Yamaha FS1R User Manual [ja]
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(1)-4
のボリュームを最小(0)
( )
品やプラスチック/
/
/
( ) LCD “Battery Low” MIDIMDF3
DATA
MIDI MDF3 
*
(1)-4
YAMAHA FS1R
FS1R ( )FS1R FS1R(Formant Shaping FS) FSYAMAHA DX7 FM( )( )FS1R 1FS1R DXDX FS1RFS1R
n YAMAHA DX7 DX7II 6 FM
FS1R
●FS1R
●( )
●2P-3P
● MIDI (AMEI)
4
FS1R
FS1R FS1R
FS1R FS1R
FS
FS1R DX7
FS1R MIDI
n
FS1R
h
(*XX)
EDIT PEFORM-COMMON-FSeq UTIL-SYSTEM-Master EDIT PERFORMCOMMON FSeq ...
5
FS1R ?
FS1R FS1RFS1R
■FS
FS1R FS FM1 MIDIFS1RFS1R
■4
FS1R 4 FS( )FS1R 4
■
FS1R FS ( )...FS1R 1,000300 FS1R
■
FS1R
■
FS1R 4 4MIDI
■ MIDI
MIDI FS1R ( )1 1FS1R MIDI
■
( ) REVERB VARIATION INSERTION EQUALIZER 4
FS1R FS1R
nNIFTY SERVE MIDI (GO FMIDIVA) YAMAHAYAMAHA ( ) ( )
6
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2 ...................................... |
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LED ....................................................................................... |
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LED ....................................................................................... |
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LED ....................................................................................... |
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4 ............................................... |
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FS1R ......................................................................... |
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REVERB ................................................................................... |
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VARIATION ............................................................................. |
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( ) ............................................................................................. |
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REVERB ....................................................................................... |
25 |
VARIATION ................................................................................. |
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INSERTION ......................................................................................... |
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( ) ............................................................................................. |
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MIDI ................................................................................................................. |
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FS .............................................................................................. |
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FS ....................................................................................... |
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FM ............................................................................................. |
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FS1R ........................................................................................................ |
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OPERATOR............................................................................................................... |
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Osc....................................................................................................................... |
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EG ......................................................................................................................... |
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FrqEG................................................................................................................... |
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Sns ....................................................................................................................... |
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COMMON .................................................................................................................. |
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LFO1 & LFO2 ................................................................................................... |
56 |
Filter..................................................................................................................... |
58 |
PitchEG............................................................................................................... |
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Others ................................................................................................................. |
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PART........................................................................................................................... |
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Tone..................................................................................................................... |
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EG ......................................................................................................................... |
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Pitch .................................................................................................................... |
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Others ................................................................................................................. |
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COMMON .................................................................................................................. |
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& ............................................................................. |
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CtrlSrc ................................................................................................................. |
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CtrlDst................................................................................................................. |
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FSeq..................................................................................................................... |
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Others ................................................................................................................. |
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Rev ....................................................................................................................... |
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Var ........................................................................................................................ |
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Ins ......................................................................................................................... |
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EQ ......................................................................................................................... |
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SYSTEM .................................................................................................................... |
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Master................................................................................................................. |
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MIDI ...................................................................................................................... |
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Control................................................................................................................. |
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Others ................................................................................................................. |
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DUMPOUT ................................................................................................................ |
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INITIAL ....................................................................................................................... |
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DEMO.......................................................................................................................... |
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FS1R ............................................................. |
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YAMAHA DX ................................................... |
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7
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47 ) |
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$ |
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4 9 6 FS1RLED
@ !
