Yamaha MODX6+, 7+, 8+ Reference Manual

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Page 1

MUSIC SYNTHESIZER

Contents

Reference Manual

Using the MODX+ Manuals........................................2

Basic Structure 3

Functional Blocks ......................................................3

Tone Generator Block................................................4

Tone Generator block ...................................................... 4

A/D Input Block ........................................................10

Sequencer Block ......................................................10

Arpeggio Block.........................................................11

Arpeggio categories....................................................... 11

Sub categories............................................................... 11

Arpeggio Type Name.....................................................12

Arpeggio-related settings............................................... 13

Arpeggio playback types................................................ 14

Creating an Arpeggio..................................................... 16

Motion Sequencer Block .........................................17

Effect Block ..............................................................19

Effect structure............................................................... 19

Effect connection ........................................................... 20

About the Vocoder Effect............................................... 20

Envelope Follower Block.........................................21

Controller Block .......................................................22

Keyboard ....................................................................... 22

Pitch Bend wheel ...........................................................22

Modulation wheel...........................................................22

Assignable Switches...................................................... 22

Knobs and Control Sliders ............................................. 22

Super Knob.................................................................... 22

Internal Memory .......................................................23

Reference 25

Display (touch panel) configuration .......................25

Performance Play (Home) .......................................27

Motion Control..........................................................34

Mixing ....................................................................... 51

Scene........................................................................ 56

Play/Rec ................................................................... 62

Smart Morph ............................................................ 94

DAW Remote function .......................................... 101

Setting up the DAW Remote function ..........................101

Controlling DAW Software from MODX+ .....................102

Normal Part (AWM2) Edit...................................... 104

Element Common Edit (Common) ...............................104

Element Edit (Element) ................................................145

Element All (All Element) .............................................169

Drum Part Edit ....................................................... 172

Key Common Edit (Common) ......................................172

Key Edit (Key) ..............................................................179

Normal Part (FM-X) Edit ........................................ 184

Operator Common Edit (Common) ..............................184

Operator Edit (Operator) ..............................................194

Common/Audio Edit (Common/Audio)................ 198

Category Search.................................................... 215

Performance Category Search.....................................215

Arpeggio Category Search (Arp Category Search) ......219

Waveform Category Search (Waveform Search).........221

Rhythm Pattern ............................................................223

Utility ...................................................................... 226

Live Set................................................................... 255

Live Set ........................................................................255

Live Set Edit (Edit) .......................................................256

Live Set Register (Register).........................................260

Connecting an iPhone or iPad ............................. 261

Connecting External MIDI Instruments ............... 261

Controlling the MODX+ from an external MIDI keyboard or

synthesizer ...................................................................261

Controlling an external MIDI keyboard or synthesizer from

the MODX+ ..................................................................262

Treating an external MIDI keyboard like a built-in keyboard

with USB cable connection ..........................................262

Page 2

Using the MODX+ Manuals

Edit Search Utility Live SetPerformance

Normal Part (AWM2) Drum Part Normal Part (FM-X) Common/Audio

Select the display name tab Select the function

Your MODX6+/MODX7+/MODX8+ synthesizer comes with four different reference guides—the Owner’s Manual, the Reference Manual (this document), the Synthesizer Parameter Manual, and the Data List. While the Owner’s Manual is packaged together with the synthesizer as a hardcopy booklet, this Reference Manual, the Synthesizer Parameter Manual, and the Data List are available for download from our web page as PDF documents.

Owner’s Manual (hardcopy booklet)

Describes how to set up your MODX6+/MODX7+/MODX8+ and how to perform basic operations.

• This manual explains the following operations.

• Selecting Performances

• Playing the Keyboard

• Creating Your Own Live Sets

• Editing the Settings

• Recording and Playback

• Using as a Master Keyboard

• Connecting a Microphone or Audio Equipment

• Making Global System Settings

• Connecting External MIDI Instruments

• Using a Connected Computer

• Saving/Loading Data

Reference Manual (this PDF document)

Describes the internal design of your MODX+ and the various parameters that can be adjusted and set.

Synthesizer Parameter Manual (PDF document)

Explains the Part parameters, effect types, effect parameters, and MIDI messages that are used for synthesizers incorporating the Yamaha AWM2 and FM-X tone generators. Read the Owner’s Manual and Reference Manual first and then use this parameter manual, if necessary, to learn more about parameters and terms that relate to Yamaha synthesizers.

Data List (PDF document)

Provides lists such as the Waveform List, Performance List, Effect Type List, Arpeggio Type List, as well as reference materials such as the MIDI Implementation Chart.

Using the Reference Manual

• Using the display name tabs along the upper part of each page from the Reference section, you can jump to the page for parameter explanations of the corresponding display.

• You can click on any page number from the Table of Contents or within descriptive text to jump to the corresponding page.

• You can also click on desired items and topics you want to refer to in the “Bookmarks” index to the left of the main window, and jump to the corresponding page. (Click the “Bookmarks” tab to open the index if it is not displayed.)

• If you want to find information on a specific topic, function or feature, select “Find” or “Search” from the Adobe Reader “Edit” menu and enter a key word to locate the related information anywhere in the document.

NOTE The most-recent version of Adobe® Reader® can be downloaded from the

following web page.

http://www.adobe.com/products/reader/

NOTE The names and positions of menu items may vary according to the version

of Adobe Reader being used.

Information

• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.

• All other trademarks are the property of their respective holders.

• iPhone, iPad, and Lightning are trademarks of Apple Inc., registered in the U.S. and other countries.

Reference

Normal Part (AWM2) Edit

A Normal Part (AWM2) (having pitched musical instrument sounds) can consist of up to eight Elements. An Element is the basic, smallest unit for a Part. There are two types of Normal Part (AWM2) Edit displays: Element Common Edit display, for editing settings common to all eight Elements; and Element Edit display, for editing individual Elements.

Element Common Edit (Common)

Part Settings

General

From the General display you can set various parameters such as Part Name, Volume, and Pan.

[PERFORMANCE (HOME)] Æ [EDIT] Æ Part selection Æ Element [Common] Æ [PartSettings] Æ

Operation

[General]

Part Category Main (Part Main Category) Part Category Sub (Part Sub Category)

Determines the Main category and the Sub category for the selected Part.

Settings:See the Data List PDF document.

Part Name

Determines the Part name of the selected Part. Part names can contain up to 20 characters. Touching the parameter calls up the input character display.

Volume (Part Volume)

Determines the output level of the selected Part.

Settings:0–127

Pan

Determines the stereo pan position of the selected Part.

Settings:L63–C–R6 3

MODX+ Reference Manual

Normal Part (AWM2) Edit

Common

Part Settings

General

Pitch

Zone Settings

Zone Transmit

Effect

Routing

Ins A

Ins B

Ins Assign

Arpeggio

Common

Individual

Advanced

Motion Seq

Common

Lane

Mod / Control

Part LFO

Control Assign

Receive SW

Element

Osc / Tune

Pitch EG

Filter

Type

Filter EG

Scale

Amplitude

Level / Pan

Amp EG

Scale

Element LFO

Element EQ

All Element

Osc

Balance

Copy or Exchange Elements

104

MODX+ Reference Manual

Page 3

Basic Structure

Controller Block (

page 22

)

Keyboard

Controllers

(such as Super Knob)

Tone Generator (page 4)

AWM2 Tone Generator

FM-X Tone Generator

16 Par ts

Performances

Sequencer Block

(page 10)

16-Track

MIDI Sequencer

Songs

Effects (page 19)

System Effects

13 Insertion Effects

Element EQ

Part EQ

Master Effect

Master EQ

A/D Input (page 10)

Motion Sequencer Block

(page 17)

Envelope

Follower Block

(page 21)

Arpeggio Block

(page 11)

Arpeggio Playback x 8

Preset Arpeggio

User Arpeggio

Computer

External MIDI equipment

Computer Computer Powered

speakers, etc.

Control Message Flow

Audio Signal Flow

Microphone,

audio equipment,

etc.

Functional Blocks

The MODX6+/MODX7+/MODX8+ system consists of eight main functional blocks: Tone Generator, A/D Input, Sequencer, Motion Sequencer, Arpeggio, Controller, Effect, and Envelope Follower.

[USB TO HOST]

MIDI [OUT]

MIDI IN AUDIO IN AUDIO OUTMIDI OUT

[USB TO HOST]

MIDI [IN]

[USB TO HOST]

A/D INPUT [L/MONO]/[R]

[USB TO HOST]

OUTPUT [L/MONO]/[R]

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

AWM2 (Advanced Wave Memory 2)

This instrument is equipped with an AWM2 tone generator block. AWM2 (Advanced Wave Memory 2) is a synthesis system based on sampled waves (sound material), and is used in many Yamaha synthesizers. For extra realism, each AWM2 Voice uses multiple samples of a real instrument’s waveform. Furthermore, a wide variety of parameters—envelope generator, filter, modulation, and others—can be applied.

MODX+ Reference Manual

Page 4

FM-X

This synthesizer also features an FM-X tone generator, in addition to the AWM2 block. The abbreviation “FM” of FM-X stands for “frequency modulation,” which is a special tone generation system that uses the frequency of one waveform to modulate another waveform, in order to produce a completely new one. In this synthesizer, there are eight FM Operators and a full 88 different Algorithm types. By changing the operator combination patterns, controlling the modulation with other parameters such as levels and envelopes, and using high-quality filters, effects, and EQ commonly with AWM2, you can create richly textured sounds that change in a highly complex fashion.

Tone Generator Block

The tone generator block is what actually produces sound in response to the MIDI messages received from the Sequencer block, Controller block, Arpeggio block and from the external MIDI instrument. The MIDI messages are assigned to sixteen independent channels, and the instrument is capable of simultaneously playing sixteen separate Parts, via the sixteen MIDI channels. However, the sixteenchannel limit can be overcome by using separate MIDI “ports,” each supporting sixteen channels. The tone generator block of this instrument can handle MIDI messages over Port 1.

Tone Generator block

Performances

A Performance is a single set of sounds consisting of multiple Parts. You can change sounds as desired by selecting the appropriate Performance. Each Performance has two types of parameters; parameters unique to each Part and parameters common to all Parts. You can edit the entire Performance in the Common/Audio Edit display (page 198).

Part structure of a Performance

A Performance consists of 16 Parts and you can create Performances (in which multiple Parts or Parts are combined—in a layer, or in other configurations) using the keyboard.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

Parts

Internally, there are three Part types: Normal Parts (AWM2), Normal Parts (FM-X), and Drum Parts. Normal Parts (AWM2) are mainly pitched musical instrument type sounds that can be played over the full range of the keyboard. Normal Parts (FM-X) are also mainly pitched musical instrument type sounds, using FM synthesis. Drum Parts are mainly percussion/drum sounds that are assigned to individual notes. A Normal Part (AWM2) can consist of up to eight Elements, a Normal Part (FM-X) can consist of up to eight Operators, and a Drum Part can consist of up to 73 Drum Keys. An Element/Operator/Drum Key is the basic, smallest unit for a Part. By combining multiple Elements/ Operators/Keys, Parts can be created to produce even more realistic sounds or various richly textured types of sound. Each Part is created by editing parameters unique to each (Element Edit parameters/ Operator Edit parameters/Key Edit parameters) and parameters common to all the Elements/Operators/ Keys (Element Common Edit, Operator Common Edit, and Key Common Edit parameters.)

NOTE For instructions on editing a Normal Part (AWM2), see page 104. For instructions on editing a Normal Part (FM-

X), see page 184. For instructions on editing a Drum Part, see page 172.

MODX+ Reference Manual

Page 5

Normal Parts (AWM2), Normal Parts (FM-X), and Drum Parts

Vel oc it y

Element 1

Element 2

Element 3

Element 4

Element 5

Element 6

Modulator OP

Frequency ratio of the Modulator and the Carrier determines the base waveform including specific harmonics by the Oscillator.

Modulator output level determines the Cutoff Frequency of the Filter.

Carrier OP

Modulation

Modulator envelope determines the Filter envelope.

Carrier frequency determines the pitch of the Oscillator.

Carrier output level determines the volume by using the amplifier.

Carrier envelope determines the amplifier envelope.

Individual drum sounds (different for each key)

Normal Parts (AWM2)

These Parts are played conventionally from the keyboard, with standard pitches sounding for each key, generated by AWM2. A Normal Part consists of up to eight Elements. Depending on the settings in the Part Edit, these Elements are sounded simultaneously, or different Elements are sounded according to the note range, velocity range and the XA (Expanded Articulation) settings (page 6). The illustration shows an example of a Normal Part (AWM2). Since the six Elements here are distributed across both the note range of the keyboard and the velocity range, a different Element sounds depending on which note you play and how strongly you play it. In the velocity distribution, Elements 1, 3 and 5 sound when playing the keyboard softly, while Elements 2, 4 and 6 sound when playing it strongly. In the note distribution, Elements 1 and 2 sound in the lower range of the keyboard, Elements 3 and 4 sound in the middle range, and Elements 5 and 6 sound in the higher range. In the velocity distribution, Elements 1, 3 and 5 sound when playing the keyboard softly, while Elements 2, 4 and 6 sound when playing it strongly. In a practical example of this in use, a piano Part could be composed of six different samples. Elements 1, 3 and 5 would be the sounds of the piano played softly, over the respective note ranges, while Elements 2, 4 and 6 would be strongly played sounds, for each respective note range. Actually, this instrument is even more flexible than this, since it allows up to eight independent Elements.

Normal Parts (FM-X)

These Parts are also played conventionally from the keyboard, with standard pitches sounding for each key, generated by FM synthesis. The sound for a Normal Part (FM-X) is created by modulating a frequency of a fundamental waveform with another waveform. An operator that generates a fundamental waveform is a “carrier,” and an operator that modulates these waveforms is a “modulator.” The combination of a number of Operators is called “Algorithm.” When the waveform output from the Operator is a simple sine wave, no harmonics are included other than the fundamental tone. However, you can create harmonics by modulating the waveform with other Operators. How harmonics can be created depends on the Modulators’ output levels and the frequency rates of Carriers and Modulators. On the other hand, the basic pitch is determined by Carrier’s frequency, and the output level is determined by the Carrier’s output level. The figure described below shows a basic way to create FM sound by using an analog synthesizer.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

Although the figure described above shows waveforms which are generated by two operators, the MODX+ has eight Operators. The combination of a number of Operators is called an “Algorithm” and this synthesizer has parameters for setting the Algorithm.

Drum Parts

Drum Parts are mainly percussion/drum sounds that are assigned to individual notes on the keyboard (C0 to C6). Unlike Elements, a Drum key is equivalent to the corresponding note, meaning that you cannot change its range. Drum or percussion sounds are assigned to each Drum Key. You can create various types of Drum Parts by changing the drum or percussion sound assigned to each key and edit the parameters such as pitch and EG.

MODX+ Reference Manual

C1 C6

Page 6

Expanded Articulation (XA)

Expanded Articulation (XA) is a tone generation system that provides greater performance flexibility and acoustic realism. This feature allows you to more effectively recreate realistic sound and natural performance techniques—such as legato and staccato—and provides other unique modes for random and alternate sound changes as you play.

Realistic legato performance

This instrument more accurately reproduces a legato effect by allowing specific Elements to be sounded when playing legato and other Elements to be played normally (with the XA Control parameter settings “Normal” and “Legato”).

Authentic note release sound

The MODX+ reproduces these special, characteristic sounds by setting the XA Control parameter of certain Elements to “Key Off.”

Subtle sound variations for each note played

The MODX+ more accurately reproduces these subtle sound variations by using the XA Control parameter settings “Cycle” and “Random.”

Switching among different sounds to recreate the natural performance on an acoustic instrument

Acoustic instruments have their own unique characteristics—even specific, unique sounds that are produced only at certain times in a performance. These include the flutter tonguing on a flute or the playing of high harmonics on an acoustic guitar. The MODX+ recreates these by allowing you to switch between the sounds while you play—using the [ASSIGN 1]/[ASSIGN 2] buttons and the XA Control parameter settings, “A.SW1 On,” “A.SW2 On” and “A.SW Off.”

