Vir2 Apollo User Manual

Page 1

USER MANUAL

Page 2

Produced by Vir2 Instruments

Vir2 Instruments is an international team of sound designers, musicians, and programmers who specialize in creating the world’s most advanced virtual instrument libraries. Vir2 is producing the instruments that shape the sound of modern music.

29033 Avenue Sherman, Suite 201 Valencia, CA 91355

Phone:661.295.0761 Web:www.vir2.com

USER MANUAL

Page 3

Apollo/ TABLE OF CONTENTS

37 TECH. SUPPORT, ETC.

CHAPTER 01

01 INTRODUCTION TO THE LIBRARY

TABLE OF CONTENTS

CHAPTER 02

05 REQUIREMENTS AND INSTALLATION

CHAPTER 03

07 USING KONTAKT

CHAPTER 04

15 BASICS

CHAPTER 05

17 SWELLS

CHAPTER 06

21 PADS

CHAPTER 07

25 AMBIENT DESIGNER

38 CREDITS

CHAPTER 08

31 PHRASE BUILDER

CHAPTER 09

33 INSTRUMENTS

CHAPTER 10

34 QUICK START GUIDE

APOLLO00APOLLO

Page 4

CHAPTER 01

Apollo/

INTRODUCTION

Apollo provides ﬁve unprecedented categories that will

generate endless opportunities for creativity:

TO THE LIBRARY

Thank you for purchasing Apollo.

From Vir2 Instruments, the creators of the award-

winning Electri6ity, Apollo, and MOJO Horns, comes

CHAPTER 01 / INTRODUCTION TO THE LIBRARY

Apollo: Cinematic Guitars, a revolutionary new guitar

virtual instrument for the Kontakt Player. Created for all

forms of music production, Apollo oers ﬁve

innovative categories packed with features to enhance

the creative process, as well as save time and increase

productivity. The goal of Apollo is to provide the

modern composer with real guitar samples, real

strums, and real sounds made straight from the best

guitars, eects pedals, amps, and signal ﬂow possible.

Vir2 worked with some of the industry’s best

composers and producers to bring you a

comprehensive collection of sounds to give you exactly

what you need for your next composition.

The Swells category is a vast collection of sounds

giving you the option to trigger strums of both high

and low iterations of major and minor chords for each

sound. Individual notes were sampled per sound in

order to give the user the ability to create their own

voicings.

The Pads category puts sound design into the hands of

the user. Apollo features the ability to load and mix

two unique pads, allowing for the creation of

thousands of unique guitar-based pads.

The Ambient Designer category delivers an

experimental approach to sound design by engineering

various tonal and non-tonal sounds to create custom

guitar-based atmospheres. It utilizes various noises and

sounds made solely with the guitar, including guitar

plucks, phrases, violin bow on strings, ﬁngers sliding on

strings, white noise, amp buzz, and much much more.

Each of these sounds can be combined, mixed, and

panned to create the perfect atmosphere for

compositions across all genres.

APOLLO

Page 5

CHAPTER 01 CONT’D

The Phrase Builder category places common, and not-

so-common phrase options at the user’s ﬁngertips.

• 5 revolutionary guitar-based categories for the

modern composer

Particularly for use in ﬁlm and television, simple

phrases underscore much of what is seen. Working

with top television guitarists, Vir2 created an

unparalleled approach to using pre-recorded phrases

which gives the user the option of combining these

phrases to build their own performance.

CHAPTER 01 / INTRODUCTION TO THE LIBRARY

The Instrument category is a simple approach to give

the user the ability to create simple performances on

the ﬂy with various instruments. The instruments

included are, Acoustic Guitar, Acoustic Guitar

Harmonics, Electric Guitar Harmonics, Bass, Electric

Guitar, and Sitar.

• Unique and intuitive graphic user interface

• 8 powerful eects options for in-depth sound design

• Modulation for further eects processing

• Samples created by industry renowned composers

and producers

• The best guitars, pedals, amps, and signal ﬂow

possible sampled

APOLLO

Page 6

CHAPTER 02

Apollo/

REQUIREMENTS AND INSTALLATION

an instrument plug-in from within your preferred host application. Click on the Libraries tab from the Kontakt browser on the left side of the Kontakt interface. Just below “Libraries,” click on “Add Library.” A “Locate Folder” window will appear. Navigate to the Apollo Library folder, highlight it, then click “Choose”. Apollo should now appear in Kontakt’s library browser..

