Walrus Audio Descent Instruction Manual
DESCENT REVERB
INSTRUCTION MANUAL
The Descent offers you eight controls to precisely
hone in your perfect reverb. In addition, the user
can use an auxiliary momentary switch in the fav
input to switch the pedal on/off and/or save
presets. If you have an already crowded pedal
board, you can set your Descent at the back of the
board and run a small SPST switch to the front of
the board so you don’t lose valuable real estate.
The Fav input requires a TRS cable to be used. The
expression pedal control works with most
on-the-shelf expression pedals. This feature allows
the user to set the high and low parameters of each
control and then fade in and out the those controls
by moving your foot up or down on the expression
pedal.
FOOT SWITCHES
Preset Footswitch –Changes between presets
Bypass Footswitch / Preset Save – Push down
Bypass to turn the pedal on and off. To save a
setting and add the setting to your bank of
presets, hold the Bypass footswitch down until
the ‘Preset’ LED ashes.
SETTING PRESETS
To save a preset, move the controls into
the desired position. Hold down the
Bypass button. Bypass button will blink
and when the blinking ceases, your
preset has been saved. There are 3
available presets, indicated by the blue,
green and red LED above the ‘preset’
footswitch. You can toggle between
those presets by pressing the Preset
footswitch.
EXPRESSION PEDAL
Using the expression pedal adds a
completely new dynamic to the Descent
reverb, allowing you to roll in/out a single
parameter or multiple parameters with
your foot. To program the foot controller
with the Descent, plug the foot controller
into the ‘expression pedal’ input. Set the
expression pedal to toe down and set the
Descent controls to the highest parameter
desired. Then put the expression pedal
heel down and set the controls to the
lowest parameter desired. Move the
expression pedal up and down to glide
between the two settings you created.
EXPRESSION PEDAL - TOE UP
EXPRESSION PEDAL - TOE DOWN
DESCENT REVERB
INSTRUCTION MANUAL
Thank you for purchasing the Walrus Audio
Descent. The Descent was designed to create
ambient textures of sound, from thick and endless
hall reverbs to symphonic shimmers. The Descent
is a three mode reverb system; hall, reverse, and
shimmer. In each mode, the user has the ability to
feed +1 and -1 octaves into the reverberated
signal. The Hall mode will feature a classic reverb
sound that can move your signal from a
small-room-echo to a haunting long hall- echo. The
Reverse mode smoothly ips your signal to
playback unique responses and can be manipulated with pre-delay time controls. Shimmer mode
highlights the octave features, dry signal, -1, and
+1 to mix in your signal and creates a symphony of
sound.
INPUTS AND OUTPUTS
Power – Power supply is activated by plugging in an
external 9VDC power supply. The Descent requires 140
mA current draw. (Note: The Walrus Audio Aetos
Isolated Power supply will power this pedal from the
higher current 250mA outputs)
In – This is the main input for your instrument into the
unit and requires a ¼ inch plug.
Left Out (Mono) – Use instrument cable to run to
amplication and run in Mono
Right Out (For Stereo) – Use instrument cable to run to
second amplier for stereo.
Exp – Use Expression pedal to switch between settings.
Remote – Use a 2-channel remote switch to control the
Descent’s two foot switches. This feature allows you to
place the Descent at the back of your pedal board and
run a small remote control switch to the front of your
board; freeing up real estate on your board’s front row.
To use the Fav option with a 2-channel remote switch, a
TRS cable is required (2-channel switch is available for
purchase separately).
HALL MODE
Dry Mix – Controls how much of the Actual
Instrument volume is running through the
effect. Set to zero to hear only the effected
signal; set to full to bring in your instrument
signal.
Reverb Time – This will control the time length
of your effected signal. Set to zero for no
effect; set to full to add a long trail to your
signal.
Diminish – This controls your reverb diffusion.
Turn clockwise to diffuse your reverb signal.
Reverb mimics the size of a room but diffusion
mimics the walls of the room. Set to zero to
get a at wall sound and set to full to get a
rough or rocky wall sound (diffused).
Tweak – Here you can control your reverb
damping. Turn clockwise to lower the threshold
of higher frequencies allowed in the
reverberated signal.