NOTE You can turn the [ASSIGN 1]/[ASSIGN 2] button on or off also by transmitting the Control Change number

specified in the Common/Audio Edit display ([Control]  [Control Number]) (page 206) from an external device.

New sounds and new styles of playing

The highly versatile functions above can be applied effectively not only to acoustic sounds but also to synthesizer and electronic Parts as well. The XA feature opens up enormous potential for realizing authentic sounds, performing expressively and coming up with creative new styles of playing.

Motion Control System

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

The Motion Control System is a completely new feature for variably controlling Motions (rhythmical, multidimensional sound changes) in real time. This amazingly powerful feature dramatically and dynamically alters the sounds of the instrument in new, never-heard-before ways—changing texturally, rhythmically with the beats, providing cool, colorful lighting effects, and responding expressively to your creative passion. The Motion Control System has three main functions:

Super Knob:

For creating multi-dimensional sonic changes, and enhancing those changes with colorful, continually shifting lighting changes. Multiple parameters can be controlled simultaneously.

Motion Sequencer:

For continually variable sound changes. The powerful Motion Sequencer feature lets you dynamically change sounds by operating Parameters depending on sequences created in advance. It provides real time control for changing sounds depending on various sequences such as Tempo, Arpeggio, or the rhythm of external connected devices.

Envelope Follower:

Envelope Follower is a function for detecting the volume envelope of the input signal waveform and modifying sounds dynamically.

NOTE Envelope Follower can be controlled not only by the audio signal from an external device, but also by the output

of all Parts.

MODX+ Reference Manual

Page 7

Motion Control System Structure

• Continuous control of Motion changes

• Switch between Motions

• Trigger, Hold

Control the Motion Sequencer in real time

AUDIO BEAT

• Part 1–16

• A/D Input Part

• Audio Beat Sync

• External MIDI

• Internal Tempo

Envelope Follower Motion Sequencer

Super Knob

Rhythmic change

Automation

Multi-dimensional

sonic change

Tone generator

Effect

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

MODX+ Reference Manual

Page 8

Elements, Drum Keys and Operators

LFO

Low Frequency Oscillator

OSC (Oscillator)

Waveform (AWM2)

PITCH

Controls the pitch of

the sound.

Pitch EG

(Pitch Envelope

Generator)

FILTER

Changes the tonal

quality of the

sound.

AMP

Controls the output level (amplitude) of

the sound.

Filter EG

(Filter Envelope

Generator)

Amplitude EG

(Amplitude Envelope

Generator)

Elements/Drum Keys/Operators are the smallest “building blocks” in the MODX+ that comprise a Part. These small sound units can be built, enhanced and processed by a variety of traditional synthesizer parameters, such as Pitch EG, Filter EG, Amplitude EG, and LFO (shown below).

Oscillator

This unit allows you to assign the waveform (or basic sound material) to each Element/Operator/Key. Oscillator-related parameters can be set as follows.

• For Normal Parts (AWM2) and Drum Parts

[EDIT]  Part selection  Element selection  [Osc/Tune] (page 145, page 179)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator selection  [Form/Freq] (page 194)

Pitch

This unit allows you to control how the pitch changes over time. Pitch-related parameters can be set as follows.

• For Normal Parts (AWM2) and Drum Parts

[EDIT]  Part selection  Element selection  [Osc/Tune] (page 145, page 179)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator [Common]  [Pitch/Filter] (page 187)

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

Parameters related to Pitch EG can be set as follows.

• For Normal Parts (AWM2)

[EDIT]  Part selection  Element selection  [Pitch EG] (page 150)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator [Common]  [Pitch/Filter] (page 187)

Filter

This unit modifies the tone of the sound by cutting the output of a specific frequency portion of the sound. Also, by setting the FEG (Filter Envelope Generator), you can control how the Cutoff Frequency of the Filter changes over time. Parameters related to Filter and Filter EG can be set as follows.

• For Normal Parts (AWM2) and Drum Parts

[EDIT]  Part selection  Element selection  [Filter] (page 152, page 181)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator [Common]  [Pitch/Filter] (page 187)

MODX+ Reference Manual

Page 9

Amplitude

This unit controls the output level (amplitude) of the Element/Drum Key/Operator. Parameters related to Amplitude and Amplitude EG can be set as follows.

• For Normal Parts (AWM2)

[EDIT]  Part selection  Element selection  [Amplitude] (page 160)

• For Drum Parts

[EDIT]  Part selection  Element selection  [Level/Pan] (page 182)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator selection  [Level] (page 196)

LFO (Low Frequency Oscillator)

As its name suggests, the LFO produces a wave of a low frequency. These waves can be used to vary the pitch, filter or amplitude of each Element/Operator to create effects such as vibrato, wah and tremolo. There are two LFO types: Part LFO, which is common to all Elements/ Operators, and Element LFO, which is unique for each Element. Parameters related to Part LFO can be set as follows.

• For Normal Parts (AWM2)

[EDIT]  Part selection  Element [Common]  [Mod/Control]  [Part LFO] (page 134)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator [Common]  [Mod/Control]  [Part LFO] or [2nd LFO] (page 191)

Parameters related to Element LFO can be set as follows.

[EDIT]  Part selection  Element selection  [Element LFO] (page 165)

Maximum Polyphony

Maximum polyphony refers to the highest number of notes that can be sounded simultaneously from the internal tone generator of the instrument. The maximum polyphony of this synthesizer is 128 for AWM2 and 128 for FM-X. When the internal tone generator block receives a number of notes exceeding the maximum polyphony, previously played notes are cut off. Keep in mind that this may be especially noticeable with Parts not having decay. Furthermore, the maximum polyphony applies to the number of Elements/Drum Keys used, not the number of Parts. When Normal Parts (AWM2) that include up to eight Elements are used, the maximum number of simultaneous notes may be less than 128.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

MODX+ Reference Manual

Page 10

A/D Input Block

This block handles the audio signal input from the A/D INPUT [L/MONO]/[R] jacks. Various parameters such as volume, pan, and effect can be set for the audio signal and the sound is output together with other Parts. An Insertion Effect, the System Effects, the Master Effects, and the Master EQ can be applied to the audio signal input via the A/D INPUT [L/MONO]/[R] jacks. Parameters related to the A/D Input block can be set as follows.

[PERFORMANCE (HOME)]  [Mixing] (page 51) [EDIT]  Part [Common]  [Audio In]  [Mixing] (page 200)

The Effect which is applied to the audio signal input from the A/D INPUT [L/MONO]/[R] jacks can be set as follows.

[EDIT]  Part [Common]  [Audio In]  [Routing] (page 201)

The gain of the audio signal from the A/D INPUT [L/MONO]/[R] jacks can be adjusted via the A/D INPUT [GAIN] knob on the panel. Moreover, the on/off setting of the audio signal from the A/D INPUT [L/MONO]/ [R] jacks can be turned on/off via the A/D INPUT [ON/OFF] button.

[UTILITY]  [Settings]  [Audio I/O]  “A/D Input” (page 231)

Sequencer Block

This lets you create Songs by recording and editing your performances as MIDI data (from the controller block or an external device), allowing you to play the data back with the tone generator block.

Songs

A Song is created by recording your keyboard performance as MIDI sequence data to individual Tracks. The MODX+ can store up to 128 Songs.

Tracks

This is a memory location on the sequencer where your musical performances are stored. One Part can be recorded to one track. Since the MODX+ has 16 tracks for one Song, you can record and play back a 16Part performance.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

MIDI recording

You can record your keyboard performance to the Song. You can record knob operations, controller operations and Arpeggio playback as well as your keyboard playing to the specified Track as MIDI events. Your keyboard performance and controller/knob operations will be recorded to the Track when the corresponding Keyboard Control Switch for the Part is turned ON.

NOTE The Control Change messages and Parameter Change messages can be recorded by operating the Knobs. For

details on Control Change messages, see the Synthesizer Parameter Manual PDF document.

NOTE For detailed instruction, refer to the Owner’s Manual.

MODX+ Reference Manual

Page 11

Arpeggio Block

This block lets you automatically trigger musical and rhythmic phrases by simply pressing a note or notes on the keyboard. Yamaha’s Arpeggio sequence also changes in response to the actual notes or chords you play, giving you a wide variety of inspiring musical phrases and ideas—both in composing and performing.

Arpeggio categories

The Arpeggio types are divided into 18 categories (including “No Assign” and “Control/Hybrid Seq”) as listed below. The categories are based on instrument type.

Arpeggio Type Category List

Piano Piano Pad Pad/Choir

Keys Keyboard SynCp Syn Comp

Organ Organ CPerc Chromatic Perc

Gtr Guitar Dr/Pc Drum/Perc

Bass Bass S.FX Sound FX

Str String M.FX Musical FX

Brass Brass Ethnc Ethnic

WW Woodwind --- No Assign

SynLd Syn Lead Ct/Hb Control / Hybrid Seq

Sub categories

The Arpeggio categories are divided into the sub categories listed below. Because the sub categories are listed based on the music genre, it is easy to find the sub category appropriate for your desired music style.

Arpeggio Type Sub Category List

Rock Rock World World

Pop Rock Pop Rock General General

Ballad Ballad No Assign No Assign

Chill Chillout / Ambient Filter Filter *

Hip Hop Hip Hop Exprs Expression *

Funk Funk Pan Pan *

Modern R&B Modern R&B Mod Modulation *

Classic R&B Classic R&B PBend Pitch Bend *

House House / Dance Pop Assign Assign 1/2 *

Techno Techno / Trance Comb Comb *

Jazz Jazz / Swing Zone Zone Velocity *

D&B D&B / Breakbeats Z.Pad Zone Vel for Pad *

Latin Latin

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

NOTE In the Category Search display, the Sub Categories marked with an asterisk (*) are displayed only when

“Control/Hybrid Seq” is selected as the Category type.

MODX+ Reference Manual

Page 12

Arpeggio Type Name

Main

Category

ARP

No.

ARP Name

Time

Signature

Length

Original

Tempo

Accent

Random

SFX

Sound Type

ApKb Rock 1 MA_70s Rock _ES 4 / 4 2 130 Acoustic Piano

ApKb Rock 2 MB_70s Rock _ES 4 / 4 1 130 :

ApKb Rock 3 MC_70s Rock 4 / 4 2 130

ApKb Rock 4 MD_70s Rock 4 / 4 4 130

ApKb Rock 5 FA_70s Rock 4 / 4 1 130

ApKb Rock 6 FB_70s Rock _ES 4 / 4 1 130

ApKb Rock 7 FC_70s Rock _ES 4 / 4 2 130

The Arpeggio Types are named according to certain rules and abbreviations. Once you understand these rules and abbreviations, you’ll find it easy to browse through and select the desired Arpeggio Types.

Arpeggio types with “_N” at the end of the type name (example: HipHop1_N)

These Arpeggios are for using with the Normal Part, and Arpeggios with complex notes can be created even when triggered by one note (page 14).

Arpeggio types with “_C” at the end of the type name (example: Rock1_C)

These Arpeggios are for using with the Normal Part, and correct Arpeggios can be created corresponding to the chord you play (page 14).

Arpeggio types with a normal name (example: UpOct1)

In addition to the above types, there are three playback types: the Arpeggios created for use of Normal Parts and played back using only the played notes and their octave notes (page 14), the Arpeggios created for use of Drum Parts (page 15), and Arpeggios containing mainly non-note events (page 15).

Arpeggio types with “_AF1”, “_AF2”, or “_AF1&2” at the end of the type name (example: Electro Pop AF1)

When these Arpeggios are played, both of [ASSIGN 1] and [ASSIGN 2] buttons are automatically turned ON and the phrase starts playback.

Arpeggio types with [Mg] at the beginning of the type name (example: [Mg]HardRock1)

These Arpeggios are for using with a Mega Voice.

Mega Voices and Mega Voice Arpeggios

Normal sound uses velocity switching to make the sound quality and/or level of a Part change according to how strongly or softly you play the keyboard—giving greater authenticity and natural response to these Parts. However Mega Voices have a very complex structure with many different layers that are not suitable for playing manually. Mega Voices were developed specifically to be played by Mega Voice Arpeggios to produce incredibly realistic results. You should always use Mega Voices with Mega Voice Arpeggios.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

The Arpeggio Type List in the Data List PDF document contains the following columns.

NOTE Note that this list is for illustration purposes only. For a complete listing of the Arpeggio Types, see the Data List

PDF document.

1 Main Category

Indicates an Arpeggio Main Category.

2 Sub Category

Indicates an Arpeggio Sub Category.

3 ARP No (Arpeggio Number)

Indicates the Arpeggio type number.

4 ARP Name (Arpeggio Name)

Indicates the Arpeggio Name.

MODX+ Reference Manual

Page 13

5 Time Signature

Arpeggio functions which can be controlled by Knob operations

Knob 1 Knob 2 Knob 3 Knob 4

Indicates the time signature or meter of the Arpeggio type.

6 Length

Indicates the data length (amount of measures) of the Arpeggio type. When the Loop parameter*1 is set to “off,” the Arpeggio plays back for this length and stops.

7 Original Tempo

Indicates the appropriate tempo value of the Arpeggio type. Note that this tempo is not set automatically when selecting an Arpeggio type.

8 Accent

The circle indicates that the Arpeggio uses the Accent Phrase feature (page 14).

9 Random SFX

The circle indicates that the Arpeggio uses the SFX feature (page 14).

) Sound Type

Indicates the sound type appropriate for the Arpeggio Type.

*1 The Loop parameter is set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Common] (page 120)

Arpeggio-related settings

There are several methods for triggering and stopping the Arpeggio playback. In addition, you can set whether or not SFX sounds and special Accent Phrases are triggered along with the normal sequence data.

Turning Arpeggio playback on/off

The following three settings are available for turning the Arpeggio playback on/off.

To play the Arpeggio only when the note is pressed:

To continue the Arpeggio even if the note is released:

Set the “Hold” parameter to “Off” and the “Trigger Mode” parameter to “Gate.”

Set the “Hold” parameter to “On” and the “Trigger Mode” parameter to “Gate.”

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

To toggle the Arpeggio playback on/off whenever the note is pressed:

NOTE “Hold” is set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Common] (page 120)

NOTE When receiving a MIDI sustain message (control change #64) with both of “Arp Master” and “Arp Part” set to

“On,” you can obtain the same result by setting “Hold” to “On.”

NOTE “Trigger Mode” is set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Advanced] (page 125)

Set the “Trigger Mode” parameter to “Toggle.” The “Hold” parameter can be set to either “On” or “Off.”

Using the Knobs to control Arpeggios

By pressing the Knob Function [TONE]/[EG/FX]/[EQ]/[ARP/MS] button and selecting “ARP/MS,” you can use the Knobs 1–2 to control Arpeggio playback. Try this out and listen for the changes in the sound. For details regarding the effect of the Knobs 1–2, see Quick Edit (page 38).

MODX+ Reference Manual

Page 14

Accent Phrases

Accent Phrases are composed of sequence data included in some Arpeggio types, sounding only when you play notes at a velocity higher (stronger) than that specified in the Accent Velocity Threshold parameter. If it is hard to play at velocities necessary to trigger the Accent Phrase, set the “Vel Threshold” (Accent Velocity Threshold) parameter to a lower value.

NOTE “Vel Threshold” (Accent Velocity Threshold) parameter is set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Advanced] (page 125)

NOTE For information on Arpeggio types that use this function, refer to the “Arpeggio Type List” in the Data List PDF

document.

Random SFX

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Some Arpeggio types feature a Random SFX function which will trigger special sounds (such as guitar fret noises) when the note is released. The following parameters affecting Random SFX are provided.

