lo Drnon Tom Snare Power Dry Lo ffon Ride Cymbal Ambon
46 A
#
1 Hat Open Rock1 Trm Sw 1on Hat Open Heavy Lo APan 1on Hat Open Heavy Drn1on Hat Snare Dry Hi SwRide Cymbal Cup Ambon
47 B 1 Tom Rock Lo-Mid Trmon Tom Stick Mid APanon Tom Dry Lo-Mid Drnon
48 C 2 Tom Rock Hi-Mid Trmon Tom Stick Hi Mid APanon Tom Dry Hi-Mid Drnon Tom Snare Dry Hi mf-ff Swon Ride Cymbal 21" mp Ambon
49 C
#
2 Crash Cymbal Rock1 Trmon
50 D 2 Tom Rock Hi Trmon Tom Stick Hi APanon Tom Dry Hi Drnon Tom Snare Dry Hi mfon Ride Cymbal Cup 21" Ambon
51 D
#
2 Ride Cymbal Rock1 Trmon Ride Cym 21" Lo APan Swon Ride Cymbal 21" Dr n Swon SFX Snare Dry Hi ffRide Cymbal 22" Ambon
52 E 2 China Cymbal Rock Trmon China Cymbal 17" Hi APanon China Cymbal Dr non SFX Snare Dry Lo SwRide Cymbal Cup 22" Ambon
53 F 2
Ride Cymbal Cup Rock Trm
54 F
#
2 Tambourine Trmon Tambourine APanon Tambourine Drnon SFX Snare Dry Lo mpRide Cymbal 21" R/L Ambon
55 G 2 Splash Cymbal Rock Trmon
56 G
#
2 Cowbell Trmon Cowbell APanon Cowbell Drnon SFX Snare Dry Lo ffon
57 A 2 Crash Cymbal Rock2 Trmon Crash Cymbal 14" Lo APanon Crash 17" Thin R/L Lo Drnon SFX Snare Rock Mute1
58 A#2 Vibraslap Trmon Vibraslap APanon Vibraslap Drnon SFX Snare Rock Open1on
59 B 2 Ride Cymbal Rock2 Trmon Ride Cym 22" R/L Hi APanon Ride Cymbal R/L Drnon SFX Snare Rock Rim1
60 C 3 Bongo H Trmon Bongo H APanon Bongo H Drnon
61 C#3 Bongo L Trmon Bongo L APanon Bongo L Dr non SFX Snare Rock Mute2on
62 D 3 Conga H Mute Trmon Conga H Mute APanon Conga H Mute Drnon SFX Snare Rock Open2on
63 D#3 Conga H Open Trmon Conga H Open APanon Conga H Open Drnon SFX Snare Rock Rim2on
64 E 3 Conga L Trmon Conga L APanon Conga L Drnon SFX Snare Brass Piccl Swon
65 F 3 Timbale H Trmon Timbale H APanon Timbale H Drnon SFX Snare Brass Piccl pon
66 F#3 Timbale L Trmon Timbale L APanon Timbale L Drnon SFX Snare Brass Piccl mpon
67 G 3 Agogo H Trmon Agogo H APanon Agogo H Drnon SFX Snare Brass Piccl mfon
68 G#3 Agogo L Trmon Agogo L APanon Agogo L Dr non SFX Snare Brass Piccl ffon
69 A 3 Cabasa Trmon Cabasa APanon Cabasa Drnon
70 A#3 Maracas Trmon Maracas APanon Maracas Drnon SFX Snare Brass Attack p
71 B 3 Samba Whistle H Trmon on Samba Whistle H APanon on Samba Whistle H Drnon on
72 C 4 Samba Whistle L Trmon on Samba Whistle L APanon on Samba Whistle L Drnon on SFX Snare Brass Attack mf
73 C#4 Guiro Short Trmon Guiro Short APanon Guiro Short Drnon SFX Snare Brass Attack ff
74 D 4 Guiro Long Trmon on Guiro Long APanon on Guiro Long Drnon on SFX Snare Loose Snap Sw
75 D#4 Claves Trmon Claves APanon Claves Drnon SFX Snare Loose Snap p
76 E 4 Wood Block H Trmon Wood Block H APanon Wood Block H Drnon SFX Snare Loose Snap mpon
77 F 4 Wood Block L Trmon Wood Block L APanon Wood Block L Drnon SFX Snare Loose Snap mfon
78 F#4 Cuica Mute Trmon Cuica Mute APanon Cuica Mute Drnon SFX Snare Loose Snap ffon
79 G 4 Cuica Open Trmon Cuica Open APanon Cuica Open Drnon SFX Snare Brass Rock Sw
80 G#4 Triangle Mute Trm2on Triangle Mute APan2on Triangle Mute Drn2on SFX Snare Brass Rock p 1on
81 A 4 Triangle Open Trm2on Triangle Open APan2on Triangle Open Drn2on SFX Snare Brass Rock mp 1on
82 A#4 Shaker Trmon Shaker APanon Shaker Drnon SFX Snare Brass Rock mf
83 B 4 Jingle Bells Trmon Jingle Bells APanon Jingle Bells Drnon SFX Snare Brass Rock ff
84 C 5 Bell Tree Trmon Bell Tree APanon Bell Tree Drnon SFX Brush Tap
85 C#5SFX Brush Swirlon on
86 D 5SFX Brush Slapon
87 D#5SFX Brush Tap Swirlon
88 E 5SFX Snare Rollon on
89 F 5SFX Snare Roll Hardon
90 F#5SFX Sidestick Dryon
91 G 5SFX Sidestick Rock1
92 G#5SFX Sidestick Rock2
93 A 5SFX Sidestick Wood Sw
94 A#5SFX Sidestick Wood mp
95 B 5SFX Sidestick Wood mf
96 C 6SFX Sidestick Metal Sw
97 C#6SFX Sidestick Metal mp
98 D 6SFX Sidestick Metal mf
99 D#6
Sidestick Wood Dry Drn Sw
Snare Power Dry Hi Drn Sw
Hat Closed Hvy Lo APan Sw
1on Hat Pedal Heavy Lo APan 1on Hat Pedal Heavy Dry Drn 1on Hat Snare Power Dry Lo mfChina Cymbal 17" Ambon
Crash Cym17" Thin Lo APan
on Ride Cymbal Cup 21" APanon Ride Cymbal Cup 21" Drnon SFX Snare Dr y Lo pRide Cymbal R/L Ambon
Splash Cymbal 10" Hi APan
1on
Hat Closed Hvy Dry Drn Sw
on Crash Cymbal Drnon SFX Snare Dry Hi mpRide Cymbal 21" mf Ambon
on Splash Cymbal 10" Drnon SFX Snare Dry Lo mfRide Cymbal 22" R/L Ambon
Kick Snare Power Dry H Sw
on Sidestick Snare Pwr Dry HCrash Cymbal Rock1 Ambon