Dry Signal – Your instrument signal is running
through the octave controls rst; Dry Signal, -1
Octave and, +1 Octave. Your Dry signal is
controlling how much pure instrument is
heading to the top row reverb controls. At
zero, only octaves send to the top reverb
controls. Dimed – your whole dry signal goes
to the top reverb controls along with whatever
you have your octaves set to.
-1 Octave – Tracks and plays back one octave
below the note you are playing. Set to zero for
none; set to full for maximum sub octave
reverberation.
+1 Octave - Tracks and plays back one octave
above the note you are playing. Set to zero for
none; set to full for maximum octave up
reverberation.
Wet Mix – This control mixes your ratio
between how much dry signal and how much
wet signal is in your output. Set to 12:00, you
will get 50% dry and 50% Wet. Turn clockwise
to get less dry and more wet, turn counter-clockwise to hear more of your instrument
without the effected signal.
REVERSE MODE
Dry Mix – Controls how much of the Actual
Instrument volume is running through the
effect. Set to zero to hear only the effected
signal; set to full to bring in your instrument
signal.
Reverb Time – This is your Pre-delay
controller. Set to zero for a quick return
and turn clockwise to delay your reversed
return signal.
Diminish – In Reverse setting, this will act
as your Reverb Time and will control how
long your signal draws out. Set to zero for
no effect; set to full for a long trail to your
signal.
Note that your Pre-delay and your Reverb
time are playing off of each other in the
Reverse mode. The Pre-delay captures a
dened segment of what is played into the
Descent. Then, the reverb time (controlled
by Diminish control) lets you choose how
much reverb goes on to that captured
segment when it is played back.
Tweak – This controls your signal’s tone.
To get a dark, warm tone, set control to
zero;
to get a brighter, chimey tone, set
control to full. Your tone will move from dim
to bright as you move the control clockwise.
Dry Signal – Your instrument signal is
running through the octave controls rst;
Dry Signal, -1 Octave and, +1 Octave. Your
Dry signal is controlling how much pure (dry)
instrument is heading to the top row reverb
controls. At zero, only octaves send to the
top reverb controls. At maximum – your
whole dry signal goes to the top reverb
controls along with whatever you have your
octaves set to.
-1 Octave – Tracks and plays back one
octave below the note you are playing. Set
to zero for none; set to full for maximum sub
octave reverberation.
+1 Octave - Tracks and plays back one
octave above the note you are playing. Set
to zero for none; set to full for maximum
octave up reverberation.
SHIMMER MODE
Dry Mix – Controls how much of the Actual
Instrument volume is running through the
effect. Set to zero to hear only the effected
signal; set to full to bring in your instrument
signal.
Reverb Time – In shimmer, this will act as
your reverb time. This will control how long
your signal draws out. Set to zero for no
effect; set to full to add a long trail to your
signal.
Diminish – This will control your reverb
feedback; how many times your copied
signal is stacking on top of itself. You will
get a small amount set at zero and a large
amount when the control is at full.
Tweak – This controls your reverb diffusion.
Turn clockwise to diffuse your reverb signal.
Reverb mimics the size of a room but
diffusion mimics the walls of the room. Set
to zero to get a at wall sound and set to
full to get a rough or rocky wall sound.
remote
Dry Signal – Your instrument signal is running
through the octave controls rst; Dry Signal,
-1 Octave and, +1 Octave. Your Dry signal is
controlling how unaffected instrument signal
is heading to the top row reverb controls. At
zero, only octaves send to the top reverb
controls. Dimed – your whole dry signal goes
to the top reverb controls along with whatever
you have your octaves set to.
-1 Octave – Tracks and plays back one
octave below the note you are playing. Set to
zero for none; set to full for maximum sub
octave reverberation.
+1 Octave - Tracks and plays back one
octave above the note you are playing. Set to
zero for none; set to full for maximum octave
up reverberation.
Wet Mix – This control mixes your ratio
between how much dry signal and how much
wet signal is in your output. Set to 12:00, you
will get 50% dry and 50% Wet. Turn
clockwise to get less dry and more wet, turn
counter-clockwise to hear more of your
instrument without the effected signal.
Wet Mix – This control mixes your ratio
between how much dry signal and how
much wet signal is in your output. Set to
12:00, you will get 50% dry and 50% Wet.
Turn clockwise to get less dry and more
wet, turn counter-clockwise to hear more of
your instrument without the effected signal.
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