For turning the Random SFX on/off: Random SFX parameter

For setting the volume of the SFX sound: Velocity Offset (Random SFX Velocity Offset)

parameter

For determining whether or not the volume of

Key On Ctrl (Random SFX Key on Control) parameter

the SFX sound is controlled by velocity:

NOTE “Random SFX,” “Velocity Offset,” and “Key On Ctrl” are set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Advanced] (page 125)

NOTE The Random SFX function is not available for the Arpeggio which stops when the note is released.

NOTE For information on Arpeggio types that use the Random SFX function, refer to the “Arpeggio Type List” in the

Data List PDF document.

Arpeggio playback types

There are three main Arpeggio playback types as described below.

Arpeggios for Normal Parts

Arpeggio types (belonging to all categories except for Drum/Perc and a part of Control/HybridSeq) created for use of Normal Parts have the following three playback types.

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

Playback of played notes only

The Arpeggio is played back using only the played note(s) and octave notes.

Playback of a programmed sequence according to the played notes

These Arpeggio types have the several sequences each of which is suited for a certain chord type. Even if you press only one note, the Arpeggio is played back using the programmed sequence—meaning that notes other than the ones you play may be sounded. Pressing another note triggers a transposed sequence using the pressed note as the new root note. Adding notes to those already held changes the sequence accordingly. Arpeggios with this playback type have “_N” at the end of the type name.

Playback of a programmed sequence according to the played chord

These Arpeggio types created for use with Normal Parts are played back to match the chord type determined by detecting the notes you play on the keyboard. Arpeggios with this playback type have “_C” at the end of the type name.

NOTE When the “Key Mode” parameter is set to “Sort” or “Sort+Drct,” the same sequence is played back no matter

what order you play the notes. When the “Key Mode” parameter is set to “Thru” or “Thru+Drct,” a different sequence is played back depending on the order you play the notes.

NOTE Since these types are programmed for Normal Parts, using them with Drum Parts may not produce musically

appropriate results.

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Page 15

Arpeggios for Drum Parts

Arpeggio types in Drum/Perc categories are programmed specifically for use with Drum Parts, giving you instant access to various rhythm patterns. Three different playback types are available.

Playback of a drum pattern

Pressing any note(s) will trigger the same rhythm pattern.

Playback of a drum pattern, plus additional played notes (assigned drum instruments)

Pressing any note will trigger the same rhythm pattern. Adding notes to the one already held produces additional sounds (assigned drum instruments) for the drum pattern.

Playback only of the played notes (assigned drum instruments)

Playing a note or notes will trigger a rhythm pattern using only the notes played (assigned drum instruments). Keep in mind that even if you play the same notes, the triggered rhythm pattern differs depending on the order of the notes played. This gives you access to different rhythm patterns using the same instruments simply by changing the order in which you play the notes, when the “Key Mode” parameter is set to “Thru” or “Thru+Drct.”

NOTE The three playback types above are not distinguished by category name or type name. You’ll have to actually

play the types and hear the difference.

NOTE Since these types are programmed for Drum Parts, using them with Normal Parts may not produce musically

appropriate results.

Arpeggios containing mainly non-note events

Arpeggio types (in Control/HybridSeq main categories with Filter, Expression, Pan, Modulation, Pitch Bend, and Assign 1/2 sub categories) are programmed primarily with Control Change and Pitch Bend data. They are used to change the tone or pitch of the sound, rather than play specific notes. In fact, some types contain no note data at all. When using a type of this category, set the “Key Mode” parameter to “Direct,” “Sort+Drct,” or “Thru+Drct.”

NOTE Settings related to Key Mode are set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Common] (page 120)

Tips for Arpeggio playback

Arpeggios not only provide inspiration and full rhythmic passages over which you can perform, they give you quality MIDI data you can use in creating Songs, or fully formed backing parts to be used in your live performances. For instructions on using Arpeggio, see the Owner’s Manual.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

MODX+ Reference Manual

Page 16

Creating an Arpeggio

Song

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

Track 7

Track 8

Track 9

Tra c k 1 0

Tra c k 11

Tra c k 1 2

Tra c k 1 3

Tra c k 1 4

Tra c k 1 5

Tra c k 1 6

Recording

Convert

Arpeggio

User Arpeggio 256

User Arpeggio 001

Track 1

Track 2

Track 3

Track 4

After the above procedure, select tracks from the Put Track to Arpeggio display (page 65) to convert the Song to your own Arpeggio.

You can record MIDI sequence data for the Arpeggio to any of the Tracks. After recording, select four Tracks from all sixteen and convert them to Arpeggio data.

[SONG] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [MIDI]  Touch the Song Name  [User Arp]

In addition to using the preset Arpeggios, you can also create your own original Arpeggio data. First, record a phrase to Song Tracks (up to a maximum of four). Then, convert the Song (or the MIDI sequence data) to Arpeggio data from the Put Track to Arpeggio display.

1 Record MIDI sequence data to a Song.

2 Convert the MIDI sequence data (recorded to the Song) to Arpeggio data.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

Determining how Song/Pattern data is converted to an Arpeggio – Convert Type

MIDI sequence data (of Song Tracks) can be converted to Arpeggio data in one of three ways, according to the Convert types below. These types can also be selected independently for each destination Track— providing enormous flexibility and performance control.

Normal (Normal Arpeggio) The Arpeggio is played back using only the played note and its octave notes.

Fixed Playing any note(s) will trigger the same MIDI sequence data.

OrgNotes (Original Notes) Basically same as “Fixed” with the exception that the Arpeggio playback notes

Record the MIDI sequence data to a Song Track, referring to the previous instructions in this chapter as needed. The examples listed below are used as reference.

Creating a rhythm pattern (using a Drum Voice)

Track 1 Record a basic rhythm pattern using various drum instruments. Convert via “Fixed.”

Track 2–4 Record a different rhythm pattern using a specific drum instrument to

Creating a bass line (using a Normal Voice)

Track 1 Record a bass line using a specific desired key

Track 2–4 off

MODX+ Reference Manual

each Track.

(root).

differ according to the played chord.

Convert via “OrgNote” after the OrgNotes Root is set.

Convert via “Normal.”

Page 17

Motion Sequencer Block

Lane setting

Sequence Patterns for the Lane

Selected Sequence setting Lane setting

The powerful Motion Sequencer feature lets you dynamically change sounds by operating Parameters depending on sequences created in advance. It provides real time control for changing sounds depending on various sequences such as Tempo, Arpeggio, or the rhythm of external connected devices. You can assign up to eight desired Sequence types for one Lane. You can also set up to four Lanes corresponding to the Motion Sequencer function for one Part. Up to eight Lanes can be used at the same time for the entire Performance. The setting status (on or off) the Lanes in the entire Performance will be shown as follows.

[PERFORMANCE (HOME)]  [Motion Control]  [Motion Seq] (page 45)

Also, the parameters for each Lane are set as follows.

[PERFORMANCE (HOME)]  [EDIT]  Part selection  Element/Operator [Common]  [Motion Seq]  [Lane] (page 129)

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

Turning the Motion Sequencer on/off

The following settings are available for turning the Motion Sequencer playback on/off.

To play the Motion Sequence when the note is pressed:

To play the Motion Sequence when the [MOTION SEQ TRIGGER] button is pressed:

NOTE “LaneSW” and “Trigger” are set as follows.

[EDIT]  Part selection  Element/Operator [Common]  [MOTION Seq]  [Lane] (page 129)

MODX+ Reference Manual

Set the “LaneSW” parameter to “On,” the “Trigger” parameter to “Off,” and the” Sync” parameter to “Off.”

Set the “LaneSW” parameter to “On,” the “Trigger” parameter to “On,” and the “Sync” parameter to “Off.”

Page 18

Using the Knobs to control Motion Sequencer

Motion Sequencer functions which can be controlled by Knob operations

Knob 1 Knob 2 Knob 3 Knob 4

By pressing the Knob Function [TONE]/[EG/FX]/[EQ]/[ARP/MS] button and selecting “ARP/MS,” you can use the Knobs 3–4 to control Motion Sequencer playback. Try this out and listen for the changes in the sound. For details regarding the effect of the Knobs 3–4, see Quick Edit (page 38).

Editing Motion Sequences

You can create a custom Motion Sequence consisting of up to sixteen steps. For details about Editing, see

page 131.

Parameters related to Motion Sequencer

In this instrument, Motion Sequencer is considered as a virtual controller and can be selectable in the “Source” parameter. The target parameter you want to control by Motion Sequencer is set in the “Destination” parameter. For details, see page 138.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

MODX+ Reference Manual

Page 19

Effect Block

Part

3-band

parametric EQ

2-band

parametric EQ

Insertion Effect

Part EQ Part EQ

This block applies effects to the output of the tone generator block as well as audio input block, processing and enhancing the sound. Effects are applied in the final stages of editing, letting you change the sound as desired.

Effect structure

System Effects—Variation and Reverb

System Effects are applied to the overall sound. With System Effects, the sound of each Part is sent to the effect according to the Effect Send Level for each Part. The processed sound (referred to as “wet”) is sent back to the mixer according to the Return Level, and output—after being mixed with the unprocessed “dry” sound. This instrument is equipped with Variation and Reverb as System Effects. In addition, you can set the Send Level from Variation to Reverb. This parameter is used to apply Reverb to the signals output from the Variation. You can get a natural effect by applying Reverb depth to the Variation sound with the same level as that of the dry sound.

Insertion Effects

Insertion Effects can be applied individually to each of specified parts before merging signals of all parts. It should be used for sounds for which you want to drastically change the character. You can set different Effect types to the Insertion Effects A and B for each Part. These settings can be made from Part Edit  [Effect] (page 113, page 175, page 189). This synthesizer features 13 sets of Insertion Effects. They can be applied to Parts1–8 and four of the Parts 9–16 and A/D Input Part.

Master Effect

This block applies effects to the final stereo output signal of the entire sound. Multiple Effect types are available.

Element EQ

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

Element EQ is applied to each Element of the Normal Part (AWM2) and each key of the Drum Part. You can specify one of three different EQ shapes, including shelving and peaking.

NOTE Element EQ does not affect the Input signals from the A/D INPUT [L/MONO]/[R] jacks.

Part EQ

This EQ is applied to a Part before and after the Insertion Effect.

Master EQ

Master EQ is applied to the final (post-effect), overall sound of the instrument. In this EQ, all five bands can be set to peaking, with shelving being available also for the lowest and highest bands.

MODX+ Reference Manual

Page 20

Effect connection

Performance

Par t

Part EQ

Insertion A/B

Send Level

Var iatio n

Reverb

Var iat ion to Reverb

System Effect

Return Level

Master

Effect

Master EQ

Mic Input or Part Output

Part Output

(Keyboard

Performance)

Extracting the characteristic of the input sound

Creating formants

Vocoder

Robot-like

voice

1 Each EQ and Insertion Effect applied to each

Part

2 Variation and Reverb related parameters

Setting: Part Edit  [Effect]  [Routing] (page 113, page 175,

page 189)

Common/Audio Edit  [Effect]  [Routing] (page 208)

3 Master Effect related parameters

Setting: Common/Audio Edit  [Effect]  [Master FX]

(page 211)

4 Master EQ related parameters

Setting: Common/Audio Edit  [Effect]  [Master EQ]

(page 212)

NOTE Regarding the audio input signal from the A/D INPUT [L/

MONO]/[R] jacks, the effect is set in Common/Audio Edit  [Audio In].

About the Vocoder Effect

MODX+ features a Vocoder effect. Vocoder is a distinctive, “robot voice” effect which extracts the characteristic of the microphone sound and adds it to the sound via your keyboard performance. The human voice consists of sounds generated from the vocal cords, and filtered by the throat, nose and mouth. These resonant sections have specific frequency characteristics and they function effectively as a filter, creating many formants (harmonic content). The Vocoder effect extracts the filter characteristics of the voice from the microphone input and recreates the vocal formants by the use of multiple band pass filters. The machine-like ‘robot’ voice is created by passing the pitched sounds of musical instruments (such as a synthesizer sound) through the filters.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

About Effect categories, Effect types, and Effect parameters

For information regarding the effect categories of this instrument and the effect types contained in their categories, see the “Effect Type List” in the Data List PDF document. For information on the effect parameters which can be set in the each effect type, see the “Effect Parameter List” in the Data List PDF document. For information on the descriptions of each effect category, each effect type, and each effect parameter, see the Synthesizer Parameters Manual PDF document.

About Preset settings

Preset settings for parameters of each effect type are provided as templates and can be selected in the Effect Type selection display. To get a desired effect sound, try first selecting one of the Presets close to your imagined sound, then change the parameters as necessary. Preset settings can be determined by setting “Preset” in each effect parameter display. For information on each effect type, see the Data List PDF document.

MODX+ Reference Manual

Page 21

Envelope Follower Block

EnvFollower 1 EnvFollower 2 EnvFollower MST

EnvFollower AD

Input signal to Envelope Follower (Fixed)

Output signal from Envelope Follower (The Destination is flexible)

Each Envelope Follower

Part 1 Part 2

Entire

Performance

(sixteen Parts and

Audio Part)

Audio Part

Each Input source for Envelope Follower

Selected Envelope Follower

Signal flow of Envelope Follower

Input sources for Envelope Follower

Envelope Follower is a function for detecting the envelope of the input signal waveform and modifying sounds dynamically. This function allows you to control not only Part outputs but also input signals from external devices connected to the A/D INPUT [L/MONO]/[R] jacks. The Input source of each Envelope Follower is fixed such as Part 1 for EnvFollower 1, Part 2 for EnvFollower 2, and the Audio Part for EnvFollower AD. However, the signal output from each Envelope Follower can be another “input source” for any desired destination such as each Part or even the entire Performance. For example, you can modify the sound of Part 2 by using the Envelope Follower for Part 1 (EnvFollower 1) as the “Source.” The Envelope Follower as the “Source” and the target parameter to be controlled by the Envelope Follower (which is called “Destination”) are set in the Control Assign display (page 138).

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

[EDIT]  Common/Audio Edit [Audio In]  [Routing]  “Envelope Follower” (EnvFollower AD) [EDIT]  Common/Audio Edit  [Effect]  [Routing]  “Envelope Follower” (EnvFollower MST) [EDIT]  Part selection  Element/Operator [Common]  [Effect]  [Routing]  “Envelope Follower”

(EnvFollower 1–16)

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Page 22

Controller Block

Pitch up

Pitch down

Maximum

Minimum

This block consists of the keyboard, Pitch Bend and Modulation Wheels, Assignable Switches, Knobs, Control Sliders and Super Knob. By operating these controllers, you can transmit MIDI messages to the tone generator block to play and modify sounds, or to the DAW software to further control the sounds.

Keyboard

The keyboard transmits the note on/off messages to the Tone Generator Block (for sounding) and Sequencer Block (for recording). You can change the note range of the keyboard in octaves by using the OCTAVE [−]/[+] buttons, transpose the notes by using the OCTAVE [−]/[+] buttons while holding down the [SHIFT] button, and set how the actual velocity is generated according to the strength with which you play notes.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Pitch Bend wheel

Use the Pitch Bend wheel to bend notes up (roll the wheel away from you) or down (roll the wheel toward you) while playing the keyboard. Roll the wheel upward/downward to bend the pitch upward/downward. This wheel is self-centering and will automatically return to normal pitch when released. The Pitch Bend Range setting can be changed in Part Edit  [Part Settings]  [Pitch] (page 106). Functions other than Pitch Bend can be assigned to the Pitch Bend wheel in the Part Edit  [Mod/Control]  [Control Assign] (page 138, page 192).

Modulation wheel

Even though the Modulation wheel is conventionally used to apply vibrato to the sound, many of the preset Performances have other functions and effects assigned to the wheel. The more you move this wheel up, the greater the effect that is applied to the sound. To avoid accidentally applying effects to the current Performance, make sure the Modulation wheel is set to minimum before you start playing. Various functions can be assigned to the Modulation wheel in Part Edit  [Mod/Control]  [Control Assign] (page 138, page 192).

