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USER MANUAL
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Produced by Vir2 Instruments
Vir2 Instruments is an international
team of sound designers,
musicians, and programmers who
specialize in creating the world’s
most advanced virtual instrument
libraries. Vir2 is producing the
instruments that shape the
sound of modern music.
29033 Avenue Sherman, Suite 201
Valencia, CA 91355
Phone:661.295.0761
Web:www.vir2.com
USER MANUAL
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Aeris/
TABLE OF CONTENTS
CHAPTER 01: INTRODUCTION TO THE LIBRARY
01 PERFORMANCE PATCH OVERVIEW
PADS PATCH OVERVIEW
TABLE OF CONTENTS
USER PATCH OVERVIEW
CHAPTER 02: REQUIREMENTS AND INSTALLATION
03 SYSTEM REQUIREMENTS
INSTALLING IN KONTAKT
INSTALLING IN KOMPLETE KONTROL & MASCHINE
AUTHORIZING
UPDATING
CHAPTER 03: USING KONTAKT
07 HOW TO ACCESS THE AERIS LIBRARY FROM KONTAKT
USING KONTAKT IN STANDALONE MODE
USING KONTAKT WITH YOUR D.A.W.
USING KONTAKT WITH ANOTHER HOST
CHAPTER 04: GETTING STARTED WITH AERIS
11 AERIS OVERVIEW
EQUALIZATION
REVERB/ENVELOPE
MOVEMENT
MODULATION
STEP SEQUENCER
EFFECTS
CHAPTER 06: PADS PATCH
23 PADS INTERFACE OVERVIEW
MAPPING
ENGINE A / ENGINE B
CHAPTER 07: USER PATCH
25 USER INTERFACE OVERVIEW
LOADING YOUR OWN CONTENT
LOADING APPLE LOOP AND ACIDIZED WAV FILES
CHAPTER 08: USING AERIS IN KOMPLETE KONTROL & MASCHINE
31 USING THE PERFORMANCE PATCH IN KOMPLETE KONTROL &
MASCHINE
PERFORMANCE PATCH PAGE LAYOUT
USING THE PADS PATCH IN KOMPLETE KONTROL & MASCHINE
PADS PATCH PAGE LAYOUT
CHAPTER 09: QUICK START GUIDE
35 QUICK START GUIDE
TECHNICAL SUPPORT, ETC.
37 TECH SUPPORT
FULL VERSION OF KONTAKT 5
LICENSE AGREEMENT
CREDITS
38 CREDITS
0000
CHAPTER 05: PERFORMANCE PATCH
17 PERFORMANCE INTERFACE OVERVIEW
MAPPING
OVERLAP MODE
KEY SWITCHES
TRUE LEGATO
VIBRATO
AERIS
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CHAPTER 01
01
Aeris/
INTRODUCTION
pads were created by industry-leading professionals with credits including
Mad Max: Fury Road, Dawn Of The Planet Of The Apes, The Dark Knight,
Inception, and more.
02
TO THE
LIBRARY
Thank you for purchasing Aeris: Hybrid Choir Designer.
From Vir2 Instruments, the creators of the award-winning Electri6ity,
Apollo: Cinematic Guitars, and MOJO Horns, comes Aeris: Hybrid Choir
Designer, a revolutionary new choir and solo singer virtual instrument
formatted for the KONTAKT Player, KOMPLETE KONTROL, and MASCHINE.
The purpose of Aeris is to give modern composers the power and versatility
CHAPTER 01 / INTRODUCTION TO THE LIBRARY
of authentic, full male and female choirs mixed with the unique voices of
four solo singers. Vir2 worked with some of the industry’s leading
composers and producers to bring you a comprehensive collection of
sounds for eective composition and sound design.
For ease of use, Aeris is split into three dierent categories: Performance,
Pads, and User. Each category showcases unique features for simplified and
streamlined sound design.
PERFORMANCE PATCH OVERVIEW
The Performance patch category places the full power of male and female
choirs, as well as four solo singers including bass, tenor, alto, and soprano at
your fingertips. Each choir and solo singer were recorded singing four
dierent vowels: Ah’s, Oh’s, Oo’s, and Hums. In addition to these four
vowels, we recorded two velocity layers for all the vocal performers, and
three round robins for each solo singer to make the Performance patch of
Aeris the most realistic and powerful hybrid vocal instrument available.
USER PATCH OVERVIEW
The User patch enables you to place your very own audio content inside
Aeris and utilize the interface’s powerful controls to further customize your
own sounds. With just a few simple steps, you can master the full power of
Aeris’ interface to explore new ways to manipulate your own sample
content.
PADS PATCH OVERVIEW
The Pads patch is a massive collection of 145 completely original pads,
created exclusively using the samples from the Performance patch of Aeris.
Users are given two pad engines that can be triggered simultaneously and
individually for endless original music and atmospheric composition. These
AERIS
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CHAPTER 02
03
Aeris/
REQUIREMENTS
AND
INSTALLATION
Once the KONTAKT 5 player is installed, launch the standalone application.