1PHONES
VOLUME
2VOLUME
PHONES OUTPUT
3LCD( )
FS1R
4PLAY
( )FS1R ( ) ( )
5UTIL
FS1R
6SEARCH
るカテゴリーを設定しておけます() ( )
7EDIT PERFORM
を編集できます。編集中にこのボタンを押すとLED( ) EXIT
8EDIT EFFECT
REVERB VARIATION INSERTION EQUALIZERLED () EXIT
9EDIT VOICE
編集中にこのボタンを押すとLED () EXIT
)MUTE/SOLO PART 
PART 
FS1R 4
PART 
/ 
4 MUTE/SOLO
( ) ( )
PART 
/
MUTE/SOLO
MUTE/SOLO
!CURSOR 
CURSOR 
VALUE 
VALUE 
4 ( )
CURSOR 
/ 
LCD (
)VALUE 
/
( 
)
VALUE 
/
VALUE 
VALUE 
10
VALUE 
VALUE 
10
@ENTER EXIT
UTIL EDIT PERFORM2 (ENTER 1EXIT 1 )(Are you sure?) ENTEREXIT ENTER 2MIDI(MIDI )
#KNOB SELECT KNOB1 4
KNOB SELECT LED KNOB1 4( 1 4) KNOB SELECT( ATTACK RELEASE FORMANT FM ) KNOB1 4KNOB SELECTKNOB1 4 4(PART/OP GROUP CURSOR VALUE)
$POWER
AC INLET FS1R
8
1 |
2 |
3 |
4 |
1AC INLET
( )(AC100V)
2MIDI THRU OUT IN
MIDI THRU MIDI IN MIDI OUT MIDI FS1R MIDI IN FS1RMIDI
3INDIVIDUAL OUTPUT R L
FS1R ( ) OUTPUTFS1R INSERTION FS1R
4OUTPUT R L/MONO
FS1R ( )VOLUME
9
FS1 FS1R MIDIFS1R (AC100V) FS1R
OUT |
IN |
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MIDI |
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IN |
OUT |
AC100V
FS1R
! FS1R ( )
" FS1R POWER OFF( )
# FS1R AC INLET
$ (AC100V)
■ 1
MIDI YAMAHA EX5 MIDIYAMAHA G50 MIDI () FS1R YAMAHA WX5FS1R MIDIMDF3 FS1R
MIDI
EX5 WX5 G50
OUT
MDF3
LR
OUT
AC100V
FS1R
10
■ 2
MU128 TO HOST FS1R MU128 Thru PortFS1R MIDI 4MIDI FS1R FSEQ(79 )(81 )
YAMAHA XGworks V2.0
TO HOST
|
MIDI |
IN OUT
L
MU128 OUT
IN
FS1R
■ 3
FS1R MIDI MIDI(DX7 ) DX74 FS1R YAMAHA DX FS1RFS1R (96 )
|
MIDI |
MIDI |
IN OUT
IN
FS1R
DX7
L |
R |
OUT |
AC100V
FS1R
11
FS1RFS1R VOLUME ( ) ( )
! "
FS1R FS1R
(PLAY LED )
( )
FS1R VOLUMEMIDI FS1R MIDILCD
MIDI
nPLAY ( )
MIDI
?
MIDI ( EXIT)
•(FS1R PLAY )
FS1R (FS1R)
•MIDIFS1RMIDI FS1R LCDMIDIMIDI MIDI
FS1R(MIDI MIDI) MIDI(20 )
12
FS1R FM FS( )15 FS1R
!UTIL (UTIL LED)
"CURSOR 
/ 
( ) DEMO
ENTER
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A |
B |
A
B
#ENTER [ENTER] to startENTER 1 15
$EXIT n EXIT
n[ENTER] to start VALUE 
/
ENTER15 1
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C |
D |
A |
B |
%EXIT (PLAY LED)
FS1R MIDI
FS1R ( ) ()
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FS1R
FS1R 41 4
13
1 4 1 4( ) FS1R FS1R FS1R
FS1R FS1R (PLAY LED )( )
1 |
2 |
3 |
5 |
6
4
78 9 ) ! @ # $ % ^
1(I A C A C)(001 128)
2 ( 
)
3
4 (Int PrA PrC A C)
5 (001 128)
6 MIDI MIDI MIDI
7 PART "ALL"( )
8 MIDI (PART "ALL" )
9 BANK/PGM#
) VOL (Pfm Vol)
! FLT ( )
@ PAN (Pfm Pan)
# REV REVERB(Rev Rtn)
$ VAR VARIATION(Var Rtn)
% INS ( )
^ KEY (PfmNSft)
n1 3 6 7 1 4 3 58 ^ 8 21
( 
)
EDIT PERFORMLCD
編集した場合のエディットマーク
編集した場合のエディットマーク
n(16 )
MIDIF S 1 R K N O B SELECT LED KNOB1 4 ( ) KNOB1 4
ている状態と違うことを示すもので、これを消すには次の2( ?)