Assignable Switches

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

According to the XA (Expanded Articulation) Control settings (page 6) in Element Edit  [Osc/Tune] (page 145), you can call up specific Elements of the current Part by pressing each of these buttons during your keyboard performance. You can select how the on/off status of these buttons is switched in Common/ Audio Edit  [General] (page 198). Furthermore, you can assign various functions (other than calling up specific Elements) to these buttons in Part Edit  [Mod/Control]  [Control Assign] (page 138, page 192).

Knobs and Control Sliders

These knobs and sliders let you change various aspects of the Part’s sound in real time—while you play. For instructions on using the knobs and control sliders, see the Owner’s Manual. For instructions on using the Knobs 1–4 (5–8), see “Quick Edit” (page 36).

Super Knob

The Super Knob lets you simultaneously control the parameters common to all Parts (Assign 1–8) which are assigned to the eight knobs. For instructions on using the Super Knob, see the Owner’s Manual. For the editable setting values for the Super Knob, see the Super Knob display (page 46). Also, for instructions on setting the Assign 1–8 controls, see the Control Assign display (page 205) for the Common/Audio Edit.

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Page 23

Internal Memory

Recall Buffer

Excluding

Master and

Utility settings

Preset Memory

• Preset Performance

• Arpeggio

• Motion Sequence

• Audition Phrase

•Waveform

•Live Set

•Curve

•Micro Tuning

Edit Buffer

• Performance Edit

• Motion Sequence Edit

• User Curve Edit

• Live Set Edit

• User Micro Tuning Edit

•User Waveform Edit

• Utility

• Quick Setup

• Song

User Memory

For User

• User Performance

• User Arpeggio

• User Motion Sequence

•User Curve

•User Live Set

• User Micro Tuning

•User Waveform

•Utility

• Quick Setup

• User Audition Phrase

Store (executed by

using store button)

For Library*

Song

Audio Record/Playback

Data communication between this synthesizer and an external device

Internal data communication

MIDI instrument or computer

DAW soft wa re

Bulk Dump

Load/Save

USB flash drive

MOTIF XF format File extensions “.X3A,” “.X3V,” “.X3G,” and “.X3W” MOTIF XS format File extensions “.X0A,” “.X0V,” “.X0G,” and “.X0W” MOXF format File extensions “.X6A,” “.X6V,” “.X6G,” and “.X6W”

File extension “.X8U” MONTAGE format File extension “.X7U”

File extensions “.MID”

File extensions “.WAV”

File extensions “.WAV” “.AIF”

Compare

Buffer

Excluding

Master and

Utility settings

File extension “.X8A”

File extensions “.X8L” MONTAGE format File extension “.X7L”

The MODX+ creates a variety of different kinds of data, including Performances, Live Sets, and Songs. This section describes how to maintain the various types of data and use the memory devices/media for storing them.

* Same as the “For User” area except followings: It does not include the Utility settings and the Quick Setup. Also, included Live Set is only

one Bank for each imported file.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

Preset Memory

Preset Memory is memory designed specifically for reading out data such as Preset Performance, Arpeggio, and Audition Phrase. You cannot overwrite the data in Preset Memory.

Edit buffer

The edit buffer is the memory location for edited data of these types: Performance, Live Set, and Song. Although the edit buffer is designed specifically for data writing and data reading, the data contained in the edit buffer is lost when the power is turned off. You should always store edited data to User memory before editing new performance or before turning off the power. Data other than Performance and Motion Sequence are automatically stored.

User memory

User data edited in the Edit buffer and utility settings for the entire system are stored in the dedicated area in the User memory. Up to eight Library files (.X8L) read from the USB flash drive are loaded in the dedicated area in the User memory. This is read-write memory and the data will be kept even after the power is turned off.

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Page 24

Recall buffer and Compare buffer

If you’ve selected another Performance without storing the one you were editing, you can recall your original edits, since the edit buffer’s contents are stored on backup memory, called the Recall buffer. Also, the instrument has a Compare buffer in which the sound settings prior to editing will temporarily be reinstated for comparison purposes. You can switch between the just-edited sound and its unedited condition, and hear how your edits affect the sound. Both of these are read-write memory types. However, you should make sure to store the sequence data before turning off the power, because any sequence data you’ve created will be lost when the power is turned off. For instructions on using the Compare function, see the Owner’s Manual.

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Smart Morph

DAW Remote

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

External MIDI connection

MODX+ Reference Manual

Page 25

Edit Search Utility Live SetPerformance

Reference

12 4 76835

Navigation bar

Reference

Display (touch panel) configuration

This section explains the navigation bar which is common to all types of displays.

Display (touch panel)

1 HOME icon

Moves to the Performance Play display (page 27).

2 EXIT icon

Functions same as the [EXIT] button on the panel. Press this icon to exit from the current display and return to the previous level in the hierarchy.

3 [INFORMATION] area

Displays helpful information, including the currently selected display name.

4 EFFECT icon

Touch the icon to call up the Effect Switch display (page 252). The icon turns off when any of the Effect blocks (Insertion, System or Master) is off.

5 QUICK SETUP icon

Displays the settings of Local Control ON/OFF and MIDI IN/OUT. The keyboard-shaped icon lights up when Local Control is set to ON and turns off when Local Control is set to OFF. When MIDI is set as the MIDI IN/OUT setting, a MIDI connector-shaped icon appears. When USB is set as the MIDI IN/OUT setting, a USB connector-shaped icon appears. Touch the desired icon to call up the corresponding Quick Setup display (page 229).

6 TEMPO SETTINGS icon

Displays the tempo of the currently selected Performance. Touch the icon to call up the Tempo Settings display (page 250).

7 LIVE SET icon

Touch the icon to call up the Live Set display (page 255).

8 UTILITY icon

Touch the icon to call up the last opened display among the Utility displays.

MODX+ Reference Manual

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Edit Search Utility Live SetPerformance

Reference

Scroll buttons

Display All

Display All button

Display (touch panel)

9 Pop-up List

Displays setting values for parameters. When the setting values are displayed in multiple pages, you will need to use the Scroll buttons to scroll through the pages or the Display All button to display all of the setting values.

MODX+ Reference Manual

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Edit Search Utility Live SetPerformance

Reference

1^ 2

)

#$ %

Performance Play (Home)

From the Performance Play display you can play a selected Performance and edit some of the Performance-related settings.

Home

Press the [PERFORMANCE (HOME)] button

Operation

or Touch the [HOME] icon

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

1 Performance name

Indicates the currently selected Performance name. Touching the parameter calls up the menu for Category Search, Edit, and Recall.

NOTE Once you edit any parameter in the selected Performance, a blue flag icon appears at right in the

Performance Name.

2 Part indicator

When the cursor is on the Performance name or on Parts 1–8, this indicates whether Parts 9–16 are used or not. When the cursor is on Parts 9–16, it indicates whether Parts 1–8 are used or not. If Parts 9–16 are not in use, this indicator is not shown.

3 Flag

Indicates the tone generation attributes of the currently selected Performance. (See chart below.)

Flag Definition

AWM2 Performance comprised only of AWM2 Parts

FM-X Performance comprised only of FM-X Parts

AWM2+FM-X Performance comprised of both AWM2 and FM-X Parts

MC Performance featuring Motion Control

SSS Performance featuring Seamless Sound Switching

(A two-color display indicates that the Performance has Smart Morph data.)

4 Knob functions

Indicates the functions currently assigned to the Knobs 1–4 (5–8).

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Edit Search Utility Live SetPerformance

Reference

5 Type/N a me Switch

Switches between the displays of Part Type/Category and Part Name.

Settings: Ty p e, Nam e

6 Part Types / Par t Names

Indicates the Part types and categories or the Part names. Touching the parameter calls up the menu for Category Search, Edit, and Copy. To add another Part, touch the “+” icon.

7 Common Motion Sequencer switch

Determines whether the Motion Sequencer of the Common/AD Parts is on or off. When all Lane switches of the Common/AD Parts are off, this switch is not shown.

Settings: Off, On

8 Part Arpeggio On/Off switch

Determines whether the Arpeggio of each Part is on or off. When the Arpeggio and the Arpeggio Hold are set to on, “Arp Hold On” is displayed.

NOTE You can turn the Arpeggio Hold for the Part on or off by simultaneously holding down the [SHIFT] button and

touching this switch.

Settings:

Off, On

9 Part Motion Sequencer switch

Determines whether the Motion Sequencer of each Part is on or off. When all Lane switches of the Part are off, this switch is not shown.

Settings: Off, On

) Note Limit

Determines the lowest and highest notes in the Part’s note range. For example, setting a Note Limit of “C5–C4” lets you hear the Part by playing notes in the two ranges of C-2 to C4 and C5 to G8; notes played between C4 and C5 have no sound. For details about the Note Limit setting, see the Owner’s Manual.

Settings: C -2 – G8

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

! Keyboard Control switch

Determines whether the Keyboard Control for each Part is on or off. When this switch is set to off, the Part will not sound even you play the keyboard (unless the Part is selected).

Settings: Off, On

@ Switching Mute on/off for Parts

Determines whether the Mute for each Part is on or off.

Settings: Off, On

# Switching Solo on/off for Parts

Determines whether the Solo for each Part is on or off.

Settings: Off, On

$ Volume of Parts

Determines the Volume for the Part.

Settings: 0–127

NOTE When the triangle marks for the Volume are shown in blue, the volume change created by the control sliders

is not reflected to the overall sound. When the value changed by the control slider reaches the value shown as a blue triangle, the triangle mark changes to white, and the volume change created by the control sliders are reflected to the overall sound.

% Meter

Indicates the audio output level of the Part.

MODX+ Reference Manual

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Edit Search Utility Live SetPerformance

Reference

Element SwitchElement Level

^ View

Switches among the following three different View types of Part information: 1 (eight Parts), 2 (four Parts and various detailed information), 3 (four Parts and Smart Morph map). In View type 2, displayed information items differs depending on the cursor position or the Control function settings.

Settings: 1–3

NOTE When the cursor is on the Performance name on the Performance Play (Home) display, you can also switch

the information views by pressing the [PERFORMANCE (HOME)] button.

This section explains about the various displays when View is set to 2 (four Parts and various detailed information).

 Element view

This appears only when the currently selected Part is the Normal Part (AWM2), and Motion Control  Overview  Slider Function [Elem/Op Control] button is ON.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Element SW (Element switch)

Determines whether each Element is active or not.

Settings: Off, On

Element Level

Determines the output level of the Element.

Settings: 0–127

MODX+ Reference Manual

Page 30

Edit Search Utility Live SetPerformance

Reference

Drum Key Level

 Drum Key view

This appears only when the currently selected Part is the Drum Part, and Motion Control  Overview  Slider Function [Elem/Op Control] button is ON.

Drum Key Level

Determines the output level of the Drum Key.

Settings: 0–127

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

MODX+ Reference Manual

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Edit Search Utility Live SetPerformance

Reference

Operator Level

 Algorithm view

This appears only when the currently selected Part is the Normal Part (FM-X), and Motion Control  Overview  Slider Function [Elem/Op Control] button is ON.

Algorithm (Algorithm Number)

Changes Algorithms.

Settings: See the Data List PDF document.

NOTE Tapping the Algorithm image calls up the Algorithm Search display.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Feedback (Feedback Level)

Waveforms can be changed by feeding some of the signal generated by an operator back through that operator. This allows you to set the feedback level.

Settings: 0–7

Operator Level

Determines the output level of the Operator.

Settings: 0–99

MODX+ Reference Manual

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Edit Search Utility Live SetPerformance

Reference

Note Limit

Vel o c i t y L i mit

 Part – Note view

This appears only when the [PART CONTROL] button is turned on or the cursor is on the Note Limit. This is useful for checking the Layer/Split settings among Parts.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

 Velocity – Note view

This appears only when the cursor is on any velocity limit of Parts. This is useful for setting Velocity split among Parts.

MODX+ Reference Manual

Page 33

Edit Search Utility Live SetPerformance

Reference

When View is set to 3 (four Parts and Smart Morph map) and the current Performance has Smart Morph information, the following display is called up.

Touch a position on the map to assign the sound to Part 1.

NOTE When the current Performance does not yet have Smart Morph data, the display is the same as when View is set

to 2.

NOTE On the Live Set display, a special FM-X icon indicates if the assigned Performance has Smart Morph data or

not.

: Displayed for a Performance with an FM-X Part.

: Displayed for a Performance with an FM-X Part and Smart Morph data.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

MODX+ Reference Manual

Page 34

Edit Search Utility Live SetPerformance

Reference

Motion Control

From the Motion Control display you can edit all Motion Control settings, such as general sound settings, Arpeggio, and the Motion Sequencer of the currently selected Performance. The Motion Control section contains the following various displays.

• Overview

•Quick Edit

•Arpeggio

• Motion Sequencer

• Super Knob

•Knob Auto

Motion Control

Overview

The Overview display indicates the illustration of the connection between Controllers and Parts. You can confirm the current settings here.

NOTE Lines between the most recently used controller and Part are shown in bold.

[PERFORMANCE (HOME)]  [Motion Control]  [Overview]

Operation

or [SHIFT] + [PERFORMANCE (HOME)]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Part

Indicates the currently selected Part. To confirm a Part’s connections, select the Part here.

Settings: Common, Part 1–16

Edit Common Control Settings/Edit Part Control Settings

Calls up the Control Assign display for the selected Part. For “Common,” see page 205. For Part 1–16, see

page 138.

Slider Function

Switches among Performance Control, Part Control, and Element/Operator Control.

Settings: Part Control, Elem/Op Control

NOTE You can store Slider function operations as Performance data.

MODX+ Reference Manual

Page 35

Edit Search Utility Live SetPerformance

Reference

Controller

Determines whether or not the illustration of the connection between “Controller” and Part is shown. The “Controller” here refers to:

• Pitch Bend wheel

• Modulation wheel

• [ASSIGN 1] and [ASSIGN 2] buttons (Assignable switches 1 and 2)

• [MOTION SEQ HOLD] (Motion sequencer Hold) button

• [MOTION SEQ TRIGGER] (Motion sequencer trigger) button

Settings: Off, On

Assignable

Determines whether or not the illustration of the connection between “Assignable” and Part is shown. The “Assignable” here refers to:

• Assignable Knobs 1–4 (5–8)

Settings: Off, On

Fader

Determines whether or not the illustration of the connection between “Fader” and Part is shown. The “Fader” here refers to:

• Control sliders 1–4 (5–8 / 9–12 / 13–16)

Settings: Off, On

Super Knob

Determines whether or not the illustration of the connection between “Super Knob” and Part is shown. The “Super Knob” here refers to:

• Super Knob

Settings: Off, On

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

MODX+ Reference Manual

Page 36

Edit Search Utility Live SetPerformance

Reference

Quick Edit

From the Quick Edit display you can make general sound settings. You can select whether the settings are commonly applied to all Parts or to only one selected Part.

Operation

[PERFORMANCE (HOME)]  [Motion Control]  [Quick Edit]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Part

Indicates the currently selected Part. Select the Part you want to use Quick Edit with here.

Settings: Common, Part 1–16

 When “Part” is set to “Common”

You can edit the parameters commonly applied to all Parts.

Performance Name

Enters the desired name for the Performance. Performance names can contain up to 20 characters. Touching the parameter calls up the input character display.

FEG Atk (FEG Attack Time)

Determines the speed of filter variation from the time a note is played until the maximum initial level of the Cutoff Frequency is reached. This parameter determines the offset value of the FEG (page 157) for the Element/Operator Common.

Settings: -64 – +63

FEG Decay (FEG Decay Time)

Determines how fast the Cutoff Frequency falls from maximum attack level to the sustain level. This parameter determines the offset value of the FEG parameter (page 157) for the Element/Operator Common.

Settings: -64 – +63

FEG Rel (FEG Release Time)

Determines how fast the Cutoff Frequency falls from the sustain level to zero when a note is released. This parameter determines the offset value for the FEG parameter (page 157) of the Element/Operator Common.