Select the Libraries tab from the KONTAKT 5 Player’s browser on the left
side of the KONTAKT interface. Just below “Libraries,” select “Add Library.”
A “Locate Folder” window will appear. Navigate to the Aeris Library folder,
select it, then select “Choose”. Aeris should now appear in KONTAKT’s
library browser.
INSTALLING AERIS IN KOMPLETE KONTROL & MASCHINE
04
SYSTEM REQUIREMENTS
For Mac users, Aeris requires OS 10.9 or greater, an Intel Core Duo 2.0GHz
or higher, and minimum 4GB of RAM.
For Windows users, Aeris requires Windows 7, 8, or 10 (latest s.p.), 32bit or
64bit compatible, an Intel Core Duo 2.0GHz or higher, and minimum 4GB of
CHAPTER 02 / REQUIREMENTS AND INSTALLATION
RAM.
Vir2 Instruments strongly recommends more than 8 GB of RAM and an 88key controller in order to use Aeris to its fullest potential.
The library requires approximately 7.84 GB of available disk space once
installed.
INSTALLING AERIS IN KONTAKT
The installation of Aeris in KONTAKT consists of two separate steps: the
installation of the KONTAKT engine, and the installation of the Aeris library.
In the “Aeris Installation Instructions” folder, you will see the installer for the
KONTAKT 5 player. Once the Aeris library has been downloaded and
extracted, you can move the Aeris library folder to any location on your
hard drive, then run the KONTAKT 5 player installer.
The KONTAKT installer will install the KONTAKT Player engine, its
standalone application, all of its plug-in versions, and the Service Center
authorization program. We recommend the Easy Install, and that the install
locations for each component are left at their default settings.
Note: This section is only for those who own KOMPLETE KONTROL and/
or MASCHINE. If you do not own KOMPLETE KONTROL or MASCHINE
please move on to the next section.
Because Aeris is a KONTAKT instrument with NKS support, you must
manually add Aeris to your KOMPLETE KONTROL/MASCHINE Library.
During installation, please launch KOMPLETE KONTROL/MASCHINE as a
standalone application.
To add Aeris to your KOMPLETE KONTROL/MASCHINE Library, simply
drag the library folder onto the KOMPLETE KONTROL or MASCHINE
Browser. After dragging it to the Browser, Aeris will be available in the
Library pane of the Browser under the User Library section. See following
image.
The Aeris library is approximately 7.84 GB in size, and can be installed on
any available hard drive. For speed reasons, we recommend Aeris be
installed on an external hard drive. We recommend installing on a 7200rpm
drive or SSD drive for optimal performance.
AERIS
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CHAPTER 02 CONT’D
05
AUTHORIZING
After you’ve completed installation, Aeris will be running in demo mode; it
will only work for fifteen minutes at a time. To authorize it for KONTAKT,
simply select the “Activate” button located in the top right corner of the
Aeris library and follow KONTAKT’s prompts.
For KOMPLETE KONTROL & MASCHINE users (and KONTAKT users),
launch Service Center (found in the Applications folder on a Mac, or the
Program Files folder on Windows) and follow its instructions. You will be
prompted to enter your email address and password for your Native
Instruments account, or will be given an option to create an account if you
don’t already have one. Once the Service Center is open, it will give you a
list of all the Native Instruments and NI-powered products on your hard
drive and give you the option to activate them. You are allowed to install
and authorize Aeris on up to two computers simultaneously.
CHAPTER 02 / REQUIREMENTS AND INSTALLATION
Service Center will guide you through the process for either online (instant)
activation, or oine activation if the computer on which you installed Aeris
does not have direct access to the internet.
Once the Service Center shows that Aeris has been activated, you can
restart KONTAKT, KOMPLETE KONTROL and/or MASCHINE to begin using
the activated product.
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UPDATING
After installation, please make sure that you are fully updated to the most
recent versions of the three components that make up the Aeris package:
the library (which contains all the patch information and programming),
the engine (which is powered by KONTAKT, KOMPLETE KONTROL and/or
MASCHINE), and the authorizer (Service Center). It is possible that any of
these components may have a more recent version than what shipped in
your physical or digital package, so you should check for updates to each
of these three. You can do this by visiting the vir2.com website and
checking the Support area as well as going to native-instruments.com and
checking their Support area.
AERIS
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CHAPTER 03
07
Aeris/
USING
KONTAKT
HOW TO ACCESS THE AERIS LIBRARY FROM KONTAKT
CHAPTER 03 / USING KONTAKT
Aeris ships as a KONTAKT-powered library, and Aeris is opened from within
KONTAKT, which can be run either as a standalone application, or as a
plug-in hosted by any major sequencer on either Macintosh or Windows
platforms. All these versions are installed by the Easy Install option of the
installer.
