Wheatstone D-8000 Technical Manual

D-8000 Digital Audio Console
TECHNICAL MANUAL
600 Industrial Drive, New Bern, North Carolina, USA 28562
D-8000 Digital Audio Console Technical Manual - 2nd EditionD-8000 Digital Audio Console Technical Manual - 2nd Edition
D-8000 Digital Audio Console Technical Manual - 2nd EditionD-8000 Digital Audio Console Technical Manual - 2nd Edition
©2003 Wheatstone Corporation
D-8000/Jan 2003
WHEATSTONE CORPORATION 600 Industrial Drive New Bern, North Carolina 28562 tel 252-638-7000 / fax 252-637-1285
Attention!
FF
ederal Communications Commission (FCC)ederal Communications Commission (FCC)
F
ederal Communications Commission (FCC)
FF
ederal Communications Commission (FCC)ederal Communications Commission (FCC)
Compliance Notice:Compliance Notice:
Compliance Notice:
Compliance Notice:Compliance Notice: Radio FRadio F
Radio F
Radio FRadio F
NOTE:NOTE:
NOTE: This equipment has been tested and found to comply with the
NOTE:NOTE:
limits for a Class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment, generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.
requency Noticerequency Notice
requency Notice
requency Noticerequency Notice
AA
TTENTIONTTENTION
A
TTENTION
TTENTIONTTENTION
AA
This is Class A product. In a domestic environment,This is Class A product. In a domestic environment,
This is Class A product. In a domestic environment,
This is Class A product. In a domestic environment,This is Class A product. In a domestic environment,
this product may cause radio interference, in which case,this product may cause radio interference, in which case,
this product may cause radio interference, in which case,
!
This equipment must be installed and wired properly in order to assure
compliance with FCC regulations.
Caution!Caution!
Caution!
Caution!Caution!
Wheatstone could void the user's authority to operate this equipment.Wheatstone could void the user's authority to operate this equipment.
Wheatstone could void the user's authority to operate this equipment.
Wheatstone could void the user's authority to operate this equipment.Wheatstone could void the user's authority to operate this equipment.
this product may cause radio interference, in which case,this product may cause radio interference, in which case, the user may be required to take appropriate measures.the user may be required to take appropriate measures.
the user may be required to take appropriate measures.
the user may be required to take appropriate measures.the user may be required to take appropriate measures.
Any modifications not expressly approved in writing by Any modifications not expressly approved in writing by
Any modifications not expressly approved in writing by
Any modifications not expressly approved in writing by Any modifications not expressly approved in writing by
D-8000 / Oct 2003
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EXTRACTOR TOOLS

Module Removal Tools

Your Wheatstone D-8000 audio console is equipped with two "module extractor tools" which are mounted underneath the console armrest, to the far right (just above and to the left of the righthand mainframe headphone jack).
Main module faceplates are held into the console mainframe by two mounting screws (top and bottom). When removed the screws leave specially threaded holes that accept the two extractor tools.
To remove a module faceplate from the mainframe:
Remove the front top and bottom mounting screws. Remove the extractor tools from underneath the armrest, and screw each tool into a module faceplate mounting hole. Use only four or five turns (do not over-insert; you may damage the threaded mainframe hole underneath). Using the extractor tools as handles, pull the module straight up out of the mainframe.
CONTENTS
D-8000 Technical Manual

Table of Contents

Chapter 1 – Installation and Power
Countertop Mounting....................................................................1-2
Clearances................................................................................................................ 1-2
System Ground .............................................................................1-2
Power Supplies .............................................................................1-4
Power Supply Cable Pinout...................................................................................... 1-5
Failsafe Dual Redundant Supply.............................................................................. 1-6
Energizing ................................................................................................................. 1-6
Audio and Control Wiring.............................................................1-7
The Insulation Displacement Connector System ..................................................... 1-7
Connection Procedures ............................................................................................ 1-8
Digital Connections................................................................................................... 1-8
Analog Insert Points.................................................................................................. 1-8
Unbalanced Connections (analog audio) ................................................................. 1-8
Wiring Procedure - Double Connection to One Pin.................................................. 1-9
Chapter 2 - Digital/Analog Input Modules
Overview ........................................................................................2-2
Internal Programming Options ....................................................2-3
VDip Programming Options .........................................................2-3
Hook-ups........................................................................................2-4
AUDIO CONNECTIONS
INM-8 & INDM-8 Modules ........................................................................................ 2-4
IN-8 Module .............................................................................................................. 2-5
CONTROL CONNECTIONS..................................................................................... 2-5
Remote ON & OFF ................................................................................................... 2-6
Cough ....................................................................................................................... 2-6
Talkback to CR ......................................................................................................... 2-6
Talkback to Studio .................................................................................................... 2-7
On and Off Tallies..................................................................................................... 2-7
External START & STOP ......................................................................................... 2-7
Ready........................................................................................................................ 2-7
DB Connector Pinout Drawings
IN-8 Module .............................................................................................................. 2-8
INM-8 Module ........................................................................................................... 2-9
INDM-8 Module........................................................................................................ 2-10
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D-8000 / Oct 2003
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CONTENTS
Chapter 3 - Mic Preamplifier Module
Module Overview...........................................................................3-2
Internal Programming Options ....................................................3-3
Phantom Power ........................................................................................................ 3-3
Hook-ups........................................................................................3-3
Audio Input Connections .......................................................................................... 3-3
Audio Output Connections........................................................................................ 3-4
DB Connector Pinout Drawing.....................................................3-5
Chapter 4 - Output Modules
Module Overview...........................................................................4-2
Internal Programming Options ....................................................4-3
Insert Bypass ............................................................................................................ 4-3
Hook-ups........................................................................................4-3
Master A Output Module (PGM and AUX)
Upper DB-25 Connector — Analog Audio ......................................................... 4-3
Lower DB-25 Connector — Digital Outputs....................................................... 4-4
Master B Output Module (AUD and UTL)
Upper DB-25 Connector — Analog Audio ......................................................... 4-4
Lower DB-25 Connector — Digital Outputs....................................................... 4-5
Master C Output Module (SEND1 and SEND2)
Upper DB-25 Connector — Analog Audio ......................................................... 4-5
Lower DB-25 Connector — Digital Outputs....................................................... 4-5
DB Connector Pinout Drawings
Master A Output Module........................................................................................... 4-6
Master B Output Module........................................................................................... 4-7
Master C Output Module .......................................................................................... 4-8
Chapter 5 - Control Room Module
Module Overview...........................................................................5-2
Internal Programming Options ....................................................5-3
Cue Interrupt............................................................................................................. 5-3
Cue Mute .................................................................................................................. 5-3
Mono Cue ................................................................................................................. 5-3
External Cue Input ........................................................................5-3
Hook-ups........................................................................................5-4
Upper DB-25 Connector — AUDIO .......................................................................... 5-4
Upper DB-25 Connector — CONTROL.................................................................... 5-4
On-Air Tally......................................................................................................... 5-4
Lower DB-25 Connector — AUDIO .......................................................................... 5-5
DB Connector Pinout Drawing.....................................................5-6
D-8000 / Jan 2003
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CONTENTS
Chapter 6 - Studio Control Module
Module Overview...........................................................................6-2
Internal Programming Options ....................................................6-3
External Talkback Mute/Dim..................................................................................... 6-3
Studio Dim ................................................................................................................ 6-3
Hook-ups........................................................................................6-4
Upper DB-25 Connector — AUDIO .......................................................................... 6-4
Upper DB-25 Connector — CONTROL.................................................................... 6-4
Tally 2 and Tally 3 ............................................................................................... 6-4
Lower DB-25 Connector — AUDIO .......................................................................... 6-5
DB Connector Pinout Drawing.....................................................6-6
Chapter 7 - Meter Output Module
Module Overview...........................................................................7-2
Internal Programming Options ....................................................7-3
Hook-ups........................................................................................7-3
DB Connector Pinout Drawing.....................................................7-5
Chapter 8 - CPU and DSP Modules
Overview ........................................................................................8-2
CPU-8/CPU-8S ...............................................................................8-3
DSP-8..............................................................................................8-6
D-8000 Serial Interface..................................................................8-7
Using the Serial Interface ......................................................................................... 8-7
Internal Programming Options (CPU) .........................................8-9
Global Settings ......................................................................................................... 8-9
SW6 - RS-485/RS-232 Select ................................................................................. 8-10
SW7 - RS-485 Termination ..................................................................................... 8-10
CPU Reset Switch ................................................................................................... 8-10
Hook-Ups ......................................................................................8-11
CPU-8/CPU-8S
Upper DB-25 Connector - Com Ø Serial Connections....................................... 8-11
Lower DB-25 Connector - Com 1 Serial Connections ....................................... 8-11
DSP-8
AES Clock Sync.................................................................................................. 8-11
CPU-8/CPU-8S DB Connector Pinout Drawing..........................8-12
DSP-8 DB Connector Pinout Drawing ........................................8-13
D-8000 / Jan 2003
page Contents – 3
CONTENTS
Chapter 9 - Virtual Dip Switch
Virtual Dip Switch Application Program .....................................9-2
Installation................................................................................................................. 9-2
Hooking Up the Computer ........................................................................................ 9-2
Running the Program................................................................................................ 9-3
Using the Program.................................................................................................... 9-5
VDip Main Screen.................................................................................................. 9-5
Saving Changes ...................................................................................................... 9-10
Advanced Operation ................................................................................................ 9-11
Changing D-8000 Password Codes on the CPU-8 ................................................. 9-13
Ending the Program................................................................................................. 9-14
Serial Interface Cable DB Connectors Pinout Drawing ............9-15
Chapter 10 - Superphone Input Module (optional)
Module Overview..........................................................................10-2
Caller Set-Ups ......................................................................................................... 10-2
Automatic Features.................................................................................................. 10-3
Inputs and Outputs .................................................................................................. 10-3
Internal Programming Options - Main PCB ...............................10-4
Output Assign Switch Enable .................................................................................. 10-4
Mutes ....................................................................................................................... 10-4
Timer Restart ........................................................................................................... 10-4
Tallies....................................................................................................................... 10-4
Cue Dropout............................................................................................................. 10-5
Gain Trimpots .......................................................................................................... 10-5
Internal Programming Options - Piggyback PCB .....................10-5
External In................................................................................................................ 10-5
Cue Pre/Post ........................................................................................................... 10-5
Gain Trimpots .......................................................................................................... 10-5
Hook-ups.......................................................................................10-6
Audio Connections (Upper DB-25).......................................................................... 10-6
Audio and Control Connections (Lower DB-25) ...................................................... 10-6
DB Connector Pinout Drawing....................................................10-8
Chapter 11 - Line Preselector Module-Digital (optional)
Module Overview..........................................................................11-2
LSR-500 (drawing)........................................................................11-3
Internal Programming Options ...................................................11-2
Hook-ups – LSD-8 ........................................................................11-3
Hook-ups – LSR-500 ....................................................................11-3
Analog Audio Inputs................................................................................................. 11-3
Digital Audio Inputs.................................................................................................. 11-4
Analog Outputs ........................................................................................................ 11-5
Digital Outputs ......................................................................................................... 11-5
D-8000 / Jan 2003
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CONTENTS
DB Connector Pinout Drawing (LSD-8)......................................11-6
DB Connector Pinout Drawing (LSR-500)..................................11-7
Chapter 12 - Line Preselector Module-Analog (optional)
Module Overview..........................................................................12-2
Internal Programming Options ...................................................12-3
Hook-ups.......................................................................................12-3
Hook-ups.......................................................................................12-3
Audio Inputs ............................................................................................................. 12-3
Outputs .................................................................................................................... 12-4
DB Connector Pinout Drawing....................................................12-5
Chapter 13 - Tape Remote Module (optional)
Module Overview..........................................................................13-2
DB Connector Pinout Drawing
Start/Stop Function Control ..................................................................................... 13-3
Full-Function Control ............................................................................................... 13-4
Chapter 14 - Dynamic Processing Control Module (optional)
Module Overview..........................................................................14-2
Signal Processing Controls ........................................................14-3
Input Gain ................................................................................................................ 14-3
Balance .................................................................................................................... 14-3
High-Pass Filter ....................................................................................................... 14-3
Equalizer .................................................................................................................. 14-3
Low and High Shelving....................................................................................... 14-3
Parametric Equalizer Sections ............................................................................ 14-4
Ducking .................................................................................................................... 14-4
Compressor ............................................................................................................. 14-4
Comp In ............................................................................................................... 14-5
Pre EQ ................................................................................................................ 14-5
Threshold............................................................................................................ 14-5
Attack.................................................................................................................. 14-5
Release............................................................................................................... 14-6
Ratio.................................................................................................................... 14-6
Output ................................................................................................................. 14-6
Phase.................................................................................................................. 14-6
The Presets A, B, C, D Switches............................................................................. 14-6
Console Recall.................................................................................................... 14-6
Console Storage................................................................................................. 14-6
Channel Recall ................................................................................................... 14-6
Channel Storage................................................................................................. 14-7
Neutralizing Channels ........................................................................................ 14-7
Locking Out Controls (“Lock”).................................................................................. 14-7
D-8000 / Jan 2003
page Contents – 5
CONTENTS
Chapter 15 - Router Controller (optional)
Overview .......................................................................................15-2
Internal Programming Options ...................................................15-3
XY Controller Settings ..............................................................15-3
Setting an XY Controller Termination................................................................... 15-3
Setting an XY Controller Address......................................................................... 15-3
Receiver and Transmitter Switching..................................................................... 15-4
XY Controller RS-485 Connections ............................................15-4
Cable Wiring ......................................................................................................... 15-5
Typical RS-485 Cable Specifications ................................................................... 15-5
Console RS-485 Cable Pinout ............................................................................. 15-5
Hook-ups.......................................................................................15-6
XY-4/8 Module ..................................................................................................... 15-6
XYD-600 Controller ............................................................................................. 15-6
DB Connector Pinout Drawing
XY-4/8 Module ..................................................................................................... 15-7
XYD-600 Controller ............................................................................................. 15-8
Chapter 16 - Meterbridge
Overview .......................................................................................16-2
Internal Programming Options ...................................................16-2
Metering System...................................................................................................... 16-2
Replacement Parts.......................................................................16-3
Digital Timer .................................................................................16-3
Console Clock ..............................................................................16-3
Controls.................................................................................................................... 16-3
Setting the time........................................................................................................ 16-3
Capacitor Backup .................................................................................................... 16-4
Operational Modes .................................................................................................. 16-4
Clock/Timer (CLK-55)
Schematic ................................................................................................................ 16-5
Load Sheet............................................................................................................... 16-7
Chapter 17 - I/O Schematic Drawings
Digital/Analog Input w/MXM & DSP Module Schematic (INDM-8) ......................... 17-2
Digital/Analog Input w/MXM Module Schematic (INM-8) ........................................ 17-6
Digital/Analog Input Module Schematic (IN-8) ....................................................... 17-10
MP-8 Mic Preamps Module Schematic (MP-8) ...................................................... 17-14
Output Module Schematic (OMD-8) ...................................................................... 17-16
Control Room Module Schematic (CRD-8) ........................................................... 17-18
Studio Control Module Schematic (SCD-8)........................................................... 17-22
D-8000 / Jan 2003
D-8000 / Nov 2005
page Contents – 6
CONTENTS
Superphone Module Schematic (SPD-8) ............................................................... 17-25
Superphone Analog Card Schematic (SPNA-600) ................................................ 17-27
Digital/Audio Line Select Rackmount Schematic (LSR-500) ................................ 17-28
Analog Line Select Schematic (LSA-8) .................................................................. 17-31
Tape Remote Module Schematic (TRD-8) ............................................................. 17-32
Appendix
Replacement Parts List ............................................................... A-2
D-8000 / Jan 2003
page Contents – 7
INSTALLATION and POWER
Installation and Power
Chapter Contents
Countertop Mounting................................................................. 1-2
Clearances.............................................................................................................. 1-2
System Ground .......................................................................... 1-2
Power Supplies .......................................................................... 1-4
Power Supply Cable Pinout.................................................................................... 1-5
Failsafe Dual Redundant Supply............................................................................ 1-6
Energizing ............................................................................................................... 1-6
Audio and Control Wiring.......................................................... 1-7
The Insulation Displacement Connector System ................................................... 1-7
Connection Procedures .......................................................................................... 1-8
Digital Connections................................................................................................. 1-8
Analog Insert Points................................................................................................ 1-8
Unbalanced Connections (analog audio) ............................................................... 1-8
Wiring Procedure - Double Connection to One Pin................................................ 1-9
D-8000 / Jan 2003
D-8000 / Oct 2003
page 1 – 1
INSTALLATION and POWER
Installation and Power

Countertop Mounting

The D-8000 digital audio console is designed for countertop drop­in mounting. Console placement should avoid proximity to any elec­tromagnetic fields, such as large power transformers, motors, and fluorescent lighting fixtures. The required cut-out width is determined by the actual number of mainframe positions. The formula is:
(console positions X 1.508”) + 1.375” = cut-out width
Example: (32 x 1.508) = 48.256, and 48.256 + 1.375 = 49.631. Rounding this off we arrive at 49 5/8” for a cut-out width.
Cut-out front-to-back dimension is always 18 5/8”. The front of the console will extend approximately one inch forward of the cut-out. The console’s wooden side pieces will extend about 7/8” on either side of the cut-out width.
Clearances
Note the two module extractor tools (black thumbwheel screws) mounted in the front surface of console’s lower mainframe pan (just above and to the left of the righthand headphone jack). These must be removed before lowering the console into its cutout!
Once in place the console mainframe pan will extend approxi­mately 5 1/2 inches below the countertop surface. Note the hinged meterbridge will require 8 1/2” above the countertop surface to open freely. When fully open the meterbridge will extend 5 1/2” behind the rear line of the cut-out. When closed, the meterbridge will extend 2 1/2” behind this rear cut-out line and 6 1/4” above the countertop surface.
Do not connect the D-8000 console to its power supply (and do not connect the power supply to the AC power line) until instructed to do so.