Settings: -64 – +63

Edit Master EQ

Calls up the Master EQ display (page 212) for Common/Audio Edit.

MODX+ Reference Manual

Page 37

Edit Search Utility Live SetPerformance

Reference

Edit All Arp (Edit All Arpeggio)

Calls up the Arpeggio display (page 42) for Motion Control.

Edit Common MS (Edit Common Motion Sequencer)

Calls up the Motion Sequencer Lane display (page 204) for Common/Audio Edit.

Cutoff (Cutoff Frequency)

Determines the Cutoff Frequency for the Filter, when the Low Pass Filter is selected, for example, the larger the value the brighter the decay. This parameter determines the offset value of the Filter Cutoff Frequency (page 154) for the Element/Drum Key/Operator Common.

Settings: -64 – +63

Resonance

Determines the emphasis given to the Cutoff Frequency. This parameter determines the offset value of the Filter Resonance (page 155) for the Element/Drum Key/Operator Common.

Settings: -64 – +63

FEG Depth

Determines the range over which the cutoff frequency of the Filter EG changes. This parameter determines the offset value of the FEG Depth (page 157) for the Element/Operator Common.

Settings: -64 – +63

Portamento (Portamento Time)

Determines the pitch transition time when Portamento is applied. This parameter is synchronized to the same parameter for the Common/Audio Edit.

Settings: -64 – +63

Attack (AEG Attack Time)

Determines the speed of attack from the time a key is played until the maximum initial level of the AEG is reached. This parameter determines the offset value of the AEG (page 162, page 182, page 196) for the Element/Drum Key/Operator.

Settings: -64 – +63

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Decay (AEG Decay Time)

Determines how fast the volume falls from maximum attack level to the sustain level. This parameter determines the offset value of the AEG (page 162, page 182, page 196). for the Element/Drum Key/ Operator

Settings: -64 – +63

Sustain (AEG Sustain Level)

Determines the sustain level at which the volume will continue while a note is held, after the initial attack and decay. This parameter determines the offset value of the AEG (page 162, page 182, page 196) for the Element/Drum Key/Operator.

Settings: -64 – +63

Release (AEG Release Time)

Determines how fast the volume falls from the sustain level to zero when a note is released. This parameter determines the offset value of the AEG (page 162, page 182, page 196) for the Element/ Drum Key/Operator.

Settings: -64 – +63

Low Gain (Maser EQ Low Gain)

Determines the level gain of the Master EQ Low band.

Settings: -12dB – +12dB

Lo Mid Gain (Master EQ Low Mid Gain)

Determines the level gain of the Master EQ Low Mid band.

Settings: -12dB – +12dB

Mid Gain (Master EQ Mid Gain)

Determines the level gain of the Master EQ Mid band.

Settings: -12dB – +12dB

MODX+ Reference Manual

Page 38

Edit Search Utility Live SetPerformance

Reference

Hi Mid Gain (Master EQ High Mid Gain)

Determines the level gain of the Master EQ High Mid band.

Settings: -12dB – +12dB

High Gain (Master EQ High Gain)

Determines the level gain of the Master EQ High band.

Settings: -12dB – +12dB

Pan (Performance Pan)

Determines the stereo pan position of the selected Performance. This parameter offsets the same parameter in the Part Edit setting.

Settings: L63–C (center)–R63

Var Return (Variation Return)

Determines the Return level of the Variation Effect.

Settings: 0–127

Rev Return (Reverb Return)

Determines the Return level of the Reverb Effect.

Settings: 0–127

Common Clock Swing (Common Swing)

Determines the Swing of the Arpeggio/Motion Sequencer for the entire Performance. This is the offset value for the Swing of the Arpeggio/Motion Sequencer for each Part.

Settings: -120 – +120

Common Clock Unit (Common Unit Multiply)

Adjusts the Arpeggio/Motion Sequencer playback time for the entire Performance. This parameter is applied to the Part when the Unit Multiply parameter for Arpeggio/Motion Sequencer of the Part is set to “Common.” By using this parameter, you can create a different Arpeggio/Motion Sequencer type from the original one.

Settings: 50%–400%

200%: The playback time will be doubled and the tempo is halved. 100%: The normal playback time. 50%: The playback time will be halved and the tempo doubled.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Common Arp Gate Time (Common Arpeggio Gate Time)

Determines the Gate Time Rate (length) of the Arpeggio for the entire Performance. This is the offset value for the Gate Time Rate of the Arpeggio for each Part.

Settings: -100 – +100

Common Arp Velocity (Common Arpeggio Velocity Rate)

Determines the Velocity Rate of the Arpeggio for the entire Performance. This is the offset value for the Velocity Rate of the Arpeggio for each Part.

Settings: -100 – +100

Common Motion Seq Amplitude (Common Motion Sequencer Amplitude)

Determines the Amplitude of the Motion Sequencer for the entire Performance. “Amplitude” determines how the entire Motion Sequence changes. This is the offset value for the Part Motion Seq Amplitude, which is also the offset value for the Lane Amplitude. This results in that both of the Common and Part MS Amplitudes offset the Amplitude setting in the Lane (only when “MS FX” is set to on for the Lane).

Settings: -64 – +63

Common Motion Seq Shape (Common Motion Sequencer Pulse Shape)

Determines the Pulse Shape of the Motion Sequencer for the entire Performance. This changes the step curve shape of the sequence. This is the offset value for the Part Motion Seq Pulse Shape, which is also the offset value for the Lane Pulse Shape. This results in that both of the Common and Part MS Pulse Shapes offset the Pulse Shape setting for the parameter in the Lane (only when “MS FX” is set to on for the Lane and “Control” is set to on for the parameter).

Settings: -100 – +100

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Reference

Common Motion Seq Smooth (Common Motion Sequencer Smoothness)

Determines the Smoothness of the Motion Sequencer for the entire Performance. “Smoothness” is the degree to which the time of the Motion Sequence is smoothly changed. This is the offset value for the Part Motion Seq Smoothness, which is also the offset value for the Lane Smoothness. This results in that both of the Common and Part MS Smoothnesses offset the Smoothness setting for the parameter in the Lane (only when “MS FX” is set to on for the Lane).

Settings: -64 – +63

Common Motion Seq Random (Common Motion Sequencer Random)

Determines the Random of the Motion Sequencer for the entire Performance. “Random” is the degree to which the Step Value of the Sequence is randomly changed. This is the offset value for the Part Motion Seq Random when “MS FX” is set to on for the Lane.

Settings: -64 – +63

 When “Part” is set to Part 1–16

You can edit the parameters for the selected Part.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Part Category Main (Part Main Category) Part Category Sub (Part Sub Category)

Determines the Main Category and Sub Category of the Part. The categories are keywords representing the general characteristics of the Parts. Selecting the appropriate category makes it easy to find the desired Part from the huge variety of Parts available. There are 17 Main Categories which indicate types of instruments. There are up to nine Sub Categories for each Main Category, indicating more detailed types of instruments.

Settings: See the Data List PDF document.

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Reference

Part Name

Enters the desired name for the Part. Part names can contain up to 20 characters. Touching the parameter calls up the input character display.

The parameters below are same as the ones when “Part” is set to “Common” (page 36).

• FEG Atk (FEG Attack Time)

• FEG Decay (FEG Decay Time)

• FEG Rel (FEG Release Time)

•Cutoff

• Resonance

• FEG Depth

• Portamento (Portamento Time) The setting values differ from the ones which “Part” is set to “Common.”

Settings: 0–127

• Attack (AEG Attack Time)

• Decay (AEG Decay Time)

• Sustain (AEG Sustain Level)

• Release (AEG Release Time)

FEG Sus (FEG Sustain Level)

Determines the FEG Sustain Level for the Part. This is the offset value for the FEG Decay2 Level of the Element/Operator Common (page 157).

Settings: -64 – +63

Edit Part EQ

Calls up the Part EQ display (page 116) for Part Edit.

Edit Part Arp (Edit Part Arpeggio)

Calls up the Arpeggio display (page 120) for Part Edit.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Edit Part MS (Edit Part Motion Sequencer)

Calls up the Motion Sequencer Lane display (page 129) for Part Edit.

EQ Low Gain (3 band EQ Low Gain)

Determines the level gain for the Low band.

Settings: -12dB – +12dB

EQ Mid Freq (3 band EQ Mid Frequency)

Determines the frequency for the Mid band.

Settings: 139.7Hz–10.1kHz

EQ Mid Gain (3 band EQ Mid Gain)

Determines the level gain for the Mid band.

Settings: -12dB – +12dB

EQ Mid Q (3 band EQ Mid Q)

Determines the EQ bandwidth of the Mid band.

Settings: 0.7–10.3

EQ High Gain (3 band EQ Hi Gain)

Determines the level gain of the High band.

Settings: -12dB – +12dB

Pan

Determines the stereo pan position of the selected Part.

Settings: L63–C (center)–R63

Var Send (Variation Send)

Determines the Send level of the signal sent to the Variation effect.

Settings: 0–127

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Rev Send (Reverb Send)

Determines the Send level of the signal sent to the Reverb effect.

Settings: 0–127

Part Clock Swing (Part Swing)

Delays notes on even-numbered beats (backbeats) to produce a swing feel.

• +1 and higher: Delay the Arpeggio notes.

• -1 and lower: Advance the Arpeggio notes.

• 0: Exact timing as set by “Arpeggio/Motion Sequencer Grid” Value, resulting in no swing.

Judicious use of this setting lets you create swing rhythms and triplet feels, such as shuffle and bounce.

Settings: -120 – +120

Part Clock Unit (Part Unit Multiply)

Adjusts the Arpeggio/Motion Sequencer playback time for the selected Part.

Settings: 50%–400%, Common

200%: The playback time will be doubled and the tempo is halved. 100%: The normal playback time. 50%: The playback time will be halved and the tempo doubled. Common: The value set in the Unit Multiply common to the all Parts will be applied.

Part Arp Gate Time (Part Arpeggio Gate Time)

Determines how much the Gate Time (length) of the Arpeggio notes is offset from the original value. This is the offset value for the Gate Time Rate (page 124) of each Arpeggio Select setting.

Settings: 0%–200%

Part Arp Velocity (Part Arpeggio Velocity Rate)

Determines how much the velocity of Arpeggio playback is offset from the original value. This is the offset value for the Velocity Rate (page 123) of each Arpeggio Select setting.

Settings: 0%–200%

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Part Motion Seq Amplitude (Part Motion Sequencer Amplitude)

Determines the Amplitude (page 131) of the Motion Sequencer for the selected Part. This is the offset value for the Lane Motion Seq Amplitude when “MS FX” is set to on for the Lane.

Settings: -64 – +63

Part Motion Seq Shape (Part Motion Sequencer Pulse Shape)

Determines the Pulse Shape of the Motion Sequencer for the selected Part. This is the offset value for the Lane Motion Seq “Step Curve Parameter” (page 132) when “MS FX” is set to on for the Lane and “Control” is set to on for the parameter.

Settings: -100 – +100

Part Motion Seq Smooth (Part Motion Sequencer Smoothness)

Determines the Smoothness of the Motion Sequencer for the selected Part. This is the offset value for the Lane Motion Seq Smoothness (page 131) when “MS FX” is set to on for the Lane.

Settings: -64 – +63

Part Motion Seq Random

Determines the Random of the Motion Sequencer for the selected Part. “Random” is the degree to which the Step Value of the Sequence is randomly changed.

Settings: 0–127

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Reference

Arpeggio Type

View

Arpeggio

From the Arpeggio display you can set Arpeggio-related parameters for multiple Parts. Touching the Arpeggio Type name on this display (or pressing the [CATEGORY] button on the panel) calls up a menu. In the displayed menu, touch [Search] to call up the Arpeggio Category Search display and touch [Number] to determine the Arpeggio Type by specifying the Arpeggio Number.

Operation

[PERFORMANCE (HOME)]  [Motion Control]  [Arpeggio]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Part 9-16 / Part 1-8

Switches between the displays of Parts 9–16 or the Parts 1–8. In case of the picture above, touch the “Part 9-16” to display the Arpeggio Types for the “Part 9-16.”

Settings: Part 9-16 / Part 1-8

Arp Master (Arpeggio Master Switch)

Determines whether the Arpeggio is on or off for the entire Performance. This setting is applied to the [ARP ON/OFF] button on the panel.

Settings: Off, On

Sync Quantize (Sync Quantize Value)

Determines the actual timing at which the next Arpeggio playback starts when you trigger it while the Arpeggio of multiple Parts is playing back. When set to “off,” the next Arpeggio starts as soon as you trigger it. The number indicates the clock.

Settings: Off, 60 (32nd note), 80 (16th note triplet), 120 (16th note), 160 (8th note triplet), 240 (8th note), 320 (1/4 note triplet),

480 (1/4 note)

Arp (Part Arpeggio Switch)

Determines whether the Arpeggio for each Part is on or off.

Settings: Off, On

Arp Select (Arpeggio Select)

Determines the Arpeggio Types. By selecting a type and pressing [SHIFT] + [EDIT], you can copy or exchange Arpeggios. For details, see “Copying or Exchanging Arpeggios” (page 124).

Settings: 1–8

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View

Determines which information regarding Arpeggio Type is displayed.

Settings: Category, Number, Range

 When “View” is set to “Category”

Category (Arpeggio Category)

Settings: See the Arpeggio category list (page 11).

Sub (Arpeggio Sub Category)

Settings: See the Arpeggio sub category list (page 11).

Name (Arpeggio Name)

Settings: See the Data List PDF document.

 When “View” is set to “Number”

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Bank (Arpeggio Bank)

Settings: Preset, User, Library 1–8

Number (Arpeggio Number)

Settings: See the Data List PDF document.

Name (Arpeggio Name)

Settings: See the Data List PDF document.

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 When “View” is set to “Range”

Name (Arpeggio Name)

Settings: See the Data List PDF document.

Velocity Limit (Arpeggio Velocity Limit)

Determines the lowest and highest velocity which can trigger Arpeggio playback. For details on settings of Velocity Limit, see the Owner’s Manual.

Settings: 1–127

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Note Limit (Arpeggio Note Limit)

Determines the lowest and highest notes in the Arpeggio’s note range. For details on settings of Note Limit, see the Owner’s Manual.

Settings: C -2 – G8

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Motion Seq (Motion Sequencer)

From the Motion Sequencer display you can set parameters related to Motion Sequencer for multiple Parts.

Operation

[PERFORMANCE (HOME)]  [Motion Control]  [Motion Seq]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

MS Master (Motion Sequencer Master Switch)

Determines whether the Motion Sequencer is on or off for the entire Performance. This setting is applied to the [MS ON/OFF] button on the panel.

Settings: Off, On

Active (Active Motion Sequencer)

Indicates the number of the active Lane. The number after slash indicates the maximum number of the Lanes which can be activated simultaneously.

PartSW (Motion Sequencer Part Switch)

Determines whether the Motion Sequencer is on or off for each Part/all Parts.

Settings: Off, On

Lane Switch

Determines whether each Lane is on or off. You can set up to four Lanes corresponding to the Motion Sequencer function for one Part. Up to eight Lanes can be used at the same time for the entire Performance.

Settings: Off, On

Motion Seq Select (Motion Sequence Select)

Determines the Motion Sequence Type. By selecting a type and pressing [SHIFT] + [EDIT], you can copy or exchange Motion Sequences. For details, see “Copying or Exchanging Motion Sequences” (page 133).

Settings: 1–8

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Assignable Knob 1–8 Destination Value 1

Assignable Knob 1–8 Destination Value 2

Super Knob

From the Super Knob display you can set parameters controlled by the Super knob.

Operation

[PERFORMANCE (HOME)]  [Motion Control]  [Super Knob]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

MS Master (Motion Sequencer Master Switch)

Turns the Motion Sequencer for the entire Performance on/off. This setting is applied to the [MS ON/OFF] button on the panel.