on
Snare Power Dry Hi mp Ana
SFX Snare Power Dry Hi mf
Tom Snare Power Dry Lo Sw
1on Hat Snare Power Dry Lo pSplash Cymbal 10" Ambon
Tom Snare Power Dry Lo mp
Tom Snare Dry Hi mp-mf Sw
SFX Snare Rock Open1 Dry
SFX Snare Brass Attack Sw
SFX Snare Brass Attack mp
on Crash Cymbal Ambon
on
Crash Cymbal 17" Thin Amb
Crash Cymbal 14" Ambon
on Splash Cymbal Ambon
on China Cymbal Ambon
on Ride Cymbal 21" Amb Swon
on
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
on
32
Page 33
Voice List
363738394041
KitA/Ht1KitB/Ht1KitA/Ht2KitB/Ht2Spread1Spread2
Inst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute9Surdo Mute9
Surdo Open3Surdo Open3Surdo Open3Surdo Open3Surdo Open9Surdo Open9
Hi QHi QHi QHi QHi QHi Q
Whip SlapWhip SlapWhip SlapWhip SlapWhip SlapWhip Slap
Scratch H4Scratch H4Scratch H4Scratch H4Scratch H10Scratch H10
Scratch L4Scratch L4Scratch L4Scratch L4Scratch L10Scratch L10
Finger SnapFinger SnapFinger SnapFinger SnapFinger SnapFinger Snap
Click NoiseClick NoiseClick NoiseClick NoiseClick NoiseClick Noise
Metronome ClickMetronome ClickMetronome ClickMetronome ClickMetronome ClickMetronome Click
Metronome BellMetronome BellMetronome BellMetronome BellMetronome BellMetronome Bell
Seq Click LSeq Click LSeq Click LSeq Click LSeq Click LSeq Click L
Seq Click HSeq Click HSeq Click HSeq Click HSeq Click HSeq Click H
Brush TapBrush TapBrush TapBr ush TapBrush TapBrush Tap
Brush SwirlonBrush SwirlonBrush SwirlonBrush SwirlonBrush SwirlonBrush Swirlon
Brush SlapBrush SlapBrush SlapBrush SlapBrush SlapBrush Slap
Brush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap Swirlon
Snare Roll RockonSnare Roll HardonSnare Roll RockonSnare Roll HardonSnare Roll RockonSnare Roll Rockon
CastanetCastanetCastanetCastanet
Snare Brass Piccolo Soft
SticksSticksSticksSticks
Kick 18x22" Maple Dry SwKick 14x22" Maple Dr y SwKick 18x22" Maple Dr y SwKick 14x22" Maple Dry SwKick 18x22" Maple Dry Sw
Snare Brass Attack Rim
Kick 16x20" Maple Room SwKick 14x18" Birch Room SwKick 16x20" Maple Room SwKick 14x18" Birch Room SwKick 18x22" Maple Room Sw3Kick 16x20" Maple Room Sw
Kick 18x22" Maple Room SwKick 14x22" Maple Room SwKick 18x22" Maple Room SwKick 14x22" Maple Room SwKick 18x22" Maple Room Sw3Kick 16x20" Maple Room Sw
Sidestick Wood Knock SwSidestick Metal Knock SwSidestick Wood Knock SwSidestick Metal Knock SwSidestick Wood Knock SwSidestick Wood Knock Sw
Snare Brass Piccolo Sw
Hand ClapHand ClapHand ClapHand Clap
Snare Brass Attack Sw
Tom Power Lo FloorTom Smooth Lo FloorTom Power Lo FloorTom Smooth Lo FloorTom Power Lo Floor 5Tom Power Lo Floor 5
Hat Closed Brilliant Sw
Hat 1/4-1/2 Brilliant Sw
Hat Pedal Brilliant1Hat Pedal Heavy1Hat 1/4 Brilliant1Hat 1/4 Heavy1Hat Pedal Brilliant1Hat Pedal Brilliant1
Tom Power LoTom Smooth LoHat 1/2 Brilliant1Hat 1/2 Heavy1Tom Power Mid6Tom Power Mid6
Hat Open Brilliant1Hat Open Heavy1Hat Open Brilliant1Hat Open Heavy1Hat Open Brilliant1Hat Open Brilliant1
Tom Power Lo-MidTom Smooth Lo-MidHat Pedal BrilliantHat Pedal HeavyTom Power Mid6Tom Power Mid6
Tom Power Hi-MidTom Smooth Hi-MidTom Power MidTom Smooth MidTom Power Hi7Tom Power Hi7
Crash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" Thin
Tom Power HiTom Smooth HiTom Power HiTom Smooth HiTom Power Hi7Tom Power Hi7
Ride Cymbal 21" SwRide Cymbal 22"Ride Cymbal 21" SwRide Cymbal 22"Ride Cymbal 21" SwRide Cymbal 21" Sw
China Cymbal 17"China Cymbal 17"China Cymbal 17"China Cymbal 17"Ride Cymbal 21" SwRide Cymbal 21" Sw
Ride Cymbal Cup 21"Ride Cymbal Cup 22"Ride Cymbal Cup 21"Ride Cymbal Cup 22"Ride Cymbal Cup 21"Ride Cymbal Cup 21"
TambourineTambourineTambourineTambourineRide Cymbal Cup 21"Ride Cymbal Cup 21"
Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"
CowbellCowbellCowbellCowbellChina Cymbal 17"China Cymbal 17"
Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"
VibraslapVibraslapVibraslapVibraslapRide Cymbal 22" R/LRide Cymbal 22" R/L
Ride Cymbal 22" R/LRide Cymbal 21" R/LRide Cymbal 22" R/LRide Cymbal 21" R/LRide Cymbal 22" R/LRide Cymbal 22" R/L
Bongo HBongo HBongo HBongo HBongo HBongo H
Bongo LBongo LBongo LBongo LBongo LBongo L
Conga H MuteConga H MuteConga H MuteConga H MuteConga H MuteConga H Mute
Conga H OpenConga H OpenConga H OpenConga H OpenConga H OpenConga H Open
Conga LConga LConga LConga LConga LConga L