UPDATING

SYSTEM REQUIREMENTS

For Mac users, Apollo requires OS 10.7.3 or greater, an Intel Core Duo

2.0GHz or higher, a USB port, and minimum 2GB of RAM.

For Windows users, Apollo requires Windows 7 or 8 (latest s.p.), 32 or 64 compatible, an Intel Core Duo 2.0GHz or higher, a USB port, and minimum

CHAPTER 02 / REQUIREMENTS AND INSTALLATION

2GB of RAM.

The library requires approximately 22GB of disk space.

Vir2 Instruments strongly recommends more than 4GB of RAM and an 88key controller in order to use Apollo to its fullest potential.

INSTALLING

The installation of Apollo consists of two separate steps: the installation of the Kontakt engine, and the installation of the Apollo library.

In the Apollo folder, you will see the installers for Kontakt 5 and the Apollo library folder. Move the Apollo library folder to any location on your hard drive, then run the Kontakt 5 installer.

The Kontakt installer will install the Kontakt Player engine, its standalone application, all of its plug-in versions, and the Service Center authorizer program. We recommend the Easy Install and that the install locations for each component are left at their default settings.

After installation, please make sure that you are fully updated to the most recent versions of the three components that make up the Apollo package: the library (which contains all the patch information and programming), the engine (which is powered by Kontakt), and the authorizer (Service Center). It is possible that any of these components may have a more recent version than shipped in your physical package, so you should check for updates to each of these three. You can do this by visiting the vir2.com web site and checking the Support area.

AUTHORIZING

After you’ve completed installation, Apollo will be working in demo mode, meaning it will only work for 15 minutes at a time. To fully authorize it, launch Service Center (found in the Applications folder on a Mac, or the Program Files folder on Windows) and follow its instructions. You will be prompted to enter your e-mail address and password that make up your Native Instruments account, or will be given an option to create an account if you don’t already have one. Once inside the Service Center, it will give you a list of all the Native Instruments and NI-powered products on your hard drive and give you the option to activate them. You are allowed to install and use Apollo on up to two computers simultaneously.

Service Center will guide you through the process for either online (instant) activation, or oine activation if the computer on which you installed Apollo does not have direct access to the internet.

The Apollo library is approximately 13GB in size, and can be installed on any available hard drive. For speed reasons, we recommend it be installed on internal or eSATA drives. A Firewire drive is also acceptable. An external USB drive may give somewhat less optimized performance. We also recommend 7200rpm drives or SSDs regardless of the interface used.

Once Kontakt is installed, launch the standalone application, or open it as

APOLLO

Page 7

CHAPTER 03

Apollo/

USING KONTAKT

between the physical playing of the note and the sound coming out of Kontakt) will be, but the harder the computer will have to work. Typical useful values range between 128 and 256, however very fast computers may be able to handle lower values, while very slow computers may need higher values. [01]

The MIDI page of the Options dialog box must be conﬁgured in order to let Kontakt know which MIDI device(s) to respond to. Kontakt will respond to up to four MIDI input ports (A, B, C, and D), so we recommend you switch one MIDI source on to Port A, as shown in the graphic below. [02]

HOW TO ACCESS THE Apollo LIBRARY FROM KONTAKT

CHAPTER 03 / USING KONTAKT

Apollo ships as a Kontakt-powered library, and Apollo is opened from within Kontakt, which can be run either as a standalone application, or as a plug-in hosted by any major sequencer on either Macintosh or Windows platforms. All these versions are installed by the Easy Install option of the installer.

Users who don’t own a sequencer, or would like to simply boot up and be able to play Apollo, can go to their Applications folder (Mac) or Program Files folder (Windows) to launch Native Instruments > Kontakt.