Settings: Off, On

Super Knob MS (Super Knob Motion Sequencer Switch)

Turns the Motion Sequencer applied to the Super Knob on/off.

Settings: Off, On

Edit Super Knob Motion Seq

Shows the Knob Auto display, in which you can set the Motion Sequencer for the Super Knob.

Edit Super Knob

Shows the Control Assign display for Common/Audio Edit, in which you can set the parameters to be controlled by the Super Knob.

LED Pattern (Super Knob LED Pattern)

Determines the lighting pattern of the Super Knob.

Settings: Type 1, Type 2-1, Type 2-2, Type 3-1, Type 3-2, Type 4-1, Type 4-2, Type 5-1, Type 5-2, Type 6, Type 7-1, Type 7-2,

Typ e 8 - 1, Typ e 8 - 2 , Typ e 9 , Ty pe 10 , Ty p e 11, O f f

Super Knob (Super Knob Value)

Determines the value of the Super Knob.

Settings: 0–127

Super Knob Link

Turns the link between the Assignable Knob and the Super Knob on/off. When this is set to off, the function value assigned to the corresponding knob does not change even if the Super Knob is controlled.

Settings: Off, On

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Assignable Knob 1–8 Value

Determines the value for the Assignable Knobs 1–4 (5–8).

Settings: 0–127

Assignable Knob 1–8 Destination Value 1 Assignable Knob 1–8 Destination Value 2

Determines the lowest value (Assignable value 1) and the highest value (Assignable value 2) for the corresponding Knob. When you operate the Super Knob, the Assignable Knob value varies within the specified range.

Settings: 0–127

Knob Auto

From the Knob Auto display you can set parameters related to Motion Sequencer applied to the Super Knob (Super Knob Motion Sequencer.) The parameter value of the Super Knob can be automatically controlled by the Motion Sequencer. You can set only one Lane for the Super Knob Motion Sequencer.

NOTE Up to eight Lanes can be used at the same time for the entire Performance. However, the Lane set for the Super

Knob is not included in the eight referred to here.

Operation

[PERFORMANCE (HOME)]  [Motion Control]  [Knob Auto]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

MS Master (Motion Sequencer Master Switch)

Turns the Motion Sequencer for the entire Performance on/off. This setting is applied to the [MS ON/OFF] button on the panel.

Settings: Off, On

Super Knob MS (Super Knob Motion Sequencer Switch)

Turns the Motion Sequencer applied to the Super Knob on/off.

Settings: Off, On

MS FX (Super Knob Motion Sequencer FX Receive)

Determines whether or not the Motion Sequencer is affected by the knob operation when “ARP/MS” is selected with the Knob Function [TONE]/[EG/FX]/[EQ]/[ARP/MS] button.

Settings: Off, On

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Trigger (Super Knob Motion Sequencer Trigger Receive)

Determines whether the signal from the [MOTION SEQ TRIGGER] button is received or not. When this is set to on, the Motion Sequence will begin whenever you press the [MOTION SEQ TRIGGER] button.

Settings: Off, On

Sequence Select (Super Knob Motion Sequence Select)

Settings: 1–8

Sync Part (Super Knob Motion Sequencer Sync Part)

Determines which Part is synchronized with the Super Knob Motion Sequencer. This setting is applied to the Note On Setting and the Arp/Motion Seq Grid setting for the selected Part.

Settings: Part 1 – Part 16

Arp/MS Grid (Arpeggio/Motion Sequencer Grid)

Determines the type of note that serves as the basis for the Quantize or Swing. The parameter value is displayed in clocks. For the Motion Sequencer, this parameter value is one step length. This setting is applied to the Part which is selected as the Sync Part (above).

Settings: 60 (32nd note), 80 (16th note triplet), 120 (16th note), 160 (8th note triplet), 240 (8th note), 320 (1/4 note triplet),

480 (1/4 note)

Random (Super Knob Motion Sequencer Random)

Determines the degree to which the Step Value of the Sequence is randomly changed.

Settings: 0–127

Sync (Super Knob Motion Sequencer Sync)

Determines if the playback of the Motion Sequence applied to the Super Knob is synchronized to the Tempo, Beat, or Arpeggio of the Performance.

Settings: Off, Tempo, Beat, Arp

Off: Super Knob Motion Sequencer plays back according to its own clock and is not synchronized to an external

clock.

Tempo: Super Knob Motion Sequencer is synchronized with the Performance tempo. Beat: Super Knob Motion Sequencer is synchronized with the beat. Arp: Super Knob Motion Sequencer is synchronized with the 1st beat of the measure of the currently playing

Arpeggio.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Speed (Super Knob Motion Sequencer Speed)

Determines the speed of the playback of the Motion Sequence. This parameter is active when the Super Knob Motion Sequencer Sync is “Off.”

Settings: 0–127

Unit Multiply (Super Knob Motion Sequencer Unit Multiply)

Adjusts the Super Knob Motion Sequencer playback time. This parameter is active when the Super Knob Motion Sequencer Sync is “Off.”

Settings: 50%–6400%, Common

200%: The playback time will be doubled and the tempo is halved. 100% : The normal playback time. 50%: The playback time will be halved and the tempo doubled. Common: The value set in the Unit Multiply common to the all Parts will be applied.

Key On Reset (Super Knob Motion Sequencer Key On Reset)

Determines whether or not the playback of the Motion Sequence is stopped when you play the keyboard. This parameter is active when the Super Knob Motion Sequencer Sync is set to something other than “Arp.” Also this parameter is not available when “Trigger” is set to “On.”

Settings: Off, Each-On, 1st-On

Each-On: The Sequence resets with each note you play and starts the Sequence from the beginning. 1st-On: The Sequence resets with each note you play and starts the Sequencer from the beginning. If you play a

second note while the first is being held, the Sequence continues cycling according to the same phase as triggered by the first note—in other words, the Sequence only resets if the first note is released before the second is played.

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Motion Seq Step Value

Motion Seq Step Type

Loop (Super Knob Motion Sequencer Loop)

Determines whether the Motion Sequence is played only once or repeatedly.

Settings: Off, On

Velocity Limit (Super Knob Motion Sequencer Velocity Limit)

Determines the minimum and maximum Velocity values over which the Motion Sequence responds.

Settings: 1–127

Cycle (Super Knob Motion Sequencer Cycle)

Selects the desired step length for the Motion Sequence.

Settings: 1–16

Load Sequence

Loads Motion Sequence data in the User Memory. For details about Loading, see “Load” (page 240).

Edit Sequence

Calls up the Motion Sequence Setting display. You can create a custom Sequence consisting of up to sixteen steps.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Cycle (Super Knob Motion Sequencer Cycle)

Selects the desired step length for the Motion Sequence.

Settings: 1–16

Amplitude (Super Knob Motion Sequencer Amplitude)

Determines how the entire Motion Sequence changes.

Settings: 0–127

Smooth (Super Knob Motion Sequencer Smoothness)

Determines the smoothness of the time change of the Motion Sequence.

Settings: 0–127

Sequence Select (Super Knob Motion Sequence Select)

Settings: 1–8

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Polarity (Super Knob Motion Sequencer Polarity)

Determines the Sequence Polarity.

Settings: Unipolar, Bipolar

Unipolar: Unipolar changes only in a positive direction from a base parameter value according to the Sequence. Bipolar: Bipolar changes in both of positive and negative directions from a base parameter value.

Motion Seq Step Value (Super Knob Motion Sequencer Step Value)

Determines the Step Value for the Motion Sequence. You can control the Step Value 1–4, 5–8, 9–12 or 13– 16 by the Control Sliders 1–4 depending on the cursor position on the display.

Settings: 0–127

Motion Seq Step Type (Super Knob Motion Sequencer Step Type)

Determines each Step Type of the Motion Sequence. You can switch between the Step Types A and B for the Step 1–4, 5–8, 9–12 or 13–16 by the SCENE [1/5]–[4/8] buttons depending on the cursor position on the display.

Settings: A, B

Pulse A / Pulse B (Super Knob Motion Sequencer Step Curve Type)

Determines the Curve Type of the parameter for each of “Pulse A” and “Pulse B.” “Motion Seq Step Type” described above determines which curve set here is used for each step. The vertical axis indicates the step value and the horizontal axis indicates the time. For detail about the curve shapes, see page 140.

Settings: For Preset Bank: Standard, Sigmoid, Threshold, Bell, Dogleg, FM, AM, M, Discrete Saw, Smooth Saw, Triangle,

Square, Trapezoid, Tilt Sine, Bounce, Resonance, Sequence, Hold

For User Bank: User 1–32

When a Library file is read: Curves in Library 1–8

Direction (Super Knob Motion Sequencer Step Curve Direction)

Determines the Direction of the Step Curve for the Motion Sequence.

Settings: Forward, Reverse

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Prm1 / Prm2 (Super Knob Motion Sequencer Step Curve Parameter)

Adjusts the shape of the Step Curve for the Motion Sequence. This parameter is not available depending on the Curve Type. Also the range of available parameter values differs depending on the Curve Type.

Control (Super Knob Motion Sequencer Step Curve Shape Control Switch)

Determines whether or not to control the shape of the Step Curve for the Motion Sequence by operating Knobs. This parameter is displayed only when “MS FX” is set to on. Also this parameter is not available depending on the Curve Type.

Settings: Off, On

Store Sequence

Stores the edited Motion Sequence data. For details about storing data, see “Store/Save” (page 244).

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Reference

Part 1-16 / Audio Switch

Mixing

From the Mixing display you can adjust the volume and effect settings for each Part.

NOTE The settings in the Mixing display are stored as part of Performance data.

Mixing

Operation

[PERFORMANCE (HOME)]  [Mixing]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Part 1-16 / Audio Switch

Switches between the displays of the Mixing settings for Parts 1–16 or the Mixing settings for Parts 1–8, the Audio Part, the Digital Part, and the Master.

Settings: Part 1-16, Audio

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Function Switch Part Category

 When one of Parts 1–16 is selected

Determines the Mixing setting for each Part 1–16.

Part Category

Indicates the Main category for the Part.

Settings: See the Data List PDF document.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Function Switch

Determines the Mute/Solo setting and the Keyboard Control settings for the selected Part 1–16.

Settings: Mute/Solo, Kbd Ctrl

• When “Mute/Solo” is selected

Mute/Solo (Part Mute/Solo)

Turns the Mute/Solo function on/off for the selected Part 1–16. When the function is on, this button lights.

Settings: Off, On

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3-band/2-band Switch

• When “Kbd Ctrl” is selected

Kbd Ctrl (Keyboard Control)

Turns the Keyboard Control function on/off for the selected Part 1–8. When the function is on, this button lights.

Settings: Off, On

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

3-band/2-band Switch (3-band EQ/2-band EQ Switch)

Switches between the displays of the 3-band EQ or the 2-band EQ for Parts 1–16.

Settings: 3-band, 2-band

EQ (Equalizer)

Displays the 3-band EQ or the 2-band EQ depending on the “3-band/2-band” setting. Touching the button calls up the menu of Part EQ Edit.

Rev Send (Reverb Send)

Adjusts the Reverb send level of the selected Part 1–16.

Settings: 0–127

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A/D Part EQ

Var Send (Variation Send)

Adjusts the Variation send level of the selected Part 1–16.

Settings: 0–127

Dry Level

Determines the level of the unprocessed (dry) sound of the selected Part 1–16.

Settings: 0–127

Pan

Determines the stereo pan position of the selected Part 1–16.

Settings: L63–C–R63

Volume (Part Volume)

Determines the output level of the selected Part 1–16.

Settings: 0–127

 When “AD” Audio Part or “Digi” Digital Part is selected

Determines the Mixing setting of the Audio/Digital Part.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

A/D Part EQ (Audio Part Equalizer)

Displays the 2-band parametric EQ. Touching the button calls up the menu of Common/Audio Part EQ Edit.

A/D Part Rev Send (Audio Part Reverb Send) Digital Part Rev Send (Digital Part Reverb Send)

Adjusts the Reverb send level of the Audio Part/Digital Part.

Settings: 0–127

A/D Part Var Send (Audio Part Variation Send) Digital Part Var Send (Digital Part Variation Send)

Adjusts the Variation send level of the Audio Part/Digital Part.

Settings: 0–127

A/D Part Dry Level (Audio Part Dry Level) Digital Part Dry Level

Determines the level of the unprocessed (dry) sound of the Audio Part/Digital Part.

Settings: 0–127

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Master EQ

A/D Part Pan (Audio Part Pan) Digital Part Pan

Determines the stereo pan position of the Audio Part/Digital Part.

Settings: L63–C–R63

A/D Volume (Audio Part Volume) Digital Part Volume

Determines the output level of the Audio Part/Digital Part.

Settings: 0–127

 When “Mst” (Master Part) is selected

Determines the Master Mixing settings.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Master EQ (Master Equalizer)

Displays the 5-band parametric EQ. Touching the button calls up the menu of Master EQ Edit.

Rev Return (Reverb Return) Var Return (Variation Return)

Determines the return level of the Reverb/Variation effect.

Settings: 0–127

Pan (Performance Pan)

Determines the stereo pan position of the entire Performance. This parameter offsets the same parameter in the Part Edit setting.

Settings: L63–C–R63

Performance Volume

Determines the output level of the entire Performance.

Settings: 0–127

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Scene

With the Scene function, you can store all parameter settings such as Arpeggio type, Motion Sequencer type, and the Part parameter values together as a “Scene.” There are eight Scenes and you can select them by pressing the [SCENE] button. From the Scene display you can edit parameters related to the Scene function. When [Memory] is turned on for the function, the Motion Sequencer type, or the Arpeggio type, the corresponding function information is automatically memorized to the currently selected [SCENE] button. For information on how to use the Scene function, see the Owner’s Manual.

NOTE You can also change Scene Settings from any other operation displays. To do this, set the parameter value

available for the Scene by operating the corresponding Knob or Control Slider, and press one of the SCENE [1/ 5]–[4/8] buttons while holding down the [SHIFT] button. Scenes 1 to 8 are assigned to each button.

Scene

Operation

[PERFORMANCE (HOME)]  [Scene]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Scene Select

Switches Scenes by selecting tabs. This setting is applied to the SCENE [1/5]–[4/8] buttons on the panel.

Settings: 1–8

Memory (Memorize Switch)

Determines whether or not to memorize each parameter (such as Arpeggio, Motion Sequencer, Super Knob, Super Knob Link, Mixing, Amplitude EG, and Arp/MS FX) as a Scene. When this is off, the parameter is not displayed even when the corresponding tab is selected.

Settings: Off, On

 When the “Arp/Motion Seq” tab is selected and both Memorize Switches for “Arp” and

“Motion Seq” are set to ON

Motion Seq Master (Motion Sequencer Master Switch)

Determines whether Motion Sequencer is set to ON or OFF for the entire Performance in the selected Scene.

Settings: Off, On

Motion Seq Select (Motion Sequence Select)

Determines the Motion Sequence type for the selected Scene. By selecting a type and pressing [SHIFT] + [EDIT], you can copy or exchange Motion Sequences. For details, see “Copying or Exchanging Motion Sequences” (page 133).

Settings: 1–8

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Arp Master (Arpeggio Master Switch)

Determines whether Arpeggio is set to ON or OFF for the entire Performance in the selected Scene.

Settings: Off, On

Arp Select (Arpeggio Select)

Determines the Arpeggio type for the selected Scene.

Settings: 1–8

 When the “Super Knob/Link” tab is selected and both Memorize Switches for “Super

Knob” and “Link” are set to ON

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Super Knob (Super Knob Value)

Determines the Super Knob Value for the selected Scene.

Settings: 0–127

Super Knob Link

Determines whether the Assignable Knobs 1-8 on the selected Scene are affected by Super Knob operations or not. Assignable Knobs set to Off are not affected by Super Knob operations.

