Yamaha CX5M II-128 User Manual

-

- -

-

THE OFFICIAL PUBLICATION

-

OF

THE YAMAHA USERS

-

- -

-

--

-

GROUP

-

~

-

TM

APRIL

1987

C)

)

YAMAHA®

Editor Tom Darter

Operations Sibyl Darter

Editorial

Bob Frye Bill Hinely Mark Koenig Jim Smerdel

Cover Jim Hagopian

Board

Photograph

- -

-

April1987

4

SONG

-

BELLS

A

new

DX7 voice created

5 STEELPANS

A

new

DX7 voice created

-

---

by

Bruno

by

Edward Ritch.

-

--

- -

-

Volume 3, Number 4

Choiniere.

Issue

-

#19

AFTERTOUCH

lished monthly. Third class

postage paid at Long

Prairie, MN and additional points of entry. SUBSCRIPTIONS:

Address subscription

respondence to AFTERTOUCH,

Northridge,

2338.

POSTMASTER:

Send form 3579

Box 2 3 38,

9132

3~

2 3

2 AFTERTOUCH!Vol. 3 No. 4

is

pub-

cor-

P.O.

Box

2338,

CA

91323-

to

P.O.

Northridge • CA

38.

Free.

re

clct.:tnmtuJI!y, mcchanJcally,

6

SHIMMER

A

new

DX7 voice created

7 MRMOOGFC

A

new

DX7 voice created

8 BassnDyno

A

new

TX81Z

Huisman.

10

12

16

17 18

I9R7 Y,Jmaha

CX5M 11/128

An

introduction

Darter.

RX5

A

drummer

rhythm

perspectives.

programmer,

MoloElPnos

A

new

TX81 Z Performance setup created by

Big

Wash

A

new

TX81Z

BigS

lmernanonal

lap

A

Corporation.

rh•>ttlCtlpymg,

new

TX81Z Performance setup created

No

p,Jrt of

th1~

rccmJJng,

tlr tlthcrv.tst',

puhltccltlon

by

Paul Huang.

by

Bob Lewin.

Performance setup created by Michael

to Yamaha's new music computer.

looks

at

the

musical capabilities

and

offers some new applications

By

Gardy Weber.

Performance setup created

may

he

wtthtmt

reproJuccJ,

rhe

prttlr

stored

111

wnnen

pcrm1s.~Hm

,1

rl'meva!

~y.~tem,

uf

Y,nnah,l lnternatllm,ll Corptlf<ltltltl.

of

Scott

by

Scott

by

Scott

m tran::.m1w:J 1n

By

the

RX5 digital

Plunkett.

,m\

torm

A.

Tom

and

tH

hy

anv

meam,

From

T

OTS

OF

IMPORTANT .Lto to it.

product literature must go directly to Yamaha

[Yamaha Music 6600, AfterTouch are happy to receive specific ques-

tions concerning

music products,

them

ever, requests for general product information

must be sent directty to Yamaha.

1987 issue printed confusing Frequency TX81Z voice patches. were "MaleYoices" voice [AfterTouch, March 1987, page 17]: operators "0" owners know, possible.

explain should have. prototype voicing) program for type version both Fine settings-rather, range 64 parameter

pass

on

this

month,

Product

Last

Well,

possible values for

Literature:

Corporation

Buena

as

we

Month's

the

and

"28"

the

Frequency Coarse (ratio)

(ratio)

of

values for

Park,

the

use

and

we

can

in

the

TX81Z

of

AfterTouch,

Frequency

#3

respectively-and,

both

of

real

problem

TX81Z

The

of a new

(from 0.

data

charts

CAY

the

we

used,

do

not

they represent a value

both

50

The

INFORMATION

so let's get right

All requests for specific

USA,

P.O. Box

CA

90622].