Users who wish to use Apollo for sequencing or recording should use it in plug-in mode within a host sequencer. Kontakt supports the VST, AudioUnit, and RTAS plug-in formats. Any host sequencer that supports these plug-in formats properly will be able to use Kontakt. Instructions vary slightly from sequencer to sequencer, but the general procedure is to instantiate Kontakt as a virtual instrument plug-in, then load an Apollo instrument in Kontakt, then route a MIDI track to Kontakt so it can be triggered and recorded.

The following instructions will help standalone and plug-in users get up and running quickly with a basic track of Apollo.

USING KONTAKT IN STANDALONE MODE

The standalone Kontakt application can be found in the Applications > Kontakt 5 folder for Mac users, or Program Files > Native Instruments > Kontakt 5 for Windows users.

More detailed information on the setup options can be found in the accompanying Kontakt manual.

Once you have completed Kontakt setup, jump ahead to the Getting Started with Apollo section below.

After launching the Kontakt application for the ﬁrst time, you will be presented with a dialog box to set up your audio and MIDI settings. Settings will vary for each user according to the speciﬁc setup, but the important thing is to route the audio to a valid audio device, and to set the buer reasonably low for good latency performance. We recommend 256 samples or less. The lower the latency slider, the less latency (the split second

APOLLO

Page 8

USING KONTAKT AS A VST PLUG-IN IN CUBASE AND NUENDO

Users of Steinberg’s Cubase or Nuendo sequencers can use Kontakt as a VST plug-in. These instructions have been prepared in Cubase 5, although Kontakt may also work in earlier versions if the computer meets the system requirements.

Once the project is open, go to the Devices menu and choose VST Instruments: [01]

When the VST Instruments window appears, click in the ﬁrst available slot in which “no instrument” is listed. [02]

The Kontakt window will appear, and a MIDI track will be created, transmitting to Kontakt’s MIDI channel A-1. When it is record-enabled, it will send any incoming MIDI played on your controller into Kontakt.

At this point, you can skip down in the instructions to the Getting Started With Apollo section below.

USING KONTAKT AS A VST OR AUDIOUNIT PLUG-IN IN ABLETON LIVE

Users of Ableton Live can use Kontakt as a VST or AudioUnit plug-in, depending on the version. The functionality is the same. These instructions have been prepared in Live 7, although Kontakt may also work in earlier or later versions if the computer meets the system requirements.

Once the project is open, go to the left side and click on the third icon down to show the Plug-in Devices list, then scroll to the Native Instruments folder and locate Kontakt 5: [04]

A popup menu will appear; choose Kontakt 5.

An alert box will appear asking if you want to create a MIDI track assigned to the Kontakt 5 plug-in. Click Create. [03]

APOLLO

Drag Kontakt 5 into the central area where the text “Drop Files and Devices Here” is shown.

The Kontakt interface will appear, and it will already be actively transmitting to Kontakt’s MIDI channel A-1. When it is record-enabled, it will send any incoming MIDI played on your controller into Kontakt.

At this point, you can skip down in the instructions to the Getting Started With Apollo section below.

Page 9

11 12

USING KONTAKT AS AN AUDIOUNIT PLUG-IN IN LOGIC PRO, LOGIC STUDIO, LOGIC EXPRESS, ETC.

Users of Apple’s Logic can use Kontakt as an AudioUnit plug-in. These instructions have been prepared in Logic Pro 8, although Kontakt may also work in earlier versions if the computer meets the system requirements.

At this point, you can skip down in the instructions to the Getting Started With Apollo section below.

Once inside your Logic project, go to the Track mini-menu (in the central area of your screen) and choose Track > New... [01]

USING KONTAKT IN GARAGEBAND

Users of Apple’s GarageBand can use Kontakt as an AudioUnit plug-in. These instructions have been prepared in GarageBand 5 (which shipped with iLife ‘09), although Kontakt may also work in earlier versions if the computer meets the system requirements.

The New Tracks dialog box will appear. Make sure Software Instrument is selected, then click Create. [02]

Once inside your GarageBand project, go to the Track menu and choose New Track.