System Ground

The first step is to ground the console.
Note that as supplied from the factory, console rackmount power supply common, audio ground, and the D-8000 mainframe are con­nected together at the console, but are NOT connected to electrical ground and the chassis of the power supply. Safety requirements dictate that a positive connection from the console mainframe to
!
D-8000 / Jan 2003
page 1 – 2
CONSOLE
GND
INSTALLATION and POWER
MIC PANEL
EFFECTS RACK
DEVICE 1
DEVICE 2
2-TRACK
MULTI-TRACK
AC BREAKER
BOX
POWER COMPANY
EARTH GROUND
COPPER ROD
3–5 ft.
HEAVY (#4 or #6) COPPER
WIRE
SOIL
EQUIPMENT RACK
CONSOLE POWER SUPPLY
CONTROL ROOM POWER AMP
3-wire ground or separate wire run from chassis
etc.
DEVICE N
HIGH POWER
STUDIO POWER AMP
OTHER
TYPICAL SYSTEM
GROUNDING SCHEME
electrical ground be made in the completed installation. Use one of the grounding lugs on the bottom of the mainframe to establish your system ground. The grounding lug terminal strip may be found at the rear of the console, along the bottom edge of the mainframe pan directly under the rightmost mainframe slots (to the lower left if you are looking at the rear of the console).
The system ground serves two important purposes:
(1) It provides a zero signal reference point for the entire audio system; (2) It assures safety from electrical shock.
Tie the console ground lug terminal strip to the system earth ground. Tie every piece of equipment in the entire audio system to the console ground lug terminal strip.
There exist two terms that one encounters in a discussion of ground:
(A) EARTH GROUND, which is usually a heavy copper rod driven into the soil adjacent to the building (around 6 feet down) or a connection to the copper water pipes leading into the building. Either is acceptable (unless, of course, the water pipe is made of plastic).
(B) THE POWER COMPANY EARTH CONDUCTOR that enters the building at the power line breaker box; this conductor should be (and is often by code) tied to the above-mentioned earth ground at one point. This point is the SYSTEM EARTH GROUND.
D-8000 / Jan 2003
page 1 – 3
INSTALLATION and POWER
TIE THE CONSOLE GROUND LUG TERMINAL STRIP TO THE SYSTEM EARTH GROUND. TIE EVERY PIECE OF EQUIPMENT IN THE ENTIRE AUDIO SYSTEM TO THE CONSOLE GROUND LUG TERMINAL STRIP. If the system earth ground point is inaccessible, tie the console ground terminal strip to the power company earth conductor at the main breaker box (see drawing "Typical Grounding Scheme" on previous page).
Each piece of equipment should be connected by its own ground wire (usually the round third pin on the AC cord). This means that every AC outlet must have a separate conductor run to the console ground lug terminal strip; the outlets cannot be daisy-chained as is normally encoun­tered in commercial and residential AC systems. Any equipment not supplied with 3-wire AC cables must have individual ground wires (16 gauge or larger) connected to their chassis grounds and then run to the console ground lug terminal strip.
Further Grounding Details
Check all equipment to be absolutely certain that each unit is power transformer isolated from the AC mains to prevent safety hazards.
It is assumed that in each piece of audio equipment the audio ground and the chassis are tied together at some point. Any piece of equipment lacking a grounded chassis is likely to be prone to interference problems.
Locate all unbalanced audio equipment in the same rack if possible, to minimize chassis ground potential differences. It may also be helpful to insulate each piece of unbalanced equipment from its mounting rails in the rack by means of nylon 10-32 screws and insulating washers between rails and faceplates.
Once the system is properly grounded, proceed with the console power supply installation and connection (next section).

Power Supplies

The D-8000 console is powered by an SPS-180 or SPS-400 power supply installed in a Wheatstone Model PSR rackmount unit. Each PSR houses up to four SPS-180 or up to two SPS-400 power supply units. Mount the power supply in a standard 19” equipment rack, keeping in mind that adequate ventilation is necessary to prevent heat build-up within the rack.
Note the power supply (supplies) should be mounted in an equipment rack within fifteen feet of the console (but no closer than 3 feet). Avoid locating any high gain equipment (such as phono preamps, tape recorders, etc.) too near the rackmount supplies, to avoid magnetic interference into that equipment.
This power supply contains high voltage circuits that are hazardous and potentially harmful. Under no circumstances should the metal cover be removed! If you have a problem with the power supply, the unit must be returned to Wheatstone Corporation for repair.
D-8000 / Jan 2003
D-8000 / Oct 2003
If failsafe redundant sup­plies have been ordered, you will be installing two SPS-180 or SPS-400 units.
page 1 – 4
INSTALLATION and POWER
t
Once the supply is rackmounted, it should be connected to the console using the factory supplied cable. The console’s two power supply connec­tors are located at the rear of the console, one at each end of the meterbridge bottom pan. If you are using two supplies (failsafe option) one supply will connect to each console connector; otherwise only one connector will be used (it does not matter which one). Note that the power supply cable’s 10­pin female connector has to be rotated until its locating pins match the male connectors on the console. Do not force a connector on; it attaches easily when properly aligned. Connect the cable(s) first to the console, then to the rear of the rackmount power supply.
Front view of the PSR rackmount power supply
Console
End
Power Supply
End
PS Cable Pinou
PIN
VIO GRN
BRN
Power Supply End Console End
8-pin Connector
Male
YEL
ORG
BLK
BLU
1 2 3 4 5 6 7 8RED
D-8000 / Jan 2003
D-8000 / Oct 2003
Phantom Digital Ground Digital Ground
Digital+ Digital+
Analog Ground
-V in
+V in
PIN
E D F H G A C B
VIO GRN
BRN
YEL
ORG
BLK
BLU RED
10-pin Connector
Female
page 1 – 5
INSTALLATION and POWER
Note each power supply is fitted with a 3-wire grounded AC cord that should be plugged into a "clean" AC power source, that is, an AC source that feeds only the control room audio gear. This source should be a separate feed from those powering lighting, air-conditioning, or any other non-audio machinery. The third pin ground wire of the AC source should be tied to the central system ground point. Note that
while the AC power cord ground wire terminates at the power supply chassis, it does NOT connect to the D-8000 console common; the console itself must be grounded separately. (See previous section, "System Ground".)

Failsafe Dual Redundant Supply

Wheatstone failsafe power supply systems use two SPS-180 or SPS-400 power supplies for each piece of powered equipment. Though either is capable of running a full load on its own, in failsafe operation both units run in tandem: if one fails, the other takes over, assuring uninterrupted operation.
In order for failsafe systems to perform as designed, always have BOTH supplies powered up and connected to their associated equip­ment.

Energizing

Assuming the D-8000 console mainframe is properly placed and grounded, and its PSR power supply correctly rackmounted and connected to the console, you may now energize the PSR rackmount power supply by plugging it into the AC mains. The console's VU meters will illuminate and individual module switches will assume factory default settings.
Note: To de-energize the console, unplug the rackmount power supply’s AC cord from the AC mains. Never de-energize the console
by disconnecting the cable that connects the console and power supply together.
The power feed recom­mended in the text is of­ten installed and referred to in studios as an “iso­lated AC ground” outlet. It is usually orange in color.
Once you have verified proper power-up, unplug the rackmount powerOnce you have verified proper power-up, unplug the rackmount power
Once you have verified proper power-up, unplug the rackmount power
Once you have verified proper power-up, unplug the rackmount powerOnce you have verified proper power-up, unplug the rackmount power supplies to de-energize the console. You may now proceed to wire upsupplies to de-energize the console. You may now proceed to wire up
supplies to de-energize the console. You may now proceed to wire up
supplies to de-energize the console. You may now proceed to wire upsupplies to de-energize the console. You may now proceed to wire up audio and control connections.audio and control connections.
audio and control connections.
audio and control connections.audio and control connections.
D-8000 / Jan 2003
D-8000 / Oct 2003
page 1 – 6
INSTALLATION and POWER
Audio and Control Wiring
All audio and control I/O connections to the D-8000 console are made through multipin DB-25 connectors located on the bottom of the console.
The Insulation Displacement Connector System
The I/O wiring interface system is based on insulation displacement technology. A special AMP wiring tool is included with each console; it is auto-indexing, and allows individual wire connections to be positively made with a single squeeze of the tool's trigger. The trigger action is ratchet controlled, and will not release until a full connection is made. Once released, the multipin connector held in the tool's jaw automatically indexes to the next connector pin. The technology is such that no stripping, soldering or tinning of
The AMP tool insulation dis­placement connector system. Note the right angle hood with self-locking tabs. The tool, multipin connectors (with gold plated pins) and latching hoods are supplied with each console.
wire ends is required; all that is needed is for the wires destined for the connector be snub cut and laid out in order (although tubing should be used on bare drain wires). An empty DB-25 (or in the case of the optional LSR-500 rackmount line switcher, a DB-9) connector is inserted into the tool, indexed to the first pin, and the wires are inserted one by one into the jaw and the trigger squeezed. In this way a single multipin connector can be completely wired up in a minute or two.
In the event of a wiring error, connector pins may easily be removed from the shell with the wire still attached, and inserted into the correct position. Observe the side of the connector, with the metal part down. You will see a row of "Vees"—simply press the top of the vee together with a scribe or other sharp instrument; this will unlock the pin from the shell, and it can be removed and inserted into the correct position. Spread the vee apart to lock the pin in the new position. It should never be necessary to discard a connector due to a wiring error.
Note that mating hoods for each connector are also supplied with the console. These have locking screws that hold the connectors securely to the bottom of the console mainframe.
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D-8000 / Oct 2003
page 1 – 7
INSTALLATION and POWER
Connection Procedures
As supplied from the factory, the console requires no logic connections to function. Therefore an orderly installation begins with the audio wiring. Note this manual is organized by module type (inputs, outputs, monitor modules, etc.); each chapter contains detailed wiring instructions for its module type. Proceed through the manual, chapter by chapter, until all modules have been wired to suit your particular installation requirements. Once proper audio operation is verified, go back to each individual chapter and proceed with control wiring.

Digital Audio Connections

CABLE - All AES/EBU input and output digital audio connections are balanced and should be made using a high quality digital audio cable. Be sure to select a digital audio cable with an integral drain wire of the same wire gauge (AWG) as the twisted pair. Typical AES/EBU digital audio cable has a very low characteristic capacitance per ft (pF/ft), and a nominal impedance of 110. High quality digital audio cable offers better signal transmission performance versus typical analog audio cable, especially over long cable runs. Check the cable manufactures data sheet to be sure the cable you plan to use will work in your application.
CONNECTORS - All AES/EBU connections are made with the supplied DB-25 male mating connectors. These crimp style connectors are the insulation displacement type and will accept wire gauge 22 - 26AWG.

Analog Insert Points

The OUTPUT MODULES (OMD-8) have insert patch points in their signal chains to allow outboard audio processing.
Normally these points are internally bridged at the factory (via PCB­mounted programming switches) prior to shipment. If you intend to use outboard signal loops at these points, you must reprogram these switches. See page 4-3 (output modules) for details.
Unbalanced Connections (analog audio)
ANALOG INPUTS — Wire to the console with typical shielded two conductor cable (like Belden 9451), just as if you were connecting a balanced source. At the unbalanced source machine’s output, connect the black wire (“LO”) to the shield. If the machine has a -10 dBu output, don’t hesitate to turn module input gain as high as is needed.
ANALOG OUTPUTS — D-8000 consoles use a balanced output circuit which behaves exactly like the secondary of a high-quality trans­former, with no center tap—this output is both balanced and floating. Either the “HI” or “LO” side of the output should be strapped to ground, with the output taken from the other side. (Normally you’d strap “LO” to ground, and take “HI” to feed your unbalanced equipment.)
D-8000 / Jan 2003
D-8000 / Oct 2003
page 1 – 8
INSTALLATION and POWER
Wiring Procedure - Double Connection to One Pin
ref: DB-25 male multi-pin connector
Most audio equipment machine interfaces (as well as Wheatstone consoles) use subminiature D-type connectors. Sometimes the interfaces require making two connec­tions to a single DB pin. If the wiring has been set up using punchblocks, this is not a problem; however, for situations where direct machine-to-console wiring is used, Wheat­stone recommends the following procedure:
1) Connect the first wire to the desired pin as you normally would.
2) Note connector pins may easily be removed from the DB-25 shell with the wire still attached: Hold the connector with the metal part down and observe its side. You will see a row of "Vees"—simply press the top of the selected vee together with a scribe or other sharp instrument; this will unlock the pin from the shell, allowing it to be removed.
3) With the pin removed, strip out a short section of insulation from the connected wire and wrap and solder the second wire to the first as shown above.
4) A short piece of heatshrink tubing (pictured here before being slid into place) completes the connection.
5) Re-insert the pin into the DB-25 shell, spreading the vee apart to lock it in place.
D-8000 / Jan 2003
D-8000 / Oct 2003
page 1 – 9
DIGITAL/ANALOG INPUT
Digital/Analog Input
Modules
(IN-8/INM-8/INDM-8)
Chapter Contents
Overview ..................................................................................... 2-2
Internal Programming Options ................................................. 2-3
VDip Programming Options ...................................................... 2-3
Hook-ups..................................................................................... 2-4
AUDIO CONNECTIONS
INM-8 & INDM-8 Modules ...................................................................................... 2-4
IN-8 Module ............................................................................................................ 2-5
CONTROL CONNECTIONS................................................................................... 2-5
Remote ON & OFF ................................................................................................. 2-6
Cough ..................................................................................................................... 2-6
Talkback to CR ....................................................................................................... 2-6
Talkback to Studio .................................................................................................. 2-7
On and Off Tallies................................................................................................... 2-7
External START & STOP ....................................................................................... 2-7
Ready...................................................................................................................... 2-7
DB Connector Pinout Drawings
IN-8 Module ............................................................................................................ 2-8
INM-8 Module ......................................................................................................... 2-9
INDM-8 Module..................................................................................................... 2-10
D-8000 / Jan 2003
page 2 – 1
DIGITAL/ANALOG INPUT
Digital/Analog Input
Modules
(IN-8/INM-8/INDM-8)

Overview

The Digital/Analog modules are for stereo line input signals. There are three different types of the module: IN-8, INM-8 and INDM-8. Each module accepts both +4dBu balanced analog input signals and digital (AES) inputs. They have L/R front panel input gain trimpots for analog input signal.
Each module accepts two stereo sources: A and B, switched at the top of the module. The MODE SELEC­TION enables the module to operate in stereo, mono, left only, or right only. The MODE button illuminates red when set to STEREO, and is off when set to MONO (L+R to both channels), LEFT to both channels, and RIGHT to both channels. Being electronic, mode selec­tion is lossless and click-free. When in MONO mode automatic gain compensation occurs to offset mono summation.
Output switches assign the selected source signal to any combination of the console’s four stereo outputs: PGM (program), AUD (audition), AUX (auxiliary) and/ or UTL (utility). When the module is assigned to PGM and turned ON, a red “Air” LED illuminates just above the output assign switches. Utility output can be pro­grammed via VDip software to be pre-fader and pre on/ off for A and/or B sources.
The CUE switch can be enabled or disabled via VDip software. When the CUE switch is enabled, it places the module’s signal on the console’s stereo cue bus, where it may be heard on the meterbridge mounted cue speak­ers and/or as an interrupt to the console operator’s headphones and control room monitor speakers. The various cue interrupt modes are programmed at the console’s CRD-8 (Control Room) module via internal PCB-mounted dipswitches (see page 5-3).
D-8000 / Jan 2003
IN-8 INM-8 INDM-8
page 2 – 2
DIGITAL/ANALOG INPUT
The INM-8 and INDM-8 modules have an additional IFB option. This option allows each input module to generate an individual mix-minus output; thus each anchor, each announcer, each host, each guest can have a dedicated mix-minus feed. An analog IFB out is always available, and an AES IFB out can be enabled or disabled via VDip software. When the MXM switch is pushed, the module’s signal will be sent to the mix-minus bus. Each module with the IFB option will have a summed signal from mix-minus bus except it own signal.
A momentary TB switch will sent the TB monitor signal to the IFB output of the module.
On the IN-8, INM-8, and INDM-8 modules the SET switch links to the SEND controls on the optional CPU-8S module (Chapter 8) to assign the module’s audio to the SEND outputs. The INDM-8 module is also equipped with DSP. On this module the SET key also initiates the attention of the central control module (described in Chapter 14) in the meterbridge for control of DSP functions. This allows the operator to adjust many audio parameters for the module, including gain trim, EQ, ducking, and com­pressor-limiter characteristics. An illuminated green “DSP” LED indi­cates that some corrections were made for this input signal. .
INDM-8 modules with DSP have ten-segment level and gain-reduc­tion metering.
Level is set by a Penny & Giles long-throw fader. When the D-8000 is under external serial control from an automation system, the Fader Null LEDs show which direction the fader must move for manual override.
Channel ON (red) and OFF (orange) switches are at the bottom of the module. In addition to being controlled remotely, these can also be programmed (via VDip program) to perform a variety of functions, activating control room and studio mutes, external tallies, and timer restart. The OFF switch’s LED can be controlled by an external source machine to act as a “ready” indicator.
All audio and control input and output signals are made via two multi­pin DB-25 connectors mounted in the bottom of the console’s mainframe, directly underneath each individual module.
Internal Programming Options
There are no internal programming options on the IN-8, INM-8 and INDM-8 modules.
VDip Programming Options
Mutes, timer restart, cue dropout, local/ready, tallies, talkback to control room, superphone output assign, utility bus pre-fader, remote on/ off-constant vs. pulse, and remote start/stop-normal vs. EFS programming are made via Virtual Dip Switch Software (see Chapter 9).
D-8000 / Jan 2003
?
page 2 – 3
DIGITAL/ANALOG INPUT

