Xerox Fiery EX8000AP User Manual

Fiery
®
EX8000AP Color Server
Graphic Arts Package
45064786
15 May 2007
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ONTENTS
ONTENTS
C
C
CONTENTS
NTRODUCTION
I
Terminology and conventions
About this document
Graphic Arts Package
Graphic Arts Package, Premium Edition
Setting up your monitor and the monitor profile
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P
S
APER
POT
S
C
OLOR
IMULATION
Paper simulation workflow
Printing with default Paper Simulation
Paper Simulation print option 12
Paper Simulation White Point editing
Paper Simulation White Point dialog box 13
Editing Paper Simulation White Point 14
Printing with custom paper simulation values
N
WITH
-O
Using Two-Color Print Mapping
Defining a color for Two-Color Print Mapping 20
Printing a job with Two-Color Print Mapping 22
S
ETUP
ColorWise Pro Tools Color Setup features
WO
T
F
EATURES
W
-C
HITE
OLOR
P
P
OINT
RINT
E
DITING
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APPING
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Using Color Setup 25
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CONTENTS
Control Bar
Control Bar workflow 26
Printing with the default Control Bar 26
Control Bar pane 28
Printing with a custom Control Bar 33
Configurable Auto Trapping
Configurable Auto Trapping workflow 34
Printing with default Auto Trapping 34
Auto Trapping pane 35
Setting the Apply Auto Trapping option to On 36
Defining custom values for Auto Trapping 38
Printing with the configurable Auto Trapping feature 38
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Progressives
Progressives workflow 39
Printing with default Progressives 40
Progressives pane 41
Specifying color channels 42
Printing with custom Progressives 42
Halftone Simulation
Halftone Simulation workflow 43
Halftone Simulation print option 43
Printing with pre-defined halftone screens 44
Halftone Simulation pane 45
Setting a custom halftone screen 46
Printing with custom halftone screens 47
Supported applications 47
Calibrating for custom halftone screens 47
MAGE
I
IEWER
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Accessing ImageViewer
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P
OFT
ROOFING
Viewing soft proofs
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CONTENTS
REFLIGHT
P
OT
OLDERS
H
F
About file conversion
Filters
Specifying filter settings for a Hot Folder
About PS-> PDF Normalizer 59
Using the filters
Using the CT/LW to PostScript filter 60
Using the DCS 2.0 to PostScript filter 61
Using the EPS to PostScript filter 62
Using the ExportPS filter 63
ILTERS
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Using the JPEG to PDF filter 64
Using the PDF/X Preflight filter 65
Using the PDF2Go filter 66
Using the TIFF to PDF filter 67
Using the TIFF/IT to PostScript filter 68
OSTFLIGHT
P
About Postflight
Postflight Test Page 71
Postflight color-coded pages 71
Postflight reports 72
Postflight print option
Postflight workflow
Scenario 1: Diagnose an unexpected color 76
Scenario 2: Check the calibration status 78
Scenario 3: Check the quality of the output profile 79
Scenario 4: Diagnose a color problem of a specific object 80
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CONTENTS
ULTIPLE
M
Multiple plate separations workflow
Combine Separations print option
Supported applications
APER
P
Paper Simulation workflow
Paper Simulation print option
I
NDEX
LATE
P
IMULATION
S
EPARATIONS
S
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NTRODUCTION
I

Terminology and conventions

INTRODUCTION

This document explains the Graphic Arts Package features and how they work. Because of the flexibility of the controls Graphic Arts Package provides, users in any environment can benefit from the Graphic Arts Package features. Novice users can use the default settings to obtain optimal results. Expert users with specific needs and requirements in graphic arts and other markets can also obtain optimal results by customizing the settings.
The documentation for the Fiery EX8000AP Color Server uses the following terminology and conventions.
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Term or convention Refers to
Aero Fiery EX8000AP (in illustrations and examples)
Digital press DocuColor 8000AP digital press
Fiery EX8000AP Fiery EX8000AP Color Server
Mac OS Apple Mac OS X
Titles in
Windows Microsoft Windows 2000, Windows XP, Windows Server 2003
italics
Other documents in this set
Graphic Arts Package
Graphic Arts Package, Premium Edition
Topics for which additional information is available by starting Help in the software
Tips and information
Important information
Important information about issues that can result in physical harm to you or others
INTRODUCTION

About this document

This document describes the features that are available through the print options and utilities such as ColorWise Pro Tools and Command WorkStation. The features are organized as follows:
•Features accessible from or used to set the values in ColorWise Pro Tools
Paper Simulation White Point Editing
Color Editor.
Spot-On with Two-Color Print Mapping
colors with print colors.
Color Setup
and Halftone Screen.
•Features accessible from Command WorkStation
ImageViewer
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describes the white point editing feature with
describes the feature used to map document
describes the following features: Control Bar, Auto Trapping, Progressives,
describes how to start the ImageViewer application.
Soft Proofing
Preflight
describes the Soft Proof feature.
describes how to perform the Preflight check of your job.
•Features accessible from or used to set the values in utilities other than ColorWise Pro Tools and Command WorkStation
Hot Folders Filters
describes the filters features.
•Other features
Postflight
Multiple Plate Separations
describes the Postflight feature and its workflow examples.
describes the combine separation feature for more than
four plates.
Paper Simulation
describes the fixed Paper Simulation feature.
INTRODUCTION

Graphic Arts Package

The following features are included in Graphic Arts Package:
Feature Where to set values or access Print option name See
Halftone screening
Soft proofing
Multiple plate separations
Fixed paper simulation
ColorWise Pro Tools Color Setup
Command WorkStation Soft Proofing
Halftone Screen Color Setup Features
Combine Separation Multiple Plate Separations
Paper Simulation Paper Simulation

Graphic Arts Package, Premium Edition

The following features are included in Graphic Arts Package, Premium Edition:
Feature Where to set values or access Print option name See
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Paper simulation white point editing
Spot-On: two-color print mapping
Control bar
Configurable auto trapping
Progressives
Halftone screening
ImageViewer
Preflight
Hot Folders file filters
Postflight
Multiple plate separations
ColorWise Pro Tools Color Editor
ColorWise Pro Tools Spot-On
ColorWise Pro Tools Color Setup
ColorWise Pro Tools Color Setup
ColorWise Pro Tools Color Setup
ColorWise Pro Tools Color Setup
Command WorkStation: ImageViewer
Command WorkStation: Preflight
Hot Folders Hot Folders Filters
Command WorkStation: ImageViewer
Paper Simulation Paper Simulation White Point
Editing
Two-Color Print Mapping Spot-On with Two-Color Print
Mapping
Control Bar Color Setup Features
Auto Trapping Color Setup Features
Progressives Color Setup Features
Halftone Screen Color Setup Features
ImageViewer
Preflight
Postflight Postflight
Combine Separation Multiple Plate Separations
Fixed paper simulation
Paper Simulation Paper Simulation
INTRODUCTION
Setting up your monitor and the monitor profile
Some Graphic Arts Package features require that a job be displayed with correct colors on your monitor.
The following features require the correct monitor display:
•Paper Simulation White Point editing (see page 11)
•Soft Proofing from Command WorkStation (see page 52)
•ImageViewer previewing from Command WorkStation (see page 50)
To display the colors correctly on your monitor, you must set up the monitor display according to the manufacturer’s recommendations, and specify the correct monitor profile for your monitor.
Specify the following settings for the monitor display:
•At the monitor: Brightness, Contrast, and Temperature
•From the control panel of the operating system: Resolution, Refresh rate, and Number of colors
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For more information about setting up your monitor and the monitor profile, see the documentation that accompanies the monitor.

PAPER SIMULATION WHITE POINT EDITING

PAPER SIMULATION WHITE POINT EDITING
Although an ICC profile contains a definition of “white,” the white may not always visually match the human eye, requiring a perceptual adjustment. The Paper Simulation White Point editing feature allows you to perceptually adjust the hue, brightness, and saturation of the simulated paper white defined in the ICC profile.
Paper simulation workflow
You can print a job with the Paper Simulation feature set to On from the printer driver without customizing paper simulation. Many jobs may print satisfactorily with the fixed default Paper Simulation setting. However, you can customize the paper simulation by editing the white point values with ColorWise Pro Tools Color Editor. After you customize the values, print the job with the custom paper simulation values from the printer driver by setting the Paper Simulation print option to On.
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To print a job with the fixed Paper Simulation setting, use the procedure on page 12. For more information about editing Paper Simulation White Point values and printing with custom paper simulation values, see page 13.
PAPER SIMULATION WHITE POINT EDITING

Printing with default Paper Simulation

Use the following procedure to print a job with the fixed Paper Simulation value.
NOTE: The procedures for printing a job from a Mac OS or a Windows computer are similar.
TO PRINT A JOB WITH DEFAULT PAPER SIMULATION
1 Choose Print from your application.
2 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears with the Fiery Printing tab selected.
3 Click the ColorWise icon.
4 Click Expert Settings.
The Expert Color Settings dialog box appears.
5 Select Paper Simulation.
6 Click OK to close the Expert Color Settings dialog box.
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7 Click OK to close the Properties dialog box.
8 Click Print.
The job prints with the default Paper Simulation White Point setting.

Paper Simulation print option

The following values are available for the Paper Simulation print option:
•Off (Default)
•On
NOTE: If you have not edited the Paper Simulation White Point values with ColorWise Pro
Tools Color Editor and selected On for this option, your job is printed with the default Paper Simulation values. If you edited the values, your job is printed with the custom Paper Simulation values.
PAPER SIMULATION WHITE POINT EDITING

Paper Simulation White Point editing

Your job may print satisfactorily with the fixed Paper Simulation setting. However, you can customize the Paper Simulation setting by editing the Paper Simulation White Point values with ColorWise Pro Tools Color Editor.