[05]

A window with three choices will appear. Choose Software Instrument, then click

The new instrument track will be created. On the left side of the screen you will see the channel strip for that channel, including a fader, pan knob, and various insert slots. Locate the blank slot just below the letters “I/O” and above the output pair: [03]

Click there, and a list of available instrument plug-ins will appear. Choose AU Instruments > Native Instruments > Kontakt 5 > Stereo. [04]

Choose. [06] On the right side of the interface, the Browse tab will be showing. Switch to the Edit tab. [07] The Sound Generator will default to Piano. Click on Piano, and a popup menu will appear. Choose Audio Unit Modules > Kontakt 5. [08]

Note: GarageBand may default to inserting eects, such as a compressor and a visual EQ

this track. This will color the sound. If you don’t

want these eects used, you can remove

them.

Once Kontakt 5 is selected, the icon will change to the AudioUnit icon (the ball with

the sound waves radiating outward). Double-click

on the icon to bring up the Kontakt window.

[09]

The Kontakt window will appear, and a MIDI

track will be created, transmitting to Kontakt’s MIDI channel A-1. When it is record-enabled, it will send any incoming MIDI played on your controller into Kontakt.

APOLLO

Page 10

13 14

USING KONTAKT AS AN AUDIOUNIT PLUG-IN IN DIGITAL PERFORMER

Users of MOTU’s Digital Performer can use Kontakt as an AudioUnit plug-in.

Once the project is open, go to the Track menu and choose New... [03]

These instructions have been prepared in Digital Performer 6, although Kontakt may also work in earlier versions if the computer meets the system requirements.

Once the project is open, go to the Project menu and choose Add Track > Add Instruments... [01]

In the dialog box that appears, choose the appropriate options, such as the following: create 1 new stereo Instrument Track in samples. Then click Create. [04]

Go to the Mix window and look at the channel strip for the instrument. At the very top is an area for Inserts A-E. [05]

In the resulting dialog box, click on the unassigned pull down menu, and choose Native Instruments > Kontakt 5. You can also change the number of

Click on the ﬁrst of the ﬁve slots, and navigate through the popup menu to choose multichannel plug-in > Instrument > Kontakt 5. [06]

MIDI tracks to be added, if you know you will want to use more than one.

[02]

At this point, you can skip down in the instructions to the Getting Started With Apollo section below.

USING KONTAKT AS AN RTAS PLUG-IN IN PRO TOOLS

Users of Digidesign’s Pro Tools (M-Powered, LE, or TDM) can use Kontakt as an RTAS or AAX plug-in. These instructions have been prepared in Pro Tools 8, although Kontakt may also work in earlier versions if the computer meets the system requirements.

APOLLO

The Kontakt window will appear. At this point, you can skip down in the instructions to the Getting Started With Apollo section below.

USING KONTAKT AS A PLUG-IN IN ANOTHER HOST

There are too many host programs to cover here in detail, but any modern sequencer that properly supports the VST, AudioUnit, or RTAS standards should be able to use Kontakt properly, and load Apollo within it. Consult the manual for your speciﬁc host to ﬁnd out how to instantiate the Kontakt virtual instrument.

Page 11

CHAPTER 04

Apollo/

BASICS

CHAPTER 04 / BASICS

Before diving into this exciting new instrument, there are a few basics to consider which are standard throughout Apollo.

Applied to all patches of Apollo is a Low Pass ﬁlter which can be engaged by moving the mod wheel, or drawing in the Mod Wheel MIDI informaiton in your DAW.

AMP HEAD

Input: No function

Power/Standby Switch: Mutes the patch when in Standby position

EQ: Controls the EQ of entire patch

Gain: Controls volume of selected group

Master: Controls the master volume of patch

FX SECTION

Apollo includes eight premium FX to further the versatility of each patch. Clicking on a speciﬁc eect will reveal that particular eect’s controls to the right of the FX Pie. To engage a desired eect, simply select the desired eect and click the power icon at the bottom of the FX pie. The power button will turn yellow to indicate that it is “on”.

In the image above, Reverb is selected, and its controls are displayed to the right. Looking at the FX Pie, you will notice that Compression is yellow, that is because it is currently “on”. All of the eects colored blue are “o”. We are still looking at Reverb because it is white. If you were to select another eect, Reverb would indicate yellow because it is “on”.