Hook-Ups

As stated before, all user wiring to and from INDM/INM/IN-8 modules takes place at DB-25 multi-pin connectors mounted directly beneath each module on the console mainframe’s bottom pan. There are two connectors per module: the upper one (towards the console meterbridge) handles audio inputs; the lower (near the console armrest) control signals. Pinout drawings on pages 2-8, 2-9 and 2-10 show all wiring connections at a glance.
INM-8 and INDM-8 Modules
Audio Connections (upper DB-25)
These include analog/digital A and B source inputs and analog/digital IFB outputs.
Pin 25 – Line A Lt In SH Pin 24 – Line A Lt In HI Pin 12 – Line A Lt In LO
Pin 11 – Line A Rt In SH Pin 10 – Line A Rt In HI Pin 23 – Line A Rt In LO
Pin 22 – Line B Lt In SH Pin 21 – Line B Lt In HI Pin 9 – Line B Lt In LO
Pin 8 – Line B Rt In SH Pin 7 – Line B Rt In HI Pin 20 – Line B Rt In LO
Pin 19 – IFB Out SH Pin 18 – IFB Out HI Pin 6 – IFB Out LO
Pin 5 – IFB AES/SPDIF Out SH Pin 4 – IFB AES/SPDIF Out HI Pin 17 – IFB AES/SPDIF Out LO
Pin 16 – A AES/SPDIF In SH Pin 15 – A AES/SPDIF In HI Pin 3 – A AES/SPDIF In LO
Pin 2 – B AES/SPDIF In SH Pin 1 – B AES/SPDIF In HI Pin 14 – B AES/SPDIF In LO
Typical DB-25
connector
D-8000 / Jan 2003
page 2 – 4
DIGITAL/ANALOG INPUT
IN-8 Module
Audio Connections (upper DB-25)
These include analog/digital A and B source inputs.
Pin 25 – Line A Lt In SH Pin 24 – Line A Lt In HI Pin 12 – Line A Lt In LO
Pin 11 – Line A Rt In SH Pin 10 – Line A Rt In HI Pin 23 – Line A Rt In LO
Pin 22 – Line B Lt In SH Pin 21 – Line B Lt In HI Pin 9 – Line B Lt In LO
Pin 8 – Line B Rt In SH Pin 7 – Line B Rt In HI Pin 20 – Line B Rt In LO
Pin 16 – A AES/SPDIF In SH Pin 15 – A AES/SPDIF In HI Pin 3 – A AES/SPDIF In LO
Pin 2 – B AES/SPDIF In SH Pin 1 – B AES/SPDIF In HI Pin 14 – B AES/SPDIF In LO
Control Connections (lower DB-25)
These are identical for the IN-8, INM-8 and INDM-8 modules. All control ports are opto-isolated. Functions include remote on and off, on and off tallies, ready, and start/stop for remote source machines. With the exception of TB to Studio, each function is available twice, for both A and B source ports, allowing it to follow the module's A/B source selector switch.
Pin 1 – Cough A Pin 2 – Off Tally A Pin 3 – Remote Off A Pin 4 – Ready A Pin 5 – Start/Stop Common A Pin 6 – Stop A Pin 7 – Cough B Pin 8 – Off Tally B Pin 9 – Remote Off B Pin 10 – Ready B Pin 11 – Start/Stop Common B Pin 12 – Stop B Pin 13 – TB To Studio Pin 14 – TB To CR A Pin 15 – On Tally A Pin 16 – Remote On A Pin 17 – Remote Common A Pin 18 – Start A Pin 19 – Digital Ground
Typical DB-25
connector
D-8000 / Jan 2003
page 2 – 5
DIGITAL/ANALOG INPUT
Pin 20 – TB To CR B Pin 21 – On Tally B Pin 22 – Remote On B Pin 23 – Remote Common B Pin 24 – Start B Pin 25 – +5V Digital
To Turn the Module ON & OFF from a Remote Location
In the case of stereo line input modules, “remote location” can also refer to a remote source machine that is feeding its audio to the module in question. A 5VDC signal, as indicated below, will activate the module’s channel ON and OFF switches.
REMOTE ON — Activates the module’s channel ON switch. Provide a momentary 5VDC signal between Pins 16 (Remote On A) and 17 (Remote Common A) or Pins 22 (Remote On B) and 23 (Remote Common B). This will latch the module ON.
REMOTE OFF — Activates the module’s channel OFF switch. Provide a momentary 5VDC signal between Pins 3 (Remote Off A) and 17 (Remote Common A) or Pins 9 (Remote Off B) and 23 (Remote Common B). This will latch the module OFF.
COUGH — Temporarily Mutes the module. Provide a momentary 5VDC signal between Pins 1 (Cough A) and Pin 17 (Remote Common A) or Pins 7 (Cough B) and 23 (Remote Common B). This will turn the module OFF. Note this is a non-latching mode; the module will turn ON again as soon as the signal stops. (User-supplied momentary contact switch required.)
Note that these are opto-isolated inputs and require a signal of the correct polarity. The Remote Common A and Remote Common B Pins will always be positive relative to the Pins for the other signals (Remote On A and B, Remote Off A and B, and Cough A and B).
Typical DB-25
connector
Talkback to Control Room
If a module is being used for a studio microphone, these ports allow talkback from that studio to the console operator in the control room. Provide a momentary 5V signal between Pins 14 (TB to CR A) and 17 (Remote Common A) or Pins 20 (TB to CR B) and 23 (Remote Common B), with positive end of the signal going to the Remote Common A or B pin. This will cause two things to happen: (1) the module’s pre-fader signal is sent to the console’s Cue bus, where it may be heard by the console operator, and (2) the module’s Cough function is activated, muting the module’s post fader signal and preventing the TB signal from going out over other assigned busses (i.e., “live”). This non-latching condition continues until the signal is removed. (Requires user-supplied momentary action talkback switch at the control room microphone location.)
D-8000 / Jan 2003
page 2 – 6
DIGITAL/ANALOG INPUT
Talkback to Studio
Provide a momentary 5V signal between Pin 13 (TB to Studio) and 17 (Remote Common A) or Pins 13 (TB to Studio) and 23 (Remote Common B) to send the module’s pre-fader signal to TB output of studio module through TB monitor.
On and Off Tallies
ON TALLY—Lets the module’s channel ON switch control an on-air light or other indicator at a remote location. This control function provides a continuous closure between Pin 15 (On Tally A) or Pin 21 (On Tally B) and Pin 19 (Digital Ground) whenever the module’s channel ON is activated.
OFF TALLY—Lets the module’s channel OFF switch control an on­air light or other indicator at a remote location. This control function provides a continuous closure between Pin 2 (Off Tally A) or Pin 8 (Off Tally B) and Pin 19 (Digital Ground) whenever the module’s channel ON is NOT activated.
The On and Off Tallies can be used to control externally powered tally lights that require a continuous closure to function, or external tally lights (i.e., LED) can be powered from the input module by connecting the external LED to +5V Digital (Pin 25)* and the A or B On or Off Tally ports (Pin 15, 21, 2 or 8). In any case, current should not exceed 30 milliamps.
*We recommend a series resistor between the LED and Digital Ground when you are powering the ex­ternal tally from the con­sole; a value of 220 (1/ 4W 5%) is suggested.
To START and STOP Remote Source Machines Using Module ON/ OFF Switches
EXTERNAL START — Hook up the remote machine’s “start” control pins to the module’s lower DB-25 connector control pins: for START A wire to pins 18 and 5; for START B wire to pins 24 and 11.
EXTERNAL STOP — Hook up the remote machine’s “stop” control pins to the module’s lower DB-25 connector control pins: for STOP A wire to pins 6 and 5; for STOP B wire to pins 12 and 11.
Note that these are opto isolated outputs.
To Control the Module’s OFF Switch LED with an External Source Machine
READY — Hook up the remote machine’s “ready” control pins to the module’s lower DB-25 connector control pins: for READY A wire to pins 4 (Ready A) and 17 (Remote Common A); for READY B wire to pins 10 (Ready B) and 23 (Remote Common B). The module’s Ready ports are looking for a 5VDC signal of the correct polarity, with the positive end of the signal going to the Remote Common A and B pin. As long as the voltage is maintained, the OFF switch LED will be illuminated.
D-8000 / Jan 2003
page 2 – 7
DIGITAL/ANALOG INPUT
A
IN-8 Stereo Line Input
Analog/Digital Version DB Connector Pinouts
I/O PORTS
(Upper DB-25)
ANALOG/DIGITAL
REMOTE COMMON B
DIGITAL GROUND
REMOTE COMMON A
LINE A LT IN SH
LINE A RT IN LO
LINE B LT IN SH
LINE B RT IN LO
A AES/SPDIF IN SH
A AES/SPDIF IN HI
B AES/SPDIF IN LO
+5V DIGITAL
START B
REMOTE ON B
ON TALLY B
TB TO CR B
START
REMOTE ON A
ON TALLY A
TB TO CR A
LINE A LT IN HI
LINE B LT IN HI
N/C N/C N/C
13
25
12
24
11
23
10
22
9
21
8
20
7
19
6
18
5
17
4
16
3
15
2
14
1
25 24
23 22
13 12
11 10
N/C LINE A LT IN LO
LINE A RT IN SH LINE A RT IN HI
9
LINE B LT IN LO
21
LINE B RT IN SH
8
20 19
18 17
N/C
6
N/C
5
N/C
4
LINE B RT IN HI
7
16
A AES/SPDIF IN LO
3
15
B AES/SPDIF IN SH
2
14
B AES/SPDIF IN HI
1
TB TO STUDIO STOP B START/STOP COM. B
READY B REMOTE OFF B OFF TALLY B COUGH B STOP A START/STOP COM. A READY A
REMOTE OFF A OFF TALLY A COUGH A
I/O PORTS
(Lower DB-25)
LOGIC
D-8000 / Jan 2003
page 2 – 8
DIGITAL/ANALOG INPUT
A
INM-8 Stereo Line Input
Analog/Digital Version DB Connector Pinouts
I/O PORTS
(Upper DB-25)
ANALOG/DIGITAL
REMOTE COMMON B
REMOTE ON B
DIGITAL GROUND
REMOTE COMMON A
LINE A LT IN SH
LINE A LT IN HI
LINE A RT IN LO
LINE B LT IN SH
LINE B LT IN HI
LINE B RT IN LO
IFB OUT SH
IFB AES/SPDIF OUT LO
A AES/SPDIF IN SH
A AES/SPDIF IN HI
B AES/SPDIF IN LO
+5V DIGITAL
START B
ON TALLY B
TB TO CR B
START
REMOTE ON A
ON TALLY A
TB TO CR A
IFB OUT HI
13
25
12
24
11
23
10
22
9
21
8
20
7
19
6
18
5
17
4
16
3
15
2
14
1
25 24
23 22
13 12
11 10
N/C LINE A LT IN LO
LINE A RT IN SH LINE A RT IN HI
9
LINE B LT IN LO
21
LINE B RT IN SH
8
20 19
18 17
IFB OUT LO
6
IFB AES/SPDIF OUT SH
5
IFB AES/SPDIF OUT HI
4
LINE B RT IN HI
7
16
A AES/SPDIF IN LO
3
15
B AES/SPDIF IN SH
2
14
B AES/SPDIF IN HI
1
TB TO STUDIO STOP B START/STOP COM. B
READY B REMOTE OFF B OFF TALLY B COUGH B STOP A START/STOP COM. A READY A
REMOTE OFF A OFF TALLY A COUGH A
I/O PORTS
(Lower DB-25)
LOGIC
D-8000 / Jan 2003
page 2 – 9
INDM-8 Stereo Line Input
A
Analog/Digital Version DB Connector Pinouts
I/O PORTS
(Upper DB-25)
ANALOG/DIGITAL
DIGITAL/ANALOG INPUT
LINE A LT IN SH
LINE A LT IN HI
LINE A RT IN LO
LINE B LT IN SH
LINE B LT IN HI
LINE B RT IN LO
IFB OUT SH
IFB OUT HI
IFB AES/SPDIF OUT LO
A AES/SPDIF IN SH
A AES/SPDIF IN HI
B AES/SPDIF IN LO
25 24
23 22
21 20
19 18 17 16 15 14
N/C
13 12
LINE A LT IN LO LINE A IN RT SH
11
LINE A IN RT HI
10
9
LINE B LT IN LO LINE B RT IN SH
8
LINE B RT IN HI
7
IFB OUT LO
6
IFB AES/SPDIF OUT SH
5 4
IFB AES/SPDIF OUT HI A AES/SPDIF IN LO
3
B AES/SPDIF IN SH
2
B AES/SPDIF IN HI
1
D-8000 / Jan 2003
+5V DIGITAL
START B
REMOTE COMMON B
REMOTE ON B
ON TALLY B
TB TO CR B
DIGITAL GROUND
START
REMOTE COMMON A
REMOTE ON A
ON TALLY A
TB TO CR A
25 24
23 22
21 20
19 18
17 16
15 14
13 12 11
10
9 8
7 6
5 4
3 2 1
TB TO STUDIO STOP B START/STOP COM. B
READY B REMOTE OFF B OFF TALLY B COUGH B
STOP A START/STOP COM. A
READY A REMOTE OFF A
OFF TALLY A COUGH A
I/O PORTS
(Lower DB-25)
LOGIC
page 2 – 10
MIC PREAMPS MODULE

Mic Preamplifier Module

(MP-8)
Chapter Contents
Module Overview........................................................................ 3-2
Internal Programming Options ................................................. 3-3
Phantom Power ...................................................................................................... 3-3
Hook-ups..................................................................................... 3-3
Audio Input Connections ........................................................................................ 3-3
Audio Output Connections...................................................................................... 3-4
DB Connector Pinout Drawing.................................................. 3-5
D-8000 / Jan 2003
page 3 – 1
MIC PREAMPS MODULE
Mic Preamplifier Module
(MP-8)
Module Overview
MP-8 module is used for microphone input signals (-50dBu nominal). Each module accepts eight mono sources. Phantom power is available at each input ports; it may be selectively activated by internal dipswitches SW1 and SW2 (the factory default is OFF). Recessed front panel multi-turn trimpots (range 38dB) adjust input levels.
Example: with a microphone input of –60dBm @150 at the port,
gain trim can set levels from -22dBu to +16dBu (note maximum preamp gain is +76dB).
The MP-8 module outputs are wired to inputs of any type of analog/digital input modules (IN-8, INM-8, and/or INDM-8).
All audio input and output signals are made via two multi-pin DB-25 connectors mounted in the bottom of the console’s main­frame, directly underneath the module.
D-8000 / Jan 2003
page 3 – 2
MIC PREAMPS MODULE
Internal Programming Options.
Phantom Power
Two four-position dipswitches SW1 & SW2 turn phantom power on
and off for the module’s eight microphone input ports.
SW1 position 1 activates phantom power for microphone 1 SW1 position 2 activates phantom power for microphone 2 SW1 position 3 activates phantom power for microphone 3 SW1 position 4 activates phantom power for microphone 4
SW2 position 1 activates phantom power for microphone 5 SW2 position 2 activates phantom power for microphone 6 SW2 position 3 activates phantom power for microphone 7 SW2 position 4 activates phantom power for microphone 8

Hook-Ups

As stated before, all user wiring to and from the MP-8 module takes place at DB-25 multi-pin connectors mounted directly beneath the module on the console mainframe’s bottom pan. There are two connectors per module: the upper one (towards the console meterbridge) handles audio inputs signals; the lower (near the console armrest) audio outputs signals. A pinout drawing on page 3-5 shows all wiring connections at a glance.
Note the factory default setting for phantom power is OFF.
Audio Inputs Connections (upper DB-25)
All signals are analog mono. The mic input level is nominally -50dBu.
Pin 25 – Mic 1 In SH Pin 24 – Mic 1 In HI Pin 12 – Mic 1 In LO
Pin 11 – Mic 2 In SH Pin 10 – Mic 2 In HI Pin 23 – Mic 2 In LO
Pin 22 – Mic 3 In SH Pin 21 – Mic 3 In HI Pin 9 – Mic 3 In LO
Pin 8 – Mic 4 In SH Pin 7 – Mic 4 In HI Pin 20 – Mic 4 In LO
Pin 19 – Mic 5 In SH Pin 18 – Mic 5 In HI Pin 6 – Mic 5 In LO
Pin 5 – Mic 6 In SH Pin 4 – Mic 6 In HI Pin 17 – Mic 6 In LO
Pin 16 – Mic 7 In SH Pin 15 – Mic 7 In HI Pin 3 – Mic 7 In LO
Typical DB-25
connector
D-8000 / Jan 2003
page 3 – 3
MIC PREAMPS MODULE
Pin 2 – Mic 8 In SH Pin 1 – Mic 8 In HI Pin 14 – Mic 8 In LO
Audio Output Connections (lower DB-25)
All signals are analog mono. The mic output level is nominally +4dBu.
Pin 25 – Mic 1 Out SH Pin 24 – Mic 1 Out HI Pin 12 – Mic 1 Out LO
Pin 11 – Mic 2 Out SH Pin 10 – Mic 2 Out HI Pin 23 – Mic 2 Out LO
Pin 22 – Mic 3 Out SH Pin 21 – Mic 3 Out HI Pin 9 – Mic 3 Out LO
Pin 8 – Mic 4 Out SH Pin 7 – Mic 4 Out HI Pin 20 – Mic 4 Out LO
Pin 19 – Mic 5 Out SH Pin 18 – Mic 5 Out HI Pin 6 – Mic 5 Out LO
Pin 5 – Mic 6 Out SH Pin 4 – Mic 6 Out HI Pin 17 – Mic 6 Out LO
Pin 16 – Mic 7 Out SH Pin 15 – Mic 7 Out HI Pin 3 – Mic 7 Out LO
Pin 2 – Mic 8 Out SH Pin 1 – Mic 8 Out HI Pin 14 – Mic 8 Out LO
Note that each output wires in parallel to the left and right input channels of an analog/digital module (IN-8/INM-8/INDM-8).
For example:
Pin 25 - Line A Lt In SH Pin 25 – Mic 1 Out SH wires to Pin 11 - Line A Rt In SH
Typical DB-25
connector
D-8000 / Jan 2003
Pin 24 - Line A Lt In HI Pin 24 – Mic 1 Out HI wires to
Pin 10 - Line A Rt In HI
Pin 12 - Line A Lt In LO Pin 12 – Mic 1 Out LO wires to
Pin 23 - Line A Rt In LO
page 3 – 4
MIC PREAMPS MODULE
(
MP-8 Mic Preamp Module
DB Connector Pinouts
ANALOG
INPUTS
Upper DB-25)
MIC 1 OUT SH
MIC 1 OUT HI
MIC 2 OUT LO MIC 3 OUT SH
MIC 3 OUT HI MIC 4 OUT LO MIC 5 OUT SH
MIC 5 OUT HI MIC 6 OUT LO
MIC 7 OUT SH
MIC 7 OUT HI MIC 8 OUT LO
MIC 1 IN SH
MIC 1 IN HI
MIC 2 IN LO MIC 3 IN SH
MIC 3 IN HI MIC 4 IN LO MIC 5 IN SH
MIC 5 IN HI MIC 6 IN LO MIC 7 IN SH
MIC 7 IN HI MIC 8 IN LO
13
25
12
24
11
23
10
22
9
21
8
20
7
19
6
18
5
17
4
16
3
15
2
14
1
13
25
12
24
11
23
10
22 21
20 19
18 17 16 15 14
AUDIO GROUND MIC 1 OUT LO MIC 2 OUT SH MIC 2 OUT HI MIC 3 OUT LO MIC 4 OUT SH MIC 4 OUT HI MIC 5 OUT LO MIC 6 OUT SH MIC 6 OUT HI MIC 7 OUT LO MIC 8 OUT SH MIC 8 OUT HI
AUDIO GROUND MIC 1 IN LO MIC 2 IN SH MIC 2 IN HI MIC 3 IN LO
9
MIC 4 IN SH
8
MIC 4 IN HI
7
MIC 5 IN LO
6
MIC 6 IN SH
5
MIC 6 IN HI
4
MIC 7 IN LO
3
MIC 8 IN SH
2
MIC 8 IN HI
1
ANALOG
OUTPUTS
(Lower DB-25)
D-8000 / Jan 2003
page 3 – 5

OUTPUT MODULES

Output Modules
(OMD-8)
Chapter Contents
Module Overview........................................................................ 4-2
Internal Programming Options ................................................. 4-3
Insert Bypass .......................................................................................................... 4-3
Hook-ups..................................................................................... 4-3
Master A Output Module (PGM and AUX)
Upper DB-25 Connector — Analog Audio .......................................................4-3
Lower DB-25 Connector — Digital Outputs..................................................... 4-4
Master B Output Module (AUD and UTL)
Upper DB-25 Connector — Analog Audio .......................................................4-4
Lower DB-25 Connector — Digital Outputs..................................................... 4-5
Master C Output Module (SEND1 and SEND2)
Upper DB-25 Connector — Analog Audio .......................................................4-5
Lower DB-25 Connector — Digital Outputs..................................................... 4-5
DB Connector Pinout Drawings
Master A Output Module......................................................................................... 4-6
Master B Output Module......................................................................................... 4-7
Master C Output Module ........................................................................................ 4-8
D-8000 / Jan 2003
page 4 – 1
OUTPUT MODULES
Output Modules
(OMD-8)
Module Overview
Each D-8000 console has two standard (MASTER A and MASTER B) output modules and one optional (MASTER C) output module. MASTER A module handles the console’s Program and Auxiliary outputs, MASTER B handles Audition and Utility and MASTER C handles Send1 and Send 2.
MASTER A output module has installed jumpers J3, J4 for Program output; J7, J8 for Auxiliary output; and J11, J12 for CUE monitor signal.
MASTER B output module has installed jumpers J5, J6 for Audition output; J9, J10 for Utility output; and J13, J14 for TEL monitor signal.
MASTER A or MASTER B module can be changed to the other by making the appropriate jumper changes.
All modules output analog and digital signals. Ana­log outputs may be adjusted using recessed front panel multi-turn trimpots.
Master A and Master B modules also generate the console’s monitor signals, which feed the Control Room, Studio and Meter Output modules. There are analog stereo insert points for PGM and AUD (these may be internally bypassed, which is the factory default setting). Regardless of the bypass switch setting, INSERT OUT may be used as an additional direct PGM (or AUD) output from a module.
All user wiring to and from the OMD-8 modules takes place at DB-25 multi-pin connectors mounted directly beneath the module on the console mainframe’s bottom pan. There are two connectors: the upper one (towards the console meterbridge) handles analog out­puts and insert points; the lower connector (near the console armrest) handles digital outputs (AES format). All analog audio is +4dBu balanced. Pinout drawings on pages 4-6, 4-7 and 4-8 show all wiring connections at a glance.
D-8000 / Jan 2003
OMD“A”-8 OMD”B”-8 OMD”C”-8
page 4 – 2
OUTPUT MODULES

Internal Programming Options

Insert Bypass
Virtually all internal programming switches on the OMD-8 modules are for factory use only. There is one exception, however, and that is the INSERT BYPASS slide switch SW2, located near the top of the PCB just above the four front panel analog trimpots. The factory default for this switch is “down”; i.e., the module’s PGM (or AUD) insert points are bridged. To use the PGM (or AUD) insert points (located on the upper DB-25 connector) throw the switch “up”.
For the purposes of this manual, we will assume you are holding the removed module upright, component side towards you, with gold-plated card fingers to the left and the module faceplate to the right.