Settings: Off, On

 When the “Mixing 1” tab is selected and the corresponding Memorize Switch is set to

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Rev Send (Reverb Send)

Adjusts the Reverb Send level of each Part in the selected Scene.

Settings: 0–127

Var Send (Variation Send)

Adjusts the Variation Send level of each Part in the selected Scene.

Settings: 0–127

Dry Level

Determines the level of the unprocessed (dry) sound for each Part in the selected Scene.

Settings: 0–127

Pan

Determines the stereo pan position for each Part in the selected Scene.

Settings: L63–C–R63

Volume (Part Volume)

Determines the volumes of each Part in the selected Scene.

Settings: 0–127

 When the “Mixing 2” tab is selected and the corresponding Memorize Switch is set to

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Cutoff

Determines the Cutoff frequency for each Part in the selected Scene.

Settings: -64 – +63

Res (Resonance)

Determines the resonance for each Part in the selected Scene.

Settings: -64 – +63

FEG Depth

Determines the Filter Envelope Generator depth (amount of Cutoff Frequency) for each Part in the selected Scene.

Settings: -64 – +63

Mute (Part Mute)

Determines the Mute setting for each Part in the selected Scene.

Settings: Off, On

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 When the “Kbd Ctrl” tab is selected and the corresponding Memorize Switch is set to

Kbd Ctrl (Keyboard Control Memorize Switch)

Determines whether Keyboard Control operations are memorized in a Scene or not.

Settings: Off, On

Kbd Ctrl (Keyboard Control)

Determines the Keyboard Control Switch on each Part on the selected Scene. Parts set to Off are not affected by playing the keyboard.

Settings: Off (gray), On (green)

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

 When the “AEG” tab is selected and the corresponding Memorize Switch is set to ON

Attack (AEG Attack Time)

Determines the AEG Attack Time for each Part in the selected Scene.

Settings: -64 – +63

Decay (AEG Decay Time)

Determines the AEG Decay Time for each Part in the selected Scene.

Settings: -64 – +63

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Sustain (AEG Sustain Level)

Determines the AEG Sustain Level for each Part in the selected Scene.

Settings: -64 – +63

Release (AEG Release Time)

Determines the AEG Release Time for each Part in the selected Scene.

Settings: -64 – +63

 When the “Arp/MS FX 1” tab is selected and the corresponding Memorize Switch is set

to ON

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Swing

Determines the Swing setting of Arpeggio and Motion Sequencer for each Part in the selected Scene. For details about Swing, see “Quick Edit” (page 41).

Settings: -120 – +120

Unit (Part Unit Multiply)

Determines the Unit Multiply setting of Arpeggio and Motion Sequencer for each Part in the selected Scene.

Settings: 50%–400%, Common

Gate Time (Gate Time Rate)

Determines the Gate Time Rate of Arpeggio for each Part in the selected Scene.

Settings: 0%–200%

Velocity (Velocity Rate)

Determines the Velocity Rate of Arpeggio for each Part in the selected Scene.

Settings: 0%–200%

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 When the “Arp/MS FX 2” tab is selected and the corresponding Memorize Switch is set

to ON

Amp (Motion Sequencer Amplitude)

Determines the Amplitude of Motion Sequencer for each Part in the selected Scene. For details about Amplitude, see “Quick Edit” (page 38).

Settings: -64 – +63

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Shape (Motion Sequencer Pulse Shape)

Determines the Pulse Shape of Motion Sequencer for each Part in the selected Scene. For details about Pulse Shape, see “Quick Edit” (page 38).

Settings: -100 – +100

Smooth (Motion Sequencer Smoothness)

Determines the Smoothness of Motion Sequencer for each Part in the selected Scene. For details about Smoothness, see “Quick Edit” (page 39).

Settings: -64 – +63

Random (Motion Sequencer Random)

Determines the “Random” of Motion Sequence for each Part in the selected Scene. For details about Random, see “Quick Edit” (page 39).

Settings: 0–127

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Song Length

Tra c k Pl a y Sw i tc h

Play/Rec

You can playback/record MIDI data as Songs on this instrument itself or playback/record your performance (audio data) on a USB flash drive.

Play/Rec

MIDI

From the MIDI display you can playback/record your keyboard performance with using the selected Performance to the Song. You can playback/record knob operations, controller operations and Arpeggio playback as well as your keyboard playing to the specified Track as MIDI events.

 Playback and Playback Standby

Press the [R] (Play) button

Operation

or [PERFORMANCE (HOME)]  [Play/Rec]  [MIDI]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Song Name

Indicates the number and name of the selected Song. Touching the Song Name calls up a menu for selecting Load, Rename, New Song and User Arpeggio. Also, you can select a Song with the [INC/YES] and [DEC/NO] buttons while this is highlighted.

Link icon

Indicates that the Song data and Performance data contained in the Pattern data match. When the Song data and Performance data contained in the Pattern data do not match, a broken Link icon is shown.

Performance Name

Indicates the selected Performance Name.

Click Settings

Shows the Tempo settings display.

Time Signature

Indicates the meter of the Song.

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Position (Song Position)

Determines the starting position of Recording/Playback. The indicator also shows the current position during playback. The measure’s number is in the left cell and the beat number and clocks are in the right cell.

Tem po

Determines the Song tempo.

Settings: 5–300

NOTE The tempo can be set as follows.

[PERFORMANCE (HOME)]  [UTILITY]  [Tempo Settings] (page 250)

Store Song & Perf Settings

Changes the Song tempo, Loop settings, and the Performance called back along with the Song to the current settings. This parameter is not available during:

• New recording (No previously recorded Song data.)

• Playback

• Recording Standby

• Recording

Loop

Determines whether the Song plays through a single time or continuously. When this is set to on, the Song is repeatedly played back between the “Loop Start” and “Loop End” points (below).

Settings: Off, On

Loop Start / End

Determines the start position and the end position of Loop playback. The measure number is in the left cell and the beat number is in the right cell. This is not available when “Loop” is set to off.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Save As .mid File

Calls up the Store/Save display to save the Song as a file. This button is not available during:

• New recording (No previously recorded Song data.)

• Playback

• Recording Standby

• Recording

• An external memory such as a USB flash drive is not connected.

Song Length

Indicates the length of the entire sequence.

Track Play Switch

Switches the playback for each track on/off.

Settings: Off, On

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 Record and Record Standby

Press the [I] (Record) button

Operation

Time Signature

Determines the meter of the Song.

Settings: 1/16–16/16, 1/8–16/8, 1/4–8/4

or [PERFORMANCE (HOME)]  [Play/Rec]  [MIDI]  [I] (Record) button

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Arp Rec (Arpeggio Rec)

When this is set to on, the Arpeggiator output is recorded. When this is set to off, only the keyboard performance is recorded. This can only be set when recording a new song. Also, the setting cannot be changed after the first recording. When re-recording to previously recorded Songs with this set to off, the Record Type can only be set to Replace.

Settings: Off, On

NOTE Songs recorded with this set to off can be played back with a different Arpeggio from the one recorded by

changing to another Arpeggio in the Performance.

Rec Quantize (Record Quantize)

Quantization is the process of adjusting the timing of note events by moving them closer to the nearest exact beat. You can use this feature, for example, to improve the timing of a performance recorded in real time. Record quantize aligns the timing of notes automatically, as you record.

Settings: 60 (32nd note), 80 (16th note triplet), 120 (16th note), 160 (8th note triplet), 240 (8th note), 320 (1/4 note triplet),

480 (1/4 note), Off

Record Type

Determines the Recording Type. This parameter is not available for the first recording.

Settings: Replace, Overdub, Punch

Replace: You can use this method when you want to overwrite an already recorded Track with new data in real time.

The original data will be erased.

Overdub: You can use this method when you want to add more data to a Track that already contains data.

Previously recorded data will be maintained*.

Punch: You can use this method when you want to overwrite data to a specified range of a Track that already

contains data. It allows you to overwrite the already recorded data from the starting point to the ending point (measure/beat) that was specified before recording.

* When using Overdub with controller events that exist in the original recording, the existing controller events are

disabled and deleted, and then newly recorded, over the range from when the controller is first operated to when recording is stopped.

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Punch In

Determines the starting point (measure and beat) for recording. This parameter is available only when “punch” is selected for “Record Type.”

Punch Out

Determines the ending point (measure and beat) for recording. This parameter is available only when “punch” is selected for “Record Type.”

NOTE For details about the Punch In/Out setting, see the Owner’s Manual.

Undo

The Undo Job cancels the changes you made in your most recent recording session, restoring the data to its previous state.

Redo

Redo is available only after using Undo, and lets you restore the changes you made before undoing them.

 Put Track to Arpeggio

This function copies data in the specified measures of a track for creating Arpeggio data. Up to 16 unique note numbers can be recorded to the Arpeggio track. If more than 16 different note numbers have been recorded to the MIDI sequence data, the Convert operation reduces the notes in excess of the limit. Because of this, be careful to record only up to 16 different notes when you create an Arpeggio, especially when using multiple tracks.

[R] (PLAY) button

Operation

or [PERFORMANCE (HOME)]  [Play/Rec]  [MIDI]  Touch the Song Name to call up the menu  [User Arp] in the menu

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Arp (Arpeggio Number)

Determines the User Arpeggio number. One of the numbers currently not in use is automatically assigned by default. When a number already in use is selected, the previous Arpeggio data in the selected number will be overwritten.

Settings: 1–256

Category (Arpeggio Category)

Determines the Category setting (Main Category and Sub Category) for the created Arpeggio data.

Settings: Refer to the Arpeggio Type Category List in the Reference Manual PDF document.

Name (Arpeggio Name)

Determines the User Arpeggio name. The Arpeggio name can contain up to 20 characters.

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Current play position in the entire audio data

Level meter

Song Track

Determines the track of the source Song for each Arpeggio track.

Convert Type

Determines how the MIDI sequence data (of Song tracks) will be converted to Arpeggio data from the three ways below. This parameter can be set for each track.

Settings: Normal, Fixed, Org Notes

Normal: The Arpeggio is played back using only the played note and its octave notes. Fixed: Playing any note(s) will trigger the same MIDI sequence data. Org Notes

according to the played chord.

(original notes): Basically same as “Fixed” with the exception that the Arpeggio playback notes differ

Original Notes Root

Determines the root note when the Convert Type of any track is set to “Org Notes.” This is available only when any track is set to “Org Notes.”

Settings: C-2 – G8

Measure

Determines the range of measures to be copied to the Arpeggio data.

Settings: 001–999

Store As User Arp (Store As User Arpeggio)

Stores as User Arpeggio following all settings made in this display. This is not available when all tracks are set to off.

Audio

From the Audio display you can record your performance on the instrument as WAV format (44.1-kHz, 24-bit, stereo) audio files to a USB flash drive. It is possible to record continuously for up to 74 minutes (assuming that the USB storage device has sufficient free memory).

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

 Playback and Playback Standby

Operation

[PERFORMANCE (HOME)]  [Play/Rec]  [Audio]

Audio Name

Indicates the name of the selected Audio file.

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Position (Audio Position)

Determines the starting position of Playback. The indicator also shows the current position during playback.

Audio Volume

Determines the volume of the Audio Playback. This parameter cannot be changed during recording.

Settings: 0–255

Audio Length

Indicates the length of the entire audio data.

Level Meter

Indicates the Audio Input/Output level.

 Record and Record Standby

Operation

[PERFORMANCE (HOME)]  [Play/Rec]  [Audio]  [I] (Record) button

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Recordable (Audio Recordable Time)

Indicates available recording time. This parameter is displayed only during recording standby.

Tri gger Level

Determines the method of starting recording. This parameter is displayed only during recording standby. If you set the trigger level to “manual,” recording will begin whenever you press the [R] (Play) button. Alternatively, if you set a value between 1 and 127, recording will begin automatically whenever the [R] (Play) button is pressed and the playback volume exceeds that level. The level set here will be indicated by blue triangles in the level meter. For best results, set this parameter as low as possible to capture the entire signal, but not so low as to record unwanted noise.

Settings: manual, 1–127

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Pattern

The Pattern display allows you to create your own Pattern data, by recording sequences for each Scene.

 Playback/Waiting for Playback

Operation

[PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

Indicates the selected pattern name. Touching the parameter calls up the menu to Load, Rename and create a New Pattern. Also, you can select a Pattern with the [INC/YES] and [DEC/NO] buttons while this is highlighted.

Link icon

Indicates that the Pattern data and Performance data contained in the Pattern data match. When the Pattern data and Performance data contained in the Pattern data do not match, a broken Link icon is shown.

Performance Name

Indicates the selected performance name.

NOTE When you change the parameters in Performance, a blue flag indication appears at the right side of the

Performance Name.

Time Signature

Indicates the meter of the Pattern.

Position

Determines the starting position of Recording/Playback. The indicator also shows the current position during playback. The measure number is in the left cell and the beat number and clock value are in the right cell.

Tem po

Determines the tempo to playback the Pattern.

Range: 5–300

Click Settings

Opens the Tempo Settings display.

Scene

Indicates the selected scene number.

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Length

Determines the length of the entire sequence in the selected Scene.

Range: 1–256

Key On Start

Determines whether or not recording or playback of the Pattern starts when you play the keyboard.

Settings: Off, On

Store Pattern & Perf Settings

Stores the edited pattern data and the link to the selected Performance.

NOTE After you’ve edited parameters in the Performance, you will need to Store the Performance data.

Edit/Job

Opens the display for editing the pattern and related jobs.

 Waiting for New Recording

Operation

[PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [I] (Record) button

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Time Signature

Determines the meter/time signature of the Scene.

Settings: 1/16–16/16, 1/8–16/8, 1/4–8/4

Rec Quantize

Settings: Off, 60 (32nd note), 80 (16th note triplet), 120 (16th note), 160 (8th note triplet), 240 (8th note), 320 (1/4 note triplet),

480 (1/4 note)

Loop

When Loop is set to On, recording does not stop at the end of the Pattern, but continues in a “loop” by returning to the top of the pattern.

Settings: Off, On

NOTE To temporarily disengage the record mode and enter the Rehearsal mode, simply press the [I] (Record) button

during realtime recording. The [I] (Record) indicator flashes and playback will continue uninterrupted, but no data will be recorded. This convenient Rehearsal mode feature lets you easily and temporarily disable recording in order to practice a Part or try out various ideas (while listening to the other tracks) without actually recording. To return to the record mode press the [I] (Record) button again so that the [I] (Record) indicator lights continuously.

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 Recording

Operation

Hold [SHIFT] + key to erase

You can delete specific note events by pressing the [SHIFT] button and playing the keys corresponding to the notes you want to delete.

NOTE You can change the sound via the Part Category Search display even while recording, by touching the Part

name and then selecting [Category Search].

[PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [I] (Record) button  [R] (Play) button

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

 Re-recording

Operation

[PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  (indicated Pattern has been recorded already) [I] (Record) button  [R](Play) button

Record Type

Determines whether a pattern will be replaced or overdubbed when recording.

Settings: Replace, Overdub

NOTE When this is set to Overdub, recording of controller events is handled differently. Existing controller events are

disabled and deleted, and then newly recorded, over the range from when the controller is first operated to when recording is stopped.

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Overview

Operation

Typ e

Touching this button changes the Part’s displayed text to Main Category and Sub Category. This button is synchronized with the corresponding button on the Play/Rec display. Changing one changes the other.

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Name

Touching this button changes the Part’s displayed text to Part Name. This button is synchronized with the corresponding button on the Play/Rec display. Changing one changes the other.

Scene

Indicates the selected scene number.

Undo

Cancels the most recently made changes and restores to the state prior to the last changes. This job is available only when a recorded sequence already exists and you have performed some job on the sequence data.

Redo

Restores the changes performed by Undo. Redo is available only after using Undo.

Save As .mid File

Opens the Store/Save display. You can save the selected Scene’s sequence as a MIDI file.

Load .mid File

Opens the Load display for loading MIDI files. You can select the Pattern and Scene to load after you have selected a MIDI file.