Timbale HTimbale HTimbale HTimbale HTimbale HTimbale H
Timbale LTimbale LTimbale LTimbale LTimbale LTimbale L
Agogo HAgogo HAgogo HAgogo HAgogo HAgogo H
Agogo LAgogo LAgogo LAgogo LAgogo LAgogo L
CabasaCabasaCabasaCabasaCabasaCabasa
MaracasMaracasMaracasMaracasMaracasMaracas
Samba Whistle HonSamba Whistle HonSamba Whistle HonSamba Whistle HonSamba Whistle HonSamba Whistle Hon
Samba Whistle LonSamba Whistle LonSamba Whistle LonSamba Whistle LonSamba Whistle LonSamba Whistle Lon
Guiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro Shor tGuiro Short
Guiro LongonGuiro LongonGuiro LongonGuiro LongonGuiro LongonGuiro Longon
ClavesClavesClavesClavesClavesClaves
Wood Block HWood Block HWood Block HWood Block HWood Block HWood Block H
Wood Block LWood Block LWood Block LWood Block LWood Block LWood Block L
Cuica MuteCuica MuteCuica MuteCuica MuteCuica MuteCuica Mute
Cuica OpenCuica OpenCuica OpenCuica OpenCuica OpenCuica Open
Triangle Mute2Triangle Mute2Triangle Mute2Triangle Mute2Triangle Mute8Triangle Mute8
Triangle Open2Triangle Open2Triangle Open2Triangle Open2Triangle Open8Triangle Open8
ShakerShakerShakerShakerShakerShaker
Jingle BellsJingle BellsJingle BellsJingle BellsJingle BellsJingle Bells
Bell TreeBell TreeBell TreeBell TreeBell TreeBell Tree
Snare Loose Snap Soft
Snare Brass Rock Rim
Snare Loose Snap Sw
on Snare Brass Rock Sw
1Hat Closed Heavy Sw 1
1Hat 1/4-1/2 Heavy Sw 1Hat Closed Brilliant ff 1Hat Closed Heavy ff 1Tom Power Lo Floor 5Tom Power Lo Floor 5
Snare Brass Piccolo Soft
Snare Brass Attack Rim
Snare Brass Piccolo Sw
Snare Brass Attack Sw
Hat Closed Brilliant mf
Snare Loose Snap Soft
Snare Brass Rock Rim
Snare Loose Snap SwSnare Brass Attack Sw
on Snare Brass Rock Sw
1Hat Closed Heavy mf 1
Hat 1/4-1/2 Brilliant Sw
Snare Brass Piccolo SoftSnare Br ass Piccolo Soft
Kick 18x22" Maple Dry Sw
Snare Brass Attack Rim
Snare Brass Attack Sw
Snare Brass Attack Rim
Hat Closed Brilliant Sw
1
Hat 1/4-1/2 Brilliant Sw
2
Kick 18x22" Maple Dry Sw
2
Kick 18x22" Maple Dry Sw
4
Snare Brass Attack Rim
4on
Snare Brass Piccolo Sw
4
Snare Brass Piccolo Sw
4
Snare Brass Piccolo Sw
1
Hat Closed Brilliant Sw
1
2
2
4
3
3
4
4
4
1
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
33
Page 34
Voice List
DR Instrument Map
Program No.
Kit NameSpread3Spread4KicksSnaresTomsHats
Note#
NoteInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
13 C#-1 Surdo Mute9Surdo Mute9
14 D -1 Surdo Open9Surdo Open9
15 D#-1 Hi QHi Q
16 E -1 Whip SlapWhip Slap
17 F -1 Scratch H10Scratch H10
18 F#-1 Scratch L10Scratch L10
19 G -1 Finger SnapFinger Snap
20 G#-1 Click NoiseClick Noise
21 A -1 Metronome ClickMetronome Click
22 A#-1 Metronome BellMetronome Bell
23 B -1 Seq Click LSeq Click L
24 C 0 Seq Click HSeq Click H
25 C#0 Brush TapBrush Tap
26 D 0 Brush SwirlonBrush Swir lon
27 D#0 Brush SlapBrush Slap
28 E 0 Brush Tap SwirlonBrush Tap Swirlon
29 F 0 Snare Roll HardonSnare Roll Hardon
30 F#0 Hat 1/4-1/2 Heavy Sw 1
31 G 0
Snare Loose Snap Soft
32 G#0
Kick 14x22" Maple Dry Sw
33 A 0
Kick 14x22" Maple Dry Sw
34 A#0
Snare Brass Rock Rim
35 B 0
Kick 14x22" Maple Room Sw3Kick 14x18" Birch Room Sw
36 C 1
Kick 14x22" Maple Room Sw3Kick 14x18" Birch Room Sw
37 C
#1Sidestick Metal Knock Sw
38 D 1 Snare Brass Rock Sw 4
39 D
#
1 Snare Brass Rock Sw 4
40 E 1
Snare Brass Rock Rim
41 F 1 Tom Smooth Lo Floor 5
42 F
#
1 Hat Closed Heavy Sw 1
43 G 1 Tom Smooth Lo Floor 5
44 G
#
1 Hat Pedal Heavy1Hat Pedal Heavy1Kick Funk Hard ff
45 A 1 Tom Smooth Mid6Tom Smooth Mid6Kick Dry Hi
46 A
#
1 Hat Open Heavy1Hat Open Heavy1Kick Rock1Snare Dry Hi Sw
47 B 1 Tom Smooth Mid6Tom Smooth Mid6Kick Rock2
48 C 2 Tom Smooth Hi7Tom Smooth Hi7Kick Dry Hi Heavy
49 C
#2Crash Cymbal 17" Thin
50 D 2 Tom Smooth Hi7Tom Smooth Hi7Kick Dry Heavy mfSnare Dry Hi mfTom Rock Lo
51 D
#
2 Ride Cymbal 22"Ride Cymbal 22"Kick Dry Heavy ffSnare Dry Hi ff
52 E 2 Ride Cymbal 22"Ride Cymbal 22"Kick Dry ffSnare Dry Lo Sw
53 F 2 Ride Cymbal Cup 22"
54 F
#
2 Ride Cymbal Cup 22"
55 G 2 Splash Cymbal 10"Splash Cymbal 10"
56 G
#
2 China Cymbal 17"China Cymbal 17"
57 A 2 Crash Cymbal 14"Crash Cymbal 14"
58 A
#
2 Ride Cymbal 21" R/LRide Cymbal 21" R/L
59 B 2 Ride Cymbal 21" R/LRide Cymbal 21" R/L
60 C 3 Bongo HBongo H
61 C
#
3 Bongo LBongo L
62 D 3 Conga H MuteConga H Mute
63 D
#
3 Conga H OpenConga H Open