On/O

First o, throughout Apollo you will notice that each tab or button has a speciﬁc color and that color will change based on its function. The rule of thumb is:

Blue = OFF, Yellow = ON, White = Selected

APOLLO

INFO ICON

On the Swells and Ambient Designer patches you will notice a small info (i) icon in the bottom right corner of the screen. Click this icon to reveal mapping and additional reference information. Click anywhere on the image to return to Apollo’s interface.

Page 12

CHAPTER 05

Apollo/

SWELLS

CHAPTER 05/ SWELLS

Consistently throughout music production of all genres, guitar swells are prevalent. Apollo’s Swells category is a tool created to provide composers and producers access to a wide variety of guitars, eects, and amps in order to eectively add guitar swells to their compositions. To maintain versatility, each sound has a wet and dry option, as well as sampled strums in both high and low iterations of both major and minor chords. Additionally, each sound includes chromatically sampled single notes across the range of the guitar’s fretboard in order for the composer to create their own voicing or single-note performances.

MAPPING

Chords

Since there are multiple locations on the guitar to play a speciﬁc chord, Apollo provides both low and high iterations of both major and minor chords. The keys represent a strummed chord which corresponds with the key you are triggering on the MIDI keyboard. For example, triggering the E2 key will trigger an E Major chord, triggering the F2 key will trigger an F Major chord, and so on and so forth. Refer to the image above for mapping speciﬁcs.

Notes

The notes mapping has been chromatically sampled representing the range of a guitar. Beginning the open E, and progressing chromatically up the neck of the guitar to a high D#.

APOLLO

Page 13

CHAPTER 05 CONT’D

ADSR

CHAPTER 05/ SWELLS

Swelling sound with a guitar requires the plucking or strum of a note or chord with the volume down, then raising the volume slowly after, creating a swell of volume. The raising of volume is typically done with a volume pedal, so in order to recreate the swell eect, Vir2 utilized the attack of the ADSR to give the user full control of the swell speed. The attack knob was renamed “Swell Speed”. When the Swell Speed knob is at 0.0 ms, the user can hear the strum or pluck of a note. Turn this knob clockwise to achieve desired swell speed. The Decay, Sustain, and Release knobs serve their standard functions in an ADSR.

LFO

Each Swells patch includes an LFO for further modulation and sound design. To turn on the LFO, simply click the switch on the right-hand side of the LFO edit area.

To select your desired sound wave, click the text button [shown as ‘Rectangle’ above] and a drop down menu will appear, giving you the option to choose from either a Rectangle, Sine, Sawtooth, or Triangle wave

• Clicking the VOLUME / PAN button will switch the LFO’s modulation to control either volume or pan.

• TEMPO SYNC syncs the frequency of the modulation with the host tempo of Kontakt or DAW.

• FREQ aects the frequency of the modulation. When in TEMPO SYNC mode (yellow), the FREQ knob automatically adjusts to the frequency which matches the host tempo of Kontakt or your DAW. When not in TEMPO SYNC mode (blue), the user can freely turn the FREQ knob to achieve desired modulation.

• FADE IN aects the fade in of the modulating wave

• PHASE aects the phase of the modulating wave

• PULSE W aects the pulse width of the modulating wave, most notably

APOLLO

heard when a rectangle wave is selected

Page 14

CHAPTER 06

Apollo/

PADS

CHAPTER 07/ PADS

• Pad Selector - Click to open pad menu. Select desired pad by double clicking

• Previous/Next Arrows - Cycles through selected pad within selected folder

• Modulation Button - Click to enable Modulation (Blue = O, Yellow = On)

• Envelope Button - Click to enable Envelope (Blue = O, Yellow = On)

Apollo oers the ability to load two separate pads, each with individual controls, in order give the user free reign to create a desired sound quickly and eectively. Below is a breakdown of the unique Pad’s controls:

APOLLO

• Mute/Solo Buttons - Mute or Solo each pad engine

• Edit Button - Clicking this button causes the modulation and envelope controls to appear

• Pan/Tune - Click to specify if Pan/Tune Knob controls Pan or Tune

• Pan/Tune Knob - Controls either Pan or Tune depending on what is selected above

Page 15

CHAPTER 06 CONT’D

PAD SELECTOR

CHAPTER 07/ PADS

The Pad Selector is a drop down menu that appears when you click the tab above each pad engine. The menu has a basic folder structure with seven dierent parent folders, each containing multiple pads. Double clicking on a pad will select the pad, click the tab above to remove the menu.