Paper Simulation White Point dialog box

The Paper Simulation White Point dialog box displays Hue, Brightness, and Saturation sliders. A graphic under each slider displays the current setting. To adjust the settings, drag the slider left or right, or type a value in the editable text field to the right of the slider bar.
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NOTE: The sliders do not show absolute values. The slider position and associated values are
relative to the paper white definition in effect when you open the dialog box.
Hue
This setting allows you to change the hue of the Paper Simulation White Point. Specify a value between 0.0 and +359.9. If you specify a value greater than 359.9, it automatically changes to 359.9. If you specify a value less than 0.0, it automatically changes to 0.0.
Brightness
This setting allows you to change the brightness of the Paper Simulation White Point. Specify a value between 0.0 and 100.0 (inclusive). If you specify a value greater than 100.0, it automatically changes to 100.0. If you specify a value less than 0.0, it automatically changes to 0.0.
Saturation
This setting allows you to change the saturation of the Paper Simulation White Point. Specify a value between 0.0 and 100.0 (inclusive). If you specify a value greater than 100.0, it automatically changes to 100.0. If you specify a value less than 0.0, it automatically changes to 0.0.
PAPER SIMULATION WHITE POINT EDITING
Preview
This area in the lower-left corner of the dialog box displays a preview of the paper simulation color, surrounded by a white border for contrast. The preview is based on the monitor profile you specified next to Current Monitor Profile.
To preview the color correctly with your monitor, select the Monitor Compensation option, and then select the correct monitor profile for your monitor. For more information, see
page 16.
NOTE: To display the colors correctly with your monitor, you must set the monitor and
monitor settings correctly. For more information, see page 10.
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Editing Paper Simulation White Point

To edit a custom profile, do the following:
•Select a CMYK Simulation Profile.
•Select Full (Output GCR) for a simulation method.
• Link the simulation profile to an output profile.
Use the following procedure to access the Paper Simulation White Point dialog box to edit the values.
NOTE: If Paper Simulation is set to On, and you have defined a substitute color as
C=0, M=0, Y=0, K=0, the values defined in Substitute Colors override those for Paper Simulation. For information about Substitute Colors, see Color Printing.
TO ACCESS THE PAPER SIMULATION WHITE POINT DIALOG BOX
1 Start ColorWise Pro Tools and connect to the Fiery EX8000AP.
Start ColorWise Pro Tools from a stand-alone application or Command WorkStation, at your computer or at the monitor connected to the Fiery EX8000AP.
2 Click Color Editor.
1 Select Simulation
PAPER SIMULATION WHITE POINT EDITING
3 Select Simulation from the View list.
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NOTE: You can edit the white point values of simulation profiles only. You cannot edit those of
output profiles.
4 Select a simulation profile and click Select.
The Color Editor dialog box appears.
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1 Select Full (Output GCR) 2 Output profile name
5 Select Full (Output GCR) in the Edit Mode menu.
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6 Select an output profile to link to the edited simulation profile.
NOTE: When you print a job with the edited simulation profile, you must select the same
output profile you linked to here to realize the effect of the Paper Simulation White Point editing.
PAPER SIMULATION WHITE POINT EDITING
7 Click Paper Simulation.
The Paper Simulation White Point dialog box appears.
Use the following procedure to edit the Paper Simulation White Point values.
TO EDIT PAPER SIMULATION WHITE POINT VALUES
1 Select the Monitor Compensation option in the Paper Simulation White Point dialog box.
2 Make sure that the correct monitor profile for your monitor is displayed next to Current
Monitor Profile.
3 If the correct monitor profile is not selected, click Monitor.
The Select Monitor Profile dialog box appears.
4 Select ICC Profiles from the Format list.
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5 Select the monitor profile for your monitor and click Open.
The Paper Simulation White Point dialog box appears.
6 Edit the Hue, Brightness, and Saturation values.
Edit the values by dragging the sliders or typing values in the text fields. For detailed information about the Paper Simulation White Point dialog box, see page 13.
7 View the changes in the preview patch in the lower-left corner of the dialog box.
8 Click Print.
The Print Test dialog box appears.
PAPER SIMULATION WHITE POINT EDITING
9 Select settings from the Paper Size and Input Tray lists and click Print.
10 Click OK to close the Paper Simulation White Point dialog box.
11 Click Save in the Color Editor dialog box.
The Save dialog box appears.
12 Type a new name and click Save.
13 Quit Color Editor.

Printing with custom paper simulation values

After you edit the paper simulation values in Color Editor, you can print a document with the custom paper simulation values from the printer driver. You can also override the setting with Command WorkStation.
NOTE: The procedures for printing a job from a Windows or Mac OS computer are
fundamentally the same. The following procedure uses illustrations from a Mac OS computer.
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Use the following procedure to print a job with the custom paper simulation values.
TO PRINT A JOB WITH EDITED PAPER SIMULATION VALUES
1 Choose Print in your application.
The print dialog box appears.
2 Click Copies & Pages and choose ColorSync from the menu.
The ColorSync pane appears.
3 Select In Printer from the Color Conversion list.
4 Click Copies & Pages and choose ColorWise from the menu.
The ColorWise pane appears.
5 Select Two-Way Communication.
For information about enabling Two-Way Communication, see Printing from Mac OS.
PAPER SIMULATION WHITE POINT EDITING
6 Click Expert Settings in the Print Mode area.
The ColorWise Expert Settings dialog box appears.
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7 Select the custom simulation profile from the CMYK Simulation Profile list.
Select the simulation profile you saved after editing the Paper Simulation White Point values in the previous section.
8 Select the Full (Output GCR) option.
9 Select Paper Simulation.
10 Select the output profile that you linked to the custom simulation profile from the Output
Profile menu.
11 Click OK.
The ColorWise pane reappears.
12 Click Print.
The job is printed using your custom CMYK Simulation Profile with the edited White Point values.

SPOT-ON WITH TWO-COLOR PRINT MAPPING

SPOT-ON WITH TWO-COLOR PRINT MAPPING
In addition to managing “named” colors, Spot-On allows you to assign spot colors and process colors to the generic colors that are used in a job. The Two-Color Print Mapping feature is designed for print shop operators to do the proofing for a two-color press. You can print a two-color job to a two-color device by mapping the colors in a job to the colors that are already created on the device.
For information about managing named colors with Spot-On, see Color Printing.
NOTE: The RGB colors in a document are first converted to CMYK colors and then the
Two-Color Print Mapping is applied.
The following limitations apply when you use the Two-Color Print Mapping feature:
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• The settings for Two-Color Print Mapping are ignored when the Composite Overprint and Combine Separation features are enabled.
•Postflight does not report on Two-Color Print Mapping, because Postflight reports the source state of a document. The color space that the digital press receives before any conversions is reported in Postflight.
•You cannot select the Two-Color Print Mapping and Substitute Color options at the same time. Also, you cannot select a substitute color to be used in the Two-Color Print Mapping feature.

Using Two-Color Print Mapping

In the Two-Color Print Mapping feature, the colors that are used in a job are mapped with the colors to print. From the Spot-On main window, open the Define Two-Color Print Map dialog box and then reassign the document colors to the named or custom colors to print with. When the feature is turned on from the printer driver, Fiery EX8000AP replaces the document colors with the colors you defined in the Define Two-Color Print Map dialog box. You can also override the print option setting using Command WorkStation.
SPOT-ON WITH TWO-COLOR PRINT MAPPING
Defining a color for Two-Color Print Mapping
Use the following procedure to define the color mappings in the Two-Color Print Map dialog box.
TO DEFINE A COLOR FOR TWO-COLOR PRINT MAPPING
1 Start ColorWise Pro Tools and connect to the Fiery EX8000AP.
Start ColorWise Pro Tools from a stand-alone application or Command WorkStation, at your computer or at the monitor connected to the Fiery EX8000AP.
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1 Output profile
2 Click Spot-On.
The Select Output Profile dialog box appears.
3 Select an output profile and click OK.
The Spot-On main window appears.
NOTE: The Two-Color Print Mapping group always appears at the top of the list. It is not
included in the priority arrangements.
4 Double-click Two-Color Print Mapping.
The two colors for mapping appear.
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SPOT-ON WITH TWO-COLOR PRINT MAPPING
5 Double-click one of the color lines.
The Define Two-Color Print Map dialog box appears.
The document colors on the left side represent the colors that are used in a job. Map these colors to the named or process colors that you select on the right. Initially, Black and Magenta appear as placeholder colors on the left.
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NOTE: When you change the color selection on the left, the selection on the right changes to
Process Color with the same color name. This is to avoid accidentally mapping a color to a different process color.
6 Select a process color from the Print list on the left.
Select Cyan, Magenta, Yellow, or Black.
7 Select Named Color Group or Process Color on the right.
To select a named color, continue the steps. To select a process color, go to step 10.
8 Select a group from the Named Color Group list.
Select from the list of the named color groups that are already defined in Spot-On.
The prefix of the selected group appears on the left side of the Named Color field. The suffix appears on the right side of the field.
9Type the name of the named color in the Named Color field.
NOTE: The names are case sensitive. Type the name exactly as it appears in the list in Spot-On.
If the name you typed in the Named Color field is invalid, the Fiery EX8000AP displays an error message.
NOTE: If the Named Color Group option is selected and the Named Color field is not filled,
the Fiery EX8000AP displays an error message. Type a name in the Named Color field or select the Process Color option instead of the Named Color Group.
SPOT-ON WITH TWO-COLOR PRINT MAPPING
10 Select Cyan, Magenta, Yellow, or Black from the Process Color list.
11 Repeat steps 6 through 10 for the other color to map.
NOTE: You cannot select the same process color for both document colors. When a process
color is selected for a document color, it is grayed out for the other document color.
12 When you are done selecting the colors, click OK.
The changes in the Define Two-Color Print Map are saved and the newly assigned mapping colors and values appear in the Spot-On main window.

Printing a job with Two-Color Print Mapping

After you map the colors in the Two-Color Print Map dialog box in Spot-On, you can print a two-color job from the printer driver. You can also override the print option setting using Command WorkStation.
NOTE: When you print a job, select the same output profile from the printer driver as the one
that was selected in the Select Output Profile dialog box. Otherwise, print mappings that are defined in Spot-On have no effect.
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NOTE: The procedures for printing a job from a Mac OS and a Windows computer
are similar.
SPOT-ON WITH TWO-COLOR PRINT MAPPING
TO PRINT A TWO-COLOR JOB
1 Open a document in your application.
2 Choose Print.
3 Click Copies & Pages and choose ColorWise from the menu.
The ColorWise pane appears.
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4 Select 2-Color Print Mapping.
5 Click Print.
The job is printed with the mapping you defined in Spot-On.

COLOR SETUP FEATURES

COLOR SETUP FEATURES
With Graphic Arts Package, Premium Edition, ColorWise Pro Tools Color Setup offers the following customizable features, in addition to the Color Process Flow feature:
• Control Bar
•Auto Trapping
•Progressives
•Halftone Simulation
For information about Color Process Flow, see Color Printing.
NOTE: The ColorWise Pro Tools applications for Windows and Mac OS computers
are similar.
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ColorWise Pro Tools Color Setup features

Access the Control Bar, Auto Trapping, Progressive, and Halftone Simulation features from Color Setup.
For information about these features, see the following sections:
• Control Bar (see page 26)
•Auto Trapping (see page 34)
•Progressives (see page 39)
•Halftone Simulation (see page 43)
COLOR SETUP FEATURES

Using Color Setup

Use the following procedure to start Color Setup.
NOTE: For information about installing ColorWise Pro Tools and configuring a connection,
see Color Printing.
TO START COLOR SETUP
1 Start ColorWise Pro Tools and connect to the Fiery EX8000AP.
NOTE: Start ColorWise Pro Tools from a stand-alone application or Command WorkStation,
at your computer or at the monitor connected to the Fiery EX8000AP.
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2 Click Color Setup.
The Color Setup main window appears with the Color Process Flow tab selected.