64 E 3 Conga LConga L
65 F 3 Timbale HTimbale H
#
3 Timbale LTimbale L
66 F
67 G 3 Agogo HAgogo H
68 G#3 Agogo LAgogo L
69 A 3 CabasaCabasa
70 A#3 MaracasMaracas
71 B 3 Samba Whistle HonSamba Whistle Hon
72 C 4 Samba Whistle LonSamba Whistle Lon
73 C#4 Guiro ShortGuiro Short
74 D 4 Guiro LongonGuiro Longon
75 D#4 ClavesClaves
76 E 4 Wood Block HWood Block H
77 F 4 Wood Block LWood Block L
78 F#4 Cuica MuteCuica Mute
79 G 4 Cuica OpenCuica Open
80 G#4 Triangle Mute8Triangle Mute8
81 A 4 Triangle Open8Triangle Open8
82 A#4 ShakerShaker
83 B 4 Jingle BellsJingle Bells
84 C 5 Bell TreeBell Tree
85 C#5
86 D 5Brush Slap
87 D#5Brush Tap Swirlon
88 E 5Snare Rollon
89 F 5Snare Roll Hard
90 F#5Sidestick Dry
91 G 5Sidestick Rock1
92 G#5Sidestick Rock2
93 A 5
94 A#5
95 B 5
96 C 6
97 C#6
98 D 6
99 D# 6
100 E 6
101 F 6
424344454647
2
2
4
4
MSB=79, LSB=0
Hat 1/4-1/2 Heavy Sw
Snare Loose Snap Soft
Kick 14x22" Maple Dry Sw
Kick 14x22" Maple Dry Sw
Snare Brass Rock Rim
Sidestick Metal Knock Sw
Snare Loose Snap Sw
Snare Loose Snap Sw
Snare Loose Snap Sw
Tom Smooth Lo Floor
Hat Closed Heavy Sw
Tom Smooth Lo Floor
Crash Cymbal 17" Thin
Ride Cymbal Cup 22"
Ride Cymbal Cup 22"
1
2
2
4
3
3Kick Power Dry Hi
Kick Power Dry Lo
4Kick Funk
4Kick Dry Sw
4Kick Dry mf
5Kick Dry ff
1Kick Funk Hard Sw
5Kick Funk Hard mf
Kick Dry Heavy SwSnare Dry Hi mp
Kick Power Dry LoSnare Dry Lo pTom Rock HiHat Pedal Brilliant4
Kick 18x22" Maple Dry Sw
Kick18x22" Maple Dry mp
Kick18x22" Maple Dry mf
Kick18x22" Maple Dry ff
Kick 14x22" Maple Dry Sw
Kick 14x22" Maple Dry mp
Kick 14x22" Maple Dry mf
Kick 14x22" Maple Dry ff
Kick16x20" Maple Dry Sw
Kick 16x20" Maple Dry mp
Kick 16x20" Maple Dry mf
Kick 16x20" Maple Dry ffSnare Brass Piccolo p
Kick 14x18" Birch Dry Sw
Kick 14x18" Birch Dry mp
Kick 14x18" Birch Dry mfSnare Brass Piccolo ff
Kick 14x18" Birch Dry ff
Kick 18x22" Maple Room Sw
Kick18x22" Maple Room mp
Kick18x22" Maple Room mf
Kick18x22" Maple Room ff
Kick 14x22" Maple Room Sw
Kick 14x22" Maple Room mp
Kick 14x22" Maple Room mf
Kick 14x22" Maple Room ff
Kick 16x20" Maple Room Sw
Kick16x20" Maple Room mp
Kick16x20" Maple Room mf
Kick16x20" Maple Room ff
Kick 14x18" Birch Room Sw
Kick 14x18" Birch Room mp
Kick 14x18" Birch Room mf
Kick 14x18" Birch Room ff
Snare Power Dry Hi Sw
Snare Power Dry Hi pTom Dry1 Hi Floor
Snare Power Dry Hi mp
Snare Power Dry Hi mf
Snare Power Dry Hi ff
Snare Power Dry Lo Sw
Snare Power Dry Lo pTom Dry2 Lo Floor
Snare Power Dry Lo mp
Snare Power Dry Lo mf
Snare Power Dry Lo ff
Snare Dry Hi mp-mf Sw
Snare Dry Hi mf-ff Sw
Snare Dry Lo mp
Snare Dry Lo mf
Snare Dry Lo ffTom Power LoHat 1/2 Brilliant4
Snare Rock Mute1
Snare Rock Open1
Snare Rock Rim1Tom Power HiHat Closed Heavy mf 5
Snare Rock Open1 Dry
Snare Rock Mute2
Snare Rock Open2Tom Smooth Lo
Snare Rock Rim2
Snare Brass Piccolo SwTom Smooth Hi-Mid
Snare Brass Piccolo mp
Snare Brass Piccolo mf
Snare Brass Attack Sw
Snare Brass Attack p
Snare Brass Attack mp
Snare Brass Attack mf
Snare Brass Attack ff
Snare Loose Snap Sw
Snare Loose Snap p
Snare Loose Snap mp
Snare Loose Snap mf
Snare Loose Snap ff
Snare Brass Rock Sw
Snare Brass Rock p
Snare Brass Rock mp
Snare Brass Rock mf
Snare Brass Rock ff
Brush Tap
Brush Swirlon
Sidestick Wood Knock Sw
Sidestick Wood Knock mp
Sidestick Wood Knock mf
Sidestick Metal Knock Sw
Sidestick Metal Knock mp
Sidestick Metal Knock mf
Tom Dry1 Lo Floor
Tom Dry1 LoHat Open Power1
Tom Dry1 Lo-Mid
Tom Dry1 Hi-Mid
Tom Dry1 HiHat Closed Dry mp 2
Tom Dry2 Hi Floor
Tom Dry2 LoHat Pedal Dry2
Tom Dry2 Lo-Mid
Tom Dry2 Hi-MidHat Closed Rock1 Sw
Tom Dry2 Hi
Tom Rock Lo FloorHat Open Rock1 Sw
Tom Rock Hi Floor
Tom Rock Lo-MidHat Closed Brilliant mf
Tom Rock Hi-Mid
Tom Power Lo Floor
Tom Power Hi Floor
Tom Power Lo-Mid
Tom Power Hi-Mid
Tom Smooth Lo Floor
Tom Smooth Hi Floor
Tom Smooth Lo-Mid
Tom Smooth HiHat Open Heavy5
Hat Closed Power1
Hat 1/2 Power1
Hat Closed Dry Sw 2
Hat Closed Dry p2
Hat Closed Dry mf2
Hat Closed Dry ff2
Hat Open Dry2
Hat Closed-Pedal Rock1 Sw
Hat 1/2 Rock23
Hat Closed Brilliant Sw
Hat Closed Brilliant ff 4
Hat 1/4-1/2 Brilliant Sw
Hat 1/4 Brilliant4
Hat Open Brilliant4
Hat Closed Heavy Sw
Hat Closed Heavy ff 5
Hat Pedal Heavy5
Hat 1/4-1/2 Heavy Sw
Hat 1/4 Heavy5
Hat 1/2 Heavy5
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