Once a pad is selected, use the right and left arrows for swift navigation through the pads in the selected folder. Continue this process in the other Pads engine and use the faders to blend sounds together and create the exact guitar-based Pad you are looking for.

EDIT

Clicking the EDIT button on one of the Pads engines will direct you to controls which aect the speciﬁc pad that the EDIT button is located under. Like SWELLS, each pad engine allows control over the ADSR and LFO. The image below displays the Pads edit controls.

See Pages 19 and 20 for details on the functionality of both the ADSR and LFO.

Clicking the blue BACK button returns you to the main controls of the Pads.

APOLLO

Page 16

CHAPTER 07

Apollo/

AMBIENT DESIGNER

CHAPTER 08/ AMBIENT DESIGNER

BASIC USE

The AMBIENT DESIGNER is a revolutionary approach to guitar-based ambient sound design. There are six basic groups: Red, Yellow, Green, Blue, Cyan, and White. Each group has a set of sounds loaded, which can be triggered by simply pressing a note on the keyboard. Click the LATCH switch to engage Latch mode, which allows for the basic foundation of sound design within Ambient Designer. Press a key to trigger a sound, that sound will latch and continue to loop (a light will illuminate below the group that a sound is triggered). Press the same key again to disengage the looping sound. With this feature, you can trigger as many sounds as possible within the six groups. Click the colored tab above each group to load dierent groups, each with unique sounds. Click EDIT to bring up the mixer page, which gives deeper mixing control for each triggered sound. The triggered keys in that particular group will be illuminated by a light on the bottom right of the channel. On the mixer page, the user can click the REV button to reverse the sound of each channel. Use each channel’s fader and pan for further customization. Click BACK to return to the main Ambient Designer page.

APOLLO

MAIN PAGE

• Latch Mode - When engaged, a triggered sample will continuously loop until retriggered

• Group Select - Click to load desired group of sounds

• Group Edit - Click to navigate to group Mixer page

• Mute/Solo - Mute or Solo group

• Surround Output - Click to select surround mode

• Global FX - Choose to engage either Transient Master, Compression, or

Limiter to the Ambient Designer

• Global FX Switch - Engages selected Global Eect

• Group Playback Indicator Light - Illuminates when a sample within group

is being triggered

• Info Button - Clicking the Info Button brings up info slide

Page 17

CHAPTER 07 CONT’D

Selecting Global Key

USING LATCH MODE

CHAPTER 08/ AMBIENT DESIGNER

To engage LATCH mode, click the LATCH switch to engage. As the image above describes, trigger a sample by pressing a key on the MIDI keyboard. The light of the group triggered will illuminate. Click the EDIT button of illuminated group to navigate to Mixer Page, the speciﬁc key triggered will be illuminated by another light at the bottom of the respective channel. Triggering another sample from that group will illuminate another channel, so on and so forth. Reverse, mix, and pan each triggered sample. Click BACK to return to Main Page. Continue this procedure utilizing sounds from all 6 groups. When desired ambient bed is achieved, click the LATCH switch to disengage playback. the FULL MIX keyswitch, mapped to C7, will playback the ambient bed just created while in LATCH mode. Simply hold down C7 for playback.

Mapped from C6-B6 are keyswitches colored black. Each keyswitch will change all samples to playback at desired key. For example, press C6 for all samples to play back in the key of C, press C#6 for all samples to play back in the key of C#, press D6 for all samples to play back in the key of D, so on and so forth.

DAW Use

Manually trigger samples by writing MIDI notes in the DAW’s MIDI Editor or Piano Roll. If one wants to have a sample mapped at G4 triggered, simply draw MIDI note on Piano Roll at G4. Continue for all sounds.

Additionally, one can utilize the memory of the FULL MIX keyswitch and simply write a MIDI note at C7 in the Piano Roll or press record in the DAW and hold down C7 for desired length. This will playback the ambient bed designed while in LATCH mode.