of

Yamaha professional

will answer

Questions column; how-

Voices:

we

data

The

biggest giveaways

Coarse

represent

settings

and

#4

these settings are im-

is

that

charts as well

were created using

(computer-assisted

TX81Z.

the

numbers listed for

and

parameters.

the

Frequency

to

25.95

We

as

many

In

the

March

inadvertently

in

both

of

in

were listed

as

all TX81Z

we

didn't

as

In

the proto-

Frequency

the

actual

within

There

Coarse

if

Frequency

at

of

the

as

we

the

are

Editor

Fine

is

at

its lowest setting),

CAY program simply

There

63. Fine settings associated quency Coarse settings, numbered these from quency settings for

MaleYoices

Op Op Op Op

Tpt&Woodwd

Op Op Op Op

To get these Frequency settings, simply start from quency Fine settings, button numbers

Our patch actual Frequency settings numbers.

AfterTouch/Yamaha

again,

a

ers Your

The

are

#1-1.50 #2-1.49 #3-0.

75

#4-9.06

#1-1.50 #2-1.50 #3-1.49 #4-1.49

the

lowest

the

number

in

the

apologies for

charts

in

we

want

who

participated

response was astounding.

Grand

numbered

either

8 or 16 possible Frequency

the

(ratio) (ratio) (ratio) (ratio)

Frequency

of

charts.

the

this

month's

to

thank

in

Prize

winner

and

the

these from 0 to

with

the

various Fre-

and

the

CAY

0

to

15.

The

two voices are as follows:

Coarse

and

press

the + 1/INC

times indicated

confusion.

issue show

and

Reader

the

our

first Reader Survey.

is

The

the

value range

Survey:

thousands

After

Touch reader

Continued on

prototype

program

actual Fre-

and

Fre-

by

the

TX81Z

both

the

Once

of

read-

page

AFTER,

TOUCH monthly informational publication from Yamaha

20

is

a

Receive

Y

attached you

and ing list, absolutely

nent

AfterTouch

OU

CAN

asking. If you are

postcard. Be sure

really

want

After

you

mail it to us.

and

no

the

(By

way,

mailing list, so you

Also,

don't want to read, to your input.

Free Every

RECEIVE

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There

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To receive

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Vol.

3 No.

4/

AFfERTOUCH 3

every

abso,

on

~~~~~

~~~~~~=:~

-----

SONG

BELLS.

A

NewDX7

Voice

By

Bruno Choiniere.

~

TR1

WAVE

CONTROLLER

MOOWHEB.

FOOTCONTRC1

BREATH

AFTERT~

35 0

CONTROL

RANGE

0 0 0 0

0

PITCH

OFF OFF OFF OFF

0 ON 0

NolO

SYNC

AMPLITUDE

EGBIAS

OFF OFF OFF OFF OFF OFF OFF OFF

PMS

~

KEY

TRANSPOSE

~

OSC.SYNC

These

voices

DX7

can

also be loaded into all the other Yamaha 6,oper, ator

FM

digital synthesizers and tone generators, including the

DXS,

TX7,

TX216, TX816,

TFl, DXl, DX7

II

4 AITERTOUCH/Vol. 3 No. 4

and

FD/D.

FREQUENCY

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7

STEEL PANS. ANewDX7

Voice ward

0

Notes:

Use point creations.

editing

I

patch.

Play dynamics-hit you loudness

By

Ritch.

this

patch

as a starting

for

your

own

It

was

the

factory

this

voice

with

it

would a real

and

brightness.

Ed

steel

created

timpani

vibrant

hard,

pan,

just

for

..

drum

by

as

ALGORITHM #16

Vol.

3 No.

4/

AFTERTOUCH 5

- -

-=-

-

~

SHIMMER. ANewDX7

Voice By

Paul

Huang.

-

-=-

7

0

js~~~P\

SPEED

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MOD

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0 0

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GLISSANDO

POATAMENTO

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6 AFTERTOUCH!Vol. 3 No. 4