Control Bar

COLOR SETUP FEATURES
Control Bar allows you to add a static color bar and dynamic job information to each printed page at the user-defined location. The feature can be set as a server default or overridden on a per-job basis.
The default Control Bar is designed to fit the Fiery EX8000AP default paper size, Letter/A4, or larger. You can create Control Bars for other paper sizes.
NOTE: If a Control Bar does not fit on the page, it will be clipped.
NOTE: If a background color is defined as “white” for a user-defined Control Bar, it must be
defined in the CMYK color space for the Paper Simulation feature to take effect. For more information about Paper Simulation, see page 11.
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Control Bar workflow
The default Control Bar provides a color bar and dynamic job information. Print a job with the default Control Bar by setting the Control Bar print option to On from the printer driver. Many jobs print satisfactorily with the default Control Bar, but if you require your own color bars, create them by defining custom values in the Control Bar Definition dialog box. After you define a custom Control Bar in the Control Bar pane in Color Setup, you can print a job with the custom Control Bar from the printer driver.
To print a job with the default Control Bar, see the following section. For information about the Control Bar pane, see page 28. To create your own Control Bars, see page 29. To print a job with a custom Control Bar, see page 33.

Printing with the default Control Bar

Print a job with the default Control Bar by setting the Control Bar print option to On from the printer driver.
COLOR SETUP FEATURES
TO PRINT A JOB WITH THE DEFAULT CONTROL BAR
1 Choose Print from your application.
2 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears, with the Fiery Printing tab selected.
3 Click the Job Info icon.
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1 Job information 2 Static color bar
4 Select Control Bar.
5 Click OK.
6 Click Print.
The job is printed with the default Control Bar.
2
1
COLOR SETUP FEATURES

Control Bar pane

Access the Control Bar pane by clicking the Control Bar tab in the ColorWise Pro Tools Color Setup dialog box (see page 29).
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The Control Bar tab allows you to do the following:
•Set the Print Control Bar option to On (see the following section).
•View the definition of a Control Bar (see page 29).
•Define a new Control Bar (see page 29).
•Edit a Control Bar (see page 32).
•Duplicate a Control Bar (see page 32).
•Delete a Control Bar (see page 32).
•Restore the factory default values (see page 33).
Setting the Print Control Bar option to On
Selecting the Print Control Bar option sets the Printer’s Default value to On. If this option is selected, a Control Bar is printed on all pages sent to the Fiery EX8000AP when Printer’s default is selected from the printer driver or with Command WorkStation.
COLOR SETUP FEATURES
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Viewing the definition of a Control Bar
Selecting a Control Bar in the Available Control Bar list allows you to view the settings information in the Control Bar Definition area. With this feature, you can identify the Control Bar without opening the Control Bar Definition dialog box.
The following information is displayed in the Control Bar Definition area:
• Color Bar EPS File
•Job Information
•Text Location
•Distance from edge
Defining a new Control Bar
When you open the Control Bar pane for the first time, only the default Control Bar is available in the Control Bar Definition dialog box. You can create a custom Control Bar that better fits your needs.
Use the following procedure to access the Control Bar pane and create a new Control Bar.
TO CREATE A CUSTOM CONTROL BAR
1 Start ColorWise Pro Tools and connect to the Fiery EX8000AP.
2 Click Color Setup.
3 Click the Control Bar tab.
4 Click New in the Control Bar pane.
The Control Bar Definition dialog box appears.
5 Define the values for each option.
For information about Control Bar options, see “The Control Bar Definition dialog box” on page 30.
6 Click OK.
A custom Control Bar is created.
COLOR SETUP FEATURES
The Control Bar Definition dialog box
The explanation of each section in the Control Bar Definition dialog box is as follows:
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NOTE: The Control Bar Definition dialog box is displayed when you click New in the
Color Setup dialog box.
NOTE: Each field of this dialog box initially displays the value from the Control Bar that is
currently set as default, except for the System Page Size.
System Page Size: A System Page Size label with two numbers is printed with each Control Bar. These numbers are the exact numbers to enter when creating a custom Control Bar. Every page produced by the Fiery EX8000AP has a System Page Size. These two numbers represent the width and height of the page, in points, as processed by the system. Page sizes that are not defined use the Default system Control Bar.
To find the System Page Size for a job, see a previously printed Control Bar on a document using the targeted paper size and orientation.
Description: This field allows you to add a one-line description of the custom Control Bar for your future reference.
Control Bar EPS File: This option allows you to select the following:
–Standard: (provided as a default)
–Custom: (user-designed EPS)
–None: (no EPS file is required)
The EPS file contains a color bar and any logo or static information that you want to include on the page.
COLOR SETUP FEATURES
Job Information: The options vary, but typically the following information is available, in addition to the print options you specify in the Color pane from the printer driver:
–Page Size
– Control Bar Name
–User Name
–Job Title
–Date/Time
–Server Name
–Printer Name
– Calibration Date/Time
–User Group
–User Notes
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–User Instructions
Text Location: This list allows you to select the location in which you want the job information printed on the page:
– Bottom
– Left
–Top
– Right
For the location and orientation of the job information, see the following illustration.
COLOR SETUP FEATURES
Distance from the edge: This text field allows you to define the distance from the lower-left corner at which you want the job information to begin printing. The settings to define are as follows:
Units: Select inches, millimeters, or points from the Units list.
Horizontal: Type the value.
Vertical: Type the value.
Editing a Control Bar
You can edit all of the values in the Control Bar Definition dialog box, with the exception of System Page Size, which appears dimmed.
The System Page Size for the default Control Bar refers to different system page sizes. For other Control Bars, values are displayed in the text field.
NOTE: To display the Control Bar Definition dialog box for editing, select a Control Bar in
the Available Control Bar list, and then click Edit.
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Duplicating a Control Bar
When you duplicate a Control Bar, all the values of the original Control Bar are displayed. You can edit and save the duplicate as a custom Control Bar.
If you edit and save a Control Bar as a custom Control Bar, you must change the System Page Size values. No two Control Bars can use the same values. If you try to save the custom Control Bar without changing the System Page Size values, a warning message appears.
Because a Control Bar is not a part of a job, a document can be printed with one Control Bar and then with another one if the Control Bar definition has changed. To keep the Control Bar and reuse it later, you must save the changes as a custom Control Bar.
NOTE: To display the Control Bar Definition dialog box for duplicating, select a Control Bar
in the Available Control Bar list and click Duplicate.
Deleting a Control Bar
You can delete a Control Bar from the list in the Available Control Bar dialog box. You are prompted to confirm the deletion.
NOTE: You cannot delete the default Control Bar.
COLOR SETUP FEATURES
Restoring the factory default values
The Control Bar Definition dialog box allows you to delete all user-defined Control Bars and restore the default Control Bar to its original state by clicking Factory Defaults.

Printing with a custom Control Bar

The procedure to print a job with a custom Control Bar is basically the same as to print with the default Control Bar (see page 26). Use the following procedure to print with a custom Control Bar.
TO PRINT A JOB WITH A CUSTOM CONTROL BAR
1 Choose Print from your application.
2 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears with the Fiery Printing tab selected.
3 Click the Job Info icon.
33
4 Select On from the Control Bar list.
NOTE: Selecting On from the printer driver affects the current job only. If you selected Print
Control Bar in the Control Bar pane, selecting Printer’s Default has the same effect as On. Selecting Print Control Bar in the Control Bar pane sets the default value to On for all jobs.
5 Click OK.
6 Click Print.
The job is printed with the Control Bar specified in the Control Bar Definition dialog box.
COLOR SETUP FEATURES
Configurable Auto Trapping
Trapping is a technique where some objects are printed slightly larger or smaller than you have specified in an application, in order to prevent white edges around the objects. These white edges, or “hollows,” can be caused by factors such as misregistration, the physical properties of the toners, and the stiffness of the media.
The configurable Auto Trapping feature provides you with advanced trapping settings and gives you full control over their values. The Fiery EX8000AP is shipped with values that are optimized for the print device using regular paper, but if these values do not provide the results necessary for the media that you use, modify the values to meet your requirements.
Configurable Auto Trapping workflow
The fixed values are set as default for Auto Trapping. The Fiery EX8000AP applies these fixed values when you set Auto Trapping to On, with generally good results. However, to customize the values for Auto Trapping, define the values in the Auto Trapping pane in Color Setup. After you define the values, print a job with Auto Trapping set to On from the printer driver.
34

Printing with default Auto Trapping

You can print a job with default Auto Trapping by setting the Auto Trapping print option to On from the printer driver.
TO PRINT A JOB WITH DEFAULT AUTO TRAPPING
1 Choose Print from your application.
2 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears with the Fiery Printing tab selected.
3 Click the ColorWise icon.
COLOR SETUP FEATURES
4 Select Auto Trapping.
5 Click OK.
6 Click Print.
The job is printed with the default Auto Trapping values.

Auto Trapping pane

Access the Auto Trapping pane by clicking the Auto Trapping tab in the ColorWise Pro Tools Color Setup dialog box (see page 38).
35
The settings in the Auto Trapping pane allow you to perform the following tasks:
•Set the Apply Auto Trapping option to On (see the following section).
•Specify the trap width (see page 36).
•Specify the trap color reduction (see page 36).
•Specify the trap shape (see page 37).
•Specify the trap object types (see page 37).
•Restore the factory default values (see page 37).
COLOR SETUP FEATURES
36