Users who don’t own a sequencer, or would like to simply boot up and be
able to play Aeris, can go to their Applications folder (Mac) or Program
Files folder (Windows) to launch Native Instruments > KONTAKT 5.
Users who wish to use Aeris for sequencing or recording should use it in
plug-in mode within a host sequencer. KONTAKT supports the VST,
AudioUnit, and RTAS plug-in formats. Any host sequencer that supports
these plug-in formats properly will be able to run KONTAKT. Instructions
vary slightly from sequencer to sequencer, but the general procedure is to
initiate KONTAKT as a virtual instrument plug-in, then load an Aeris
instrument in KONTAKT, then route a MIDI track to KONTAKT so it can be
triggered and recorded.
buer reasonably low for good latency performance. We recommend 256
samples or less. The lower the latency slider, the less latency (the split
second between the physical playing of the note and the sound coming
out of KONTAKT) there will be, but the harder the computer will have to
work. Typical useful values range between 128 and 256, however very fast
computers may be able to handle lower values, while very slow computers
may need higher values. [01]
The MIDI page of the Options dialog box must be configured in order to
let KONTAKT know which MIDI device(s) to respond to. KONTAKT will
respond to up to four MIDI input ports (A, B, C, and D), so we recommend
you switch one MIDI source on to Port A, as shown in the following image.
[02]
Once you have completed KONTAKT setup, jump ahead to the GETTING
STARTED section on page 11.
01
08
The following instructions will help standalone and plug-in users get
working quickly with a basic track of Aeris.
USING KONTAKT IN STANDALONE MODE
The standalone KONTAKT application can be found in the Applications >
Native Instruments > KONTAKT 5 folder for Mac users, or Program Files >
Native Instruments > KONTAKT 5 for Windows users.
After launching the KONTAKT application for the first time, you will be
presented with a dialog box to set up your audio and MIDI settings.
Settings will vary for each user according to the specific setup, but the
important thing is to route the audio to a valid audio device, and to set the
AERIS
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CHAPTER 03 CONTD
09
USING KONTAKT WITH YOUR D.A.W.
LOGIC PRO X
Users of Apple’s Logic can use KONTAKT 5 as an AudioUnit plug-in.
Create a Software Instrument track
From the instrument list (E-Piano selected as default), select AU
Instruments / Native Instruments / KONTAKT 5
The KONTAKT window will appear, and a MIDI track will be created,
CHAPTER 03 / USING KONTAKT
transmitting to KONTAKT’s MIDI channel A-1. When it is record-enabled, it
will send any incoming MIDI played on your controller into KONTAKT.
GARAGEBAND
Users of Apple’s GarageBand can use KONTAKT 5 as an AudioUnit plug-in.
Create a Software Instrument track
Select Smart Controls
Select Plug-Ins
From the instrument list, select AU Instruments / Native Instruments /
KONTAKT 5
The KONTAKT window will appear, and a MIDI track will be created,
transmitting to KONTAKT’s MIDI channel A-1. When it is record-enabled, it
will send any incoming MIDI played on your controller into KONTAKT.
From the Instrument list, select KONTAKT
The KONTAKT window will appear, and a MIDI track will be created,
transmitting to KONTAKT’s MIDI channel A-1. When it is record-enabled, it
will send any incoming MIDI played on your controller into KONTAKT.
ABLETON LIVE
Insert a MIDI track
From the Categories / Plug-ins list, drag and drop KONTAKT 5 onto your
MIDI track
The KONTAKT window will appear, and a MIDI track will be created,
transmitting to KONTAKT’s MIDI channel A-1. When it is record-enabled, it
will send any incoming MIDI played on your controller into KONTAKT.
FL STUDIO 12
Select Plugin database / Installed / Generators / VST / KONTAKT 5
Select ‘Open in new channel’
The KONTAKT window will appear
FL SONAR
In the synth tab, select the +
Select Insert Synth / VST2 / KONTAKT / KONTAKT 5
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PRO TOOLS
Create an instrument track
From the Inserts list, select multichannel plug-in / instrument / KONTAKT
5 AAX (stereo)
The KONTAKT window will appear
CUBASE
Add an Instrument Track
AERIS
The channel will be created; to view the KONTAKT window, select it from
the synth list at the left.
USING KONTAKT WITH ANOTHER HOST
There are too many host programs to cover here in detail, but any modern
sequencer that properly supports the VST, AudioUnit, or RTAS standards
should be able to use KONTAKT properly, and load Aeris within it. Consult
the manual for your specific host to find out how to instantiate the
KONTAKT virtual instrument.
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CHAPTER 04
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Aeris/
GETTING STARTED
AERIS OVERVIEW
Throughout Aeris you will notice that each tab or button has a specific color
that will change based on its function. The rule of thumb for buttons, knobs,
and faders is:
CHAPTER 04 / GETTING STARTED
(Buttons) GREEN = ON / RED = OFF
(Knobs & Faders) GREEN = MINIMUM (or OFF) / RED = MAXIMUM
EQUALIZATION
The equalization section is where you can fine-tune the texture, feeling, and
sound of the six vocal groups in the Performance patch and User patch as
well as the two pad engines in the Pads patch. Equalization gives you
control over the bass (bass), body (low-mid), presence (mid-high), and
breath (high) of the selected group/pad engine.