●
14
アに考えないことが肝要です。大らかに行きましょう
●
たから保存しておきたいな」というあなたは、STORE(38 ) FS1RFS1R ( ) MIDI (YAMAHA MDF3 ) () (93 ) FS1R( )
n しょう(40 )
存操作(38 )(94 )
FS1R ( )4 ( KNOB1 4)4 3
LED
( ) KNOB SELECT LED LCD"KNOB:Sound Ctrl" KNOB1 4
LED
KNOB1 4
LED KNOB1 4ATTACK( ) RELEASE( ) FORMANT FM( )KNOB1 4
nFORMANT FM (65 )KNOB3 4ATTACK RELEASE( )
CURSOR 
/ 
( ) VALUE 
/
LED
KNOB SELECT LEDLCD "KNOB:Sound Ctrl"
KNOB1 4
! |
" |
FS1R
nMIDI FS1R (26 )
KNOB1 4 KN1 KN4
LED
15
LEDKNOB1 4 ( )
nKNOB1 4 LCD (14 )
MIDI
FS1R CC# ATTACK RELEASE FORMANT FM
MIDI
(*2) VC1 VC8VC (off) VC
nLED KNOB1 4
( )( ) (89 ) ■
FS1R
VC1 VC2 VC3 VC4 VC5 VC6 VC7 VC8
Part 1
Part 2
Part 3
Part 4
Part1 4 VC
VC
n76
KNOB1 4 MIDI(*1)
•KNOB 1 4(KN1 KN4) CC#16 19
•MIDI 1 4(MC1 MC4) CC#20 22, 13
•(FC) CC#4
•(BC) CC#2
•(MW) CC#1
•(CAT)
•(PAT)
•(PB)
(*1) 1 8(VC1 VC8 Voice Control 1 8) (*2) KNOB14 MIDI
n(CC#7) (CC#10)(91
(*1) MIDI CC#() ( CC#) FS1R MIDI FS1R
KNOB SELECT LEDPART 
/ 
( ) ( )(CURSOR 
/ 
VALUE 
/
)
1 |
2 3 |
4 |
6 |
7
5
89 ) ! @ # $ % ^ &
1 (I A C A C)(001 128)
2 ( )
3 ( )
4
5 (off Int PrA PrK
A K)
6 (001 128)
7 MIDI MIDI MIDI
8 PART 01 04()
9 MIDI (Rcv Ch)
) BANK/PGM#
! VOL (Volume)
@ FLT (Filter)
# PAN (Pan)
$ REV REVERB (RevSend)
% VAR VARIATION (Var Send)
^ I N S I N S E R T I O N on/off(InsEfSw)
& KEY (NoteSft)
n1 4 7 8 4 5 6 9
& 2314
n^ on ( ) $ % INSERTION
(REVERB VARIATION)INSERTION REVERB VARIATION(84 )
n() EXIT
16
LED
KNOB SELECTLED LCD"KNOB:4Part Edit" 4(4 )
4
LED
1 |
2 3 |
4 |
5
6
78 9 ) ! @ # $ % ^
1 (I A C A C)(001 128)
2 ( )
3 ( 1 4)
4
5 (
1 4)
6 MIDI MIDI MIDI
7 PART 01 04()
8 MIDI (Rcv Ch)
9 BANK/PGM#
) VOL (Volume)
! FLT (Filter)
@ PAN (Pan)
# REV REVERB (RevSend) $ VAR VARIATION (Var Send)
% INS INSERTION on/off(InsEfSw)
^ KEY (NoteSft)
n% on ( ) # $ INSERTION
(REVERB VARIATION)INSERTION REVERB VARIATION(84 )
nKNOB1 4 2314
4 KNOB1 41 4 CURSOR 
/ 
nKNOB1 4 ENTER KNOB1 4
4 LCD ()
•PART 
/
→345 7 ^
•CURSOR 
/ 
→4 5
•VALUE 
/
→5 8 ^
•MUTE/SOLO →3
)
MUTE/SOLO 2
■4
4 KNOB SELECT LEDLCD "KNOB:Sound Ctrl" KNOB1 4 ATTACK FM ( LED ) KN1 KN4(
LED )
LED ATTACK FM
LED KN1 KN4
n4 () EXIT23
nKNOB S E L E C T L E D L C D
"KNOB:Param Edit" KNOB1 4(35 )
17
KNOB1 4 ( )
•LED ATTACK FM
•LED KN1 KN4
(VC1 VC8)
•LED 4 (4 )
4( ) LEDKNOB SELECT "KNOB:NoFunction"
KNOB1 4
KNOB SELECT LED
4 ( )
PART ALL (PART 01 04)
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EXIT |
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CURSOR |
CURSOR |
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( ) |
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REVERB |
REVERB |
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VARIATION |