Setting the Apply Auto Trapping option to On

When you select the Apply Auto Trapping option, you set the Printer’s default value to On. When you select Printer’s default from the printer driver, the configured auto trapping is applied to all jobs sent to the Fiery EX8000AP.
Specifying Trap Width
Trap Width values determine how thick the trapped areas are. Specify the following values:
Horizontal: Defines the horizontal thickness of the trapped areas (0-10 pixels).
Vertical: Defines the vertical thickness of the trapped areas (0-10 pixels).
When you select the Uniform option, the horizontal and vertical Trap Width values are the same. If the values were set before you selected Uniform, the higher of the two values is used for both.
A small bitmap image in the lower-left corner of the Trap/Width pane provides a dynamic visual example of the selected values.
Specifying Trap Color Reduction
Trap Color Reduction values determine how intense the trapping effect is. The values entered reflect the percent reduction of the toner in the trap. You can enter values for the following color channels:
Cyan: Defines the trap reduction in cyan (0-100%).
Magenta: Defines the trap reduction in magenta (0-100%).
Yellow: Defines the trap reduction in yellow (0-100%).
Black: Defines the trap reduction in black (0-100%).
A 100% reduction results in no toner intensity applied to the trap. A 0% reduction results in full toner intensity.
When you select the Uniform option, all four Trap Color Reduction values are the same. If the values were set before you selected Uniform, the highest value is used for all.
A small bitmap image to the left of each color in the Trap Color Reduction pane provides dynamic visual examples of the selected values.
COLOR SETUP FEATURES
Specifying Trap Shape
Trap Shape represents how a single pixel appears when trapped against a contrasting background. With elements bigger than one pixel, the shape, or part of the shape, is only visible at the corners of objects. Select any of the following shapes:
•Ellipse
•Diamond
•Rectangle
Specifying Trap Object Types
When no option is selected in the Trap Object Types area, only trapping of objects (text and graphics) against objects is applied. Select any of the following:
Trap Objects to Images: Auto trapping is applied to boundary areas between objects and images.
Trap Images Internally: Auto trapping is applied to every individual pixel of an image.
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This option is available only when you select Trap Objects to Images. If the Trap Objects to Images option is cleared, the Trap Images Internally option appears dimmed.
Restoring factory defaults
Click Factory Defaults to delete all user-defined settings for Auto Trapping and restore the factory default settings.
COLOR SETUP FEATURES
Defining custom values for Auto Trapping
Use the following procedure to select the Auto Trapping settings and define custom values.
TO DEFINE AUTO TRAPPING VALUES
1 Start ColorWise Pro Tools and connect to the Fiery EX8000AP.
2 Click Color Setup.
3 Click the Auto Trapping tab.
4 Define a value for each option in the Auto Trapping pane.
For information about the options in the Auto Trapping pane, see page 35.
5 Click Apply.
The defined Auto Trapping values are applied.
Printing with the configurable Auto Trapping feature
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After you define the Auto Trapping values, print a job with the Auto Trapping feature by setting the Auto Trapping print option to On from the printer driver. You can change the setting for this print option using Command WorkStation.
NOTE: If the Auto Trapping values are changed, reRIPping is required to print a job with the
new values.
Use the procedure on page 27 to print a job with custom Auto Trapping values from the printer driver.
NOTE: Selecting On from the printer driver affects the current job only. Selecting Apply Auto
Trapping in the Auto Trapping pane in Color Setup sets the default value for all jobs, and allows you to select Printer’s default from the printer driver.
The job is printed with the Auto Trapping values defined in the Auto Trapping pane.

Progressives

COLOR SETUP FEATURES
The term “Progressives” refers to printing variations in a multi-color document. The variations may use from one to all of the available color channels in a print device. The majority of printing processes that involve more than one or two colorants apply the colorants sequentially. Traditionally, progressives are the intermediate states after some and before all colorants have been applied. The Progressives feature is more flexible, because it allows you to select which color is printed, using up to four sheets per original document page.
NOTE: The Progressives feature is designed to show you the toner separations used by the job
on the print device. The feature is not intended to be used to proof for another non-Fiery driven print device.
NOTE: Progressives show the separations that the Fiery EX8000AP sends to the print device,
not the separations contained in the job source file.
NOTE: Progressives is a “reporting” feature. It is not designed to be used with production
features such as VDP and Imposition. Progressives is offered for diagnostic situations. With high volume applications or production environments, use Progressives only on the individual pages that need testing.
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Progressives workflow
You can inspect the result of each channel with the default values for color channels in Progressives. However, if you must customize the selection of color channels or number of sheets to print, you can do so by specifying the color channels in the Progressives pane in Color Setup. After specifying the color channels, print a job with the customized Progressives by setting the print option to On from the printer driver.
NOTE: You cannot use the Progressives and Postflight features at the same time. A constraint
is set for these print options from the printer driver.
NOTE: Clearing plates in ImageViewer does not have an effect on a Progressives job printed
from ImageViewer. It prints with the values specified in the Progressives pane. For more information, see “ImageViewer” on page 50.
COLOR SETUP FEATURES

Printing with default Progressives

Print a job with default Progressives by setting the Progressives print option to On from the printer driver.
TO PRINT A JOB WITH DEFAULT PROGRESSIVES
1 Choose Print from your application.
2 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears with the Fiery Printing tab selected.
3 Click the Job Info icon.
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4 Select Progressives.
5 Click OK.
6 Click Print.
The job is printed with the default Progressives.
COLOR SETUP FEATURES
41

Progressives pane

Access the Progressives pane by clicking the Progressives tab in ColorWise Pro Tools Color Setup. For more information about accessing the pane, see the procedure on page 42.
The settings in the Progressives pane allow you to do the following:
•Specify sheets (1-4) and colors per sheet to print (see the following section).
•Restore the factory default values (see page 41).
Specifying sheets and colors
At least one colorant (Cyan, Magenta, Yellow, or Black) must be selected for each sheet and at least one sheet must be selected.
Small bitmap images to the left of each row dynamically change to reflect your selections.
Restoring factory defaults
Clicking Factory Defaults allows you to delete all user-defined settings for the Progressives feature and restore the default settings.
Factory default values are set as follows:
• Sheet 1: Black
• Sheet 2: Black + Cyan
• Sheet 3: Black + Cyan + Magenta
• Sheet 4: Black + Cyan + Magenta + Yellow
COLOR SETUP FEATURES
These selections are arbitrary, independent of the source job and the printing order of the copier. With this selection, the first sheet includes the black plate only, because it is often the most important plate when looking at separations. The other colors are added in a “progressive” order.
When you return to the Progressives tab, the set of selections you last made is displayed.
The colors included do not have to represent the actual sequence applied by the copier, which provides more flexibility for analyzing the image composition.

Specifying color channels

Use the following procedure to access the Progressives pane and specify color channels.
TO ACCESS THE PROGRESSIVES PANE AND SPECIFY COLOR CHANNELS
1 Start ColorWise Pro Tools and connect to the FIERY EX8000AP.
2 Click Color Setup.
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3 Click the Progressives tab.
4 Specify the color channels in the Progressives pane.
For information about the options in the Progressives pane, see page 41.
5 Click Apply.
The specified color channels are applied.

Printing with custom Progressives

After specifying the color channels, print a job with custom Progressives by setting the Progressives print option to On from the printer driver.
NOTE: Alternatively, you can send a job with default Progressives setting and change the print
option setting using Command WorkStation.
Use the same procedure on page 40 to print a job with the custom Progressives feature from the printer driver. The printed job reflects the Progressives settings you defined in the Progressives pane.
COLOR SETUP FEATURES

Halftone Simulation

When proofing, we recommend that you print in contone mode, which uses the best color in the Fiery system. For advanced proofing purposes, Graphic Arts Package offers user-controlled halftone generation. Halftoned proofs simulate, with reasonable accuracy, the final dots imaged on films or plates for offset printing. The halftone screening feature allows you to define the custom screening functions applied to your print job.
Halftone Simulation workflow
You can select pre-set halftone screens to print jobs with good results. When you must customize the values for a halftone screen, define a custom halftone in your application or at Color Setup, and then select the screen in the Halftone Simulation print option from the printer driver.
For information about the print option and the procedure to print with the pre-defined halftone screens, see the following section. For information about the Halftone Simulation pane and the procedure to specify custom halftone screen values, see page 45.
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Halftone Simulation print option

Access the halftone screening feature through the Halftone Simulation print option. Select from the following option items:
Printer’s default: Uses the pre-defined device contone, unless a job contains an application specified halftone screen.
Off: Uses the pre-defined device halftone screen.
Application Defined: Uses a pre-defined halftone screen specified in an application. For information about the supported applications, see page 47.
Newsprint: Uses a pre-defined halftone screen that looks and feels like a newspaper.
User Defined Screen1/2/3: Applies a user-defined halftone screen based on the settings in ColorWise Pro Tools Color Setup.
NOTE: Use Newsprint and User Defined Screen1/2/3 with all applications, including
Microsoft Office.
NOTE: The Halftone Simulation feature screens the data at the native contone device
resolution. The simulation is intended to be approximate for halftoned output. This feature is especially useful for proofing newsprint where the contone output may look too smooth compared to the press output at 85 to 120 lpi.
COLOR SETUP FEATURES
Printing with pre-defined halftone screens
Use the following procedure to print a job with a pre-defined default halftone screen from the printer driver.
TO PRINT A JOB WITH A DEFAULT HALFTONE SCREEN
1 Choose Print from your application.
2 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears with the Fiery Printing tab selected.
3 Click the Image icon.
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4 Select a pre-defined halftone screen from the Halftone Simulation list.
For more information, see page 43.
5 Click OK to close the Properties dialog box.
6 Click Print.
The job is printed to the Fiery EX8000AP with the pre-defined halftone screen.
COLOR SETUP FEATURES

Halftone Simulation pane

You can define three custom halftone screens on the Halftone Simulation pane.
45
For each of these screens, you can define the following values:
Angle
Type a number (from 0-360) for each color: Cyan, Magenta, Yellow, and Black.
Frequency (LPI)
Type a number for each color: Cyan, Magenta, Yellow, and Black. Select the check box next to the link icon to make the values for Frequency (LPI: lines per inch) the same for all four channels. Frequency refers to the number of rows of spots that combine to form a halftone dot.
COLOR SETUP FEATURES
Dot shape
Select a PostScript function for dot shape. When you select Custom, the Dot Shape dialog box appears. This dialog box provides a text field in which you type a PostScript function. When this dialog box first opens, it reflects the last custom-defined dot shape.

Setting a custom halftone screen

Use the following procedure to access the Halftone Screens pane and specify a custom halftone screen.
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TO SPECIFY A CUSTOM HALFTONE SCREEN
1 Start ColorWise Pro Tools and connect to the Fiery EX8000AP.
2 Click Color Setup.
3 Click the Halftone Screens tab.
4 Specify the angle, frequency, and dot shape for a custom halftone screen.
For information about the options on the Halftone Screens pane, see page 45.
5 Click Apply.
The specified settings for Angle, Frequency, and Dot Shape are applied to the custom halftone screen.
COLOR SETUP FEATURES
47

Printing with custom halftone screens

After specifying the halftone screen values for User Screen 1, User Screen 2, or User Screen 3, select a corresponding custom screen name from the printer driver. Use the same procedure on page 44 to print a job with a custom halftone screen.
NOTE: Alternatively, you can send a job with a default halftone screen and change the print
option setting using Command WorkStation.
The printed job reflects the settings you defined on the Halftone Screens pane.