Inst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
Crash Cymbal
Crash Cymbal Rock1
Crash Cymbal 17" Thin
Crash Cymbal 14"
Crash Cymbal R/LSnare Brass Attack Sw
Splash CymbalTom Power Lo FloorTom Smooth Lo FloorTom Power Lo FloorTom Power Lo FloorTom Smooth Lo Floor
Splash Cymbal 10"
China CymbalTom Power Hi FloorTom Smooth Hi FloorTom Power Hi FloorTom Power Hi FloorTom Smooth Hi Floor
China Cymbal 17"
Ride CymbalTom Power LoTom Smooth LoTom Power LoTom Power LoTom Smooth Lo
Ride Cymbal Cup
Ride Cymbal 21" Sw
Ride Cymbal 21" mp
Ride Cymbal 21" mf
Ride Cymbal Cup 21"
Ride Cymbal 22"Ride Cymbal 21" SwRide Cymbal 22"Ride Cymbal 21" SwRide Cymbal 21" SwRide Cymbal 21" Sw
Ride Cymbal Cup 22"
Ride Cymbal R/LRide Cymbal Cup 21"Ride Cymbal Cup 22"Ride Cymbal Cup 21"Ride Cymbal Cup 21"Ride Cymbal Cup 21"
Ride Cymbal 21" R/L
Ride Cymbal 22" R/L
Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute3
Surdo Open3Surdo Open3Surdo Open3Surdo Open3Surdo Open3
Hi QHi QHi QHi QHi Q
Whip SlapWhip SlapWhip SlapWhip SlapWhip Slap
Scratch H4Scratch H4Scratch H4Scratch H4Scratch H4
Scratch L4Scratch L4Scratch L4Scratch L4Scratch L4
Finger SnapFinger SnapFinger SnapFinger SnapFinger Snap
Click NoiseClick NoiseClick NoiseClick NoiseClick Noise
Metronome ClickMetronome ClickMetronome ClickMetronome ClickMetronome Click
Metronome BellMetronome BellMetronome BellMetronome BellMetronome Bell
Seq Click LSeq Click LSeq Click LSeq Click LSeq Click L
Seq Click HSeq Click HSeq Click HSeq Click HSeq Click H
Brush TapBrush TapBrush TapBr ush TapBrush Tap
Brush SwirlonBrush SwirlonBrush SwirlonBrush SwirlonBrush Swirlon
Brush SlapBrush SlapBrush SlapBrush SlapBrush Slap
Brush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap Swirlon
Snare Roll RockonSnare Roll HardonSnare Roll RockonSnare Roll RockonSnare Roll Rockon
Hat 1/4-1/2 Brilliant Sw
Snare Brass Piccolo Soft
SticksSticksSticksSticksSticks
Kick 18x22" Maple Dry SwKick 14x22" Maple Dr y SwKick 18x22" Maple Dr y SwKick 18x22" Maple Dry SwKick 18x22" Maple Dry Sw
Snare Brass Attack Rim
Kick 16x20" Maple Room SwKick 14x18" Birch Room SwKick 16x20" Maple Room SwKick 16x20" Maple Room SwKick 16x20" Maple Room Sw
Kick 18x22" Maple Room SwKick 14x22" Maple Room SwKick 18x22" Maple Room SwKick 18x22" Maple Room SwKick 18x22" Maple Room Sw
Sidestick Wood Knock SwSidestick Metal Knock SwSidestick Metal Knock SwSidestick Wood Knock SwSidestick Wood Knock Sw
Snare Brass Piccolo Sw
Hand ClapHand ClapHand ClapHand ClapHand Clap
Hat Open Brilliant1Hat Open Heavy1Hat Open Brilliant1Hat Open Heavy1Hat Open Brilliant1
Tom Power Lo-MidTom Smooth Lo-MidTom Power Lo-MidTom Power Lo-MidTom Smooth Lo-Mid
Tom Power Hi-MidTom Smooth Hi-MidTom Power Hi-MidTom Power Hi-MidTom Smooth Hi-Mid
Crash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" Thin
Tom Power HiTom Smooth HiTom Power HiTom Power HiTom Smooth Hi
NoteInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
13 C#-1 Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute3
14 D -1 Surdo Open3Surdo Open3Surdo Open3Surdo Open3Surdo Open3
15 D
#
-1 Hi QHi QHi QHi QHi Q
16 E -1 Whip SlapWhip SlapWhip SlapWhip SlapWhip Slap
17 F -1 Scratch H4Scratch H4Scratch H4Scratch H4Scratch H4
18 F
#
-1 Scratch L4Scratch L4Scratch L4Scratch L4Scratch L4
19 G -1 Finger SnapFinger SnapFinger SnapFinger SnapFinger Snap
20 G
#
-1 Click NoiseClick NoiseClick NoiseClick NoiseClick Noise
21 A -1 Metronome ClickMetronome ClickMetronome ClickMetronome ClickMetronome Click
22 A
#
-1 Metronome BellMetronome BellMetronome BellMetronome BellMetronome Bell
23 B -1 Seq Click LSeq Click LSeq Click LSeq Click LSeq Click L
24 C 0 Seq Click HSeq Click HSeq Click HSeq Click HSeq Click H
25 C
#
0 Brush TapBrush TapBrush TapBrush TapBrush Tap
26 D 0 Brush SwirlonBrush SwirlonBrush SwirlonBrush Swir lonBrush Swirlon
27 D
#
0 Brush SlapBrush SlapBrush SlapBrush SlapBrush Slap
28 E 0 Brush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap Swirlon
29 F 0 Snare Roll RockonSnare Roll RockonSnare Roll RockonSnare Roll RockonSnare Roll Hardon
30 F
#
0 Hat 1/4-1/2 Heavy Sw1Hat 1/4-1/2 Heavy Sw1Hat 1/4-1/2 Brilliant Sw1Hat 1/4-1/2 Heavy Sw1Hat 1/4-1/2 Heavy Sw1
31 G 0 Snare Loose Snap SoftSnare Brass Piccolo SoftSnare Loose Snap SoftSnare Loose Snap SoftSnare Brass Piccolo Soft
32 G
#
0 SticksSticksSticksSticksSticks