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Modify the envelope by adjusting the envelope’s attack, hold, decay,
sustain, and release to create swelling vocal beds or crisp performances.
We’ve utilized the attack of the envelope to give you full control of the swell
speed. When the the attack knob is at 0.0 ms, you can hear the beginning
of the vocal sample. Turn this knob clockwise to achieve desired swell speed
to create stunning custom vocal pads. The decay, sustain, and release knobs
serve their standard functions in an envelope.
Despite appearing as if they share a power button, the reverb and
envelope’s power buttons are independent of one another. To engage the
reverb, select the “REVERB” button, turn the power icon located to the
right of the reverb button ON, and begin adjusting the reverb parameters.
Likewise, to engage the envelope, select the “ENVELOPE” button, turn the
power icon located to the right of the envelope button ON, and begin
adjusting the envelope’s parameters.
REVERB/ENVELOPE
The reverb section gives you access to seven of KONTAKT’s most awe
inspiring and luscious impulse response reverbs. Easily switch between
reverbs by selecting the current reverb name and choosing from the reverb
list that appears. Find the perfect sound by adjusting the pre-delay, size, lopass, hi-pass, and output of each reverb.
AERIS
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CHAPTER 04 CONT’D
13
MOVEMENT/MODULATION (LFO)
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STEP SEQUENCER
All Aeris patches contain four separate LFO slots which can be run
individually and simultaneously, and loaded with any one of the available
modulation types. Dierent modulation types include volume, pan, highpass, low-pass, bandpass, and pitch.
CHAPTER 04 / GETTING STARTED
WAVEFORMS - Choose between four dierent sound waves including
rectangle, triangle, sine, and sawtooth.
AMOUNT - Control the presence of the selected LFO within your mix.
DIVISION/PRESETS - Click on the division/presets button to select the
frequency unit (ranging from whole notes to 64th notes) and to choose
from the list of available LFO presets. Note: FREQ knob division is based
on Division chosen on the Division/Presets page.
SLOTS - Customize the four available LFO slots and choose between six
dierent modulation types. Do this by selecting the currently loaded
modulation type (“Volume” is the current modulation type in slot 1) and
selecting from the drop down list.
ON/OFF - Turn ON and OFF each LFO slot by clicking the power button to
the left of the modulation type.
AERIS
The step sequencer gives you an additional layer of sound customization.
With two separate slots, you can have multiple step sequencers running
individually or simultaneously. Choose from six dierent modulation types
including volume, pan, high-pass, low-pass, bandpass, and pitch.
FREQUENCY - Adjusting the frequency knob of the step sequencer will
either slow down or speed up the rate of the sequence.
STEPS - Using the steps knob increases or decreases the amount of steps
you have control over. Choose from a range of 1-16 steps.
AMOUNT - Control the presence of the selected step sequencer within the
mix.
DIVISION PRESETS - Click the division/presets button to select the
frequency unit (from whole notes to 64th notes) and to choose from the list
of available LFO presets. Note: FREQ knob division is based on Division
chosen on the Division/Presets page.
SLOTS - Customize the two available step sequencer slots and choose
between the six dierent modulation types included. Do this by clicking on
the currently loaded modulation type (“BP Cuto” is the current modulation
type in slot 1) and selecting from the drop down list.
ON/OFF - Turn ON and OFF each step sequencer slot by clicking the
power button to the left of the sequencer modulation type.
RESET - Click the reset button to reset the step sequencer to neutral. This
does not aect the frequency knob, the steps knob, or the amount
controller.
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CHAPTER 04 CONT’D
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EFFECTS
Further craft your sound with the eects page which features six dierent
built-in eects including a compressor, delay, chorus, flanger, distortion, and
stereo spread.
CHAPTER 04 / GETTING STARTED
EFFECT SLOTS - Choose between six dierent built in eects. Selecting a
specific eect slot will reveal that particular eect’s controls in the panel
immediately above the row of eect slots.
ON/OFF - To engage a desired eect, simply select the desired eect and
select the power icon at the far left of the eects panel. The eect will turn
from RED to GREEN to indicate that it is turned on (In the previous image,
the compressor is turned on).
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EFFECTS PRESETS - To select from the variety of eect presets, simply
select the presets button located to the right of eect controls. Once there,
you can click and choose from the available presets. You can also cycle
randomly through the list of presets by clicking the left or right arrow
beside the “CYCLE RANDOM” tab at the bottom of the preset window (see
following image).
AERIS
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CHAPTER 05
17
Aeris/
PERFORMANCE PATCH
PATC H
z
SELECTED GROUP - To change the equalization of a particular group, you
must first make it the primary group by selecting the group name. In the
image above, Choir M is the primary group because it is the selected group.