Hook-Ups

As stated before, all user wiring to and from the OMD-8 modules takes place at two DB-25 multi-pin connectors mounted directly beneath the module on the console mainframe’s bottom pan.
Master A Output Module:
Upper DB-25 Connector – Analog Audio
Includes Program and Auxiliary outputs, and Program insert points. All signals are +4dBu balanced.
Pin 25 – PGM Lt Out SH Pin 24 – PGM Lt Out HI Pin 12 – PGM Lt Out LO
Pin 11 – PGM Rt Out SH Pin 10 – PGM Rt Out HI Pin 23 – PGM Rt Out LO
Pin 22 – AUX Lt Out SH Pin 21 – AUX Lt Out HI Pin 9 – AUX Lt Out LO
Pin 8 – AUX Rt Out SH Pin 7 – AUX Rt Out HI Pin 20 – AUX Rt Out LO
Pin 19 – PGM Lt Insert Out SH Pin 18 – PGM Lt Insert Out HI Pin 6 – PGM Lt Insert Out LO
Pin 5 – PGM Rt Insert Out SH Pin 4 – PGM Rt Insert Out HI Pin 17 – PGM Rt Insert Out LO
Pin 16 – PGM Lt Insert In SH Pin 15 – PGM Lt Insert In HI Pin 3 – PGM Lt Insert In LO
Pin 2 – PGM Rt Insert In SH Pin 1 – PGM Rt Insert In HI Pin 14 – PGM Rt Insert In LO
Insert points are normally by­passed at the factory. See “In­sert Bypass” (above) if you in­tend to use these points.
Typical DB-25
connector
D-8000 / Jan 2003
page 4 – 3
OUTPUT MODULES
Lower DB-25 Connector – Digital Outputs
Handles digital Program and Auxiliary outputs
Pin 8 – AUX2 AES Out SH Pin 7 – AUX2 AES Out HI Pin 20 – AUX2 AES Out LO
Pin 19 – PGM2 AES Out SH
AUX1 & AUX2
Duplicate outputs
Pin 18 – PGM2 AES Out HI Pin 6 – PGM2 AES Out LO
Pin 16 – AUX1 AES Out SH Pin 15 – AUX1 AES Out HI
PGM1 & PGM2
Duplicate outputs
Pin 3 – AUX1 AES Out LO Pin 2 – PGM1 AES Out SH
Pin 1 – PGM1 AES Out HI Pin 14 – PGM1 AES Out LO
Master B Output Module:
Upper DB-25 Connector – Analog Audio
Includes Audition, Utility outputs and Audition insert points. All signals are +4dBu balanced.
Pin 25 – AUD Lt Out SH Pin 24 – AUD Lt Out HI Pin 12 – AUD Lt Out LO
Pin 11 – AUD Rt Out SH Pin 10 – AUD Rt Out HI Pin 23 – AUD Rt Out LO
Pin 22 – UTL Lt Out SH Pin 21 – UTL Lt Out HI Pin 9 – UTL Lt Out LO
Pin 8 – UTL Rt Out SH Pin 7 – UTL Rt Out HI Pin 20 – UTL Rt Out LO
Pin 19 – AUD Lt Insert Out SH Pin 18 – AUD Lt Insert Out HI Pin 6 – AUD Lt Insert Out LO
Pin 5 – AUD Rt Insert Out SH Pin 4 – AUD Rt Insert Out HI Pin 17 – AUD Rt Insert Out LO
Pin 16 – AUD Lt Insert In SH Pin 15 – AUD Lt Insert In HI Pin 3 – AUD Lt Insert In LO
Pin 2 – AUD Rt Insert In SH Pin 1 – AUD Rt Insert In HI Pin 14 – AUD Rt Insert In LO
Insert points are normally by­passed at the factory. See “In­sert Bypass” (preceding page) if you intend to use these points.
Typical DB-25
connector
D-8000 / Jan 2003
page 4 – 4
OUTPUT MODULES
Lower DB-25 Connector – Digital Outputs
Handles digital Audition and Utility outputs
Pin 8 – UTL2 AES Out SH Pin 7 – UTL2 AES Out HI Pin 20 – UTL2 AES Out LO
Pin 19 – AUD2 AES Out SH Pin 18 – AUD2 AES Out HI Pin 6 – AUD2 AES Out LO
Pin 16 – UTL1 AES Out SH Pin 15 – UTL1 AES Out HI Pin 3 – UTL1 AES Out LO
Pin 2 – AUD1 AES Out SH Pin 1 – AUD1 AES Out HI Pin 14 – AUD1 AES Out LO
UTL1 & UTL2
Duplicate outputs
AUD1 & AUD2
Duplicate outputs
Master C Output Module:
Upper DB-25 Connector – Analog Audio
Includes Send 1 and Send 2 outputs. All signals are +4dBu bal­anced.
Pin 25 – SEND1 Lt Out SH Pin 24 – SEND1 Lt Out HI Pin 12 – SEND1 Lt Out LO
Pin 11 – SEND1 Rt Out SH Pin 10 – SEND1 Rt Out HI Pin 23 – SEND1 Rt Out LO
Pin 22 – SEND2 Lt Out SH Pin 21 – SEND2 Lt Out HI Pin 9 – SEND2 Lt Out LO
Pin 8 – SEND2 Rt Out SH Pin 7 – SEND2 Rt Out HI Pin 20 – SEND2 Rt Out LO
Lower DB-25 Connector – Digital Outputs
Handles digital Send 1 and Send 2 outputs
Pin 8 – SEND2-2 AES Out SH Pin 7 – SEND2-2 AES Out HI Pin 20 – SEND2-2 AES Out LO
Pin 19 – SEND1-2 AES Out SH Pin 18 – SEND1-2 AES Out HI Pin 6 – SEND1-2 AES Out LO
Pin 16 – SEND2-1 AES Out SH Pin 15 – SEND2-1 AES Out HI Pin 3 – SEND2-1 AES Out LO
Pin 2 – SEND1-1 AES Out SH Pin 1 – SEND1-1 AES Out HI Pin 14 – SEND1-1 AES Out LO
SEND2-1 & SEND2-2
Duplicate outputs
SEND1-1 & SEND1-2
Duplicate outputs
Typical DB-25
connector
D-8000 / Jan 2003
page 4 – 5
OUTPUT MODULES
(
O
OMD-8 (A): PGM-AUX Output
DB Connector Pinouts
AUDIO GROUND
25 24
23 22
21 20
19 18
17 16
15 14
13 12
PGM LT OUT LO PGM RT OUT SH
11
PGM RT OUT HI
10
AUX LT OUT LO
9
AUX RT OUT SH
8
AUX RT OUT HI
7
PGM LT INSERT OUT LO
6
PGM RT INSERT OUT SH
5
PGM RT INSERT OUT HI
4
PGM LT INSERT IN LO
3
PGM RT INSERT IN SH
2
PGM RT INSERT IN HI
1
I/O PORTS
Upper DB-25)
ANALOG
PGM LT INSERT OUT SH
PGM LT INSERT OUT HI
PGM RT INSERT OUT LO
PGM LT OUT SH
PGM LT OUT HI
PGM RT OUT LO
AUX LT OUT SH
AUX LT OUT HI
AUX RT OUT LO
PGM LT INSERT IN SH
PGM LT INSERT IN HI
PGM RT INSERT IN LO
D-8000 / Jan 2003
N/C N/C N/C N/C N/C
AUX2 AES OUT L
PGM2 AES OUT SH
PGM2 AES OUT HI
N/C AUX1 AES OUT SH AUX1 AES OUT HI
PGM1 AES OUT LO
25 24
23 22
21
20 19
18
17 16 15 14
13 12
11 10
N/C N/C N/C N/C N/C
9
AUX2 AES OUT SH
8
AUX2 AES OUT HI
7
PGM2 AES OUT LO
6
N/C
5
N/C
4
AUX1 AES OUT LO
3
PGM1 AES OUT SH
2
PGM1 AES OUT HI
1
I/O PORTS
(Lower DB-25)
DIGITAL
page 4 – 6
OUTPUT MODULES
(
OMD-8 (B): AUD-UTIL Output
DB Connector Pinouts
I/O PORTS
Upper DB-25)
ANALOG
UTL2 AES OUT LO
AUD2 AES OUT SH
AUD2 AES OUT HI
UTL1 AES OUT SH
UTL1 AES OUT HI
AUD1 AES OUT LO
AUD LT OUT SH
AUD LT OUT HI
AUD RT OUT LO
UTL LT OUT SH
UTL LT OUT HI
UTL RT OUT LO
AUD LT INSERT OUT SH
AUD LT INSERT OUT HI
AUD RT INSERT OUT LO
AUD LT INSERT IN SH
AUD LT INSERT IN HI
AUD RT INSERT IN LO
N/C N/C N/C N/C N/C
N/C
25 24
23 22
21 20 19
18
17 16
15
14
13
12 11
10
9 8 7
6 5 4
3 2
1
13
25
12
24 23
22 21
20 19 18
17 16 15 14
N/C N/C N/C N/C N/C UTL2 AES OUT SH UTL2 AES OUT HI AUD2 AES OUT LO N/C N/C UTIL1 AES OUT LO AUD1 AES OUT SH AUD1 AES OUT HI
AUDIO GROUND AUD LT OUT LO AUD RT OUT SH
11
AUD RT OUT HI
10
UTL LT OUT LO
9
UTL RT OUT SH
8
UTL RT OUT HI
7
AUD LT INSERT OUT LO
6
AUD RT INSERT OUT SH
5
AUD RT INSERT OUT HI
4
AUD LT INSERT IN LO
3
AUD RT INSERT IN SH
2
AUD RT INSERT IN HI
1
I/O PORTS
(Lower DB-25)
DIGITAL
D-8000 / Jan 2003
page 4 – 7
OUTPUT MODULES
O
O
OMD-8 (C): SEND1-SEND2 Output
DB Connector Pinouts
I/O PORTS
(Upper DB-25)
ANALOG
SEND2-2 AES OUT LO
SEND1-2 AES OUT SH
SEND1-2 AES OUT HI
SEND2-1 AES OUT SH
SEND2-1 AES OUT HI
SEND1-1 AES OUT LO
SEND1 LT OUT SH
SEND1 LT OUT HI
SEND1 RT OUT L
SEND2 LT OUT SH
SEND2 LT OUT HI
SEND2 RT OUT L
N/C N/C N/C
N/C N/C N/C
N/C N/C N/C N/C N/C
N/C
25 24
23 22 21 20
19 18 17 16 15 14
13
12 11
10
9 8
7 6
5
4
3 2
1
13
25
12
24
11
23
10
22 21
20 19
18
17
16
15
14
N/C
N/C N/C N/C
N/C SEND2-2 AES OUT SH SEND2-2 AES OUT HI SEND1-2 AES OUT LO N/C N/C SEND2-1 AES OUT LO SEND1-1 AES OUT SH SEND1-1 AES OUT HI
AUDIO GROUND SEND1 LT OUT LO SEND1 RT OUT SH SEND1 RT OUT HI
9
SEND2 LT OUT LO
8
SEND2 RT OUT SH SEND2 RT OUT HI
7
N/C
6
N/C
5
N/C
4
N/C
3
N/C
2
N/C
1
I/O PORTS
(Lower DB-25)
DIGITAL
D-8000 / Jan 2003
page 4 – 8

CONTROL ROOM MODULE

Control Room Module
(CRD-8)
Chapter Contents
Module Overview........................................................................ 5-2
Internal Programming Options ................................................. 5-3
Cue Interrupt........................................................................................................... 5-3
Cue Mute ................................................................................................................ 5-3
Mono Cue ............................................................................................................... 5-3
External Cue Input ..................................................................... 5-3
Hook-ups..................................................................................... 5-4
Upper DB-25 Connector — AUDIO ........................................................................ 5-4
Upper DB-25 Connector — CONTROL.................................................................. 5-4
On-Air Tally....................................................................................................... 5-4
Lower DB-25 Connector — AUDIO ........................................................................ 5-5
DB Connector Pinout Drawing.................................................. 5-6
D-8000 / Jan 2003
page 5 – 1
CONTROL ROOM MODULE
Control Room Module
(CRD-8)
Module Overview
The CRD-8 module is the D-8000 console operator’s monitor module. It allows him to listen to the console’s four stereo outputs (PGM, AUD, AUX & UTL) as well as two external stereo line level inputs brought directly into the module. Source SELECT switching for these signals is at the top of the module.
The CRD-8 also houses console HEADPHONE and CONTROL ROOM circuits, which follow the source selection switches.
There are two types of headphone output: the +4dBu balanced output at the module’s upper DB-25 connector (pre-level control), and two head­phone jacks mounted left and right on the front of the lower mainframe pan, which are actually outputs from a built-in headphone amplifier. It is this built-in amp that is controlled by the module’s front panel HEADPHONE level control.
The CUE master level control is right in the center of the module; this sets the level of the CUE output and set the volume of console’s CUE speakers.
Whenever CUE is activated elsewhere on the console (stereo line inputs, or the superphone module or for studio talkback) its signal will appear at the console’s built-in left and right cue speakers mounted in the meterbridge. Depending on how the CRD-8 module has been programmed, cue can also interrupt the control room monitor speakers and/or the console operator’s headphone. The way Cue interrupts the module’s headphone and CR outputs is determined by an internal PCB-mounted dipswitch. See “Cue Interrupt” on next page.
All user wiring to and from the CRD-8 module takes place at DB-25 multi-pin connectors mounted directly beneath the module on the console mainframe’s bottom pan. There are two connectors: the upper one (towards the console meterbridge) handles audio outputs and the console on-air tally control signals; the lower (near the console armrest) accepts the two external source inputs. All audio connections are stereo line level analog signals (+4dBu balanced). A pinout drawing on page 5-6 shows all wiring connections at a glance.
D-8000 / Jan 2003
page 5 – 2
CONTROL ROOM MODULE

Internal Programming Options

There are two user-programmable switches on the CRD-8. One is a 7­position dipswitch, SW1, located on the module’s main PCB slightly above and to the left of the cue master level control. This sets various cue interrupt modes (see below).
There is also a single slide switch, located on the back edge of the module’s piggyback PCB, which selects stereo or mono cue (see below).
For the purposes of this manual, we will assume you are holding the re­moved module upright, component side towards you, with gold-plated card fingers to the left and the module faceplate to the right. This will enable you to read the control legends silkscreened next to each programming switch. Note when a dipswitch position is thrown to the right (towards the module’s face­plate) it is ON.
Cue Interrupt
Seven-position dipswitch SW1 determines how the console’s Cue
function will interrupt regular monitor signals:
Dipswitch position 1 sends cue to CR left Dipswitch position 2 sends cue to CR right Dipswitch position 3 sends cue to HDPN left* Dipswitch position 4 sends cue to HDPN right*
*factory default settings
Cue Mute
As Cue is also fed to the console’s built-in meterbridge speakers, where it can easily be picked up by the console operator’s microphone, there is provision to mute Cue whenever that mic is live (i.e., whenever the control room mute function is activated).
Dipswitch SW1 position 7 will mute cue whenever CR is muted (this is the factory default setting)
Mono Cue
Cue is normally a stereo signal; however, mono cue is possible. Simply throw slide switch SW1 on the piggyback “cue” card in the direction of the silkscreened arrow (down). This will send a summed L+R cue signal to both cue left and right signal paths. Note the factory default setting for this switch is stereo cue.
External Cue Input
An additional Cue input is provided on the lower DB connector to allow an external signal to feed the console cue bus. See pinout informa­tion on the following pages.
D-8000 / Jan 2003
page 5 – 3