Length

Indicates the length of the entire sequence in the selected Scene.

Position

Shows the current position during Scene playback, and lets you set the starting position of playback.

Range: 001–256

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Note

Quantize

Operation

[R](Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Note]  [Quantize]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Track

Determines the track to which the Job is applied.

Scene

Determines the scene to which the Job is applied.

Start Measure

Determines the starting measure position at which the Job is applied.

Range: 001–257

Start Beat

Determines the starting beat position at which the Job is applied.

Settings: Depends on selected Time Signature

Start Clock

Determines the starting Clock position at which the Job is applied.

Settings: Depends on selected Time Signature

End Measure

Determines the ending measure position at which the Job is applied.

Range: 001–257

End Beat

Determines the ending beat position at which the Job is applied.

Settings: Depends on selected Time Signature

End Clock

Determines the ending Clock position at which the Job is applied.

Settings: Depends on selected Time Signature

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Quantize (Resolution)

Determines to what beats the note data in the specified track will be aligned.

Settings: 32nd note, 16th note triplet, 16th note, 8th note triplet, 8th note, 1/4 note triplet, 1/4 note, 16th note + 16th note triplet,

8th note + 8th note triplet

Strength

Sets the degree or “magnetic strength” to which Quantize is applied. A setting of 100% produces exact timing. A setting of 0% results in no quantization.

Range: 0%–100%

Swing Rate

This selectively delays the notes on even-numbered beats (backbeats) to produce a swing feel. For example, if the meter is 4/4 and the Quantize value is quarter notes, the 2nd and 4th beats of the measure will be delayed.

Settings: Depends on specified Quantize value

If the Quantize value is 1/4 note, 8th note, 16th note, 32nd note: 0 – half of the triplet grid If the Quantize value is 1/4 note triplet, 8th note triplet, 16th note triplet: 0 – half of the triplet grid If the Quantize value is 8th note + 8th note triplet, 16th note + 16th note triplet: 0 – half of the triplet grid

Gate Time

Determines the gate time (the length of time a note sounds) of the even-numbered backbeat notes for enhancing the swing feel.

Range: 0%–200%

Execute

Executes the Job on the MIDI sequence data.

Velocity

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

This Job alters the velocity values of a specified range of notes, letting you selectively boost or cut the volume of those notes.

NOTE Velocity changes are calculated as follows

Adjusted Velocity = (Original Velocity x Rate) + Offset

If the result is 0 or less, the value is set to 1. If the result is higher than 127, the value is set to 127.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Note]  [Velocity]

Set All

Sets the velocities of all target notes to the same fixed value. When set to “Off,” the Set All parameter has no effect. When set to a value other than “Off,” the Rate and Offset parameters are unavailable.

Range: Off, 001–127

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Rate

Determines the percentage by which the target notes will be shifted from their original velocities. Range below 100% reduce the velocities, and Range above 100% increase the velocities proportionately. When the Set All parameter is set to something other than “Off,” this parameter cannot be changed.

Range: 0%–200%

Offset

Adds a fixed value to the Rate-adjusted velocity values. A setting of 0 produces no change. Range below 0 reduce the velocities, and Range above 0 increase the velocities. When the Set All parameter is set to something other than “Off,” this parameter cannot be changed.

Range: -127 – +127

Execute

Executes the Job to the MIDI sequence data.

Gate Time

This Job alters the gate times of a specified range of notes.

NOTE Gate time changes are calculated as follows:

Adjusted Gate Time = (Original Gate Time x Rate) + Offset

If the result is 0 or less, the value is rounded off to 1.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Note]  [Gate Time]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Set All

Sets the gate times of all target notes to the same fixed value. When set to “Off,” the Set All parameter has no effect. When set to a value other than “Off,” the Rate and Offset parameters are unavailable.

Range: Off (0), 001–9999

Rate

Determines the percentage by which the gate time of the target notes will be changed. Range below 100% shorten the notes, and Range above 100% lengthen the notes proportionately. When the Set All parameter is set to something other than “Off,” this parameter cannot be changed.

Range: 0%–200%

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Offset

Adds a fixed value to the Rate-adjusted gate time values. A setting of 0 produces no change. Range below 0 shorten the gate time, and Range above 0 lengthen the gate time. When the Set All parameter is set to something other than “Off,” this parameter cannot be changed.

Range: -9999 – +9999

Execute

Executes the Job to the MIDI sequence data.

Cresc. (Crescendo)

This Job lets you create a crescendo or decrescendo over a specified range of notes. (Crescendo is a gradual increase in volume, and decrescendo is a gradual decrease.)

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Note]  [Cresc.]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Velocity Range

Determines the intensity of the crescendo or decrescendo. The velocity values of the notes in the specified range are gradually increased or decreased starting at the first note in the range. The velocity of the last note in the range becomes the original velocity of the note plus the Velocity Range value. If the resultant velocity is outside the 1–127 range, it is set to 1 or 127 accordingly. Range greater than 0 produce a crescendo, and Range less than 0 produce a decrescendo. A setting of 0 produces no effect.

Range: -127 – +127

Execute

Executes the Job to the MIDI sequence data.

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Transpose

This Job lets you change the key or pitch of the notes in the specified range.

NOTE When you execute this Job and change notes outside the allowed range of C-2 – G8, the notes are

automatically set to the octave below (or above).

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Note]  [Transpose]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Note

Determines the range of notes over which the Job is applied. You can set the Note directly from the Keyboard by touching the [Keyboard] button.

Range: C -2 – G8

Transpose

Transposes notes in the specified range (in semitones). A setting of +12 transposes up one octave, while a setting of -12 transposes down an octave. A setting of 0 produces no change.

Range: -127 – +127

Execute

Executes the Job on the MIDI sequence data.

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Roll

This Job creates a series of repeated notes (like a drum roll) over the specified range.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Note]  [Roll]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Start Step

Determines the size of the step (i.e., the number of clocks) between each note in the roll. You can create subdivided rolls by setting small values between Start Step and End Step. This corresponds to the first clock value in the range that you specified.

Range: 015–999

End Step

Determines the size of the step (i.e. the number of clocks) between each note in the roll. You can create subdivided rolls by setting small values between Start Step and End Step. This corresponds to the last clock value in the range that you specified.

Range: 015–999

Note

Determines the notes for which the Job is applied. You can set the Note directly from the Keyboard by touching the [Keyboard] button.

Range: C -2 – G8

Start Velocity

Determines the velocity of the notes in the roll. This is the first Velocity value in the range that you specified.

Range: 001–127

End Velocity

Determines the velocity of the notes in the roll. This is the last Velocity value in the range that you specified.

Settings: 001–127

NOTE Determining the Start Velocity and End Velocity lets you create rolls that gradually increase or decrease in

volume (crescendo/decrescendo).

Execute

Executes the Job on the MIDI sequence data.

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*1 Source

*2 Destination

Track

Copy

This Job copies all data from a specified source track to the specified destination track.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Track]  [Copy]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

*1 Source

Determines the source Pattern.

*1 Source

Track

Determines the source Track.

Scene

*1 Source

Determines the source Scene.

Pattern Name

*2 Destination

Determines the destination Pattern.

*2 Destination

Track

Determines the destination Track.

Scene

*2 Destination

Determines the destination Scene.

Copy Track

Executes the Copy Job.

NOTE When you execute Copy Track with Track set to All and Scene set to All, Chain data (page 92) is copied

automatically.

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Exchange

This Job swaps all data from specified track to another.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Track]  [Exchange]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

Determines one of the Patterns for data exchange.

Track

Determines the Track to exchange.

Scene

Determines the Scene to exchange.

Pattern Name

Determines the other Pattern for data exchange.

Track

Determines the Track to exchange.

Scene

Determines the Scene to exchange.

Exchange Track

Executes the exchange job.

NOTE When you execute Exchange Track with Track set to All and Scene set to All, Chain data (page 92) is copied

automatically.

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*3 Destination B

*1 Source A

*2 Source B

Mix

This Job mixes all data from two selected tracks (“A” and “B”), and places the result in track B.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Track]  [Mix]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

*1 Source A

Determines the source for Pattern A.

*1 Source A

Track

Determines the Track to mix.

Scene

*1 Source A

Determines the Scene to mix.

Pattern Name

*2 Source B

Determines the source for Pattern B.

Track

*2 Source B

Determines the Track to mix.

Scene

*2 Source B

Determines the Scene to mix.

Pattern Name

*3 Destination B

Indicates the destination Pattern.

*3 Destination B

Track

Indicates the destination Track.

Scene

*3 Destination B

Indicates the destination Scene.

Mix Track

Executes the mix job.

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*1 Source

*2 Destination

Append

This Job adds all data from a specified source track to the end of a specified destination track.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Track]  [Append]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

*1 Source

Determines the source Pattern.

*1 Source

Track

Determines the source Track.

Scene

*1 Source

Determines the source Scene.

Pattern Name

*2 Destination

Determines the destination Pattern.

Track

*2 Destination

Determines the destination Track.

Scene

*2 Destination

Determines the destination Scene.

Append Track

Executes the append job.

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*1 Source

*2 Destination

Split

This Job moves the latter half of data divided at a specified measure from a specified source track to the specified destination track.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Track]  [Split]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

*1 Source

Determines the source Pattern.

*1 Source

Track

Determines the source Track.

Scene

*1 Source

Determines the source Scene.

Measure

*1 Source

Determines the measure at which the data is divided.

Pattern Name

Indicates the destination Pattern.

Tra ck

Indicates the destination Track.

Scene

Indicates the destination Scene.

Pattern Name

Determines the destination Pattern.

*2 Destination

Track

Determines the destination Track.

*2 Destination

Scene

*2 Destination

Determines the destination Scene.

Split Track

Executes the split job.

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Clear

This Job clears all data from a specified track.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Track]  [Clear]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

Determines the Pattern to clear.

Track

Determines the Track to clear.

Scene

Determines the Scene to clear.

Clear Track

Executes the Clear job.

NOTE When you execute Clear Track with Track set to All and Scene set to All, Chain data (page 92) is deleted too.

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Divide Drum Tr (Divide Drum Track)

This Job allows you to separate drum note data from a specified track. This separates the note events in a drum track assigned to a specified track, and places the notes corresponding to different drum instruments in separate tracks (Tracks 9–16).

NOTE The data previously existing on Tracks 9–16 and Parts 9–16 are replaced when you execute Divide Drum Tr. You

cannot Undo this edit.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Track]  [Divide Drum Tr]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

Determines the Pattern containing the drum track to be divided.

Track

Determines the Track for which the drum note data will be separated.

Divide Drum Track

Executes the Divide Job.

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*1 Source

*2 Destination

Song/Event

Get Phrase

This Job copies specified data from a specified source Song to a specified destination track.

NOTE The data previously existing on the specified destination track is replaced when you execute Get Phrase.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Song/ Event]  [Get Phrase]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Song Name

Determines the source Song.

*1 Source

Track

Determines the source track. You can also specify “All.”

Start Measure

Determines the starting measure position at which the Job is applied.

Range: 001–998

End Measure

Determines the ending measure position at which the Job is applied.

Range: 002–999

Pattern Name

Determines the destination Pattern.

*2 Destination

Track

Determines the destination Track. You can also specify “All.”

Scene

Determines the destination Scene.

Get Phrase from Song

Executes the copy job.

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Destination

Put Phrase

This Job copies all data from a specified source Pattern to a specified measure on the destination Song.

NOTE The specified source Pattern is merged into previously existing data on the specified destination Song when

you execute Put Phrase.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [Song/ Event]  [Put Phrase]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Pattern Name

Determines the source Pattern.

Track

Determines the source track.

Scene

Determines the source Scene.

Song Name

Determines the destination Pattern.

*Destination

Track

Determines the destination track.

Measure

Determines the measure position at which the Job is applied.

Range: 001–999

Put Phrase to Song

Executes the Copy Job.

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Erase Event

You can delete MIDI events in a Pattern according to event type along with specifying the range (Measure, Beat and Clock).

Operation

[R] (Play) button or [PERFORMANCE]  [Play/Rec]  [Pattern]  [Edit/Job]  [Song/Event]  [Erase Event]

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

Tra ck

Determines the Track to be erased.

Scene

Determines the Scene to be erased.

Start Measure

Determines the starting measure position at which the Job is applied.

Range: 001–257

Start Beat

Determines the starting beat position at which the Job is applied.

Settings: Depends on selected Time Signature

Start Clock

Determines the starting clock position at which the Job is applied.

Settings: Depends on selected Time Signature

End Measure

Determines the ending measure position at which the Job is applied.

Range: 001–257

End Beat

Determines the ending beat position at which the Job is applied.

Settings: Depends on selected Time Signature

End Clock

Determines the ending clock position at which the Job is applied.

Settings: Depends on selected Time Signature

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Auto Select

When turned on, this enables you to determine the type of Event to be erased using panel controls, such as the Pitch Bend wheel or Knob.

Settings: Off, On

Event Type

Determines the type of Event to be erased.

Settings: Note, Poly, CC, NRPN, RPN, PC, AfterTouch, PitchBend, SysEx, All

CC Number (Control Change Number)

Displayed when the Event type is set to CC. Determines the Control Change Number to be erased.

Range: Range: All, 1–127

System Exclusive

Displayed when the Event type is set to SysEx. Determines the System Exclusive to be erased.

Settings: All, Common Cutoff, Common Resonance, Common FEG Depth, Common Portamento, Common Attack Time,

Common Decay Time, Common Sustain Level, Common Release Time, Common EQ Low Gain, Common EQ Lo Mid Gain, Common EQ Mid Gain, Common EQ Mid Freq, Common EQ Hi Mid Gain, Common EQ High Gain, Common Pan, Common Var Return, Common Rev Return, Common Swing, Common Unit Multiply, Common Gate Time, Common Velocity, Common MS Amplitude, Common MS Shape, Common MS Smooth, Common MS Random, Common Assign Knob 1, Common Assign Knob 2, Common Assign Knob 3, Common Assign Knob 4, Common Assign Knob 5, Common Assign Knob 6, Common Assign Knob 7, Common Assign Knob 8, Common Super Knob, Part FEG Depth, Part Sustain Level, Part EQ Low Gain, Part EQ Mid Freq, Part EQ Mid Gain, Part EQ Mid Q, Part EQ High Gain, Part Swing, Part Unit Multiply, Part Gate Time, Part Velocity, Part MS Amplitude, Part MS Shape, Part MS Smooth, Part MS Random, Element 1 Level, Element 2 Level, Element 3 Level, Element 4 Level, Element 5 Level, Element 6 Level, Element 7 Level, Element 8 Level, Operator 1 Level, Operator 2 Level, Operator 3 Level, Operator 4 Level, Operator 5 Level, Operator 6 Level, Operator 7 Level, Operator 8 Level, Drum BD Level, Drum SD Level, Drum HH Close Level, Drum HH Pedal Level, Drum HH Open Level, Drum Low Tom Level, Drum High Tom Level, Drum Crash Level

NOTE When Common parameters and Super Knob are specified, the System Exclusive is deleted irrespective of the

Track settings.

Performance

Home

Motion Control

Overview

Quick Edit

Arpeggio

Motion Seq

Super Knob

Knob Auto

Mixing

Scene

Play / Rec

MIDI

Audio

Pattern

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Remote

User Arp (User Arpeggio)

This Job copies data in the specified measures of a track for creating Arpeggio data.

NOTE The previously existing data on the specified destination track is replaced when you execute User Arp.

Operation

[R] (Play) button or [PERFORMANCE (HOME)]  [Play/Rec]  [Pattern]  [Edit/Job]  [User Arp]

Scene

Determines the source Scene.

Range: 1–8

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Start Measure

Determines the starting measure position at which the Job is applied.

Range: 1–256

End Measure

Determines the ending measure position at which the Job is applied.

Range: 2–257

Arp (Arpeggio Number)

Indicates the number of the Arpeggio Type.