33 A 0 Kick 18x22" Maple Dry SwKick 18x22" Maple Dry SwKick 18x22" Maple Dry SwKick 18x22" Maple Dry SwKick 14x22" Maple Dry Sw
34 A
#
0 Snare Brass Rock RimSnare Brass Attack RimSnare Brass Rock RimSnare Brass Rock RimSnare Brass Attack Rim
35 B 0
Kick 16x20" Maple Room SwKick 16x20" Maple Room SwKick 16x20" Maple Room SwKick 16x20" Maple Room SwKick 14x18" Birch Room Sw
36 C 1
Kick 18x22" Maple Room SwKick 18x22" Maple Room SwKick 18x22" Maple Room SwKick 18x22" Maple Room SwKick 14x22" Maple Room Sw
37 C#1 Sidestick Metal Knock SwSidestick Wood Knock SwSidestick Metal Knock SwSidestick Metal Knock SwSidestick Wood Knock Sw
38 D 1 Snare Loose Snap SwSnare Brass Piccolo SwSnare Loose Snap SwSnare Loose Snap SwSnare Brass Piccolo Sw
39 D
#
1 Hand ClapHand ClapHand ClapHand ClapHand Clap
40 E 1 Snare Brass Rock SwSnare Brass Attack Swon Snare Brass Rock SwSnare Brass Rock SwSnare Brass Attack Swon
41 F 1 Tom Power Lo FloorTom Smooth Lo FloorTom Smooth Lo FloorTom Smooth Lo FloorTom Smooth Lo Floor
42 F
#
1 Hat Closed Heavy Sw1Hat Closed Heavy Sw1Hat Closed Brilliant Sw1Hat Closed Heavy Sw1Hat Closed Heavy Sw1
43 G 1 Tom Power Hi FloorTom Smooth Hi FloorTom Smooth Hi FloorTom Smooth Hi FloorTom Smooth Hi Floor
44 G
#
1 Hat Pedal Heavy1Hat Pedal Heavy1Hat Pedal Brilliant1Hat Pedal Heavy1Hat Pedal Heavy1
45 A 1 Tom Power LoTom Smooth LoTom Smooth LoTom Smooth LoTom Smooth Lo
46 A
#
1 Hat Open Heavy1Hat Open Heavy1Hat Open Brilliant1Hat Open Heavy1Hat Open Heavy1
47 B 1 Tom Power Lo-MidTom Smooth Lo-MidTom Smooth Lo-MidTom Smooth Lo-MidTom Smooth Lo-Mid
48 C 2 Tom Power Hi-MidTom Smooth Hi-MidTom Smooth Hi-MidTom Smooth Hi-MidTom Smooth Hi-Mid
49 C
#
2 Crash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" Thin
50 D 2 Tom Power HiTom Smooth HiTom Smooth HiTom Smooth HiTom Smooth Hi
51 D
#
2 Ride Cymbal 21" SwRide Cymbal 21" SwRide Cymbal 21" SwRide Cymbal 21" SwRide Cymbal 22"
52 E 2 China Cymbal 17"China Cymbal 17"China Cymbal 17"China Cymbal 17"China Cymbal 17"
53 F 2 Ride Cymbal Cup 21"Ride Cymbal Cup 21"Ride Cymbal Cup 21"Ride Cymbal Cup 21"Ride Cymbal Cup 22"
54 F
#
2 TambourineTambourineTambourineTambourineTambourine
55 G 2 Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"
56 G
#
2 CowbellCowbellCowbellCowbellCowbell
57 A 2 Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"
58 A
#
2 VibraslapVibraslapVibraslapVibraslapVibraslap
59 B 2 Ride Cymbal 22" R/LRide Cymbal 22" R/LRide Cymbal 22" R/LRide Cymbal 22" R/LRide Cymbal 21" R/L
60 C 3 Bongo HBongo HBongo HBongo HBongo H
61 C
#
3 Bongo LBongo LBongo LBongo LBongo L
62 D 3 Conga H MuteConga H MuteConga H MuteConga H MuteConga H Mute
63 D
#
3 Conga H OpenConga H OpenConga H OpenConga H OpenConga H Open
64 E 3 Conga LConga LConga LConga LConga L
65 F 3 Timbale HTimbale HTimbale HTimbale HTimbale H
66 F
#
3 Timbale LTimbale LTimbale LTimbale LTimbale L
67 G 3 Agogo HAgogo HAgogo HAgogo HAgogo H
68 G
#
3 Agogo LAgogo LAgogo LAgogo LAgogo L
69 A 3 CabasaCabasaCabasaCabasaCabasa
70 A
#
3 MaracasMaracasMaracasMaracasMaracas
71 B 3 Samba Whistle HonSamba Whistle HonSamba Whistle HonSamba Whistle HonSamba Whistle Hon
72 C 4 Samba Whistle LonSamba Whistle LonSamba Whistle LonSamba Whistle LonSamba Whistle Lon
73 C
#
4 Guiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro Short
74 D 4 Guiro LongonGuiro LongonGuiro LongonGuiro LongonGuiro Longon
75 D
#
4 ClavesClavesClavesClavesClaves
76 E 4 Wood Block HWood Block HWood Block HWood Block HWood Block H
77 F 4 Wood Block LWood Block LWood Block LWood Block LWood Block L
78 F
#
4 Cuica MuteCuica MuteCuica MuteCuica MuteCuica Mute
79 G 4 Cuica OpenCuica OpenCuica OpenCuica OpenCuica Open
80 G#4 Triangle Mute2Triangle Mute2Triangle Mute2Triangle Mute2Triangle Mute2
81 A 4 Triangle Open2Triangle Open2Triangle Open2Triangle Open2Triangle Open2
82 A
#
4 ShakerShakerShakerShakerShaker
83 B 4 Jingle BellsJingle BellsJingle BellsJingle BellsJingle Bells
84 C 5 Bell TreeBell TreeBell TreeBell TreeBell Tree
85 C
#
5
86 D 5
87 D#5
88 E 5
89 F 5
90 F#5
91 G 5
92 G#5
93 A 5
94 A#5
95 B 5
96 C 6
97 C#6
98 D 6
99 D#6
100 E 6
101 F 6
5455565758
MSB=79, LSB=0
A : Alternate GroupK : Key OffI : Insertion Effect : No sound
* These kits have been created by combining the Kick, Snare, Hi-hat and Tom sounds of the LiveRmA and LiveRmB voices.