In order to make Choir F the primary group you would simply select the
group name, “CHOIR F”.
VOLUME - To adjust the volume of a group, click the volume bar indicated
in the previous image, then, while holding down the mouse button, drag
downwards to lower the volume and drag upwards to raise the volume.
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The Performance patch comes ready to perform as soon as you open it
CHAPTER 05 / PERFORMANCE
within KONTAKT. By simply loading the Performance patch and playing the
keyboard you can instantly begin crafting your music. Without going any
further than the top half of the interface, you are able to fully mix the six
dierent vocal groups, switch between the four vowel options, engage
Legato mode, rearrange the way the samples are laid out on the keyboard
by turning on Overlap mode, engage reverb and an envelope, and adjust
the parameters of each. Going beyond the top half of the interface, you can
begin to make things interesting by tweaking eects, adding dierent LFOs,
and customizing the step sequencer. Blending classic vocals with modern
eects has never been easier than with Aeris’ intuitive interface
PERFORMANCE INTERFACE OVERVIEW
PAN - To adjust the panning of a group, click the pan bar indicated on the
previous image, then, while holding down the mouse button, drag
downwards to pan left and drag upwards to pan right.
ON/OFF - To turn ON and OFF a particular group, click the power button
below the group name.
MAPPING
Each vocal group is given its own section and color on the keyboard
starting with the bass, which is mapped to the lowest notes, and moving up
through the groups with the soprano being mapped to the highest notes.
When turned on, the groups correspond to the following key ranges:
BASS - E0-A#1
TENOR - B1-G3
CHOIR M - E0-A2
AERIS
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CHAPTER 05 CONT’D
19
CHOIR F - F#3-B5
PATC H
z
CHOIR M (OVERLAP MODE) - E1-A3
20
ALTO - G#3-D#5
CHAPTER 05 / PERFORMANCE
SOPRANO - E5-A6
OVERLAP MODE
When Overlap mode is turned on, all engaged groups are rearranged on the
KONTAKT keyboard so that the samples fall directly on the note they
correspond to. For example, when Overlap mode is turned on, and the C3
note is triggered on the MIDI Keyboard, all C3 vocal performances from the
bass, tenor, alto, soprano, and male and female choirs will play
simultaneously if their group is turned on and if the note you are playing
falls within their mapped range. With Overlap mode engaged, samples
range from E1-B4 depending on which groups are turned on.
NOTE: When Overlap mode is engaged, you have access to the full range
of each vocal group. When Overlap mode is not engaged, the range on
some of the groups is shortened to accommodate all the groups on the
keyboard at once (see following images for range comparison).
BASS (OVERLAP MODE) - E1-C#3
TENOR (OVERLAP MODE) - B1-A#3
CHOIR F (OVERLAP MODE) - F#2-B4
ALTO (OVERLAP MODE) - G2-F#4
SOPRANO (OVERLAP MODE) - C3-A4
If you want to play multiple groups at once, as well as have access to the
full range of every group, we recommend you use Overlap mode. Because
Overlap mode places all of the triggered groups performances on top of
one another it makes it ideal for playing multiple singers simultaneously. If
you choose to not use Overlap mode you will also not have access to the
full range of each vocal group. For example, with overlap mode turned o,
and the BASS turned on, you only have access to a range stretching from
E0-A#1, whereas with Overlap mode turned on, and placed in the same
location on the keyboard, the range would be from E0-C#2 (three
additional half notes).
NOTE: The male solo singers and male choir cannot be turned on
simultaneously. The same is true for the female solo singers and the
female choir. For example, If either the ALTO or SOPRANO solo singers
are turned on, then CHOIR F will automatically turn o. However, you can
have the male solo singers and female choir engaged at the same time
and the female solo singers and male choir engaged at the same time.
AERIS
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CHAPTER 05 CONT’D
21
KEY SWITCHES
Key switches for the Performance patch can be used to switch between the
four available vowels. As shown in the following image, key switches begin
PATC H
on C0 and end on D#0 on the KONTAKT Keyboard. C0 engages Ah’s (A),
C#0 engages Oh’s (O), D0 engages Oo’s (U), D#0 engages Hums (M).
CHAPTER 05 / PERFORMANCE
z
22
To engage true legato while in the performance patch, select the “LEGATO”
button in the top left-hand corner of the GUI.
TRUE LEGATO
All vocal groups were recorded with true legato, giving you the most
realistic sounding vocal performances available. You can even adjust the
speed of the letago which allows you to match the speed of any production.
True legato works even when multiple groups are triggered simultaneously.
For example, if you had the BASS and TENOR groups turned on, and legato
mode engaged, you would hear legato working for both performances at
the same time.
AERIS
To adjust the speed of the legato, select the “EDIT” button located to the
right of the “LEGATO” button. The Speed knob allows you the ability to
adjust the legato speed in order to adapt Aeris to the speed of the desired
performance.