VARIATION |
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( ) |
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INSERTION |
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( )CURSOR 
/ 
PART 
/
CURSOR 
/ 
EXIT 2 (1)(20 )
n( )
PART 
/ 
18
(PARTALL) (PART 01 04)
で、パフォーマンスやボイスごとに設定しておけます(83 66 )FS1RSEARCH
ォーマンスの名前
カテゴリー
ボイスの名前
n(PART=All ) (PART=01 04 ) SEARCH
! KNOB1 ()
" KNOB2 20
(Ctgry)
# KNOB3
$KNOB4 ! # () (KNOB4 )
バンクを選びなおしてからKNOB4
nKNOB SELECT LED
KNOB1 4 CURSOR 
/ 
VALUE 
/
ENTER
KNOB4 ENTER"Not Found!"
19
Pf |
(Piano) |
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Cp (Chromatic Percussion) |
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Or |
(Organ) |
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Gt |
(Guitar) |
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Ba |
(Bass) |
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St |
(Strings) |
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En |
(Ensemble) |
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Br |
(Brass) |
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Rd |
(Reed) |
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Pi |
(Pipe) |
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Ld (Synth Lead) |
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Pd |
(Synth Pad) |
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Fx (Synth Sound Effect) |
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Et |
(Ethnic) |
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Pc |
(Percussive) |
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Se |
(Sound Effect) |
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Dr |
(Drums) |
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Sc (Synth Comping) |
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Vo |
(Voice) |
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Co |
(Combination) |
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Wv (Material Wave) |
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Sq |
(Sequence) |
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FS1R MIDI () 4 MIDI ( )
MIDI( )1 16all(OMNI ON)off (22 )
MIDIMIDI1 16off pf(23 )
(UTIL- SYSTEM-MIDI-PgmMode) FS1R
(perform) (multi) FS1R
■FS1R
(13 ) FS1R 44 ( ) ( ) 4
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MIDI |
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1 |
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2
3
4
1 4 4
•4 (*3)
•(*4)
•3 (*5) 2 2
•2 2
ことはご存知でしょう。ここで言うパートの受信チャンネルはFS1R12
(*3) 11 (4 4 2 2 )
(*4) GM XG1 2 ( 1 1 2 2 )3 4 ( 3 4 1 2)