Example : A B A A /Prc
Prc : Percussion
Kk : Kicks
Sn1 : Snares1
Sn2 : Snares2
Tom : Tom-toms
Hat : Hi-Hats
Cym : Cymbals
36
Tom (from LiveRm A)
Hi-hat (from LiveRm A)
Snare (from LiveRm B)
Kick (from LiveRm A)
Refers to the keys C3 and higher.
Percussion sounds are mapped to these keys.
NoteInst NameA K IInst NameA K IInst NameA K IInst NameA K IInst NameA K I
13 C#-1 Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute3Surdo Mute7
14 D -1 Surdo Open3Surdo Open3Surdo Open3Surdo Open3Surdo Open7
15 D
#
-1 Hi QHi QHi QHi QHi Q
16 E -1 Whip SlapWhip SlapWhip SlapWhip SlapWhip Slap
17 F -1 Scratch H4Scratch H4Scratch H4Scratch H4Scratch H8
18 F
#
-1 Scratch L4Scratch L4Scratch L4Scratch L4Scratch L8
19 G -1 Finger SnapFinger SnapFinger SnapFinger SnapFinger Snap
20 G
#
-1 Click NoiseClick NoiseClick NoiseClick NoiseClick Noise
21 A -1 Metronome ClickMetronome ClickMetronome ClickMetronome ClickMetronome Click
22 A
#
-1 Metronome BellMetronome BellMetronome BellMetronome BellMetronome Bell
23 B -1 Seq Click LSeq Click LSeq Click LSeq Click LSeq Click L
24 C 0 Seq Click HSeq Click HSeq Click HSeq Click HSeq Click H
25 C
#
0 Brush TapBrush TapBrush TapBrush TapBrush Tap
26 D 0 Brush SwirlonBrush SwirlonBrush SwirlonBrush SwirlonBrush Swirlon
27 D
#
0 Brush SlapBrush SlapBrush SlapBrush SlapBrush Slap
28 E 0 Brush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap SwirlonBrush Tap Swirlon
29 F 0 Snare Roll RockonSnare Roll RockonSnare Roll RockonSnare Roll RockonSnare Roll Rockon
30 F
#
0 Hat 1/4-1/2 Brilliant Sw1Hat 1/4-1/2 Brilliant Sw1Hat 1/4-1/2 Heavy Sw1Hat 1/4-1/2 Brilliant Sw1Hat 1/4-1/2 Heavy Sw1
31 G 0 Snare Brass Piccolo SoftSnare Loose Snap SoftSnare Brass Piccolo SoftSnare Brass Piccolo SoftSnare Loose Snap Soft
32 G
#
0 SticksSticksSticksSticksSticks
33 A 0 Kick 18x22" Maple Dry SwKick 18x22" Maple Dry SwKick 18x22" Maple Dry SwKick 18x22" Maple Dry SwKick 18x22" Maple Dry Sw
34 A
#
0 Snare Brass Attack RimSnare Brass Rock RimSnare Brass Attack RimSnare Brass Attack RimSnare Brass Rock Rim
35 B 0
Kick 16x20" Maple Room SwKick 16x20" Maple Room SwKick 16x20" Maple Room SwKick 16x20" Maple Room SwKick 16x20" Maple Room Sw
36 C 1
Kick 18x22" Maple Room SwKick 18x22" Maple Room SwKick 18x22" Maple Room SwKick 18x22" Maple Room SwKick 18x22" Maple Room Sw
37 C#1 Sidestick Wood Knock SwSidestick Metal Knock SwSidestick Wood Knock SwSidestick Wood Knock SwSidestick Metal Knock Sw
38 D 1 Snare Brass Piccolo SwSnare Loose Snap SwSnare Brass Piccolo SwSnare Brass Piccolo SwSnare Loose Snap Sw
39 D
#
1 Hand ClapHand ClapHand ClapHand ClapHand Clap
40 E 1 Snare Brass Attack Swon Snare Brass Rock SwSnare Brass Attack Swon Snare Brass Attack Swon Snare Brass Rock Sw
41 F 1 Tom Power Lo FloorTom Power Lo FloorTom Power Lo FloorTom Smooth Lo FloorTom Power Lo Floor
42 F
#
1 Hat Closed Brilliant Sw1Hat Closed Brilliant Sw1Hat Closed Heavy Sw1Hat Closed Brilliant Sw1Hat Closed Heavy Sw1
43 G 1 Tom Power Hi FloorTom Power Hi FloorTom Power Hi FloorTom Smooth Hi FloorTom Power Hi Floor
44 G
#
1 Hat Pedal Brilliant1Hat Pedal Brilliant1Hat Pedal Heavy1Hat Pedal Brilliant1Hat Pedal Heavy1
45 A 1 Tom Power LoTom Power LoTom Power LoTom Smooth LoTom Power Lo
46 A
#
1 Hat Open Brilliant1Hat Open Brilliant1Hat Open Heavy1Hat Open Brilliant1Hat Open Heavy1
47 B 1 Tom Power Lo-MidTom Power Lo-MidTom Power Lo-MidTom Smooth Lo-MidTom Power Lo-Mid
48 C 2 Tom Power Hi-MidTom Power Hi-MidTom Power Hi-MidTom Smooth Hi-MidTom Power Hi-Mid
49 C
#
2 Crash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" ThinCrash Cymbal 17" Thin
50 D 2 Tom Power HiTom Power HiTom Power HiTom Smooth HiTom Power Hi
51 D
#
2 Ride Cymbal 21" SwRide Cymbal 21" SwRide Cymbal 21" SwRide Cymbal 21" SwRide Cymbal 21" Sw
52 E 2 China Cymbal 17"China Cymbal 17"China Cymbal 17"China Cymbal 17"China Cymbal 17"