APOLLO

Page 18

CHAPTER 07 CONT’D

MIXER PAGE

CHAPTER 08/ AMBIENT DESIGNER

• Reverse Button - Clicking this button reverses the associated sample

• Note Indicator Letter - The letter at the bottom left of each channel indicates which key on the MIDI keyboard is being triggered.

• Global FX Switch - Enables the FX wheel to aect all groups as opposed to just the individual group selected.

• Individual Sample Channel - Each channel allows for panning, volume fading, and reversing of associated sample

• Note Playback Indicator Light - Illuminates when associated sample is being triggered

Clicking EDIT on one of the main 6 channels on the main page of Ambient Designer will navigate the user to the Mixer Page. The Mixer Page allows for deeper control over each sample being triggered. On the Mixer Page, each sample can be panned, mixed, and reversed. At the bottom of each channel is a note that corresponds to the key on the MIDI keyboard, and a light that illuminates if the sample is being triggered.

On the Mixer Page, click the blue BACK button to return to main Ambient Designer page.

APOLLO

Page 19

CHAPTER 08

Apollo/

PHRASE BUILDER

CHAPTER 08/ PHRASE BUILDER

• Patch Title - Each patch includes the BPM each performance was performed at. This is useful information since each patch is tempo synced and will automatically sync to the host.

• Global FX - When on, the FX will be applied to all groups. When o, the FX will be applied to only the selected group

The idea behind the Phrase Builder category is to provide composers and producers with broken down phrases that can be manipulated to create original performances. Each phrase is broken down into micro-phrases. Each cluster of mapped samples can be played together in whichever order. There are multiple clusters of samples mapped with each patch. These clusters can form a full performance. Typically, open strums are mapped furthest left on the MIDI keyboard, preceded by various strumming patterns, plucking patterns, and melodies. Each sample loop and each group can have individual FX applied when the Global FX Switch is switched o.

APOLLO

• MIDI Select - When on, the Group Display Tab will display the group being triggered on the MIDI keyboard. When o, the text will remain static

• Group Display Tab - Displays the group being triggered by the MIDI keyboard

• Group Fader - Controls the volume of selected group

• Group Tuner - Changes the tuning of selected group

• Group Pan - Controls the panning of selected group

As mentioned above, each sample in each patch automatically syncs to host tempo. Each patch portrays a dierent genre providing a wide array of use.

Page 20

CHAPTER 09

Apollo/

INSTRUMENTS

CHAPTER 09/ INSTRUMENTS

CHAPTER 10

Apollo/

QUICK START GUIDE

Apollo: Cinematic Guitars includes ﬁve main categories: Swells, Pads, Ambient Designer, Phrase Builder, and Instruments. Each category showcases unique features for simpliﬁed sound design allowing the user to create the exact guitar-based sound they need. The following is a Quick Start guide for basic introduction:

Blue = OFF, Yellow = ON, White = Selected

SWELLS provide the user with their choice of well over a hundred unique

patches, each with various options of triggering chromatically sampled notes, major chords (high and low iterations, and minor chords (high and low iterations). Transition between chords and notes by clicking the yellow tab above the Swell Speed knob. Some patches only include notes, this is indicated by the patch loading with a smaller range of notes mapped on the Kontakt keyboard.

CHAPTER 10/ QUICK START GUIDE

The INSTRUMENTS category consists of basic, multi-sampled instruments intended for simpliﬁed use. Each instrument includes up to 3 velocity layers and 5 round robins for the creation of simple lead-based phrases, and arpeggiation.

Included Instruments:

• Acoustic Guitar Harmonics

• Acoustic Guitar

• Air Harmonics

• Electric Bass

• Electric Guitar 1

• Electric Guitar 2

• Electric Guitar Harmonics

• Sitar

APOLLO

The PADS patch includes two pad engines for easy sound design. Click the tab above each engine to load a pad from a desired folder. Click the left and right arrows to cycle through pads in chosen folder. Select MOD to engage LFO. ENV is engaged by default, with preset ADSR settings. Click M or S to mute or solo pad. By default, Pan is selected. Turning the knob will change the pan settings of the speciﬁc pad. Clicking the Pan text will switch the control to TUNE, which changes the function of the knob to aect the tune settings of the speciﬁc pad. Click the EDIT button to reveal MOD and ENV controls. Clicking BACK will bring back the main Pads control interface setting. Additionally, open the Preset Patches folder in the Apollo library for access to plug and play pads.