Hook-Ups

CONTROL ROOM MODULE
As stated before, all user wiring to and from the CRD-8 module takes place at two DB-25 multi-pin connectors mounted directly beneath the module on the console mainframe’s bottom pan.
Upper DB-25 Connector — Audio
Includes cue, headphone and control room outputs. All audio signals are +4dBu balanced, analog stereo.
Pin 25 – Cue Lt Out SH Pin 24 – Cue Lt Out HI Pin 12 – Cue Lt Out LO
Pin 11 – Cue Rt Out SH Pin 10 – Cue Rt Out HI Pin 23 – Cue Rt Out LO
Pin 22 – Hdpn Lt Out SH Pin 21 – Hdpn Lt Out HI Pin 9 – Hdpn Lt Out LO
Pin 8 – Hdpn Rt Out SH Pin 7 – Hdpn Rt Out HI Pin 20 – Hdpn Rt Out LO
Pin 19 – CR Lt Out SH Pin 18 – CR Lt Out HI Pin 6 – CR Lt Out LO
Pin 5 – CR Rt Out SH Pin 4 – CR Rt Out HI Pin 17 – CR Rt Out LO
See pinout drawing on page 5-6 for all wiring con­nections at a glance.
Typical DB-25
connector
Upper DB-25 Connector — Control
The console’s on-air tally port is on the CRD-8 upper DB-25 connector. This is a simple relay closure that activates whenever programmed input modules are turned ON. The port can be used to control an externally powered tally light that requires a continuous closure to function.
Pin 14 – On-Air Tally Relay COM Pin 1 – On-Air Tally Relay N.O.
D-8000 / Jan 2003
!
Maximum current through the on-air tally relay clo­sure is 2 amps @30VDC.
page 5 – 4
CONTROL ROOM MODULE
Lower DB-25 Connector — Audio
This connector handles the module’s source select External Stereo and External CUE inputs.
Pin 25 – Ext CUE In SH Pin 24 – Ext CUE In HI
Pin 19 – Ext 1 Lt In SH Pin 18 – Ext 1 Lt In HI Pin 6 – Ext 1 Lt In LO
Pin 5 – Ext 1 Rt In SH Pin 4 – Ext 1 Rt In HI Pin 17 – Ext 1 Rt In LO
Pin 16 – Ext 2 Lt In SH Pin 15 – Ext 2 Lt In HI Pin 3 – Ext 2 Lt In LO
Pin 2 – Ext 2 Rt In SH Pin 1 – Ext 2 Rt In HI Pin 14 – Ext 2 Rt In LO
Typical DB-25
connector
D-8000 / Jan 2003
page 5 – 5
I/O PORTS
(
)
)
O
Upper DB-25
CONTROL ROOM MODULE
CRD-8 Control Room
DB Connector Pinouts
AUDIO GROUND
CUE LT OUT SH
CUE LT OUT HI
CUE RT OUT LO
HDPN LT OUT SH
HDPN LT OUT HI
HDPN RT OUT L
CR LT OUT SH
CR LT OUT HI
CR RT OUT LO
N/C N/C
ON-AIR RELAY COM
25 24
23 22
21 20
19 18
17
16
15 14
13 12
CUE LT OUT LO
11
CUE RT OUT SH
10
CUE RT OUT HI HDPN LT OUT LO
9
HDPN RT OUT SH
8
HDPN RT OUT HI
7
CR LT OUT LO
6
CR RT OUT SH
5
CR RT OUT HI
4
N/C
3
N/C
2
ON-AIR RELAY N.O.
1
D-8000 / Jan 2003
EXTERNAL CUE IN SH
EXTERNAL CUE IN HI
N/C N/C N/C N/C
EXTERNAL 1 LT IN SH
EXTERNAL 1 LT IN HI
EXTERNAL 1 RT IN LO
EXTERNAL 2 LT IN SH
EXTERNAL 2 LT IN HI
EXTERNAL 2 RT IN LO
25 24
23 22
21 20
19 18
17 16
15 14
13 12
11 10
9 8 7 6 5 4
3 2
1
N/C N/C
N/C N/C N/C N/C N/C EXTERNAL 1 LT IN LO
EXTERNAL 1 RT IN SH EXTERNAL 1 RT IN HI EXTERNAL 2 LT IN LO EXTERNAL 2 RT IN SH EXTERNAL 2 RT IN HI
I/O PORTS
(Lower DB-25
page 5 – 6

STUDIO CONTROL MODULE

Studio Control Module
(SCD-8)
Chapter Contents
Module Overview........................................................................ 6-2
Internal Programming Options ................................................. 6-3
External Talkback Mute/Dim................................................................................... 6-3
Studio Dim .............................................................................................................. 6-3
Hook-ups..................................................................................... 6-4
Upper DB-25 Connector — AUDIO ........................................................................ 6-4
Upper DB-25 Connector — CONTROL.................................................................. 6-4
Tally 2 and Tally 3 ............................................................................................. 6-4
Lower DB-25 Connector — AUDIO ........................................................................ 6-5
DB Connector Pinout Drawing.................................................. 6-6
D-8000 / Jan 2003
page 6 – 1
Studio Control Module
Module Overview
STUDIO CONTROL MODULE
(SCD-8)
The SCD-8 module is similar to the CRD-8 control room module, only it controls monitor audio and talkback to two additional (“non-control room”) studios. The monitor signal be­ing sent to these two studios following the source select switching at the top of the module (this switching is identical to the control room module’s and includes the console’s four stereo outputs (PGM, AUD, AUX & UTL) as well as two external stereo line level inputs brought directly into the module.
There can be two modules per console to control a total of four studios.
Each studio has its own level control and talkback switch. When a talkback switch is pressed (they are momentary action) the console operator’s microphone signal will interrupt the regular monitor signals being sent to the studio in question. The TALKBACK master level control in the center of the module sets the talkback output and the level of the talkback interrupt signal.
All user wiring to and from the SCD-8 module takes place at DB-25 multi-pin connectors mounted directly beneath the module on the console mainframe’s bottom pan. There are two connec­tors: the upper one (towards the console meterbridge) handles external talkback out and regular studio monitor outputs, plus the console’s Tally 2 and Tally 3 control signals; the lower connector (near the console armrest) accepts the module’s two external source inputs. It also outputs two additional pre-level control studio outputs. All audio connections are (+4dBu balanced) ana­log signals. A pinout drawing on page 6-6 shows all wiring connections at a glance.
D-8000 / Jan 2003
STANDARD
OPTIONAL
page 6 – 2
STUDIO CONTROL MODULE

Internal Programming Options

There is one user-programmable dipswitch on the SCD-8. It is a 7­position dipswitch, SW1, located on the module’s main PCB slightly above and to the left of the talkback master level control.
For the purposes of this manual, we will assume you are holding the removed module upright, component side towards you, with gold-plated card fingers to the left and the module faceplate to the right. This will enable you to read the control legends silkscreened next to the programming switch. Note when a dipswitch position is thrown to the right (towards the module’s faceplate) it is ON.
External Talkback Mute/Dim
There is an independent talkback output from the SCD-8 module (see upper DB-25 connector page 6-6). By programming the first two positions of dipswitch SW1, you can make this external talkback output MUTE whenever a studio is muted. You also have the option of making the output DIM (drop -20dB in level) instead of MUTE.
Dipswitch position 1 mutes external TB whenever Studio 1 is muted* Dipswitch position 2 mutes external TB whenever Studio 2 is muted* Dipswitch position 7 makes external TB DIM instead of MUTE
*factory default settings
Studio Dim
Input modules controlling studio microphones can be programmed to MUTE a studio whenever the module is turned on (i.e., it’s microphone is live). If you wish, you can have a studio DIM (drop -20dB in level) instead of MUTE:
Dipswitch position 5 causes Studio 1 to DIM instead of MUTE Dipswitch position 6 causes Studio 2 to DIM instead of MUTE
Note the DIM functions do not affect talkback interrupts, which always completely replace the studio’s regular monitor feed with the console operator’s TB signal. Note also if a studio is muted, talkback cannot be heard. However, if a studio is programmed to DIM instead of MUTE, talkback audio could presum­ably make it from the studio monitor speakers to the open studio mic.
D-8000 / Jan 2003
page 6 – 3
STUDIO CONTROL MODULE

Hook-Ups

As stated before, all user wiring to and from the SCD-8 module takes place at two DB-25 multi-pin connectors mounted directly beneath the module on the console mainframe’s bottom pan.
Upper DB-25 Connector — Audio
Includes studio 1, studio 2 and (mono) talkback outputs. All audio signals are analog, +4dBu balanced.
Pin 25 – TB Out SH Pin 24 – TB Out HI Pin 12 – TB Out LO
Pin 22 – Studio 2 Lt Out SH Pin 21 – Studio 2 Lt Out HI Pin 9 – Studio 2 Lt Out LO
Pin 8 – Studio 2 Rt Out SH Pin 7 – Studio 2 Rt Out HI Pin 20 – Studio 2 Rt Out LO
Pin 19 – Studio 1 Lt Out SH Pin 18 – Studio 1 Lt Out HI Pin 6 – Studio 1 Lt Out LO
Pin 5 – Studio 1 Rt Out SH Pin 4 – Studio 1 Rt Out HI Pin 17 – Studio 1 Rt Out LO
Upper DB-25 Connector — Control
Typical DB-25
connector
The console’s Tally 2 and Tally 3 control ports are on the SCD-8 upper DB-25 connector. These are simple relay closures that activate whenever programmed input modules are turned ON. The ports can be used to control externally powered tally lights that requires a continuous closure to function.
Pin 14 – Tally 2 Relay COM Pin 1 – Tally 2 Relay N.O. Pin 3 – Tally 3 Relay COM Pin 15 – Tally 3 Relay N.O.
D-8000 / Jan 2003
!
Maximum current through the tally relay closures is 2 amps @30VDC.
page 6 – 4
STUDIO CONTROL MODULE
Lower DB-25 Connector — Audio
This connector handles the module’s source select External Stereo inputs. It also has a second set of studio outputs which are pre-level control. All signals are +4dBu balanced analog stereo.
Pin 25 – Studio 2 Pre Lt Out SH Pin 24 – Studio 2 Pre Lt Out HI Pin 12 – Studio 2 Pre Lt Out LO
Pin 11 – Studio 2 Pre Rt Out SH Pin 10 – Studio 2 Pre Rt Out HI Pin 23 – Studio 2 Pre Rt Out LO
Pin 22 – Studio 1 Pre Lt Out SH Pin 21 – Studio 1 Pre Lt Out HI Pin 9 – Studio 1 Pre Lt Out LO
Pin 8 – Studio 1 Pre Rt Out SH Pin 7 – Studio 1 Pre Rt Out HI Pin 20 – Studio 1 Pre Rt Out LO
Pin 19 – Ext 1 Lt In SH Pin 18 – Ext 1 Lt In HI Pin 6 – Ext 1 Lt In LO
Pin 5 – Ext 1 Rt In SH Pin 4 – Ext 1 Rt In HI Pin 17 – Ext 1 Rt In LO
Pin 16 – Ext 2 Lt In SH Pin 15 – Ext 2 Lt In HI Pin 3 – Ext 2 Lt In LO
Pin 2 – Ext 2 Rt In SH Pin 1 – Ext 2 Rt In HI Pin 14 – Ext 2 Rt In LO
Typical DB-25
connector
D-8000 / Jan 2003
page 6 – 5
I/O PORTS
(
O
O
Upper DB-25)
STUDIO CONTROL MODULE
SCD-8 Studio Control
DB Connector Pinouts
AUDIO GROUND
13
TB OUT SH
TB OUT HI
N/C
STU 2 LT OUT SH
STU 2 LT OUT HI
STU 2 RT OUT L
STU 1 LT OUT SH
STU 1 LT OUT HI
STU 1 RT OUT L
N/C
TALLY 3 RELAY N.O.
TALLY 2 RELAY COM
25 24
23 22
21
20 19 18
17 16 15 14
12
TB OUT LO N/C
11 10
N/C STU 2 LT OUT LO
9
STU 2 RT OUT SH
8
STU 2 RT OUT HI
7
STU 1 LT OUT LO
6
STU 1 RT OUT SH
5
STU 1 RT OUT HI
4
TALLY 3 RELAY COM
3
N/C
2
TALLY 2 RELAY N.O.
1
D-8000 / Jan 2003
STU 2 PRE LT OUT SH
STU 2 PRE LT OUT HI
STU 2 PRE RT OUT LO
STU 1 PRE LT OUT SH
STU 1 PRE LT OUT HI
STU 1 PRE RT OUT LO
EXT 1 LT IN SH
EXT 1 LT IN HI
EXT 1 RT IN LO
EXT 2 LT IN SH
EXT 2 LT IN HI
EXT 2 RT IN LO
25 24
23 22
21 20
19 18 17
16 15 14
13 12
11 10
9 8 7
6 5
4
3 2 1
N/C STU 2 PRE LT OUT LO STU 2 PRE RT OUT SH STU 2 PRE RT OUT HI STU 1 PRE LT OUT LO STU 1 PRE RT OUT SH STU 1 PRE RT OUT HI
EXT 1 LT IN LO EXT 1 RT IN SH EXT 1 RT IN HI EXT 2 LT IN LO EXT 2 RT IN SH
EXT 2 RT IN HI
I/O PORTS
(Lower DB-25)
page 6 – 6

Meter Output Module

Chapter Contents
METER OUTPUT MODULE
(DMTR-8; standard
DMTRS-8; optional)
Module Overview........................................................................ 7-2
Internal Programming Options ................................................. 7-3
Hook-ups..................................................................................... 7-3
DB Connector Pinout Drawing.................................................. 7-5
D-8000 / Jan 2003
page 7 – 1
METER OUTPUT MODULE
Meter Output Module
(DMTR-8; standard
DMTRS-8; optional)
Module Overview
Each D-8000 console has one of the two types of meter output modules: a standard DMTR-8 module, which is installed with the standard central processor module CPU-8 (described in chapter 8), or an optional DMTRS-8, which goes with optional CPU-8S module. Each output module drives the console’s four pairs of left-right VU meters: PGM, AUD, AUX and SWT (switched). The switched meter follows the SELECT switching at the top of the module, allowing the console operator to meter AUD, AUX and UTL (DMTR-8 module); or SEND 1, SEND 2 and UTL (DMTRS-8 module), and two digital or analog (+4dBu balanced) external stereo line signals which may be brought into the module on its lower DB-25 connector.
The meter output module also houses the master CUE LED indicator. Whenever Cue is activated anywhere on the console this LED will illuminate and the CUE signal will automatically appear on the switched VU meter pair. When cue is de­activated, the switched meter pair goes back to its previously selected signal.
At the bottom of the module are the timer control buttons (the timer display is mounted in the righthand end of the console meterbridge):
AUTO – enables timer restart functions from programmed input
modules.
S/S – Start/Stop.
RESET - return to zero (if the timer is stopped it will hold at zero; if it is running it will reset to zero and immediately begin counting up).
HOLD – when held down freezes the timer display (the counter keeps on going); when released the display catches up to the current count.
D-8000 / Jan 2003
STANDARD
OPTIONAL
page 7 – 2
METER OUTPUT MODULE
All user wiring to and from the DMTR-8 (DMTRS-8) module takes place at the lower DB-25 multi-pin connector mounted directly beneath the module on the console mainframe’s bottom pan. This lower connector (near the console armrest) inputs the module’s two analog or digital external stereo line signals. See the pinout drawing on page 7-5.
While there are two DB-25 connectors, the upper one (towards the console meterbridge) is for factory use only. It sends the module’s PGM, AUD, AUX and SWT data, the master clock data, and timer control signals to the meterbridge (a factory-provided cable runs from this upper DB-25 to a match­ing connector mounted at the back of the meterbridge, in the center of the console).

Internal Programming Options

Internal programming is made via printed circuit board (PCB) mounted
switch SW1 on the module’s main card.
For the purposes of this manual, we will assume you are holding the re­moved module upright, component side towards you, with gold-plated card fingers to the left and the module faceplate to the right. This will enable you to read the control legends silkscreened next to each programming switch. Note when a dipswitch position is thrown to the right (towards the module’s face­plate) it is ON.
External In
Dipswitch SW1 is used to select analog or digital inputs for the two EXT signals. SW1 position 1 controls the EXT 1 port and SW1 position 2 controls the EXT 2 port, as follows:
SW1 pos 1 ON sets EXT 1 to be a digital input
SW1 pos 1 OFF sets EXT 1 to be an analog input
SW1 pos 2 ON sets EXT 2 to be a digital input
SW1 pos 2 OFF sets EXT 2 to be an analog input

Hook-Ups

As stated before the only user wiring into the DMTR-8/DMTRS-8 module is two external digital or analog (+4dBu balanced) stereo line inputs on the module’s LOWER DB-25 connector.
Pin 25 – AES Ext 1 In SH Pin 24 – AES Ext 1 In HI Pin 12 – AES Ext 1 In LO
Pin 11 – AES Ext 2 In SH Pin 10 – AES Ext 2 In HI Pin 23 – AES Ext 2 In LO
Pin 19 – Ext 1 Lt In SH Pin 18 – Ext 1 Lt In HI Pin 6 – Ext 1 Lt In LO
D-8000 / Jan 2003
Typical DB-25
connector
page 7 – 3
Pin 5 – Ext 1 Rt In SH Pin 4 – Ext 1 Rt In HI Pin 17 – Ext 1 Rt In LO
Pin 16 – Ext 2 Lt In SH Pin 15 – Ext 2 Lt In HI Pin 3 – Ext 2 Lt In LO
Pin 2 – Ext 2 Rt In SH Pin 1 – Ext 2 Rt In HI Pin 14 – Ext 2 Rt In LO
METER OUTPUT MODULE
Typical DB-25
connector
D-8000 / Jan 2003
page 7 – 4
METER OUTPUT MODULE
t
(
)
)
W
O
s
DMTR-8/DMTRS-8 Meter Outpu
DB Connector Pinout
I/O PORTS
Upper DB-25
FACTORY
USE ONLY
AES EXT 1 IN SH
AES EXT 2 IN L
DIGITAL GROUND
START/STOP SW
AES EXT 1 IN HI
N/C N/C N/C
EXT 1 LT IN SH
EXT 1 LT IN HI EXT 1 RT IN LO EXT 2 LT IN SH
EXT 2 LT IN HI EXT 2 RT IN LO
PGM SDATA+
AUD SDATA+ AUX SDATA+
SWT SDATA+
XDB RESET-
MTR MCLK+
MTR SCLK+
MTR LR+
HOLD SW
RESET S
13
25
12
24
11
23
10
22
9
21
8
20
7
19
6
18
5
17
4
16
3
15
2
14
1
13
25
12
24
11
23
10
22 21
20 19 18 17
16
15 14
N/C AES EXT 1 IN LO AES EXT 2 IN SH AES EXT 2 IN HI N/C N/C N/C EXT 1 LT IN LO EXT 1 RT IN SH EXT 1 RT IN HI EXT 2 LT IN LO EXT 2 RT IN SH EXT 2 RT IN HI
DIGITAL GROUND PGM SDATA­AUD SDATA­AUX SDATA­SWT SDATA-
9
XDB RESET+
8
MTR MCLK-
7
MTR SCLK-
6
MTR LR-
5
+DIG TIMER
4
DIGITAL GROUND
3
DIGITAL GROUND
2
RESTART-
1
(Lower DB-25
I/O PORTS
D-8000 / Jan 2003
page 7 – 5
CPU Central Processor
(CPU-8/CPU-8S Module)
DSP Digital Processor
Chapter Contents
CPU & DSP MODULES
(DSP-8 Module)
Overview ........................................................................................8-2
CPU-8/CPU-8S ...............................................................................8-3
DSP-8..............................................................................................8-6
D-8000 Serial Interface..................................................................8-7
Using the Serial Interface ......................................................................................... 8-7
Internal Programming Options (CPU) .........................................8-9
Global Settings ......................................................................................................... 8-9
SW6 - RS-485/RS-232 Select ................................................................................. 8-10
SW7 - RS-485 Termination ..................................................................................... 8-10
CPU Reset Switch ................................................................................................... 8-10
Hook-Ups ..................................................................................... 8-11
CPU-8/CPU-8S
Upper DB-25 Connector - Com Ø Serial Connections....................................... 8-11
Lower DB-25 Connector - Com 1 Serial Connections ....................................... 8-11
DSP-8
AES Clock Sync.................................................................................................. 8-11
CPU-8/CPU-8S DB Connector Pinout Drawing......................... 8-12
DSP-8 DB Connector Pinout Drawing ....................................... 8-13
D-8000 / Jan 2003
page 8 – 1
CPU & DSP MODULES
CPU Central
Processor
(CPU-8/CPU-8S
Module)
DSP Digital
Processor
(DSP-8 Module)