53 F 2 Ride Cymbal Cup 21"Ride Cymbal Cup 21"Ride Cymbal Cup 21"Ride Cymbal Cup 21"Ride Cymbal Cup 21"
54 F
#
2 TambourineTambourineTambourineTambourineTambourine
55 G 2 Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"Splash Cymbal 10"
56 G
#
2 CowbellCowbellCowbellCowbellCowbell
57 A 2 Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"Crash Cymbal 14"
58 A
#
2 VibraslapVibraslapVibraslapVibraslapVibraslap
59 B 2 Ride Cymbal 22" R/LRide Cymbal 22" R/LRide Cymbal 22" R/LRide Cymbal 22" R/LRide Cymbal 22" R/L
60 C 3 Kick Power Dry HiSnare Power Dry Hi SwSnare Brass Piccolo SwTom Dry1 Lo FloorHat Closed Power2
61 C
#
3 Kick Power Dry LoSnare Power Dry Hi pSnare Brass Piccolo pTom Dry1 Hi FloorHat 1/2 Power2
62 D 3 Kick FunkSnare Power Dry Hi mpSnare Brass Piccolo mpTom Dry1 LoHat Open Power2
63 D
#
3 Kick Dry SwSnare Power Dry Hi mfSnare Brass Piccolo mfTom Dry1 Lo-MidHat Closed Dry Sw3
64 E 3 Kick Dry mfSnare Power Dry Hi ffSnare Brass Piccolo ffTom Dry1 Hi-MidHat Closed Dry p3
65 F 3 Kick Dry ffSnare Power Dry Lo SwSnare Brass Attack Swon Tom Dry1 HiHat Closed Dry mp3
66 F
#
3 Kick Funk Hard SwSnare Power Dry Lo pSnare Brass Attack pon Tom Dry2 Lo FloorHat Closed Dry mf3
67 G 3 Kick Funk Hard mfSnare Power Dry Lo mpSnare Brass Attack mpon Tom Dry2 Hi FloorHat Closed Dr y ff3
68 G
#
3 Kick Funk Hard ffSnare Power Dry Lo mfSnare Brass Attack mfon Tom Dry2 LoHat Pedal Dry3
69 A 3 Kick Dry HiSnare Power Dry Lo ffSnare Brass Attack ffon Tom Dry2 Lo-MidHat Open Dr y3
70 A
#
3 Kick Rock1Snare Dry Hi SwSnare Loose Snap SwTom Dry2 Hi-MidHat Closed Rock1 Sw4
71 B 3 Kick Rock2Snare Dry Hi mp-mf SwSnare Loose Snap pTom Dry2 Hi
72 C 4 Kick Dry Hi HeavySnare Dry Hi mf-ff SwSnare Loose Snap mpTom Rock Lo FloorHat Open Rock1 Sw4
73 C
#
4 Kick Dry Heavy SwSnare Dry Hi mpSnare Loose Snap mfTom Rock Hi FloorHat 1/2 Rock24
74 D 4 Kick Dry Heavy mfSnare Dry Hi mfSnare Loose Snap ffTom Rock LoHat Closed Brilliant Sw5
75 D
#
4 Kick Dry Heavy ffSnare Dry Hi ffSnare Brass Rock SwTom Rock Lo-MidHat Closed Brilliant mf5
76 E 4 Kick Dry ffSnare Dry Lo SwSnare Brass Rock pTom Rock Hi-MidHat Closed Brilliant ff5
77 F 4 Kick Power Dry LoSnare Dry Lo pSnare Brass Rock mpTom Rock HiHat Pedal Brilliant5
78 F
#
4 Kick 18x22" Maple Dry SwSnare Dry Lo mpSnare Brass Rock mfTom Power Lo FloorHat 1/4-1/2 Brilliant Sw5
79 G 4 Kick18x22" Maple Dry mpSnare Dry Lo mfSnare Brass Rock ffTom Power Hi FloorHat 1/4 Brilliant5
80 G#4 Kick18x22" Maple Dry mfSnare Dr y Lo ffSnare Rock Open2Tom Power LoHat 1/2 Brilliant5
81 A 4 Kick18x22" Maple Dry ffSnare Rock Mute1Snare Rock Rim2Tom Power Lo-MidHat Open Brilliant5
82 A
#
4 Kick 14x22" Maple Dry SwSnare Rock Open1Brush TapTom Power Hi-MidHat Closed Heavy Sw6
83 B 4 Kick 14x22" Maple Dry mpSnare Rock Rim1Brush Swir lonTom Power HiHat Closed Heavy mf6
84 C 5 Kick 14x22" Maple Dry mfSnare Rock Open1 DryBrush SlapTom Smooth Lo FloorHat Closed Heavy ff6
85 C
#
5 Kick 14x22" Maple Dry ffSnare Rock Mute2Brush Tap SwirlonTom Smooth Hi FloorHat Pedal Heavy6
86 D 5
Kick 18x22" Maple Room Sw
87 D
#5Kick18x22" Maple Room mp
88 E 5
Kick18x22" Maple Room mf
89 F 5 Kick18x22" Maple Room ffSidestick Rock1Sidestick Rock1Tom Smooth HiHat Open Heavy6
90 F
#5Kick 14x22" Maple Room Sw
91 G 5
Kick 14x22" Maple Room mp
92 G#5
Kick 14x22" Maple Room mf
93 A 5 Kick 14x22" Maple Room ffSidestick Wood Knock mfSidestick Wood Knock mf
94 A#5
Kick 16x20" Maple Room Sw
95 B 5
Kick16x20" Maple Room mp
96 C 6
Kick16x20" Maple Room mf
97 C#6 Kick16x20" Maple Room ff
98 D 6
Kick 14x18" Birch Room Sw
99 D#6
Kick 14x18" Birch Room mp
100 E 6
Kick 14x18" Birch Room mf
101 F 6 Kick 14x18" Birch Room ff
6566676869
MSB=79, LSB=0
Hat Closed-Pedal Rock1 Sw
Snare Rock Open2Snare RollonTom Smooth LoHat 1/4-1/2 Heavy Sw6
Snare Rock Rim2Snare Roll HardonTom Smooth Lo-MidHat 1/4 Heavy6
Sidestick DrySidestick DryTom Smooth Hi-MidHat 1/2 Heavy6