The INSTRUMENTS category consists of basic, multi-sampled instruments intended for simpliﬁed use. Each instrument includes up to three velocity layers and ﬁve round robins for the creation of simple lead-based phrases, and arpeggiation.

Page 21

CHAPTER 10 CONT’D

CHAPTER 10/ QUICK START GUIDE

possible within the six groups. Click the colored tab above each group to load dierent groups, each with unique sounds. Click EDIT to bring up the mixer page, which gives deeper mixing control for each triggered sound. The triggered keys in that particular group will be illuminated by a light on the bottom right of the channel. On the mixer page, the user can click the REV button to reverse the sound of each channel. Use each channel’s fader and pan for further customization. Click BACK to return to the main Ambient Designer page.

The PHRASE BUILDER category is a simple approach to providing a user pre-recorded, tempo-synced phrases with the ability to create custom performances. The beneﬁt of this approach is to allow a composer or producer the freedom and conﬁdence of creating a loop style performance, without being conﬁned by the limits of a pre-deﬁned loop. Load a patch from the category, trigger a group on the keyboard, and notice that each key in the group transitions melodically. This is how a unique performance is created. As the user plays the dierent groups mapped on the keyboard, the text in the tab above the fader and Pan/Tune knobs changes. MIDI SELECT allows for the automatic changing of text between groups. GLOBAL FX, when switched on, allows for FX to be added to all groups. Switching GLOBAL FX o will allow FX to be added solely to the selected group, the group displayed in the tab to the right.

APOLLO

Page 22

Apollo/

TECH SUPPORT, ETC.

recorded performance that includes the licensed samples as part of a derivative musical work created by the licensed end user. This license expressly forbids resale, rental, loan, gift, or transfer of these samples in any format or via any medium, except as part of a derivative musical work. The samples may not be included, whether unmodiﬁed or as part of a derivative work, in any sample library product. Any unlicensed usage will be prosecuted to the maximum extent possible under the law.

TECH SUPPORT

Vir2 Instruments stands behind its products and is committed to helping you get the most out of using them. Please check the Support area of the www.vir2.com web site if you encounter any diculties in using the product. You may also e-mail [email protected].

Before getting in touch with Vir2 Instruments regarding problems with the product, make sure you are running the latest versions of the library, engine, and Service Center. We are continuously updating and improving the product, so it is possible that there are more recent updates available that were released after the physical manufacturing of your installation drive.

THE FULL VERSION OF KONTAKT 5

Apollo ships with Kontakt 5 running in library mode, meaning it is fully able to play back the Apollo library and access the parameters detailed in this manual.

Registered owners of Apollo are eligible for a special cross-grade discount to the full version of Kontakt 5, which enables users to create their own libraries, import libraries in non-Kontakt formats, and access numerous deep editing features.

Visit www.nativeinstruments.com for details on the Kontakt cross-grade.

LICENSE AGREEMENT

CREDITS

Produced by: Vir2 Instruments

Project Director: Julian Cisneros

Content: Bobby Hartry, Michael Elsner, Shane Roberts, Cullen West, Julian

Cisneros

Editors: Michael Boone, Julian Cisneros

Sound Design: Steven Bolar, Sam Estes, Michael Hobe, Julian Cisneros

Script: Alex Harper

GUI Design: Frank Flitton

Additional Graphics: Albert Grose

Cover Design: Albert Grose

Manual: Andrew Kosloske

The samples contained herein are licensed, not sold to you, the individual end user, by Vir2 Instruments. This non-exclusive, non-transferable license is granted only to the individual end user who has purchased an unopened, new, and lawfully made copy of this product from a dealer or distributor authorized by Vir2 Instruments. All samples remain the property of Vir2 Instruments and are licensed only for use in the creation of a live or

APOLLO

Page 23

All trademarks used are property of their respective owners.

APOLLO

Speciﬁcations subject to change.