VENUS
Apart from the technological innovations
brought by Pier Teresio Arduino, the reasons
behind the success of the Venus coffee
machine derives chiefly from the extremely
seductive shape and the harmony of
proportion that is reminiscent of the classic
golden rule, which has also influenced
contemporary design and architecture.
At the time of Arduino’s design, modern
cars, machine tools, the earliest “electrical
appliances” still combined functionality with
shape. Although this was in substance
linear and essential, it was in any case
aesthetically developed because each
object, being the work of a human being,
was entitled to have its own “beauty” and
its own dignity, which would in a manner of
speaking redeem it from its nature
of instrument that existed only in relation
to its specific function.
“Those who find beautiful meanings in
beautiful things are the cultivated. For these
there is hope. They are the elect to whom
beautiful things mean only beauty.”
(O. Wilde)
In a world that was changing abruptly,
shaking off fin du siècle conventions, the
Venus made an enormous impact.
Its elegant, inspiring appearance allowed
it to triumph over and also enhance the
humdrum gesture of sipping
a cup of coffee.
de divina proportione
“The
cupola is a domed vault
with perfect central symmetry and
is built around a circular base with a
semi-circular profile that is either parabolic or
ovoid. Its function is to demarcate and to enclose
ample spaces, its static difficulties have always
made it constitutionally the most arduous means of
plastic expression, but nevertheless the cupola
embodies the concept of perfection. “Yet all beauty
is perfect - an animal, a painting, a woman -
(says Musil) it is nothing other than the last
piece of the circle; a curve is perfect, it is
seen as such, but one would wish
to meet the circle ...”.