Supported applications

The following applications have been tested with Mac OS and Windows for compatibility with the Application Defined setting in the Halftone Simulation print option. Other applications should work as well, as long as they are using standard PostScript conversions on halftone screen definitions and the parameters used in the definitions are kept within the physical limitations of the copier.
•Adobe Acrobat
•Adobe Illustrator
•Adobe InDesign
•Adobe PageMaker
•Macromedia FreeHand
•QuarkXPress

Calibrating for custom halftone screens

When color quality is important, make sure that the Fiery EX8000AP is calibrated for the particular halftone screen you use. Changing a halftone screen usually modifies the color response of the copier.
The best color is achieved when an Output profile that is associated with the appropriate calibration response is selected at print time. However, when custom halftones are specified, the Fiery EX8000AP does not have adequate information about the resulting color response. For this reason, achieving good color with custom halftone screens is often possible only when you perform custom halftone calibration and use a profile based on this custom halftone.
Use the following procedure to calibrate the Fiery EX8000AP for custom halftone screens.
COLOR SETUP FEATURES
TO CALIBRATE THE FIERY EX8000AP FOR CUSTOM HALFTONE SCREENS
1Prepare the measurement instrument you use for calibration.
For information about supported measurement instruments, see Color Printing.
2 On the User Software DVD, open the folder that contains the custom halftone calibration
files.
The folder locations for Mac OS and Windows are as follows:
Mac OS: Mac Color Files:Calibration Files:Halftone Calibration Files:Photoshop or Other
Applications
Windows: Windows Color Files\Calibration Files\Halftone Calibration Files\Photoshop or
Other Applications
The folder contains images of the measurement pages for various instruments and page sizes. If you print halftone screens only from Adobe Photoshop, open the Photoshop folder; otherwise, open the Other Applications folder.
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NOTE: When opening or printing these files, never “color-manage” using PostScript Color
Management or ICC profiles that provide color conversions.
3From Photoshop, open the image file that corresponds to your instrument and page size.
From other applications, open a blank document and place the EPS file that matches your instrument and page size.
The images were prepared for the final sheet page size. If you are placing an image, do so using no margins. Ignore warnings that the image may be clipped.
NOTE: If you use these measurement pages with the Fiery EX8000AP standard screens, make
sure to properly set the PPD print option that controls the screen.
4 Print the measurement page using your custom halftone and other print option settings.
This page is now the custom calibration measurement page.
You must print this measurement page with the CMYK Simulation Profile print option set to ColorWise Off, which produces an uncalibrated page.
NOTE: To calibrate your copier, you must print CMYK patches in the raw state of the printer.
Except for the Output Profile print option, the ColorWise print options are irrelevant and will be ignored.
To increase the speed and reliability of the calibration, print your measurement page, with the appropriate print option settings, to a PostScript file. The next time you calibrate, download this PostScript file. Retaining this file in the Hold queue of the Fiery EX8000AP makes the entire calibration process even faster.
COLOR SETUP FEATURES
5 With ColorWise Pro Tools Color Editor, open any Output profile.
NOTE: You can select any Output profile because you will be printing the measurement page
49
with the CMYK Simulation Profile set to ColorWise Off. With this setting, color conversions using an Output profile will not occur.
For information about Color Editor, see ColorWise Pro Tools Help.
6 Save this Output profile under a new name descriptive of your custom halftone screen.
7Use ColorWise Pro Tools Profile Manager to associate this Output profile with an appropriate
Calibration Set.
Even though the CMYK Simulation Profile print option is set to ColorWise Off, it is important to associate the appropriate Calibration Set to the Output profile because its measurement is used for calibration.
For information about Profile Manager, see ColorWise Pro Tools Help.
8Use ColorWise Pro Tools Calibrator to perform the calibration.
NOTE: Do not use the Print button to generate the measurement page in Calibrator. Use the
measurement page that you printed in step 4.
For information about Calibrator, see Color Printing.

IMAGEVIEWER

Accessing ImageViewer

IMAGEVIEWER
ImageViewer allows you to soft proof and adjust colors in a job before it is printed. You can use the preview in ImageViewer to verify job placement, orientation, and content, as well as general color accuracy. If the job contains halftone screened settings, the preview shows a composite view of all separations at the dot level. You can select to display the plate data for each process color independently or in combination with the other colors, allowing inspection of individual plate data or a combination of any range of plates.
Start ImageViewer from either the Actions menu or Preview window of Command WorkStation.
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TO START IMAGEVIEWER FROM THE ACTIONS MENU
1 In the Active Jobs window of Command WorkStation, select the job that you want to preview.
NOTE: ImageViewer recognizes only jobs that show processed/held (dark yellow) status.
Processed/held jobs are also indicated by the raster job icon (page icon ringed with a halo).
2 If needed, choose Process and Hold from the Actions menu to move the job to processed/held
status.
3To start ImageViewer, do one of the following:
• Choose Launch EFI ImageViewer from the Actions menu.
• Right-click the selected job and choose Launch EFI ImageViewer from the menu that appears.
The ImageViewer main window appears.
IMAGEVIEWER
TO START IMAGEVIEWER FROM THE PREVIEW WINDOW
1 In the Active Jobs window of Command WorkStation, select the job that you want to preview.
NOTE: ImageViewer recognizes only jobs that show processed/held (dark yellow) status.
2 If needed, choose Process and Hold from the Actions menu to move the job to processed/held
status.
3 Choose Preview from the Actions menu.
Page thumbnails appear in the Preview window.
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1 Click for full-screen preview
1
4To start ImageViewer, do one of the following:
•Select the thumbnail of the page that you want to soft proof, and click the Full-Screen Preview button.
•Double-click the thumbnail of the page that you want to soft proof.
The ImageViewer main window appears.
For information about using the ImageViewer application, see ImageViewer Help.

SOFT PROOFING

Viewing soft proofs

SOFT PROOFING
The Soft Proofing feature allows you to view accurate color previews of print jobs on a monitor. Use soft proofs to preview colors as they will appear when the job is printed.
NOTE: Access Soft Proofing through Command WorkStation.
The Soft Proofing feature applies a specified color profile to the preview of a job to compensate for the unique display characteristics of your monitor. As a result, the preview provides a more accurate representation of how the job will appear when printed.
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TO VIEW A SOFT PROOF OF A JOB
1 Click for full-screen preview
1 In the Active Jobs window of Command WorkStation, select the job that you want to
soft proof.
Soft Proofing is supported only for jobs that show processed/held (dark yellow) status.
2 If needed, choose Process and Hold from the Actions menu to move the job to processed/held
status.
3 Choose Preview from the Actions menu.
Page thumbnails appear in the Preview window.
1
SOFT PROOFING
4 Select the thumbnail of the page that you want to soft proof, and click the Full-Screen
Preview button.
The full-screen preview may take a few moments to open. The full-screen preview window is independent of and may appear behind the application on the screen. Bring the full-screen preview window to the front, if necessary.
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1Soft-Proof option
1
5 Select the Soft-Proof option.
A dialog box prompts you to select a monitor profile.
SOFT PROOFING
6 Locate and select the monitor profile for your monitor.
Be sure to select a profile customized for the characteristics of your monitor. Otherwise, the soft proof will not be accurate. Also, be sure to configure the monitor display according to the manufacturer’s recommended settings. For information about monitor profiles, see page 10.
7 Click Open.
The full-screen preview displays a soft proof of the original job, as interpreted through the monitor profile you specified.
8To change the monitor profile used for the soft proof, click the Load button next to the
profile name in the full-screen preview window.
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1 Click to change profiles
1
In the dialog box that appears, locate and select the new monitor profile, and then click Open.

PREFLIGHT

PREFLIGHT
The Preflight feature performs a simple check of the most common areas of error to ensure that the job will print successfully and to the expected quality on the selected printing device.
The Preflight feature is also offered as a part of the Production Printing Package. For more information about this feature, see Utilities.
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HOT FOLDERS FILTERS

HOT FOLDERS FILTERS
This chapter describes how to configure the Hot Folders filters to convert various files to PostScript or PDF (Portable Document Format), or to preflight certain files.
For information about operating systems that support Hot Folders, see Welcome. For information about installing the Hot Folders application, see Utilities.
For information about using the Hot Folders application, see Hot Folders Help.
About file conversion
Hot Folders filters allow you to convert certain file formats to PostScript or PDF or to preflight files for conformity. File conversion and preflighting take place on your computer within Hot Folders, which saves Fiery EX8000AP resources. You can print files directly from Hot Folders filters without starting the application from which they were created.
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1 Hot folder with Exclusive
filter (Windows)
2 Standard Hot Folder
(Windows)
3 Hot Folder with Exclusive
filter (Mac OS)
4 Standard Hot Folder
(Mac OS)
Two types of filters are available: Exclusive and Non-exclusive. A Hot Folder configured with an Exclusive filter processes the defined file type(s). No other file formats, including the default file formats, are processed. When you select an Exclusive filter, you disable all other filters.
Non-exclusive filters allow Hot Folders to accept multiple default file formats, such as PostScript, PDF, TIFF, and EPS. Non-exclusive filters can also be used with other Non-exclusive filters.
When you configure an Exclusive filter to a Hot Folder, the Hot Folder icon changes, and is renamed to reflect the Exclusive filter.
1 2
3 4
HOT FOLDERS FILTERS