Overview

Every D-8000 has these two modules; together they perform all central signal and control processing for the console. The CPU-8 or CPU-8S is the console’s central controller module; the DSP-8 is the console’s digital signal processor.
The D-8000 Digital Audio console is provided with a serial interface port, which is located on the lower DB-25 connector of the CPU-8 or CPU-8S module (see connection diagrams for pinouts and other details). This serial interface is designed to provide a number of functions including external control and set-up, software updates, system inter­face, etc. Through this serial interface, the D-8000 control protocol is available, allowing visibility and control of the console switches, displays, and other functions. The “Virtual Dip Switch” application pro­gram (supplied with the D-8000 console) communi­cates set up information through this serial interface (see Chapter 9).
There are no user replaceable parts inside (though complete modules may be ordered; see Appendix I).
D-8000 / Jan 2003
D-8000 / Jan 2004
CPU-8
STANDARD
CPU-8S
OPTIONAL
DSP-8
STANDARD
page 8 – 2
CPU & DSP MODULES

CPU-8/CPU-8S

The CPU module is the master control module for the D-8000 Digital Audio Console. By monitoring the various console modules and serial ports, the CPU controls all of the console audio and logic functions. Because the system architecture is designed to work by communicating function and status changes, the D-8000 console is very responsive and fault tolerant. The console will even continue to pass audio signals with the CPU module removed; however this module must be present to change levels or channel assignments.
Both CPU-8 and CPU-8S have several functions and modes that can be configured by the user. These are normally set to default values at the factory, and should not be altered casually.
1. The first function is the console ID address. This function is set using DIP switches SW-2 - SW-3. This address is used to identify the console serial interface port so that external devices such as automation systems, the VDip software, and external controllers will communicate with the console correctly. Because the D-8000 serial interface port can be configured as an RS-485 device, and multiple consoles can be connected to the same RS-485 bus, each console needs a unique address to identify it properly on the bus, ensuring that the right commands get passed to the correct console. The specific address set is unimportant except that any external controller must use a matching address to communicate with the console. The address is set with the DIP switches in binary format (for example with all switches “OFF” the address is “0”, with the first switch “ON”, the address is “1”, with just the second switch “ON” the address is “2”, with the first and second switches “ON” the address is “3” and so on). Consult the section “Internal Program­ming Options”, page 8-9, for more details. The D-8000 console is normally configured with an address of “1”. Do not change the console address unless you are using the console in an RS-485 bus system.
2. The second function is serial interface configuration. DIP switches SW-7 & SW-8 control the serial interface protocol and termination respec­tively for the two serial ports on the CPU module. These ports can be configured as RS-232 or RS-485, and terminated or unterminated via these DIP switches. In particular, COM Ø is designed to be used only with the optional EQ controller. Again, the default settings of these switches are for normal operations and should not be changed unless you are using the console in an RS-485 bus system. Consult the sections “D-8000 Serial Interface”, page 8-7, and “Internal Programming Options”, page 10-9, for specific configurations. SW-4, position 1, is also used with the serial interface; by setting it “ON”, the normal checksum in the serial protocol is disabled. This can be useful with some external control devices which are not equipped to generate a checksum in their messages.
A momentary push-button switch, SW1, is accessible through a hole in the front panel to toggle COM1 between RS-232 and RS-485 operation. The front panel RS-232 LED indicates that the port is in RS-232 mode when lit, and RS-485 mode when not lit. Upon console power-up, the port will be configured according to dipswitch SW7 position 2, which should be set for
D-8000 / Jan 2003
D-8000 / Jan 2004
page 8 – 3
CPU & DSP MODULES
the mode you normally want the port to operate in. This ability to switch the port mode is useful in a system where the console is normally connected to the Wheatstone Bridge 2001 via an RS-485 link, and the necessity arises to reconfigure a channel using VDip on a computer with an RS-232 port. Assuming that you’re provided wiring from both the RS-232 and RS-485 outputs of COM1, all you then need to do to switch between router operation and VDip is to press the recessed switch. Press it again to toggle back to the original mode.
3. The third function is nominal audio make-up gain. DIP switch SW-5 is used to establish the master gain setting for the D-8000 console. This allows users to configure the nominal fader setting and signal head­room to suit their specific needs or preferences. The digital audio signals entering the D-8000 console are usually normalized in the recording or transmitting process for peak signals such that the absolute maximum peak signal is very close to, but does not exceed, the maximum or highest digital word in the AES bit stream. This implies that any decrease in signal caused by placing the console fader at a “normal” setting somewhat less than full up needs to be made up at the output of the console or the signal will be lower than it was at the source. Radio consoles are normally operated with their faders at less than full up to allow for some control over level and mixing (if a signal is too low or quiet, the fader can be moved up until the signal matches the normal levels as shown in the console meters.). By using the DIP switches, the user can configure what the normal fader setting (and hence the output make-up gain) should be. Consult the “Global Gain” table in the “Internal Programming Options” section, page 8-9, for the gain values. The D-8000 console is normally shipped with a make-up gain setting of +12dB for a nominal fader setting of -12dB from the top. The gain value briefly shows in the CPU display window during the console power up process (“12--00dB” indicates +12dB gain). Note that setting the make-up gain too high for the signals and fader settings used can result in a clipped or distorted signal, just as it could with an analog console.
4. The fourth function is the CPU display window. The eight characters displayed in this window are used to communicate general information to the user. During the power up process, the CPU tests each module for proper communications; any errors found will be displayed in the CPU display window. Once the module communications have been tested, the CPU briefly shows the selected make-up gain (see above), and then displays <PRESETXX>, where XX indicates the current console preset number (01 - 99). Pressing the “Preset Select Knob” alternately displays “REMOTE <>” and “REMOTE><“ to indicate normal operation (if the console has been fitted with the optional EQ controller the display alternates between “REMOTE /\” and “REMOTE \/” indicating correct communica­tions with the EQ controller). If the CPU detects an error during normal operations, it will show the error message in the display window. If you see such a message, make a note of it and contact Wheatstone Technical Support for instructions. Note that the alternate display is changed to “LOCAL <>” and “LOCAL ><“ (or “LOCAL /\” and “LOCAL \/” in the case of EQ controller versions) when the console serial interface has been de-activated by pressing the large red button on the CPU module.
D-8000 / Jan 2003
D-8000 / Jan 2004
page 8 – 4
CPU & DSP MODULES
5. The fifth function is serial interface control. The front panel of the CPU module has a large pushbutton switch. Activating this switch will enable the remote serial interface to the console (REMOTE), and de­activating the switch will disable the remote serial interface. When the interface is activated, any device connected to the interface can control any of the console functions. Note that the console operator also has control of the console functions even when the remote serial interface is enabled.; the console will respond to any command regardless of where it comes from. When the interface is disabled (LOCAL), the console will not respond to any commands sent to the remote serial interface; it will respond only to the console switches and faders.
The D-8000 console with the CPU-8S module has three additional
functions.
1. The first additional function is the console’s send controls. Sends (SEND 1 and SEND 2) are used to provide special effect feeds or custom monitor mixes to specific locations. The SEND controls work in conjuction with DSP equipped input modules. For example, press the SET button on an INDM-8. Then press the SEND1 ON button and rotate the SEND 1 control clockwise. The LEDs surrounding the SEND 1 control give an indication of the level of the post fader post on/off signal from the chosen INDM-8 that will feed the SEND 1 output (located in the OMD-8 MASTER C module). Press the PRE FDR button to take a pre fader signal from the INDM-8. The PRE ON button provides a pre on/off signal. SEND 2 works in a similar manner.
If SET is pressed on an input module that has already been assigned to a SEND, the controls for that SEND will light to indicate the settings of that input in the SEND output. Modules may be assigned to one or both sends, or to neither send, as desired.
Two CUE switches (one for each SEND) place the send signals on the console’s stereo cue bus where it may be heard on the meterbridge mounted cue speakers and/or as an interrupt to the console operator’s headphones and control room monitor speakers. The various cue interrupt modes are programmed at the console’s CRD-8 (Control Room) module via internal PCB-mounted dipswitches.
2. The second additional function is console’s preset security level. A three digit password is entered to change the security level. Hold in the SEND1 knob and turn the PRESET SELECT knob to indicate the desired first digit of the password (0-9). Press the TAKE button to accept this first digit, then turn PRESET SELECT again to dial up the second digit. Use TAKE to accept the second digit, turn PRESET SELECT again to the desired value of digit three, and press TAKE one more time. The security level will change to that granted by the password so entered.
Note that the three digit password code can be changed from the VDIP
application. See the VDIP section for details.
D-8000 / Jan 2003
D-8000 / Jan 2004
page 8 – 5
CPU & DSP MODULES
The LED’s on the front panel (next to the “TAKE” switch) indicate
security levels:
“GST” (GUEST) - allows operation of controls, but not recalling of
presets. (Default code is any non USR or ADM three digit code).
“USR” (USER) - allows operation of controls and calling up presets, but
not recording any changes. (Default code is 123).
“ADM” (ADMINISTRATOR) - allows operation of controls, calling up
presets, modifying and saving presets. (Default code is 777).
3. The third additional function is to select and store console presets.
PLAYBACK PRESETS
On power up, the last preset number taken is displayed in the CPU window. Presets have fixed, non-editable names “PRESET01”-“PRESET99”. You can view and playback other preset names by rotating the PRESET SELECT knob. If you stop at a preset, the display will indicate that preset name for 4 seconds, then revert to normal. If you press the TAKE button while a preset is showing, you will playback that preset. Each preset is stored in the console’s memory.
RECORDING PRESETS
Holding down the TAKE button for over 1 second will record all current control surface settings into the current preset number (assuming the security access allows it). You must rotate the PRESET SELECT knob to the desired number before pressing TAKE. Recorded settings include all input module switches, fader levels, EQ panel switches and levels.
In the event that the console is powered down, upon the next power up the console will assume the settings of the preset that was current before the power was removed.
Note: Superphone module fader and switch settings are not recorded.
DSP-8
The DSP-8 is the main audio mixing module in the D-8000 Digital Audio Console. It functions solely as a mix engine, combining all of the console audio signals as directed by the console faders and switches to produce the various output mixes for PROGRAM, AUDITION, AUXILIARY, UTILITY, SEND, CUE, and TELEPHONE. These mixes are sent from the DSP-8 module to the various output modules over the console backplane. There are no user settings or switches on the DSP-8 module; however the external AES clock sync and slave connections appear on the upper DB-25 connector on this module. See the hook-ups section, page 8-11, for connec­tion information.
The DSP-8 module operates at a factory set sample rate, normally 48kHz, which dictates the output sample rate of the D-8000 console digital outputs. Consult Wheatstone Tech Support if you wish to use a different output sample rate. Since all of the console digital inputs are equipped with sample rate converters, the console inputs will accept any sample rate between the range of 1/2 to twice the output sample rate, and will actually track a variable sample rate as long as it remains within this range. This feature allows you to interface different types of digital sources into the console, each with different sample rates.
D-8000 / Jan 2003
D-8000 / Jan 2004
page 8 – 6
CPU & DSP MODULES

D-8000 Serial Interface

Using the Serial Interface
The D-8000 Serial Interface is designed to support serial communica­tions under the RS-422/485 and -232 protocols. The proper serial interface protocol must be selected (via DIP switches on the CPU module) or else serial communications will not function correctly. No serial interface connections are required for normal, stand alone operation of the D-8000 console; in fact the console will work normally even with an improper connection to the serial interface. The function of the serial interface is to enable remote operation of the D-8000 console functions; local operation of the console switches and faders will always override any remote commands that may have been sent via the serial interface. In addition, the large button on the CPU module can be used to disable any serial communications with the D-8000 console. Toggling the switch “ON” and “OFF” alternately enables and disables the serial interface port on the D­8000 console. When the PRESET SELECT knob is pressed, the 8-digit display on the CPU module shows “LOCAL” when the serial interface is disabled, and “REMOTE” when the serial interface is active. Remember, the D-8000 console can always be controlled by its faders and switches regardless of the status of the serial interface. If remote control of the console is desired, the remote mode must be selected with the CPU switch, and the display must read “REMOTE”.
The most common use for the D-8000 Serial Interface is to allow configuration changes (mutes, tallys, etc.) by means of the “Virtual Dip Switch” program supplied with the console and described in Chapter 9 of this manual. To do this, the “Virtual Dip Switch” program must first be installed on a suitable PC, and a serial cable connected from the COM port of your PC to the lower DB-25 connector on the CPU module. Be sure that the RS-232 mode for the console serial interface (the default setting) has been selected via the DIP switches on the CPU module. Push the button on the CPU module to enable remote operation and start the program on the PC. Use the program as described in this manual to modify the D-8000 console configuration. Once the configuration has been set, the PC can be disconnected from the console.
A second common use for the D-8000 Serial Interface is to allow alphanumeric information to be written to the console input channel displays by an automation system. By making a suitable serial connection between the automation system and the D-8000 serial interface (RS-232 or -485), and enabling remote operation via the CPU front panel switch, the console displays can be updated with cut information, etc., by an automation system. As the number of systems that have connectivity to the console for this function is constantly changing, please consult Wheat­stone for the latest information on automation interfaces. Our Technical Support engineers can assist you with pinouts, switch settings, .INI files, etc., as required for your particular system.
D-8000 / Jan 2003
page 8 – 7
CPU & DSP MODULES
Another use for the D-8000 Serial Interface is for complete remote operation by an external control system. When used in this way, the D-8000 console acts as a passive listener to the serial interface awaiting D-8000 serial protocol commands. Any external system that can deliver serial text strings in the proper D-8000 serial protocol format will be able to control the console. Consult Wheatstone Technical Support for more details on enabling this functionality.
D-8000 / Jan 2003
page 8 – 8
CPU & DSP MODULES

Internal Programming Options (CPU)

All internal programming is made via printed circuit board (PCB) mounted switches on the module’s card. With the exception of the reset and serial select switches, which are momentary push-button switches, all programming is via 4-position dipswitches (total six).
For the purposes of this manual, we will assume you are holding the re­moved module upright, component side towards you, with gold-plated card fingers to the left and the module faceplate to the right. This will enable you to read the control legends silkscreened next to each programming switch. Note when a dipswitch position is thrown to the right (towards the module’s face­plate) it is ON.
Global Settings
Four-position dipswitches SW2-SW5 (lower right corner of card)
determines various console operating parameters:
Bit Weight SW2 position 11 0 1 SW2 position 12 1 2 SW2 position 13 2 4
Console
SW2 position 14 3 8
ID
SW3 position 21 4 16 SW3 position 22 5 32 SW3 position 23 6 64 SW3 position 24 7 128
Note: Each D-8000 Console ID# is set using dipswitch positions 11-14 and 21-24. These switches are read as an 8 bit field with Bit Ø mapped to DSW11 and Bit 7 mapped to DSW24. This ID# is read by the CPU at boot up and is required by D-8000 serial communications software.
Example: Desired ID=17, set DSW21 and DSW11 “ON”
In multi-console, RS-485 connected system, each D-8000 console MUST have a unique Console ID#. Default Console ID is 1 (DSW11=”ON”).
SW4 position 31- Ignore serial input checksum byte
Misc
(default is “OFF”) SW4 position 32 - Not used SW4 position 33 - Not used SW4 position 34 - Not used
Note: Some automation systems may require DSW31 to be set “ON”.
D-8000 / Jan 2003
D-8000 / Jan 2004
page 8 – 9
CPU & DSP MODULES
SW5 position 41- Not used
Global
SW5 position 42 - 8dB
Gain
SW5 position 43 - 4dB SW5 position 44 - 2 dB
Note: These switches set the fader scale factor that will be applied to each input module at the DSP stage. Default setting is 12dB (DSW42 and DSW43 “ON”).
SW7 - RS-485/RS-232 Select
Four position dipswitch SW7 located on the upper right side of card selects the hardware interface type (RS-485 or RS-232) for each serial Com port.
OFF ON Serial Port SW7 position 1 RS-485 RS-232 Com Ø SW7 position 2 RS-485 RS-232 Com 1 SW7 position 3 Not used SW7 position 4 Not used
SW8 - RS-485 Termination
Four position dipswitch SW8 located right next to the card’s short upper row of gold fingers is used for RS-485 termination. Termination must be switched in pairs (i.e., TX and RX BOTH ON or BOTH OFF) for a given Com X port.
OFF ON Serial Port SW8 position 1 Not terminated Terminated Com Ø - TX SW8 position 2 Not terminated Terminated Com Ø - RX SW8 position 3 Not terminated Terminated Com 1 - TX SW8 position 4 Not terminated Terminated Com 1 - RX
CPU Reset Switch
Push-button switch SW6 with green cap (lower right side of card) will reset the CPU hardware and initiate a re-boot of the CPU firmware. This sequence is sometimes called a “soft boot”, because the console’s power supply is not cycled OFF/ON.
D-8000 / Jan 2003
D-8000 / Jan 2004
page 8 – 10
CPU & DSP MODULES

Hook-Ups

CPU-8/CPU-8S
All user wiring to and from CPU module takes place at DB-25 multi­pin connectors mounted directly beneath the module on the console mainframe’s bottom pan. There are two connectors: the upper one (towards the console meterbridge) handles Com Ø serial connections; the lower connector (near the console armrest) Com 1 serial connections. Pinout drawings on pages 8-12 show all wiring connections at a glance.
Upper DB-25 Connector – Com Ø Serial Connections
Pin 12 – RX Ø + Pin 11 – RX Ø ­Pin 10 – TX Ø + Pin 9 - TX Ø ­Pin 7 – Digital Ground
Pin 6 – DSR Ø Pin 5 – CTS Ø Pin 4 – RTS Ø Pin 3 - RX Ø Pin 2 - TX Ø Pin 20 - DTR Ø
TO EQ CONTROLLER
RS-485
RS-232
RESERVED
Lower DB-25 Connector – Com 1 Serial Connections
Pin 12 – RX 1 + Pin 11 – RX 1 ­Pin 10 – TX 1 +
GENERAL PURPOSE
RS-485
Pin 9 - TX 1 ­Pin 7 – Digital Ground
Pin 6 – DSR 1 Pin 5 – CTS 1 Pin 4 – RTS 1 Pin 3 - RX 1
GENERAL PURPOSE
RS-232
Pin 2 - TX 1 Pin 20 - DTR 1
DSP-8
AES Clock Sync
If you wish to sync your D-8000 console to an external clock source (or use the console master clock signal to control an external device) the AES Sync port is available on the DSP-8 module upper DB-25 connector:
Pin 25 – AES Sync In SH Pin 24 – AES Sync In HI Pin 12 – AES Sync In LO
Pin 11 – AES Sync Out SH Pin 10 – AES Sync Out HI Pin 23 – AES Sync Out LO
Used to synchronize the D-8000 console to an external DARS (digital audio ref signal) in the AES-3 format.
Used to synchronize external devices to the console’s sample rate. This output is in the AES-3 format.
D-8000 / Jan 2003
page 8 – 11
CPU & DSP MODULES
S
S
CPU Micro-Controller Module
DB Connector Pinouts
COM Ø
SERIAL I/O PORT
(Upper DB-25)
* DTR 1
N / C N / C
N / C N / C N / C
N / C N / C
N / C N / C N / C N / C
* DTR Ø
13
25
12
24
11
23
10
22
9
21
8
20
7
19
6
18
5
17
4
16
3
15
2
14
1
N / C N / C
N / C N / C
N / C
N / C N / C
N / C N / C
N / C N / C
13
25
12
24
11
23
10
22
9
21
8
20
7
19
6
18
5
17
4
16
3
15
2
14
1
N / C RX 1 + RX 1 ­TX 1 + TX 1 ­N / C
DGND DSR 1 CTS 1
RTS 1 RX 1 TX 1 N / C
NOTE: * RS-232 GENERAL PURPOSE
N / C RX Ø + RX Ø ­TX Ø + TX Ø ­N / C
DGND DSR Ø CTS Ø RTS Ø RX Ø TX Ø
N / C
NOTE: * RS-232 IS RESERVED
RS - 485
GENERAL PURPOSE
TO EQ CONTROLLER
COM 1
SERIAL /O PORT
(Lower DB-25)
* RS - 232
RS - 485
* RS - 232
D-8000 / Jan 2003
page 8 – 12
CPU & DSP MODULES
(
DSP Digital Processor Module
DB Connector Pinouts
AES SYNC OUT LO
AES SYNC
I/O PORTS
Upper DB-25)
AES SYNC IN SH
AES SYNC IN HI
N / C N / C
N / C N / C
N / C N / C N / C
N / C N / C
25 24
23 22
21 20
19 18 17 16 15 14
13 12
11 10
9 8
7 6 5 4 3 2 1
N / C
AES SYNC IN LO AES SYNC OUT SH
AES SYNC OUT HI N / C
N / C
N / C N / C N / C N / C N / C N / C
N / C
D-8000 / Jan 2003
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VIRTUAL DIP SWITCH

Virtual Dip Switch
Chapter Contents
Virtual Dip Switch Application Program .....................................9-2
Installation................................................................................................................. 9-2
Hooking Up the Computer ........................................................................................ 9-2
Running the Program................................................................................................ 9-3
Using the Program.................................................................................................... 9-5
VDip Main Screen.................................................................................................. 9-5
Saving Changes ...................................................................................................... 9-10
Advanced Operation ................................................................................................ 9-11
Changing D-8000 Password Codes on the CPU-8 ................................................. 9-13
Ending the Program................................................................................................. 9-14
Serial Interface Cable DB Connectors Pinout Drawing ........... 9-15
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VIRTUAL DIP SWITCH
Virtual Dip Switch
Virtual Dip Switch Application Program
The application “VDip” is included with the Wheatstone D-8000 Digital Audio console. It is designed to run on any Windows compatible PC. When the correct serial port of the external PC that contains the VDip program is connected to the D-8000 serial interface port, the program can be used to alter certain configuration details (mutes, tallies, etc.) in the D-8000 console as well as to modify the text displayed in the console 8-character displays. These details can be saved to a file and called up at a later date, thus making it easy to change console set-ups by running the VDip program and restoring a previously saved file.