Select the “BACK” button to leave the edit view.
VIBRATO
Roll (or slide) the Mod Wheel up and down to control the amount of vibrato
for any engaged group. vibrato is editable via CC1 (Modulation) within
DAW. At a mapped value of 127, full vibrato is enabled. At a mapped value
of 1, full non vibrato is enabled.
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CHAPTER 06
23
Aeris/
PADS PATCH
The top section of the pads patch features two separate engines (Engine A
and Engine B) which can be manipulated independently. To make the two
engines easily distinguishable, we have made Engine A to have a blue tint
CHAPTER 06/ PADS PATCH
when it is the primary engine and Engine B to have a grey tint when it is the
primary engine.
24
ON/OFF - To turn ON and OFF a pad, simply select the power button
located to the left of the pad selector.
MUTE/SOLO - To either mute or solo a pad, simply select the mute or solo
button located to the right of the pad selector.
PADS INTERFACE OVERVIEW
PAD SELECTOR - Click to open pad menu. Select desired pad by double
clicking. Click on the Pad Selector once again to minimize the pad menu.
SELECTED ENGINE - By selecting an engine (currently Engine A) you are
able to make changes to the reverb, envelope, sequencer, and LFO’s and
have it only aect the selected engine. This way, you can manipulate the
engines’ sounds independently from one another.
AREA OF SELECTION - In order to select either Engine A or B, you must
click within the area of selection located to the left and right of the
equalization section for both engines. Adjustments made to the reverb,
envelope, LFO, step sequencer or eects will only aect the selected
engine. This makes it so that you can create two completely unique pads in
one interface.
Choose between 145 inspiring pads spread out across six dierent pad
categories including calm, uplift, distorted, tension, motion, and eects.
NOTE: All pads within the “05 Motion” category are able to automatically
sync with your sequencer’s host tempo. By adjusting the BPM you can
speed up or slow down the tempo of the motion pads.
MAPPING
All pads are mapped across the entire KONTAKT keyboard from C0-C7, with
some pads extending to C8, giving you the widest possible melodic range.
ENGINE A / ENGINE B
The Pads patch features two separate pad engines that can be triggered
simultaneously for endless blending and sound customization. Any
adjustment made to the pad’s reverb, envelope, modulator, step sequencer,
and eects will only aect the selected engine. As stated in the PADS
INTERFACE OVERVIEW section, you can click in the area of selection to
select either Engine A or Engine B.
AERIS
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CHAPTER 07
25
Aeris/
USER PATCH
The User patch is designed to allow you to go further than you have ever
been able to go with a Vir2 library; drag your own audio files into KONTAKT
and utilize the full power of the Aeris interface to manipulate the sound and
CHAPTER 07/ USER PATCH
create something truly unique.
NOTE: The full version of Kontakt 5 is required to utilize the User Patch.
The free Kontakt 5 Player does not give you access to the User Patch.
USER INTERFACE OVERVIEW
The User patch and the Performance patch have identical layouts. For all
info on the User interface please refer to the previous section titled,
“PERFORMANCE INTERFACE OVERVIEW”.
LOADING YOUR OWN CONTENT
To load your own WAV or AIFF files into one of the six available groups,
please adhere to the following steps:
26
*BACKEND OF KONTAKT LAYOUT
STEP 1 - Select the wrench icon in the top left-hand corner of the interface
to open up the backend of KONTAKT (see following image).
AERIS
STEP 2 - Next, select the group out of the six available groups (“group 1”
currently selected) you’d like your sample to be assigned to.
STEP 3 - Once you have the desired group selected, you can then drag the
sample you’d like to load into the Mapping Editor’s grid and onto the key(s)
you’d like the sample to be mapped to (see following image).
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CHAPTER 07 CONT’D
27
CHAPTER 07/ USER PATCH
STEP 4 - Once your sample is mapped to a specific key (we chose C3 for
demonstration purposes only. You can drag your sample to any key
available in the Mapping Editor), you can choose to stretch that sample
across the keyboard so that it will pitch bend up and down either direction
of the root note you chose (see following image). You can drag the sample
ends as far right and left as you’d like, but keep in mind that the farther
away from the root note, the more distorted the sample will sound.
28
STEP 6 - Engage the “Tracking” button so that it is turned ON (Yellow) (see
following image).
STEP 7 - After you have completed these steps, you can then exit the
backend of the interface by clicking on the wrench icon in the top left-hand
corner of the interface and start playing your sample and using the
interface’s controls to adjust the equalization, reverb, eects, modulation,
etc.
STEP 5 - After you have stretched the sample left and right as far as you
would like, scroll down to the “Sources” editor below the “Wave Editor”.
Once there, change the source from “beat machine” to “sampler” by
clicking on the source tab as indicated in the following image.