Filters

The following table describes the available filters and indicates whether the filter is Exclusive or Non-exclusive:
Filter name Type of filter Description See
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CT/LW to PostScript Exclusive Converts multiple CT (Contone), LW (Line Work), or FP (Final Page)
files into a single combined PostScript file.
CT/LW files are files that contain information about photographic imagery, line art images, or text and lines from drawings. Together, CT and LW files determine the final output that will appear.
DCS 2.0 to PostScript Exclusive Converts DCS 2.0 files to pre-separated PostScript files, with one
separation per page.
Developed by QuarkXPress, the DCS 2.0 file is a picture format definition for electronic color separations.
This filter accepts: Single/Multiple file DCS, no composite Single/Multiple file DCS with grayscale composite Single/Multiple file DCS with color composite
EPS to PostScript Exclusive Converts EPS files to PostScript files and provides options for scaling and
positioning the output.
ExportPS Exclusive Processes ExportPS files and converts them to PostScript or PDF files. page 63
JPEG to PDF Non-exclusive Converts JPEG files to PDF files and provides options for scaling and
positioning of the output.
PDF/X Preflight Exclusive Indicates if the PDF job meets PDF/X specifications.
This filter allows PDF/X-1a or PDF/X3-compliant jobs to be downloaded to the Fiery EX8000AP.
page 60
page 61
page 62
page 64
page 65
PDF2Go Exclusive Processes PDF2Go files and converts them to PostScript or PDF files.
Developed by Creo-Scitex, the PDF2Go file is a PDF output that contains PDF layers or rasterized CT and LW, each with a different resolution.
TIFF to PDF Non-exclusive Converts TIFF files to PDF files and provides options for scaling and
positioning of the output.
This filter accepts all TIFF files up to TIFF 6.0.
TIFF/IT to PostScript Exclusive Converts TIFF/IT files to preseparated PostScript files, with one
separation per page.
TIFF/IT-p1 is a common file format for the transfer of final print job data from one print platform to another. It is a widely used format for prepress preparation in traditional printing environments.
NOTE: Microsoft Office filters are offered as part of the Production Printing Package. For more
information, see Utilities.
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page 67
page 68
HOT FOLDERS FILTERS
Specifying filter settings for a Hot Folder
After specifying the filter settings and options for your Hot Folder, drag and drop the proper file formats onto your Hot Folder to begin the conversion process.
Open the Filter Settings dialog box from the Folder Properties dialog box.
TO SELECT A FILTER SETTING
1From the Hot Folders Control Panel, select the Hot Folder and click Properties.
2 Select Filter Settings and click Define.
The Filter Settings dialog box appears, allowing you to select the filter and configure the settings.
For Windows, filters are color-coded. Exclusive filters are blue and Non-exclusive filters are black. For Mac OS, Exclusive and Non-exclusive filters are indicated after the filter type names.
3 Select the filter that you want to use for the Hot Folder.
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If you select an Exclusive filter, you cannot select any other filter.
4 Right-click or double-click the filter name and select Properties.
For more information, see “Using the filters” on page 60.
5To convert all PostScript files to PDF automatically, select Convert PS to PDF and a job option
from the Distiller Profile menu in the PS->PDF Normalizer pane.
For information about PS-> PDF Normalizer, see the following section.
NOTE: Adobe Acrobat Distiller must be launched once after it is installed so that the Hot
Folder application utilizes its function.
6 Click OK.
HOT FOLDERS FILTERS
59
About PS->PDF Normalizer
The PS->PDF Normalizer feature offers the Convert PS to PDF option.
NOTE: The Convert PS to PDF option is available only when Acrobat Distiller is installed on
the same system as the Hot Folders application. For more information about installing Acrobat Distiller, see Utilities.
Convert PS to PDF
Although many filters output PostScript by default, this option allows you to further convert PostScript to PDF. This is a global setting that affects all PostScript files for a particular Hot Folder. This setting affects all PostScript output from all filters.
Since Convert PS to PDF affects all PostScript output files, turning on this setting may not be suitable in certain printing workflows.
For example: Both the DCS 2.0 and TIFF/IT filters output pre-separated PostScript files, one separation file per page. In order to print these pre-separated files as a composite image, you must select the Combine Separation option in the Job Settings. However, the Combine Separation feature accepts only the PostScript type files. Selecting the Convert PS to PDF option results in printing multiple grayscale pages, instead of a composite color page of an image.
Distiller Profile
This menu displays all the available Distiller job options. This setting is used to control the quality of the PostScript to PDF conversion. The Hot Folders application retrieves the job options from the location set by Distiller. If you create and save your custom Distiller job options elsewhere, the custom job options must be manually copied to the Distiller\Settings folder.
HOT FOLDERS FILTERS
Using the filters
Certain filters provide extra user control and conversion settings. To access these settings, right-click or double-click the Plugin Name in the Filter Settings dialog box.
This section describes each filter and its optional settings.
NOTE: The procedures for using the filters from a Mac OS or a Windows computer are
similar. The following procedures use illustrations from a Windows computer.
Using the CT/LW to PostScript filter
The CT/LW filter accepts multiple CT (Contone) and LW (Line Work) files and an FP (Final Page) file. It determines the page dimensions of the combined file based on the FP, LW, and CT files, in that order. Spot colors are converted to process CMYK using conversion values specified in the CT/LW files. The combined file is a single RLE compressed CMYK image, and you can specify the resolution.
When you drag and drop your CT, LW, or FP files, your output is a single PostScript file.
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NOTE: Some CT/LW files may include a “.” (period) at the beginning of the file name,
indicating that they are hidden files. Make sure that you turn on Show Hidden Files in your folder settings. For more information, see the documentation that accompanies your system. To ensure that all files, including hidden files, are copied and processed, drop the entire CT/ LW page folder containing all the necessary files.
TO USE THE CT/LW TO POSTSCRIPT FILTER
1Follow steps 1 through 4 in “To select a filter setting” on page 58.
The CT/LW Filter Options dialog box appears.
2 Select the final resolution (Auto, 200, 400, or 600) for your image.
NOTE: Select Auto to use the device resolution of the digital press.
3 Click OK.
HOT FOLDERS FILTERS
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Using the DCS 2.0 to PostScript filter
The DCS 2.0 (Desktop Color Separation) to PostScript filter accepts DCS 2.0 files and outputs a single preseparated PostScript file.
This filter accepts the following DCS 2.0 files:
•Single/Multiple DCS files, no composite
•Single/Multiple DCS files with grayscale composite
•Single/Multiple DCS files with color composite
The DCS 2.0 filter has no configurable options; however, you must follow these guidelines to convert your DCS 2.0 job:
•Enable the Combine Separations print option. For more information about setting print options, see Print Options.
•Make sure that you have necessary multiple files for a DCS 2.0 job and in one folder. If a file is missing, the filter fails to process and an error message appears.
•If multiple files for a DCS 2.0 job are stored in a folder, you may place the entire folder in the Hot Folder.
•If you download a DCS 2.0 job using the Download command, all files may be inside a folder. You must download the entire folder.
NOTE: If you configure the DCS 2.0 to PostScript filter, the Imposition feature is not
available.
HOT FOLDERS FILTERS
Using the EPS to PostScript filter
The EPS to PostScript filter accepts all EPS files. This filter gives you the flexibility to force changes in the final dimensions and page size of a file.
TO USE THE EPS TO POSTSCRIPT FILTER
1Follow steps 1 through 4 in “To select a filter setting” on page 58.
The EPS to PostScript Filter Options dialog box appears.
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2 Specify the following options:
Scale Image Width and Height To:
Select this option to scale all EPS files to the desired image
size. Select inches or millimeters from the list, and then specify the values.
PS Page Size: Select this option to print all EPS files to the page size that you specify. Select a
page size from the list or click Custom and specify a custom page size in the Enter Custom Paper Size dialog box.
When this option is selected, you can:
•Ignore unprintable margins to print the image to the entire page size.
•Shrink oversized images to fit proportionately.
•Expand small images to fit proportionately.
•Automatically rotate images to the page orientation.
•Set the position of the image to Top-Left, Top-Right, Center, Bottom-Right, or Bottom-Left.
3 Click OK.
HOT FOLDERS FILTERS
Using the ExportPS filter
ExportPS was developed by Creo-Scitex as an option to their Brisque print workflow. ExportPS translates Brisque jobs into portable, raster PostScript or EPS output that can be processed on the digital press.
The ExportPS filter processes the ExportPS file by rendering and resampling it to the resolution of the digital press. You can select the output to be PostScript or PDF.
TO USE THE EXPORTPS FILTER
1Follow steps 1 through 4 in “To select a filter setting” on page 58.
The ExportPS Filter Options dialog box appears.
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2 Specify the following options:
Output (PS or PDF):
Resolution (Auto, 200, 400, or 600): Select the final resolution of the output. Select Auto to
Select the final output.
use the device resolution of the digital press.
3 Click OK.
HOT FOLDERS FILTERS
Using the JPEG to PDF filter
The JPEG to PDF filter accepts all standard JPEG files. In addition to allowing you to convert JPEG files automatically without opening them from the application from which they were created, the JPEG to PDF filter allows you to change the final page size of print jobs and adjust the resolution.
This filter is Non-exclusive, so you can download basic file formats. For more information about Non-exclusive filters, see “About file conversion” on page 56.
TO USE THE JPEG TO PDF FILTER
1Follow steps 1 through 4 in “To select a filter setting” on page 58.
The JPEG to PDF Filter Options dialog box appears.
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2 Specify the following options:
Scale Image Size To:
Select this option to scale all JPEG files to the desired image size or resolution. Select Width and Height, select inches or millimeters from the list, and specify the values for the image size. Select Resolution, select pixels/inch or pixels/cm from the list, and specify the value for the resolution.
PDF Page Size: Select this option to print all JPEG files to the page size that you specify. Select
a page size from the list or click Custom and specify a custom page size in the Enter Custom Paper Size dialog box.
When this option is selected, you can:
•Shrink oversized images to fit proportionately.
•Expand small images to fit proportionately.
•Automatically rotate images to the page orientation.
•Set the position of the image to Top-Left, Top-Right, Center, Bottom-Right, or
Bottom-Left.
3 Click OK.
HOT FOLDERS FILTERS
Using the PDF/X Preflight filter
PDF/X (PDF Exchange) Preflight is a subset of Adobe PDF designed specifically for prepress data interchange. It defines how applications that read and create PDF/X files should behave.
Two PDF/X standards are commonly used:
PDF/X-1a standard: This standard addresses blind exchanges to verify that files contain
only CMYK (and/or spot colors), with no RGB or device independent (color-managed) data.
PDF/X3: This standard meets all the requirements of a PDF/X-1a, but contains device
independent (color-managed) data.
The PDF/X Preflight filter allows you to verify that a PDF document is PDF/X-compliant with either the PDF/X-1a or PDF/X3 standard. If the PDF file is not PDF/X-compliant, the job fails to process and an error report appears.
TO USE THE PDF/X PREFLIGHT FILTER
1Follow steps 1 through 4 in “To select a filter setting” on page 58.
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The PDF/X Preflight Options dialog box appears.
2 Specify the following options:
Specifications (PDF/X-1a or PDF/X3):
Save Error Report: Select to generate an error report for failed jobs.
Error Report Path: Browse to select an error report location.
3 Click OK.
Select to verify PDF/X-1a or PDF/X3 compliance.
HOT FOLDERS FILTERS
Using the PDF2Go filter
PDF2Go is a PDF output developed by Creo-Scitex as an option to their Brisque workflow. It usually contains PDF layers of rasterized CT and LW job pages, each with a different resolution, in one PDF file.
The PDF2Go filter processes the PDF2Go file by rendering and re-sampling it to the resolution of the digital press. You can select PostScript or PDF output.
TO USE THE PDF2GO FILTER
1Follow steps 1 through 4 in “To select a filter setting” on page 58.
The PDF2Go Filter Options dialog box appears.
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2 Specify the following options:
Output (PS or PDF): Select the final output.
Resolution (Auto, 200, 400 or 600): Select the final resolution of the output. Select Auto to
use the device resolution of the digital press.
3 Click OK.
HOT FOLDERS FILTERS
Using the TIFF to PDF filter
The TIFF to PDF filter accepts TIFF files up to TIFF 6.0. In addition to allowing you to convert TIFF files automatically without opening them from the application from which they were created, the TIFF to PDF filter allows you to change the final page size of print jobs and adjust the resolution.
This filter is Non-exclusive, so you can download basic file formats. For more information about Non-exclusive filters, see “About file conversion” on page 56.
TO USE THE TIFF TO PDF FILTER
1Follow steps 1 through 4 in “To select a filter setting” on page 58.
The TIFF to PDF Filter Options dialog box appears.
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2 Specify the following options:
Scale Image Size To:
Select this option to scale all TIFF files to the desired image size or resolution. Select Width and Height, select inches or millimeters from the list, and specify the values for the image size. Select Resolution, select pixels/inch or pixels/cm from the list, and specify the value for the resolution.
PDF Page Size: Select this option to print all TIFF files to the page size that you specify. Select
a page size from the list or click Custom and specify a custom page size in the Enter Custom Paper Size dialog box.
When this option is selected, you can:
•Shrink oversized images to fit proportionately.
•Expand small images to fit proportionately.
•Automatically rotate images to the page orientation.
•Set the position of the image to Top-Left, Top-Right, Center, Bottom-Right, or
Bottom-Left.
3 Click OK.
HOT FOLDERS FILTERS
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Using the TIFF/IT to PostScript filter
TIFF/IT (Tagged Image File Format/Image Technology) is a common TIFF standard. The TIFF/IT-p1 file format usually consists of three files. All TIFF/IT-p1 files contain an FP (Final Page) file. The FP file includes page dimension and position required subfiles, such as CT (Contone) and LW (Line Work) files. CT files contain all photographic imagery. LW files contain high resolution data, such as line art images, text, or lines from drawings.
TIFF/IT-p1 files may also include MP (Monochrome Picture), HC (High resolution Contone), BL (Binary Line), or BP (Binary Picture) files.
When you drag and drop your TIFF/IT-p1 files, your output is a pre-separated PostScript with one separation per page.
Follow these guidelines to convert your TIFF/IT-p1 job:
Enable the Combine Separations print option. For more information about setting print options, see Print Options.
•Make sure that you have all the necessary files for the TIFF/IT-p1 job. You must place all
of the files in the Hot Folder at the same time. If there is a file missing, the job will not process and you will receive an error.
•If the multiple files for the TIFF/IT-p1 job are stored in a folder, you may place the entire
folder in the Hot Folder.
•If you download the TIFF/IT-p1 job using the Download command, all files may be inside
a folder and the entire folder may be downloaded.
NOTE: The imposition feature is not available if you configure the TIFF/IT to PostScript filter.
HOT FOLDERS FILTERS
TO USE THE TIFF/IT TO POSTSCRIPT FILTER
1Follow steps 1 through 4 in “To select a filter setting” on page 58.
The TIFF/IT Filter Options dialog box appears.
2 Specify the following options:
Resolution (Auto, 200, 400, or 600): Select the final resolution of the PostScript output from
the list. Select Auto to use the device resolution of the digital press.
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Compression (None or RLE Lossless): Select if you want compression for your PostScript
output.
Anti-Aliasing (Nearest Neighbor Faster or Bilinear Better): Select how you want to partially
fill the edge pixel by choosing the Anti-Aliasing method for your PostScript output.
3 Click OK.