Installation

To install VDip, first be sure that the PC you wish to use is Windows compliant, has a CD ROM drive, has at least 50 Mb of hard disk storage available, and has an available serial port mapped to COM 1, COM 2, COM 3, or COM 4. Install the software on the PC by loading the VDip CD that came with the D-8000 console into the drive tray and then running the install wizard on the CD by double-clicking on “Setup.exe”. Note, if your CD ROM drive is configured for Auto Play, the install program will automatically start when you insert the VDip CD in the drive. Follow the instructions on the screen to complete the installation. When finished, store the CD in a safe place in case you need to install the software on another machine in the future.

Hooking Up the Computer

Refer to the diagram on page 9-14 of this chapter showing the proper connections for the serial cable connecting the external PC with the D-8000 serial interface port which is located on the lower DB-25 connec­tor of the CPU-8 module. Wire and test the cable. Note that there are certain DIP switch settings on the CPU-8 module which must match the serial port on your external PC. The console is shipped with the D-8000 serial interface set up for a normal RS-232 connection. If your external PC has an available RS-232 connection (which most do) you do not need to modify any of the settings on the CPU-8 module. If you are planning on using an RS-485 connection to the D-8000 serial interface (to allow multiple consoles and/or multiple controllers to be connected on a com­mon bus), your PC must have an available RS-485 port ( most do not) and you must make changes to the settings on the CPU-8 module to set up the proper format, addresses, and terminations for an RS-485 system. If you are planning to use RS-485, consult the “D-8000 Serial Interface” part of
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VIRTUAL DIP SWITCH
this manual for the details on configuring for RS-485. If you are not certain which interface to use or have questions on these details, consult our Wheatstone Technical Service engineers. Establishing serial communica­tions between two different pieces of equipment can sometimes be frustrating; we can provide answers to your questions, and even pre-made cables to make the process easier.

Running the Program

Be sure that the serial interface cable is plugged into the CPU-8 lower DB-25 connector on one end, and the proper COM port on your PC at the other. Also be sure that the large button on the front of the CPU-8 module has been switched to “Remote” and that the CPU-8 display shows “Remote”. The VDip program will not communicate with the console unless the console has been set to “Remote”. Start the program as you would any Windows program by double-clicking on its shortcut, or choosing the program from the START/PROGRAMS menu. Once the program opens, you should see a screen shown below. This is the start-up
screen for the program, and is used any time you wish to alter the connection status for the program. Select “Communications...” from the “Setup” menu with your mouse and then select the correct “COM” port to match your computer. Also verify that the “Virtual Dip Switch Program ID” is set to “1”. This is the standard setting (for networked operations this DIP switch setting must be altered; consult Wheatstone technical support).
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VIRTUAL DIP SWITCH
Leave the settings for Baud Rate and Handshaking as shown below.
Once the correct “COM” port is selected, click on “OK” to accept these settings. Click on “Connect” under the “file” menu to establish communi­cations with the D-8000 console. Verify that the Console ID is set to “1” (standard setting).
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VIRTUAL DIP SWITCH

Using the Program

Once you have established communications with the console, the various screens and menus can be used to control the console functions. The program will inquire about the current settings in the console and will display them to you on the status display screen. This screen shows the status of all of the input module functions, one module at a time. Functions can be changed by clicking on the function with your mouse; a selected function shows a check box, a de-selected function shows a blank box. Towards the bottom right of the window is an area where you can enter text to be displayed on the input module display. Note that there are two boxes, one for “A” and one for “B”; different text can be entered in these boxes such that switching from input “A” to input “B” on the module automati­cally changes the display. You might for instance label the input channel “A” display “NEWS” and the “B” display “GUEST 2” to correspond to how your console audio is wired. Any standard keyboard character can be used; just remember that the displays are limited to 8 characters, including blanks and punctuation.
VDip Main Screen (shown for IN-8 module)
VDip Main Screen shows Console configuration for each slot and allows you to make /change settings for each console's input module.
The numbered Tabs represent the console’s input slots. Click on a Tab to see the status for that slot. Each framed area on the resulting slot display groups together functionality that can be enabled, disabled, or otherwise controlled for that slot.
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VIRTUAL DIP SWITCH
Source—IN-8 module can be programmed for either "Digi­tal" or "Analog" input separately for each source A and B.
Enable Functions—"Cue Switch" (located on the module's faceplate) can be Enabled/Disabled by checking/unchecking box separately for each source A and B.
"IFB AES out" (located on the module's lower DB-25) can be Enabled/Disabled by checking/unchecking box separately for each source A and B.
Superphone Auto Assign—IN-8 output assign switches can be controlled by the console's SPD-8 Super Phone module(s). Check Boxes will slave selected output assign switches to follow Super Phone output assign switch control pulses. Once again the A and B sources are individually configured.
In order for this feature to work, an associated dipswitch on the Super Phone PCB (SW1) must be programmed as well.
Utility Bus Assign—When activated, will cause the module signal assigned to the console's UTL output to be tapped before the fader and the channel ON/OFF switches, config­ured separately for each source A and B.
Talkback to Studio—IN-8 module can be used as talkback mic, placing the signal (post-insert, pre-fader) onto the console's talkback bus. When the console operator presses a TB switch on the console's SCD-8 Studio Control module, the talkback bus (which is carrying his microphone signal) will interrupt the regular monitor signal being fed to the studio and talent will hear his voice through the studio monitor speakers.
There are three check boxes for both A and B sources which will control the module’s assignment to the Talkback bus. Please note that there is some interaction between the check boxes.
External Switch - assigns the module’s signal to the Talkback bus when an external user-supplied TB switch is pressed. The switch provides a momentary closure between the module's lower DB-25 connector TB to Studio (pin 13) and A Remote Common (pin 17) or B Remote Common (pin
23). If the Assign box is checked (see below) the External Switch check box is ignored. If the On/Off Follow box is checked (see below) the module must be ON for the external TB switch to work.
Assign - if checked by itself this check box causes the module’s signal to continually feed the Talkback bus. If the On/Off Follow box is checked then the module’s signal feeds the Talkback bus only when the module is ON. When Assign is checked, checking or unchecking the External Switch box will have no effect.
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VIRTUAL DIP SWITCH
On/Off Follow - by itself this box has no effect. Check­ing it will modify the behavior of the External Switch or Assign check boxes so that the module’s signal is assigned to the Talkback bus only when the module is ON.
TB to IFB—When the TB button on the IN-8 module’s front panel is pressed, the module’s IFB output is normally interrupted (replaced) by the TB bus signal. If the “IFB Dim” box is checked, the IFB output is dimmed (dropped by 20dB in level) instead of being completely replaced (or muted). If the “IFB Cue Mute” box is checked, the IN-8 module will not feed the console CUE bus when the module’s TB switch is pressed. Once again, A and B sources can be individually configured.
Cue Controls—When the CUE button on the front panel is pressed it will assign the module’s signal to the CUE bus for both A and B sources. Note "Enable Functions" / "Cue Switch" has to be activated first.
When "Drop Out" is checked it causes the module's CUE function to be de-activated whenever the channel ON switch is pressed.
When "Post Fader" is checked the level of signal on the Cue bus will follow the module's Fader position.
TB to CR Mutes—In order for someone in the studio to reply to the console operator, the IN-8 module signal for that microphone must be routed to the console's Cue bus, where it can interrupt the regular control room monitor feed and be heard by the operator. This is accomplished by user­supplied TB to CR switches. The switches provide a mo­mentary closure between the module's lower DB-25 con­nector TB to CR A or TB to CR B control pins and Remote Common. As long as this closure is maintained the module's signal will be placed on the console's Cue bus. Simulta­neously, the module's regular output will be muted so the talkback signal doesn't go out over the air.
If "Studio 1" or "Studio 2" is checked and the TB to CR A or TB to CR B pressed, then the Studio 1 or Studio 2 output will be Muted or Dimed (whether Muted or Dimmed depends on dipswich settings on the SC-8 module).
Off Channel LED—The module's channel OFF switch normally has its LED indicator controlled by the switch itself ("local"). This is the factory default setting. However, should you wish to have the LED function as a "ready" light for an external source machine, optional box "Ready" passes control to opto-isolated A and B "ready" ports on the module's lower DB-25 connector, where a 5 Volt signal applied with correct polarity will activate the OFF switch LED. As long as the voltage is maintained, the LED will be lit.
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VIRTUAL DIP SWITCH
Input A Mutes—IN-8 module can be programmed to mute the control room or studio speakers when the channel is ON. The D-8000 has three mute control lines. Each of these may be activated by either an A or B source.
Control Room - mutes the control room when checked and source A is ON
Studio 1 - mutes studio one when checked and source A is ON
Studio 2 - mutes studio two when checked and source A is ON
Input B Mutes
Control Room - mutes the control room when checked and source B is ON
Studio 1 - mutes studio one when checked and source B is ON
Studio 2 - mutes studio two when checked and source B is ON
Input A Tallies—Turning the module ON can activate a remote tally indicator. There are three tally control lines: "On Air Tally (1), "Tally2", "Tally3". Remote tallies are hooked­up to the console at the Control Room (On Air Tally (1)) and Studio (Tally2, Tally3) modules.
On Air Tally - activates the On-Air Tally control line when checked and source A is ON
Tally2 - activates the Tally2 control line when checked and source A is ON
Tally3 - activates the Tally3 control line when checked and source A is ON
Input B Tallies
On Air Tally - activates the On-Air Tally control line when checked and source B is ON
Tally2 - activates the Tally2 control line when checked and source B is ON
Tally3 - activates the Tally3 control line when checked and source B is ON
Timer Reset—The console's digital timer can be programmed to automatically reset to zero and begin counting up when the module's
ON button is pressed. To enable this func­tion the “AUTO” button on the meter output module has to be activated. A and B sources are individually configured.
Input Display—You can enter or edit text
to be displayed on the IN-8 module display.
Text boxes for "A" and "B" sources can be
used such that switching from input "A" to input "B" on the module automatically changes the display.
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VIRTUAL DIP SWITCH
Any standard keyboard characters can be used. Displays are limited to 8 characters, including blanks and punctuation.
Fader Control—Allows the fader position to control CUE and/ or fader on/off status (European Fader Start, or EFS). A and B sources are individually configured.
Fader Cue - will assign the module's signal to the Cue bus when the fader is moved all the way down. "Enable Functions" / "Cue Switch" has to be activated first.
EFS - will turn the module OFF when the fader is moved all the way down and turn the module ON when the fader moves from the fulldown position.
Remote Start—This setting allows you to correct for differing source machine ON/OFF control signals to the IN-8 module. When set to "Const", the module will work with most standard source machines. Occasionally, the source machine, because of the way it is designed, will send overly long control closures to the module's remote ON and OFF ports - closures so long that they will hang up the module's ON/OFF logic. When this kind of problem manifests itself, setting to "Pulse" will convert the closures to pulses before they get to the channel ON/OFF switch logic.
Example: IN-8 set to default "Const". The external source machine reaches end-of-play and sends a five second (or longer) OFF signal to the module, effectively holding it in an OFF state. You press the module ON switch but nothing happens - because the OFF switch is locked up. By setting the option box to "Pulse" this type of problem is eliminated: the module is turned off and left immediately ready for further control input.
"Remote Start" / "Start/Stop" allows you to follow "Pulse"/ "Const" settings not just for the module's ON/OFF switches but also for the module’s Remote START/STOP outputs. That is, when “Remote Start”/”Start/Stop” is checked, a module on signal from a remote machine will turn the module on and will also cause a START logic output from the module; when this is not checked, the START output is not generated from a module on signal, but is still generated when the module ON switch is pressed.
"Remote Start" - "Pulse", "Const", ”Start/Stop” functions may be activated by either an A or B source.
Input Attenuation (dB)—This exclusive Wheatstone digital console feature allows the user to digitally "trim" the gain back on any input module. While this feature is most useful for reigning in "hot" digital domain sources on SRC input modules, digital attenuation may also be applied to any analog line level source. Note that the digital attenuation occurs after the analog pre-amp stages, therefore, clipping in those stages can not be corrected with this feature (use analog trim pots located on the input module).
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VIRTUAL DIP SWITCH
There are Combo Boxes for selecting the desired input attenuation. The attenuation choices are 0db to -14dB in 2 dB steps. Simply click to select the attenuation value and then "WRITE" the selected change to the module. You can use the "Write Slot" toolbar icon or the "Slot" menu item to write the current attenuation setting along with any other module settings. The attenuation setting is immediately written to the correspond­ing channel.
Why use digital attenuation?
Many of today's digital audio sources (especially modern rock, rap, etc.) are produced to take full advantage of the available maximum digital output level (0dBFS). Playback of these tracks from a CD player's digital output result in average digital domain levels -6 to -3dBFS or higher! That translates to average analog levels of +18 to +21 dBu; very close to the console's clipping point of +24dBu. Connecting the digital output from a CD player to a console input with gain on the fader can put the operator in a position of potentially clipping the CD playback. In this case, adding ­12dB of attenuation will re-calibrate the input module so that digital clipping of CD source material will be impossible even if the operator pushes the fader all the way to the top.

Saving Changes

Just as you saved the new attennuation settings, in a similar manner you can save other changes you have made with VDip. Once you have finished setting the text and configuration that you wish for an input channel, you send the information to the console by selecting “Write Current” under the
“Slot” menu. The information is then sent to the console, and the input channel display will be updated to the text you chose. To select another input channel to modify, choose its corresponding slot number from the selection bar near the top of the status display screen. The status screen will change to show the type and settings of the module in the slot you have selected. If you choose a slot number that has no module installed, the status screen will show “NO CARD”. By selecting each slot and changing
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VIRTUAL DIP SWITCH
the display text and settings, the entire D-8000 console can be configured to suit your application. Remember, you must select a channel to be modified before you can make changes, and you must “Write Current” after making the changes to pass them on to the console.

Advanced Operation

After using the VDip program for a while, its operation becomes routine. There are some advanced features to make it easier to do repetitious tasks. Underneath the top menu bar of the status screen is a row of “buttons” designed to perform routine tasks like “Write Current” and “Read Current”. Moving your mouse pointer over a button and leaving it there for a moment will bring up a short “hint” message on screen that explains the button’s function. Also, under the “Console Configuration” and “Slot Configura­tion” menus (under “File”) are functions called “Save To File” and “ Load From File”. Choosing “Save To File” allows you to save all of the console
settings under a filename which you can retrieve later using the “Load From File” function. This makes it easy to recall complex but repeatable text and settings information into the console, especially if you name the file something obvious like “7am”, etc.
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VIRTUAL DIP SWITCH
You can have a large number of files saved, limited only by your ability to give them suitable names.
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VIRTUAL DIP SWITCH
Changing D-8000 Password Codes on the CPU-8
There are three levels of security to “Preset” configurations on the D­8000 console: ADM (administrator), USR (user), and GST (guest). Accessing each level is accomplished through certain sequences of button/ knob activity on the CPU-8 module as described on page 8-5.
To change the three digit security code for ADM or USR select “Console - Change Password” from the VDIP main menu bar.
D-8000 / Jan 2003
Once selected a password edit window will appear. Radio style buttons select either Admin (Administrator) or User. Simply enter the Old Password, New Password and Confirm New Password, then click OK. The new three digit code will be written to the CPU-8. Note that a successful serial connec­tion must be made prior to changing any access code.
Default codes for new consoles are ADM = 777 USR = 123 GST = any non-ADM or USR three
digit code.
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VIRTUAL DIP SWITCH