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CHAPTER 07 CONT’D
29
LOADING TEMPO STRETCHING APPLE LOOP & ACID WAV FILES
To load Apple Loop and/or Acidized WAV files into the User patch that will
tempo sync with KONTAKT’s BPM, as well as the BPM of the host digital
audio workstation, please adhere to the following steps.
Step 1 - Follow steps 1-4 of the previous, “LOADING YOUR OWN CONTENT”
section.
Step 2 - After you have stretched the sample left and right as far as you
would like, scroll back down to the “Sources” editor below the “Wave
CHAPTER 07/ USER PATCH
Editor”. Once there, change the source from “beat machine” to “time
machine pro” by clicking on the source tab as indicated in the following
image.
STEP 4 - Engage the “Tracking” button so that it is turned ON (Yellow) (see
30
following image).
STEP 5 - Once you have engaged tracking you can then exit the backend of
the interface and start playing your sample and using the interface’s
controls to adjust the equalization, reverb, eects, modulation, etc.
STEP 3 - Next, switch the “Speed” to “zone” by clicking on the “%” icon and
selecting from the drop down menu as indicated in the following images
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CHAPTER 08
31
Aeris/
USING AERIS IN KOMPLETE
KONTROL & MASCHINE
KONTROL & MASCHINE
CHAPTER 08/ KOMPLETE
The KOMPLETE KONTROL/MASCHINE version of Aeris oers you a unique
hands-on experience. Once you have loaded Aeris as a KOMPLETE
KONTROL/MASCHINE User library, you will be able to manipulate Aeris’
interface using the controls of the KOMPLETE KONTROL/MASCHINE
console.
USING THE PERFORMANCE PATCH IN KOMPLETE KONTROL & MASCHINE
The following is a breakdown of all the dierent controls of Aeris’
Performance patch interface and how they are operated using KOMPLETE
KONTROL/MASCHINE.
NOTE: KOMPLETE KONTROL/MASCHINE’s menu does not allow you to
select dierent vocal groups or switch between dierent slots within the
interface. For example, If the solo-singer group titled “BASS” is selected
as the primary group, you cannot make the solo-singer group titled
“TENOR” the primary group using KOMPLETE KONTROL/MASCHINE’s
menu. With your cursor you must manually select both groups and slots
(such as LFO slots) in the interface to see them. Keep in mind that you can
still make adjustments to a vocal group or LFO/Eect/Reverb/Envelope
slots even when they are not selected in the interface.
32
Use C0, C#0, D0, and D#0 on the KOMPLETE KONTROL keyboard to
switch between Ah’s, Oh’s, Oo’s, and Hums.
The Equalization of each group must be adjusted using the interface’s
controls. For more information on adjusting equalization for each vocal
group, please see the PERFORMANCE PATCH section on page 18.
Turn ON/OFF Reverb and Envelope on page 3 of the KOMPLETE
KONTROL/MASCHINE menu. Make adjustments to the size and output of
the reverb and tweak the attack, decay, sustain, and release of the envelope.
You must change the reverb type manually using the interface. For more
info on changing the reverb type please see the REVERB/ENVELOPE
section on page 11-12.
Pages 4-6 of the KOMPLETE KONTROL/MASCHINE menu allows you to
turn ON/OFF the six built-in eects on the Eects page of the interface.
Adjust the available controls to dial-in each eect. Adjust the eect’s
controls using the dedicated knobs on the KOMPLETE KONTROL/
MASCHINE mixing panel. Due to space availability, not all eect controls are
available on the KOMPLETE KONTROL/MASCHINE menu. You must use
your cursor to adjust controls that are not available on the KOMPLETE
KONTROL/MASCHINE menu.
Pages 7-10 of the KOMPLETE KONTROL/MASCHINE menu allow you to turn
ON/OFF the four dierent available LFO slots. You are also able to cycle
through the dierent modulation types and waveforms, as well as adjust the
controls and amount of each LFO using the dedicated knobs. You must use
your cursor to select the division of the LFO as well as any presets. For
more information on the modulation section, please see the MOVEMENT
section on page 13.
The Legato and Overlap buttons must be engaged with the mouse. You
must also adjust the legato speed using the interface knob in the legato
“EDIT” section. For more info on these controls please see the
PERFORMANCE PATCH section on page 17.
Use page 1 and page 2 of the KOMPLETE KONTROL/MASCHINE menu to
adjust the Volume, Pan and Vibrato amount for each vocal group. To turn
ON/OFF each vocal group you must click the power button in the interface.
AERIS
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CHAPTER 08 CONT’D
33
PERFORMANCE PATCH PAGE LAYOUT
34
USING THE PADS PATCH IN KOMPLETE KONTROL & MASCHINE
The following is a breakdown of the ten dierent pages you can cycle
through in the KOMPLETE KONTROL/MASCHINE menu.
KONTROL & MASCHINE
CHAPTER 08/ KOMPLETE
The following is a breakdown of all the dierent controls of Aeris’ Pads
patch interface and how they are operated using KOMPLETE KONTROL/
MASCHINE.