POSTFLIGHT

POSTFLIGHT
The Postflight feature helps you determine why some printed jobs may not deliver expected color. Acting as a diagnostic and training tool for all users, it provides helpful global and object-specific information about how a job is actually received and processed by the Fiery EX8000AP.
Use Postflight to troubleshoot color problems with a previously printed job or as a preventive measure. You can print the original document (or RIPped and previewed) with all objects (images, graphics, and text) color-coded. A report explains what color spaces are used in the job and what print options affect those spaces. The report also provides information about the printing environment, such as calibration date, time, and method. Print a Test Page to verify the condition of the printing environment.
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Postflight is a powerful analysis tool that enumerates in its reports not only those color spaces that are used by visible objects, but any color space called by a job. This can be very useful in diagnosing puzzling situations that may require correction. For example: using one specific combination of a printer driver, an OS, and a desktop publishing application emitting separations for plates, you might find that: 1) the Postflight color-coded pages show the Cyan, Magenta, and Yellow separations in the “DeviceGray” color space, while the Black separation is shown in the “DeviceCMYK” color space; 2) the Postflight report enumerates: DeviceGray, DeviceCMYK and DeviceRGB. What once required a PostScript expert to decipher can now be interpreted in minutes using Postflight reports: the Cyan, Magenta, and Yellow pages are defined in “DeviceGray”, the Black page is using the “K” channel of DeviceCMYK, and the job is calling for the RGB color space, without applying it on any user-visible object.
POSTFLIGHT
About Postflight
When the Postflight print option is set to values other than Off, it provides the following information to help you identify possible problems: Postflight Test Page, Postflight color­coded pages, and Postflight reports.
Postflight Test Page
You can print the Postflight Test Page alone or in combination with the color-coded pages. The Test Page is printed using the exact same media and global settings (such as calibration) as your job. However, color objects on this page are printed independently of the user-specified source color definitions (such as CMYK simulation and RGB).
If the color on this page is not accurate, the problem lies with the printing environment (such as the calibration, output profile, or print device).
If the color on this page prints correctly but objects in your job do not print in expected colors, it is likely that the problem lies with the color setting specific to these objects. Problems with objects can be: wrong color values for text and graphics, bad quality images, or out-of-gamut colors.
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Postflight color-coded pages
With this option, Postflight prepares a color-coded version of the original document that displays each object with a color corresponding to the color space that the Fiery EX8000AP received for the object.
The colors used to represent the color spaces for objects are as follows:
•Gray objects: Gray
• CMYK objects: Cyan
•RGB objects: Red
•Device-Independent objects: Indigo
•Spot color objects: Yellow
By reviewing the colors for all objects, you can identify the print option settings that affect the color conversion of the objects and make appropriate modifications.
POSTFLIGHT
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Postflight reports
You can print two types of reports on color-coded pages, either alone or combined with the color-coded document. These reports are printed on the Fiery EX8000AP default paper size (Letter for US, A4 for metric) and use the default calibrated color mode.
Select the Postflight report from the following two types:
Detailed Report includes detailed static information with advice on possible procedures
and values. An icon identifies the “detailed” information areas of the report.
Concise Report includes only job-specific information. This option is good for advanced
users who do not want the instructions which may seem redundant to them.
Detailed and Concise Reports
The reports provide a document header with information (such as job name, date and time printed, and user name), a ColorWise global settings page, and object-specific settings pages. All pages include the job name, postflight date/time, and pagination in the bottom margin.
ColorWise global settings page provides information that affects every object in a job, such
as Calibration Set, the date the Fiery EX8000AP was calibrated, the method used for calibration, and the output profile that was used.
Object-specific settings pages provide a list of the settings that were used to process every
object in each color space, thus suggesting the locations to correct problems. For example, if you see a problem with an object that is displayed in Cyan in a color-coded page, review the settings listed in the CMYK Objects page and try changing those settings.
Spot colors page lists all spot colors.
For spot colors, the Postflight report lists the colors that are used in a job. It also indicates whether these colors are defined in the Fiery EX8000AP. When a spot color is defined in the Fiery EX8000AP, a patch is printed next to the color name. When a color is not defined in the Fiery EX8000AP, a white patch with an X is printed.
Important notes on Postflight reports
The main purpose of Postflight is to help you detect, diagnose, and prevent color-related problems. In contrast to generic preflight software, which attempts to predict how a job would be processed, a postflighted job is fully processed by the Fiery EX8000AP, allowing accurate reporting on the settings with which the job processed.
This Postflight feature is especially useful in cases where a workflow that was used to submit a job inadvertently converts colors. This conversion occurs with some printer drivers, printing options, and conversions to PDF.
This report focuses on color processing and does not list every printing option that affects your job. For more information about the ColorWise print options, see Color Printing.
POSTFLIGHT
NOTE: Postflight reports list only those color spaces that were submitted to the Fiery
EX8000AP with your job. You may occasionally find that a job produces a Postflight report that includes information about color spaces that you cannot locate in the job’s color-coded pages. This occurs when an object in the color space is used in the job but is masked by another object, when an object is very light (for example, 0% of a spot color), or when the specific application or printer driver asks the Fiery EX8000AP to process a particular color space but does not use it for user-visible objects.
NOTE: A Postflight report contains only one page on global settings, and it can include only
one Test Page; therefore Postflight cannot describe an entire job accurately unless all pages are printed with the same options and on the same media. This is the case, for instance, with Mixed Media jobs, because they can use multiple output profiles, up to one profile per media in the job. If the page range is set to the pages that use one media only, Postflight produces reliable results for the specified range.
NOTE: Postflight is a “reporting” feature that is designed for diagnostic purposes. It is not
designed for use with production features such as VDP and Imposition. For high-volume applications in production environments, use Postflight only on the individual pages that need testing.
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Postflight print option
Access the Postflight feature through the Postflight print option. You can select a single component or all components for the Postflight information.
The following values are available for the Postflight print option:
•Off (Default)
•Detailed Report Only
• Concise Report Only
•Test Page Only
• Color-Coded Pages Only
• All Components (Color-Coded document pages, Test Page, and Detailed Report)
NOTE: Select a portion of a job to print the Postflight pages by selecting the appropriate page
range of a job from the printer driver.
POSTFLIGHT
Postflight workflow
The default settings in the ColorWise print options are such that in most cases you should not have to change them. However, there may be times when you receive unexpected colors for your job. Postflight is a procedure performed after you print a document and receive unexpected or inadequate color. If you have access to Command WorkStation, Postflight also helps you catch color problems before you actually print. Postflight processes your job and collects information about the color objects throughout. The information is then displayed in Color-Coded document pages, a Test Page, and a Detailed or Concise Report.
NOTE: The background defined in the Paper Simulation is not indicated as a CMYK object in
the Postflight reports. For more information about Paper Simulation, see page 11.
NOTE: You cannot use Postflight at the same time that you use the following features:
Progressives, Substitute Colors, or Combine Separations. Constraints are set for these print options from the printer driver.
The follows scenarios show how Postflight can be helpful to users who demand high color quality.
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To diagnose an unexpected color (see page 76)
Use Postflight to diagnose unexpected color in a job, or determine which print or calibration settings apply to a job.
To check the calibration status prior to printing a job (see page 78)
Consider the following before printing a job:
• The Fiery EX8000AP may include many Calibration Sets. Which Calibration Set applies
to my job?
• When was the Fiery EX8000AP last calibrated?
• Which instrument was used for the last calibration?
To check the quality of the output profile (see page 79)
If you are considering using a new paper for which you do not have a custom profile, or if you suspect that the output profile for your print device may not precisely describe its color behavior, check your output profile by printing the Postflight Test Page.
POSTFLIGHT
To diagnose a color problem of a specific object (see page 80)
When experts have verified that the calibration is correct and that the global settings, including the output profile, are correct, but the color of a specific object is still not as intended, you can print a color-coded document and diagnose the problem.
The detailed procedures of these scenarios are described in the following sections.
NOTE: For each of the following procedures, instead of printing the report to the Fiery
EX8000AP, you can also send it to the Hold queue of the Fiery EX8000AP and preview the information (of a job with raster data) in ImageViewer. For more information about ImageViewer, see ImageViewer. To view the color of a job correctly, you must set your monitor and monitor profile correctly. For more information about the monitor and monitor profiles, see page 10.
NOTE: The procedures for printing a job from a Windows and a Mac OS computer are
similar.
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POSTFLIGHT