20
(*5) 1 2 2
■
(UTIL-SYSTEM-MIDI-PgmMode) performoff (all 1 16) FS1R (off )
•()
■
(UTIL-SYSTEM-MIDI-PgmMode) multioff (all 1 16) FS1R
•()
•( )
•( ) GM XG
ピッチベンド、コントロールチェンジ()1 16 (off ) YAMAHA WX5 MIDI MIDIFS1R 1 1all pf (pf) MIDI
WX5
1
2
3
4 
PgmMode=perform
1 16 (off) MIDI MIDI MIDI
nmulti off
ンスを切り換えたりする動作はMIDI pf(off )
お使いのMIDI perform (90 )
(MIDI )
•
nperfom off
ボリューム変化や、パフォーマンスを切り換えたりする動作はMIDIpf(off)
h YAMAHA WX5 1 MIDIYAMAHA G50(Rev Ch Rcv Max)( )1 2
•/ (15 )
•REVERB
•VARIATION
•( )
21
! ( )
"CURSOR 
/ 
n
CURSOR 
CURSOR 
#VALUE 
/
$(42 )
n FS1R
% EXIT
■
詳しくは「パフォーマンスチャンネルとパートチャンネル」(20)
□ off 1 16 all
■/ (15 )
マンスを切り換えたときに、FS1R VOLUME(25 ) EQUALIZER(86 )
□ 0 127
nPgmMode=perform (CC#7)
■
( ) (25 )( PHONES
OUTPUT INDIVIDUAL OUTPUT )
□ L63 C R63( )
nPgmMode=perform (CC#10)
■REVERB
R E V E R B ( 2 5 ) REVERB
□ 0 127
■VARIATION
VARIATION (25 ) VARIATION
□ 0 127
22
■ ( )
(26 )
□ -24 +24(-2 +2 )
n4 4 (15 )
$ (42 )
%/ EXITEXIT
(MIDI ) PART( )
•/
•REVERB
•VARIATION
•INSERTION
•( )
!( ) PART 
/
"CURSOR 
/ 
nCURSOR
CURSOR 
#PART 
/ 
VALUE 
/
■
チャンネルとパートチャンネル」(20 )
□ 1 2 Rcv Ch Rcv Max=of(off) 1 16 pf3 4 Rcv Ch=of(off) 1 16 pf( )
4 MIDI ( )
•1 2 ( 3 4 1 )
•1 2 pfm( )
•1 4
•1 4 1 16 pf(off )
1 16 416 1 4 ( 12 3 41 ) 1 16MIDI (off)
23
6 ! |
5 ! |
1 |
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6 |
1 |
16 |
14 |
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4 |
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3 |
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3 |
4=off |
||
1 6 14 16
1 16 1 16(off)1 2 163 4 (off)3 4 11 2 14 () 1414 () 1 2 pf
!CURSOR 
n4 4(15 ) 4EXIT
"PART 
/ 
VALUE 
/
(Rcv Ch)
noff VALUE 
(1→16→pf)off ENTER
#3 4
1 2 CURSOR 
1(Rcv Max) "
1 2 LCD MIDI "M"
M
$1 2 pf(Rcv Max) "**"
ネルということになります。
ャンネルまでのoff (15 16 1 2)
n1 2 (Rcv Ch) of(off) pf(pfm) (Rcv Max)
nRcv MaxYAMAHA G50( CRcv Max=1 6 ) Rcv Max
24
■ / (16 )
n(58 ) FSEQ(79
)
■
量レベルはパフォーマンスのボリューム(22 )
□ 0 127
n(PgmMode=multi)(CC#7) Volume (78 )
■
( )PART-OTHERS Pan(22 ) (Cnt)PHONES OUTPUT INDIVIDUAL OUTPUT
■VARIATION
VARIATIONINSERTION (InsEfSw) (off)(on) "***"
□ 0 127
n84
nPgmMode (CC#93)Var Send (78 )
■INSERTION
INSERTION(on) INSERTIONREVERB VARIATION
□ off on
n 84
■
□ rdm L63 C R63( )
REVERB VARIATION
n (PgmMode=multi)
(CC#10) Pan
INSERTION
(78 ) INSERTION
■REVERB
REVERB
INSERTION (InsEfSw) (off)(on) "***"
□ 0 127
n84
nPgmMode (CC#91)Rev Send (78 )
□ 0 127
n 84
■
ターはエディットモードのEDIT PERFORM-PART-Tone Filter Freq EDIT PERFORM-PART-ToneFilter Sw (on) (off) "***"
25
□ -64 +63
nPgmMode (CC#74)Flt Freq (78 )
■ ( )
パラメーターはエディットモードのEDIT PERFORM-PART-Pitch
