OPERATING INSTRUCTIONS FOR GAMBIT EQUALIZER EQ1-MK2FRONT PANEL
CONTENTS
CONTENTS __________________________________________________________________________2
What's New For The EQ1-MK2 __________________________________________________________3
FRONT PANEL _______________________________________________________________________4
Front Panel Groups ______________________________________________________________________________5
OPERATING INSTRUCTIONS FOR GAMBIT EQUALIZER EQ1-MK2FRONT PANEL
What's New For The EQ1-MK2
The double sampling Gambit Series EQ1-DS has now been upgraded to the EQ1-MK2.
Like the old EQ1-DS, the EQ1-MK2 supports 44.1, 48, 88.2 and 96kHz sampling frequencies, always using
either 88.2 or 96kHz for internal processing. This is responsible for the well-renowned sound of the high
resolution units and is the difference to the standard sampling EQ1.
Adding to the high resolution processing, the EQ1-MK2 now features an extended parameter set, significantly increasing the number of possible eq settings, as well as a new operational mode for processing stereo signals in the M/S domain (as compared to processing in the L/R domain – see chapter M/S Mode, p.
11).
The Q now reaches from a near whole-bandwidth-covering 0.20 to a needle-like 650 in 128 steps, allowing
everything from subtle sound colouring to notch filter tone removal. The boost varies in 0.1 dB steps from 39dB (for notching) to +18dB. To compensate for the extremely accurate notch filter type, the frequency
resolution has been doubled, now running from 14Hz to 21kHz in 12th octave steps plus including special
notch frequencies such as 50 and 60 Hz and their harmonics.
A further new feature is the settable “shape” parameter for shelving filters, which has the same resolution
and a similar effect as the Q parameter for the presence filter type.
Combined with the flexibility of seven independent bands per channel, the mastering engineer can now
twist the transfer curve to his exact specifications.
For exact frequency, boost / cut and Q parameter values please refer to chapter Parameter Table
(p. 20).
OPERATING INSTRUCTIONS FOR GAMBIT EQUALIZER EQ1-MK2INTRODUCTION
INTRODUCTION
Congratulations on purchasing the Weiss Gambit Series EQ1-MK2 Digital Equalizer !
This two channel digital equalizer features seven
bands per channel, individually configurable as
low cut, high cut, low shelving, high shelving or
peaking filter. The two channels can be controlled
separately or ganged together at the touch of a
button.
The large CFL LC display and the one-knob-perparameter operation combine speed and ease of
use with complete control over audio processing.
This and the ability to remote control parameters
and snapshots makes the EQ1 the perfect tool for
the recording and mastering engineer!
Display
Double logarithmic graph of the magnitude
function of the equalizer calculated in real
time
Status display showing sampling frequency,
channel status data handling, current workspace and snapshot number and a resetable
peak-hold and over-hold per channel
Band display (activated by touch) showing
boost, Q/ slope and frequency settings for
each band
Two over-LED’s with settable number of
consecutive over-samples which cause an
“over” display combined with an over-hold
function
Snapshots
3 x 128 non-volatile snapshots where all
parameters are stored
A-B workspaces for quick comparison
between two settings
Remote Control
Supports MIDI, RS-232 and RS-422 proto-
cols
Standard MIDI Continuous Controllers for
parameter remote control (including overall gain)
OPERATING INSTRUCTIONS FOR GAMBIT EQUALIZER EQ1-MK2OPERATION
OPERATION
The following explanations assume that the equalizer is in power-up mode, i.e. no menu is active. If a menu is active, press the “menu” key repeatedly until the status display appears.
Status Display
Key A
Key B
Key C
Key C
Key D
Graph 2: Status Display
The status display consists of four groups displaying audio signal properties and information
about the current state of the EQ1. The groups
are situated adjacent to the softkeys to the right
of the LCD (Graph 2).
Channel Status Group
Situated adjacent to key A, displays the following
information:
sampling frequency in kHz: “44.1”, “ 48”,
“88.2” or “96”
Use this value to set the optimal gain for a specific
session. Reset it for every session.
Over-Hold
Whenever an over is encountered, the boxes to
the side of the peak-hold values are marked.
The functions of the over-LED’s and the over-
hold both depend on the NUMBER OF
CONSECUTIVE OVER-SAMPLES setting. To adjust
this setting, press key B once. Use the “gain/
data” encoder to change the value, then press
“menu” to return to the status display.
This setting defines the number of consecutive
over-samples needed for an over-indication. To
indicate every over-sample, enter 1. If another
value is entered, you are still able to detect a
single over-sample with the peak-hold function.
pre-emphasis: “E” appears if pre-emphasis
is set (empty if not used)
input output channel status data format:
“C” for consumer and “P” for professional
To change the output channel status data format,
press key A and select format type or loop
through.
Peak Group
Situated adjacent to key B, this group contains a
peak-hold and an over-hold for each channel. To
reset these values press key B twice.
Peak-Hold
The numeric peak value is measured relative to
OPERATING INSTRUCTIONS FOR GAMBIT EQUALIZER EQ1-MK2OPERATION
Over-samples are defined as exceeding the
24bit integer range. A full scale signal
(0dBFS) will not be treated as over. A signal
that triggered an over in a previous processor in the audio chain will therefore not
trigger an over in the EQ1 (unless boosted).
Remote Group
Situated adjacent to key C, displays remote control protocol (“MIDI”, “RS 232” or “RS 422”),
channel (“1” - “16”) and status (on/ off, displayed
with check box).
For remote control set-up see chapter Remote
Control.
Snapshot Display
Bottom line in the status display. Refer to this for
information on current workspace and snapshot.
There are two workspaces (“A” and “B”) for
quick comparison of two equalizer settings. A
workspace can be stored to a snapshot for later
use.
The number of the last recalled snapshot will be
displayed. If you change any value after the recall,
the “ ” will change to “ ” to symbolize that the
workspace is not equal to the displayed snapshot
anymore.
For snapshot handling see chapter Snapshots (p.
12).
Dither Icon
The dither icon is situated right next to key D
(see Graph 2). If dither is off, the icon contains
the number “24“, the word length of the output
signal in bits. Turning dither on will produce arrows above and below the new word length
number (“16“ or “20“). Additionally, if autoblacking is enabled, the bottom right corner of
the icon is inverted.