Ending the Program

Once the console text and settings are to your liking, and have been written to the console, and saved to a file if desired, the VDip program can be ended by selecting “Exit” from the “File” menu. The console settings will remain as you have set them until the next time the VDip program is run. You can remove the computer connection or leave it hooked up, as you desire. Note that if you leave the connection to the computer in place, you should set the large switch on the CPU-8 module to “local” in case some other program on the computer tries to write to the COM port. It is unlikely that a stray message sent out the COM port will cause any changes because the message will be ignored unless it is sent in the precise D-8000 serial protocol, but simply switching the console to “local” provides extra insurance.
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VIRTUAL DIP SWITCH
Serial Interface Cable
(for use with Virtual Dipswitch)
DB Connector Pinouts
CPU-8
Lower DB-25
(male)
N / C N / C N / C N / C N / C
N / C
N / C N / C N / C N / C
N / C N / C
25 24
23 22
21
20 19 18
17 16
15 14
13 12
11
10
PC RS-232
DB-9
N / C
TX
RX
N / C
GND
(female)
N / C N / C N / C
N / C
CABLE CONNECTOR
N / C N / C N / C N / C N / C
9
N / C
8
GND
7
N / C
6
N / C
5
N / C
4
RX
3
TX
2
N / C
1
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SUPERPHONE INPUT
Superphone Input
(SPD-8; optional)
Chapter Contents
Module Overview...................................................................... 10-2
Caller Set-Ups ...................................................................................................... 10-2
Automatic Features............................................................................................... 10-3
Inputs and Outputs ............................................................................................... 10-3
Internal Programming Options - Main PCB ........................... 10-4
Output Assign Switch Enable ............................................................................... 10-4
Mutes .................................................................................................................... 10-4
Timer Restart ........................................................................................................ 10-4
Tallies.................................................................................................................... 10-4
Cue Dropout..........................................................................................................10-5
Gain Trimpots ....................................................................................................... 10-5
Internal Programming Options - Piggyback PCB ................. 10-5
External In............................................................................................................. 10-5
Cue Pre/Post ........................................................................................................ 10-5
Gain Trimpots ....................................................................................................... 10-5
Hook-ups................................................................................... 10-6
AUDIO CONNECTIONS (Upper DB-25) .............................................................. 10-6
AUDIO and CONTROL CONNECTIONS (Lower DB-25) .................................... 10-6
DB Connector Pinout Drawing................................................ 10-8
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SUPERPHONE INPUT
Superphone Input
(SPD-8; optional)
Module Overview
SPD-8 input modules are used for telephone call-ins. Each module can handle two callers; there can be two modules per console for a total of four callers. Caller signals enter the module from your station hybrid; each caller has his own fader. Caller input gain trims are provided at the top of the module.
Output switches assign callers to any combination of the console’s four stereo outputs: PGM (program), AUD (audition), AUX (auxiliary) and/or UTL (utility). When the module is assigned to PGM and turned ON, a red “Air” LED illuminates just above the output assign switches.
Caller Set-Ups
Pre-air segment communication between the console operator (DJ) and callers is via CALLER SETUP buttons (2) which place the caller’s voice on the console’s cue speakers (or control room speakers/operator’s headphone if the CRD-8 module’s cue inter­rupt function has been so programmed). These cue signals can be internally programmed pre or post fader.
The caller hears the DJ in one of two ways:
1) The DJ can assign his microphone input module to an unused output bus—say UTL—and the DJ then selects the UTL input with the MXM SOURCE switch at the top of the phone module. This sends a dedicated (digitally generated) version of the UTL bus signal to the SPD-8 module’s hybrid output, where it is ultimately heard by the caller through his telephone. This mix minus source select method can also be used to preplay a musical segment (or any other program content) for the caller off-air. Take the input module handling the desired music cut and assign it to an unused output bus; select the same bus as the caller’s mix minus source input and he will hear it off-air.
Remember IN/INM/INDM-8 input modules can be internally pro­grammed to have their Utility bus feed tapped pre-fader, pre-ON/OFF, making this a logical set-up for the DJ’s mic input if you do a lot of call­in work, since the DJ’s voice will always be present on the console’s Utility output bus regardless of fader or ON/OFF settings on his mic module (which must still be assigned to UTL, however).
2) The DJ’s voice signal can be inputted through a special EXT
IN port at the SPD-8 module’s DB-25 connector. This second
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SUPERPHONE INPUT
method eliminates the need to select a mix minus input source every time you want to talk off-air to the caller. An easy source choice here would be DJ mic module’s INSERT OUT port.

Automatic Features

Regular mic and stereo line input modules can have their output assign buttons slave off of the SPD-8 telephone module output buttons. If this feature has been programmed on desired source modules, when it’s time to go on-air with a phone segment all you need do is hit PGM on the phone module, and the PGM button on, say, your CD input module (and the DJ’s mic module) will follow suit.
Note while this feature will turn slaved assign buttons ON, it will
not turn them OFF; you must do this manually.
Faders can be optionally equipped with end-of-travel CUE switches, which will allow you to talk off-air with a caller with a simple fader overpress. One of the faders can also have an optional EFS type switch to automatically turn the module on when it is run up.
The channel ON (red) and OFF (orange) switches are at the bottom of the module. These can be programmed (via internal PCB-mounted dipswitches) to activate control room and studio mutes, tallies, timer restart and automatic cue drop-out. The ON switch can also automatically trigger an external tape machine for recording purposes (see page 10-7).
Cue Dropout can also be programmed internally, making it unnecessary to de-activate caller setup buttons before going live; simply pressing the module’s ON switch will automatically do this for you.

Inputs and Outputs

All audio and control signal hook-ups are made via two multi­pin DB-25 connectors mounted in the bottom of the console’s mainframe, directly underneath each module. The upper connector handles hybrid input signals (i.e., caller input) and the external input mentioned on page 10-2. The lower connector handles outputs, including the module1 and 2 feeds to your station hybrid (the phone signals going to your callers).
The module also has three addition output feeds on the lower DB-25 connector. These are generally used for recording purposes:
Composite Out – This includes everything: DJ, callers, music
beds, etc. Generally used to to record phone segments in advance of actual airplay.
Composite Minus Callers – This includes everything but the
callers.
Callers Only – No talent, no DJs, no music; just caller voices.
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SUPERPHONE INPUT
Internal Programming Options Main Printed Circuit Board
Main card internal programming is accomplished via three 4-position printed circuit board (PCB) mounted dipswitches mounted just to the left of the module’s faders.
For main PCB programming, we will assume you are holding the removed module upright, component side towards you, with gold-plated card fingers to the left and the module faceplate to the right. This will enable you to read the control legends silkscreened next to each dipswitch. Note when a dipswitch position is thrown to the right (towards the module’s faceplate) it is ON.
Output Assign Switch Enable
As previously stated the input modules (IN-8, INM-8, and INDM-8) can have their output assign switches slave off of the SPD-8 phone module output assign switches. Four-position dipswitch SW1 (top dipswitch just to the left of the module faders) enables this feature at the phone module end:
SW1 position 1 activates PGM switch control SW1 position 2 activates AUD switch control SW1 position 3 activates AUX switch control SW1 position 4 activates UTL switch control
The feature must also be enabled on desired input modules using VDip software.
Note this feature only works for turning slaved assign switches ON; they will not turn OFF from the superphone module—this must be done manually.
Mutes
When the SPD-8 phone channel ON switch is pressed, it can activate console mute functions. The first three positions of dipswitch SW2 (just below dipswitch SW1) determine which of the console’s three mute lines will be activated:
SW2 position 1 mutes the control room when the phone module is ON* SW2 position 2 mutes studio one when the phone module is ON SW2 position 3 mutes studio two when the phone module is ON
Timer Restart
When the module is turned ON, the console’s digital timer can be programmed to automatically reset to zero (and begin counting up if it is runnig).
SW2 position 4 activates timer restart when the phone module’s ON switch is pressed*
Tallies
Turning the module ON can activate a remote tally indicator. There are three tally control lines: on-air, tally 2 and tally 3. The first three positions of dipswitch SW3 (to the left of the fader) program these functions:
SW3 position 1 activates the on-air tally control line (requires PGM assign)
*factory default setting
*factory default setting
Remote tallies are hooked-up to the console at the Control Room mod­ule (CRD-8)
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SUPERPHONE INPUT
SW3 position 2 activates tally 2 SW3 position 3 activates tally 3
Cue Dropout
Dipswitch SW3 position 4, when activated, will cause CUE (i.e., caller set-up buttons 1 & 2) to turn off when the module’s ON switch is pressed. This is the factory default setting.
Gain Trimpots
There are two PCB-mounted trimpots. They are used as follows:
CR1 - sets Callers 1 In port input gain CR2 - sets Callers 2 In port input gain
Internal Programming Options Piggyback Card
Piggyback card internal programming is accomplished via two PCB­mounted slide switches on the module’s piggyback card. This same card also contains PCB-mounted trimpots which may be used to set the module’s various output feed levels.
For piggyback card programming, hold the removed module horizontally, component side towards you, with gold-plated card fingers aimed down and the module faceplate on top. This will enable you to read the control legends silkscreened on the PCB.
External In
In addition to feeding the DJ’s voice signal to the callers via the module’s mix minus source select switching, it may also be brought directly in through an EXT IN port on the module’s upper DB-25 connector. PCB-mounted slide switch SW1 (piggyback card left center), activates this external port when thrown to the left (this is the factory default setting).
Cue Pre/Post
The module’s CUE signals (caller setup buttons 1 & 2) can tap pre or post fader. When slide switch SW2 (piggyback card lower right) is UP they are PRE, when DOWN they are POST. (Factory default setting is PRE.)
Gain Trimpots
There are six PCB-mounted trimpots to the right of slide switch SW1. They are used as follows:
CR4 – sets the External In port input gain CR6 – sets the module’s output level to Hybrid 1 CR3 – sets the module’s output level to Hybrid 2 CR7 – sets the module’s “composite” output level CR8 – sets the module’s “composite minus callers” (“talent”)
output level
CR5 – sets the module’s “callers only” output level
Factory default settings for these trimpots is UNITY GAIN.
D-8000 / Jan 2003
page 10 – 5
SUPERPHONE INPUT

Hook-Ups

As stated before, all user wiring to and from SPD-8 modules takes place at DB-25 multi-pin connectors mounted directly beneath each module on the console mainframe’s bottom pan. There are two connectors per module: the upper one (towards the console meterbridge) handles audio input signals; the lower (near the console armrest) audio outputs and control signals. A pinout drawing on page 10-8 shows all wiring connections at a glance.
Audio Connections (upper DB-25)
These include External In and station Hybrid 1 & 2 inputs. All are +4dBu balanced analog mono.
Pin 25 – Ext In SH Pin 24 – Ext In HI Pin 12 – Ext In LO
Pin 22 – Hybrid 1 In SH Pin 21 – Hybrid 1 In HI Pin 9 – Hybrid 1 In LO
Pin 8 – Hybrid 2 In SH Pin 7 – Hybrid 2 In HI Pin 20 – Hybrid 2 In LO
Pins 2,5,11,13,16 and 19 – Audio Ground
Audio and Control Connections (lower DB-25)
These include outputs to the station hybrid, module output composite feeds (for recording) and remote tape machine START/STOP ports.
Pin 25 – Composite Out SH Pin 24 – Composite Out HI Pin 12 – Composite Out LO
Pin 11 – Composite Minus Callers Out SH Pin 10 – Composite Minus Callers Out HI Pin 23 – Composite Minus Callers Out LO
Pin 22 – Callers Only Out SH Pin 21 – Callers Only Out HI Pin 9 – Callers Only Out LO
Pin 8 – To Hybrid 1 Out SH Pin 7 – To Hybrid 1 Out HI Pin 20 – To Hybrid 1 Out LO
Pin 19 – To Hybrid 2 Out SH Pin 18 – To Hybrid 2 Out HI Pin 6 – To Hybrid 2 Out LO
Typical DB-25
connector
D-8000 / Jan 2003
page 10 – 6
SUPERPHONE INPUT
Pin 17 – Start/Stop Common Pin 16 – Stop Pin 15 – Start
Pin 4 – Start/Stop Common Pin 3 – Stop Pin 2 – Start
The last six callouts are simply two parallel-connected sets of pins for the same control port. When the module’s ON/START switch is pressed, a closure takes place between start/stop common and START; when the module’s OFF switch is pressed, a closure takes place between start/stop common and STOP. These may be used to control a remote tape machine for recording phone segments.
D-8000 / Jan 2003
page 10 – 7
SUPERPHONE INPUT
)
C
SPD-8 Superphone
DB Connector Pinouts
HYBRID 1 IN SH
I/O PORTS
(Upper DB-25
ANALOG
COMPOSITE OUT SH
COMPOSITE OUT HI
COMPOSITE MINUS CALLERS OUT LO
CALLERS ONLY OUT SH
CALLERS ONLY OUT HI
TO HYBRID 1 OUT LO TO HYBRID 2 OUT SH
TO HYBRID 2 OUT HI
START/STOP COM
HYBRID 1 IN HI
HYBRID 2 IN LO
AUDIO GROUND
AUDIO GROUND
STOP
START
N/C
EXT IN SH
EXT IN HI
N/C
N/C N/C
N/C N/C
13
25
12
24
11
23
10
22
9
21
8
20
7
19
6
18
5
17
4
16
3
15
2
14
1
13
25
12
24
11
23
10
22 21
20
19 18 17 16 15 14
AUDIO GROUND COMPOSITE OUT LO COMPOSITE MINUS CALLERS OUT SH COMPOSITE MINUS CALLERS OUT HI
CALLERS ONLY OUT LO TO HYBRID 1 OUT SH TO HYBRID 1 OUT HI TO HYBRID 2 OUT LO N/C START/STOP COM
STOP START N/C
AUDIO GROUND EXT IN LO AUDIO GROUND N/C
HYBRID 1 IN LO
9
HYBRID 2 IN SH
8
HYBRID 2 IN HI
7
N/C
6
AUDIO GROUND
5
N/C
4
N/C
3
AUDIO GROUND
2
N/C
1
I/O PORTS
(Lower DB-25)
ANALOG/LOGI
D-8000 / Jan 2003
page 10 – 8
LINE PRESELECTOR MODULE
Line Preselector Module-
Digital
(LSD-8 Control Module and
LSR-500 Rackmount Switcher;
optional)
Chapter Contents
Overview ............................................................................................ 11-2
LSR-500 (drawing)............................................................................. 11-3
Internal Programming Options ........................................................ 11-3
Hook-ups – LSD-8 ............................................................................. 11-3
Hook-ups – LSR-500 ......................................................................... 11-3
Analog Audio Inputs..........................................................................................................11-3
Digital Audio Inputs...........................................................................................................11-4
Analog Outputs .................................................................................................................11-5
Digital Outputs ..................................................................................................................11-5
DB Connector Pinout Drawing (LSD-8)........................................... 11-6
DB Connector Pinout Drawing (LSR-500)....................................... 11-7
D-8000 / Jan 2003
page 11 – 1
LINE PRESELECTOR MODULE
Line Preselector Module-
Digital
(LSD-8 Controller Panel and
LSR-500 Rackmount Unit;
optional)

Overview

This optional module consists of an 8-switch control module (LSD-8) mounted in the D-8000 console and an associated 19-inch rackmount switcher (LSR-500) that mounts in a remote location. All audio input and output wiring goes to the rackmount unit, which takes its control from the console module.
The rack unit accepts eight stereo analog and digital audio inputs (each input is dipswitch-selectable for either analog or digital) and outputs both an analog and digital stereo signal, which may be wired back to D-8000 console input ports. Wiring between the console’s LSD-8 preselector module and the rackmount switcher is via two factory supplied pin-for-pin DB-25 connector cables: the module’s upper DB is used for control; the lower for power.
The LSR-500 rackmount unit faceplate has eight indicator LEDs which show which input has been selected at the console and also ANALOG and DIGITAL LEDs which light to show what kind of signal has been selected. A POWER LED is also included. (See drawing next page.)
The rear of the LSR-500 has seven I/O connectors: two DB-9s (analog and digital output) and five DB-25s (control and power to the LSD-8 module, analog audio in (2) and digital audio in (1). In the center of the chassis rear is a cutout that allows access to eight dipswitch settings that determine what type of audio (analog or digital) each input accepts. The default setting (“off”) is DIGITAL.
D-8000 / Jan 2003
page 11 – 2
LINE PRESELECTOR MODULE
Model LSR-500 Line Selector
POWER ANALOG 1DIG
2345678
LINE
ANALOG/DIG SELECT
58432167
The LSR-500 Rackmount Switcher Unit (front & rear)

Internal Programming Options

There are no internal programming options on the LSD-8 module. The LSR-500 rackmount unit has the previously mentioned input select dipswitches (analog/digital).

Hook-Ups

LSD-8 Line Preselector Module
Two DB-25 connectors that wire pin-for-pin to matching DB-25s on the LSR-500 chassis rear. The upper connector is for control; the lower for power. See pinout drawing on page 11-6 for signals.
8-Line Analog/Digital Rackmount Switcher
CONTROL LOGICDC POWERDIGITAL OUTDIGITAL INPUTSAUDIO OUTAUDIO INPUTS 5-8AUDIO INPUTS 1-4
CAUTION - TO AVOID ELECTRIC SHOCK REFER SERVICE TO QUALIFIED TECHNICIAN
LSR-500 Audio Inputs
These are for analog stereo (+4dBu balanced) and digital (AES) signals; there are three DB-25 input connectors on the chassis rear:
ANALOG AUDIO INPUTS 1-4:
Pin 25 – Line 1 Lt In SH Pin 24 – Line 1 Lt In HI Pin 12 – Line 1 Lt In LO
Pin 11 – Line 1 Rt In SH Pin 10 – Line 1 Rt In HI Pin 23 – Line 1 Rt In LO
Pin 22 – Line 2 Lt In SH Pin 21 – Line 2 Lt In HI Pin 9 – Line 2 Lt In LO
Pin 8 – Line 2 Rt In SH Pin 7 – Line 2 Rt In HI Pin 20 – Line 2 Rt In LO
Pin 19 – Line 3 Lt In SH Pin 18 – Line 3 Lt In HI Pin 6 – Line 3 Lt In LO
Pin 5 – Line 3 Rt In SH Pin 4 – Line 3 Rt In HI Pin 17 – Line 3 Rt In LO
Typical DB-25
connector
D-8000 / Jan 2003
page 11 – 3
LINE PRESELECTOR MODULE
Pin 16 – Line 4 Lt In SH Pin 15 – Line 4 Lt In HI Pin 3 – Line 4 Lt In LO
Pin 2 – Line 4 Rt In SH Pin 1 – Line 4 Rt In HI Pin 14 – Line 4 Rt In LO
ANALOG AUDIO INPUTS 5-8:
Pin 25 – Line 5 Lt In SH Pin 24 – Line 5 Lt In HI Pin 12 – Line 5 Lt In LO
Pin 11 – Line 5 Rt In SH Pin 10 – Line 5 Rt In HI Pin 23 – Line 5 Rt In LO
Pin 22 – Line 6 Lt In SH Pin 21 – Line 6 Lt In HI Pin 9 – Line 6 Lt In LO
Pin 8 – Line 6 Rt In SH Pin 7 – Line 6 Rt In HI Pin 20 – Line 6 Rt In LO
Pin 19 – Line 7 Lt In SH Pin 18 – Line 7 Lt In HI Pin 6 – Line 7 Lt In LO
Pin 5 – Line 7 Rt In SH Pin 4 – Line 7 Rt In HI Pin 17 – Line 7 Rt In LO
Pin 16 – Line 8 Lt In SH Pin 15 – Line 8 Lt In HI Pin 3 – Line 8 Lt In LO
Pin 2 – Line 8 Rt In SH Pin 1 – Line 8 Rt In HI Pin 14 – Line 8 Rt In LO
DIGITAL AUDIO INPUTS 1-8:
Pin 25 – AES 1 In SH Pin 24 – AES 1 In HI Pin 12 – AES 1 In LO
Pin 11 – AES 2 In SH Pin 10 – AES 2 In HI Pin 23 – AES 2 In LO
Pin 22 – AES 3 In SH Pin 21 – AES 3 In HI Pin 9 – AES 3 In LO
Pin 8 – AES 4 In SH Pin 7 – AES 4 In HI Pin 20 – AES 4 In LO
Pin 19 – AES 5 In SH Pin 18 – AES 5 In HI Pin 6 – AES 5 In LO
Typical DB-25
connector
D-8000 / Jan 2003
page 11 – 4
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