Scenario 1: Diagnose an unexpected color

Use the following procedure to print a job with Postflight set to Off.
TO PRINT A JOB
1 Open a job from your application.
2 Choose Print.
3 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears with the Fiery Printing tab selected.
4 Click each option icon, and specify the values for each print option.
5 Click the Job Info icon.
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6 Select Off from the Postflight list.
7 Click OK to close the Properties dialog box.
8 Click Print.
The job is printed to the Fiery EX8000AP.
After you print a job, use the following procedure to diagnose an unexpected color and print the job with edited color settings.
POSTFLIGHT
TO DIAGNOSE AN UNEXPECTED COLOR AND PRINT WITH EDITED COLOR SETTINGS
1 Click the Job Info icon.
2 Select All Components from the Postflight list.
For information about the components of Postflight, see page 71.
3 Click OK to close the Properties dialog box.
4 Click Print.
Postflight Test Page, color-coded document pages, and Postflight Reports are printed.
5Review all Postflight pages.
For information about the Postflight pages, see page 71.
6 Make appropriate changes based on all Postflight pages.
For more information about the changes, see the following section.
7 Select Off from the Postflight list.
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8 Click OK.
9 Click Print.
The job with the edited color settings is printed to the Fiery EX8000AP.
10 Return to Step 1, if needed.
Repeat the steps until you get satisfactory color results.
Making changes
After reviewing the Postflight information, determine what changes are necessary and apply the changes. Depending on your printing environment, the condition of the print device, and the color settings, possible changes are as follows:
• Correct problems with the print device (see the documentation that accompanies the
print device).
• Calibrate the Fiery EX8000AP (see Color Printing).
•Edit the colors of the output profile with Color Editor (see Color Printing).
• Change the default settings in the Color Process Flow tab in Color Setup (see Color
Printing).
• Change the job specific print option settings using Command WorkStation overrides.
POSTFLIGHT

Scenario 2: Check the calibration status

Use the following procedure to check the calibration status prior to printing a job.
TO CHECK THE CALIBRATION STATUS AND PRINT WITH THE OPTIMUM CALIBRATION CONDITION
1 If you have not printed the Detailed Report, select Detailed Report Only from the Postflight
menu.
If you have printed the Detailed Report and are familiar with the content, select Concise Report Only.
For information about Postflight reports, see page 72.
2 Click OK.
3 Click Print.
The Detailed Report or Concise Report page is printed.
4Review the information in the ColorWise global settings page.
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5Perform calibration, if needed.
If service has been performed on the print device since the last calibration, or calibration has not been performed, perform calibration using the Calibration Set specified in the Postflight report.
For more information about Calibration Set, see Color Printing.
6 Select Off from the Postflight list.
7 Click OK.
8 Click Print.
9 The job is printed to the newly calibrated Fiery EX8000AP.
POSTFLIGHT
Scenario 3: Check the quality of the output profile
Use the following procedure to check the quality of the output profile of the print device.
TO CHECK THE QUALITY OF OUTPUT PROFILE AND PRINT WITH THE OPTIMUM OUTPUT PROFILE
1 Click the Job Info icon.
2 Select Test Page Only from the Postflight list.
For information about the Postflight Test Page, see page 71.
3 Click OK.
4 Click Print.
Postflight Test Page is printed to the Fiery EX8000AP.
5Review the quality of the color on the Postflight Test Page.
NOTE: Make sure this page was printed with the same media and print option settings as
the job.
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6Review the instructions on the Postflight Test Page.
7 Edit the color of the output profile, or create a profile, if needed.
It may be necessary to customize the output profile or create one to get optimal results on the media the job is using.
8 Select Off from the Postflight list.
9 Click OK.
10 Click Print.
The job is printed to the Fiery EX8000AP with the edited or newly created output profile.
POSTFLIGHT
Scenario 4: Diagnose a color problem of a specific object
Use the following procedure to diagnose a color problem.
TO DIAGNOSE A COLOR PROBLEM OF A SPECIFIC OBJECT AND PRINT WITH THE EDITED COLOR SETTINGS
1 Click the Job Info icon.
2 Select Color-Coded Page Only from the Postflight list.
For information about Postflight color-coded pages, see page 71.
3 Click OK.
4 Click Print.
Postflight color-coded pages are printed to the Fiery EX8000AP.
NOTE: Alternatively, you can send the Postflight color-coded pages to the Hold queue of the
Fiery EX8000AP and preview them using ImageViewer. To preview the pages using ImageViewer, make sure that your monitor is set up according to the manufacturer’s recommendations and that the correct monitor profile is specified for your monitor. For information about monitor profiles, see page 10.
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5Review the Postflight color-coded pages.
6 Make changes to the color settings, if needed.
For information about the ColorWise print options for various color spaces, see Color
Printing.
NOTE: Use the Color-Coded Pages Only setting to send a job to another print device that has
a specific color-space requirement. For example, a document targeted to a CMYK-only press must have only Cyan-colored objects.
7 Select Off from the Postflight list.
8 Click OK.
9 Click Print.
The job is printed to the Fiery EX8000AP with the edited color settings.

MULTIPLE PLATE SEPARATIONS

MULTIPLE PLATE SEPARATIONS
The Multiple Plate Separations feature allows you to combine the multiple pre-separated color plates of a PostScript job into a composite color print. It supports: Cyan, Magenta, Yellow, Black, and one or more spot colors.
The results of combining the multiple plates are predictable and accurate, regardless of the original application used. This feature also fully supports DCS 2.0 file formats when included in a PostScript print job from a page layout application.
Multiple plate separations workflow
Use the following procedure to print a composite color print from the printer driver.
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NOTE: The procedures for printing a composite color print from a Windows and a Mac OS
computer are similar.
TO PRINT A COMPOSITE COLOR PRINT
1 Open a color-separated document in a supported application.
2 Choose Print.
3 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears with the Fiery Printing tab selected.
4 Click Print.
A composite color print is printed to the Fiery EX8000AP.

Combine Separations print option

Access the Multiple Plates Separations feature through the Combine Separations print option from the printer driver.
The following values are available for the Combine Separations print option:
•Off (Default)
•On
MULTIPLE PLATE SEPARATIONS

Supported applications

The following applications have been tested with Mac OS and Windows for compatibility with the Multiple Plates Separations feature:
•Adobe Illustrator
•Adobe InDesign
•Adobe PageMaker
•Macromedia FreeHand
•QuarkXPress
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PAPER SIMULATION

The Paper Simulation feature gives you the benefit of the absolute colorimetric rendering that renders the white point of the source color space as a visible color in the output profile color space.
Paper Simulation workflow
Use the following procedure to print a job with the fixed Paper Simulation feature On.
NOTE: The procedures for setting the Paper Simulation print option from a Windows and a
Mac OS computer are similar.
PAPER SIMULATION
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TO PRINT WITH THE FIXED PAPER SIMULATION FEATURE ON
1 Choose Print from an application.
2 Select Fiery EX8000AP as your printer and click Properties.
The Properties dialog box appears with the Fiery Printing tab selected.
3 Click the ColorWise icon and then click Expert Settings.
The Expert Color Settings dialog box appears.
4 Select the Paper Simulation print option and click OK.
5 Click Print.
The job is printed with the fixed Paper Simulation feature.
PAPER SIMULATION

Paper Simulation print option

Turn the Paper Simulation feature on or off through the print option from the printer driver.
On: Performs Absolute Colorimetric rendering.
Off (Default): Performs Relative Colorimetric rendering.
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INDEX

INDEX
85
A
Auto Trapping
about 34 Apply Auto Trapping option 36 Color Setup 24 configurable 34 default 34 defining 38 factory defaults 37 pane 35 printing 38 tab 35, 38 trap color reduction 36 trap object types 37 trap shape 37 trap width 36 workflow 34
B
Brightness, Paper Simulation 13
C
Color Setup
Auto Trapping 24, 38 Color Process Flow 24 Control Bar 24 Progressives 24
starting 25 colors, proofing 52 Combine Separation
print option 81 Control Bar
about 26
Color Setup 24
Control Bar Definition dialog box 29
Control Bar EPS File 30
creating 29
default control bar 27
defining 29
definitions 29
deleting 32
Distance from the edge 32
duplicating 32
editing 32
factory defaults 33 Job Information 31 pane 28 Print Control Bar option 28 print option 26 printing 33 Reporting print
option 27, 33, 76, 77, 79, 80 System Page Size 30 tab 28 Text Location 31 workflow 26
CT/LW to PS Filter
about 60 configuring 60
D
DCS 2.0 to PS Filter
about 61 configuring 61
E
EPS to PS Filter
about 62 configuring 62
Exclusive filters 56 Expert Color Settings 83 ExportPS Filter
about 63 configuring 63
F
file conversion
about 56
File Filters
about 57 configuring 60 selecting settings 58 specifying 58
G
Graphic Arts Package
features 9
Graphic Arts Package, Premium Edition
features 9
INDEX
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H
Halftone Screen
angle 45 Application Defined 43 calibrating 47 Contone 43 Dot Shape 46 LPI (screen frequency) 45 Mac Color Files folder 48 Newsprint 43 printing 44 User Screen 43 Windows Color Files folder 48 workflow 43
Halftone Simulation
print option 43 Halftone Simulation tab 45 Hot Folders
about 56
File Filters 56 Hue, Paper Simulation 13
I
ImageViewer
accessing 50
J
jobs, viewing soft proof of 52 JPEG to PDF Filter
about 64
configuring 64
M
monitor compensation
Paper Simulation 16 monitor profile, specifying 10 monitor, setting up 10 Multiple plate separations
workflow 81
N
Non-exclusive filters 56
O
output profile
Paper Simulation 14, 15, 18, 83
Postflight 74, 77, 79
Spot-On 20, 22
P
Paper Simulation
Brightness 13 fixed values 12, 83 Full (Output GCR) 15, 18 Hue 13 monitor compensation 16 output profile 15 preview 14 print option 12, 83, 84 printing 17, 83 Saturation 13 Save 17 simulation profile 15, 18 white point editing 13 workflow 11, 83
Paper Simulation White Point
dialog box 13 editing 14
PDF/X Preflight Filter
about 65 configuring 65
PDF2GO Filter
about 66 configuring 66
Postflight
about 71 accurate reporting 72 calibration status 74, 78 color problems 75, 80 color-coded pages 71, 80 ColorWise global settings page 72 ColorWise print options 72 Concise Report 72, 78 Detailed Report 72, 78 diagnosing 77 global settings page 78 Hold queue 80 ImageViewer 80 information 77 making changes 77 monitor profile 80 Object-specific settings pages 72 Paper Simulation 74 print option 73 quality of output profile 74, 79 reports 72
INDEX
87
Spot colors 72
Test Page 71, 79
unexpected colors 74, 76
vs. Combine Separations 74
vs. Progressives 74
vs. Substitute Colors 74
workflow 74 Preview, Paper Simulation 14 Progressives
color channels 42, 46
Color Setup 24
default 40
factory defaults 41
pane 41, 42, 46
print option 40
printing 42
sheets and colors 41
tab 41
workflow 39 proofing colors 52
S
Saturation
Paper Simulation 13 Soft Proofing 52 Spot-On
output profile 20
T
terminology 7 TIFF to PDF Filter
about 67
configuring 67 TIFF/IT to PS Filter
about 68
configuring 68 Two-Color Print Mapping
defining 20 printing 22
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