Using Knob 1 on page 1 of the KOMPLETE KONTROL/MASCHINE, select
between Engine A and Engine B, this selection will enable which pad
engine will be edited with subsequent pages of controls. Adjust Volume and
Pan with knobs 2-5. You must use your cursor in order to power ON/OFF, /
Mute, Solo, or adjust the Equalization of both engines.
The rest of the controls are identical to the Performance patch. To learn how
to navigate the equalization, reverb, envelope, eects and modulation
sections please refer to the previous section titled, USING THE
PERFORMANCE PATCH IN KOMPLETE KONTROL & MASCHINE.
PADS PATCH PAGE LAYOUT
The following is a breakdown of the nine dierent pages you can cycle
through in the KOMPLETE KONTROL/MASCHINE menu.
AERIS
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CHAPTER 09
35
Aeris/
QUICK START GUIDE
GUIDE
CHAPTER 09/ QUICK START
Aeris: Hybrid Choir Designer is a revolutionary new choir and solo singer
virtual instrument for the KONTAKT Player. The purpose of Aeris is to give
modern composers the power and versatility of real, full male and female
choirs mixed with the unique voices of four solo singers. For ease of use,
Aeris is split into three dierent categories: Performance, Pads, and User.
Each category showcases unique features for simplified sound design
allowing you to create the exact vocal-based performance you need. The
following is a Quick Start guide for basic introduction:
(Buttons) GREEN = ON / RED = OFF
(Knobs & Faders) GREEN = MINIMUM (or OFF) / RED = MAXIMUM
The Performance patch category places the full power of male and female
choirs, as well as four solo singers including bass, tenor, alto, and soprano at
your fingertips. Each choir and solo singer was recorded singing four
dierent vowels: Ah’s, Oh’s, Oo’s, and Hums. In addition to these four vowels,
we recorded two velocity layers for all the vocal performers, and three round
robins for each solo singer to make the Performance patch of Aeris the most
realistic and powerful hybrid vocal instrument available.
36
The Pads patch is a massive collection of 145 completely original pads,
created exclusively using the samples from the Performance patch of Aeris.
You are given two pad engines that can be triggered simultaneously, or
individually, for endless original sound design and atmospheric composition.
The User patch enables you to place your very own audio content inside
Aeris and use the interface’s powerful controls to further customize your
own sounds. Use Apple Loop and Acidized WAV files to create temposyncing patches. With just a few simple steps you can utilize the full power
of the Aeris’ interface to explore new ways of manipulating your own sample
content.
AERIS
Page 22
37
Aeris/
TECH
SUPPORT,
ETC.
TECH SUPPORT, ETC.
recorded performance that includes the licensed samples as part of a
derivative musical work created by the licensed end user. This license
expressly forbids resale, rental, loan, gift, or transfer of these samples in any
format or via any medium, except as part of a derivative musical work. The
samples may not be included, whether unmodified or as part of a derivative
work, in any sample library product. Any unlicensed usage will be
prosecuted to the maximum extent possible under the law.
38
TECH SUPPORT
Vir2 Instruments stands behind its products and is committed to helping
you get the most out of using them. Please check the Support area of the
www.vir2.com web site if you encounter any diculties in using the product.
You may also e-mail support@vir2.com.
Before getting in touch with Vir2 Instruments regarding problems with the
product, make sure you are running the latest versions of the library, engine,
and Service Center. We are continuously updating and improving the
product, so it is possible that there are more recent updates available that
were released after the physical manufacturing of your product copy.
THE FULL VERSION OF KONTAKT 5
Aeris ships with Kontakt 5 running in library mode, meaning it is fully able to
play back the Aeris library and access the parameters detailed in this
manual.
Registered owners of Aeris are eligible for a special cross-grade discount to
the full version of Kontakt 5, which enables users to create their own
libraries, import libraries in non-Kontakt formats, and access numerous deep
editing features.
Visit www.nativeinstruments.com for details on the Kontakt cross-grade.
LICENSE AGREEMENT
CREDITS
Produced by: Vir2 Instruments
Project Director: Julian Cisneros
Editors: Michael Boone, Julian Cisneros
Sound Design: Steven Bolar, Sam Estes, Michael Hobe, Kevin Alves
Script: Alex Harper
GUI Design: Frank Flitton
Additional Graphics: Albert Grose
Cover Design: Albert Grose, Aleksandar Andric
Manual: Michael Boone, Jimmy Melnarik, Andrew Kosloske
The samples contained herein are licensed, not sold to you, the individual
end user, by Vir2 Instruments. This non-exclusive, non-transferable license is
granted only to the individual end user who has purchased an unopened,
new, and lawfully made copy of this product from a dealer or distributor
authorized by Vir2 Instruments. All samples remain the property of Vir2
Instruments and are licensed only for use in the creation of a live or
AERIS
Page 23
AERIS
© 2016 Vir2 Instruments.
All trademarks used are property of their respective owners.
Specifications subject to change.
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