Note Shift
□ -24 +24(-2 +2 )
n RPN(Registered Parameter Number)
nEXIT 1 MIDI
MIDI MIDICURSOR 
/ 
VALUE 
/
PART 
/
4 (17 ) MIDI
ENTER 2
MIDI MIDIFS1RMIDI
nFS1R MIDI
FS1R MIDI
MIDI
FS1R MIDI LCDMIDI MIDIENTER 2
ENTER 2
MIDI
MIDI
10
16 ( MIDI )
FS1R (Pfm Ch) (
1 2 Rcv Ch Rcv Max 3 4 Rcv Ch)(20 )(UTIL-SYSTEM-MIDI-PgmMode)FS1R MIDI
■
performoff MIDI ()
■
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(perform multi)off( ) (1 16) MIDI ()
noff perform
MIDI() multi (pfm )
CC 00 63 32 vv (vv=0 12) |
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Int Bn 00 3F 20 00
PrA Bn 00 3F 20 01
PrB Bn 00 3F 20 02
PrC Bn 00 3F 20 03
PrD Bn 00 3F 20 04
PrE |
Bn 00 3F 20 05 |
Cn vv (vv=0 127=00 7F) |
PrF Bn 00 3F 20 06
PrG Bn 00 3F 20 07
PrH Bn 00 3F 20 08
PrI Bn 00 3F 20 09
PrJ Bn 00 3F 20 0A
PrK Bn 00 3F 20 0B
16
■
況に合わせて臨機応変に行なうには、プログラムモードをmulti1 16 (off all ) 1 16(off pfm ) MIDI MIDI
n のチャンネルメッセージ( 1 16 MIDI)off
nBn Cn n (0 F 1 16) 16 ( 1 2 Rcv Ch Rcv Max 3 4 Rcv Ch off pfm)(1 16)
noffFS1R (90 )FS1R
■
ェンジを送る前にコントロールチェンジ(CC)
MSB(CC#0) LSB(CC#32) FS1R ( )( )
パフォーマンスおよびボイスのバンクをMIDIMSB(CC#0)
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CC 00 63 32 |
vv (vv=64 67) |
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Int |
Bn 00 |
3F |
20 |
40 |
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PrA |
Bn 00 |
3F |
20 |
41 |
Cn vv (vv=0 127=00 7F) |
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PrB |
Bn 00 |
3F |
20 |
42 |
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PrC |
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3F |
20 |
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nBn Cn n (0 F 1 16)(Pfm Ch) 16(1 16 all 116 off )
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FS1R? EDIT? FS1R
FS
FS1R FS()
■
()
80Hz
( )
160Hz |
1 |
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対して1 1
80Hz
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( ) ()
楽音で、音程変化がない( )FS1R () ( ) ( )FS
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■FS
FS FM FSFMFM FSFSFMFM
―― ( )4
VOICED UNVOICED
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VOICED UNVOICED 1 VOICED UNVOICED VOICEDUNVOICEDYAMAHA SY99 EX5(AWM FM )FS VOICEDUNVOICED
Hz
( )FS1R FS1R VOICED (VOICED )
( EG )
Hz
( )
( )
EG Freq EG( EG)(Freq Coarse/Fine) Freq EG ( )
いくつか重要な点があります。それは、FS 1() 1 1( ) ?FS1R ( ) FS( )1
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( EG ) |
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VOICED UNVOICED |
(UNVOICED ) |
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600Hz |
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